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Watch Detective Hole () free Season 1 Episode 6 online in HD on Dailymotion (2026).
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00:00You
00:44Femme, Femme, Femme, Femme.
01:00Femme.
01:30Femme.
01:59Femme.
02:01Do you want to say something nice to me now, or let's just put it on?
02:07I'll put it on my own.
02:09I'll put it on my own.
02:11What do you want?
02:14I'm going to go home.
02:16I'm going to go home.
02:23But you...
02:24Code-losing?
02:25Yeah.
02:26Yeah, I know you.
02:28Yeah, a little bit.
02:29What do you mean by hacking?
02:32Yeah... Seriemord...
02:33I...
02:38I think...
02:40I think he gives us codes.
02:43I find these pentagrams...
02:45In the near of the offer.
02:48Do you think I can tell you?
02:49Yeah, thank you.
02:50It would have been really nice.
02:53Yeah...
02:54The code I have called, but it's not math.
02:56It's just a number of people.
03:01It's just a number of people.
03:02It's just a number of people.
03:05It's just a number of people.
03:09It's just a number of people.
03:14Analysts.
03:15Intuition.
03:16It's just a number of people.
03:21It's just a number of people.
03:21That's what you already know.
03:23So...
03:24You must combine it with linear thinking...
03:27while it's knowledge...
03:30All transsealer, do you have something?
03:34Eh...
03:34Millian, I think it's worth it.
03:36So...
03:37I took four days to hack me in the Danish bank with a little help from a little drop with
03:43a frozen LSD.
03:47Doors of Perception.
03:49If you put your code under the visit, you'll come to it.
03:56So... transe?
04:11Oh, you saved me.
04:14You should marry me too.
04:44Open your eyes.
04:47It's a simple thing.
04:53A red lead-stierna.
04:55A five-kant of the devil's kors.
04:59It's a simple thing.
05:10No, it's just more than what we've analyzed.
05:17Is it ever a doubt about your job?
05:25It's amazing.
05:27It's been a long time, so it doesn't smell like it.
05:30No.
05:30No.
05:32Okay.
05:33So, the end of the analysis is that it comes from a man who likes her.
05:39Yes.
05:40And then we have finger-outtryk from TV-butikken, which matches.
05:44Just a few minutes.
05:47Yes.
05:48You can get the rest of the day for my part.
05:51Perfect.
05:52Yes.
05:53I'm sorry.
05:59I'm sorry.
06:01I'm sorry.
06:04I'm sorry.
06:05I'm sorry.
06:05Why do you first call Hule?
06:07And not me, who's leading the meeting?
06:10I'm sorry.
06:12I'm sorry.
06:13I'm sorry.
06:15I'm sorry.
06:16You've lost this problem?
06:19Was there something you had to tell from Hule or not for me?
06:26Yes.
06:28We've received results from Lisbeth Barlig's Nager.
06:32Yes.
06:33What was that?
06:35Excrementer.
06:37Excrementer?
06:39Where were they from?
06:42I understand where they came from.
06:46From whom?
06:50They have blood, maybe from a hemorrhoid.
06:54Blod type B is in 7% of the population.
06:59Billy Barley is registered as a blood.
07:03What did you say about me?
07:21Hello.
07:22Hi, Harry.
07:25Sulten.
07:27Still.
07:29No, thank you.
07:30I was on the theater.
07:32Yes, I was there every Wednesday.
07:34HÃ¥remesteren said it.
07:36It was on Thursday.
07:39Are you there?
07:41Yes.
07:46Yes.
07:49How did it go?
07:53It didn't go very well.
07:57No.
08:01I'm going to hell.
08:02I'm going to hell.
08:05Sorry, I'm sitting here.
08:08You have to take a bite of this.
08:11I'm going to have to take a bite of this.
08:16I'm going to take a bite of this.
08:18I'm going to take a bite of this.
08:19I'm going to eat it.
08:19Okay.
08:23I've eaten this.
08:23You...
08:24We found...
08:25A lot of excrement and blood in your eyes for Lisbeth.
