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00:25The Holy Spirit
00:58The Holy Spirit
01:26The Holy Spirit
01:44We're locked down again.
01:48How do we get out of here?
01:49There must have been some setback
01:50Calm down
01:51And what about Keila?
01:52Hey, I was outside and he's not opening the door.
01:54What are you saying? Has something happened to her?
01:55Did he do something to that guy?
01:56Damn, Keila has a camera
01:59Damian and Berlin saw whatever happened.
02:01So don't make up stories about it.
02:02What movies, Roy?
02:04If a disturbed person put you in a cage with a dog
02:07And he threw you to the bottom of the river
02:08He shot me in the foot
02:09And Keila is the aunt who ran her over.
02:11And now she also knows that she is a professional thief
02:14And what a coincidence that I was at the entrance to the cave.
02:16Where do they keep the money?
02:17Do you see if it's the movie now?
02:19Because I can see it ending terribly.
02:20The Duke told him that we are guests
02:23She's not going to touch it
02:26Again, with the light
02:29The door opens, the light turns on
02:31The door closes
02:33The light goes out
02:34Look, Roy
02:35That?
02:44Guys
02:45Let's get to work
02:49And Keila?
02:49Where is Keila?
02:51With Berlin
02:51Everything with a hem
02:52How are we going to work here?
02:54What if someone comes down at any moment?
02:56That's exactly what I told Berlin.
02:57What if someone comes down at any moment?
02:59Risk is part of the beauty of our profession
03:02But we have something in our favor here.
03:03Someone has already gotten off and left calmly.
03:06Believing that everything is in order
03:08He's in the kitchen now, drinking coffee.
03:12I think she's very worried.
03:16I hope nobody needs a wad of cash in the next 20 minutes
03:19I'm waiting for it too.
03:21Otherwise, you have to get out of there.
03:23At gunpoint
03:44I can't believe I'm going to be locked up here for the third time.
03:52It has already been sealed
04:02I've placed a hidden camera in the chapel
04:04We are being watched
04:05Now let's see what this armored door is hiding.
04:07Did you bring the radar?
04:10And a colocalization sonar
04:12And now we're going to recreate a 3D plan
04:15What lies behind this door
04:19We have a problem
04:22What is your gender?
04:30Can?
04:32I don't want to bother you.
04:35Just
04:38I will rob them
04:4030 seconds
05:04How mysterious she is, don't you think?
05:07Enigmatic, I would say.
05:13I think they are very focused on the business we have at hand.
05:21Where is the rest of the band?
05:28They are working for you
05:30Each one managing with their contacts
05:33What we need
05:34Thermal lances, vehicles
05:35The logistics of a robbery
05:37Has it installed safety systems in the sewers?
05:40Those things
05:46That thing, it says
05:52AND...
05:53Do they already know how they're going to steal it?
05:57We're eager to tell you.
05:59But...
06:00We still have more loose ends than certainties
06:05It's very exciting to be the promoter
06:09The heist of the century
06:10He thinks that the development of this plan
06:12It is a work of art in itself
06:15I'm looking forward to meeting
06:17Every detail of that genius
06:20We're still chasing that spark of ingenuity
06:22That it changes everything
06:29Okay, I won't bother you anymore.
06:32I actually came to invite you to dinner
06:3421 to 30 and...
06:37Dress code
06:38Black tie
06:41If you need Samuel to accompany you
06:44To some tailor shop
06:45EITHER...
06:45To a boutique
06:47Certainly not
06:49I always travel
06:51Prepared for every occasion
06:52Black tie
06:53White tie
06:55Pink tie
06:56Pink tie
07:01What a sense of humor!
07:02Well
07:03I'll see you later
07:13We have a problem with this windbag.
07:18What's the problem?
07:20Haven't you seen how it has surrounded us?
07:22To scrutinize the screens?
07:23How has it marked us
07:25And how he has emphasized
07:26He wants to know everything
07:28To the millimeter?
07:29Well, he seems to be involved.
07:30And excited about the robbery
07:31It is the enthusiasm of the hermits
07:33No, no, no
07:34Don't be mistaken
07:41He looks like a monstrosity.
