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00:12Do you want to say that we are going to die over the night?
00:16I don't say that you want, I say that there is a possibility.
00:19The next problem is your credit history.
00:22What history?
00:23Even from Cannes Capital.
00:24This is still in our evidence as a risky moment.
00:27Well, sir, this is a completely new company, we don't have any connection with you.
00:32You really like me.
00:36Honestly, I really like you.
00:39I don't believe in my heart, but I hope that it's a shame.
00:45I'll tell you if I'm wrong with you.
00:50You don't wrong with me.
00:52Well, I'm so happy that I don't wrong with you.
00:55Listen to me, you and I are going to die.
00:59That's not a problem for us.
01:00I would like you and I to try.
01:04You have to call me a memory.
01:07I'm not stupid.
01:08You are stupid, but you have to get in order.
01:11How do I get in order?
01:13So, for the first time, you don't have to remember all of you.
01:16You are stupid, you are stupid, you are stupid, you are stupid, you are stupid, you are stupid.
01:19What if everything is okay?
01:23What do you think?
01:24I think it's easy to say that everything is okay, but the reality is completely different.
01:29Okay, Lenka, are you sure?
01:32I know that, but I'm a lot of hard to do with all these actions, understand?
01:37Let me lose myself, I don't know what I'm talking about, I don't know what I'm talking about.
01:42So, you and I are brother and sister, so we are born, I am your sister.
01:46You and I are brother and sister, so we are born, I am your sister.
01:49If I am your sister, why do you never listen to me when I tell you?
01:52I tell you, and you know that I know, even what I don't know, I will open my card and
01:58write everything there.
01:59Senija, I don't believe that Tambura would give you a green light for that.
02:03Let me know.
02:04What is Tambura?
02:05How is Tambura?
02:07Reljica takes fame.
02:10And Tambura will only be able to be Tambura in his challenge.
02:15I'm asking you something to ask.
02:17What?
02:18What are your thoughts on your gift for today?
02:24I can't!
02:25I can't be able to arm your wallet, which…
02:28Who was that Minister?
02:29There was an option, that my peace
02:31My promise to your life is not there i'm not the need.
02:34I want to ask my device to do him.
02:34I am çalış.
02:35I would be willing to make you on social media.
02:38First, you'd be in social media.
02:43How do I even open your right.
02:45Come on, if I'm…
02:50We are going to create a boxing club that will work in front of Radar.
02:57Fame, yes?
02:58It becomes a global club.
03:03Club?
03:05Here?
03:06Yes.
03:08I'll tell you.
03:10My son was with him at night and they told him to give him fame.
03:15I don't understand what it means.
03:17You have to tell him, Lenki.
03:21You have to tell him to pay for her.
03:24I see, it's important that she lives and healthy.
03:26What she doesn't know, let it be the price for everything I'm doing.
03:30She's right to know.
03:32I've lost her. I've got a child with another wife.
03:35She doesn't want to see me at all.
03:37I'll tell you again.
03:39I love her again.
03:40Come on.
03:41Come on.
03:41Come on.
03:48It looks like I fell on a very interesting conversation.
03:51What are you looking for here?
04:11Come on.
04:13It's amazing.
04:16It's great.
04:17I tell you, it looks like life is not good.
04:21I know and have to come to see me.
04:22And often it's true.
04:26All is evil.
04:28All is evil.
04:35As love in the war, there is no rules, you have one life, only one chance to become no one,
04:51because the star is all in the world.
04:57A game of fate, like a happiness, someone who wants to become no one, someone who doesn't want to become
05:07no one, as the star is all in the world, and we are all in the world.
05:27A game of fate, like a happiness, someone who wants to become no one, as the star is all in
05:43the world.
05:43A game of fate, like a happiness, someone who wants to become no one, as the star is all in
05:51the world.
05:51You won't believe that I have come to my old friend and I will return my work to you.
05:56Very nice of you.
05:58And that's what we don't like to do with the former employees.
06:02So, a card.
06:04Here, here.
06:06A card.
06:07You have to imagine what I'm asking.
06:16What is the other hand?
06:32There.
06:33Here, he is.
06:36That's the appeal.
06:36What's wrong?
06:38What's wrong?
06:40I had to come.
06:43Everything is okay?