08:29Mhm.
08:30The analysis of blood type in,
08:33I'm going to ask you if we need a DNA test.
08:35No.
08:36I don't know.
08:36It's all nice.
08:38But Lisbeth has been really happy.
08:43I'm pretty good.
08:44I've got a finger- pretend.
08:49I'm sorry.
08:54That's all I've heard.
09:00Okay.
09:01I've been so sorry.
09:02No, I haven't thought yet.
09:06Hva er det som får deg til å ...
09:06Blikket ditt.
09:14Moran mi. Ellen, en kollega.
09:18Rakel, Kjersten din.
09:19Og er det ikke ex-Kjerste?
09:21Nei, jeg vet ikke. Hun prøver å ...
09:25Jeg prøver å få henne til å bestemme seg.
09:27Ã…ja.
09:30Hvorfor tror du hun vil gå, da?
09:37Eh ...
09:39Kortversjonen er vel at ...
09:42Hun vil ha meg annerledes.
09:47Vet du hva?
09:48Jeg tror jeg inviterer deg ...
09:50og den du elsker ...
09:54til primæren.
09:56Ja vel?
09:57Pygmalion bygger på en gresk myte
09:59om en skulptør som forelsker seg i en av sine egne skulpturer.
10:05SÃ¥ kanskje da ...
10:09Kjæresten din kan se hvordan det går når du prøver å foranbrede noen menneske.
10:13Ja.
10:14At det går gærent.
10:16Harry, jeg lager alltid forestillinger om en happy inn, liksom.
10:20Mitt livsmotor.
10:41Takk.
10:44Hey, it's Ellen's telephones.
10:46You talked to me.
10:48You see everything.
10:50What does it mean?
10:54Why are...
10:57Why are there so difficult places?
11:00Why are there not sexual abuse?
11:05What does pentagram mean?
11:09Diamant?
11:11Fingeren.
11:14Kassetten.
11:17I've got a gift for my soul.
11:22What do you think about it?
11:24You're talking about 30,000.
11:26We don't have knives. We just have shit.
11:28We all use something.
11:37What's going on?
11:38What's going on?
11:39What's going on?
11:57What's going on?
12:04What's going on?
12:20What's going on?
12:23What's going on?
12:24I'm sorry.
12:32Hey, that's good.
12:39Hey.
12:45Hey.
12:46Hey.
12:49Did you not come out of the dark and come out here?
12:54Oh my god.
13:05You're the most beautiful I've seen here, you know?
13:24You didn't...
13:26Røy for a moment?
13:28Maybe I've never...
13:30Well, then...
13:32We're on each other, you and I.
13:34Yeah.
13:35No, it was for the first time.
13:43No.
13:46It was all about you.
13:52What's his name?
13:52Yeah.
13:57Lost.
14:04Look in.
14:06No.
14:18It's all about you.
14:20I did not pay for it.
14:26No.
14:28No.
14:29No.
14:29No.
14:30No.
14:32No.
14:50Come to me, father.
14:51Yes.
15:00Hey, this is not work.
15:05So...
15:07Let's go back to you.
15:09Yes.
15:13My name is George.
15:17My name is Tom.
15:21Tom Baller.
15:27You know...
15:29I'll send you to the police.
15:31After they research the draper.
15:43So...
15:45The mystery of your little shop is true against me.
15:51Who says something?
16:02Who says something?
16:03Who says something?
16:08You...
16:13I can't see that they are one of your clients.
16:16What do you want to do with the other one?
16:19Can we do it first?
16:25Come.
16:27Blame with your hand.
16:46We're not going to be confused.
16:47One night to speed up truth.
16:50We had a promise made,
16:53Four hands and then away.
16:55Both under influence,
16:58We had divine sin.
17:01To know what to say,
17:04Mind is a grace of faith.
17:08To call for hands of above,
17:11To lean on.
17:13Would it be good enough for me now?