07:43Dancing on a Pierola
07:44Like a monkey and be rich
07:45But he's a criminal mind.
07:47It will force us
07:48Let's rack our brains
07:50That he came to snoop
07:51It means it's not there.
07:52Not even calm
07:53Not confident
07:53So what can we do?
08:05And teach the wonderful plan
08:07With which we would steal
08:08The Lady in Ermine
08:09As if it were true
08:10A perfect plan
08:11And real
08:12I'll take care of it.
08:13Personally, I know that.
08:14We're going to design
08:15A perfect plan
08:16To avoid stealing
08:18Exact
08:18To tie
08:19That idiot
08:20With the masterpiece
08:22Of robbery
08:23Kila
08:23Sit down and write things down
08:25I need you to hack
08:26As if your life depended on it
08:27In it
08:27And tell me
08:28The exact date
08:28Leaving
08:29From the Lady in the Ermine
08:29From Poland
08:30The flight
08:31Upon arriving in Spain
08:32And the security company
08:33Who will make the transfer
09:02What are you doing?
09:03There has to be some kind of mechanism.
09:04To open the door
09:05From within
09:06If someone comes to steal
09:07They close the doors
09:07That's his thing.
09:08They're not going to put you on
09:09A glow button
09:10We have everything scanned.
09:12We're leaving
09:13Can you explain?
09:14How do we get out of here?
09:16With English punctuality
09:30Kila
09:30I know.
09:31Some cooks are arriving
09:32Due to service loads
09:33Go up the east wing
09:37Did you bring a suit?
09:44Good evening everyone
09:46I've been here all afternoon
09:48Thinking about how to make this
09:49An evening
09:51Unforgettable
09:52And special
09:54AND
09:55Snap!
09:56I've had a moment
09:58Brilliant
09:58Looking at my candlesticks
10:00From the Mauve Room
10:01And I've thought
10:02Why not do
10:02A dinner
10:03In the old-fashioned way?
10:04How it was done
10:05In the 18th century
10:06When
10:07It was inaugurated
10:08This palace
10:09So
10:10By candlelight
10:12I toast to their success.
10:14Which will be mine
10:26What a magical atmosphere!
10:29Yeah
10:29It's the warmth of the candles
10:32I love the smell
10:34Thank you
10:45Sorry if this isn't the right time
10:46But
10:47But I need to say something.
10:48Which is important to me
10:53These last few days
10:54Well, I've been a little distant.
10:55AND
10:57And the reason is that I found out
10:58That Key has had a falling out with him
11:06Something that
11:07Which seemed to be
11:08A sexual encounter
11:09Unimportant
11:10Well, it's gotten worse.
11:11And now there are
11:13Recidivism and romanticism
11:15But it stops
11:16Please
11:17No, Keyla, no
11:18There is nothing.
11:19From what we have
11:19That we should be ashamed of
11:21And with this
11:22I don't want you to think
11:23Strange things
11:23Not at all
11:24Please pity me
11:27Obviously
11:28When I found out
11:28Of faith
11:28Well
11:30Well, I broke down
11:35But the thing is
11:36She told me
11:36That he loves me
11:38That I am wonderful
11:39I'm from another planet.
11:40AND
11:42Oh, he doesn't want to leave me.
11:47And neither do I.
11:48I want to leave her
11:51So
11:54Keyla
12:01Do you want us to have
12:02A three-way relationship?
12:09Three what?
12:10Of three people, Roy
12:12She
12:14It's the boy and me
12:18It can't be
12:18More tola there
12:19You know what, Roy?
12:22I'm more into building.
12:23That of destroying
12:24You almost can't anymore
12:29That's great, Keyla!
12:34That's great, Keyla!
12:36Right now I feel
12:37A little overwhelmed
12:39And I think I have tachycardia.
12:40And don't me
12:40My brain can't handle it.
12:42I don't know, no
12:42We should also
12:45Ask the third person
12:46Keyla and we will do it
12:48Having a coffee
12:49EITHER
12:49Or something
12:50But now I need
12:51You answer me.
12:54Well
12:58I suppose that
13:00We could explore
13:01That way, perhaps
13:04Yeah
13:08That's great!
