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00:00To join together, this man and this woman, in holy matrimony.
00:09Instituted of God in the time of man's innocence,
00:12signifying unto us the mystical union that is between Christ and his Church.
00:17Therefore, it is not by any to be entered Christ, nor taken in hand,
00:22unadvisedly, lightly or wantonly,
00:25to satisfy men's carnal lusts and appetite,
00:28like brute beasts that understand nothing,
00:30but reverently, discreetly, advisedly, soberly, and in the fear of God,
00:37duly considering the causes for which matrimony was ordained.
00:43And now I've crowned you, my princess,
00:51though there's nothing in name.
01:01Others would have sounded pretty tame.
01:08If you were poorer, I could be no surer that you're a princess.
01:26May I call you princess?
01:32If you say you love me?
01:35Thank you very much. It's very, very fresh.
01:37Full of vitality. Thank you.
01:39And we're going to do another one when we're ready.
01:41And...
01:42Colin, chip it down a little bit.
01:44Very much down a little bit.
01:44Thank you, and to me everyone, and...
01:47Flash!
01:48Bride and groom.
01:49Bride and groom.
01:53Bloody awful things, weddings.
01:56Treadfully upsetting.
01:57Unless it's one's own, of course.
02:02Another couple off to build a castle.
02:05Lower the portcullis, pull up a drawbridge.
02:07How do you mean?
02:09Couples do that, don't they?
02:11They turn to each other and all we see is their backs.
02:15So what am I to do, Billy?
02:19No one wants to take me on, apparently.
02:24Is your daunting prospect?
02:27I could give it a go.
02:29Don't be silly, old friend.
02:32Yes, but isn't that the first quality one should look for in a husband?
02:35In the olden days, people weren't confused.
02:38People married for sensible reasons.
02:40Marriage was a consolidation of acids.
02:43Also of other things.
02:46Friendship.
02:48Values.
02:50Outlooks.
02:53We greet Derby winners.
02:56Have an army of children.
02:58Billy.
02:59Look, and I know the rules.
03:01I know the rules.
03:02Your family all know me, and I think are not averse.
03:06They adore you.
03:08And I you.
03:11Always have.
03:14I'm your own faithful, after all.
03:16I know the rules.
03:17I know the rules.
03:22I know.
03:28You can't wait.
03:29I know the rules.
03:29But, we'll come from everything.
03:31It's their own faithful, after all ages.
03:31I know them.
03:32We can't wait.
03:32I know them.
03:32But, we'll...
03:45We're running for, after all ages.
03:46She said something interesting the other day.
03:49No.
03:51She said that the first ten years of marriage are just an overture.
03:57That there's often a crisis at ten years, but then you work it out and settle in.
04:04And it's only then that it really gets into its stride.
04:07No.
04:11Do you suppose that's what's happened to us?
04:15Possibly.
04:19I was thinking perhaps we should have a big anniversary party this year.
04:26To celebrate hitting our stride.
04:33Right.
04:40Yes?
04:42All right.
04:46So how was it?
04:49Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
04:54It took forever to get there.
04:56Mummy was a nightmare.
04:58Mercifully.
04:58They sent a helicopter to bring us back.
05:03And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
05:14What?
05:15To whom?
05:30To whom?
05:46to announce your engagement, if you want it.
05:50That's a nice idea.
05:52Well, that's settled, then.
05:55My pleasure. Good night, Margaret.
06:10Mr. Meade, can you actually explain why it is that the
06:12Russian satellite keep on circling the Earth and setting over flying Earth into space or jumping to the ground?
06:17I'm not sure how I fear about a Russian satellite circling the Earth.
06:22Just above our heads. What's it doing up there?
06:25Nationally, it's providing information about the density of the Earth's upper atmosphere.
06:29Of course, its darker purpose is to demonstrate to everyone
06:33the extent of Russian military power and technical capacity.
06:37The same rocket that launched this satellite is capable of firing a nuclear warhead
06:41into enemy territory with pinpoint accuracy.
06:45Imagine the effect this will have on the Americans.
06:48Great crisis of self-doubt, if I'm not very much mistaken.
06:51We must seize this opportunity to help the Americans
06:53and work together in a joint effort to meet the Russian threat.
06:57That is the way to repair Anglo-American relations,
07:00which, as you know, have deteriorated terribly
07:04due to the Suez Crisis.
07:07Right. You know, after the war, they said that I...
