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00:02Maybe that's just bollocks.
00:14This is the living room.
00:16It's really nice.
00:17Yeah, it's a great flat.
00:20What's going on?
00:21Oh, hi, are you the tenants?
00:22Yes.
00:23Well, I hope you don't mind.
00:24Mrs Klein gave me the key.
00:25What do you mean, mind?
00:26Yeah, I'm sorry, if you'd just excuse me for a second.
00:31This is the guest bedroom.
00:33Obviously a bit of a state at the moment,
00:35but you can use it for storage, utilities,
00:37or if the pair of you want to bring a little life into this world.
00:42Yes, it's perfect for a child.
00:44Yes, it's very...
00:45Homey.
00:46Yes, it's very homey.
00:49What's in here?
00:51Would you mind telling us what's going on?
00:54Mrs Klein has decided to sell the house.
00:56It's a very good time, actually.
00:58House prices are up.
00:59I believe this particular property
01:01has actually tripled in value since its last purchase.
01:04Really?
01:05Wow.
01:06Well, if you'll excuse me, I've got to get back to the office.
01:08This place is attracting a lot of attention.
01:11I'm sure Mrs Klein will fill you in with the relevant details.
01:14You'd think.
01:15Right, well, goodbye.
01:17Excuse me.
01:18How old are you?
01:20I'm 25, and my wife's 24.
01:23Really?
01:24Yes.
01:25Bloody hell.
01:26Do you mind?
01:28What are you going to do?
01:29They were younger than us.
01:31What?
01:31That couple.
01:32They were younger than us.
01:33Yeah, but only physically.
01:35Look, Daisy, this is serious, okay?
01:36You heard the man.
01:37The house has tripled in value.
01:38There's enough incentive for Marsha to move,
01:40let alone the fact that she's pissed off with us.
01:41Tripled?
01:42Really?
01:43Yes.
01:43Wow.
01:44I'm just going to lean on Brian and find out what he knows.
01:46I like your thinking.
01:47Thanks very much.
01:48Where are we?
01:48In the cupboard.
01:49Why?
01:49I have no idea.
01:54Maybe it was a mistake.
01:55You know, maybe they got the wrong house,
01:56and they could have got the wrong house, couldn't they?
01:58Shh.
01:58Brian?
02:00Brian, are you all right?
02:04Yes.
02:06I'm having difficulty vocalising my emotion at the moment,
02:09so I'm using this.
02:10This is a good pitch.
02:16She's gone to Manchester.
02:18Marsha's gone to Manchester?
02:19No, Twist.
02:20Oh, thank Christ.
02:21Twist's gone to Manchester?
02:24She needed some time to think.
02:26You know, she likes the gay scene up there.
02:28When?
02:29Last night.
02:30Didn't she call?
02:33Is that Conrad?
02:35No.
02:36No, it's Daisy.
02:38Oh, sorry, I didn't mean to call you.
02:40I'm in Manchester.
02:41Loads to tell.
02:43Speak soon.
02:44Bye.
02:44Oh, I love this one.
02:46Come on, boys.
02:48Woo!
02:49Oh, yeah, yeah.
02:50Yeah, she did.
02:51Yeah.
02:52I think you're upset about the house.
02:54Why would I be upset about the house?
02:58This house is the one thing I can rely on.
03:01It's the one port in a storm.
03:03The one thing which isn't susceptible to the whims of love.
03:09It's the solid core of my otherwise painful...
03:18Tortured existence.
03:20I don't know what I'd do like this old friend.
03:23You know, this rock, this island of calm in the ocean of life.
03:30What did you want to talk about, Henry?
03:36I wonder why she went like that.
03:37We've got to commit her to come back.
03:38Twist.
03:39No, Marsha.
03:40We've got to find her and we've got to say,
03:41Marsha, we're sorry.
03:42I know we've done bad.
03:43I know we've hurt you.
03:44But please, for the sake of us, for the sake of Brian,
03:46for the sake of, you know, everything,
03:48please, just don't sell the house.
03:50Maybe not in such a whiny voice.
03:51Okay.
03:54Hello.
03:55Hello, Mike.
03:58Hi, Sophie.
03:59She's very well, thank you very much.
04:01Good.
04:02Good.
