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00:11The figure corresponds to a figure of the operation, it is a stolen car.
00:34Come on!
01:13Get out of the vehicle with your hands on your head!
01:20What are we doing?
01:22I'm not going to repeat myself!
01:24Get out of the vehicle!
01:28Wait until they reach the middle of the bridge.
01:30That?
01:42What are you doing?
01:45They are going to move aside.
01:46Why would they separate?
01:48The vehicle!
01:48Because I'm not going to do it.
01:51The vehicle!
02:06Now they have to maneuver, and those seconds will come in very handy for us.
02:11And he thought I was the crazy one?
02:14That's a good-sized stone, huh!
02:15No!
02:28No!
02:30No!
02:33No!
02:43No!
02:55Would you like to take a walk in the woods by moonlight?
03:00Of course.
03:41Subscribe to the channel!
04:02Subscribe to the channel!
04:35Subscribe to the channel!
04:37We could, I don't know, Venice or Amsterdam.
04:41It rains a lot there, doesn't it?
04:43Better. That way we can get out of the house.
04:48No.
04:54Answer your mother. She might be feeling unwell again.
05:02Yes, don't worry, Mom, it's still early. Tell me, how are you?
05:07I've been hearing the ringing of cell phones in the attic for 17 days.
05:11Imagine how I feel. I always have my phone in my hand because I spend all day waiting for a message from you.
05:17And when I finally receive it, I have to let it go.
05:20Because it terrifies me that you might tell me that this message is the last one.
05:24But then I think how nice it would be if you felt the same way I do.
05:28And I open it.
05:31I have never felt anything like the night I went up the 14 steps of the attic with you.
05:36When I read that message I ran out of my front door and didn't stop until it was dark
05:40evening.
05:49How crazy.
05:52I'm crazy.
05:53I would have loved to wait for you at the doorway and see you come back sweating and panting and get inside your shirt
05:58soaked and getting soaked with you.
06:02I look at the golden tower and I am unable to appreciate its beauty because I only see you.
06:13I have to go.
06:22You were saying...
06:23Wow, this girl has some pretty wild conversations with her mother, doesn't she?
06:28You can have whatever conversations you want with your mother.
06:39You're not going to ask me, but I still want to tell you.
06:42It all started with that party Bruce threw to say goodbye to an era.
06:46His time for going out, dancing, traveling, trying everything, flirting with a thousand girls.
06:52Let's enjoy life as if there were no tomorrow.
06:58And she decided to say goodbye to all of that, do you know why?
07:03Because he fell in love with me.
07:07And now all he wants to do is curl up on the sofa, make popcorn, and watch movies one after another.
07:18But I haven't tried those other things he's tired of.
07:24And what if I haven't tried them?
07:27Are you okay?
07:30I was a virgin, Roy.
07:35At 36, I had only had relationships in virtual reality.
07:39Already.
07:40Bruce is the only man I've ever slept with.
07:45Well, not anymore.
07:46Now there is a second man who has entered my life like a metabolic.
07:57And I haven't been able to stop.
08:03What's happening?
08:14Sorry.
08:15I was just getting rid of the melin and I came up with another answer.
08:18I'm leaving now.
08:19No, I'm going out now, I'm going out.
08:24Go.
08:37Thank you.
08:43Or maybe I didn't know.
08:45Or rather, I didn't want to.
09:15Come on, did you know or what?
09:16There's a queue.
09:17How are we going to get out of here?
09:28I had an irrational attraction.
09:30My brain stopped working.
09:38And suddenly I felt that nothing mattered.
09:40He could hear the noise, the music, the people, but above all he listened to his heart.
09:46A real treat.
09:47A real treat.
09:48Like the Rolling Stars' bass drum.
09:51And I don't know why she felt no guilt or fear and just wanted to be there.
09:56Naked, fitted into him.
09:58Going through that party.
10:00And I would have gone anywhere in the world.