07:10I'm absolutely determined to restore the special relationship that exists
07:14between our two countries.
07:15We're bound by so much more than just language and shared history.
07:20It's a kind of marriage.
07:22As in any marriage.
07:24There'll be ups and downs, but one must work.
07:27Get things back on track.
07:28Rather, in the same way that a doctor examines a patient...
07:31They say that listening is important.
07:33But this is really quite a simple...
07:34In any marriage.
07:36...first try.
07:37Does that mean, then, that we can learn just as much from this satellite as the Russians?
07:50How are we going to do this?
07:52I think the driver should drop me first, then take you on to the station.
07:56Well, I could wait.
07:58I don't think that would be wise.
08:02Why?
08:03How long do you need with it?
08:06A day.
08:09Maybe two.
08:11It's the last time, I promise.
08:14Don't make promises you cannot keep.
08:16No.
08:17I'm determined to end it.
08:19It's time, now that you're Prime Minister.
08:21Yes, it is.
08:27Okay.
08:55With a one, two, three, flash.
08:57Oh, quite magnificent.
09:00Thank you, Martin.
09:00Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
09:04What's wrong with Cecil?
09:05When it came out last year, everyone said how pretty you look.
09:08No, they said how much I look like you.
09:11Well, quite.
09:13Cecil does just one thing.
09:15Fairy tales.
09:17Yes, but he does it so well.
09:20And to me, Your Royal Highness, little less chin and...
09:25What do you think?
09:26I asked my new lady-in-waiting here today...
09:29Your Majesty.
09:30...to offer her opinion.
09:32Having at least one foot in the real world.
09:35I think birthday portraits should evolve and mature with age.
09:39Like the subject.
09:40Show change in the character.
09:42Complexity.
09:44Reality.
09:47No one wants complexity and reality from us.
09:50Do sit down.
09:53People have enough of that in their own lives.
09:56They want us to help them escape.
09:58Indeed, Your Majesty.
10:00Imagine this, if you will.
10:02A young woman.
10:04A commonplace creature.
10:05She sits in her drab little scullery.
10:07So much work to do.
10:09So much washing up.
10:11How she longs for comfort.
10:13For hope.
10:14And again.
10:15One, two, three, and flash.
10:17She wants to believe her life has some meaning beyond chores.
10:22She opens a magazine and she sees her Royal Highness's photograph.
10:27For one glorious transforming moment, she becomes a princess too.
10:32She is lifted out of her miserable, pitiful reality into a fantasy.
10:42Later, she will step out of her house in a new neckerchief, perhaps, for which she has saved.
10:49Though she will hold her head up high, she is renewed.
10:53And all thanks to you, Your Royal Highness.
10:57And to the ideal which you represent.
11:01And now, with a one, two, three, and flash.
11:05Quite marvellous.
11:25In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
11:30Has any woman ever looked at him as an object of desire?
11:33I mean, even remotely.
11:35Certainly not.
11:37Then how can one begin to explain that?
11:45Oh, my God.
11:48Oh, my God.
11:50Oh, my God.
12:06I've had just telephoned to apologise and say that Mr. Wallace may be indisposed this evening.
12:10It can't be indisposed.
12:11We're announcing our engagement.
12:13Something about an injury.
12:14Rather a serious injury.
12:35All right.
12:36The Royal Highness, Princess Margaret.
12:39Out of my way.
12:39Oh, shit.
12:40You must keep a leg up, sir.
12:42Billy?
12:43It's all right, Simpson.
12:54What's going on?
12:55It's our announcement this evening.
12:57Unforeseen cirques, I'm afraid.
12:59Rather a dust-up in the early hours.
13:02Are you drunk?
13:04Don't be like that.
13:05I had to do something for the pain.
13:07What happened?
13:08Wait till you hear.
13:09You'll laugh till you spit.
13:11Your friend, Tennant, rather took offence at something I did.
13:13You came to blaze with Colin.
13:15I believe the word duel was mentioned.
13:18A duel?
13:20Tennant issued the challenge.
13:22A little childish in this day and age, if you ask me.
13:24But a duel is a duel, so I stepped up to the mark.
13:28That's what a gentleman does.
13:35If I'm completely honest, a little drink had been taken during the night.
13:40But we faced the dawn with clear heads and strong hearts.
13:45Now, Tennant wanted to motor up to Glen to get his father's old pistols.
13:48Would have been quite ridiculous, much too far away.
13:50Sir Blamford offered his.
