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01:15Beware of lasers!
01:16Duke...
01:16That the alarm may go off.
01:18Please go over there...
01:25How did I get in here?
01:26And how did he breach my high-security system?
01:29As you can see, security wasn't that high.
01:32But I assure you it will still be much easier to steal the lady in the ermine.
01:36Yeah.
01:37Aim for his head.
01:52What are you doing here?
01:56Wait for him.
02:05What are you doing here?
02:06As you might imagine, just as we've learned,
02:07We could have left and now be 500 kilometers away
02:10with his Moiglians and his Rembrandts.
02:13I'd say this collection is worth over a billion euros.
02:20And why did he call me on the phone instead of running away?
02:24Because there is something I need you to understand.
02:28In this business there is one fundamental key: trust.
02:34Now you know that I will do that job and that I am an impeccable partner.
02:47and that Emilio Altaz is far above the one billion euros he could have stolen.
03:13To the store, the store, please, you are at home.
03:24Tell me.
03:25I am Santos, sir.
03:26There are some men who want to rob him.
03:27They shot at me, kidnapped me, and stole my car, the sons of bitches.
03:31And now he has the keys to his estate, all the keys.
03:33I know, Santos, I know.
03:34I know them and everything is fine.
03:36Okay, from now on...
03:38These gentlemen are welcome to my farm.
03:48Don't mess with me.
03:50Damn my dead relatives.
03:58Hey, kid, wait, hey, there's been a mix-up.
04:02Come here and I'll help you get out.
04:07Get away from him and put your hands on your fucking head.
04:13Pull it in.
04:28The effort they've put into earning my trust is captivating, and honestly, they've succeeded.
04:39Sherry?
04:41Please.
04:42Sherry.
04:43Now that we're starting to enjoy this friendship, Mr. Duke, may I ask you something?
04:50Of course.
04:52What is she doing here, with this magnificent collection, in this little living room or with the bed?
05:01I spend many more nights here than you can imagine.
05:05This is my secret place.
05:08Well, not anymore.
05:12It is exclusively dedicated to beauty.
05:19Do you know what beauty is?
05:20I have a good idea.
05:23For me, it's waking up in that bed with my wife.
05:30And allow the light of dawn to enter through that clear buoy and illuminate the concert of seeing me.
05:41It thrills me to think that I am the only person on the face of the earth who can feel the joy of
05:54contemplate it.
05:56Knowing that this entire collection is just for me.
06:03If Rafael, like Simonet, like that horse-faced fellow, had painted for me.
06:17When people have a lot of money, they spend it on things that give them pleasure.
06:22Houses are bought, yachts are bought, bunkers are bought.
06:27I have my sand, I have the aroma of my farrica, my bull.
06:32And I have...
06:47My collection.
06:53This explanation satisfies your doubts, come with me.
06:56Mother who didn't give birth, you don't want to listen to me, damn it.
06:59Damn my luck.
07:02You're late to the party, sweetheart.
07:04No, I was helping him.
07:05Do you think I'm going to trust you?
07:07After you almost ripped my face off...
07:09But that's all in the past.
07:10My boss is with yours at the farm now.
07:13She just spoke to him on the phone.
07:17As?
07:18Without that property there is no coverage.
07:20Of course there isn't.
07:21It's full of inhibitors.
07:23I'll call him on the landline.
07:25Still.
07:26Or I'll blow your fucking head off.
07:30I just wanted to grab my phone.
07:32So you can see I'm not lying.
07:37So that I can see you.
07:47What's your boss's name?
07:49Yeah.
07:51View recent calls.
07:58We can start negotiating now.
08:08Listen, listen.
08:09It's definitely not for us.
08:13Yeah.
08:13Good night.
08:15Is Berlin around there?
08:17Oh.
08:19It seems that it is for you.
08:25Who is it?
08:27I'm Ruy, sir.
08:28The guard saw us; we are now with the duke.
08:30It's true?
08:33That is.
08:34So what do we do with this guy?
08:36Nothing, Ruy.
08:37Is everything all right.
08:40We let him go like that, without further ado.
08:41That man will have to rest or go to a health center.
08:44I've had enough emotions for tonight.
08:58I told you so.
09:00Now we are together.
09:02In the same French.
09:07Not yet.
09:10That's for the short time at the river.
09:12And for now, we are at peace.
09:17Now we can talk about what's important.
09:21How much are you going to charge me for stealing the Lady of Arminius?
09:24What do you think of 35 million?