10:02Me alacen, confeders, watch the city scares turn to dust.
10:12Filming helicopters crashing into the ocean from way above.
10:41I remember the orange lights going in and out of the attic
10:44Like a lighthouse
10:49And the sound of cell phones vibrating at the same time
10:52And I was at an absolute climax and he didn't ask me to wait so we could both come at the same time.
10:57And I had to hold onto the rug with hers
10:59Okay, okay, I get the idea.
11:03Look, Keila, I would tell you that these things only happen once.
11:07And that it's best to forget it.
11:09But from what I heard earlier when you were talking to your mother
11:14It seems that that night was the beginning of something
11:15Yeah, I also thought it was going to come to nothing, but
11:19Then he did something that changed everything.
11:22I want us to see each other again
11:26Do you have a good memory?
11:29Sometimes too much
11:316, 5, 5, 3, 4, 7, 9, 4, 9
11:34And I have his number tattooed here in my brain
11:36And I won't forget it even if I'm in a nursing home on Alzheimer's pills.
11:39For the first three days I managed not to write to him, but on the fourth I fell for it
11:43At first it was one or two messages a day, but...
11:47Now we text each other about 30 times a day, and sometimes we even call each other once in front of Bruce.
11:53I have it saved in my phone as "mom" so she won't suspect anything.
11:56I told him he's not well anymore, that he has a kidney problem.
11:59I don't know, it was the first thing that came to mind.
12:02I live in torment, Roy
12:05In love with Bruce and feeling guilty, but at the same time hoping he'll write to me
12:08And when you don't write to me, I remember the messages you've written to me before.
12:11And I repeat them over and over in my head because I know them by heart.
12:15Are you sure you want Bruce?
12:17Yes of course
12:18That's why I haven't seen Claudio since that party; we only talk on the phone.
12:24That?
12:25Well, that's worse.
12:27Because?
12:27Because there's more infidelity in a text message than in a quickie in a bathroom.
12:31Damn, that's something that's more or less happened to all of us.
12:34And nobody's life has changed, you know?
12:37He's going to be waiting the whole time his phone rings.
12:39Let him be the one relaying messages, evoking moments
12:48Kila
12:52You know you're cheating on Bruce
12:54And you know this because you've changed your name to your mother's.
13:00And he doesn't deserve it.
13:10Above!
13:12Up, troops!
13:15Let's have breakfast!
13:16Come on, let's go!
13:17Lazybones!
13:19A new day is here!
13:23I know what you're thinking
13:27What's the purpose of this breakfast?
13:29Why am I wearing yesterday's clothes, they're a little dirty?
13:32And with two bullet holes
13:35Well, let's see, let's say more like carnival marbles.
13:37But things are happening to me that have never happened to me before.
13:43What things?
13:46My wallet has been stolen
13:48With a master's degree
13:53Prestidigitation
13:56And then that woman made me live through such a delirious night
14:02She's the one who shot me.
14:04And I don't care.
14:06I'm fascinated by that woman
14:08And that's the strangest thing because Candela
14:12Her name is Candela
14:14It represents some of the things I have most despised.
14:17Throughout my life
14:18And what are those things that he/she despises?
14:21I have always despised those scandalous women
14:23Not that they enter restaurants shouting as if it were their own backyard.
14:27Not that they grab your arm and drag you from here to there
14:30And they laugh loudly
14:33Those people who bully everyone
14:36And he organizes everything.
14:37They eat with their hands
14:38As if they had just come out of a hunger strike
14:41Finger-licking good
14:44They lick their lips like an Irish setter
14:46The orange yolk
14:48That has remained on their lips
14:50But today
14:52I've discovered the poetry behind it all.
14:56In Candela
14:58Since I was five years old
15:00Nobody ever fed me
15:05When my mother used to make airplanes with the spoon for me
15:09It caused me anxiety.