13:08A toast
13:10Hey?
13:11For the trio
13:11Well, because of the trio
13:13Well, what a way to...
13:14To start dinner
13:17Do you have a band?
13:19Very modern
13:23Don't you think so, darling?
13:25Yeah
13:27They really are
13:28A breath of fresh air
13:30We are
13:32More classics
13:33No?
13:34Can you imagine
13:35In a triangle like this?
13:37I don't know
13:38Come on, just let yourself go
13:40Let yourself be carried away by this
13:41Air of freedom
13:43That has entered the house
13:44Imagine
13:45You
13:46I
13:47And a woman
13:52Scandinavian
13:53A trio
13:55Colorful
13:56Already
13:56I can imagine it
14:00Better with two men
14:01With you
14:03My love
14:04Of course
14:05And with
14:06I don't know
14:08A Brazilian
14:09For example
14:11Damian
14:12What do you think?
14:12Of all this?
14:16I believe that in this life
14:17You have to choose between
14:18Being a duck
14:20Or to be a swan
14:21And so
14:22What does it mean exactly?
14:24Well, the swan
14:25It is one of the few species
14:27What are they?
14:27Monogamous
14:30And romantic
14:32And the clear duck
14:33Is
14:34Libertine
14:35And promiscuous
14:36The more the better
14:39In my case
14:40I am a swan
14:43A swan
14:47Is
14:48Monogamous
14:49Inveterate
14:52Although I imagine
14:53How fun that would be
14:55To be a duck
14:55I don't judge him
14:56At all
14:57But for me, love is
14:59To be focused on someone
15:00AND
15:03Enjoy
15:03From that concentration
15:06Very interesting
15:08AND
15:09What do you think?
15:10The gang leader
15:11Of all this?
15:12He believes that
15:13If we are capable
15:14Enjoy!
15:15Of love
15:16From a single person
15:17That fills us
15:19With joy
15:19Would you like some wine?
15:21And another one appears.
15:22Of which also
15:23We fell in love
15:25Do you think we could
15:26Enjoy
15:27Doubly
15:28That happiness?
15:36I disagree
15:37At all
15:38Hey
15:38I'm more of a theory person
15:40Of the
15:41Communicating vessels
15:43Two
15:44Full glasses
15:45They don't exist.
15:46If one fills up
15:47It's because
15:49Other
15:49Before
16:01It has been emptied
16:06Love doesn't need
16:07Two or three
16:09Half cups
16:12But from a
16:14Entire
16:16Full
16:16Above
16:29Have you seen the vintage?
16:35Tomorrow
16:36Twenty hours
16:36Dinner on your boat
16:37For five hundred thousand
16:40I love your shirt
16:42Black
16:46Man, please
16:47It's terrible.
16:48Can someone explain this to me?
16:49What has been
16:50That dinner in the dim light
16:51For God's sake
16:52But if not even
16:53It stood out
16:53The truffle ragout
16:55Perfectly
16:56You could have thought of it
16:57To you
16:57That bubble
16:58Of decadent beauty
16:59With the candlesticks
17:00By Armando Cera
17:01Like a castle
17:02Of the Bayrons
17:04Or not?
17:06One
17:07It didn't occur to me.
17:08Me
17:10And two
17:10I want to have
17:11The least possible treatment
17:12With the person
17:13We're going to have a blast!
17:14Get to work
17:33You don't know the latest
17:36Rado that leaves
17:37Like a racing car
17:37We there
17:38Making photocopies
17:39As beginners
17:40And she
17:41Redesigning
17:41The wine label
17:42What we have drunk
17:43Tonight
17:45I don't understand anything
17:46Well, it's put me
17:47The bottle right there in front
17:48And suddenly
17:49He read a quote
17:50In the fine print
17:51With the blurring
17:52From the old labels
17:53Using the same font
17:55From the Rioja of '96
17:56Oh
17:57How complicated it is
18:00How original!
18:01So he sent you
18:02A printed message
18:03Latin
18:05How did we get here?
18:07Seem to you?
18:08What blessed madness
18:09No
18:10The adrenaline of love
18:11And the danger
18:12Well
18:13The case
18:14He asked me for a sign.