09:28It's not just about stealing it.
09:30It's planning the robbery.
09:31To carry it out at the risk of our freedom.
09:33Safeguard the artwork until we confirm that the police have no leads to follow.
09:37And finally, deliver it to him, without risk, for his personal enjoyment.
09:42If we take into account the 10 highest-paid works in the history of art auctions
09:45exceed $200 million and that, without a doubt,
09:49Leonardo da Vinci is the master of all masters,
09:51I would say that 35 million is even a bargain.
09:55Please, don't make excuses.
09:59Did you see me blink?
10:02No, right?
10:05That means I think the figure is correct.
10:11I'm also going to need 4 or 5 million upfront.
10:14In bundles of 40,000 euros, in unused 100 euro banknotes,
10:17non-consecutive, unmarked.
10:19When I make you the money, then you can call me.
10:22I already have that money.
10:25I'll be waiting for you at my house tomorrow at 10 for breakfast.
10:29Does that sound good to you?
10:33No, no, no, no, no.
11:08Where will the duke get so much money in five hours?
11:11That's not the right question, Roy.
11:13I can answer you.
11:14Those 4 or 5 million euros,
11:17non-consecutive and unmarked banknotes,
11:19They're not going to come out of an ATM.
11:24Not even from a bank safety deposit box,
11:25because today is Sunday.
11:36So, unless that guy has his own money-printing machine,
11:40I would say that the duke has bundles of banknotes hidden somewhere mysterious.
11:45Money of dubious origin.
11:48In other words, black money.
11:50Nobody would commission a robbery with their own fortune.
11:52Now, what's the right question, Roy?
11:56Where the duke keeps his dirty money.
11:58Bingo.
11:59That man is hiding a hidden fortune, very close by, undeclared.
12:04And that's exactly what we'll do to that bastard: rob him.
12:08It must be a fortune, right?
12:10In the art gallery he owned.
12:1115 paintings.
12:12If he paid even 20 or 30 million for each painting.
12:15About 300 or 450 million euros.
12:18And where does Spain get a nobleman, like our duke?
12:22300 or 450 million euros in cash.
12:26From the wineries?
12:27I don't think so.
12:28And not from livestock farming either?
12:30Of the yachts.
12:34I don't think transporting celebrities from here to there is worth that much, Cameron.
12:37Yes, you're in.
12:37And apart from bringing celebrities, you bring something else.
12:39It might be worth investigating, wouldn't it?
12:41And why would we care where he gets his money?
12:44I am interested.
12:46The more we know about him, the more we'll have him by the balls.
12:50I'm coming.
12:51I can infiltrate one of the yachts.
12:54But I want to go alone.
12:56Let's see.
13:00I'm sorry your reconciliation with Roy couldn't happen.
13:04Because I suspect that what you want is not to investigate, but to get away.
13:08Stay away from him.
13:10Yeah.
13:11That's great.
13:13No, the risk is too high.
13:14She's not going to infiltrate anywhere on her own.
13:16If she wants to, she'll go.
13:18At some point, it will have to grow up.
13:20But, since I'm the leader of this band,
13:23I have the right to know what that atrocious thing was that Roy did to you.
13:27so that you can't get on the same boat as him.
13:44He threw me into the void.
13:50You take it, please.
13:55Hello.
13:57Hello, kitty
14:01Her ex-boyfriend showed up one day unexpectedly.
14:03And that made your blood boil?
14:06It wasn't me who was unbalanced by that visit
14:09She told me not that you would go here
14:10I told myself I was coming to play in the city and...
14:12What a coincidence, right?
14:15Hey, why don't you come down?
14:21Can't
14:23Who is it?
14:24Come on, come downstairs and we'll chat for a while
14:29I told you I'm not coming down, get out of here
14:32Our life was a fucking fire
14:33I'm okay with that, but we should be able to talk about it face to face.
14:39At that moment I should have realized that she is sick
14:43Take care of yourself
14:44But I didn't see her.
14:46I didn't want to see it
14:47You ruined my life
14:49Calm down, okay, nothing's wrong
14:50I won't calm down, damn it! I won't calm down until this guy disappears from here!
14:53I just wanted to help her
14:57Dude, he doesn't want to get down, okay?
14:59So it's best to just leave it be.
15:00I'm not leaving until you come down, okay?
15:06To help you stop your pain
15:07Or your resentment
15:12I don't know
15:16Fuck off
15:19Roy, I asked you for help.
