- hace 2 días
Bates Motel (inspirada tanto en la novela como en la famosa película Psyco de Alfred Hitchcock) narra la vida de un Norman Bates adolescente cuando – antes de convertirse en un feroz asesino – vivía en una ambigua relación de simbiosis con su madre Norma en el pueblo de “White Pine Bay”, Oregon.
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00:00Previously on Bates Motel
00:31I would love to have the same business arrangement that I had with Keith if that's possible
00:36There's not anything illegal, right?
00:39No
00:39Come here, girl
00:42Stay! Stay!
00:49The art of it is to recreate the beauty of motion in something still
00:55We create life, if you will
01:05Here is where we make incisions
01:07Then what do you do?
01:09Well, they have to take everything out
01:12Sorry, there's no pretty way to put it
01:13No, that's okay, I figured as much
01:20No
01:22Here are some of the various stages of how it works
01:41I'm sorry you lost your friend here
01:45It just seemed sad to let her go
01:47You know, dishonorable, sort of, just to put her in the ground
01:53I think she was lonely
01:56I understand
02:00Well, I think what you do to these animals is amazing
02:04Come and help me, I could teach you how it works, you might enjoy it
02:07Once you get past the blood and the guts of it all, it's really quite beautiful work
02:12If you're at all autistic, which I don't have a feeling, you might be
02:16Thank you, Mr. Ricotti
02:37I feel so bad for him
02:39He's always just staring at her like a lost puppy
02:42Yeah, it's a little pathetic
02:44He's a little pathetic
02:45Yeah, Norman's nice, but he's really weird
02:48The way he just stares in his face like that
02:52He's the definition of socially challenged
02:54I mean, he can't actually think he has a shot with her, right?
02:58He's not that out of reality
03:00Bradley's so nice
03:01She just felt sorry for him
03:03I think she thinks of him as more of a pet than a guy
03:06Like, really, she would ever have sex with someone like that
03:09No way, he can't be that stupid
03:13Well, maybe you better talk to her
03:16Because she did
03:18I don't think you know what we're talking about
03:20Actually, I don't think you know what you're talking about
03:23Bradley had sex with Norman
03:26Sex and karma back and forth
03:28Maybe she has sex with all her pets
03:30I don't know
03:32But you should really get your facts straight
03:33Before you shoot your mouth off with your demeaning opinions
03:41And you've got toilet paper on your shoe
04:04Sheriff Romero's office
04:05Hello, can I speak with Sheriff Romero, please?
04:08Who may say is calling?
04:09Norma Bates
04:11Paul, please
04:16I'm sorry, I don't have him right now
04:18Well, can you please leave a message that I called?
04:21He knows me
04:21Of course
04:23Can you spell your last name for me, please?
04:26Bates
04:27B-A-T-E-S
04:30Bates
04:33A-T-E-S
04:34A-T-E-S
04:34A-T-E-S
04:34A-T-E-S
04:39B-A-T-E-S
04:56B-A-T
05:08¡Suscríbete al canal!
05:40¡Suscríbete al canal!
06:08¡Suscríbete al canal!
06:15¡Suscríbete al canal!
06:20¡Suscríbete al canal!
06:33¡Suscríbete al canal!
06:39¡Suscríbete al canal!
07:08¡Suscríbete al canal!
07:09¡Suscríbete al canal!
07:16¡Suscríbete al canal!
07:24¡Suscríbete al canal!
07:32¡Suscríbete al canal!
07:43¡Suscríbete al canal!
07:53¡Suscríbete al canal!
08:00¡Suscríbete al canal!
08:28No, no, no, no, no.
08:32Toby got shot here.
08:37Right up there on those steps.
08:46Yeah, he did.
08:48It's funny, you never know someone.
08:51I knew Keith Summers all these years.
08:54Not well, but I knew him.
08:58And here he was.
08:59He was in the motel for this...
09:03sex trade.
09:05You just never know, do you?
09:16Yeah.
09:18I guess you don't.
09:23Sorry about that.
09:25I'll grab a bulb from another room.
09:31Just no worries.
09:37Did you know Zach Shelby?