17:23One night a magic rush, the stars a simple touch
17:29One night a lucious rain, and then in dreams
17:35Ten days of gratitude, the stars really know
17:40We had a promise made, we were in love
17:48To call for acts of love, to be known
17:54Wouldn't be good enough for me now
17:59To call for acts of love, to be known
18:04Wouldn't be good enough for me now
18:10And you, you knew the hand of the devil
18:20And you, kept us awake there
18:27Sharing different moments
18:36I'm in love with you, and I just found a difference
18:44I'm not in love with you, you know
18:45And I was in love with you, you're not in love with you
18:49I'm not in love with you, you're not in love with you, you're not in love
18:57I am about to be a hero.
19:00I am about to be a hero.
19:09I am not going to be a hero.
19:11I am not going to be a hero.
19:25A red star.
19:27A little red stone.
19:33I dreamt about the Cameroon and the Demand.
19:37Are you such a problem?
19:39Pentagram is a old religious book.
19:43Learn about the English.
19:46Then we are 50.
19:47A little red stone.
19:49We are 50.
19:53We are 50.
19:54We are 50.
19:55We are 50.
19:55We are 50.
19:55We are 50.
19:57Have you seen it?
19:58Have you seen it?
19:59Have you seen it?
20:03The Pentagram is on the other way.
20:07That's the two years ago.
20:09Yes, that was something that was trying to learn about.
20:14We are 50.
20:15The Enlightenment.
20:18Don't move to the world, brothers.
20:20Let's meet the people.
20:32Play out.
20:33Play out.
20:33Play out.
20:35Play out.
20:38Play out.
20:39Play out.
20:51QUEERA
20:52your Oi
20:56under
20:57Da trail
21:04da trail
21:16Venn! Venn! Venn!
21:26It's 6.00, and this is a new one.
21:29The police still stands out in the case
21:32with two deaths and one extinction in Oslo.
21:34The Fremskrittsparty says that the police
21:38must give up to the police.
21:42If the police can't get up to the police,
21:44they must be lost.
21:46We're out of the way.
22:00What the hell are you doing, VÃ¥rler?
22:02You contaminate us!
22:06We're taking DNA from Narva Staden.
22:12I'm not sure what you're doing.
22:14I'm not sure what you're doing.
22:16Class of 6 in the morning.
22:19We'll see you on game-idea.
22:48We'll see you on game-idea.
22:50I just want to say...
22:52... goodness, thank you for the invitation,
22:54...
22:55... but I will not be with you.
23:01You have stopped drinking.
23:04Yeah.
23:08I thought it was because of me and Ole.
23:15But it's not.
23:19It's because of the death.
23:22It's the only one who can stop drinking.
23:33I'm sorry.
23:42Harry?
23:46Harry, hold me.
23:51Hei, Beate.
23:52Tegn et pentagram på et foliarc, 72 grader mellom spissene.
23:56And then we'll fill out the project in the middle of five minutes.
24:02Are you ready?
24:03Yeah.
24:04Give it to a second.
24:13Harry, I thought you would take an RF for her.
24:16No, I have to do.
24:20Hva holder du på med?
24:23I'll check on our mann.
24:25Who did some kelterne?
24:26Some kelterne?
24:34I'll take the project a little closer.
24:36Yeah.
24:39Are you okay?
24:42Kelterne...
24:43Kelterne brukte pentagrammet til å bestemme hvor katedalene skulle ligge.
24:47PÃ¥ kassetten sier han at et femkantet kors skal vise veien, ikke sant?
24:51Se her.
24:53Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbara Sensen.
24:57Dette er kartet han bygger deg til.
25:05Den trodde jeg om det.
25:10Det går opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Det fikk de i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Femtaget.
25:26Han har kuttet en av fem fingre, har vært av offrene.
25:29Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det nødvendig?
25:38Fem.
25:39Klokkeslett.
25:39Rundt fem.
25:40Det er det som er koden. Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:53Men hvorfor fem?
25:55Er det et ondt tall, eller?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og solmagi.
26:04Vi har fem senser. Det er fem livsalder og akupunktur.
26:09Nei.
26:12Det viktigste mønstret her er dette.
26:15Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut i de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag, til rett tidspunkt.