04:03Listen, have you heard about the house, Mike?
04:05It's troubled in value.
04:06It's half a million, apparently.
04:08What are you doing?
04:10Making.
04:14It's gone?
04:15No, thanks.
04:16Michael, has Marsha contacted you?
04:17Actually, I want one.
04:19Cream and jam inside.
04:20Look, I...
04:20What, clotted cream?
04:21Oh, I will then, yeah.
04:23How do you know for Marsha?
04:24No, some big guy on a motorbike
04:26came to pick up some of her stuff.
04:27No, this is from the Hells Angels.
04:29No, no, no.
04:30She's thrown out the Hells Angels in 82.
04:31Lude behaviour.
04:32And then where would she go?
04:33Who does she know other than us?
04:35Who would she turn to in a time of need
04:36that is, or might associate with,
04:37a big guy on a motorbike?
04:44Amber.
04:49Come on.
04:51Man, where are you going?
04:52Stop it.
04:53We've got a drink, haven't we?
04:55I want you to go out.
04:56We've only got one, thank you.
04:57Oh, God, come on, no, no.
04:59I don't want to ever equal you.
05:00I'm telling you, man.
05:01Oh, leave me alone.
05:05Look, I'm having no part in this.
05:07Look, we have to find out where Amber lives.
05:08This is all wrong.
05:10Come on, Daisy, it's the only way.
05:11You stop it.
05:12Do you want to be homeless?
05:14Do you want to have to go out and buy loot every morning?
05:17Do you want to see what Marsha's room looks like?
05:25Oh, wow.
05:26Look at this.
05:29Bloody hell.
05:31Is this what we're looking for?
05:3542 Welland Terrace, Cricklewood.
05:36Brilliant.
05:36Is there a phone number?
05:37No, we're going to have to go and surprise her.
05:39Will you take the van?
05:40Yeah, we should go and start starting her.
05:41All right, Daisy, let's rock.
05:43Daisy.
05:44Look.
05:45Daisy, we don't have time for this.
05:47There's Colin.
05:50Colin!
05:53Colin!
05:58Colin!
06:01Colin!
06:02Colin!
06:04Oh, my God.
06:06All right, you go ahead.
06:07I'm going to go and get Colin.
06:08He's got into the neighbours.
06:09Sod Colin!
06:09I'm not going to sod Colin.
06:11Get your priorities straight, Daisy.
06:12This is our home we're talking about.
06:13Yeah, but he could get lost or run over.
06:16He is big enough to look after himself.
06:17And when did you start giving a shit anyway?
06:22Fine.
06:22Oh, Daisy.
06:23No, it's fine.
06:24Fine, excuse me.
06:26Well, that's just great, isn't it?
06:30We're supposed to be presenting a united front.
06:32It's not going to look very good if it's just you and me, is it?
06:35It doesn't have to be just you and me, Tim.
06:39Have you got a tape layer?
06:40No.
06:40Thanks.
06:41Fuck.
07:00And the doggy will have a good home.
07:06Colin?
07:07Colin?
07:07How much is that doggy in the window The one with the waggle he said
07:16How much is that doggy in the window
07:21I do hope that dog
07:24Do hope that dog
07:46Okay now listen when we get there right let me do the talking
07:49I am the only one here that's capable of serious communication
07:51So sorry sorry that sounded bad I didn't mean to suggest that you're not good communicators
07:55All right Mike, Brian
07:56I just mean that it's partly my fault we're in this mess
07:59All right and I should do the talking
08:00What are you going to say to him
08:02Well
08:04Marsha they say the family of the 21st century is made up of friends and not relatives
08:07And if that's true then you're the best auntie I've ever had
08:10Oh
08:13Oh
08:20Tim
08:20Hi
08:22You all right?
08:23Yeah I'm fine
08:23Why wouldn't I be fine?
08:25Light's green
08:32That's his favourite
08:35Why are you cooking it?
08:37It got rather dirty
08:40You must be for number 23
08:45Yes
08:46and I'll just be taking my dog home now.
08:51You could stay for a cup of tea if you'd like.
08:53Oh, no, thanks, no.
08:55We've got stuff to do.
08:56Well, he's welcome here any time.
08:58If you're going out or something,
09:00just pop him round and I'll take good care of him.
