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Igra sudbine Epizoda 1792,Igra sudbine 1792,Igra sudbine 1793,Igra sudbine Epizoda 1792, Igra sudbine Epizoda 1793,Epizoda 1792 Igra sudbine ,Epizoda 1793 Igra sudbine

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00:12Mama, do you know what's going on?
00:15What's your love?
00:17Koran came out with the car today.
00:25What's your love?
00:26My brother, we could drink a drink and drink a little bit.
00:30We could drink a little bit.
00:32I want to hear what you want to say.
00:36I don't have to say anything, my brother.
00:39I don't have to say anything when I want to hear it.
00:42I live with pancetta.
00:44I know pancetta.
00:45She knows that she will be a little bit.
00:46But without hitting it, it's not her.
00:51You are just a genius.
00:53You love them and love them.
00:57I have a lot of love and know them.
01:02If you have a lot of time,
01:04it will be a lot of time.
01:07Just first to solve the most important problem.
01:11Okay.
01:16Please.
01:17Now.
01:25What's the table?
01:27What's the table?
01:28I mean, where is your ambition when you ask the police job?
01:31On the historical minimum.
01:32I see it all.
01:35How?
01:36What, how?
01:37None of the job is finished.
01:39None of this happened.
01:43What?
01:44What?
01:44What about this?
01:46What?
01:47What?
01:48Excuse me.
01:49I'm very strong.
01:50Because of what I said.
01:52It was really a shame.
01:54You have a lot of right to be afraid.
01:57But, I ask you.
01:59You understand me.
02:01I'm just...
02:02I'm just...
02:03I'm sick.
02:05No, no.
02:06...
02:10I'm not sure...
02:11You're always here for a reason.
02:15What do you need to mean?
02:17You need to mean that you've got approval for this job.
02:25For this job.
02:26It was a surprise.
02:29We supported me a little bit of trouble.
02:33I don't understand.
02:38There's nothing to understand.
02:40It's funny. I'm going to take a drink.
02:43This time I'm going to leave my head.
02:45I don't know what to do.
02:46You won't let me leave you in the water?
02:48Give me.
02:50Certainly?
02:51What do you want?
02:54What is it?
02:55What is it?
02:57What is it?
02:57What is it?
02:58Do you think I'm stupid?
02:59Do you think I'm stupid?
03:03Do you think I'm stupid?
03:05We need help.
03:10How?
03:12We still have to find two.
03:16That's fine.
03:16That's fine.
03:18I'm going to leave it all.
03:20I have two who don't deserve to live.
03:23It's just easy to finish.
03:26Do you understand?
03:27There's nothing here.
03:27There's nothing here.
03:29Hey, mate.
03:30Watch where you go.
03:30Hey, hey.
03:31Hey, hey, hey.
03:32You all press me up to the point of shooting.
03:36I'm sick.
03:38He's not so soft as a smoke.
03:41And I'm shooting.
03:44I'm sick.
03:46Time to open more than that.
03:48There's no time.
03:49I'm tired.
03:50I'm hearing it.
03:51I'm hearing it.
03:52I'm hearing it.
03:53I'm hearing it.
03:56I'm hearing it.
03:57I'm sorry.
04:11I'm hearing it.
04:12I'm hearing it.
04:13I'm hearing it.
04:14He's not doing it.
04:16He's not from a crime.
04:17You understand?
04:17What kind of crime?
04:19He's a bad guy.
04:21I don't think I'm going to get me to the house.
04:24How a good friend.
04:27You're lucky.
04:27I'm not sure I'm a liar.
04:29I've got an answer to the number one.
04:32Business club, can I?
04:33How many important information can I give you to the public?
04:37Okay.
04:38Your status.
04:39Okay.
04:40Let's see.
05:04Imagine.
05:06That's all!
05:07I'm hearing it.
05:09Sorry Avaack.
05:10Say that life isn't it good tune.
05:14Sometimes they have to kiss ourselves.
05:16But I'm always surveys.And
05:19it's gesture on my hand. This
05:22is true. And
05:24I've got any love for me. As
05:29love for the musk of boundaries. We've
05:33got human projected for such that. It's
05:33You don't have rules
05:37You have one life
05:39Only one chance
05:41To become no one
05:44Because the star
05:46Everything is in love
05:50I play with you
05:52Like a счастье
05:55Someone wants
05:57Someone doesn't want
05:59Like a river
06:04I'll see you next time.
