- 14 hours ago
Category
đŸ˜¹
FunTranscript
00:00Do you know how much this is worth?
00:02A quarter of a million, max.
00:03So why would Harewood, or anyone else for that matter,
00:06be willing to pay so much for it?
00:07My brother Cesar filled me in on your adventures in Venice.
00:11Hello again.
00:13Cut him down.
00:14The rosary first.
00:15Your son killed my art dealer, and I was taking hostages?
00:19Your election campaign is costing me enough
00:21without any more dead buddies.
00:39I don't think she's here for anything to do with us.
00:42But you don't know that.
00:43You're sentimental, sloppy.
00:45Stay away from her.
00:46She's no good for you.
00:48Since last year, nothing has been the same after what Nico did.
00:52I'm not gonna let him ruin our friendship.
00:53Doesn't this look cozy?
00:55Nico.
00:56Don't get out.
00:57I don't know why I listen to him.
00:58He's so paranoid.
00:59It's like I'm carrying this secret.
01:02And if I open up even just a little bit,
01:04I'm scared it's all gonna come out.
01:06One day, everything is gonna come crashing down around you,
01:09and I will be there to watch.
01:10I look forward to it.
01:45I'm sorry.
01:47I'm sorry.
01:48I'm sorry.
01:49Wait.
01:54Are you feeling okay?
01:56It's all right.
01:57Let's get you out of here.
02:00Here we go.
02:02Over the steps.
02:03Up you go.
02:05You got it?
02:14Are you all right?
02:15Are you okay?
02:24What is going on?
02:27It's Nico.
02:29He makes me feel so worthless.
02:34I can't keep living like this anymore.
02:39You have to help me get away.
02:42I'm sorry, I can't do that.
02:44Georgina, please.
02:46Daphne.
02:47No one can do that but you.
02:54You and I are cut from the same ice.
02:58Sincerity made us the perfect highest.
03:02Burning all the gold to sapphire skies.
03:05But the breeze is cold in paradise.
03:08I can feel the whispers in the stream.
03:13Every night I shiver in my sleep.
03:16No reality.
03:18Cause it's all a dream.
03:23But the love, it was wild, it was wild.
03:25Put me to my knees.
03:27Sparking fires, sparking wars with expensive things.
03:30I tiptoe right on my baby.
03:34Oh, this world is mad and crazy.
03:38What's the love?
03:39It was wild.
03:40Put me to my knees.
03:42Sparking fires, sparking wars with expensive things.
04:12It's not really necessary.
04:15Please don't start, Nico.
04:20So what, I'm expected to sit back while you drink yourself into oblivion?
04:24Have you ever stopped to ask yourself why I'm drinking?
04:29Because you love nothing more than to be the center of attention.
04:33I'm just trying to look after you.
04:35Daphne, it's clearly you can't look after yourself, and this is the thanks that I get.
04:40You really believe that, don't you?
04:43You, you riding in on your white stallion to rescue me.
04:47I'm not prepared to talk to you while you're in this state.
04:56Look, why don't you do what the doctor suggested?
04:58Take one of these and try and pull yourself together.
05:00So what?
05:01You can numb me into submission now, is that it?
05:05Room for one more?
05:09I'm taking Daphne home.
05:12Oh, come on, what's her talking about?
05:15She's drunk.
05:17No, she.
05:18Speak for herself.
05:20Come on.
05:22The party's only over when I say it is.
05:26Rubble.
05:28You got to get me up.
05:44You don't like your brother much, do you?
05:46I love him with all my heart.
05:48He's the other part of me.
05:51He just scares me.
05:54What did you say?
05:57I said I want to get fucked up.
06:00Okay.
06:05Wow!
06:14You know, I'd probably throw myself in the pool if Nico was my brother.
06:20You know what Sandra Payne is?
06:25A proper kebab shop.
06:28Why don't you open one?
06:29It's never too late to find something you're good at.
06:38You remind me of Margaret Thatcher.
06:41Wow.
06:42I'm hoping that's because she never slept.
06:45Yeah, and she wasn't keen on Argentinians either.
06:47Cesar wasn't lying.
06:49Cesar wasn't lying.
06:49His dad is the mayor of Buenos Aires.
06:52He's running a re-election campaign.
06:54And how's it working for him?
06:57Not good.
06:58Not good.
06:58This article says that a kid named Thomas Castillo was found dead in the slums and there's protests
07:03all over the city.
07:05They're saying it was a cover-up by the mayor.
07:08Listen to this.
07:10The guy leading the protests is a priest named Enrique Romero.
07:15The same Enrique who hid the note in the rosary?
07:18Maybe?
07:19Maybe.
07:22What I can't figure out is how does Alex Harewood fit into all of this?
07:26But you think she does?
07:28She has to.
07:29Doesn't make sense otherwise.
07:43Oh, yeah, yeah.
