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00:30Maricha, is that true?
00:33Yes, godfather, why?
00:36You two cannot get married.
00:38Mr. Tapia, what are you saying?
00:41Paco, are you okay?
00:44Are you not the one to say whether these young people should get married or not?
00:49Regina, Regina, you don't understand.
00:51You don't understand anything at all.
00:53But, but why, godfather?
00:55At least give us an explanation.
00:57Maricha, I can't explain anything to you.
01:00But believe me, that would be a mistake.
01:02You two can never get married.
01:04Do you understand me? Never.
01:07Excuse me.
01:08Explain it to me, my love, I'll do it to myself.
01:14What a shame, Don Gabriel, it's best if we leave.
01:17No, no, no, Maricha, please.
01:19There has to be an explanation for that.
01:30Life has treated you wonderfully, hasn't it, Albertico?
01:33And I'm glad.
01:34Who would have thought that the simple men's magazine photographer would now
01:38the vice president of the Mutinámeno companies or anything else?
01:43Look, Del Rio, the past is the past.
01:47Leave it where it is.
01:49I came to offer you a business.
01:50Do you accept it or not?
01:52The thing is, Albertico, the character of a judge is very difficult.
01:57This time it's going to cost you dearly.
01:58That performance.
02:00Look at the price.
02:02We'll work out the price.
02:04Good.
02:04I just want to know if you're here or not.
02:06You give me an advance, I'll buy a nice dress, a nice little suit, nice accessories, okay?
02:13Do you think I'm an idiot?
02:16I know that advances end up in a bar.
02:19Not now.
02:20Forget it.
02:22You do the work and then I pay you.
02:26We started badly, we finished badly.
02:28No deal, Albertico, take care.
02:30No, okay.
02:30I like seeing you, Del Río, Del Río.
02:32Sit down, sit down, sit down.
02:33I'm going to offer you something better, okay?
02:35Look, okay.
02:37I bet you anything there is a deal.
02:42I'm listening.
02:42Because if you don't do it willingly, then it will have to be by force.
03:01Maritza, relax, don't worry.
03:03Marcos will surely calm down teacher Tapia.
03:06Calm down, daughter.
03:08Paco has changed a lot lately.
03:10We have to understand it.
03:12Surgery is not just any old thing.
03:14No, but I don't understand why it landed like that.
03:16I just wanted to surprise her.
03:19Excuse me, does that mean that Mr. Tapia didn't know that all this was done to announce the wedding of
03:25you?
03:26No, no, he didn't know anything.
03:28But that's really strange, isn't it?
03:30Because that bald guy seemed to be speaking very seriously.
03:33Yeah.
03:35What does she know that makes it seem impossible to her that they will get married?
03:40And why do you think he got so upset?
03:56Paco, when Gabriel asked me if Maritza was my daughter, I told him yes.
04:04And I don't want him to think I'm a liar.
04:07But woman...
04:08Paco, I did it to save my honor.
04:12I can't tell him that Juliana is my daughter, much less that she is his daughter.
04:20Well, and poor Juliana who can barely walk and is so ugly, oh, wouldn't I be ashamed?
04:28Regina, you're crazy.
04:34Teacher, I want to know your reason for preventing Maritza and me from getting married.
04:37Marcos, I can't explain anything to you, but please understand me.
04:41You and Maritza cannot make it to the altar.
04:44Listen, if you really love her, don't keep asking.
04:48Look, don't you think I have a right to know?
04:51Master, I...
04:52I appreciate you.
04:54Thank you.
04:54And I respect him a lot.
04:55And Maritza, in speaking, Maritza loves and esteems him.
04:58Now I need to know your reasons; it's very important for me to know them.
05:00Man, you guys are very different.
05:04Different.
05:05Yes, you are a rich kid.
05:06Look at the house you live in.
05:08In contrast, Maritza is a humble girl.
05:10Excuse me, but neither money nor social position matters to me.
05:13And I have proven that.
05:15Oh, oh, oh, you say that now because you think you're in love.
05:19And that's why you think there are no barriers.