09:40Did I know him?
09:44A little.
09:45I guess like how you knew Keith Summers.
09:48So not so much.
09:52No, not so much.
10:02I'm sorry, I have to, um, I just remembered, I have to give my son a ride somewhere.
10:06He's not here.
10:08Yeah.
10:09Yeah, I saw him leave.
10:13School, wasn't it?
10:17I gotta go.
10:18I'm gonna come back and I'll finish up later, okay?
10:35We're good for now.
10:45If I need anything else, I'll come by the office.
10:47Sure.
11:02Sheriff Romero can see you now.
11:05So what can I help you with, Mrs. Bates?
11:07Oh, please.
11:08Call me Norma.
11:09After everything we've been through.
11:13You know that I called your office this morning.
11:16I was coming in town anyway.
11:18I thought I'll just pop in and see him.
11:23So anyway, um, you know I bought the motel a few months ago and no one told me at the
11:31time that the city's planning on building a new bypass that would basically take my motel off the map.
11:37Mm-hmm.
11:40So, I'm just trying to figure out a way that, um, I can fight this from the inside.
11:49Well, I, um, I see that there's a seat open on the city planning committee and I wanted you to
11:57put me forward for it.
11:58Maybe I can influence their decision.
12:02Why would I do that?
12:07Because I thought you would.
12:10Why?
12:13Because...
12:15Because of what we've been through.
12:18Because we know things about each other.
12:23We don't owe each other or anything.
12:26We're not friends.
12:29You don't know me in any social sense, other than as your sheriff.
12:35Don't assume differently just because I was kind enough to save your ass once.
12:39Excuse me, but weren't you saving your own ass at the time?
12:41I mean, the fact is that your deputy was doing all of this right under your nose and you knew
12:46nothing about it.
12:47I mean, that's not how you rewrote the story.
12:56You were trying to say that, that you have something. I mean, is that it?
13:00Because if you didn't, that really wouldn't be good for you.
13:03I mean, I might have to burn you down to the ground, you know?
13:17They'll never try and intimidate me.
13:20They'll walk into my office and ask me for political favors based on nothing.
13:27You and I have no connection.
13:30We're not on the same playing field.
13:32They'll never assume that we are.
13:37I don't know what you're doing.
13:42Go home, Mrs. Bates.
13:53Hello?
13:54Mrs. Bates?
13:56Yes?
13:57This is Tom Hudgens. I'm the principal of White Pine Bay High School.
14:01We'd like you to come in this afternoon.
14:03We need to discuss your son's behavior at school.
14:16You go on the internet, find out what a trimmer is?
14:21Yeah.
14:24Trimmers are the guys who cut and process the weed,
14:26and then turn the raw plants into final product.
14:28Man's a scholar.
14:30No rest on you, Bubba.
14:32Come on, get in.
14:41Hey.
14:42I didn't see you at school today.
14:45Oh, I wasn't feeling good. I went home early.
14:47Are you okay?
14:52Why'd you tell all the girls I slept with Bradley?
14:56They just came up.
14:59Sort of.
15:00Just like you came up with my mom.
15:04Did your mom tell you that?
15:05No, she didn't have to.
15:10I just don't understand.
15:12What...
15:13What are you trying to do?
15:16I'm sorry.
15:21Bradley was really upset.
15:25Don't ever tell anyone something I tell you in confidence again, okay?
15:28Okay.
15:36Leaving school without permission is a serious offense.
15:40He's gonna be suspended for three days.
15:42Well, he came home. He just wasn't feeling that well.
15:45He didn't seem sick when I saw him. He seemed upset.
15:48No, he wasn't upset.
15:50Well, I tried to tell him that he couldn't leave campus and he was practically shaking.
15:54I took his arm to lead him back in and he pulled it away pretty violently.
15:58Are you supposed to be putting your hands on the students?
16:00Uh, I think we should stick with the issue here.
16:03Ms. Bates, what we've observed and what we're concerned about is your son's emotional instability.
16:11Instability?
16:17He is emotionally unusual for a boy his age.
16:23He doesn't interact much with others.
16:25He keeps to himself a lot.