07:50Oh, yeah.
07:51Oh, yeah.
07:52Oh.
07:53Oh.
07:53Oh.
08:55Hi, this is Stephanie, I'm so sorry it can't come.
09:22I'll be looking all over for you.
09:25Why is your phone switched off?
09:27Please don't make this any harder than it has to be.
09:31All right, so that's it.
09:35You're going to leave without saying goodbye?
09:36I just need some time for myself.
09:40Where are you going to go?
09:42Terry's invited me to stay with his family in Buenos Aires.
09:46Come on.
09:46I could come with you.
09:52Well, so what?
09:53You can't even look at me now.
10:12I need you, Daphne.
10:16We need each other.
10:22I'm sorry.
10:25You don't have to apologize.
10:29I'm always going to be here for you.
10:31I need you.
11:49It's always been the two of us, Daphne, and that's how it has to stay.
12:16I've been through an ordeal.
12:19I have looked into every company that Alex Harewood has even lent her name to.
12:23Not one has an obvious link to Argentina or the Alcina Suarez.
12:27Okay, but if she puts the money into his election campaign, then there's going to be some records of it
12:32somewhere.
12:32Not if she doesn't want people to find out.
12:34I'm sure there's some way to do that under the radar.
12:36Why would you keep it quiet?
12:42I'm going to talk to Cesar.
12:44I don't think that's a very good idea, is it?
12:46Well, it's the worst that could happen.
12:49Where do you want me to start?
12:51No, no, no, no. I mean if we do it in public.
12:53He's not going to be at the Biblos pool with an AK-47.
12:56Come on.
12:57I know you want answers just as much as I do.
13:00What are you...
13:01Oh.
13:08Sir.
13:15I didn't order this.
13:17Nope.
13:18We did.
13:20It was a big party yesterday.
13:22We figured you could use a little hair of the dog.
13:24When you're drinking it, you can tell us about your father's dealings with Alex Harewood.
13:29All I hear is noise.
13:30What's the deal with the rosary?
13:33It's a gift.
13:35For who?
13:36I'm guessing the Pope.
13:38He's going to need a miracle if he's going to win this election.
13:42That's really funny.
13:44Thomas Castillo's not laughing, is he?
13:50Fake news.
13:52Okay, I'm going to lay out what I think is going on,
13:54and you can just nod if it's the truth, all right?
13:58Alex Harewood's bankrolling your dad's campaign,
14:01and he needed that rosary to silence the priest.
14:04And all of this is tied up in that boy's death.
14:07Is that right?
14:16It only seemed like yesterday
14:19that you were begging me not to kill you.
14:29Georgina?
14:30Do you have a moment?
14:36I'm not done with you.
14:40I'm so glad I caught you.
14:41Listen, do you have time for lunch?
14:44Please.
14:45Please, I need to talk to you.
14:48Now, just text me when you're done.
14:51Okay.
14:51I'll meet you in the lobby.
14:52Okay.
14:55Do you know what I don't understand?
14:58Why is your brother in Buenos Aires and you're still here?
15:06Is he worried that you're going to fuck up your dance election campaign even more?
15:11Stay away from my family.
15:15They're all what?
15:19I would hate to see that pretty face of yours all cut up.
15:33I'm so glad you're in the lobby.
15:49I'm here.
15:50I'm here.
15:52I'm here.
16:15I'm here.
16:17Hola, DarĂo.
16:19Hola, MarĂa.
16:21¿PapĂ¡?
16:22EstĂ¡ en el estudio.
16:24Ok.
16:41¿Lo tenĂ©s?
16:44SĂ, toma.
16:47Espero que haya valido la pena.
17:06Margarita.
17:08Siempre vas a estar en mi corazĂ³n.
17:11Hasta el final.
17:13Enrique.
17:15MirĂ¡ el culito, ¿eh?
17:16¿QuiĂ©n es ella?
17:19Ella es la respuesta a todas mis plegarias.
17:26¿No me vas a preguntar por CĂ©sar?
17:29¿QuĂ© pasa con CĂ©sar?
17:34Nada.
17:45¿Señora?
17:47Gloria.
17:49¿AsĂ que esto es lo que hace todo el dĂa?
17:51Ay, VĂctor.
17:54¿CĂ³mo estĂ¡s?
17:55Muy bien.
17:55Sentate.
17:56Gracias.
17:57Si sabĂa que venĂas, le decĂa a la mucama que cerrara las persianas.
18:02Ah.
18:03Entonces, supongo que no le interesarĂ¡ ver esto que le traje.
18:11¿QuĂ© pasa con CĂ©sar?
18:13El rosario de mamĂ¡.
18:16Ay, Dios.
18:17Pensé que nunca lo iba a volver a ver.
18:20Disculpame por lo que te dije.
18:34¿QuiĂ©n es Margarita?