06:45Is Daniel maybe wrong?
06:46No, no, no, no.
06:48It's not on the issue, but...
06:49What's wrong?
06:52What's wrong with me?
06:54Well, I don't give me a penchete.
06:57I would just like to see him.
07:00It would be clear that you wouldn't lie to you,
07:03so you could follow Daniel?
07:05I know, I know.
07:07I'm really aware of all of this.
07:09It's strange.
07:10When you're aware, what do you want to do?
07:12I've already told you.
07:14I've had to come.
07:16How are you?
07:17I'm good, I'm good.
07:22But...
07:24I'd like to talk to you about something
07:27that doesn't really have a lot of connection with Daniel.
07:30With Kim?
07:33I don't know.
07:34It's related to Asio.
07:36What's going on with Asio?
07:52What's going on with Asio?
07:57I don't know what it means and how it's going to be.
08:01It's not a lot of connection with you.
08:03What's going on with you?
08:05Let's take a look at the example of Gala.
08:07What's going on with you?
08:10What's going on with you?
08:11I don't know.
08:12I mean, it's just a case-up, I mean, on her.
08:15One person, one person who is very discutable and moral,
08:20and someone for whom it is shown that there is a language from Bukurešta,
08:25it will always stay like that.
08:26I really don't have time to talk about people in that way.
08:29Of course, of course.
08:31Your position doesn't allow you to do that
08:33and you don't need to be able to analyze yourself in a kokošin.
08:35Okay, Gabriela, it's not a moment for this.
08:37Never. It's not a moment for this,
08:39because you're always outside of the situation
08:41and you're never going to do that.
08:44Gabriela is here to invite an investor
08:47who would be able to take advantage of our jobs.
08:50And?
08:51No, I don't have time for this,
08:53because it's not a moment for this.
08:57I can only think about how are these contacts
08:59between investors and who are those groups.
09:02I don't have time to be satisfied.
09:04I don't have time to be satisfied.
09:06I don't have time to be satisfied.
09:07Of course.
09:09I mean, she will be satisfied.
09:11Yes, of course.
09:12Yes.
09:13And the job you're talking about
09:18is related to the bigger number
09:20that you've been sent from the company.
09:23Do you know what it is?
09:37No.
09:37No, for sure.
09:38Everything is all right. Everything is all right.
09:42What's wrong?
09:46Asia finished the faculty.
09:49She taught her that the next step will be to write the police academy.
09:59Yes, the studio is fine, but it seems to me that everything happened
10:05as if she wanted to change the perspective.
10:10How? I don't understand.
10:12She started to train obsessively, as if she was afraid of her.
10:17She did it as if she wanted to be ready for something to be ready.
10:22That's why she did it, even if she decided to become a police officer.
10:31I don't think so.
10:33I don't think so. I don't think so.
10:35I think it would be clear that she will have a whole life
10:41only with murderers, murderers, criminals, etc.
10:46Yes, I agree with you.
10:47Yes, I agree with you.
10:50And that's why I came here today to invite you to ask if you could
10:57talk with Asia.
10:59You know, tell us what challenges you have, this job.
11:02Then we can see if she wants to be a phase or not.
11:10Of course, I can talk with her.
11:13I mean, she's always closed this door.
11:19Between us.
11:20I mean, it's not a problem, but...
11:24I don't think that idea of the whole thing.
11:29If you could, you could answer that a little bit.
11:35I don't know if you understand me.
11:36Do you think that?
11:37Do you think that?
11:39I would like to say that the woman, the woman, the woman,
11:43the woman, the woman, the woman, the woman, the woman, the woman.
11:47Yes, I think.
11:49Let me come and talk to her with her.
11:52Well, it's okay.
11:56I'm happy to see how she wants to be.
11:59I will see how she is really equity,
12:00how she wants and how she wants to be in her own way.
12:04But I will tell you all about what matters are, what advantages of those professions,
12:10and then she will decide to give it or not.
12:13That's right, we'll talk about it.
12:15Yes, that's right.
12:16Let me thank you for this.
12:20I understand everything.
12:22Again.
12:23Let's go.
12:24Here we go.
12:27Hey, Maša, be impatient.
12:31I don't want to.
12:31No, no, no, no.
12:32No, no, no, no.