15:11But from his hand
15:13Everything has turned out perfectly.
15:17Well, there's even more.
15:18After that, we went for a walk.
15:20With your pet
15:23A rabbit
15:27Furry
15:30Charming
15:31It's called grapefruit
15:32Hey?
15:34How funny!
15:36He takes him for a walk every morning
15:37With a harness
15:38Like a German Shepherd
15:40To draw fresh energy from the earth
15:43At dawn
15:46And I, who have never been an animal lover in general
15:49Nor rodents in particular
15:51I ended up lying down on the grass
15:53And getting along with that rabbit
15:57Everything that has always seemed vulgar to me
16:00Today I found it magnetic
16:02What I thought was vulgar and crude about her
16:06It is a celebration of life.
16:11And not live whispering
16:15Living by touching everything while keeping your feet on the ground
16:20And walking a rabbit
16:24I wanted to tell you because maybe you were worried.
16:26Who could I fall in love with?
16:27From this new adventure
16:28But this time it has nothing to do with theft
16:30Like in Paris
16:31Not even with the duchess's little treasure
16:36I'm going to get the fork
16:38So you don't get too excited.
16:41Just in case the yolk gets stuck in my mustache
16:45In the end, people who are very different attract each other.
16:47TRUE?
16:50And can you tell me why he shot you?
16:52Did a boyfriend catch you in someone else's bed?
16:54No, there's no boyfriend anymore.
16:56Nor has there been a bed.
16:57We haven't even kissed
16:58There haven't even been any unwanted glances.
16:59As she says
17:01He made the two holes for me.
17:02When I caught myself
17:04Looking after me at his house
17:05And to celebrate
17:07This ode to life
17:09Today
17:10Let's treat ourselves
17:12A picnic
17:45In the property registry
17:46It appears that the property has 8,300 hectares
17:48But we know nothing more.
17:50It's strange because the images of the interior don't even appear on Google Earth.
17:53It's like it's a ghost estate
17:55There are photographs of the winery.
17:56These are from the late 60s
17:58It was a building in the middle of the countryside
18:00With a glass dome
18:01Where the tastings were done
18:03It had an underground cellar.
18:04Dedicated to the fermentation of wines
18:05But the building was demolished years ago
18:07Right after the famous little train was built
18:09We have to find that underground cellar.
18:11So what do we do?
18:12Shall we go outside and jump over the wall of the property?
18:14For that, we have a new member of the band
18:17The Iberian Imperial Eagle
18:20Today we will limit ourselves to studying the area
18:24And now
18:27Let's fly
18:32What's that?
18:34What's that?
18:35What's that?
18:37What's that?
18:51They are dead animals
18:53And there are many.
18:56That's an electrified fence of theirs.
18:59And it seems to have a much more powerful voltage
19:01That they use gasoline to warn of animals
19:03Starting at 30 milliamps
19:05This is when a cardiovascular arrest can occur.
19:11There seems to be something behind those olive trees.
19:14There is the family home
19:16Cameron will place it on the plane
19:23Seriously, this guy has a bullring at his country house?
19:26Come closer
19:26I want to see how they try to throw Mr. Duke out.
19:36It brings me all the zoom
19:44Take flight
19:45That's where the little train departs from.
19:47Therefore, the winery must be within a maximum radius of 830 meters.
19:51And there has to be a vent in these 830 meters
19:54All underground constructions are required to have this by regulation.
19:57If we find that vent
19:59We can draw a straight line from the country house
20:02And we'll find the winery
20:09Take it away, take it away
20:10Expand
20:17The vent
20:19Cameron, write down the ordered positions.
20:21Draw a line from the property
20:23And let's move forward in that direction.
20:36It's the same dome that the old winery building had.
20:39But now without a building
20:48Who would want to hide treasure under a dome?