18:39Margarita fue una mucama que trabajĂ³ en nuestra estancia.
18:42Una mucama que parece que a Enrique le pedĂa que le hiciera algunas cosas mĂ¡s que cambiarle la sĂ¡bana, ¿no?
18:46Yo nunca creĂ en esa versiĂ³n.
18:49Yo le di tantas oportunidades para que me dijera la verdad.
18:53Me jurĂ³ que no eran amantes.
18:56Pero ahora tengo esta prueba delante de mĂ.
19:00Gloria.
19:02Usted sabe perfectamente que los curas son capaces de hacer cosas mucho peores que estas.
19:07Que yo sepa, estĂ¡ muerta.
19:13¿EstĂ¡ muerta?
19:15Yo no desearĂa que esto fuera cierto.
19:17Sus pobres padres.
19:21¿Y usted cree que fue Enrique el que la matĂ³?
19:24¿Y usted cree que fue Enrique el que la matĂ³?
20:09¿EstĂ¡ bien?
20:16¿EstĂ¡ bien?
20:20¿EstĂ¡ bien?
20:23¿EstĂ¡ bien?
20:24and you realize just how similar we are.
20:27Oh, yeah?
20:27I mean, we both had someone that we love snatched from us.
20:30Not that I'm comparing my divorce to what happened to you,
20:33but what's important is that we're both survivors, aren't we?
20:36Yeah, I suppose.
20:37And it doesn't matter what the world throws at us
20:39because we're strong enough to find a way through it.
20:42But I wouldn't call myself a survivor.
20:44I made my own choices.
20:46Okay, but you managed to break free from all that package.
20:50Yes, because I made a choice to live in the present
20:55and not get stuck in the past.
20:57That's what I want.
20:59I need to know that there is a way through this.
21:06Did something happen?
21:09Could you please try to get the way to touch them?
21:12Positively ravenous.
21:14Daphne, what is going on?
21:15It's nothing.
21:19Nico did that to you?
21:21Because if that's what you mean by we're survivors,
21:24it doesn't make you a survivor, it makes you a victim.
21:34I need your help.
21:49Give me your key.
22:11Where is he?
22:13In his bedroom.
22:18Nico, get out here.
22:22He won't answer you.
22:40Did you do this?
22:53I have to get out of here.
22:55You can't leave.
22:55Please, please.
22:56You said that I had to do something.
22:59I didn't say,
23:01go stick a knife in his chest.
23:05I have to run.
23:16Oh.
23:23Oh.
23:27Oh.
23:28Oh, oh, oh, oh, oh, oh.
24:17Oh, oh, oh, oh, oh, oh.
24:29Oh, oh, oh, oh, oh, oh, oh.
25:00And I'm so tired of seeing every good man gone.
25:09Oh, oh, oh, oh, oh, oh.
25:33Oh, oh, oh, oh, oh.
25:48Oh, oh, oh, oh, oh, oh.
26:14Oh, oh, oh, oh, oh, oh, oh.
26:18Oh, oh, oh, oh, oh, oh, oh, oh.
26:50Oh, oh, oh, oh, oh, oh, oh, oh, oh.
26:52Oh, oh, oh, oh, oh, oh, oh, oh, oh.
27:21Oh, oh, oh, oh, oh, oh.
27:44Oh, oh, oh, oh, oh.
28:08Oh, oh, oh, oh, oh, oh.
28:48Oh, oh, oh, oh, oh.
29:10Go, go.
29:11Go, go, go.
29:14Where are you?
29:16No, no.
29:18Get quiet.
29:20Get quiet.
29:24No, no.
29:26No, no.
29:28No, no, no.
29:29No.
29:30No.
29:31No.
29:32No.
29:33¡Para!
29:34¡Para!
29:36¡Para!
29:37¡Para!
29:38¡Para!
29:38¡Para!
29:40¡Para!
29:43¿Vos sabĂ©s que cuando Gloria me dijo que tenĂa un secreto tuyo yo me quedĂ© muy sorprendido?
29:47La verdad que no me esperaba esto.
29:50Margarita, ¿verdad?
29:52Dale, hablamos un poco de chuchica.
29:56QuĂ© picarĂ³n sos, ¿eh?
29:58EstĂ¡ claro que te metiste a cura para lavar tus pecados.
30:02Vos no sabĂ©s nada sobre mĂ.
30:04Error.
30:06Yo sé absolutamente todo.
30:13¿De dĂ³nde sacaste eso?
30:15Tu tĂa me pidiĂ³ que lo buscara.
30:17Y ahora tengo la prueba que necesitaba para mostrarle a todo el mundo quién realmente sos.
30:23No.
30:24No.
30:25Aquel que esté libre del pecado que tire la primera piedra.
30:27No, no.
30:28Te pido, por favor.
30:29No, no.
