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00:00:28Thank you!
00:00:47Thank you!
00:01:25Thank you!
00:01:58Thank you!
00:02:14Thank you!
00:02:20Already!
00:02:20Let's go capabilities!
00:02:21Yes! Yes! Yes!
00:02:27Ah!
00:02:28Horse! Let's go! Horse! Horse! Horse! Horse!
00:02:36You all! Come lend a hand! Horse! Horse!
00:02:41Let's get to it.
00:02:47Come on.
00:02:51That road is in very bad shape. Come on, help.
00:02:53We've been missing it.
00:02:55Come on! Come on! Hurry!
00:02:58Come on!
00:03:02Hold on tight! Tighter!
00:03:52Thank you!
00:04:06Camila, Camila, are you asleep, Camila?
00:04:11What more could I want?
00:04:15Open your eyes wide.
00:04:18Look at those mountains, those trees, those little white villages.
00:04:23Dionysus, I'm tired.
00:04:25I, on the other hand, since we entered Andalusia, feel a tingling in my soul.
00:04:29It's as if all my senses awakened from an old slumber and my spirit took flight.
00:04:36Castile is so austere, so sad.
00:04:39Oh, I have high hopes, Camila, that our situation will improve in these lands.
00:04:44I hope so too, my dear.
00:04:46I look at this landscape, I breathe this air and I know that here I will be a different man.
00:04:50I hope so, dear.
00:04:52And I will finally be able to write that great novel I have been planning for so long.
00:04:56What are you saying?
00:04:57It will be a novel that contains everything...
00:04:59The novel?
00:05:00And that's what we've been dragging ourselves through the courts for two years, pestering my uncle about your appointment?
00:05:06I suppose you didn't think I was going to resign myself to being just a civil servant.
00:05:09I never fully believed it, but I wanted to delude myself into thinking it was true.
00:05:12And even less so in a land so full of mystery or adventure.
00:05:15My God, your novel, your fantasies.
00:05:19Ruin again.
00:05:20What happened in Valladolid?
00:05:22What has happened in Toledo?
00:05:24For God's sake, Dionysius, promise me that...
00:05:26Are you not listening to me?
00:05:28Trust me, Camila.
00:05:31I am sure that extraordinary things are going to happen to us.
00:05:34Me too.
00:06:04Okay, now everyone goes their separate ways.
00:06:07We'll see you tomorrow at the sale.
00:06:08Luck.
00:06:31Innkeeper.
00:06:34Mister.
00:06:37Tell me.
00:06:38I want to ask you a question.
00:06:43Is that man here?
00:06:44No, sir.
00:06:46I've never seen it.
00:06:47I have no idea what he looks like.
00:06:50It could be you yourself...
00:06:52Curro Jiménez dressed as a captain and I didn't know him.
00:07:00How dare you make such an insinuation?
00:07:02Mister.
00:07:02That damned bandit just stole fifteen hundred ounces of gold from us.
00:07:11Fifteen hundred ounces of gold from the collections of the Marquis of Toromanso.
00:07:19And I will be demoted if I don't get them back.
00:07:21Clear.
00:07:22I must capture that job, Jimenez, before the tax collector recovers from his nervous breakdown.
00:07:28Yes sir.
00:07:39Stop, coachman.
00:07:40Look, Camila, what a beautiful name.
00:07:42Cervantes himself was able to spend the night here.
00:07:45I think it's a good omen.
00:07:47I need a good bed, not a good omen.
00:07:49Clear.
00:07:49Please, captain.
00:07:52Is the inn acceptable?
00:07:54Wonderful, sir.
00:07:56Thank you so much.
00:07:57Coachman, we're staying.
00:07:58Waiter.
00:08:05Camila.
00:08:06I told that gentleman that the sale is wonderful.
00:08:10And the truth is, I don't know.
00:08:12But I got distracted.
00:08:14Because?
00:08:17Where have I seen that face before?
00:08:20What a blow!
00:08:22How funny!
00:08:23A second year, huh?
00:08:28What's happening?
00:08:30Look.
00:08:33Look who just arrived.
00:08:43Gentleman.
00:08:44Hello good.
00:08:44We want a room to rest from our journey.
00:08:46Water, a brush?
00:08:48Could we have dinner?
00:08:48Of course, ma'am.
00:08:50Go up, go up.
00:08:51Up the stairs, up the stairs.
00:08:55There are two vultures flying low nearby.
00:08:58They perched on the eaves
00:08:59and then they took flight again.