15:21Low
15:22Come down, I just want to chat
15:23Can you hear me?
15:25Calm down, okay?
15:26Talma!
15:26God, make him go away!
15:27Please come down!
15:31Breathe
15:32I'm breathing, Roy, okay?
15:34I'm not going to go that far, we don't have that story
15:36Can you hear me?
15:39Someone has to get off
15:41Otherwise, he's not going anywhere.
15:43Tone down your nonsense
15:47Can't
15:49Why not?
15:51Because you have to get down
15:55You have to go down there and face it yourself.
15:59You can do it
16:01You're not the little girl who fell in love with him anymore.
16:05Now it's firm
16:08There's a brave woman here, damn it.
16:13Look
16:16Go down there
16:17And you tell him it's over
16:22And you close that wound forever.
16:45But no way!
16:47It's just that you didn't want me to heal any wounds.
16:50What you wanted was to look out onto the balcony
16:52And to see how I chose you
16:54To you
16:56You told me to come down
16:57Not to overcome my fears, but yours.
16:59Because deep down you've never trusted me
17:01Bastard
17:03I asked you to come downstairs to close a story
17:06Don't sleep with your ex-boyfriend
17:51This is all your fault.
17:54You forced me
17:56You sent me to talk to him knowing that I wasn't capable
18:01You're a pyramid schemer
18:04Without other control
18:07So unstable that you are unable to maintain
18:09Nothing
18:11You deserve every shitty thing that happens to you in life.
18:16You sweep everything away
18:19Without giving the damage you leave in your wake
18:24I'm going to give Jimmy a second chance.
18:27Because it seems like this first one with you
18:29It has only served to remind me of him
18:34I don't want to see you again
18:36Delete my phone number and don't look for me.
18:39And if you ever see me in danger
18:41Run in the opposite direction
18:49Two million hours in a trance
18:53Six shouts, four romances
18:56But no reason.
19:01I wish I were a coward
19:05But I have chosen to speak to you
19:08And everything weighs a million
19:13No
19:14I don't want anything from anyone.
19:17But I wanted to shout at you
19:20My chest aches with love
19:25There has to be a way out.
19:28There has to be a way out.
19:31There has to be a setting aside of pain
19:35Do you know anything about which one?
19:45No
19:46No
19:55No
19:55No
19:55No
19:55No
20:24Thanks for watching the video.
20:51Thanks for watching the video.
21:00Thanks for watching the video.
21:26Without thinking about my boyfriend.
21:28You find it incredible.
21:30Yes, I do, you know?
21:34Come on, take a shower, I've left everything ready for you.
21:36And I've brought out these clothes for you to wear.
21:39Let's see how it looks on you.
21:41I don't want it to sound out of place.
21:42Yeah.
21:43To be out of tune, where?
21:45Ah, surprise.
21:48How did you know I lived here?
21:50Looking at your wallet.
21:51I found a bill from the ship's owner and suddenly it dawned on me, and I said,
21:55Could this be one of the men who come to Seville by boat?
21:59Well, it turns out that's true.
22:08Good morning, miss.
22:10Did I repeat myself?
22:11Simon, can we talk for a moment, please?
22:15Sorry, huh?
22:16Second.
22:22Damiante, I'm going to take the day off.
22:26What day off?
22:27You're meeting the duke in half an hour, remember?
22:29He's going to give you one little thing you asked for.
22:31Four or five million euros in bundles of forty thousand.
22:33I know.
22:36I've been outlining the details of the Alibaba plan with Keila.
22:39The cure adjusted.
22:41I had just gone to bed.
22:42When did she come in?
22:43What the hell is Alibaba's plan?
22:45A torrent of ingenuity that will lead us straight to the treasure cave as soon as the duke...
22:49hand over the money.
22:50Give it to me?
22:50Alright.
22:51Please, I'm begging you.
22:52The plan is the hard part.
22:54It's done.
22:55And you're going to carry it out.
22:56Talk to Keila.
22:58And please, I beg you, don't forget to bring a stylish bag.
23:01I can't stand those thieves who carry banknotes in metal briefcases like they're drills.
23:08And what are you going to do?
23:10Cling to life, brother.
23:27And this is the narrowest street in Seville.
23:32Do you know what I call her?
23:34The alley of the kiss.
23:45And do you know why I've brought you here?
23:50I haven't the faintest idea, I'm clueless about things.
23:53Well, look, let me tell you.