05:22But in time you'll think very differently.
05:24You'll see.
05:25Teacher.
05:28Those aren't arguments.
05:30I adore Maritza and I want to spend the rest of my life with her.
05:33My feelings are not going to change.
05:36I'm not going to try to convince you of anything, but I will warn you about one thing.
05:40You're getting married over my dead body.
05:43I'm going to stop that marriage.
05:56You're in serious trouble with the river, huh?
06:01Okay, so where are you going with this?
06:04Well, look, here, it says here that you scammed many women by telling them you were going to perform liposuction on them.
06:12river.
06:13You defrauded a lot of people out of their money, huh?
06:16Yes, the same thing you did when you worked in those pharmacies.
06:22Or don't you remember?
06:26Of course I remember.
06:28With the small difference that they never had any evidence against me.
06:33But you, well, you became a...
06:38Big fish with the authorities.
06:41So, if you don't help me with this, from the river,
06:45I'll have to go to the police and tell them why I captured you.
06:51He's still the same miserable rat.
06:53Shut up, shut up, do you accept it, yes or no?
06:58Okay, Albertico.
07:00Who needs to be married?
07:06Teacher, you can't do this to us just because it's your point of view.
07:10Of course I can.
07:11Maybe I'm nobody to you, but I am to Maritza.
07:15My opinion is very important to her.
07:17because he loves me like a father.
07:19And I love her as if she were my own daughter.
07:22With all due respect, teacher.
07:23Teacher, but if you maintain that point of view,
07:27Let me tell you, nobody is going to stop us from getting married.
07:30And I'm going to walk all over you and whoever else is in my way.
07:33so that this wedding can become a reality.
07:34Well, that remains to be seen.
07:36Because I'm willing to talk to your dad so they don't get married.
07:39What's more, I'm going to do it right now.
07:42And I assure you that he will agree with me.
07:45Teacher.
07:48Teacher.
07:58I need you to go to the store and bring me these things.
08:02And take this suit to the dry cleaners.
08:06Where did you get this fine suit?
08:10Or rather, who did you steal it from, Pedro?
08:12No, to no one.
08:13Oh, no, no, no, no, I didn't tell you.
08:15I am now a businessman.
08:20Yeah.
08:22And the man you left lying in the street the other day
08:25It's also part of your dirty business, isn't it?
08:27Yeah.
08:28Listen to me carefully, Pedro.
08:29I'm not going to get involved in your problems anymore.
08:31This is as far as we go, sweetheart.
08:33So get out of this house now.
08:37Yes, of course, of course.
08:40Mamacita, here, here we do what you say.
08:51What did you think?
08:53I leave when I feel like it.
08:57Do you think I'm incapable of keeping my promises?
08:59What game are you playing?
09:01When I feel like it, I'll make your son disappear.
09:04Is that what you want?
09:07No, no, Pedro.
09:08You would never be capable of hurting our son.
09:10I am capable of anything, Luzmila.
09:14Do you think it will hurt me to hurt your little boy?
09:18I already told you.
09:19I don't believe that child is mine.
09:29Teacher, please, let's try to calm down.
09:32There are guests.
09:32Let's find a way to reach an agreement.
09:35Marcos, Marcos, please understand me, I beg you.
09:38It's not your fault.
09:40It's destiny.
09:42Fate twisted everything, and I have to straighten it out.
09:45Excuse me, but I don't understand.
09:46Speak clearly.
09:47I don't mind.
09:49As long as your dad understands it, that's more than enough for me.
09:52Oh, are you going to talk to him?
09:53Yeah.
09:53Go ahead, I'm coming too.
09:54Let's see who can convince him.
09:55Let's see.
09:56Suddenly, for you, the influence I have over Maritza is small compared to the influence you have over
10:02your dad.
10:03Because he is indeed blood of your blood.
10:05But believe me, when I talk to him, he's going to support me.
10:10But notice that he is wrong.
10:12We are on equal footing.
10:14Because Gabriel Muti is not my dad.
10:17That?