16:28And based on the behavior that I have seen, Principal Hudgens and I would like him to speak with one
16:33of the school psychologists.
16:36I don't know if I want him to be doing that.
16:39And why is that?
16:42Because I would rather that he, you know, I think that he should see a private psychologist.
16:51You know, I would like to choose the therapist.
16:54Okay.
16:56Well, I think that therapy would be very beneficial for him.
17:02Yeah.
17:03Okay.
17:04Perhaps I could get the name of that therapist so that I could maybe explain to him what I've seen
17:09in school.
17:10Okay.
17:11Of course.
17:11Absolutely. I will keep in touch.
17:13Okay.
17:27Well, there's no liquor in this drink.
17:32Let me get some sleep.
17:34Two more shots.
17:36Me and my boss.
17:39My boss.
17:40What's your problem?
17:42You've been on my ass since we met.
17:45You've been on my ass since we met.
17:48Yeah, I got 23 years, right?
17:5223 years of experience and out here and I'm working for you.
17:58You ever wonder why that might be?
18:01Hmm?
18:02Hmm?
18:03Because I think it's pretty obvious.
18:05Yeah.
18:05Yeah.
18:07In fact, I don't think there's enough liquor in this entire bar to make you forget what a pathetic self
18:11-destructive loser you are.
18:14I'm gonna kick your ass right now?
18:17Oh, you're gonna kick my ass?
18:19Really?
18:20That's the funniest joke you've ever had.
18:55You better watch out for me, Golden Boy.
19:00I'll try to destroy you.
19:05I used to be like you.
19:07The boss loved me.
19:10Gave me a chance to step up.
19:13And...
19:14What happened?
19:16I don't have leadership potential.
19:21What'd you do?
19:24I'm not what you would call consistently reliable.
19:29Now nobody respects me. Nobody.
19:34You say you've been working for Gil for 23 years?
19:36Yeah.
19:37No, not Gil.
19:39Big boss.
19:41Who's that?
19:44You'll know what you need to know.
19:51Why do you stay?
19:53Huh?
19:54I mean, if you don't like it, then why do you stay?
19:56If no one respects you, why don't you quit?
19:59Quit?
20:00No, no, no.
20:01There's no quitting in this job.
20:03No, you can't quit.
20:05No.
20:06You could get fired, though.
20:09You don't want that to happen to you.
20:11Believe me.
20:13Anyway.
20:14Good night.
20:16We're gonna need to be dead.
20:18They are pretty late!
20:20The event...
20:20You have to be dead, though.
20:22If you do not.
20:30The event is so safe.
20:31The event is so safe.
20:31Oh, no.
20:41The event is too late.
20:45You know, about what happened at school
20:48What did happen?
20:50Well, I got upset
20:51About what?
20:52I don't want to talk about it
20:56You know, I promise it won't happen again
20:59It can't happen
21:01Because now they want you to go see a therapist
21:03I mean, this is all going to go on your record
21:04You have to be more careful
21:07You have to try to fit in, Norman
21:09You can't go around being so emotional all the time
21:11I know, Mother, and I'm sorry
21:15But I do think I fit in
21:18For the most part
21:23Oh, can you, uh, give me a ride to Emma's shop?
21:26Yeah, why?
21:27I'm working with her dad
21:28He's teaching me how to do taxidermy
21:47Will
21:48This is my mom
21:52I'm Norma Bates
21:53You can call me Will
21:55Will, I'm wondering if we could have a word in private
21:58Yeah, of course
22:00Norman, would you give us a minute, please?
22:26I don't know if this is such a good thing for Norman to be doing
22:29Oh?
22:31He's already, uh, sort of
22:37Sort of, uh, an unusual boy
22:41I know, he's a hard time fitting in
22:43He gets upset very easily
22:45Really?
22:46Yeah
22:46He's always very calm when he's here working
22:48But hobbies can be good that way
22:50Oh, of course
22:51I just don't want him getting labeled as a freak or anything
22:57And I don't think that, uh, learning taxidermy necessarily makes one a freak
23:01No, no, no
23:02I'm not saying that you're a freak
23:03No, that's not what I'm saying at all
23:05Not at all
23:06Uh-huh
23:08I'm not saying that
23:09Oh
23:14I'm just saying that not a lot of people do it
23:18Not many people write poetry, but we still have to have poets, right?