12:43Don't stop.
12:43Do you have to pay attention to this person?
13:02Do you have to pay attention?
13:04Do you have to pay attention to this person?
13:04Don't start with the donation?
13:04Yes.
13:06I've heard it.
13:09And I think it's time for you to be honest with me.
13:15Okay, if you're interested, I'll tell you that that money
13:20I was asked for an experimental treatment of Ivanova glaucoma.
13:26I didn't want to do that. I just wanted to do it myself.
13:30I just tried to save my life.
13:36I understand.
13:37I'm sorry.
13:41Okay.
13:44I just wanted to tell you something.
13:48I think we have to work on our relationship.
13:52You're right.
13:54We'll see you later.
14:12You, Ivan, and I have to talk to you later.
14:15We'll see you later.
14:17All right, don't worry. We'll be here.
14:34I'm sorry.
14:36You're out of the room.
14:40I'm sorry.
14:41I don't know.
14:43We'll come back to you later.
14:46Tell me, did you...
14:48Did you understand this?
14:53What are we doing? I don't understand.
14:55Don't worry, I have to look at you all.
14:58Did you have this little one?
15:01No, we haven't yet.
15:04Okay, okay.
15:06Did you tell me that everything should happen here, in the film?
15:10No, but I have to tell you something.
15:13Tell me.
15:13I don't think it's a smart idea.
15:16Come on, wait. Let me go.
15:18I have to stop now.
15:20It wasn't a smart idea. I told you that we couldn't do it.
15:24Okay, wait. Let's go.
15:26Let's hear it.
15:28Let's go.
15:28Let's go.
15:34Gazda, I have to ask you something.
15:37Can I wait a minute?
15:39I'm waiting for you to close the conversation.
15:42I don't think so.
15:44You know...
15:45Go ahead.
15:46Tell me.
15:46No.
16:00No.
16:02No.
16:06No.
16:06No.
16:08I know that you had to request but not all the money.
16:15I told no money.
16:15Good. Good.
16:19Alexa told me that he had raised money for the treatment of his father.
16:23How much money for the treatment?
16:25Ivan has a voice.
16:27A voice.
16:28Easy, but surely.
16:30And Alexa had raised money and paid for an experimental treatment.
16:37Yes, yes.
16:39What happened?
16:41Did you say something?
16:42Did you say anything?
16:43No, nothing. I think you really believe him.
16:49I don't understand medicine.
16:51I can't believe him. I don't know.
16:54Yes, yes. I ask, but it's strange.
17:00Alexa is not such a person.
17:02He would not use his father's health for such things.
17:06In other words, we will make money.
17:10It's important that this problem is just a moment.
17:12Yes.
17:18Good.
17:19Tjordančić, lepoto!
17:23Let's pray.
17:24Yes, yes.
17:27Yes, yes.
17:27I will.
17:32Sit down.
17:38Tell me what you do with me.
17:50What is this so important thing to tell me?
17:54It's uncomfortable to me.
17:55No, please, it's uncomfortable.
17:57Because when it's uncomfortable to you, it's uncomfortable to me.
18:00Let's say it.
18:01Okay, so.
18:03There were some people with a shank.
18:05I heard something.
18:07They didn't even sit there.
18:10They had a bit of a conversation.
18:12They were talking a little bit about it.
18:13It sounded like it sounded like it sounded like it sounded like it.
18:17Then I heard from the guests that you sell a film.
18:24What did you hear?
18:28From the guests, with Shanko, who sat down.
18:31They didn't hold them for long.
18:33They went very fast.
18:35I heard from them.
18:37Who are those people? How do they look?
18:40Usually.
18:43I don't know, Chef, believe me that I don't know how they look.
18:45I don't remember, I really don't remember.
18:47But I'm 100% sure that they've talked about it.
18:51That's right, fame has talked about it.
18:53So, you don't remember?
18:55So, I'll say to you and to those people,
18:59that fame is not on sale.
19:02And that one who talks about it is a buddha.
19:05That's right, Chef.
19:06I'm totally right.
19:07I was thinking about it.
19:10When you think about it, what do you think about it?
19:12No, Chef, I knew that it doesn't have to do with life.
19:17No, it doesn't have to do with it.
19:19Let's go.