26:26Han kledde seg ut som et sykkelbud.
26:28Dro til Ullevålsvein.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Balli, da?
26:34Om han plokker henne ut på gaten,
26:35så vet han ikke at hun bor på femte våningen.
26:37Han plokker henne ut på gaten.
26:38Han stod inn i gangen, så at det kom med heisen fra femte.
26:42Så han følger efter henne ut på gaten, og...
26:45Uansett, da.
26:45Offrene er tilfellige.
26:47Nøkkelen her er åstedende.
26:49Om det var Willy Balli som hadde tatt heisen ned fra femte etasje den dagen,
26:52og ikke kona, så er det han som ville vært offre.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
26:59Vi vet når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lørdag.
27:04Imorgon.
27:05Og han jobber med klokka.
27:07Så det neste åsted er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer etterforskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17SÃ¥ Tom og Delta sjekker studenthjemmet og Beata, og jeg tar den femte adressen.
27:21Snakk med?
27:22Ja, vi er her.
27:23Det er en masse innrymslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve stasjonsområdet her.
27:31Men det er ikke noe femte etasje her, eller.
27:33Ok.
27:33Vi går inn og ser hvor vi kan rygge til.
27:40God dag.
27:42Hei.
27:43Hei.
27:44Vi kommer fra politiet.
27:45Vi må stille deg en spørsmål.
27:46Følgelig byplanenskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja.
28:03Det er sønnen min, da.
28:05Ja.
28:07Du...
28:08Ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja.
28:15Jeg har jo hørt at det har skjeldt, men jeg leser sjelden noe om den slags.
28:19Nei, vi mistenker at du dreier seg om en seriemorder, og at et av hans to neste mål kan synes.
28:29Ja, altså. Kan sønnen din bo her hos deg i morgen? Eller om du kan bo hos ham?
28:38Han bor i utlandet, han.
28:40Da blir det vanskelig, da.
28:43Men skulle det gå bra om noen av oss her i morgen?
28:46Ja.
28:47Det er hyggelig. Hva er det som skal skje i morgen?
28:51Sannsynligvis, Ingrid.
29:01Takk.
29:01Takk.
29:02Hade du verkligen tænkt å si til henne at hun var næsta som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elmbrædå som sier det.
29:18Så du har hørt om det? Det er bra iallafall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:23Takk.
29:27Kona de ble skutt på Klossål.
29:29Det var ingen mening i det.
29:30Ladningen gikk tvers gjennom hjernen, så den ventet.
29:54Her er den grøtten.
29:56Tror du at du fant ut av den koden?
29:59Ja.
30:00Yeah.
30:03But what?
30:06No, it's...
30:08It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he has removed the offer.
30:16Yeah, so he cuts his fingers to the right hand in the right hand.
30:21He starts with the finger finger, then the finger finger, then the finger finger.
30:25A little systematical there.
30:27Yeah, but now he doesn't start with the finger finger.
30:38The head is like those women. They don't cut them before they cut them, right?
30:42That's what you said before.
30:43I said it quite good the first time.
30:44Yes.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:05You can't promise that.
31:08I'm pregnant.
31:16I...
31:18I...
31:23I...
31:24Please...
31:27Say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother.
31:51You have a mother in that city.
31:52You have a mother in that city.
31:52I am scared of me, Sarah.
31:55What?
31:59But since you are carrying our child, now I need you to know exactly what I do.
32:09What I really am.
32:10Uh.
32:40What are you doing?
32:59Pull and coffee?
33:02Are you sure you want to try something better?
33:05Yes, thank you. I know.
33:09It's just a bit of a drink.
33:12No.
33:14It's all about life.
33:23This coffee is much better than your coffee.
33:30This is what we did at home.
33:41This coffee is much better than your coffee.
33:47This coffee is much better than your coffee.
33:50This coffee is much better than your coffee.
33:52It's not a coffee.
33:54It's not a coffee.
34:00It's not a coffee.
34:01It's not a coffee.
34:15It's not a coffee.
34:16Come on.
34:24I can't.