23:54What infuriates me most in the world are the people who keep to themselves
23:58the kiss at the end of the date.
24:00You don't say.
24:02No, it's courageous.
24:04Why does it make you angry?
24:06Well, because they are people who live life in fear, who are not capable of throwing themselves into a trap like that.
24:12They are people who, if they have a little friend of happiness, they keep it for good, just in case.
24:19Just in case what?
24:20Just in case it runs out, I mean, I don't know.
24:23Then they give each other a kiss at the end and go home with that feeling in their mouths.
24:29But I believe that happiness doesn't run out.
24:32And when I really like someone, I kiss them first.
24:45And from there, it took off like a rocket.
24:55Well, I'm going to make you kiss me ever since I saw you throwing things out the window.
25:02And then when I entered your house, in the early hours of the morning, of course that would have been a little in bad taste.
25:10Wait a minute, please.
25:15Orillesense.
25:15Sir, there are no streets in Seville.
25:18Oh my God, it's going to be scary, it's going to be scary.
25:22Good heavens.
25:25This is a guayén.
25:27But it's a cover-up, right?
25:29And then it comes to me out of the corner of my eye.
25:32Follow me.
25:39Yes, go ahead.
25:44Can you explain to me what the Alibaba plan is?
25:50Do you know the story of Alibaba and the 40 thieves?
25:53I don't remember much about it.
25:54It's about a man who discovers where a gang of 40 thieves keeps their treasures.
25:58Okay.
25:59And they have it hidden in a cave that miraculously opens if you stand in front of it and say, let's see, you
26:03You say, love.
26:04Already.
26:06With me.
26:10You really don't remember?
26:11Keila, focus.
26:12What's this damn Alibaba plan all about?
26:14It's about discovering where the thieves have their treasure.
26:18But in this case, we are not the thieves.
26:22We are Alibaba.
26:30Ten o'clock.
26:33Why hasn't your boss come in?
26:35He is already working on the plan.
26:37I am his right-hand man and I take care of the financial plans.
26:40And from the details I see that she has brought her own bag.
26:42Yeah.
26:43I can't stand those thieves who carry banknotes in metal briefcases like they're drills.
26:48I completely agree.
26:51Good morning.
26:53My love, we have the car at the door.
26:55I look at you and I'd love to be irresponsible, but I've made these gentlemen get up early, what would they think of me?
27:02I need to attend to you.
27:06He's cheating with another woman and thinks I don't know.
27:10He's so tired of competing with those perfect ladies.
27:15Now the ermine one.
27:17Samuel, please accompany her.
27:21Gentlemen.
27:22I'm going with my kangaroo.
27:30In the end.
27:31Shall we begin?
27:33Yes, yes.
27:36Here's the money.
27:38I suppose they'll want to tell.
27:39Yes, yes.
27:40My job is to be suspicious.
27:41I know some colleagues who were offered payment in photocopies.
27:46When you go to the duke's house, it is important that you bring the bag where you will keep the money.
27:50Because?
27:51Because you will carry this bundle hidden inside.
28:01First the 40,000.
28:03Do you see anything strange about him?
28:05They are 100 euro notes, used, not in series and unmarked.
28:09Where's the catch?
28:09The idea is for you to put on a show so the duke sees you counting the money and how you're doing.
28:13putting it in the bag.
28:163,960,000
28:17Until at a certain point...
28:194,040,000
28:20That's enough.
28:21Give him back that wad of cash.
28:22And why would I give that man back 40,000 euros?
28:26We have a good reason for that.
28:28Because that will be the moment when you switch them.
28:30The bundle of money used in the switcheroo contains a high-range beacon chip.
28:34It is important that you leave it hidden in the money you return to the duke.
28:37And that way we'll have that million geolocated.
28:49Is something wrong with my money?
28:51No, absolutely nothing is wrong with him.
28:54But for now I think 4 million will be enough.
28:57They said 5 million.
29:00We said 4 or 5.
29:02The fact that he brought in 5 is an honor to him as a partner.
29:06And he speaks of his generosity and his fortune.
29:11It was a test.
29:12I'm being evaluated as a partner.
29:15Me.
29:22Simon already told him that this job is based on trust.
29:27I wrap them in plastic again.
29:29No, it's not necessary.
29:30Okay, I'll leave them here.
29:40Yeah, I'm going fishing again today, okay?
29:42Already.
29:54Do you have oranges from China?
30:11Where are we?
30:14In a secret place?
30:30This is an underground party that takes place every year.