10:18What, Gabriel?
10:20Boy, what are you telling me?
10:23Yes, Gabriel is a great man who raised me and decided to adopt me.
10:29That's what he told me.
10:31Are you adopted?
10:33Marcos, are you adopted?
10:56Kid, are you telling me you're Gabriel Muti's adopted son?
11:01Yes, that doesn't matter right now.
11:04Of course it matters, kid.
11:05Of course it matters, it matters a lot.
11:08Marcos, are you sure about what you're telling me?
11:12Master, of course I'm sure.
11:14Gabriel Muti married my mother.
11:17That?
11:18May he rest in peace.
11:20And after that he decided to adopt me, but...
11:23But nothing, absolutely nothing.
11:26Forgive me, I was wrong about you.
11:29I made a mistake, I'm an idiot.
11:34Marcos, if you want to marry Maritza,
11:38Get married and may God bless you.
11:57Very good.
11:58Chamomile extract.
12:002.92 per volume.
12:01Aloe vera.
12:0254.
12:04Sirs.
12:05Alberto.
12:06Don Juan Tobias.
12:07How are you?
12:08Very well thank you.
12:09Navarrese?
12:10Don Alberto.
12:11Please take a seat.
12:12Thank you.
12:13It's great that he came, because as an investor in Marbella I'm very interested in him listening
12:18Everything Navarro has to tell us about the new cream we're going to launch on the market.
12:23I'm all ears.
12:24The formula is already patented and as soon as we finish the legal procedures we will send it to production.
12:30Perfect.
12:31Yes, perfect.
12:32We need to start competing with Muti companies, because they've already launched their new line on the market.
12:37and it's generating a lot of discussion.
12:39Okay, okay.
12:40Don't worry about that either.
12:42Remember that in this business, it's not always the one who strikes first who wins, but the one who strikes first.
12:47which has the best product, the best made and the most trained people.
12:51Sure, sure, sure.
12:52By the way, what ever happened to the chemist who came up with the formula?
12:57Were you able to get him hired at the company?
13:00No, I'm not interested in that man being in Marbella.
13:03Well, Alfonso Díaz may be a good technician, a good chemist, but I don't know why
13:07I go by my gut feelings a lot and I don't want him to be with us.
13:11Well, I've heard that he's a real professional.
13:14Yes, but I'm in talks with a very brilliant chemist to hire her, and I think
13:19that a woman is better suited for this position.
13:21He knows women's tastes much better, doesn't he?
13:24You are right, Don Juan Tobías, you are right.
13:27By the way, what's the name of this new chemical?
13:35You know what, teacher?
13:36Now, well, no, I don't understand his change of attitude.
13:40What's going on?
13:41I was just testing how interested you were, Maritza.
13:46Well, you know that perfectly well.
13:48Tell me what's going on.
13:50Well, no, I wasn't so sure because I know they had a lot of problems.
13:54Yes, but they've been sorted out.
13:56And now I find it very curious that you change your attitude since I tell you that it has been adopted.
14:00Because?
14:01Because what you told me was very private, very confidential, and...
14:06And believe me, I really appreciate those things.
14:09Nestor, do you know that I...?
14:11Yes, yes, Marcos, Marcos, please.
14:13Stop asking silly questions.
14:15Rather, enjoy the moment.
14:18Think of Maritza.
14:20You're going to marry a wonderful woman.
14:36Stop, stop, stop, stop, stop.
14:39Try this lift.
14:41With force.
14:42Huh?
14:43Good.
14:46See?
14:55What's wrong, cousin?
14:58Oh, nothing.
15:00What's up, Luzmila?
15:02You've been crying.
15:04Pedro is bothering you again.
15:08Don't lie to me, Luzmila.
15:11You know you can count on me to defend you if that animal comes near you again, cousin?
15:15No, no, no, it's not about Pedro, Luzmila.
15:19No.
15:20And whose suit is that?
15:23It's by the master Tapia.
15:25I have to take it to the laundromat.
15:27I'll be right back.
15:28Hey, hey, hey, come here.