34:30This coffee is much better than your coffee.
34:31I don't know what it is.
34:34I don't know what it is.
34:37I don't know what it is.
34:38It's a great place.
34:41I don't know.
34:43It's not a coffee.
34:53Hmm...
34:54It's Rachel.
34:59Ah...
35:01Oh, it's full dagsly there. What do you say for now?
35:08I wonder if you can go to the theater.
35:18Unnskyld, I can just...
35:20You have a new letter.
35:23It's time 19.45.
35:27Hey...
35:30It was nothing.
35:31It was nothing.
35:45Hi.
35:53How did you find me?
35:56I'm not going to leave.
35:59What do you do here?
36:03What do you do here?
36:17Do you like me?
36:21I don't know why you and your father are here.
36:26Do you want to find out?
36:33Do you like her?
36:35Do you like her?
36:36Do you like the lady here?
36:42She's pretty.
36:45And also...
36:48She's very dangerous for me.
36:53And you.
36:57Okay.
37:00Okay.
37:04What I'm trying to say is that...
37:11Her name has been dead in my life after no other.
37:16Now I'm calling you.
37:20And you can let it go.
37:22You can stop there, okay?
37:25Yeah, if I'm not able to stop.
37:32If you...
37:35Don't do it again...
37:39Don't do it again.
37:48It's better.
37:55If you and my mom are coming together,
37:57then we'll never drink again.
38:18It's better.
38:19I don't have a microphone.
38:20You don't need a sound.
38:22I don't know.
38:24I don't have a camera in the house.
38:30The virus has been told to lock and hold the phone in the 4 or 6.
38:34Yeah.
38:36Look at that good.
38:37Yeah, yeah.
38:38We're going to be a few minutes.
38:4024 people in everything.
38:411 on 3, gas mask, gas, gas.
38:43It's ready to act on the bus.
38:45Do they need to knock on,
38:47or try to take a walk.
38:50Now we'll wait until the 5's.
38:57I'm going in the morning. I'm going to pick up at 6 o'clock.
39:01That's fine.
39:03What do you want to do?
39:05I thought a dress.
39:07I bought Hegda's Vein until 17.05.
39:09It's dark.
39:11Is it the dress you have?
39:13It's definitely the dress.
39:15Yeah.
39:19But, I...
39:23Yeah?
39:25Eh...
39:26I said, yeah, because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:37Okay.
39:41Yeah.
39:43But we'll see you when we see you.
39:46Yeah.
39:48Bye.
40:08What's going on?
40:09The troops have placed out civil guards around the house.
40:12It's just the house that's gone.
40:14Which means that she's in the 303.
40:16She's a snubber with her, but she's in the door.
40:19All the others are ready.
40:26The troops have reached out to her third party.
40:28What do you want to do you want to do?
40:29Do you want to do too?
40:29Yes.
40:29I like tea.
40:30Mm, fine.
40:38Do you like tea?
40:41Yes, I love tea.
40:47Mm, fine.
40:48Was it so much when your son was little?
40:51Be quiet and quiet and so on?
40:54He didn't grow up together with me.
40:57I got pregnant when I was 15 years old.
41:00Yes, that was a scandal.
41:05My son was going to send him back.
41:08But...
41:10How was it for you, then?
41:12I saw that he was so young and just sent out his son.
41:20They gave me a choice, as they said.
41:23But you always have a choice.
41:26I'm in trouble.
41:28I know and he knows.
41:33What does he do today?
41:35He works with imports.
41:36But, yes...
41:38I think he said that he imports from East Europe.
41:42It's fine, but it's not always true.
41:46I would think you'll find your own archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He actually says a lot about himself.
41:59But I think he found a young man.
42:02He said he had a new one on the phone.
42:04He doesn't want to say anything before he comes home.
42:06He comes home?
42:08Yes, he comes home at night.
42:10Or he went to a meeting first.
42:11Then he's in the town tomorrow.
42:13Then he goes back.
42:15To?
42:15To Prague.
42:38For them.
42:40I don't know. It's not like carnivore has come in.