30:33for the birthday of two aristocratic women.
30:35The Duchess of Malaga and the Countess of Seville.
30:45Welcome.
30:46Those that perhaps cannot be attended while fasting.
30:49Look, there are people from all walks of life here.
30:51There are people from the aristocracy, bon vivants, artists.
31:19This party lasts 24 hours.
31:22Come on.
31:24Come on.
31:30Come on.
31:56Thanks for watching!
32:27Thanks for watching!
32:32Bring me a glass of Bodello, please.
32:44I've been told it's his birthday.
32:46Congratulations.
32:47I need to talk to you alone.
32:49I'm being watched all the time.
32:51Go up to the bathroom on the third floor,
32:53the one who has the picture of the girl with the combs on the door.
32:55Wait for me inside in the dark.
32:57And you don't close.
33:21Thanks for watching!
33:23Thanks for watching!
33:40All good.
33:42Forward.
33:43Where is?
34:01Last night you ruined my birthday celebration with my husband.
34:05I'm sorry.
34:07I do not accept your apology.
34:08He owes me one.
34:09I want him to do a job for me.
34:13I want her to steal my husband's paintings.
34:16All.
34:18I'm sure he'll make a hefty profit on the black market.
34:22Don't think it's that easy.
34:24I'll give you a tip for your trouble.
34:26One million euros in cash.
34:28I'm not sure if I'm entirely comfortable with the word "tip".
34:32It will be very easy for you.
34:33I will help you get in myself.
34:35Genoveva,
34:36I know the way.
34:37We got in just yesterday, and without their help.
34:40I see him as very much against it.
34:41Vera,
34:42You are overlooking a small detail.
34:45I am a gentleman.
34:46And she has given my word to her husband.
34:48Well, not just me.
34:49My business partner too.
34:52I like your partner.
34:55He seems intelligent.
34:58I'm sure he'll realize it.
35:00The business I'm proposing is the interesting one.
35:03A lot more
35:04that Álvaro has entrusted them with.
35:06There is definitely something that I find
35:08very intriguing about all of this.
35:11If you'll allow me.
35:12May I ask you
35:13Why do you want to betray your husband?
35:17Have you ever been in love?
35:21I wonder if I've ever not been.
35:25When I was 15 years old
35:28I studied every afternoon at school from 5 to 7.
35:31And at 5:30 they came
35:34the boys from the French school
35:36for horse riding.
35:38At my school we had some very large stables.
35:44Álvaro
35:45He was always late
35:46to his riding class.
35:47Do you know why?
35:52Because instead of going straight
35:55He climbed onto a stone wall
35:59to watch me study.
36:03half an hour
36:06one hour
36:09I didn't realize it.
36:12Until one day
36:14Sorinés started throwing stones at him
36:16so that it would come down.
36:21No one has ever looked at me like that.
36:25And I've done it this way for 20 years.
36:33Until now.
36:39And now he turns his gaze
36:40to your collection.
36:41That's why it has to disappear.
36:43And what did you expect to happen next?
36:47I mean,
36:47Have you ever wondered
36:48What will happen if even
36:49after stealing those works
36:50He doesn't look at her again.
36:52What does that mean?
36:54Perhaps her husband
36:55she began to feel passion
36:56for those works
36:57because she stopped feeling it for you.
37:01I think that
37:01maybe life
37:03It's not about killing the lover, is it?
37:05But
37:06to make us
37:07choose
37:08among so many people
37:09appetizing.
37:11What an elegant way
37:13of rejecting me?
37:16I will not deny him
37:17which has made me think.
37:19It can even
37:20that turned me on
37:21some little light.
37:24But I hope you know
37:25that in the negotiations
37:26I am so ruthless
37:27like my husband.
37:28And you're not going out
37:30of this party
37:31without having accepted
37:32my assignment.
37:34Because
37:36with the police
37:37hot on his heels
37:39I don't think so either.
37:40that he can steal
37:41the ermine lady.
37:59We've already left
38:01of the palace
38:01from Luke.
38:02Is the beacon working?
38:02Yeah,
38:03the chip is active
38:04and the money
38:04It hasn't moved
38:05from the visitors' room
38:06of the palace.
38:07Light,
38:07Roy,
38:08as soon as it comes out
38:08the palace money
38:09Follow him.
38:10A long distance,
38:11400, 500 meters.
38:12There's no need to take risks.
38:12that there is the osirá
38:14guiding.
38:26Tell me.