06:54I'll see you next time.
07:07I'll see you next time.
07:46I'll see you next time.
07:55I'll see you next time.
07:59I'll see you next time.
08:25I'll see you next time.
09:25I'll see you next time.
09:25I'll see you next time.
09:36Hello?
09:50I'll see you next time.
09:53I'll see you next time.
10:04I'll see you next time.
10:14I'll see you next time.
10:22I'll see you next time.
10:25I'll see you next time.
10:55I'll see you next time.
11:10I'll see you next time.
11:15I'll see you next time.
11:17I'll see you next time.
11:19I'll see you next time.
11:31I'll see you next time.
11:43I'll see you next time.
11:46I'll see you next time.
11:52I'll see you next time.
11:57I'll see you next time.
11:58I'll see you next time.
12:01I'll see you next time.
12:12I'll see you next time.
12:14I'll see you next time.
12:16I'll see you next time.
12:18I'll see you next time.
12:32I'll see you next time.
12:34I'll see you next time.
12:36I'll see you next time.
12:38I'll see you next time.
12:39I'll see you next time.
12:39I'll see you next time.
12:39Oloke, for the service.
12:42Why?
12:45I think I've been sent to Vulić.
12:49How?
12:52I've been sent to the forum that I have some trusted information about Krkjan and Irelje.
12:58First, I didn't want to see myself, then I said that I have important information in relation to them.
13:03And now I want to see.
13:06Let me tell you what happened.
13:07Okay, I ask you, take your account. Be very busy.
13:11Last time I tried to send you a message and I didn't get it.
13:14Yes, but now it's a lot different.
13:16How?
13:18It's nice. I have my own method.
13:21Where do you see?
13:22Don't ask.
13:24Okay, you won't ask me, but come back to the result of life.
13:28We'll see.
13:28Okay.
13:34I love you, I love you.
13:36I love you.
13:52I love you.
13:54I don't know, Ksenija.
13:54How are you?
13:55What are you doing?
13:56Tell me, do you do these vocal exercises that I gave you?
13:59I do, I do, I do, Olga.
14:01But I feel like the voices become voices.
14:04It's just you.
14:05It's good to find the limits of the voices.
14:07It's all great.
14:09When are we going to have a real time?
14:12I've been a long time.
14:14I don't know.
14:16I can't wait for you to hold your time.
14:17I'm free.
14:19What?
14:21Because I'm not at home.
14:23I'll tell you when I'm able to have time.
14:26And when will it be?
14:27And what do I do to do?
14:29To sing myself as a bitch?
14:31We have to go.
14:32Bye, bye.
14:33Don't worry.
14:34You can do the measures that I gave you.
14:37They are totally fine.
14:38We don't have time for the next time.
14:40Let me tell you something, honestly.
14:42I don't have to wait a lot.
14:45My face and body will not look like this whole life.
14:48I don't think I'm going to go to 50 years old.
14:51And I'm going to go to the whole life.
14:53Aha.
14:54For you, life is about 50 years old, right?
14:57But you'll be a good fish.
14:59And it comes to death.
15:01I told you that I want to have time immediately.
15:05Listen, Xenia.
15:06I told you that I'm not free to have time.
15:09If it doesn't matter to you,
15:11you can find someone else
15:13with whom you will have time and whom you will maltrate.
15:16Yes, I want to.
15:18Yes, I want to.
15:19Yes, I want to.
15:20Oh my God.
15:21I can't wait.
15:23I can't wait.
15:27What a waste of time.
15:29Are you okay?
15:30Yes, I am.
15:32Yes, I am.
15:33Yes, definitely.
15:48How much Inventor is this Olga.
15:50What?
15:51I won't get back to my
15:53workout, here.
15:54Why not, Ksenija, only you started.
15:56What's going to do now?
16:00Ok, what's going to do?
16:02Let me hear you.
16:04I mean, give me, please.
16:06It's totally unthankful, totally.
16:08I have so many money.
16:10I give her to her for the time,
16:11to tell her that she doesn't have time.
16:15Hey, hello,
16:16it's a shame.