13:52That was a bloody stupid mistake.
13:55A duel is not just a test of marksmanship.
13:57It's a test of character.
14:01Ten paces.
14:03One.
14:05Two.
14:06Three.
14:07Four.
14:08Five.
14:10Six.
14:12Seven.
14:13Eight.
14:15Nine.
14:16Ten.
14:20Fucker shot me in the leg.
14:21Bloody awful thing.
14:22Anyway, I survived with a small flesh wound.
14:27And why was he angry with you?
14:30It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the centre of
14:35attention.
14:36It's as though every good-looking girl on earth has taken the news as a personal challenge.
14:41I'm not used to the idea of being a bow, much less a catch.
14:45Seems to have gone to my head, rather.
14:49Had a bit of a fumble at Glenham.
14:51It was rather a beauty.
14:52It was in pictures, you know.
14:53An actress.
14:55Anyway, Tennant got wind of it.
14:57I got very cross.
15:04Yes, with reason.
15:08A pathetic, weak, contemptible fool.
15:14I never even wanted to marry you.
15:17You were only ever an act of charity or desperation.
15:22And now you insult me.
15:24You.
15:25People like you don't get to insult people like me.
15:27You get to be eternally grateful.
15:32And you've quite the way with women.
15:34Take a look at this face.
15:37A picture of disappointment and disgust.
15:41This is the look that every woman you ever know will come to share.
15:45This is what the next 40 years of your life will look like.
15:56Margaret.
15:58Margaret.
16:00Oh, yes.
16:02I suppose my type can someone...
16:03Yes, yes.
16:05I have enough to tell you...
16:06I have enough to tell you...
16:07I have enough to tell you...
16:07I have enough to tell you...
16:09Trouble.
16:10Yes, sir.
16:11What has got you...
16:12You must have read...
16:12Ma'am, I've been asked to tell you...
16:14...that Princess Margaret will not be announcing...
16:16...engagement this evening.
16:18Our Royal Highnesses will explain everything later.
16:20Yes, I'm sure she will.
16:21Thank you, Michael.
16:43All right, all right.
16:44Settle down.
16:45So on my recent tour of the Pacific...
16:48I was introduced to a man who said to me...
16:50My wife is a doctor of philosophy and much more important than I am.
16:56To which I could only reply...
16:58Oh, yes, sir.
16:59We have that trouble in our family, too.
17:04You know, when I imagined our marriage in the early days...
17:07I imagined two people welded together into some sort of combined existence.
17:13Ten years.
17:15Ten years has taught me...
17:17The secret of a successful marriage is actually to have different interests.
17:22Well, different interests, but not entirely different.
17:31So it's a funny business.
17:33One sees the whole of the other person.
17:35You see even that part of them that they don't see themselves.
17:38And presumably...
17:40They see that hidden part of you.
17:44One ends up knowing more about one's partner...
17:47Than they know about themselves.
17:49And it can be pretty tough...
17:51To keep quiet about it.
17:52So you have to...
17:53You have to come to an accommodation.
17:56An arrangement.
17:58A deal.
18:00If you like.
18:01To take the rough with the smooth.
18:06But the extraordinary thing is...
18:09Down there in the rough...
18:11In the long reeds of difficulty and pain...
18:17That is where you find the treasure.
18:21So I would like to propose a toast...
18:25In the name of love.
18:28In the name of our beloved country.
18:31In the name of steadfastness.
18:34In the name of another ten...
18:35Marvellous years.
18:40I give you...
18:42Mon petit choux.
18:49Elizabeth.
18:52Elizabeth.
18:55The Queen.
19:00Mary the Queen.
19:02Mari the Queen.
21:59Blackheart, I can't.
22:01I want only you.
22:05I've tried again with Harold.
22:08Tried and tried.
22:09I know.
22:11I know.
22:12I know.
22:13I just can't.
22:14I can't have him touch me, be near me.
22:18His weakness repels me.
22:21His love disgusts me.
22:41Good morning.
22:43Good morning.
22:44Oh, darling, what a mess.
22:47It is the most beautiful day.
22:54I bought something to cheer you up.
22:57Cecil's magnificent work.
22:59He's quite outdone himself this time.
23:03I can tell you which one I would choose as the official birthday portrait.
23:07And Cecil immediately agreed.
23:10But, of course, it's for you to decide.
23:20You're staying here.
23:21You're very good.
23:26Why?
23:34Pet multipliers.