19:20Okay.
19:42Let's go.
19:43See?
19:44I have a lot of things, but something is nice.
19:48I have a great news for you.
19:51Prejdi na stvar.
19:53I saw that I had a conversation with you.
19:57What should it mean?
20:00He said that there was some problems.
20:04He was a little bit of a problem.
20:07But he gave him the money,
20:08and he gave him the money,
20:08and he gave him the deal with the end.
20:14When can I expect an appointment?
20:17You can expect it every time.
20:20You can expect it immediately.
20:22I mean, they look on the phone.
20:23I mean, until the soul...
20:24No, not until the soul.
20:25Will he call me or won't call me?
20:27That's what I'm asking.
20:28Yes, yes, yes.
20:30He'll call me, of course.
20:31But he always makes sense.
20:36And it makes sense to me.
20:39He said,
20:41why did you present yourself as Mrs. Topic?
20:44I don't understand.
20:45He's got his own reasons.
20:47I've got his own reasons.
20:48I've got his own reasons.
20:49I mean,
20:49I'm going to tell you,
20:50Mr. Topic,
20:51when I think about it...
20:52Dijana,
20:54you're free.
20:55We're finished.
20:59You need to do something for me.
21:01What do you want to say?
21:02You need to do something for me.
21:04You need to do something for me.
21:05You need to do something for me.
21:05You need to get contact with Maxima Shubarevich.
21:12You need to do something for me.
21:35What?
21:36For example.
21:37I have a man for you.
21:39What?
21:42Gradimir Komarčević Komarac.
21:44That's a man for you.
21:47Komarac?
21:47Yes.
21:47You need to do something for me.
21:51You need to do something for me.
21:53You need to do something for me.
21:54You can do something for me.
21:56But it will cost you.
21:59It's not a problem, of course.
22:02How are you, Mrs. Gabriela?
22:05How are you, woman?
22:06How are you, woman?
22:07How are you, galant, partner?
22:08No, no.
22:09That's right.
22:10You can see it when someone is Mrs. Djetina.
22:13Dijana, how much money is?
22:15It's 3000 euros,
22:16but it's a friendly number for contact and diskretion.
22:21Yes, of course.
22:22Then we'll meet again.
22:23I'm going to join you with Komarcem.
22:25He is a man who knows a lot of people.
22:27He will be able to help him.
22:29If he will need someone who is,
22:34who is for those, let's say,
22:35grubles,
22:36he will put you on someone.
22:38But when you see Komarca,
22:40everything will be clear to you.
22:42He is a grader.
22:43He is like a dragon.
22:44He looks like a dragon.
22:46He looks like a Neanderthal.
22:46He looks like a Neanderthal.
22:49He is like a Renanthal.
22:50He looks like a dragon.
22:51He looks like a woman.
22:53Won't you?
22:54Oh, my dear dear.
22:56I believe,
22:56I am a joy to work with you.
22:59To call this professional.
23:02This is a leader-in-tlene-tlene-tlene.
23:08I am a manager-in-tlene-tlene-tlene-tlene-tlene-tlene-te-tlene-tlene-tlene-tlene-tlene-tlene-tlene-tlene
23:18-tlene.
23:21Yes, that's good. Of course.
23:23It's nice.
23:25You look like all professionals.
23:28That's it.
23:30Thank you, dear Jensen.
23:32Hello.
24:03Okay, why did you find us?
24:05I had to hear Gabriel today.
24:08What?
24:08Do you have something special about?
24:10Yes, I knew I got out of the company half a million euros.
24:14Oh.
24:15Did you know where I went?
24:17Of course not.
24:18How did you find it?
24:20I said that the money was needed for the treatment of Ivanova.
24:23Oh, that's good.
24:25Here, even some vajde from my unhappy wounds.
24:28Okay, what are you talking about?
24:30What did I tell you?
24:31I know that I gave you an uncomfortable situation.
24:33That's fine.
24:34Let's go.
24:36You know what we are against you.
24:38Just tell me what treatment is,
24:41when they ask me.
24:43Experimental treatment in foreign countries.
24:47But that leads us to the next problem.
25:09it's time to explain things of what works within the chief of Fallon Lydia.
25:11It's time to explain things.
25:12Oh, David.