15:30Cousin, why have you been acting so strange lately?
15:32Something's wrong with you and I don't know why you don't want to tell me.
15:36I have to go, cousin, because I'm going to be late for work.
15:39Yeah?
15:40Remember that you pick up Nachito and Pedrito.
15:43You, and only you, can bring them back to school.
16:11Teacher.
16:13Oh, my child.
16:16Excuse me, everyone.
16:17The thing is, the news took me by surprise and affected me a lot.
16:21But I already spoke with Marcos and changed my mind.
16:25They can get married whenever they want.
16:34I wish you all the luck in the world.
16:37And may God bless them.
16:40Oh, forgive me.
16:42I just wanted to surprise you.
16:44And you did give it to me.
16:48Well, Regina, what do you say?
16:52I love the idea.
16:55So, congratulations to the happy couple.
16:59Regina, aren't you going to congratulate your daughter?
17:03Oh, sorry.
17:04I'm just so excited.
17:07Darling.
17:12Oh, how I wish something like that would happen to you-know-who!
17:17Well, marrying a muti is every woman's dream.
17:27Marita.
17:30Thanks to you, Marcos, he is a different person today.
17:33I know they love each other.
17:34So I wish them all the happiness in the world.
17:38Well, thanks, Dad.
17:42Well, Maritza, we were enemies.
17:46But I hope all that is buried now.
17:49Now the important thing is Marcos' happiness.
17:54Congratulations.
17:58Congratulations.
18:01Thank you.
18:03Very well, then, let's go to the table, please.
18:07Let's go, let's move forward.
18:19Okay, so when will the wedding be?
18:23Have you set a date yet?
18:24Well, as soon as possible.
18:26Well, I'm not the best person to say this, am I?
18:29But if there's such a rush, they should get married in a civil ceremony.
18:33It's faster, it's simpler.
18:34Oh no, no, no, no, no, no, no, no, and no.
18:37There's nothing like a wedding with all the pomp and ceremony of the church.
18:41That can be done later.
18:43The church wedding can wait, can't it, Gabriel?
18:47I can't decide that, let the couple decide.
18:49What do you say, Marcos?
18:50Well, I agree with your sea.
18:54So, doing it civilly is faster, isn't it?
18:59I don't understand.
19:02What's the rush?
19:05Doesn't your mom know?
19:11Well, guys, I don't understand.
19:15What is it that I don't know?
19:19Well, Maritza, I think it's time for you to tell him, don't you?
19:25Mother.
19:27I am pregnant.
19:36Are you pregnant, Maritza?
19:40That?
19:44I'm going to have a heart attack.
19:50Regina!
19:51Regina, what's wrong, Regina?
20:06What's wrong, Regina?
20:15You're late, Luzmila.
20:17Oh, Chela, I'm so sorry, but I had a problem.
20:20Something serious?
20:21No, nothing serious.
20:23Well, don't worry, the bosses aren't here.
20:27They said they're planning Maritza's marriage proposal, is that true?
20:32Oh yes, they went to lunch.
20:34Oh, how exciting!
20:36Oh, I hope things go very well for her in her marriage.
20:39She deserves a man as good as him.
20:49Aren't you like this because of your wretched husband?
20:54Oh, Chela, yes.
20:55What did he do to you?
20:58Chela didn't do anything to me.
21:01But I can't stand his threats anymore.
21:04I have no idea how I can get rid of it.
21:07And, well, Pedrito was finally able to return to his school and I had to tell Nino that
21:13would collect.
21:14Because I'm terrified that that wretched Pedro might do something to my son.
21:19Listen to me, Luzmila.
21:20Talk to the police.
21:22They can stop that miserable person from hurting your child.
21:27Good afternoon.
21:31Luzmila?
21:36Regina, are you okay?
21:41You know what?
21:42Let's leave Mrs. Regina with her daughter.
21:44She knows how to take very good care of her, right?
21:46Let's go.
21:47I think it's appropriate.
21:49Please, let's all go outside.
22:04You should have told me sooner.
22:07How did you get pregnant?