16:18I mean, these people have completely lost the compass.
16:20They don't really hate us, young people.
16:23Wait, Xenia,
16:24you shouldn't have to go to the first time.
16:26You started to go to her for the time.
16:29Maybe she really doesn't have time.
16:31What happened?
16:32What happened?
16:33What happened?
16:37Ivona, there's nothing more to do.
16:40I'm not sure.
16:43Why are you not sure?
16:44I'm not sure, Xenia.
16:46I'm not sure.
16:46I'm not sure.
16:47I don't know how to do it.
16:50I don't understand.
16:53I think that when you want something,
16:56you have to do it.
16:58You have to do it.
17:01Ivona,
17:02she is pushing all her knowledge.
17:04There's no more room.
17:05There's no more room.
17:06There's no more room.
17:07There's no more room.
17:08I'm not sure how to do it.
17:09I'm not sure how to do it.
17:10I'm not sure how to do it.
17:22I'm not sure how to do it.
17:23Yes.
17:25Do you want something to eat?
17:27Here.
17:28I have a make-up.
17:30I don't have the kitchen.
17:32I don't want to do it.
17:44This is not normal. This is not normal!
17:47Well, here I am, I'm going to meet you.
17:50Ljubavi, you can't get everything out of the way.
17:52You can't get it.
17:53You can't get it.
17:53You can't get it.
17:54You can't get it.
17:55What does it mean?
17:56Who does it make money?
17:58Well, Ljubavi, I told you.
18:01I'm wrong, we're all wrong. We continue to do it.
18:05It would be better, my kajče, to start doing something.
18:10You know?
18:10If you don't do it, there's no profit.
18:12I know.
18:14Okay, let's go. We'll do everything we're planning.
18:17This chaos is chaos.
18:19It's not chaos.
18:20It's not chaos.
18:20It's because there is a balance between the hell.
18:23You know who is, who is, who is, who is, who is, who is, who is, who is, who is,
18:26who is, who is, who is, who is, who is.
18:26There is no reason to go.
18:27There is no reason to go.
18:29There is no reason to go.
18:33And there is no reason to go.
18:34Here is no reason to go.
18:34I know, Ljubavi, I know.
18:35Everything is clear.
18:36I now see how strong you are.
18:38I believe in you.
18:40I really think you need to get back away because you will literally get back to your health.
18:43You will literally get back to your health.
18:45health problems.
18:46It would be better to start working,
18:49and not to be ashamed of me.
18:50I know, but you will be ashamed of me as an express.
18:54I don't have time to be ashamed of me!
18:57That's it.
18:58And instead of being ashamed of me,
19:00it would be better to start working.
19:02Okay, I agree.
19:04I'll accept it and accept it.
19:06I'll fix everything and everything will be okay.
19:08I'll see everything.
19:09I'll see everything.
19:10I'll see everything.
19:11I'll see everything.
19:13And if you see one of those cards,
19:15you'll get one gift from me.
19:17For home.
19:18In one direction.
19:19Because it's cheaper.
19:21And more logical.
19:27And?
19:28What are you doing now?
19:43To be aware of the fudge all the time.
19:50I can't even remember the fudge,
19:51but it's not even better.
19:55Come on.
19:56I think the fudge is even better.
20:00There's no love.
20:03I know you got a fudge.
20:09I'm not sure.
20:10I'll be sorry.
20:10Sorry, I got a rung.
20:12My friend, it was a cafe, and you didn't return to the cafe.
20:18We had a fire.
20:20And now it was put into a magazine.
20:23The best grandan cup.
20:24The first cup in the world, in the past.
20:29Here, friend, let's look at it.
20:31What do we produce?
20:33I heard about it.
20:37How do you produce it?
20:38Well, that's not true.
20:41Believe me.
20:42I believe.
20:44I'm in the right place.
20:45Right place, right place.
20:50But our guest, our dear friend,
20:53he doesn't even call me.
20:56I wouldn't have to do it here.
20:58He's not a devil.
21:02And that's why I came here and I want to invite him.
21:05Saran.
21:31Hey, Asia.
21:32Hello.
21:33Hello.
21:34Hello.
21:35Hello.
21:36I'm already seeing you in the office.
21:38I'm calling me.