25:12Oh, guys.
25:17You're always preparing, since I'm looking for that.
25:19because everything is so uncomfortable.
25:22I know, I know.
25:25I understand that I don't need to see you in my life anymore.
25:30That's clear.
25:31What did you call me?
25:34Because we have a little problem.
25:38Which one?
25:40Mathematics.
25:42The car you gave me has a number.
25:48And I imagine that you don't know the right combination of those numbers.
26:09What is the problem now?
26:11You will have to leave the villa for some time.
26:15What?
26:16That's the only solution.
26:19How do we leave? How do we leave the villa? Where do we go?
26:23I will take some days of the villa so I will be with her.
26:26I don't know where you thought we were going, where are we going? Do you hear the story?
26:30Okay.
26:31Okay.
26:33It's not a bad idea.
26:34You know what?
26:35It would be a good idea to go somewhere in the first place where it's warm and exotic.
26:39Maybe this tropical climate will bring us to our public health state.
26:46I would like to invite you to a nice place.
26:50That's right.
26:51But unfortunately, with the current financial situation, I can't even invite you to Mađarski.
26:56That's right.
26:59What did you think of?
27:02Well, you can go to the panchete.
27:04No, it can't go to the panchete.
27:05No, you can't go to the panchete.
27:07No chance.
27:20No chance.
27:22What?
27:23I think you play a dangerous game.
27:27I have no idea about why you are talking about it.
27:32Tell me something.
27:35What is the connection with Dr. Vujošević?
27:42No.
27:45Why don't you trust me?
27:48I'm telling you, Dr. Vujošević has no connection with him.
27:53You love me.
27:54Why is that?
28:03Listen.
28:08I have to tell you one of my theory.
28:13And tell me if you're wrong.
28:17And believe me that I will fail if you don't say the truth.
28:23Is it right?
28:39Why won't you go to Manchete?
28:42Because there is no place to understand.
28:44There are Nada and Ruža, Mido and Goran.
28:47The only one could put us on the couch.
28:50That's the question.
28:52Okay.
28:53I will find another solution.
28:56But it's important to cooperate.
28:57See, we support you.
28:59Everything will be like you said.
29:01You know, I have a little comfort.
29:03I will find you.
29:04What are you saying?
29:07Kume, I'm sorry.
29:08I'm sorry, I don't want to stop you.
29:10I have to listen to Marijana.
29:12I wanted her to not be there.
29:14I thought I had to hear you.
29:15And I'm hearing you.
29:16Your truth is my truth.
29:18We can't believe you.
29:20I can't believe you.
29:21We can't believe you.
29:22I can't believe you.
29:23I am against my skin.
29:25And I'm on the right side.
29:26I don't care for the woman who loves you.
29:27So don't worry about anything.
29:28This is an honest, strange speech.
29:32I pray.
29:33It's hard to tell you if anything is wrong with you.
29:36I don't want to.
29:37I don't like that.
29:40I'll tell you something,
29:42but you'll find us very seriously.
29:45Tell me.
29:58You say that Dr. Bojšević doesn't have anything with you.
30:03What do you have Mr. Topić?
30:08What do you think?
30:11I think that you, Dr. and you,
30:16knew that Mr. Topić has failed his death
30:22and that you started to think about it.
30:26I don't know who Mr. Topić is.
30:29I don't want you to make a mess.
30:31What do you think?
30:32When did you get a lot of money?
30:34Did you get a lot of money?
30:36Or did you get a ticket?
30:38What do you think?
30:39I don't want to.
30:40That money is for you.
30:42When I got him,
30:44it's my problem
30:45and you don't need to be interested.
30:47I can't believe
30:49that you will know
30:49what number of money is.
30:51That's all you need to be interested.
30:53Don't worry about it.
30:57When you take money,
30:59I will see that my partner has been perdited
31:01and that we will finish forever.
31:06Okay.
31:09It will be so.
31:10But you don't have a lot of time.
31:14I'm a person who doesn't care.
31:17Give me a letter.
31:20It'll be soon.
31:22I hope it'll be like that.
31:55Shiko, I hope it's clear that nobody knows about this.
32:00No, no, no, no, no.
32:02I hope it's all under control.
32:05Yes, the things in this house have been taken from control.