18:15He should wear a white shirt.
18:17And of course
18:17Then they put
18:18The dress code
18:19And I wasn't going to jump in.
18:20The protocol
18:21But
18:22She
18:22He must have taken it
18:23It was like a yes
18:25I was going full throttle
18:26Already
18:27And you've gotten it
18:28Stage fright
18:29Well
18:30Rather, responsibility
18:31As a member of the band
18:32And as a man
18:34So
18:35For the good of all
18:36I have decided that
18:37I'm not going to that appointment
18:39Damned stubborn schism
18:41Well
18:42I'm sorry to tell you
18:43Dear friend
18:43That
18:44The escape
18:45With the duchess
18:45Not working
18:46You don't see it
18:47He won't let it happen
18:48And all this is going to end us
18:50Exploding in the face
18:51But then
18:52What do you propose?
18:53You see the appointment
18:54And make her your best friend
18:55The sla
18:56Invite that somber
18:56You talk to her about your mother
18:57Not all that kind of thing
18:58They are poison
18:59For eroticism
19:00And above all, remember
19:01What if there's no kiss?
19:05There is no crime
19:10And you?
19:12Analyze the data
19:13Of everything scanned
19:13In the crypt
19:14I want to know once and for all.
19:15What is it hiding?
19:16That door
19:28We can pass
19:30But
19:30But this beauty
19:32What is it?
19:32Is called
19:33Tangerine
19:34I think it could be
19:36Good company
19:37To put it
19:38I've noticed it a little
19:38Little sky lately
19:39Maybe it's because of me
19:41That way we can
19:42Take the four of them for a walk
19:44Go on
19:45Go in and close.
19:46Let's introduce you
19:47Let's see how he handles it.
19:48And not
19:50Look, Pomelo
19:51A little friend is bringing you
19:52Calm down, my love
19:53Look how pretty!
19:56Look
19:57It's called Mandarin
20:02I feel that way
20:03I mean, maybe
20:04She woke up to the sound of the doorbell.
20:05At this time
20:09He doesn't know joy.
20:10What has he given me
20:12I want the doorbell to wake me up
20:14In the middle of the night
20:16And that it's you
20:19Well
20:20You
20:22And do you know why?
20:25Because when they sent me the message
20:27To tell me that
20:29That he was having dinner with the dukes
20:30Was
20:32The truth
20:34I would have liked to accompany you
20:38That I already know
20:39No
20:40That makes no sense
20:42That I were
20:42That
20:43And he's going to rob her.
20:45That man
20:45And that's your fiction
20:46But
20:49I felt sad
20:50I think the same.
20:54What would they be?
20:55No?
20:59And I think that's it
21:04Because
21:05I'm loving you more than I should.
21:11That's why I want
21:12Ask yourself
21:15How do you feel?
21:24Thieves on guard?
21:2624-hour alert
21:28Pójalo
21:40What did they see?
21:42Yesterday we landed in Saidi
21:43The beautiful beach
21:44I imagine the ministers were passengers
21:46From that cruise
21:47They had reserved
21:48A discussion with jeeps
21:49Through the desert
21:50Exact
21:50And curiously
21:51The crew was also evacuated
21:53The excuse was an electrical fault
21:54On the ship
21:55They told us it would take a while
21:566-8 hours to repair it
21:57Only those who remained on the ship
21:59Two sailors and the captain
22:00So, in order not to raise suspicions
22:02I told him I wanted to go visit
22:04Cape Water
22:04Will I have enough time?
22:07But why do you want to go there?
22:09It's because I'm getting all worked up again.
22:12And I've seen it on the internet
22:13From the Cape of the Lighthouse
22:14You can see that island
22:15Well, look
22:16Today is going to be your lucky day
22:17I seemed very excited
22:19With the excursion
22:20And I ran away
22:20But actually
22:21I stayed on watch at the dock
22:23Are you sure they gave it to you?
22:25Completely
22:30She was going back and forth with supermarket bags
22:32I bought potatoes, bread, fruit
22:34It reached the end of the pier
22:35He would throw it away and come back for more
22:37And at no point
22:38Nobody came in to repair anything.
