- 2 days ago
Riviera (2017) Season 3 Episode 1
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00:01I'm not saying that what I did was right. It wasn't.
00:05I just think that I had soaked up all the things that my mother had said to me.
00:10The things that she did.
00:12And because I never dealt with it,
00:14it began to seep in.
00:17Like an infection.
00:20And when I was under attack, that's where I went.
00:23To her reactions.
00:25To her version of me.
00:31You don't think so?
00:35How's your sleep?
00:37Good. Better.
00:39No more nightmares? Terrors?
00:42No.
00:44And the little girl.
00:48Do you still dream about her?
00:50Not since the fire. No.
00:53What do you think happened to her?
00:56I think...
00:58I think she's free.
01:01Hm.
01:02Mm-hmm.
01:07You know that's really annoying.
01:10It's not a question. It's not a comment. It's just...
01:13a noise.
01:18Mm-hmm.
01:25I'm sorry. You can't smoke in here.
01:30I don't smoke.
01:31Miss Cleos.
01:34Ryland.
01:37It's Georgina Ryland.
01:39Mm-hmm.
01:41Mm-hmm.
01:42I'd say that's time.
01:45Oh, no.
01:48I know that...
01:51I'm sorry.
01:52I'm sorry.
01:54That's what I would call me into another ship.
02:00I hate you.
02:01Go back.
02:07Or you wanna work.
03:09Spark and fire, spark and voice
03:11With its face and things
03:13I can't do right around my baby
03:16Oh, this world is mad, mad, crazy
03:20Was it love? It was what
03:22Brought me to my knees
03:24Spark and fire, spark and voice
03:26With its face and things
03:28I can't do right around my baby
03:31Oh, this world is mad, mad, crazy
03:37Art restitution is not about
03:39The cash value of a piece of canvas
03:42It's about
03:43Righting the wrongs of the past
03:45Justice
03:46Legacy
03:48Truth
03:51It's about
03:52Finding the missing link in a family's history
03:54Or a community
03:56Sometimes even an entire culture
03:58We can't rewrite history
04:00But we can uncover the truth
04:11That's a good one
04:13Let's see if you're laughing
04:14When I set fire to the college bar
04:17Okay, that's all for today
04:19Phone's off next time
04:29I thought you handled that very well
04:33Yeah, well, we're not allowed to hit them anymore
04:36Hi, Gabriel Hirsch
04:38I know who you are
04:40It should be me listening to you talk about restitution
04:42Not the other way around
04:43Oh, God, no, no
04:44I hate young people
04:46Lucky pastors
04:47And what's that saying?
04:48Those who can't teach
04:50Thanks
04:51Yeah, but that's the point
04:52I think you can
04:54I'm on these books here myself
04:55I'm an associate fellow
04:57Or some bollocks, I don't know
04:59Plays well with the Americans anyway
05:00I couldn't believe it when I saw your name
05:02They are very lucky to have you
05:05Well, I enjoy it
05:07Do you?
05:09I heard about the Vermeer that you got back
05:13That's impressive
05:15The point is, I've got leads on a cache of similar items
05:18Taken from a Dutch family in 44
05:20And I could use someone like you
05:22You know both sides of the game
05:24You've got access to places that I'm pretty barred from now
05:27I think they'd make a good team
05:31I'm flattered
05:33But last year was pretty intense for me
05:35The fire?
05:38The fire
05:40So I'm happy to take a back seat
05:42And I don't think you really want someone like me
05:44With all the rumors flying around
05:45No, but that's all bullshit
05:47Anybody who's followed your career
05:49Knows how much you care about art
05:50You would never do something like that
05:54Would you?
05:57Of course I wouldn't
06:00Look, I appreciate the offer
06:04Come on, come on, come on
06:05It's like you said
06:06Restitution is a chance to put things right
06:08To get justice
06:11And what's more fun than fucking over-old Nazis
06:25Let's talk to you
06:27All right
06:48Good one.
07:00Easy.
07:01We're working.
07:05We can do this in our sleep.
07:10Do you want my last look at the prize?
07:12I think I can spot a Picasso when I see one.
07:14I think I can spot a Picasso.
07:44I think I can spot a Picasso.
07:54Georgina Cleos.
07:55Where have you been hiding?
07:57I pulled her out of rehab.
08:00Luca, this is my friend Gabriel.
08:02Enchanted.
08:03Are you a collector too?
08:07Comedian.
08:07Currently out of work.
08:08Well, please, enjoy my party.