21:39I'm calling you, Asia.
21:40Come on.
21:41Come on.
21:42I'd like to see you and see you in general.
21:45Do you not help me?
21:46No.
21:47No.
21:48I'm sorry.
21:49Do you want to become a police officer?
21:51No.
21:52I think I'll be a great detective.
21:54Why?
21:56I'm thinking about it.
21:57I'm thinking about it.
21:58I'm thinking about it.
21:58And you and your mother.
21:59I think that it's not a place in the police.
22:03I don't want to be a police officer.
22:05I wouldn't even be a police officer.
22:06So I think that I'm going to be able to use the brain in a dynamic environment.
22:10Yes.
22:10Yes.
22:12I've loved the ground.
22:13Because on the ground you see how people are in the ground.
22:17What do you know?
22:19I've been a detective agency.
22:20Really?
22:21Yes.
22:22It's amazing.
22:23How was it?
22:24Well, it's good.
22:26It's good and bad.
22:29But it's very interesting.
22:31You were a little bit of a danger?
22:35That's the day.
22:38What happened to you?
22:40Now when we start to start talking about the events, we'll stay here.
22:44I've got time.
22:45I want to hear everything.
22:46What happened to you?
22:47Well, there was nothing.
22:51There was a loss, a loss, a loss, a loss.
22:54I remember that there was a loss.
22:56I didn't even know.
23:09And what did you decide?
23:11Let me let you know what I decided.
23:13Did you see Milet?
23:14I saw it.
23:16I saw it.
23:17I was completely depressed.
23:19You think so?
23:20Yes.
23:20Of course.
23:21I think it's just a lie.
23:22It's just a lie.
23:23It's inside.
23:23It's inside.
23:25It's inside.
23:26I agree.
23:27I don't know.
23:28I really don't know what to say about it.
23:30I'm a little bit.
23:34Does it mean that you'll be able to go outside?
23:37I don't know.
23:38I don't know.
23:39I literally don't have a answer on that question.
23:43I don't know.
23:45It's time to make it pick up.
23:47It's fine that you can tell me I'm gonna say that I'm gonna say that I'm gonna say that I'm
23:50gonna say no, it's fine.
23:51Me I'm gonna say it's fine.
23:55But I'm gonna say it's fine, it's fine because of your decision.
23:57It's fine, it's fine.
23:57I don't think I'm gonna say stress, but...
24:00It's fine, I'm gonna say that I'm going to say that I'm gonna say it's fine.
24:04I'm not I, Kajo, so it's a nightmare.
24:07It's fine though I don't want to go to Relje.
24:11Okay, it's fine.
24:12You just want me to say that you have to talk about all the fronts, but I really do it
24:29and think that I'm going to pay attention to everything.
24:31I think that... I think that if a woman doesn't get married, she doesn't know what to do.
24:48I came to the end of the day that I personally juried the winner.
24:53And then what was it?
24:54It was a circus.
24:56I sat down, sat down.
24:58I got into something.
25:00I lost my mobile phone, my keys from the street,
25:05from the car, from the car, from the car.
25:09I didn't want anyone to accept me.
25:12I came to the house.
25:14Did you get to the circus?
25:17No, no, no, no.
25:19You went to the ground without the pistol?
25:21No, I didn't have permission to take the pistol.
25:27Is it a detective?
25:28No, I didn't have any means for the assault?
25:30Yes, yes, yes.
25:32The job is not to enter into confrontation.
25:37The fact that I was a little bit of a pain,
25:38that was my problem.
25:40You mean, you work from the distance?
25:42Yes, yes.
25:43The job is to get out of the distance from the distance.
25:47We get into some trouble.
25:48The main deal is a little bit too far,
25:50to be able to do the job well.
25:52Yes, yes, yes.
25:54Okay.
25:55Okay.
25:55I have another question,
25:57it is one thing,
25:58but it is very important to stay between us.
26:01Okay.
26:12So what is the project?
26:16What is the project?
26:16The administrative project.
26:18Okay, not the private project.
26:20Who does it today?
26:22Do you understand?
26:23You can do it freely.
26:24Let you get to the private company.
26:28I won't know.
26:30Where is he going? Where is he going?
26:32No one knows. I'll wait.
26:36Wait, what's up to me?