22:39To the ship
22:40However
22:41Yes, something did get in.
22:41A pallet of Nigerian rice
22:43And that's the most unsettling thing of all.
22:45Because I was looking
22:46The yacht's holds
22:48And of course there's rice
22:49But he's from Valencia.
22:51And where is the Nigerian rice?
22:53That's what I'm going to investigate.
22:54As soon as we salt
22:55I haven't informed you
23:14What am I feeling?
23:18I feel
23:20What he feels
23:21A man
23:24That during a dinner with strangers
23:27It has been
23:29Thinking of you
23:31Every time love was mentioned
23:33And you were always on his mind.
23:35While I was trying to think
23:36In the security measures
23:38From a camera
23:39Armored
23:40And it was already early morning.
23:41And I kept thinking about you
23:43And there
23:43It occurred to him
23:45Visit at night
23:47The miraculous
23:48What is
23:49A pet shop
23:50To find
23:52To the rabbit
23:54More beautiful
23:55From the entire city
23:58And I assure you it hasn't been easy
23:59I've had to consult
24:00On several pages
24:01No?
24:01To find out what the difference is
24:03Between the male and the female
24:04No, but I've managed it
24:06And from there
24:07So I took a taxi
24:08To get to your house
24:09At three
24:09Minus five
24:10In the early morning
24:12And from that moment on
24:12I don't know
24:13I saw myself going up the stairs
24:15With all my heart
24:16In the mouth
24:16And ringing your doorbell
24:18AND
24:21I've gone crazy
24:32For looking you in the face
24:38So
24:38Going back to your question
24:40You would say that he feels
24:41A man who
24:43He has done all that
24:49I think that
24:52He's a little capricious.
25:02I've fallen in love too
25:05Like a chariot on fire
25:27I don't know if this is going to work
25:29It's messed up
25:37Are you sleepy?
25:38I
25:39I was just as eager
25:40Of sleeping in my life
25:41I am so happy
25:42Because we are going to design
25:44Our first plan together
25:45What love, Juan?
25:47The Lady in the Arms
25:50You're going to enjoy it
25:56I know perfectly well
25:57This security system
25:58The security key
25:59May contain
26:00Up to 16 characters
26:01Alphanumeric
26:01But in the worst-case scenario
26:02It would take me seven minutes.
26:03Decrypt it
26:04It's rare that it has
26:05Such a fragile system
26:06With the one I had
26:07Entangled in the art gallery
26:09It doesn't make sense.
26:11Maybe he values luck more
26:12That your money
26:14Inside it has
26:15Millions of euros
26:16In used bundles
26:17I can't believe that
26:18To a mind like the Duke's
26:19It didn't occur to him
26:20Something more impregnable
26:22Like maybe
26:23That door doesn't need it.
26:24So much security
26:26Kayla
26:26The plane has already been reintersected
26:31They have already been downloaded
26:32The data generated
26:33By ground-penetrating radar
26:34And the echolocation device
26:37Oh yeah
26:41That rhymes with what one has
26:43Or they don't have them
26:43She has no more hip movement
26:51Oh, that's too bad.
26:51Focus
26:54Now let's see
26:55What exactly is there?
26:56Behind that door
27:01The door to a circular corridor
27:03That's really it.
27:04The anteroom to the secret chamber
27:06Like an igloo?
27:06Judging by the data
27:08From ground-penetrating radar
27:08It appears to be formed
27:09Made of titanium plates
27:11I think it is
27:12Quite impregnable
27:14How strange
27:16Weird, so what?
27:17Why not leave
27:17Is the vault in sight?
27:18Why go around it?
27:19With a circular corridor?
27:20Maybe it didn't suit him
27:21Titanium with decoration
27:22The leather rug
27:23That snake.
27:24Difficult to combine
27:29It seems like
27:30Like a bullring, isn't it?
27:31Perhaps it's the bullfighting fandom
27:33It could be a ring
27:34Security
27:35The door to the inner chamber
27:36There isn't even a handle wheel
27:39Nor hydraulic steering wheel
27:40Or anything to open it with
27:41And there's something more
27:42Even stranger
27:43Look at this
27:45The walls have
27:47A double layer
27:49See?