08:11And if you want to know the price of anything, don't hesitate to ask.
08:17Oh, Luca, it's Ryland now.
08:21My name?
08:22Georgina Ryland.
08:23I don't know.
08:26I don't know.
08:28I don't know.
08:43I don't know.
08:47What about keeping the name Cleos?
08:48Just for work.
08:50That's not who I am anymore.
08:54No, but...
08:56It opens doors.
09:02You want my name to help you open that door?
09:06No.
09:19Any sign of it?
09:20No.
09:21Any sign of it?
09:21You?
09:22No Picasso, but he does have a couple of clays that might be worth looking into when
09:26we get back.
09:27What's that?
09:29Fuck no.
09:30It's not really a thing, is it?
09:32We should probably search the rest of the house before he starts to notice that we're
09:35missing.
09:36Yeah, you're right.
09:38We should split up.
09:40Cover more ground.
09:56There's nothing here.
10:31I see you found my latest acquisition.
10:35It's beautiful.
10:37An Austrian deal I know ran into some financial trouble.
10:41I was happy to take it all his hands.
10:44And it's genuine?
10:46Look at it.
10:48And I have the paperwork to prove it.
10:51Are you sure that's clean?
10:53It can be.
10:57Fantastic.
10:58I'll take it.
11:01Well, I'll be happy to negotiate a price.
11:05Oh, I wasn't thinking of paying for it.
11:09What, you didn't hear?
11:12I'm in restitution now.
11:14We have a client with a very credible claim that this piece was taken from her grandfather by a lieutenant,
11:23Thomas Reyes, in 1944.
11:31No, no, it was sold to Reyes, see here.
11:35Yeah, but at gunpoint, which was common for forced sales at the time.
11:40You can't prove that.
11:41Well, according to the unedited provenance, it was sold almost immediately after to a dealer named Lowe at a much
11:47higher price.
11:51You can't do this.
11:53There's a court order in there.
11:55I'm sure you couldn't have known the history of the piece, or you wouldn't have had it on display.
12:01And I trust that you'd be more than happy to let your guests know that you do not support what
12:05happened during the Holocaust.
12:15Great. I'll send the restitution team by first thing in the morning.
12:27Very nicely done.
12:29Well, no one saw that coming.
12:32Hi. Hello.
12:34Ellen Swan.
12:36Gabriel Ash, hi.
12:40Yeah, Georgina at Ryland.
12:42Ah, different surname, not married.
12:44They barely even like each other.
12:46So, are you the police?
12:49Or...
12:50Interpol?
12:51No, we're art, restitution, um...
12:54Is experts too strong?
12:56Yeah, no, I'm gonna go with experts.
12:58And where are you targeting, Mr. Alaperti?
13:00No, no, no, we just follow the work.
13:01You know, it helps to know who the players are.
13:05Well, I could tell you all about it over a drink, if you're interested.
13:10That sounds lovely, but I'm here on business.
13:13It's nice to meet you both.
13:14And you.
13:17What?
13:20What?
13:22What?
13:26What?
13:33What?
13:52Everything all right?
13:55Yes, of course.
14:02This is better than marking essays in your shitty London, isn't it?
14:07Yeah, I guess I could get used to it.
14:12I don't like the sound of that.
14:13What, barking dogs?
14:17Your friend could be a bit of a sore loser.
14:19Luca, please.
14:21Let's get out of here, come on.
14:23Come to him.
14:25FRATUNG Church
14:26Come over me
14:38Come over me
14:40Come over me
14:40Hold on
14:41Wait
14:42Let's get
14:43To be with you
14:43Come over me
14:47Come over me
15:15Oh, shit!
15:17No!
15:19No!
15:24No!
15:36No!
15:39No!
15:41No!
15:42No!
16:08What do you want?
16:20I don't know what you're talking about.
16:28I don't know what you're talking about.
16:53I don't know what you're talking about.
17:45I don't know what you're talking about.
17:59I don't know what you're talking about.
18:15Give it to me.
18:17Oh, yeah.
18:18Give what?
18:19To him.
18:22Let's put him into the water.
18:33I don't know what you're talking about.
18:52I don't know what you're talking about.
19:04I don't know what you're talking about.
19:17I don't know what you're talking about at this point.
19:19I'm sure it'll hit me later.
19:26It's a nice shot, by the way.
19:29I don't know what you're talking about.
19:36I don't know what you're talking about.
19:50Just get the fuck out of Venice.
19:53Do you really think that something like this is just gonna go away?