22:10Don't you realize you've just ruined your future on the big catwalks?
22:17Oh, Marisa, you had so much ahead of you, we were going to travel, we were going to have money, and we were going to be famous.
22:25But I'm going to have a child, and that's the most important thing.
22:30The most important thing?
22:32A son?
22:34Don't you realize your body is going to get deformed?
22:38Oh, a son.
22:41That's not going to give way anymore, it's just going to take up more of your time.
22:46Look at me.
22:48Look at me.
22:50I should have been rich and famous.
22:53But I had to have my daughter, the one who turned out so ugly.
22:59And look at me closely, look at me.
23:02Right now I'm broke.
23:08Oh no.
23:11Are you going to act like that again?
23:14As if I were talking about you.
23:17Do you want to know why I get like this?
23:20Well, I'm going to tell you the truth.
23:26Marcos, we should call a doctor.
23:28It's not necessary, look.
23:30I already told you, Marixa knows how to take very good care of her.
23:32Apparently, Mrs. Regina is a little frail.
23:36Delicate?
23:37I think it's quite healthy.
23:39That seems to be the case, but he has a very serious illness that worsens at night.
23:43That's what he says.
23:44Evening?
23:45Yeah.
23:45How odd.
23:46And it's very serious.
23:48Well, that's what I'm saying.
23:49Then we should take her to see a specialist.
23:52No, no, no.
23:52Just a moment, just a moment.
23:54There is a mistake here.
23:56What Marcos is saying is not true.
24:03Well, Luzmila, I think we're done for today.
24:06Hey, Lieutenant, what I don't understand is why you came to interrogate the two of us specifically.
24:11Not just the two of you.
24:15I am going to question all the people who work at this company.
24:21Ah, so the questions you asked Chela and me were about the attack against the
24:28Mr. Alberto.
24:29And also because of the attack on Mr. Muti's house.
24:34Ah.
24:35We suspect the two acts are related.
24:37And that the main objective was to attempt to take the life of Miss Maritza Ferrer.
24:45Yes, I want to know why you're acting like this.
24:48Tell me the truth.
24:50So, why?
24:54You're welcome, Donna Regina.
24:57Maritza, one doesn't get like this for nothing.
25:03It's so sad to see everything he says about his daughter.
25:08Clear.
25:09I had forgotten that when you're pregnant you cry about everything.
25:13That used to happen to me.
25:16And has her husband comforted her?
25:21My husband?
25:23Yes, Juliana's dad.
25:27Juliana's dad?
25:31What was his name?
25:35What was his name?
25:53Juliana's dad?
25:57That's something I don't want to talk about.
26:00And why?
26:01Isn't he dead?
26:04Yeah.
26:06He is dead and buried.
26:11The thing is, that's a story that makes me very sad.
26:16Because?
26:20Because?
26:23He is the only man I have ever loved in my life.
26:31And who told you that my godmother had all that?
26:35Well, look at me, he told me.
26:37Teacher, didn't you know?
26:38But how incredible that Maritza keeps secrets from you.
26:42Oh, no, no, no.
26:42I do know that my godmother is sick.
26:45Of course, of course I know.
26:47What I didn't know is that you were so well-informed about the details of his diagnosis.
26:56Regina, are you feeling better?
26:58Yes, yes, I already feel better.
27:01That was the impression.
27:05So, what's going on in the neighborhood?
27:07I heard they're having problems with the water.
27:09Are there leaks or what?
27:11Don Juan Tobías, it's all just stories.
27:15The problem is that those people are very wasteful.
27:18And it uses a lot of water.
27:20That's probably why they run out.
27:22That's not the answer, Navarro.
27:24I don't think you're well informed.
27:26I want you to investigate thoroughly.
27:29Yes sir.
27:35I want a simple wedding.
27:37See?
27:38I don't know, something like what Xiomara suggested.
27:40To get married in a civil ceremony.
27:42Yeah.
27:43It's the most practical thing to do.
27:45And we could, I don't know what you think,
27:47have lunch here at the house by the lake.