27:50Why would anyone bother?
27:51In making a cavity
27:52Between the steel walls?
27:54Does that make up the structure?
27:56More fragile?
27:57Wait
28:03What have you done?
28:04I have changed color
28:05The different densities
28:06Blue is oxygen
28:07Red is something else entirely.
28:08With a different density
28:10Probably gas
28:11Gas?
28:12No
28:12And what gas is that for?
28:14Maybe it's a, I don't know
28:15Narcotic
28:16Meeting the Duke
28:17He hits the narcotic
28:18Indeed
28:18But
28:21I'd bet on a flammable gas
28:23Exiting through those six nozzles
28:25Expand there
28:27And what gas are we talking about?
28:30Hydrogen, methane, acetylene
28:32Don't know
28:33But what are you implying?
28:34What, the duke, has he set up that ring thing?
28:35So that?
28:35To have a barbecue?
28:37Exact
28:38It's an Indiana Jones-style trap.
28:40It seems he likes it
28:41Like activating the little angel's hands
28:43To open the crypt
28:44What are you saying?
28:45Whoever goes in there
28:46It's going to end up gratinated.
28:47Like a cannelloni
28:48What kind of madness is that?
28:51Who goes in there
28:51Roy
28:52First he will have entered the duke's palace
28:55He must have gone down to his chapel
28:57He will have opened his crypt
28:58She will have descended on her snakeskin carpet
29:01And it will have cracked its alphanumeric security code
29:05So
29:05He deserves only death.
29:07No, that can't be.
29:09Logically, that gas should activate some hydraulic device or something.
29:12The gate will be closed
29:13The gas will be turned on.
29:14And you will burn like a ball of fire
29:16Just like that, out of the blue.
29:17But who are we talking about?
29:18From a psychopath?
29:19From a killer in horror stories?
29:21We have no evidence that this is the case.
29:23I need to analyze this further.
29:24I need to think about it too.
29:28We have no evidence that this is the case.
29:32We have no evidence that this is the case.
30:22What are you doing here at this hour?
30:24I couldn't sleep, so I wandered around his palace while thinking about my worries.
30:35Love.
30:39Heartbreak.
30:43Work-related problems.
30:46What kind of worries are keeping you awake?
30:50Primarily professionals.
30:51We are facing a great challenge and my mind can't stop racing.
31:03I know that obsessive spiral perfectly.
31:11And I have a foolproof remedy.
31:18Come with me.
31:20Come with me.
31:21Come with me.
31:40Come with me.
31:57My head is exploding.
31:58I need to lie down and rest.
32:04I'll take off my suit and come with you.
32:07Can you tell me you have no dignity?
32:12I feel sorry for you.
32:13No, more like embarrassment.
32:15Secondhand embarrassment.
32:16You can't be more of a shit-eater, dude.
32:19And then to blurt out about the threesome with the dukes in front of everyone at dinner, what was that all about?
32:23A strategy so that he cannot refuse.
32:25Damn, that's pathetic, man.
32:27What's so unfortunate, Roy?
32:29Saying what you feel in front of anyone?
32:32No, Bruce.
32:33Tonco, propose to the aunt you're in love with that she left you for another guy right in front of you.
32:43It wasn't a fucking strategy at all.
32:48It's a philosophy of life.
32:50What philosophy?
32:51Let's see.
32:52The one about love, Roy.
32:53The one about love.
32:54Well, I don't know if you know that normal people are more motivated by love than by hate.
32:59Is that what human quality consists of?
33:01And you know what?
33:03I'm sure I'm going to suffer because of this.
33:06Absolutely.
33:08But that's how it is.
33:09But who do you think you are?
33:11Gandhi.
33:12Because a moment ago you were the clown who puts on an Elvis costume and acts pathetic to make him
33:16Thank you for the grace shown to his girlfriend, dude.
33:18And he didn't find it funny?
33:20I'm going to give you some bad news.
33:23The guy you're competing against is a photographer, traveler, graphic designer, and apparently a fucking treasure trove of sensitivity.