23:36Let him read it down.
23:39The cell is condemned with the backpack.
23:43and with regards to Billy Wallace
23:45don't mention that name
23:47I've had him on the telephone to me all morning
23:49quite distraught
23:50then his mother, then his grandma
23:52I'm never speaking to him again
23:54then we will find you someone else
23:58I don't want you to find me anyone
24:02Moritz Landsgrave of Hesse
24:03he's a distant cousin
24:05now his mother was a Catholic
24:07but their lands are still intact
24:08and he gives a very good show of himself
24:10on the polo field
24:11no one
24:13someone suggested Prince Christian of Hanover
24:16a descendant of Queen Victoria
24:18served in the Luftwaffe
24:20but we won't hold that against him
24:22I do know what the official duties
24:24of the lady-in-waiting are
24:25accompanying me on foreign trips
24:26dealing with my mail
24:30do you suppose it might also include
24:31helping me climb over the wall to escape
24:34I just can't bear it anymore
24:35I'm having some people to dinner
24:37tonight
24:40normal people
24:42yes, they're all normal
24:44but in their own way
24:45they're all quite exceptional too
24:47you can go
24:48and possibly not deferential
24:52that's fine
24:53as long as they still meet the main requirements
24:56which are?
24:58but none of them breeds horses
24:59owns lend
25:01what knows my mother
25:22all right all of you
25:25hello
25:27everyone
25:28I'd like you to say hello
25:30to our guest of honour
25:31Her Royal Highness
25:32the Princess Margaret
25:35hello
25:36hello
25:39are you ready ma'am?
25:40here come the introductions
25:42here we have Dudley on the piano
25:46and this here is Shilpa
25:51oh god
25:52oh god
25:54it's completely rubbery
25:56you mustn't
25:56you mustn't
25:56you're done
25:57you're done
26:01you're done
26:01I don't always ask
26:02you know that our designers
26:03crack
26:04hmm
26:05you can't do more
26:06but it was just
26:06really
26:07to be honest
26:07really
26:08the whole run
26:08I think it's really
26:09actually fine
26:10but this is
26:11tonight
26:11I haven't even read
26:12the outside
26:13especially
26:13he
26:14and
26:14I think
26:15I'm going to fear
26:15to be honest
26:17you
26:22you're feeling a little left eye
26:25you're thinking to yourself
26:28these dabblers and freaks
26:29all seem to know one another very well
26:37and you'd be absolutely right
26:41now be honest
26:43can you remember
26:45any of the names
26:48you're not really
26:49can't remember me either
26:51you know what we've met
26:53you have
26:55where have we met
26:57perhaps he'll come to you
26:58now where to begin
27:02far corner
27:03the irresistible so-and-so with the mustard-colored pearly neck
27:06irresistible
27:07oh come on
27:08a nine, surely
27:10seven
27:12he's called Jeremy
27:13he's heir to a chocolate fortune
27:14married to the
27:15blonde beauty opposite
27:17oh she doesn't eat
27:19isn't she
27:20yes they dazzle in public listening
27:23they don't disappoint in private either
27:25more of that another time I think
27:27who's next
27:29ah yes
27:30our flushed and fleshy friend in Paisley
27:32his name's Ken Russell
27:33makes documentaries for the BBC
27:35travels everywhere on a bus
27:39you've probably
27:41never been on a bus
27:42no
27:45pity
27:46you really do meet the best people
27:51tell me about the woman with the
27:53extraordinary eyes
27:57Baroness Frankenstein
27:59she played opposite Boris Karloff
28:01of that movie
28:02you know
28:02actress
28:02no one can quite make out why she left a rather brilliant film producer for a dreary politician
28:10no
28:11his name's John Perfumo
28:13fucking doll
28:14it's true
28:15it's true
28:15but
28:17the older gentleman
28:18beside him
28:19oh no no no I know who that one is
28:20that's John Perfumo
28:21a poet
28:25books from boots and country lanes
28:26free speech
28:28free passes
28:28class distinction
28:31distinction
28:34democracy
28:34democracy
28:35and
28:36proper dreams
28:39that's so
28:43is it really true he has two minds
28:47I hope so
28:49better if he has three
28:52we don't want anyone conventional around here
29:01tell me about you
29:02oh god you really don't remember
29:04no
29:05I'm a photographer
29:08oh the wedding photographer
29:10that was a favourite
29:11it's not my normal line of work
29:12what is
29:15this
29:20what these yours
29:22yes
29:24portraits
29:25I don't like that word
29:27it's so stuffy and traditional
29:29oh sorry