42:45Do you think he's here?
42:50Have you seen the guy in the 303 go there?
42:53No.
42:58I'll check the 303.
42:59I don't think there's a risk.
43:01No.
43:05Alfa to Charlie 2, come in. Over.
43:07Charlie 2.
43:08I'll check the 303.
43:10I'll check the 303.
43:35I'll check the 303.
43:37We'll jump through to the 303.
43:37We'll get the 303.
43:38We're going to kill you the other one.
43:40303, clear. One girl and one girl.
43:43Begge uvepnet, nakne and very strong in life.
43:47Fuck!
43:50Take off your clothes and take back to position. Charlie 2.
43:57Who was there?
43:59The one who went in the gangstead, went in the house.
44:01Alpha to all the one, the object. Stand by.
44:21To be continued...
44:23When I'm a walking I strive...
44:26My name is
44:27The KIS and the local deputy
44:35My name is
44:38The KIS and the local agency
44:39Go to Bravo 2
44:44My name is
44:52My name is
44:53My name is
44:54My name is
44:55My name is
44:56I'm a linguist.
45:07You're around for sure, Minsky.
45:10I don't even know how to use this, but it's OK.
45:13Let me get back!
45:14I'll hold da med hamna.
45:15Just a sec.
45:27That's not him.
45:29What's that?
45:31205, one of those we didn't get in contact with.
45:35On the list here, he's Odd Einar Lillebostad.
45:38I'm sorry, but I think Odd Einar Lillebostad came back.
45:44Are you sure you're fine?
45:47Is it fun?
45:49No.
46:03It's fun when Martin comes alone.
46:06Yes.
46:07I think it's a bit empty here.
46:11Yes, but when he's here so often,
46:14he's going to complain.
46:16But he's been here for the last few weeks?
46:19Yes, for the last four weeks.
46:22No, it's actually often.
46:24Every 5th day I've been here.
46:26The last time he had a smile for me.
46:29It's just if we're talking about the stone,
46:32on this special way.
46:35Hey, it's a spontane fall.
46:37I've been in Morocco with Georg,
46:40a guy I've met.
46:41We're going to live with his parents
46:43in a small village village called Hassan.
46:47If not, bad telephone and net.
46:49I'll take contact with him once I come home.
46:52Just leave.
47:20Stop checking my heart.
47:22Stop checking my heart.
47:22Is he with the body and beads?
47:24I stain my sheets.
47:25I don't even know why.
47:27My girlfriend is at the end.
47:30She is starting to cry.
47:32We know we won't get no struggle,
47:34stop looking.
47:35I'm so strong now.
47:37I'm high this guy.
47:39I chose all my faith.
47:40Stop checking my heart.
47:42Let me go on.
47:43Let me go on, like I blister in the sun
47:46Let me go on, big hands, I know you're the one
47:53Body and beats, I stain my sheets, I don't even know why
47:58My girlfriend, she's at the end, she is starting to cry
48:02Let me go on, like I blister in the sun
48:08Let me go on, big hands, I know you're the one
48:34When I'm out walking, I straw my stuff, yeah, and I'm so strong out
48:38I'm high as a kite, I just might stop to check you out
48:43When I'm out walking, I straw my stuff, yeah, and I'm so strong out
48:48When I'm high as a kite, I just might stop to check you out
48:54Body and beats, I stain my sheets, I don't even know why
48:59My girlfriend, she's at the end, she is starting to cry
49:04When I'm out walking, I straw my stuff, yeah, and I'm so strong out
49:35When I'm out passing, I yearn's starts to change the world
49:40This bedroom, I call on my heart
49:42You're the one-looking 41,000, Frankie Solano
49:43My husband, my husband, I call my heart
49:45Iраш Hawley, I'm so strong out
49:45I'm sort of the next one
49:53I don't know my husband, I ain't going to lie
49:53You know, Nicole, but if he doesn't come home
49:53You know, my husband is turning home
49:53But when I'm still the one-second 호ien
49:53And all this is really nice
49:53You know, I'm not Tao
49:55You know what I'm out fighting
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