09:06Yeah, thanks.
09:08Bye.
09:10Don't be a stranger.
09:11I'm sure you'll see him again.
09:14I know I will.
09:25I've got your favourite.
09:34Why, Colin?
09:37Have I done something wrong?
09:44Bye, Tim.
09:47I treat you right.
09:49I don't neglect you.
09:51Do I?
09:53Not Malcolm, I don't.
09:55Just piss off.
09:56Oh, God.
09:58I can change.
10:00I know things have been wrong between us,
10:04but what's she got that I haven't?
10:08Here you go, love.
10:10Your favourite.
10:13Wide screen.
10:28This is it.
10:30Oh, my God, there she is.
10:32Marsha.
10:33How did you find me?
10:34Intuition.
10:35Have we brought it into your bedroom?
10:36Yes, I'm that.
10:38Look, you're wasting your time.
10:39I've made my mind up.
10:41Marsha, please, just don't sell the house.
10:42It's trebled in value.
10:44Really?
10:45Brian.
10:46I'd rather we just called it a day.
10:48Marsha, we really, really want you back.
10:50What do we have to do to make you understand that?
10:51Something bloody spectacular.
10:53I'm sorry, okay, but just understand,
10:56we only did it because we love living there.
10:57You know, and you're a big part of that.
10:59Look, they say the family of the 21st century
11:01is made up of friends and not relatives,
11:03and if that's true,
11:04then you're the best auntie I've ever had.
11:13Kiss my arse.
11:21Kiss my arse.
11:25Kiss my arse.
11:28Kiss my arse.
11:32Kiss my arse.
11:34Kiss my arse.
11:34Kiss my arse.
11:35Kiss my arse.
11:35Kiss my arse.
11:35Kiss my arse.
11:36Kiss my arse.
11:36Kiss my arse.
11:37Kiss my arse.
11:37Kiss my arse.
11:38Kiss my arse.
11:39Kiss my arse.
11:41Kiss my arse.
11:42Kiss my arse.
11:54Are you going to ask me how it went?
11:57How'd it go?
11:59Really badly.
12:03Colin's gone.
12:05What?
12:07He went next door.
12:11Oh, Daisy, I'm sorry.
12:14How did that happen?
12:17Well, you walked.
12:19Right. Right. Sorry.
12:21Sorry, my mum used to use going next door as a euphemism for being dead.
12:25Oh.
12:26You say my rabbit's dead?
12:29Well, it's been 18 years, Mike. Where'd you think he was?
12:31Next door.
12:33So that's it, then.
12:37Marsha's gone.
12:38Twist's gone.
12:41Colin's gone.
12:42Rabbit's gone.
12:43Mike's rabbit's gone.
12:47Everyone leaves.
12:50Come on, Daisy. Don't be silly.
12:52Not everybody leaves.
12:55Tim, I've been offered a job in Seattle working for Marvel.
13:01Daisy, you know when I said not everybody leaves?
13:03Well, they do.
13:06So when are you off?
13:08Tomorrow.
13:08Well, that's a bit short notice, isn't it?
13:10I got the call last night.
13:11They want me to go over straight away.
13:17I'm sorry, Tim.
13:20It's just we didn't really get a chance to see how things worked out with us.
13:23Well, this doesn't have to be the end.
13:25We can still have sex on the internet.
13:26That's what I was doing before.
13:29What time are you off tomorrow?
13:31Twelve.
13:32Will you come with me to the airport?
13:33Yeah, of course, of course.
13:35Marvel, eh?
13:36That's really good.
13:42So what are you planning on doing for the next 13 hours?
13:48Right, well, I'm bushed.
13:49I'll see you guys in the morning.
13:52Tim?
13:55What are we going to do?
13:57Well, short of something bloody spectacular, I've no idea.
14:01I'm off.
14:05Me too.
14:26Hello, boys.
14:32Hello, Sarge.
14:34I wonder if you privates wouldn't mind doing me a little favour.
14:42Yeah, hello?
14:43Could you tell me the times of the trains to Colwyn Bay, please?
14:47The first one.
14:50Well, the third one.
14:55Thanks.
15:00Thanks.
15:01Thanks.
15:07Thanks.
15:25What was that?
15:26Oh, son, the door.