20:51Someone with enough artistic sensitivity to know that there are certain things that can only be appreciated in the light
20:57natural
20:58Perhaps some sapphires
21:00Or a blue diamond
21:02Or maybe
21:05A wonderful work of art
21:07Aren't you crazy curious to know what's hidden down there?
21:15What's going on?
21:16I don't know, it seems he's not receiving orders very well.
21:19We are losing altitude
21:2070 meters
21:21He's gone crazy
21:23The connection is unstable.
21:26What's happening?
21:27I don't know, we're losing altitude and we're blind.
21:3260 meters and dropping
21:34They probably have inhibitors
21:38The drone's radio frequency is high, but it seems that it's not enough.
21:41Keila, bring it back now
21:4227 meters
21:43That's what I'm trying to do.
21:4420 meters
21:45This virus is working, we have it very close, less than 200 meters away
21:48It's capsizing
21:4914 meters
21:51Keila, who is 7 meters high, is trying to make it land.
22:02Has it crashed?
22:05Don't you hear that?
22:07Turn up the volume
22:16That's a bull, damn it
22:18The drone is coming back and digging the earth
22:25We need to recover this drone immediately.
22:27No
22:29Going in there without having thought of a plan beforehand
22:31It's suicide.
22:32And I'm not talking about the electrified fence.
22:33That duke is not a capricious Andalusian gentleman
22:36He is a criminal
22:37And one thing
22:38Who do you think he'll think of if he finds a drone with a camera on his property?
22:42Ah, maybe that guy who's shown interest in his collection
22:45And, curiously, it has a gang of thieves who stole the chalice.
22:50If that happens
22:52The best thing is that he's reporting us, Damian.
22:53Do you see it or not?
22:55Well, the other option is that he kills us
22:58I'll go
23:02Can I locate it quickly with the coordinate tablet?
23:05No, no, no, Iran
23:07If you go, I'll go with you.
23:09The drone was operating at a very high frequency, and the jammers have disabled it.
23:13So the pine groves probably won't work either.
23:18You're going to be alone in there.
23:27We'll be keeping an eye on things.
23:29Anything strange you see
23:31I don't want to take any risks.
23:32You turn around immediately
23:51Look
23:53Look
24:00Look
24:33Be careful, in space.
24:56Do you know why I had to agree to let Keyla pick up the drone when, obviously, it's already the
25:04brains of the band?
25:07Because if I send you, you too, the same thing, you'll end up throwing stones at each other.
25:13On the other side of the wall, not the replies, but faces of disgust since you arrived.
25:19What makes you think that others aren't interested in eating your shit?
25:27You have broken the rules of the game.
25:30Well, to be fair, Bruce and Keyla have broken them too.
25:33No, they have known how to be happy.
25:37So I'm going to ask you two questions and I want you to answer them now.
25:45Do you want to stay in the band?
25:47Yeah.
25:50I'm going to ask you a second question.
25:53If I had to infiltrate you into, I don't know, a train, right?
25:56On the Loni Express, for example, and you had to pretend to be a couple who needed to spend the night.
26:03in the same bed.
26:06Could you do it?
26:10Yeah.
26:15No.
26:20I don't know what could have happened for you to be 25 years old and have 4 million euros.
26:28Beauty, health, energy.
26:32But you have been spared everything, because you had everything.
26:47There, there, there, there, there.
26:48So.
26:54Bruce.
26:55Okay, okay, okay.
26:56Lean on my cheek, you just twisted your ankle, it hurts a lot.
26:58Okay, okay.
27:20This is private property.
27:22Yes, excuse me, we wanted to go in to see the bullfights and my girlfriend fell and I think she
27:26He has twisted his ankle.
27:35You have to be careful where you go in.
27:38Look, and how?
27:40Look, there are signs everywhere warning that it's a dangerous area, huh?
27:43If you see something moving here, you don't even shoot thinking it's a hare.
27:53He said he wanted to go to the bullfights.
27:55Yes, to take pictures of them in their habitat.