19:57Well, maybe not, but we can.
20:01Okay?
20:04Okay.
20:08You saved my life.
20:11If we were samurai, I'd have to do anything you wanted for the rest of my life.
20:20How good are you at laundry?
20:24What's that?
20:25That's it?
20:31Oh, shit!
20:44Ricardo, where are you? Call me as long before.
20:48They're not here.
20:50Oh, do you think they're gonna come back?
20:52They're gone!
20:54This is supposed to be discreet. Let me handle it.
21:25No se te ocurra fallarme.
21:35Según las últimas encuestas, la posibilidad de que el señor Víctor Alcina Suárez vaya a ser reelegido como jefe de
21:42gobierno de Buenos Aires son muy escasas.
21:45Los votantes lo acusan de no haber cumplido sus promesas electorales y la ola de protestas en su contra, dirigida
21:52por el padre Enrique Romero de la Villa 31, parece empeorar las cosas.
21:58Su adversaria, Luisana Barroso, lleva la delantera con 12 puntos de ventaja y con una sola semana antes de las
22:04elecciones, resulta más que dudoso que el señor Alcina Suárez pueda en casa.
22:15No podemos permanecer fuertes y no rendirnos jamás, hasta que logremos tener lo que nos corresponde por ley divina.
22:23Dice que una madre debería morir antes que su hijo, pero fue el hombre quien incumplió esa orden.
22:33Por eso, mientras su madre llora, nosotros reclamaremos justicia para Tomás.
22:45¡Gracias por tomar!
22:48¡Gracias por tomar!
22:49¡Gracias por tomar!
22:50¡Gracias por tomar!
22:50¡Gracias por tomar!
22:52¡Gracias por tomar!
22:53Ellen Swan es chief of staff de Alexandra Harewood, tech billionaire.
22:58She's at Les Voiles en Saint-Tropez, so why is her chief of staff and God knows who else looking
23:03for us?
23:03Look.
23:07Look.
23:07Look, I know that you want to figure out what we're up against, but I think we've been through enough
23:12today.
23:14Let's take the plan A.
23:17Get our stuff in the morning.
23:20Get back on home turf.
23:24I'll take the couch.
23:32I'll take the couch.
23:38Georgina?
23:40Yeah?
23:40Yeah.
23:43I am so sorry that we've ended up here.
24:06Their names are Gabriel Hirsch and Georgina Ryland.
24:09He's our restitution.
24:12She's got history.
24:15What kind of history?
24:17I sent you the details.
24:21Do the Argentinians know?
24:24Yes.
24:25I've instructed Cesar to leave it to me.
24:30And how are you?
24:32Disappointed.
24:35Alex.
24:37Yes.
24:40I'll get a buck.
24:59Fuck.
25:08Look.
25:19Come on.
25:21I want to do총.
25:21How's it going?
25:24All good.
25:25What kind?
25:25Good after, right?
25:29All right.
25:33Madame, señor.
25:37Gloria, qué elegante, ¿eh?
25:39Si yo tuviera 20 años más.
25:42Muchas gracias, Víctor.
25:43Lo estaba reservando para cuando ganaras las elecciones,
25:46pero después de las marchitas de mi sobrino,
25:49lo considera innecesario.
25:51Muy pronto voy a tener lo que le prometí, ¿sí?
25:54Yo espero.
25:56Pero ¿no sería conveniente
25:59divulgar los secretos de mi sobrino Enrique?
26:01Antes de que cumplas tu parte del trato.
26:04La función comenzará en tres minutos.
26:06Gracias.
26:07Gracias.
26:08Gracias.
26:13Gracias.
26:14Gracias.
26:27Gracias.
26:32Gracias.
26:36Gracias.
26:38Gracias.
26:38Gracias.
26:52Gracias.
26:54Gracias.
26:55Gracias.
26:57Gracias.
26:57Gracias.
26:57Gracias.
26:59Gracias.
26:59Gracias.
27:01Gracias.
27:11Gracias.
27:18Gracias.
27:29Gracias.
27:33Gracias.
27:34Gracias.
27:36Gracias.
27:36Gracias.
27:39Gracias.
27:40Gracias.
27:50Gracias.
28:07Gracias.
28:09Gracias.
28:10Gracias.
28:19Gracias.
28:21Gracias.
28:22Gracias.
28:29Gracias.
28:34Gracias.
28:35Gracias.
28:36Gracias.
28:47Gracias.
28:48Gracias.