38:27Lamian, you have to come here
38:28right now.
38:29Where are you?
38:30Corner
38:30in the bathroom at a party
38:31because the duchess
38:32has brought me here
38:33to offer me
38:33one million euros
38:35data attention
38:36to rob him
38:36the works of art
38:37to her husband.
38:38Why's that?
38:39Because it says
38:39that he no longer looks at her.
38:40That only looks
38:40the works of art.
38:41What kind of nonsense is that?
38:42No, no, no.
38:43Wait,
38:43which also says
38:44I'm not leaving here
38:45without accepting his deal
38:46and that of course
38:46We're not going to steal
38:47the ermine lady
38:48with all the police
38:49watching us.
38:50Did he threaten you?
38:50So what are you going to do?
38:52Are you going to accept?
38:52Of course not.
38:53Because you're going to come here
38:55with all your magic
38:56And you're going to take it away from him
38:56that idea in my head.
38:57What are you talking about?
38:58Listen to me carefully now.
38:59You're going to the market
39:00from the Plaza de la Cruz
39:01to the orange stand
39:02and the two women
39:03that you tell them behind your back
39:03that what you're looking for
39:04They're oranges from China.
39:06Can you hear me?
39:09What's happening?
39:11Can you hear me?
39:13Oh well.
39:15Candle.
39:18What a surprise?
39:19What are you doing here?
39:22What was I expecting?
39:24Of course.
39:26Already?
39:28Am I coming to you here?
39:30Is there anything else?
39:32that you don't leave for
39:33The end of dating?
39:35One more?
39:36Do you want to know?
39:52Do you still want to?
39:56You piece of filth.
40:00What do you think?
40:00Do I suck my thumb?
40:01That after kissing me
40:02in the alley,
40:03That's what it is
40:04It's a commitment.
40:05You've gotten yourself into here
40:05in the bathroom
40:06with the duchess.
40:06With my saliva still
40:08still in your mouth.
40:09Don't tell me no,
40:10I've seen you
40:10With my eye, huh?
40:11He leaned over the railing,
40:12has made you this way
40:13with your finger
40:13as if she were Cleopatra
40:14and has gone after
40:15losing your ass.
40:17Well,
40:18the duchess
40:18he asked me
40:19see me in private
40:20now and I have told him
40:21yes.
40:21Well,
40:22because I know well
40:22to her husband.
40:23And I had a feeling
40:25What did you want to talk to me about?
40:25about something personal,
40:27important,
40:27even tragic.
40:29The thing is that in the end
40:29He just wanted to talk to me
40:31business.
40:32No, no, Andrés,
40:32What are you saying?
40:33What kind of business are you going to have?
40:34with a lady in a bathroom?
40:36What business?
40:37Of the priest.
40:38What type of business
40:39Do we talk in a bathroom?
40:40Something illegal, damn it.
40:42Isn't this just leisure time?
40:43That's it, leisure, leisure.
40:45Accepts minor charges
40:46that they're putting in you
40:47in gardens
40:47and you're going to make us yellow.
40:48Okay, that's fine.
40:49He's right.
40:50The Duchess
40:50He tricked me into coming here.
40:52Making me believe
40:52I wanted to talk about something urgent
40:55who wanted to try to kiss me.
40:58But I, of course,
40:59I told him no.
41:05Excuse me, I want to...
41:07Oranges from China?
41:15Hey, he's still lying to me
41:17my face,
41:17that he hasn't done anything,
41:18He hasn't done anything.
41:19Do you want to be an altar boy now or what?
41:24How are you? Who are you with?
41:24You're talking to him,
41:25TRUE?
41:26That?
41:27What's happening?
41:27Aren't you used to it?
41:28To a woman like this, Andrés?
41:30This is not the theory
41:30It's so easy.
41:32Since you've been
41:34so attentive
41:34of their movements
41:35and of mine
41:36and that, apparently,
41:37You want it so badly
41:38of distrusting me,
41:39I'm going to tell you something.
41:40That woman and I
41:41we've been here
41:41no more than three minutes,
41:43enough time
41:43to reject
41:44to a person.
41:46But you agreed
41:46with me
41:47that doesn't stop
41:47to top it all off.
41:50Not even a little beak
41:51of gold that you have.
41:54Do you want to now?
41:54defense attorney
41:55Or what?
41:56I'm going to tell you something.
42:00I'm going to believe you
42:02that no man
42:03It ends so quickly
42:05And I hope you don't either.