27:50And you, Maestro Tapia, could organize a show with your dancers,
27:53which are excellent.
27:55Thank you so much.
27:57Marcos, where are you going to live?
27:59Well, let's look for a larger place.
28:00because obviously three of us don't fit in the department.
28:04Marixa wants Doña Regina to live with us.
28:09With you?
28:10Yes, that's it, that's what Marixa wants.
28:14Well, I, I propose that they settle here for a few days.
28:20Here?
28:21Yes, Xiomara, here, here, until they find something suitable for them.
28:26This house is huge.
28:29Even Regina could live here.
28:33I think it's a brilliant idea, Gabriel.
28:36I'd be delighted.
28:39Thank you very much, Don Gabriel.
28:41Well, done, Dad.
28:43And since the marriage is going to be a civil ceremony,
28:45Why don't we do it this weekend?
28:47I mean, I don't know.
28:49Yes, that's fine, that's fine.
28:50That's fine by me.
28:52Obtain the civil records
28:53And I'm going to tell Barbara that, well,
28:56Let her organize the lunch, let her make the invitations.
28:59And let the judge get it.
29:00I see a point.
29:01They succeed.
29:02Very good.
29:14The booth is locked and I need you to open it.
29:16There are some of my things there.
29:19So come and open up, come on.
29:21When the teacher returns earlier, no.
29:24Didn't you understand me?
29:26I told you to open the door right now.
29:29I don't mind seeing that teacher.
29:31I understood you perfectly.
29:33But until the teacher returns,
29:35The academy is closed.
29:36Yeah.
29:38You must be very happy, right?
29:41You won't see me in this filthy dive again.
29:45And it's all your fault.
29:46Is it my fault?
29:48It's my fault, isn't it?
29:49But do you know what makes me happy?
29:52While I'm going to be famous,
29:54You're going to continue being a mediocre fool.
29:58Playing the role of your rich admirer.
30:00He's going to tell you to go to hell.
30:01when a rich kid walks by and winks at him.
30:04Who knows?
30:04Who knows?
30:06You'll come back begging, my baby.
30:08But it will be too late.
30:10Look, instead of talking nonsense,
30:12Why don't you leave here?
30:14The truth hurts, doesn't it?
30:16It hurts, beautiful.
30:18I'll see you suffering.
30:21Did you hear?
30:22Idiot.
30:24What's up, kid?
30:25Are you going to let this little girl keep braying?
30:27Just say the word and we'll calm her down.
30:37Yes, well, we're leaving now.
30:39My love, I'm letting you go
30:40Because I know we'll be together very soon.
30:42And no, there is no permit.
30:44Oh!
30:45Okay, but we have to go.
30:47because she still needs to buy my mom's dress,
30:49the children's suit.
30:50I wanted to talk to you about precisely that.
30:51Let me pay for it, my love.
30:53It's a custom.
30:54No, no, I want to pay for my things, Marcos.
30:57Anyway, thank you very much.
30:59This way.
31:03Marita, daughter.
31:03Shall we go?
31:05Okay, okay, we're leaving.
31:08Well, I want you to stay calm.
31:10that everything is going to be fine.
31:12Look, look at the harmony in the family.
31:15Yeah?
31:16I love you.
31:18I'll go with you.
31:19Come on.
31:27Oh!
31:28Did you see how things happen?
31:31Oh!
31:33I have a job,
31:36a beautiful daughter,
31:39Oh!
31:39And I'm going to live in Gabriel Muti's house.
31:43Oh, Regina,
31:44in the messes you get me into
31:46because of your secrets.
31:47I?
31:48Yes, you?
31:49You?
31:50You?
31:50What were you going to be, bear?
31:51When you told Marcos
31:52That he couldn't marry Marita?
31:54What a shame!
31:55Shame on us
31:57when you faded away
31:58in the middle of the dining room.
32:00Oh, yes, yes, yes, yes!
32:02Paco,
32:04What were you talking about so much?
32:05With Marcos in the garden?
32:07Tell me, tell me,
32:08Yeah?