28:48Gracias.
28:50Gracias.
28:51Gracias.
28:52Gracias.
29:54Gracias.
30:07Gracias.
30:12Gracias.
30:14Gracias.
30:14Gracias.
30:15Gracias.
30:18Gracias.
30:18Gracias.
30:20Gracias.
30:20Gracias.
30:23Gracias.
30:23Gracias.
30:36Gracias.
30:37Gracias.
30:53Gracias.
30:56Gracias.
31:00Gracias.
31:01Gracias.
31:03Gracias.
31:04Gracias.
31:07Gracias.
31:17Gracias.
31:33Gracias.
31:34Gracias.
31:37Gracias.
32:05Gracias.
32:41Giorgina.
32:45Giorgina.
32:48Giorgina.
32:49Giorgina.
32:51Giorgina.
32:51Giorgina.
32:51Giorgina.
32:53Giorgina.
33:06Giorgina.
33:07Giorgina.
33:07Giorgina.
33:11Giorgina.
33:12Giorgina.
33:12Giorgina.
33:12Giorgina.
33:13Giorgina.
33:13Giorgina.
33:13Giorgina.
33:13Giorgina.
33:14Giorgina.
33:15Giorgina.
33:17Giorgina.
33:20Giorgina.
33:21Maybe five minutes, and I'll catch up with you.
33:24No, no, you go to the hotel.
33:26I'll meet you there.
33:28OK.
33:29Gabriel, I'm trusting you.
33:36Yeah, OK.
33:57Luca?
34:51I'll see you next time.
35:12Oh, my God.
35:21Oh, my God.
35:54I think there's someone else here.
35:56Well, then get the fuck out.
35:59Please, please, don't take any risks.
36:00Just get yourself out of there.
36:03Gabriel?
36:03Yeah, what?
36:04Shut the fuck up.
36:05No, no, no, no.
36:39Fuck.
36:48Fuck.
37:04Fuck.
37:40Fuck.
37:41You like to dance, huh?
37:43In Argentina, the man leads and the woman follows.
37:58Fuck.
38:07That bitch.
38:09Fuck!
38:14Buongiorno.
38:18Buongiorno.
38:19Hi Georgina.
38:20It's okay, I'm fine.
38:21Just meet me in the lobby.
38:25Fuck that.
38:48You've got something that belongs to me.
38:52I'm fine.
38:53Hi, Mr.
38:54You're welcome.
39:05I'm sorry.
39:11I'm sorry, I'm fine.
39:13You're welcome.
39:37Ricardo, contactá tu teléfono, carajo.
39:40Tenemos un problema.
39:42La puta de la fiesta me vio en la casa de loca.
39:44Hay que callarla, llamame ya.
40:29¡Gabriel!
40:47Hello, you've reached Gabriel's phone. I'm not here right now. Leave a message.
40:59But why didn't you tell me before? Because I wanted to recover before you.
41:04To collect a package is very simple, César. I know, Dad, I know.
41:10You have to do it with a certain discretion, right?
41:12Don't forget that Luca will say anything. I swear to God that I will recover.
41:24Don't falle, son.
42:09Gabriel, what the fuck? What happened?
42:12Uh, long story. Uh, kind of in-in Saint-Tropez.
42:17Saint-Tropez?
42:19Yeah. Look, Georgina, I know the, um, the south of France is the last place that you want to come
42:24to right now, but...
42:25What are you talking about? Are you okay?
42:28Um, I need you to bring the rosary here, quickly.
42:34Why? What is going on?
42:36I-I-I can't really talk right now, but I-I need your help. Okay? Please?
42:43You may run on for a long time. Run on for a long time. Run on for a long time.
43:00Let me tell you that God's gonna cut you down.
43:06You can't show your room, my God spoke. He spoke so sweet.
43:19Thought I heard the shuffle about just being...
43:21Put one hand on MARwood. Great God all my day, let me tell her why.
43:28Go, ask me, come!
43:31Run on! Run on! Run alone!
43:37Run on! Run alone!
43:41Open! Open!
43:46Go tell that aren't unlias
43:49Go tell that made like rival
43:53Tell the gamblers, the ramblers, the backfire
43:57Come on, no!
44:27For a long time, let me tell you that God's gonna cut you down
44:33Go tell that long-tongued liar
44:37Go tell that midnight rider
44:41Tell the gambler, the rambler, the backbiter
44:44Tell the God's gonna cut him down
44:52Was it love, it was well, brought me to my knees, strike and fall
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