15:29Oh, Tim. Tim.
15:32Right, yeah.
15:34That could have been a little bit embarrassing.
15:41Get dressed.
15:42What?
15:43Get dressed. We're going to see Marsha. I'll be back in five.
15:46All right.
15:56Ready?
15:57I'm going to go later.
15:58Why?
16:00Frightened.
16:00Come on, Brian. You've got to be strong. Are you a man or a mouse?
16:20I'm a man.
16:23Come on. Let's roll.
16:25Come on.
16:29Daisy!
16:32Ready?
16:32Oh, OK.
16:34Right, I'll get Mike to give me a list over to your place, OK? And I'll see you there about
16:3711.30.
16:39OK.
16:40Good luck, Bisney.
16:41With what?
16:42With whatever it is you've got to do.
16:44Oh, right, yeah.
16:55It's on.
16:56What is?
16:57Something bloody spectacular.
17:01Oh, mama.
17:03Are you sure about this, Mike?
17:04Don't worry, Tim. I've done this before.
17:06Is this all above board, Sergeant?
17:07You're questioning my oldest, Dexter?
17:09No, Sergeant.
17:10Do I say?
17:10And I'll make sure you're recommended for a promotion.
17:12I just don't see how this matter is a concern for the military.
17:15Are we not, Sergeant Dexter?
17:17Yes, Sergeant.
17:18Do we not have a sacred duty to keep the peace?
17:20Yes, Sergeant.
17:21Could you, in all good conscience, neglect to intervene in a needless solvable conflict?
17:25No, Sergeant.
17:26Then get your boombox.
17:28Let's rock.
17:29Let's rock.
17:32Let's rock.
17:52What are you going to do?
17:53Blow me up!
18:02Whatever I said, whatever I did, I didn't mean it.
18:06I just want you back for good.
18:09Watch your back.
18:09Watch your back.
18:11Watch your back.
18:12Look at that.
18:13Whatever I want, just tell you the song that I'm singing.
18:17You'll be right at understudy.
18:21I want you back.
18:22I want you back, girl.
18:47We're going to have such fun, you and me.
18:50It's going to be lovely.
18:51We won't need that anymore.
18:57From now on, we're going to call you Lancelot.
19:07Oh, wow.
19:08Look, it came back.
19:09Got a beer, Brian?
19:10No, thanks.
19:10Got to do an installation.
19:12Good work today, soldier.
19:13Thanks, sir.
19:16Hey, what's that?
19:19Tim?
19:23Dear Tim, please forgive the letter, but I'm feeling a bit confused.
19:30Everything seems to have changed recently.
19:32We all seem to be drifting apart like leaves from a once-green oak.
19:37Skip to the end.
19:37By the time you read this, I'll be gone.
19:41I've decided to go away for a while.
19:43Maybe a bit of distance will do me good.
19:45Who knows?
19:46If things work out, maybe I'll stay.
19:49Please give my love to everyone.
19:51I know you understand.
19:52Your friend, Daisy.
19:54Shit!
19:55Smirly.
19:56Daisy's gone.
19:57Where?
19:58She didn't say.
20:01Oh, thanks.
20:02Colwyn Bay, 1132 St Pancras.
20:04I've got to stop her.
20:04What about Sophie?
20:05Shit!
20:06Do you need me to do another banner?
20:08No, Brian, I don't think that's going to help.
20:10Okay, do your installation.
20:18Oh, she's not answering.
20:20Mobile telephone.
20:24She's still not answering.
20:29Shit!
20:30Okay, okay, what have we got here?
20:31In the next 30 minutes, I've got to get to the station and stop Daisy.
20:34Uh-huh.
20:34I've got to get to Sophie's house and go with us to the airport.
20:36Go on.
20:36We have one means of transport.
20:37Right.
20:38No money for a cab.
20:38And the tubes are on strike.
20:40Ah!
20:40There is absolutely no way on earth we can do both.
20:47Mike?
20:49There is a way we can do both.
20:51We do have another means of transport.
20:53I'm not going on my skateboard.
20:54No, no, no, no, no, no.
20:55What do we have other than my van, which has wheels and is slightly quicker than walking?
21:04You've got to be fucking kidding.
21:20All right.
21:20All right.
21:21All right.
21:21All right.