32:09Eh, eh,
32:09I was doing it to him
32:10some recommendations.
32:13That doesn't matter anymore,
32:14Regina.
32:15Oh, yes indeed!
32:17That doesn't matter anymore.
32:19The only thing that matters
32:21It's just that I
32:22I'm going to live
32:23like people
32:25surrounded by luxury
32:27and of...
32:29Oh!
32:30Alas, gardens!
32:32wonderful!
32:34Well, you know that in that
32:35Did he agree with you completely?
32:37Your grandchild deserves to be born
32:39next to her grandmother.
32:42That?
32:48Grandma, I...
32:51What's wrong, Xiomara?
32:54Wait a minute, wait a minute,
32:55Do you want to calm down?
32:57No, I don't want to start.
32:58Not with you again, Xiomara, no.
33:00OK that's fine,
33:01See you there
33:01in half an hour,
33:02seem to you?
33:03That.
33:04Hey, let me go.
33:06Should I look at it?
33:08Yes, ma'am.
33:09But I hardly recognize him.
33:10It's just that I have
33:11Watch your back, ma'am.
33:13So, what did he find out?
33:15Well, I was
33:16at the academy
33:16when John Tobias arrived
33:18and he started talking
33:19with an ugly little girl
33:20who was around.
33:22And what's new about that?
33:24Well, he offered her a job.
33:27He told her he wanted
33:28have in your company
33:29simple people like her.
33:31How curious.
33:33How many days
33:34looking for employees
33:35in the academy?
33:36That's right, ma'am.
33:38How odd.
33:40Oh well, it doesn't matter.
33:42But that's how I like it, Romero,
33:44That's what I like to hear.
33:44He's finally behaving himself
33:46as it should be.
33:47Keep bringing
33:48My information
33:49and not be part of the place.
33:51Is that clear?
33:52Yes, ma'am.
33:54Bye bye.
34:04Bye bye.
34:11That?
34:12Isn't that the dead man?
34:33The dead man, what do you think?
34:36I swear it's the dead man.
34:38Well, bold girl,
34:41If that's the dead man,
34:43He is not dead.
34:46Well, let's follow him.
35:02Little girl,
35:03You didn't even arrive,
35:04We need to talk.
35:06Oh, godfather,
35:06Thank you for joining me.
35:08Juliana, Juliana,
35:10I don't like it at all
35:11that thing you're planning to do.
35:14How are you going to maintain
35:15that situation
35:15of being two people
35:16both
35:17without Regina,
35:18Marcos
35:19and the family
35:19Will they notice him?
35:21I agree
35:22with you, godfather.
35:24And even though it hurts
35:25This deception is widespread.
35:26I have to do it.
35:28So,
35:28Why are you getting involved?
35:29in that problem?
35:30Because I don't have
35:31another way out.
35:32I want my son
35:33have a dad.
35:38Well,
35:39I'm going to continue
35:40removing class.
35:43and me too
35:44Let's see your sword
35:45and life
35:47too much
35:47Let's see your sword
35:49and life
35:49too much
35:51and alone,
35:52and alone,
35:53and alone,
35:54and alone,
35:54and alone,
35:55and alone,
35:56Luzmi?
35:57How did it go,
35:58midwife?
35:59Good,
36:00good,
36:01But I want to ask you
36:02a favor.
36:02Yes tell me,
36:03whichever one you want.
36:05I want you to be
36:06my wedding witness
36:07this weekend.
36:09Hey?
36:10This weekend?
36:11Uh-huh.
36:12Oh,
36:13Well,
36:14How exciting!
36:15midwife.
36:16Count on it.
36:18Have you seen
36:19to the children?
36:20No.
36:22Return,
36:22buddy.
36:28Maritza,
36:29how are you?
36:33Doña Bárbara
36:34He's going to be happy
36:35a lot
36:35when I show him
36:36These photographs.
36:38Mister,
36:40Excuse me,
36:41What is supposed to be
36:42What is he doing there?
36:48Romero is alive.
36:52What do you mean, Romero?