23:23He's good at it
23:24And he's good company
23:27We're not hurting anyone
23:28The animals are already dead
23:30So what's the harm in letting a young person follow their passion?
23:35What could go wrong with that?
23:43Uh, there he is
23:51Let's go
23:54You guys heading up the way up on May?
23:56What does it look like, douchebag?
23:58You're an hour late, by the way
24:05Hey
24:08That guy right there
24:10I remember Ed from last year
24:11He's a complete pain in the ass
24:13We should leave him behind
24:16Do you say we should bring all of them?
24:18I think we should do that
24:20Whatever
24:24You're so good at this
24:26Have you done it your whole life?
24:27Pretty much, yeah
24:29I stopped for about ten years, though, when I was married
24:33Yeah, Emma's mom didn't like it much
24:35She didn't like me very much either
24:39But I rediscovered myself after she left
24:42I'm sorry, Will
24:46It's okay
24:48I left that life behind
24:49In England
24:52And I got Emma
24:54So that's all that matters
24:55But I'm sorry to transition thechter
25:05And I think the other things
25:09Do you know what name is that
25:09Is that what I want to cover here?
25:10No, not li decir
25:10No, not liever
25:13I don't buy somewhere
25:15I don't know my words
25:16I'm hoden
25:16You're listening
25:18You're doing
25:22I don't know your wpture
25:33¿Qué pasa?
26:05¿Qué pasa?
26:34¿Qué pasa?
27:05¿Qué pasa?
27:11¿Qué pasa?
27:22¿Qué pasa?
27:34¿Qué pasa?
27:43¿Qué pasa?
28:17¿Qué pasa?
28:18¿Qué pasa?
28:20¿Qué pasa?
28:22¿Qué pasa?
28:29¿Qué pasa?
28:34¿Qué pasa?
28:40¿Qué pasa?
28:45¿Qué pasa?
28:48¿Qué pasa?
29:18¿Qué pasa?
29:39¿Qué pasa?
29:46¿Qué pasa?
29:53¿Qué pasa?
29:54¿Qué pasa?
29:56¿Qué pasa?
30:01¿Qué pasa?
30:03¿Qué pasa?
30:22¿Qué pasa?
30:24¿Qué pasa?
30:24¿Qué pasa?
30:28¿Qué pasa?
30:30¿Qué?
30:31¿Qué pasa?
30:40¿Qué pasa?
30:42¿Qué pasa?
30:54¿Qué pasa?
31:00Sí, estoy...
31:08i thought could you just shut up
31:13put that guitar away
31:15my head
31:16it's about to explode
31:18i gotta listen anymore
31:19you all remember this puss ball
31:22from last year right
31:24i think i'm gonna tell gil we're not coming back
31:26next year
31:30and it's past lunch
31:31it's time for you to pull over and buy us a meal
31:33we'll stop in a while
31:36management here seems to think he can tell us
31:38when we're gonna eat
31:40we want to stop man
31:42we want to stop
31:43rima pull over
31:55get out
31:57get out and what
31:58i'm gonna watch you piss
32:00no
32:00i want you to get out of the van right now
32:04you your guitar
32:05and anyone else who thinks it's a democracy you can get out too
32:11just stop for lunch
32:12whenever man
32:13it's all good
32:14i said get out
32:18let's go
32:23walk over here
32:24go on
32:44thank you
32:47so same time next week norman
32:50well um
32:51i'm gonna call and schedule something
32:53but we have a lot going on
32:55with a motel opening
32:59may i talk to you privately for a moment
33:04yeah
33:04i'll be right out norman
33:21i think it might be helpful if i saw norman on his own next time
33:26no offense but i don't feel comfortable with that
33:30i mean i don't know you
33:35have you ever been in therapy mrs bates
33:40no
33:42would you consider coming for some sessions of your own
33:46why
33:48well
33:49i've noticed you have a strong influence on norman
33:53maybe i need to control things
33:57i'm his mother
33:58of course
33:59but as our children grow older
34:02we need to
34:02let go a little
34:06the thing is
34:09people who
34:10feel the need to control
34:12everything
34:13often in actuality
34:15feel out of control
34:16on the inside
34:19do you ever feel that way
34:25no
34:26i don't