42:07But if you're not going to be there
42:08at the height
42:09from the kiss you gave me,
42:12I prefer
42:12that you leave
42:14and that he doesn't call me anymore.
42:43I can't believe it.
42:45Did you carry it there?
42:46What do I think it contains?
42:49You have to be exceptional.
42:50to bring a bag
42:51full of millions
42:52to a flamenco party.
42:54Or to have a festive spirit
42:56and to know that the site
42:57safer
42:58where to keep the money
42:59It's about carrying it around.
43:01Let's go along with it.
43:03Samuel,
43:04Look, precisely
43:04we were talking
43:05if there wasn't something
43:06a little more spirited
43:08for drinking.
43:08Could you please,
43:09Bring us a couple of gin and tonics
43:10with squeezed lemon
43:11and black pepper
43:13from Madagascar?
43:17Thank you.
43:21It'll be here for a little while
43:23looking for black pepper
43:24from Madagascar.
43:27Why exactly do we run?
43:29To escape from my kangaroo.
43:30I'm confused
43:31And I need to clear my head.
43:36Here.
43:38Let's go upstairs.
43:41I've had an epiphany
43:43talking with his partner.
43:48Come with me this way.
44:03Get comfortable.
44:29So tell me about that epiphany.
44:33I think your partner
44:35and my husband
44:37They are exactly the same.
44:40I admit I had thought about it.
44:42And you and I, well,
44:44we are the ones who give
44:45a step backwards
44:45to let the person
44:47that we love
44:49shine.
44:50Somehow
44:51That's sexy.
44:54What's so sexy about it?
44:56A truly confident man
44:58of himself
44:59it does not need
44:59remind him
45:01all the time.
45:03It doesn't even try to surprise.
45:05at every moment
45:06It's not going that way either.
45:08boasting
45:09of his eccentricities.
45:13Well,
45:14we could say
45:14that we are like
45:15the faces
45:17of some albums
45:17which are the authentic ones
45:19hidden gems.
45:21What do you think?
45:22if we do
45:22A revolution?
45:24You and I.
45:26The revolution
45:27of the carasbe.
45:30Is he coming to betray
45:31to her husband?
45:32Until a little while ago, yes.
45:34Wanted to
45:34steal from him
45:35his entire collection
45:37so that he would look at me.
45:40An act
45:41of desperation.
45:43But the revolution
45:44begin
45:44by herself.
45:46It's true.
45:49I have always been
45:50a faithful wife
45:52and in love.
45:57And I will cease to be.
46:02Your friend
46:02It's made me think
46:04perhaps
46:05neither my husband
46:06nor me
46:07we are already in love.
46:10And perhaps
46:14maybe
46:15It's a good time
46:16for a start
46:17a new stage
46:18in my life.
46:20We became independent together.
46:22You and I
46:23we do
46:24a record
46:25with two faces
46:27Ace.
46:29Hers
46:30and mine.
46:37Sorry,
46:37I'm not a great
46:39music lover
46:40and
46:40I don't know if
46:42I'm understanding it well.
46:44When I was
46:46looking
46:46to the Virgin
46:47of the Macarena
46:49I have asked him
46:50please
46:52help me
46:53namely
46:53to do
46:53with my life.
46:58What did you think?
47:01You?
47:02With that flair,
47:04that bearing,
47:06that elegant bag
47:07filled with millions of euros.
47:11Don't you think so?
47:13A strong signal?
47:16I truly believe
47:17that you are
47:17the other half
47:18perfect
47:19to begin
47:20my revolution
47:22and debut
47:24as a wife
47:24and faithful.
47:28What did he tell me?
47:45I think it vibrates
47:46the clock.
47:50It's a call.
47:53Excuse me.
47:54Excuse me.
48:02Put on the earpiece.
48:13And Miquela?
48:14The money has moved
48:15but inside the palace.
48:17Well,
48:17Duke may
48:17I'm resealing it
48:18or they put me in bags
48:20to transport it.
48:21I don't think so.
48:22According to the valor
48:22It's underground.
48:23I've lost signal
48:24about 26 meters
48:25depth
48:25under the palace.
48:26Specifically underneath
48:27of what is in the plans
48:28from the register
48:28It appears as the chapel.
48:30But in the plans
48:31there is nothing
48:31below that chapel.
48:33Unless...
48:35That it has a camera
48:37armored
48:37beneath his palace.
48:38And that's why
48:39You have lost
48:39the GPS signal.