26:39God will see me.
26:41I'll help you.
26:44There's no problem.
26:48No problem.
26:51This is...
26:52Doctor, please.
26:53Here you go.
27:22Yeah, yeah, yeah, yeah.
27:25Pavarotti.
27:26Pavarotti.
27:27With that bariton.
27:29That's Pavarotti.
27:31No, no, Bocelli.
27:34That's the most beautiful song.
27:37The singer, I think.
27:38Yes, Filip Višnjić.
27:41That...
27:41Hey, friend.
27:43You're just a little slow.
27:45What?
27:45You've come to me, Maturog,
27:47and you're going to be a little bit.
27:48No, no, no.
27:49No, no, no.
27:50Let me just give you something.
27:52No, no.
27:52There you go.
27:53I'm fucking.
27:54I'm fucking fucking.
27:55I'm fucking fucking fucking.
27:56You're fucking fucking fucking.
27:56You're fucking fucking like it.
27:58No, I'm not going to have to be.
27:59I've just got to ask the band's show of Milet.
28:02My sushi and cooking.
28:04What do you call my head?
28:05You're normal.
28:06What?
28:06feasible and cooking.
28:07You have to combine them in an arrangational restaurant.
28:10This is going to be a hit combination.
28:12No one 1st May doesn't can go without us.
28:171st May.
28:18And sushi?
28:19Sushi?
28:20I know, friend.
28:22The 1st May is growing.
28:23There are dogs, dogs, dogs.
28:25What a black sushi for the 1st May.
28:28I don't know if the 1st May is sushi, or meat.
28:32I see that you are not in the place.
28:34No.
28:34Why do I do, besides cooking,
28:36and music production?
28:38And the idea?
28:40Let's go.
28:41There's only one singer like you.
28:44How do you say, name?
28:47I, I'm Ido Pancetovic, ex Pianovic.
28:51I don't know.
28:52It's wonderful.
28:53It'll be modern, and it will come to me.
28:57Here's the idea for this album.
29:00Il Mido El Canto!
29:02I'd say?
29:03Il Mido El Canto?
29:05It's going to be a fusion.
29:06Il Mido El Canto?
29:07Yes, it's going to be a fusion.
29:08It is going to play with genres.
29:11Pop etno mediterran.
29:14What do you say?
29:18What do you say?
29:28Tell me, I know that I heard the secret.
29:31It's in the description of my job.
29:35I want you to fight yourself.
29:39You fight yourself?
29:41Wait a minute, you're young.
29:44I hope you don't get into a situation where you need such a protection.
29:48No, I wanted to do something.
29:52See, there is a place for this.
29:54I would like to invite you to do a strike,
29:58where you will do it in control of the situation.
30:01It's not that.
30:02I want to feel the weight of the right arm in your hand.
30:05It's certainly different from the game and strike.
30:08No, no, I believe it.
30:09Air force and firearms are quite enough for this.
30:13I believe it.
30:15Okay.
30:16I don't want to play with weapons.
30:20Can you help me?
30:22I don't know.
30:24I can't.
30:25Even if I know where the right arm is,
30:28I don't have to say anything.
30:29I don't want to play with you.
30:31I have to add something to add.
30:34My body is all I can try to read.
30:36That's right.
30:37I'm sorry?
30:40I'm sorry.
30:43I'm sorry.
30:44I'm sorry.
30:48I'm sorry.
30:50I'm sorry.
30:50Do you want me to go?
30:50No, no, no.
30:51No, no.
30:52No, no, no.
31:15Hey, where are you, mama?
31:18I'm here, Chero.
31:21I have one gift for you.
31:25What's that?
31:26Look at it.
31:27Look at it.
31:31What did you buy me this?
31:34We don't have to explain.
31:38I'm going to ask you, what do you think?
31:40Pazi, you may be able to do it if I'm not right,
31:45but it seems to me that the water is gone between you and you.
31:53I think that it's time to be a little to you if you want to do it.
31:57And this is the crven thing that helps me to do it,
32:00but it helps me to do it.
32:01I don't know how to do it, but I don't know how to do it.
32:05I don't know how to do it.
32:16I don't know how to do it, but I know how to do it.
32:18Okay, Biljana.
32:21I'll tell you something.