34:29i
34:30i
34:31i feel completely in control of
34:34everything in my life
34:36how dare you make these stupid assumptions about me
34:40you don't know anything about me
34:41i work hard
34:42i take care of my son
34:44i know what's right and what's wrong for him
34:46no one pushes me around
34:47i control my own life
34:48i'm in total control of my own life
34:49i have a lot going on
34:51i have a lot to deal with
34:52but i do not feel powerless
34:54ever
34:57we're going norman
34:58what happened mother
34:59did i say something wrong
35:00no you're perfect
35:01let's go
35:15norman
35:16go up to the house
35:17i'll be right there
35:17come on in
35:32come on in
35:47but i don't want to have anything more to do with you
35:49okay
35:50we are not having future business together
35:52you are not booking rooms here ever again
35:55you need to dial it down right now norma
35:56before i get truly annoyed
35:58you want me to call the cops and tell them what you've been saying to me
36:01hmm
36:02how you wanted to rent rooms and have
36:05privacy
36:06how you knew keith summers and zach shelby
36:10i know all about you and zach shelby
36:18what there's nothing to know
36:24i'm not afraid of you
36:25you have no power over me
36:28you're gonna try and convince me that you and shelby were casual acquaintances
36:31that you knew nothing about what was going on
36:37if you are not out of this room
36:39in five minutes i am calling the police
36:41okay
36:43you want to play
36:46play
36:46five minutes
36:52you
36:54you
36:54you
36:55you
37:07¿Qué pasa?
37:44¿Qué pasa?
37:59The reason I told those girls about you and Bradley is because I heard them talking about you, saying things
38:05like, it was embarrassing how you just stared at Bradley all the time, and how someone like her would never
38:12have anything to do with someone like you.
38:19And it just made me so angry.
38:21I'm sorry, because I think you are so special, and so much better than any of them.
38:29I just couldn't keep my mouth shut.
38:33Anyway, I'm sorry.
38:35I just didn't want you to think I had any other motive.
38:45I know you think I like you.
38:48I don't care.
38:49I guess I do.
38:54But it's not about that.
38:57I don't care if you're not going to be my boyfriend.
39:01I'm pretty used to things not turning out the way I expect and making the best of it.
39:08It's just, you are really special to me, and I feel safe with you.
39:22You are my friend.
39:27And I don't want to mess it up.
39:29Or lose you.
39:36I don't have many real friends.
39:44It's okay, Emma.
39:49I'm sorry I was mad.
40:01I'm sorry if it was a door, I would have knocked.
40:04It's fine, Dad.
40:34How many rooms we got available?
40:36All of them, 12 rooms, 12 vacancies.
40:42What happened to number nine?
40:44You were right about that guy.
40:46I got rid of him.
40:48I handled it.
40:50Cool.
40:52Um, look, I got seven people here who need rooms.
40:56They're going to be doing some work for my boss,
40:57and we need somewhere to put them for the next two weeks.
40:59Really?
41:02Yeah.
41:03Yeah, I'm a golden office.
41:07Thank you, Dylan.
41:10Yeah.
41:10Sure, Norma.
41:18You know, Norman is, uh, staying for dinner at Emma's tonight.
41:22Do you want to go to bite in the village?
41:24It'll just be the two of us.
41:27Yeah.
41:28Yeah.
41:29Yeah.
41:30Sure.
41:31Okay.
41:32Okay.
41:33I'm just going to get out of these clothes.
41:35I'll run upstairs, and then I'll come back down and meet you and settle everybody in.
41:39Okay?
41:40Okay.
41:41Okay.
41:42Okay.
42:09No!
42:10Ah!
42:10¡Mamá! ¡Mamá! ¡Mamá!
42:51Gracias por ver el video.
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