36:53Isn't he dead?
36:54What do you mean they saw it?
36:56if we take him out dead
36:57from here?
36:57It's true,
36:58We saw it.
36:59Yeah,
37:00We saw it down here.
37:02We walked past him.
37:05Let's see,
37:05if Romero
37:06He is not dead.
37:09You
37:09What are you doing here?
37:10I'm not going
37:11to look bad
37:11with the old woman.
37:12They go down
37:13and they kill him
37:13right now.
37:14Come on.
37:23The thing is
37:23I was taking him
37:24Photos at the Moderno.
37:26Ever since I saw her
37:27on television,
37:27I am his admirer
37:28lost.
37:30Mister,
37:31Sir,
37:31Listen,
37:32Sir.
37:43Excellent
37:44that you came,
37:45John Tobias.
37:46But next time
37:48You should come
37:49with a girlfriend
37:50so you can dance.
37:51What a girlfriend
37:52nor anything.
37:53I don't want to anymore.
37:53to know nothing more
37:54of love.
37:54Ah,
37:55already,
37:55already,
37:55already,
37:56And you say that
37:56because of that woman.
37:58But you still
37:59You're very young,
38:00You are a very good person.
38:01You should redo
38:02your life.
38:03Oh,
38:04as?
38:04Where can I find
38:05a woman who
38:05that she is not self-serving,
38:07be brave,
38:08Does he know what respect is?
38:10No,
38:10Paco,
38:10They don't make them anymore.
38:12Could it be?
38:30Well,
38:36Fernández,
38:37So what's the decision?
38:38I'll be there
38:39Saturday
38:40if there is a wedding.
38:42This is the solution.
38:45And you
38:46It guarantees me
38:46that tastes like nothing?
38:48Fully guaranteed,
38:49doesn't even know
38:50It doesn't even smell like anything.
38:51They cannot mix
38:51with whatever you want,
38:52with red wine,
38:53with wine,
38:53with whatever you want.
38:55I'll leave you now.
38:57Fernández.
39:17Hello,
39:19snake.
39:21There is the teacher
39:23Wall.
39:25Yeah,
39:25snap.
39:27But Ginger,
39:28Look at the way you're coming.
39:33Your attention,
39:34please.
39:38I want to tell you
39:39to everyone
39:41that they don't come
39:43wasting your time.
39:45Master Tapia
39:47He's mediocre.
39:50That's why nobody prospers.
39:52Be quiet.
39:53Be quiet
39:53that the teacher
39:54He taught you
39:55everything you know,
39:56So respect it.
39:59But Miguel,
40:02Who's leaving?
40:03to defend him?
40:05The hunchback
40:06from the academy,
40:07the wiggle.
40:11Respect him.
40:16I don't respect
40:17to dead
40:17from hunger.
40:19And now
40:20that the worst
40:21nor does it blow
40:21nor dance.
40:22Already,
40:22already,
40:23Ginger,
40:23Ginger,
40:23please.
40:25Get out of here,
40:26Don't cause any more problems.
40:27No,
40:27Sir!
40:29I'm from here
40:30I'm not leaving
40:30until I tell him
40:31everything I think.
40:33Already,
40:33be quiet,
40:34Ginger,
40:35please,
40:35that afterwards
40:36You'll regret it.
40:37Be quiet,
40:37I regret it!
40:40Because better
40:40You don't look at yourself
40:41in the mirror.
40:44to you all
40:46They love you
40:47here.
40:49But do you know
40:50because?
40:52Because they have you
40:54pity.
40:55You're so ugly!
40:58Even your mother
40:59He hates you!
41:02And Nino,
41:03The dancer!
41:05Where is Nino?
41:08Huh?
41:11Where is Nino?
41:12which also
41:12for the air?
41:15Don't worry,
41:16Don't worry,
41:17I'm going to help you.
41:19Come,
41:19come.
41:21I can't believe it
41:22that Juliana
41:22So be it,
41:23so noble.
41:27that woman
41:28I want her close,
41:30very close to me.
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