30:30No metas a Dios en todo esto.
30:33A partir de ahora la Ăºnica persona que le vas a hacer caso es a mĂ.
30:37¿EstĂ¡ claro?
30:39¿QuĂ© querĂ©s de mĂ?
30:43Bueno, yo estoy dispuesto a guardar tu secreto con una condiciĂ³n.
30:50Le vas a contar a todo el mundo la verdad sobre la muerte de TomĂ¡s Castillo.
30:58¿Y cuĂ¡l es la verdad?
31:13¿Y cuĂ¡l es la verdad?
31:14¿Y cuĂ¡l es la verdad?
31:14¿La que yo digo que es?
31:15Vale.
31:52Where's Nico's car?
31:54Um, Hotel Kolbog.
31:57And what about the service elevator?
32:00Um, end of the corridor.
32:08You know what to do.
32:19You know what to do.
32:45You know what to do.
32:46You know what to do.
33:16What do I do now?
33:18You go back into that hotel as if nothing has changed.
33:22Go get drunk with Cesar. Do whatever.
33:25If anyone asks, Nico left as soon as that fire alarm went off.
33:31Don't try and call me.
33:32And if you see me on the street, you walk straight past.
33:36Do you understand?
33:44Daphne.
33:46What did you think was going to happen?
33:52You and I can never see each other again.
34:00I used to wonder how Nico felt.
34:03Waking up every day, knowing what he did.
34:06And now I'm going to know, aren't I?
34:10I'm going to feel it, too.
34:18I can't do this on my own.
34:28You don't have a choice.
34:29Yes.
35:09What's this?
35:11Itinerary for Argentina and everything you might want to know about Georgina Ryland.
35:17Nico Elton helped fill in some of the gaps.
35:20You might be useful to us.
35:23Her mother's psychiatric history makes for interesting reading.
35:57You might be useful to us.
36:30You might be useful to us.
37:00You might be useful to us.
38:28Believe me, you do not want to know.
38:31What's that supposed to mean?
38:34If something happened, then we can sort it out together.
38:37Sort it out what? There's nothing to sort out.
38:40I know when you're lying to me.
38:42For fuck's sake, just drop it.
38:44So this is how it works, our so-called partnership.
38:49I'm not going to do this. Not today.
38:52When would you like to talk about it, or is it only ever on your terms?
38:56And don't say so-called partnership. You know that you're important to me.
38:59Well, then why are you lying to me?
39:03Knowledge is power, you said.
39:05But it seems that you're quite happy to leave me in the dark if it suits you.
39:10Where are you going?
39:10I'm going to get some answers because I'm clearly going to get nothing from you.
39:15Oh, fuck.
39:19Oh, fuck.
39:49I'm sorry.
39:49Excuse me.
39:51Oui.
39:52Je cherche Daphne Elton.
39:54Elle a déjà rendu sa chambre.
39:57Ah oui?
39:57Oui.
39:58Ah.
40:00Okay, merci.
40:02De rien.
40:08I don't give a fuck what she's doing, I need to speak louder, don't touch me.
40:12Marie, Marie, it's okay, I'll deal with this.
40:14I need to talk to Alex.
40:16Alex is on a conference call.
40:18Fine, I can wait.
40:23Marie, make Miss Ryland comfortable on the terrace.
40:26I'll go and see if Alex has finished her call.
40:30Peace.
40:42Cesar called earlier.
40:45Georgina and Gabriel have been asking questions about Thomas Castillo.
40:49And now she's turned up here demanding to speak with you.
40:55Marie, you know what to do.
41:00Let's hope it's not too late.
41:02The election is in a matter of days and we're wasted so much time already.
41:07Get out.
41:27Georgina, what a pleasant surprise.
41:30I want to know what's going on.
41:33Your tenacity.
41:36It's impressive.
41:38But it will be Odompo.
41:41I know that Victor Alcino Suarez covered up that boy's death.
41:46And you've done everything you can to make sure that nobody knows you're bankrolling his campaign.
41:51Why is that?
41:53I admire your desire for justice, Georgina. I really do.
41:57But I fear you may have overstepped the mark somewhat.
42:02Trust me. I'm just getting started.
42:06You and your friend should learn to say out of things that don't concern you.
42:10I'm just really sorry it had to come to this.
42:14Get the fuck off me!
42:21Get the fuck off me!
42:24Get the fuck off me!
42:28Get the fuck off me!
42:28Get the fuck off me!
42:29Get the fuck off me!
42:29Get the fuck off me!
42:29Get the fuck off me!
42:29Get the fuck off me!
42:29Get the fuck off me!
42:30Get the fuck off me!
42:31Get the fuck off me!
42:31Get the fuck off me!
42:36Get the fuck off me!
42:37Get the fuck off me!
42:38Get the fuck off me!
42:50It was wild, throw me to my knees, back and forth.
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