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18:00Trans victorian
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18:00in a row.
18:15Hi, are you leading?
18:17Sir, I'll take a look.
18:18Fuck you are a j*****.
18:21I have to do this.
18:23Hey, are you leading?
18:31How old are you, guys?
18:34To...
18:36dreamland.
18:37Or, no, to sleepland.
18:39I'd like to dream.
18:42Is it normal, right?
18:47I need something to slow me out.
18:50I don't know.
18:52I don't know.
18:53It looks like a criminal.
19:11What are you doing now?
19:14Let me tell you.
19:15You take a half a day, so you take a half a day,
19:18and you take a half a day,
19:20and it's late for quite a long time.
19:22Okay.
19:25I don't know.
19:27I don't know.
19:28Jesus.
19:31It's a bad day.
19:31I don't know.
19:41I don't know.
19:42You...
19:45You don't know.
19:47You don't know what it's like,
19:49You don't know.
20:02It's...
20:03You don't know.
20:09He's in his school.
20:11So why?
20:22I don't think there's anything to do for you.
20:26I'm just going to do something.
20:28I think so.
20:30I'm going to say it yourself.
20:37No.
20:37No.
20:39I'm going to say it.
21:07No.
21:07No.
21:07No.
21:08No.
21:08No.
21:19No.
21:20No.
21:32No.
21:34No.
21:35No.
21:36No.
21:37No.
21:39No.
21:44No.
21:47No.
21:47No.
21:49No.
21:52No.
21:53No.
21:54No.
21:54No.
21:55No.
22:04No.
22:06No.
22:10No.
22:12No.
22:12No.
22:16I will never disappear
22:22For from here
22:24From here
22:28From here
22:30Disappear
22:31Go, go, go, go, go, go!
22:33For I should keep the streets empty
22:38Atilla, come on!
22:46What the fuck?
22:48Get out of the mouth open!
22:50Duke!
22:51Oh, my hell of a bitch!
22:54Hey, Pelle!
22:55Get back!
23:05Duke!
23:26Come on
23:27Duke!
23:29Come on, come on
23:34Seen того
23:35What do you know?
23:37Charge!
23:38Let's go!
24:05Keep the streets empty for me.
24:26Well...
24:27Yeah, Brins.
24:30I have no death.
24:32There are so many who helped us.
24:35I have just set in.
24:37Great job.
24:39Ok.
24:40Great job.
25:02A young gut died in the night's split between Korps and Jerp Miss.
25:06Spending between the two people has escalated.
25:10We're going to the other.
25:11Spending continues after Lisbeth Barley's song is still sad.
25:16Toya says she's sure she's going to do it again.
25:20How many have VG for Lisbeth Barley's søster?
25:24400 000.
25:25Okay. I'll have you over for Lisbeth Barley's sake.
25:29Barley? But she just had to...
25:31Hørte du de tallene der?
25:33De søstrene er gått fra B-A-kjendis over natta.
25:36Få en kommentar fra søstrene. Jeg vil ha de tallene.
25:45May jeg ikke haftenposten?
25:47Nei, jeg. Jeg har et tips.
25:50Okay. Hva gjelder?
25:52Skytningen på MC-klubben i går. Det ble brukt flammekaster og automatvåpen.
25:56Hva vil justisministeren foreta seg med hensyn til bevepning av politiet?
26:01Hvordan skal byen forsvares?
26:03Interessant.
26:05Hvem er det jeg prater med? Hvordan vet du det her?
26:09Fra innsiden øk.
26:11Det er alt du trenger å vite.
26:123.
26:163.
26:21Takk.
26:47I thought it was Billy Bali at home.
26:49So I'd just like to send you people to this room.
26:52because I've heard that she...
26:56I heard it, Ville Barley.
26:57Maybe we should set up a kind of money-belunning.
27:03Hi, Harry, it's Ville Barley.
27:05I've talked to a synsk lady that the police in Denmark has used.
27:10And she sees Lisbeth in water.
27:11I hope you can help me.
27:13Ring me. Go through the bus, Nill.
27:34Do you know anything when they say nothing?
27:41It's not going to stop.
27:46What should you do instead?
27:49It's the usual incasso, insurance companies, insurance companies.
27:56There's always no one who wants to have a known manager who has a little juridic in the back.
28:03They don't know how to carry a colleague on the floor.
28:08Not at all.
28:14We don't think about each other, you and me.
28:17Or how?
28:23But...
28:25I respect you.
28:28We're not so different.
28:29We're both intelligent, and we're crazy about what others think about us.
28:35You haven't learned how much money you want.
28:38I want to help you.
28:40We don't need to be friends, you and me.
28:43We don't need to write down the rules.
28:47Do you understand?
28:51But I have a little project that I need to help.
28:59Thank you for the thing.
29:21How do I have taken a break?
29:21No, why are you and me?
29:35No, why are they?
29:36No.
29:36No, I'm not.
29:37No, I'm not.
29:38I'm not.
29:44Kriminalchef Søli. Hva er situasjonen?
29:47M207. Tiensten Bilbrau 42 har crashet og ligger inn på kinnegangen.
29:51Føreren er relativt uskadd, men han har passasjersettet.