29:30what are they then
29:33people
29:33faces
29:34they're the most interesting subject that I've found so far
29:38if you can think of anything more interesting do let me know
29:43oh I like them
29:46if there's no camera at all
29:48caught them off guard
29:49it's all luck really
29:51made
29:52the ugliness beautiful
29:53I despise posturing and pretentiousness and humbug
29:58don't you
30:00is that why you took up photography
30:04maybe
30:06maybe it's just a good way to get behind closed doors
30:09somebody's door in particular
30:10just doors generally
30:11the facade is only useful as a marker for someone who has to get behind or beyond
30:15the surface is so dreary I don't think
30:18what people want to show themselves the idealised versions of no interest me
30:22what people hide
30:25that interests me
30:29but you get so close
30:32isn't it rather an intrusion
30:34it's very much an intrusion yes
30:36that's exactly what photography is
30:39I use a small light
30:40I have nothing fancy
30:41a natural light which means that I can prowl around
30:44all the while I'm getting closer and closer and in the end it's kind of like
30:49it's an intrusion
30:54intimacy
31:12how would you feel about taking my photograph
31:15well i'd consider it on one condition
31:20get one when you come to my slum studio leave the titles and princess outside
31:26happy to and for the duration of the session you do everything i say
31:32don't look like that
31:40be a supplicant
31:44i can tell
31:45it was the first room i've ever been to when nobody got up bowed curtsied some just carried on having
31:55conversations if i wasn't there at all those that did talk to me it was such indifference or
32:02nonchalance it verged on impertinence there was this one in particular tony anthony surely no
32:11he insisted tony armstrong jones this is photographer like sisal no nothing like
32:18sisal couldn't be less like sisal well maybe a bit like sisal he's obviously queer
32:23well interestingly elizabeth denies it elizabeth who
32:27cavendish i called when i got home last night interrogated what are the five most important
32:31things i need to know about that man why five i don't know it felt like the right number why
32:37not
32:37three it's more interesting than three so what did you say one it is welsh is that interesting
32:45no not particularly well he had polio as a child he has a passion for inventing things and he would
32:53never dream of being anything as straightforward as simply queer what on earth does that mean
32:58not all together sure but i'm also not even curious to find out what was number five
33:05that was five no margaret that was four all right five was i liked him yes i can tell that
33:16there's a contempt in him there's a contempt in him what for for me for us for everything we represent
33:30i actually think you'd like it that's what's so dangerous about him upstairs
33:56that's what's so dangerous about him right
34:18i'm
34:18wait there
34:23back in the room
34:49back in the room
34:57back in the room
35:02i've been caught
35:09I don't know.
35:40I don't know.
36:31I don't know.
36:43I don't know.
36:45I don't know.
36:46I don't know.
36:47I don't know.
36:49Too lovely.
36:52For my taste, yes.
36:54Oh, I see.
36:55You prefer me to be un-lovely.
36:59I prefer you to be yourself, but I realize it's asking the impossible.
37:03Why?
37:05Because I'm uncooperative.
37:07Because you have no idea who you are.
37:09Look to the window.
37:10So I know perfectly well.
37:11No.
37:12Not the faintest idea.
37:14Window.
37:26We don't know who you are either.
37:30The rest of us, outside the palace gates.
37:32That's because we keep feeding you the fairy tale.
37:41Like this.
37:48Oh.
37:52Jesus.
37:53Jesus.
37:54I'm sorry, but Cecil is a disgrace.
38:01Well, he's been good to the family.
38:04Why would you care about the family?
38:08Have they been good to you?
38:12Are they my family?
38:15Yes.
38:21I've got my business with Peter Townsend.
38:26Cruel.
38:33Was he really as dreary as he seemed?
38:39He was decent and old-fashioned.
38:45Easy qualities to mock.
38:54Easy to miss, too.
39:34To miss him.
39:35To miss him.
39:44Sometimes.
39:48Got it.
39:49Right.
39:50Back to my place for a drink.
39:53Your place?
39:54Where's Ed?
39:56Well, get dressed and I'll show you.
40:15So, this is home.
40:21It's marvellous.
40:29Whiskey or cinzana?
40:31Whiskey, please.
40:41Who's she?
40:45Friend.
40:46Kind of friend.
40:49A friend.