00:09:01Oh!
00:09:11What did he tell you?
00:09:13An enigma.
00:09:15It must be an Andalusian form of hospitality.
00:09:31And is that also a form of hospitality?
00:09:37What did he tell you?
00:09:38What did he tell you?
00:09:45What did he tell you?
00:09:47The".
00:10:00The.
00:10:09Bravo is going to get tough, even the tame bull.
00:10:11Don't provoke him too much.
00:10:18This innkeeper is a poet, a philosopher, or a magician.
00:10:22Isn't he simply crazy?
00:10:30Bravo is going to get tough, even the tame bull.
00:10:48I'm going for a walk.
00:10:58Thank you.
00:11:11Thank you.
00:11:12Thank you.
00:11:23Thank you.
00:11:30Who is that little dove that came with you?
00:11:33I was waiting for you just to celebrate your feat.
00:11:37You are a traitor.
00:11:38I?
00:11:39Come on, at least give me a kiss.
00:11:47Dionysus!
00:11:58But, ma'am, you and I don't know each other.
00:12:13Did you take liberties with that woman?
00:12:17I.
00:12:30Enjoy your meal.
00:12:43You can't measure everything with the same yardstick, Camila.
00:12:46We are in Andalusia.
00:12:47And here, Arab culture has left a very deep mark.
00:12:52That explains why the innkeeper expresses himself in such a...
00:12:56mysterious and poetic.
00:13:01And that woman keeps looking at you with that brazen look?
00:13:31Thank you.
00:13:38The maid too.
00:13:40And what can I do, Camila?
00:13:42My physique must conform to some archetype from these lands.
00:13:47Who could it be?
00:13:49Boabdil?
00:13:51Yes, Boabdil, the last of the Avencerrajes.
00:13:56Or perhaps Muhammad himself.
00:14:00To tell the truth, I always thought that on my mother's side I must have some ancestor, Moro.
00:14:05Don't ramble.
00:14:13But what do I have tonight, Camila?
00:14:17Birds in the head.
00:14:47It's him.
00:14:49It's him! I'm sure of it!
00:14:53I knew I had seen that face.
00:14:57Come on! Get the horses ready!
00:14:59We need to go back to selling wonders!
00:15:02The man who arrived in that car is none other than...
00:15:05Curro Jiménez!
00:15:08But how is it possible that I didn't notice?
00:15:24What do you write?
00:15:27My travel diary.
00:15:29I want to treasure every minute of this unique experience.
00:15:33It will be precious material for my novel.
00:15:35Precious.
00:15:37And that's what we made this awful trip for?
00:15:40Dust on the road and I imagine fleas in the bed.
00:15:43You only see the ugly side of things, Camila.
00:15:46When poetry and mystery open the doors for us.
00:15:57Perhaps I would see them more open if you closed this notebook.
00:16:04Impossible.
00:16:05I may have forgotten the details by tomorrow.
00:16:08Dionysus, I hate you, I hate you.
00:16:11I hate you.
00:16:14What are you saying, darling?
00:16:19If you cannot articulate your thoughts better, please do not interrupt me when I am working.
00:16:41Hello, Gregorio.
00:16:43I want to wash up and sleep.
00:16:45Which room is available?
00:16:46But how? What?
00:16:47Have...?
00:16:48Or don't you have one?
00:16:49Yes, of course I have one.
00:16:51One from the landing, but what?
00:16:53Prepare it for me.
00:17:13I woke up feeling cold. Could I have something hot?
00:17:16Yes of course.
00:17:17Immediately.
00:17:25But what will happen to these two?
00:17:34What's happening?
00:17:36Did you and the lady have a fight?
00:17:38What are you talking about?
00:17:40She's cold and you've made a mess of things.
00:17:45Did he throw you out the window?
00:17:46I'm not in the mood for riddles.
00:17:48Have any of my men arrived?
00:17:50You haven't reached it.
00:17:52Don't call me until noon.
00:18:19I couldn't fall asleep.
00:18:21I had a very bad night.
00:18:25Try not to wake up.
00:18:29Will you forgive me?
00:18:34Don't you forgive me?
00:18:37Of course I forgive you.
00:18:59My love.
00:19:02I must be dreaming.
00:19:04Let's go to bed.
00:19:05That?
00:19:09I'm dreaming.
00:19:10Don't start with your fantasies and let's go to bed.
00:19:12We'll be in Alcalá in a few hours.
00:19:14Come on.