48:42Roy.
48:43I'm still doing my own thing.
48:43Go on, that's what I was saying.
48:44And look for all the information
48:45that are in the records
48:46about that chapel.
48:50Bruce,
48:50you too.
48:51Received.
48:52I'm going to the ship.
49:02Yeah?
49:04Hello.
49:06Hello.
49:07I'm going to give you a surprise.
49:08I'm in Seville.
49:10I'm watching right now
49:10your boat.
49:33Good afternoon everyone.
49:34Hello.
49:35Just a few hours ago
49:37that I have met
49:38to this goddess.
49:40But I've already lived through it.
49:42more emotions
49:42that many marriages
49:44on their golden wedding anniversary.
49:46He could be dead,
49:47burnt,
49:49imprisoned
49:50and practically divorced.
49:51But it has given me
49:53an opportunity
49:53And to celebrate
49:55I have asked him
49:56let him sing
49:56This song.
49:58Applause.
50:00Applause.
50:11Thank you.
50:41Thank you.
51:03Thank you.
51:31How wonderful!
51:41Wow!
51:43Phew!
51:44I love this site.
51:46What's wrong with you and the duchess?
51:47You've dispelled that absurd idea of stealing her husband.
51:50That's right.
51:51Very good.
51:51But now he wants to betray him with a faith.
51:53He tells me that I'm his soulmate.
51:55This is the third time I've seen her.
51:56And she tells me that the Virgin of Macarena has chosen me to be her lover.
51:59He came up to me to whisper to me.
52:01And I had to roll down my shirt sleeves so he wouldn't see my goosebumps.
52:05He wants to make a home album with me.
52:07I don't even know what to say anymore.
52:09I'll last for that lady.
52:10Okay, calm down.
52:11It's all good news.
52:12Just keep it there, okay?
52:13Eating out of your hand.
52:14What are you saying?
52:15The mechanical soulmate pulling the strings.
52:17I'm coming closer now.
52:18Now I'm walking away.
52:20I have to turn you into one of my green linden trees.
52:22In a Predator.
52:29How are you?
52:31With pepper from Margaras meat.
52:33They told me that I was already working on my assignment.
52:36That is.
52:36I've come because I have to ask you for something.
52:40We can no longer work with him and design the plan.
52:42In the bar, since we have many blackboards, which are sensitive materials, they can be seen from the outside.
52:47We're going to need a more private place.
52:49And we had thought of the North Alan of his palace, in the tower.
52:53How are you?
52:59Hello.
53:00Hello my love.
53:02You know, I've decided that Mr. Simon and his friend will be our guests at the palace for a few days.
53:08What do you think?
53:11I find that a very stimulating idea.
53:18I'm going to keep you on a short leash, you cat, huh?
53:21What this man likes is making his escape, you know.
53:24Excuse me, but we have faith.
53:27Damn, damn.
53:29Well, she...
53:30She is Candela.
53:32Congratulations.
53:34Thank you so much.
53:36Candela, by the way, let me introduce you to Damian, my partner.
53:40Yeah.
53:40And we were here talking with the dukes of...
53:42A business.
53:44Oh, another one?
53:45Well, the same one you were talking about there in the bathroom of the girl Los Peines.
53:48No, it's someone else.
53:49Candela is another business.
53:50Oh.
53:52It's not like we like money, you and your friends, huh?
54:01Excuse me.
54:04Did I say something wrong?
54:06No.
54:23Did you see a bag that was there?
54:26What would you do with that bag that had a worried person?
54:35They've seen it in the bathroom!
54:39T 170
54:40Every hour in the bathroom. Last fromoxen anywhere!
54:5132
54:57complete!
54:57We try to...
54:58As sure as the stars above me
55:04He tells me he's dreaming of me
55:10And so I'm the lucky one
55:19I promised myself I was through with love
55:25Through being fooled by a kiss
55:30I guess fortune was smiling from heaven above
55:36What are the chances of a love like this?
55:44Lucky, my baby, he says he's lucky
55:49But I know how much he loves me
55:56I know I'm the lucky one
56:27I promised myself
56:30I was through with love
56:33Through being fooled by a kiss
56:39I guess fortune was smiling from heaven above
56:45What are the chances of a love like this?
56:51Lucky, my baby, he says he's lucky
56:58But I know how much he loves me
57:11But I hope you look usually
57:34The only way I need to go
57:34Thank you.
58:04Thank you.
58:34Thank you.
59:04Thank you.
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