32:09Don't worry about it. My eyes are cemented.
32:11Here, my work is mine.
32:13I'm going to make sure I'm dead.
32:15Let's go for a long day.
32:16Let's go for a long time.
32:17Let's go for a long time.
32:19Let's go for a long time.
32:23Shiko, stay here.
32:25Listen.
32:26You can see that things here don't go as much as you should.
32:29I can see that it's not easy.
32:31It's not easy.
32:32No.
32:32And that's why it's very important to your tongue.
32:37You know?
32:39Many of you would expect this to be needed against us.
32:42So, friends are everywhere.
32:44They're everywhere.
32:46They're everywhere.
32:46There's nothing to do.
32:47You're everything to control.
32:49It's important to know that we can be on you.
32:54We don't have anything to do.
32:56You have nothing to do.
32:58I don't have a small thing.
33:02We don't have any public service.
33:06And you help me again.
33:10All I can call him.
33:10You need to do.
33:17You need to do.
33:27You have nothing to do.
33:28I have nothing to do.
33:28To stop you and get back.
33:29To stop you and get back.
33:32You're okay?
33:34You're okay?
33:37Yes.
33:40Well, it's not like you are here.
33:44No, I don't know.
33:48I'm waiting for some important action.
33:53I want to help you out of my way.
33:56We're talking about Lenka and the whole story.
33:59No, no.
34:01I just tell you what I mean.
34:04I really don't have to tell anyone.
34:05I know you're okay.
34:06It's really between us.
34:09Do you really think that Lenka could only go somewhere because of mental health?
34:16I don't know.
34:20I don't know.
34:21It's just like that.
34:23I don't know.
34:25Well, you see, I've never met with Lenka,
34:28to have any thoughts about her and her life.
34:32Yes.
34:33Yes, yes.
34:34I don't know what to say.
35:01I don't know.
35:07I don't know what to say.
35:09I don't know what to say.
35:11I don't know what to say.
35:15I don't know what to say.
35:16I don't know what to say.
35:18I'm sorry.
35:19There's also others.
35:20But they'd be willing to pay for about 500 euros.
35:24I don't know how expensive to pay for that money.
35:25Five hundred, no.
35:27With that money?
35:28I don't know how expensive to pay.
35:29No one will not pay for that.
35:32There's nothing to do with that.
35:37He won't fall down.
35:42Yes, yes, so you believe him, whatever he says,
35:46you're sure that it's like that, right?
35:47Yes, I mean, why wouldn't it be like that?
35:51I don't know anything.
35:54We're the most famous when we love each other.
35:57We don't think about it.
35:59Okay, but you know that I always think about it.
36:04And I love each other.
36:05I really love each other.
36:07How do I not love each other when I have a prince on the white horse?
36:25I haven't told you that Ivan will soon go to treatment.
36:33That's great, that's important.
36:34I'm going to take a few days off.
36:37I'm going to take a few days off.
36:40I'm going to take a few days off.
37:03I'll take a few days off.
37:05So I'll take a few days off.
37:41I don't want to go to the ground. I want to know what you are doing.
37:46What I am doing?
37:47I was on my own side. I lost without contacts,
37:52which I didn't even need to.
37:54I tried to send information.
37:57Nothing happened to me.
37:59I was invited to teach an award.
38:12Why are you familiar with me?
38:16I don't do familiar with me.
38:19I just want to see eye in eye.
38:23I set the rules.
38:25You want to know all your husband?
38:26All I know, Mr. Otopić.
38:29I'll tell you something.
38:30I don't want to do that.
38:32You don't want to go.
38:34I'm ready for everything.
38:46What was it?
38:47What did you say?
38:50You didn't have to talk to me.
38:52You were able to get that desire.
38:56I got it.
38:57What did you do?
38:58What did you say?
39:00What did you say?
39:01What did you say?
39:03You didn't have to talk to me and to help me,
39:04Yes, I am.
39:18Gala, Gala, I'm sorry, do you have a minute?
39:22Yes, I have a minute, I have a minute, I have a minute.
39:27Yes, I have a minute.
39:43I can't see you.
39:43That's what it is, Biljana?
39:44I'm sorry, we didn't have a problem.
39:47What a problem was I couldn't wait a day for tomorrow?
39:57You
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