32:23Don't do it again to never show me this thing.
32:25Is that clear?
32:27Okay, I've had good advice.
32:29I'm having a good idea.
32:31I'm asking you to leave me in peace.
32:33As much as you want, I'm going to see what I'm doing.
32:35I'm going to see what I'm doing.
33:01I'm going to see what I'm doing.
33:02As you know, I'm going to see what I'm doing.
33:04I'm going to die.
33:05What are you doing today?
33:06You're going to kill me.
33:07No, I'm going to talk to you with Asio.
33:12What did he say?
33:14He wants to learn to use weapons.
33:19Are you sure you understand what I'm saying?
33:22No, I'm not hallucinating. Maybe I don't see a black man, but the sound is great.
33:27Okay, I don't understand. I just think about it.
33:29I mean, it's strange.
33:32They told me that they want to work in the police,
33:33but now in this moment, it's so far away from the gun.
33:36Now they want to be a detective.
33:40Okay, what do you want with the pistol?
33:41I don't know. Who can feel the pistol in the hand and learn how to use it.
33:48I'm trying to represent other options.
33:51I'm trying to shoot a little bit.
33:52I'm trying to shoot an air force.
33:54I don't even hear anything.
33:57I don't know if you feel good.
33:59I don't know if you want to say it.
34:02Yes, you want to say it.
34:04Because the mother will be the best.
34:05Yes, you're right.
34:08But what do we have to do with everything?
34:11I don't know, what's the son's think, what's the most Vuitton's GBP too?
34:15I mean, better now than the most likely.
34:18More than that it is better than what's the most Vuitton's GBP.
34:21From the other hand, it's not the son's son of the rest.
34:24Olga, let's try to say that you want to say it or not.
34:27I don't know if you think about it, because I don't know if we know it.
34:30I don't know if we need to do it.
34:31I don't know if you want to think.
34:32No, you're doing something.
34:32No, no, I don't do anything.
34:34And that's what I...
35:04Dobra veče dušo.
35:05Eh, ćao.
35:09Čitaš nešto zanimljivo?
35:11Ma, da je barem zanimljiv.
35:15Da nije malo kasno za posao?
35:18Jeste kasno, ali sam mu za ostatku, tako da...
35:24Imam nešto da ti kažem.
35:26Kaži, slušam ti.
35:28Neću da me slušaš.
35:31Hoću nešto drugo.
35:34Dobro, evo, samo da završimo ovo izveštaje, Pana.
35:39Pogledaj me.
35:48Ima nešto važnije od izveštaja.
35:56Dakle...
35:58Izveštaj je i ja.
36:15Uđi!
36:21Sedi.
36:23Nadam se da nisam uzalud došla.
36:26Nisi uzalud došla.
36:28Hoćeš da popiš nešto?
36:29Prvo, informacije, pa ću možda čašu vina.
36:36Ja.
36:56Uđeš da dođeš kod mene u hotelsku sobu?
37:10You can't sleep anymore, huh?
37:12I don't know what to do, I don't know.
37:16I've been thinking about something.
37:19It's hard to think about when you think about it.
37:32I think they didn't have anything to do with Alexa.
37:36Are you sure that you feel like that?
37:39No, I feel like they were just friends.
37:56What are you doing?
38:00Vanjice, how are you?
38:03No, you can't even see me.
38:15I haven't yet managed to get a recognition from your friends.
38:20It's a shame.
38:23I don't understand anything anymore.
38:26So, when it's complicated?
38:28No.
38:28What?
38:40What?
38:40What is this?
38:41What is this?
38:42Is this a serious part of the game?
38:44With a strong opponent.
38:46That's right.
38:48It's that kind of thing.
38:50The maneuverable space is for us.
39:03Do you have any help?
39:04No, I don't have any help from that.
39:08Do you have a daughter to live in the evening?
39:10I know, do you think you don't know?
39:12I know, but I'll tell you, but I have a solution.
39:33I think it's time for the thing to clean up.
39:38What do you say?
39:40No, I'll tell you what I've decided.
39:46Let's hear it.
39:54Let's hear it.
39:55Let's hear it.
39:58Let's hear it.
39:59Let's hear it.
39:59Let's hear it.
39:59Let's hear it.
39:59Let's hear it.
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