29:58Han lukter alkohol.
30:00Det er ambulanse på vei.
30:02Jeg skal stå her til ambulansen til, ok?
30:04Nei, det er ingen annet kamerade.
30:14Jeg skjønner, jeg har mottatt.
30:19Vi skal flytte den døde over på færesiden.
30:23Ja, det er en ordre.
30:24Vi spør ikke for å rente fulg utenfor noen skandalen.
30:27Vi skal kjønne på færesiden.
30:32Føreren! Føreren! Føreren! Det er ikke gævla fel!
30:35Det er ikke gævla fel! Det er ikke gævla fel!
30:36Du kan gævla!
30:37Ja.
31:15Takk og lov for at vi mennesker vil kjenne med oss gjennom ting.
31:18Tross alt. Vi overlever jo.
31:30Jeg snakker med meg.
31:32Ja, hei. Ivan Bratting her.
31:33Hei.
31:33Du, nå er vi ved Sogtsvann. Vi finner ikke noe her.
31:37Hva vil du hvis vi skal gjøre videre?
31:40Bare gå videre. Han er oppdatert.
31:42Ja, mottatt.
31:58Jeg er oppdatert.
32:02Det er et enkelt mønster.
32:06En rød ledstjerna.
32:09Et femkantat djævelskors kommer å vise vägen.
32:30Det er en gang.
32:31Hvordan gikk det?
32:33Hæ?
32:35DÃ¥rlig.
32:36Det er frøys.
32:46Hvorfor drikker du egentlig?
32:51Hvorfor drikker du?
32:52Hvorfor drikker du?
32:59Hvorfor drikker du?
32:59Jeg vet ikke, Ole.
33:02Det må jo være noe som noen måtte slutte.
33:06Jo da.
33:07Han slutter.
33:09Han slutter å begynne.
33:11Men vil han være så full da?
33:13Det ser ikke ut som han har det så jævlig gøy.
33:24Han slutter.
33:27I don't know.
33:57Hey there, Møller. What are you holding on with?
34:02I'm sending you to a simple escape, and you're putting in the fucking apparatus.
34:07It doesn't work.
34:09Now we're sending the case over to the company.
34:13You don't need to meet me on job. Sorry, but you're home.
34:19Now remember to return to the Tjenestevapnet.
34:22Bye.
34:33Bye.
35:02Bye.
35:03Jaha.
35:06It's been a long time for your career.
35:09For all you know, I'm going to have a new Tjenestevapnet.
35:13I'm going to have a long time for you.
35:15I'm going to have a long time for you.
35:22I'm going to have a long time for you.
35:22How long have you been here?
35:25All for long.
35:28You've had a great career.
35:29Hally business.
35:34Helt� berg og dalbane, kan du vel si?
35:36Jaha.
35:37Drapesavsnittet.
35:38It would have been good people around you.
35:42I don't know what to do.
35:48It's a good life of a formless life.
35:53Let's take it.
35:55Let's go through it.
35:58Erling Rein Vege.
36:00Camilla Lohen is dead, and Elizabeth Barley is gone.
36:02You still have no signs in any of them?
36:06To follow up with tips and tips.
36:10It's not going to continue.
36:11It's not going to continue.
36:18Elizabeth Barley has been in a while.
36:20What is it for her life?
36:23We have our best research on the issue.
36:26To solve these two issues is our highest priority.
36:31The next question is to Aftenposten.
36:33We have been talking about automatic weapons and flames.
36:39What do you think about the rules of the police?
36:44The police have no comment on this.
36:48But it must be a mistake to send out the police.
36:52With so many weapons on the street.
37:05The police have no sign.
37:06I'm going to the river where the current rushes by.
37:14I'm gonna swim to the middle, where the water is real high.
37:27And the god they're coming from the sky
37:31Camilla Lohan, what do we know?
37:32We know Camilla Lohan was found in her door
37:35and that the finger was probably dead before she died
37:39Do you know that?
37:40No, no finger-tryk, no DNA
37:43Okay
37:44Wolf
37:45I don't have anything
37:50Let the river cast its spell on me
37:56Let the river cast its spell on me
38:08Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
38:20It's a song
38:22No, I don't know
38:24No, I don't want to worry about it
38:27Singing voice
38:28Sitting on the bridge
38:30Oh
38:32I don't need to stay
38:36I don't listen to the book
38:39I want to wait for the poem
38:43I want to wait for the poem
38:46To be answered
38:47I want to wait for the poem
38:47Hello
38:49Hello
38:50Hi
38:52Hey
38:53Hi
38:53To be here?
39:07What the fuck are you doing?
39:12Okay.
39:14That's fine.
39:15No, yeah.
39:19Let's just be honest with you.
39:20Nobody talks about this before we know how we can move forward.
39:50I lost my heart, under the bridge, to that little girl, so much to me.
40:05And now I moan, and now I holler, she'll never know just what I found.
40:21That blue-eyed girl, she said no more.
40:29And that blue-eyed girl, became blue-eyed whore.
40:37Down by the water, I took her hand.
40:43Just like my daughter.
40:49See her again.
40:51See her again.
40:54See her again.
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