00:19:15Forgive me.
00:19:17I'm going to bed, but alone.
00:19:19I'm very tired.
00:19:21What are you saying?
00:19:22Don't be offended.
00:19:23But just in case this isn't a dream.
00:19:26And since we're both going to Alcalá,
00:19:29What do you think about meeting there tomorrow at dusk, in the ruins?
00:19:33You're impossible to deal with.
00:19:34You turn everything into a novel.
00:19:36You'll see that's not the case.
00:19:38Now let me sleep.
00:19:40See you tomorrow.
00:19:41Dionysus, don't leave me alone.
00:19:44Dionysus.
00:19:45I'm warning you.
00:19:46I won't forgive you this time.
00:19:48At nightfall.
00:19:49In the ruins.
00:20:07Do you still want breakfast?
00:20:09Yeah.
00:20:35You sleep.
00:20:38Do you really sleep?
00:20:43What's happening?
00:20:45Are you a man or a wind-up puppet?
00:20:49And to ask me that, you wake me up.
00:20:51I was dreaming.
00:20:52Don't start over.
00:20:54Kiss me.
00:20:56No, not like that, like before.
00:21:05But what's wrong with you?
00:21:08What's happening?
00:21:13No, not like that.
00:21:15No.
00:21:16No no.
00:21:55How are you, Grandma?
00:22:19No no.
00:22:21No no.
00:22:21No no.
00:22:22No no.
00:22:37No no.
00:22:43No no.
00:23:02No no.
00:23:34No no.
00:23:49No no.
00:23:52No no.
00:24:37No no.
00:24:48No no.
00:25:20No no.
00:25:51No no.
00:26:01No no.
00:26:20No no.
00:26:32No no.
00:26:33No no.
00:26:33No no.
00:26:34No no.
00:26:49No no.
00:27:09No no.
00:27:15No no.
00:27:42No no.
00:27:48No no.
00:27:50No no.
00:28:17No no.
00:28:50No no.
00:29:09No no.
00:29:11No no.
00:29:12No no.
00:29:43No no.
00:29:45No, no, no.
00:30:14No, no, no.
00:30:38No, no, no.
00:31:33No no.
00:31:51No no.
00:31:56No no.
00:32:29No no.
00:32:56No, no, no.
00:33:17No, no, no.
00:33:33No, no, no.
00:33:53No, no, no.
00:34:22No, no, no.
00:34:52No no.
00:35:30No no.
00:35:58No, no, no.
00:36:24No no.
00:36:26No, no, no.
00:36:35No, no, no, no.
00:37:04No, no, no.
00:37:37No, no, no, no.
00:37:59No, no, no.
00:38:27No, no, no, no, no.
00:38:54No, no, no, no.
00:39:37No, no, no.
00:40:11No, no, no, no.
00:40:18No, no, no, no, no.
00:40:51No, no, no, no.
00:41:11No, no, no, no, no.
00:41:56No, no, no, no, no.
00:42:09No, no, no, no.
00:42:42No, no, no, no, no.
00:43:20No, no, no, no, no.
00:43:43No, no, no, no, no, no, no, no.
00:44:27No, no, no, no, no, no.
00:44:32No, no, no, no, no.
00:45:09No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:09no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:27no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:45:27no, no, no, no, no, no, no, no, no, no
00:45:28They're scouting the area. We'll rescue him when they least expect it.
00:45:36Are you taking it or not?
00:45:39Yes, yes, I'll take it. It's not worth much, but you get attached to things...
00:45:43Yes, yes. Of course.
00:46:14So what happens now?
00:46:16You were right. It's very dangerous.
00:46:22Could I sleep here?
00:46:40No, no, no.
00:47:07You are not afraid to dream.
00:47:10I'm just as tired as you were the other night. I'll sleep soundly.
00:47:16You won't sleep.
00:47:19And in your dream, you will call one of the two.
00:47:23Do you think so?
00:47:24I'm sure.
00:47:33To Corro or to Dionisio.
00:47:39It doesn't matter.
00:47:41Anyway,
00:47:43You'll never know which one you dreamed about.
00:47:58I didn't like it.
00:48:01Aola.
00:48:02No, no, no, no, no.
00:48:35No, no, no, no, no.
00:49:01No, no, no.
00:49:23No, no, no, no, no.
00:49:52No, no, no, no.
00:50:24What is Dionysus doing in the square?
00:50:26They're going to hang him.
00:50:27Are they going to hang him?