33:35Bruce, the clown can do little.
33:41Well, I'm going to tell you something else.
33:45I made Kayla fall in love with me for the first time.
33:47At 36 years old.
33:49And do you know how he did it, Roy?
33:51Talking to her about her softness, whether she was waxed, and other stupid things.
33:56Summary.
33:57She fell in love with a clown, not an intense guy.
34:00So maybe...
34:02Roy.
34:03Art is overrated.
34:21Here it is.
34:24This is my secret to slowing down my mental engine.
34:31And anxiety.
34:38Come, my love.
34:40Come.
34:42Come.
34:44This is the prince.
34:46This is what we're talking about.
34:49Touch it.
34:53Is.
34:54Play it for Kirine.
34:57And talk to him.
34:59That he recognizes her voice.
35:00How are you, prince?
35:02Come.
35:03What's happening?
35:05Hug him.
35:07Hug him.
35:09But...
35:09Come on, he's not doing anything, give him a hug.
35:12So?
35:14No, not like that.
35:15Look at me.
35:17You have to hug him tighter.
35:19Look at me.
35:20Look at me.
35:22Oh.
35:23She needs to feel his warmth.
35:25And when I hear its heartbeat, the animal's heartbeat,
35:28feel your own.
35:31And you'll see how they gradually synchronize.
35:40But you, do it.
35:51Focus on your breathing.
35:55And synchronize yours with the delance.
36:00Look how a moment arrives
36:01in which the two breathe thirteen times per minute.
36:06Let him guide you, let him set the pace, the pause.
36:12The depth of the air.
36:15Your body will begin to release oxytocin.
36:21And you will feel peace.
36:25Extraordinary.
36:29I'm sure I already feel that peace.
36:33Well, enjoy it.
36:35Because being at peace
36:36It's something that's becoming extinct, like everything good.
36:40Isn't that right, Prince?
36:42Myself
36:43I am an endangered species.
36:48What did you say?
36:50Well,
36:52the rush,
36:54the phones,
36:56three-way relationships.
37:00All of that will end the world
37:02to which you and I belong.
37:06I'm also an incidine, you know?
37:14Are
37:17monogamous people
37:19who whispered to the horses.
37:24I don't even know what to think.
37:26Neither do I.
37:29This conversation
37:31It certainly deserves a pairing.
37:34But what do you mean?
37:37Nothing.
37:38I simply want to clarify.
37:39some things
37:40about this guy.
37:42Claudio.
37:43Well, Claudio is here
37:45and
37:46the guest artist.
37:48Are you following me?
37:51I know we're all learning,
37:52But, damn,
37:54I don't want to shake your hand
37:55and that you take my arm.
37:56I don't want to hold your arm.
37:59You are very generous.
38:00And I don't even know how to deal with this.
38:03That I feel more like an outsider
38:04as usual.
38:16Bruce, what if this isn't a good idea?
38:18You have always chosen a path
38:19And this is very selfish of me.
38:21Keila, stay calm.
38:23I just want to put
38:24a red line, nothing more.
38:27Which is it?
38:31Well,
38:33I wish you weren't
38:35under the same umbrella
38:36if it rains.
38:39no sharing ice cream
38:41not even popcorn
38:42in a movie theater.
38:44Each with their own bucket.
38:46And karaoke,
38:47no singing together
38:48at a karaoke bar.
38:50I don't know, Keila,
38:52and...
38:54I wish it weren't so...
38:56that he didn't teach her
38:57to your world
38:58virtual reality.
38:59The truth.
39:04you told me
39:05that I was
39:05the only person
39:06who had seen Saquil.
39:07No?
39:12I've already shown them to you today.
39:28With three Mauser bullets
39:32You ran to Sabache
39:34saving my life.
39:37What you did to me
39:40friendly horse
39:42He doesn't forget.
39:46I couldn't save yours
39:49and bitterness
39:51It makes me cry.
39:56That's why
39:57that
40:00you to Sabache
40:03I must not forget you
40:05never again.
40:14I'm going to tell you something
40:15I think he'll be happy about it
40:17although perhaps
40:18bother him.
40:19Forward,
40:20forward,
40:20forward.