27:59Well, let's go see the bulls.
28:01And those from Vileno every day.
28:31They've taken away his desire.
28:40Come on, sit on the log and let's take a look at that ankle.
28:45I performed many services on hunts.
28:49Sit down.
28:51Let's take a look at that ankle.
29:09Hurts?
29:10Yeah.
29:12A little, yes.
29:14When is a little bit?
29:16By supporting, above all.
29:21Well, this doesn't look good.
29:29You have a demon's advance.
29:34Look.
29:35I'm going to throw this at you.
29:41I've done this to the bitches myself.
29:43To my little dogs.
29:55When something like that is done,
29:58It will reduce the swelling.
30:07But put your phone up, man.
30:12Let's see if you can get a signal.
30:14Calls.
30:16Calls.
30:18Call, damn it.
30:25There is no signal.
30:28There is no coverage in the entire village.
30:34To the first aid station.
30:36No, but it's not necessary.
30:37Honestly, it's very little.
30:38Yes, yes, yes.
30:38Up, up, up.
30:40Calm down, calm down, calm down.
30:41I'll take care of it.
30:42Don't worry.
30:43Seriously.
30:43Even if I have to carry her on my back,
30:45But I already have it.
30:46No way, man, no way.
30:49Or how are you going to handle it?
30:57You're going to jump over the electric fence.
31:00And the wall.
31:03Here you arrive.
31:06The car enters.
31:09The car enters.
31:14You behind.
31:15With the bitches.
31:20No, I didn't get his medicine.
31:21Get out of the car.
31:23Open the door, please.
31:24Open the door.
31:26Open the door.
31:26He doesn't open it with keys.
31:27At door.
31:28Open the door.
31:30Please.
31:32Open the door.
31:35Please stop.
31:36Ros!
31:47He spies on them while they're helping and then he gets angry with me.
31:50Get moving, you son of a bitch.
31:52Start walking.
31:54Come on.
31:56Make the turn.
32:00Bruce!
32:15Are you going to tell me what you've come here for, kid?
32:17I don't mind taking one or two people to the first aid station.
32:21I'm going to stop here.
32:22Keep walking.
32:25Keep walking.
32:28We've snuck in.
32:30Should I try?
32:31Let's just leave and pretend nothing happened.
32:35I'll look.
32:36Hold it right there, damn it!
32:38One more step and I'll smash you.
32:41It's a good aim.
32:43Because if I fail, I'm about to get my head smashed with a rock.
32:46Yeah?
32:59The next one goes to the front.
33:03What have you come for?
33:07We were looking for a vent to get into the duke's cellar.
33:15No, no, no, no, no, no, no, no, no, no!
33:45No, no, no, no, no, no, no, no, no!
33:51He needs to take this guy away.
33:53What are you saying?
33:53He just shot you!
33:55Let's go!
33:55Listen to me, listen to me.
33:56We don't have to bring it.
33:57Because first of all, if this guy dies, I'm the murderer.
33:58And secondly, if he doesn't, he knows perfectly well what we do here.
34:02But how are you going to see that?
34:03Because I told him so.
34:05Come on.
34:09My God!
34:10My God!
34:12My God!
34:16How do we get out of here?
34:17We're going to have to bring it out at the trails.
34:19But how are we going to get it over a three-meter fence?
34:27My God!
34:30My God!
34:41My God!
34:44My God!
34:44My God!
34:47My God!
34:48My God!
34:49My God!
34:50My God!
34:50My God!
34:51My God!
34:51My God!
35:13Subscribe to the channel!
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36:21See if he has a phone.
36:33It seems they haven't missed him.
36:35I see new messages and mobile calls.
36:39There are only a few hours left until dawn.
36:43Then we'll have to free that wretch and disappear from Seville.
36:47Do you know what that means?
36:52We have one last chance.
36:55One last chance for what?
37:01To steal the connection tonight.
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