00:50:28Yes, they are preparing the gallows.
00:50:30Why didn't you say so before, you brute?
00:50:31But you shouldn't have said that it's not you, but the other one.
00:50:34Nobody can understand this, that's for sure.
00:50:37Let's get out of here, they're going to drive us crazy.
00:50:44But that can't be.
00:50:50Oh, no?
00:50:52Go to jail and see for yourself.
00:50:55I can't be in two places at the same time.
00:50:57Come on, run.
00:50:58There is no time to lose.
00:51:02But...
00:51:02Well, well then.
00:51:05Meanwhile, I will keep his wife company.
00:51:07No, don't be scared, remedies.
00:51:13Who would have thought I'd be in my bed with currujmen?
00:51:16No, no, no, no.
00:51:17The ways of Providence are infinite, ma'am.
00:51:19But if you'd like, I'll move to the armchair.
00:51:21No, no, please.
00:51:22Get comfortable.
00:51:30So, how's it going?
00:51:32How are things going up in the mountains?
00:51:51A regrettable misunderstanding, Don Dionisio.
00:51:54You will have to explain it to the minister.
00:51:59What are you talking about, you wretch?
00:52:02Let history take its course.
00:52:05Leave.
00:52:11Didn't you hear me?
00:52:13Leave!
00:52:22Did you ever think that I was going to turn myself in?
00:52:25Did he verify for himself that they were going to kill an innocent person?
00:52:28To a madman.
00:52:29Or a madman.
00:52:30I don't care.
00:52:32I came here so you could verify it.
00:52:34I'm leaving now.
00:52:36Set your sights on a greyhound.
00:52:38Lady,
00:52:40It has been a pleasure.
00:52:45What if it's repeated?
00:53:03We've run out of gold.
00:53:05We can't be so happy without a job.
00:53:07If he leaves,
00:53:09We will hang the other one.
00:53:10That will be the only way to calm the tax collector.
00:53:13to the Marquis,
00:53:14to the king,
00:53:16to the whole world.
00:53:17It's a matter of buying time.
00:53:19As you know, there are often political changes in Spain.
00:53:22Run, run, run, run.
00:53:23But wait, I can't!
00:53:25You're already tired of it!
00:53:25Come on!
00:53:41Come on!
00:53:41Come on!
00:54:11Thanks for watching the video.
00:54:12Thanks for watching the video.
00:54:48Thank you.
00:55:12Thank you.
00:55:12Thank you.
00:56:12Thank you.
00:56:23Thank you.
00:56:34Thank you.
00:56:36Are you disappointed in me?
00:56:37What's better than danger?
00:56:38I have spent the most interesting 48 hours of my life.
00:56:42At my expense?
00:56:44Let's both take advantage of this wonderful opportunity.
00:56:46I can impersonate him.
00:56:48And what about you?
00:56:51Allowing him to be in two places at the same time.
00:56:53To provide him with formidable alibis.
00:56:55To pull the strings of a fantastic intrigue.
00:56:57And so, in this way, a new Quixote would be written in my notebook.
00:57:01Already.
00:57:03And I would end up not being sure who I am or where I am.
00:57:07No.
00:57:08No, thanks.
00:57:09Besides, I wouldn't be entirely confident.
00:57:12You have such a vivid imagination that you could very well come up with the idea of actually impersonating me and finishing me off one day.
00:57:17And I don't want him to pray at my grave.
00:57:20Here lies Dionisio Quiroga y Huertas.
00:57:23Failed writer.
00:57:24That's impertinent.
00:57:27You see it.
00:57:28We can't be friends.
00:57:39Failed writer.
00:57:40But how dare that little bandit?
00:57:43Don't call him small.
00:57:45Well, isn't he going to be the hero of your novel?
00:57:51Don't know.
00:57:53I'm developing another idea.
00:58:01You were right.
00:58:03Andalusia is a land of wonder where true miracles occur.
00:58:06That's right, my dear.
00:58:09Like you, for example, becoming the best lover in the world for one night.
00:58:15Excuse me, what were you saying, dear?
00:58:17Nothing, Dionysus, nothing.
00:58:18Things from a novel.
00:58:21Howdy, Laura, what do you mean?
00:58:28What is dud?
00:58:29Garry, right?
00:58:29No.
00:58:40How so, in fact?
00:58:42Cardona.
00:58:43No.
00:58:49What is Canada?
00:59:01Thank you!
00:59:36Thank you!
01:00:17Thank you!
01:00:37Thank you!
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