40:51This one?
40:53Couldn't you cheer her up a little?
40:55That's Sarah McMillan, the Prime Minister's daughter.
40:57What is she?
40:59What is it?
41:00It's not.
41:02This is Bob Boothby's love child.
41:04No.
41:05Thirty years, they say, the affair's been going on.
41:07Right under the PM's nose.
41:08Can you imagine?
41:12I don't think I'm ever going to get married.
41:15Quite right.
41:17What's this?
41:17It's a ghastly business.
41:20It makes being happy so very difficult.
41:27Ooh, what's this?
41:30Oh, it's something I'm working on.
41:31A design.
41:32It's fragile.
41:33Get off.
41:36Ooh, sorry.
41:39Yeah, come on, have a look at this.
41:41This might amuse you.
41:50What, people have signed their names?
41:52Oh, their nicknames, yes.
41:54Who's Tigger?
41:56Cleo Lane.
42:00Smith?
42:01Doug Bogart.
42:05Oh, look, you already have a princess.
42:08That's Tony Richardson.
42:10Will you sign?
42:13I keep a diamond to the purpose.
42:15Go on.
42:17I'm not sure I've ever had a nickname.
42:20What shall I put?
42:22Something that'll throw them off the scent.
42:25Beryl.
42:27Beryl?
42:28Hmm.
42:30All right.
42:46Rhymes with peril.
42:53Put it back.
42:58Right.
43:00Shall we look at the photograph?
43:02Yes.
43:15Shall we look at the photograph?
43:17Yes.
43:17I'm not sure.
43:27I'm not sure.
43:27But we don't have any information.
43:27I don't know.
43:27No, no, no.
43:27No.
43:41No, no, no.
43:44No, no.
43:54All right.
44:10First, the chemicals.
44:24You knew when you first met, I was sure you were queer.
44:37Why?
44:39Just the way you talk to women.
44:42Understood women.
44:54Then you put it in some water.
45:00Here.
45:04Not to mention your tidy little hips.
45:07All vanity and fastidiousness.
45:10I'm not vain.
45:13You're insufferably vain.
45:18But now I see you're not queer.
45:22Then you're pushing us the fixer.
45:30This hill routine is hard to practice and well oiled.
45:35Woman after woman has been here before me.
45:40Beautiful women.
45:41Then?
45:43Mm-hmm.
45:45Yeah.
45:51Will you hang her up?
46:03What do you think?
46:09Margaret I've never seen before.
46:12No one's ever seen before.
46:15No.
46:18Because in this photo you're not a princess anymore.
46:25There's someone I would like you to send it to.
46:29Can I give you an address?
46:32Sure.
46:35Then I must go.
46:40You want to stay a little longer?
46:45No.
46:47This is where the routine ends.
46:51For now.
46:53All right.
46:56You come with the driver?
46:58Yes.
46:59He's waiting outside.
47:01Good.
47:01Then he can follow us.
47:14We are so proud to become a guest in the Istana Indah.
47:18We are most honored to have been guest in your majesty's beautiful home.
47:23Huh.
47:24We are so proud to be in the Istana Indah.
47:34All right.
47:51Thank you so much.
47:52Thank you very much.
47:54Thank you very much.
47:58God, I thought that would never end.
47:59Yes, it did go on rather.
48:01On and on and on and on and on.
48:04Hmm.
48:30Definitely not queer.
48:36Keep it.
48:37Keep it.
48:54My love must be a kind of blind love.
49:02I can't see
49:04anyone but you
49:22Are the stars
49:27of tonight
49:31I don't know
49:33if it's cloudy
49:34or dry
49:36I only
49:40am I
49:44for you
49:51I don't know
49:54the moon
50:00but I can't see a thing
50:04in the sky
50:06I only have
50:10eyes
50:12for you
50:24I don't know
50:27if
50:28we're in
50:31a garden
50:44I don't know
50:47I don't know
50:55I don't know
51:02maybe millions of people
51:05come to run by
51:07but they
51:09all
51:10disappear
51:15from you
51:22and I only
51:25and I only
51:29have eyes
51:29for you
51:32good
51:34good gracious
51:47oh la la
52:03I don't know
52:07I don't know
52:08I don't know
52:18there you are
52:19finally
52:30how is it?
52:31what is it?
52:32I don't know
52:46you're naked
52:50yes
52:51I don't know
52:51I don't know
52:51what is it?
53:01I don't know
53:03now