40:22Unfortunately
40:23you
40:24It is not in danger
40:25of extinction.
40:25You don't say.
40:26There are more copies
40:28like you.
40:29And he has seen them.
40:30One second.
40:31One second.
40:38This conversation
40:40It deserves new wine.
40:44A friend of mine
40:45is just like you.
40:47He's a little rascal.
40:50enthusiastic
40:50of wine,
40:51of beauty,
40:52of the paintings,
40:53of art.
40:55A Chianti
40:56from Tuscany
40:57It would be a perfect wine.
40:58but
40:58with clean glasses.
41:01his cup,
41:02gentleman.
41:03Thank you.
41:04AND
41:06tell me
41:09what else
41:10it looks
41:10that friend of his
41:11me.
41:12Share with yourself
41:14that has
41:15her only
41:16staff
41:17and immovable
41:18way of seeing
41:19the world.
41:20His own universe
41:21under which it has
41:22all
41:23what others are
41:23mortals.
41:26Are you calling me?
41:28the egocentric?
41:28Yeah,
41:29Yeah.
41:29Of course.
41:30Narcissistic,
41:31egocentric.
41:33But it's so exciting.
41:36She's one of those people
41:37that fills everything
41:38with their presence.
41:39With energy
41:40catalyst
41:41that teaches you
41:41Enjoy!
41:42of life.
41:43And when they leave
41:44of the room
41:45or from the stable
41:48the world
41:48It becomes empty.
41:51Absent.
41:55And who is
41:57that friend of yours?
41:57one that right now
41:59He is awake
42:00looking for the spark
42:02hygiene
42:02necessary
42:02for their theft.
42:11And will he find it?
42:13Does he always do that?
42:17Always.
42:18It is infallible.
42:29I want to show you something.
42:31Come with me.
42:46Wanna.
43:08Where are we going?
43:10To the chapel.
43:26They are buried here
43:28all my ancestors.
43:42Five generations
43:44beautiful women of Medina.
43:49There are also the twins.
43:52Leopoldo and Armando.
43:54Four years old.
43:57A tragedy.
44:03Hold the little angel's hand.
44:06As?
44:09Let him take the statue's hand
44:11and pull down hard on it.
44:36You first?
44:38You first?
44:46What's happening?
45:16That?
45:18What do you think?
45:20It's certainly a surprising decoration for something.
45:23A crypt.
45:24It's a crypt under another crypt.
45:29Another one of my secrets.
45:30Here I keep my third treasure.
45:33Would you be able to snatch it from me?
45:35It's the third one.
45:36The first was the art gallery.
45:39And you already blew that one up.
45:43And the second...
45:45She is my wife.
45:51And here?
45:57Here is my vault.
46:03Tell me, could you leave me with nothing?
46:08Well, anything is possible in the art of theft.
46:12Art.
46:17Leave the return.
46:18No.
46:21No, no, no.
46:50I could go now, Arce.
46:56Ta-da!
47:00Forward.
47:22Don't you trust me?
47:26I don't know if it's appropriate.
47:29I'm telling him my deepest secrets.
47:31And now you're not going to trust me?
47:37Cross that line.
47:42Forward.
47:45Do it.
48:03Do you really think you could get here on your own?
48:10Chain.
48:14Chain.
48:18Chain.
48:32Chain.
48:35Chain.
48:36How can I forget you? I owe you my life, when the loyal forces of Pancho Villa were going to execute me.
48:48That cloudy night, an advance guard surprised me and after being disarmed I was sentenced to death by firing squad.
49:11Once he was in the chapel, Villa told his assistant, "Set that horse aside for me, he's well-mannered and obedient."
49:31that I wasn't escaping and was only thinking about salvation.
49:41And you, my dark-skinned friend, you thought the same as me.
49:57Oh yeah! This song is dedicated to my guiding star, yes sir.
50:10I remember they told me, make a wish to get justice.
50:17I want to be shot on my black horse, and when they mounted me on you and prepared the
50:33execution.
51:14Thanks for watching the video.
51:17Thank you.
51:21Thank you.
51:24Thank you.
51:25Thank you.
51:55Thank you.
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