- 14 hours ago
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00:02Are you okay? What is going on?
00:04It's Nico.
00:05It makes me feel so worthless.
00:09Nico, get out here!
00:10They won't answer you.
00:12Did you do this?
00:14People push us too far.
00:16And our only choice is to fight back.
00:20What's this?
00:21Everything you might want to know about Georgina Ryland.
00:24Her mother's psychiatric history makes for interesting reading.
00:28You and I can never see each other again.
00:30I can't do this on my own.
00:32You don't have a choice.
00:34Did something happen with Daphne?
00:36Believe me, you do not want to know.
00:38Why are you lying to me?
00:39Knowledge is power, you said,
00:41but it seems that you're quite happy to leave me in the dark if it suits you.
00:48Who is Margarita?
00:50I know she's dead.
00:51And you think it was Enrique who killed her?
00:57I know that Victor Alcino Suarez covered up that boy's death.
01:04And you've done everything you can to make sure that nobody knows your bankrolling his campaign.
01:09I admire your desire for justice, but I fear you may have overstepped the mark.
01:13Trust me, I'm just getting started.
01:15I'm just getting started!
01:16Oh!
01:16Oh!
01:17Oh!
01:20Oh!
01:23Oh!
01:24Oh!
01:24Oh!
01:25Oh!
01:31Oh!
04:03Are you in charge?
04:04Dr. Macho, I'm the resident clinical psychiatrist.
04:07Are you comfortable?
04:12I was drugged and brought here against my will.
04:15I see.
04:17I know this is going to sound insane, but I am in the middle of a political cover-up.
04:23Of course.
04:25No, you don't understand.
04:28They're trying to silence me.
04:31This is something we can discuss in more depth during our assessments.
04:36Assessments?
04:37What assessments?
04:39There's nothing wrong with me.
04:41The court papers decree that you're not to be released until we've completed treatment.
04:46How many more times do I have to tell you I don't need any treatment?
04:53I need you to calm down, please, Miss Ryland, because I can't allow you to receive visitors
04:58in this state.
04:59Is someone here to see me?
05:08Sir Ryland.
05:21Georgina.
05:23How are you?
05:28Is this something you feel comfortable with?
05:31Yeah.
05:32I'd like very much to speak with them.
05:37I hope they've been looking after you.
05:41This is one of the best facilities in France.
05:43And we will, of course, pay for your treatment.
05:45It's the least we can do given the circumstances.
05:50What is it you're so scared of?
05:51I understand this is difficult, Georgina.
05:55But the doctors know best.
05:57And in cases like this, they have to abide by the judicial precedent.
06:01It's because we were getting to the truth about what happened to Thomas Castillo.
06:05Believe it or not, we really do have your best interests at heart.
06:08And I'm sure that with the help of the doctors here, you can work through your trauma.
06:14What are you even talking about?
06:15You killed a man, Georgina.
06:17That has to have a lasting effect.
06:19You set me up!
06:19All I have tried to do is help you.
06:22And this is the thanks that I get.
06:26I didn't do that!
06:28No, there's no way!
06:29I was there.
06:30I saw it myself.
06:31This is all fucking lies.
06:33It's the delusions talking.
06:34Stop!
06:36Stop it! Calm down! Calm down!
06:38That's my fault.
06:40She's clearly not up to receiving visitors.
06:41I will fucking kill you when I get out of here!
06:45If you get out of here.
06:54What the fuck are those?
06:56It's your medication.
06:56I don't need any medication.
06:58You can either take these willingly or we can use force.
07:01It's entirely up to you.
07:14Open your mouth.
07:15What for?
07:20Let's try again.
07:21Shall we?
07:30Satisfied?
07:35You didn't even tell me what those pills are for.
07:38To prevent another outburst, like you had earlier.
07:42If you had any sense, you would stop fighting this.
07:51Daphne.
07:53Ellen.
07:54I'm looking for Gabriel.
07:55Why?
07:57Has something happened?
07:58It's Georgina.
07:59She had some kind of a breakdown at the house yesterday.
08:02We had to have her sectioned.
08:03Oh my goodness.
08:06She was in a real state.
08:09Something had pushed her over the edge.
08:12She was making outrageous accusations.
08:14About what exactly?
08:16I should really talk to Gabriel.
08:18Have you seen him?
08:19I'm sorry.
08:19All I know is that he's left town.
08:21Where is Georgina being looked after?
08:24I would love to go and see her.
08:26She's really not very well.
08:27So, I'm not sure that's the best idea.
08:30She needs time to herself.
08:31Poor thing.
08:32Look, if I hear from Gabriel,
08:33I'll be sure to pass some shocking news.
08:51Please take a seat.
08:55You know the last time I talked to a therapist,
08:58I set her on fire.
09:04It was a dream.
09:05Don't worry.
09:07Thank you, Vivian.
09:12Am I sensing a certain hostility?
09:14What do you expect?
09:16I shouldn't be here.
09:19You demonstrated violent tendencies, Miss Ryland.
09:22You had to be restrained and sedated.
09:24That would suggest underlying issues with anger, wouldn't you agree?
09:29That doesn't even come close to what I am feeling right now.
09:34Then tell me.
09:39I'd like to know.
09:43Where does the anger come from?
09:47Maybe...
09:48being locked in this fucking prison?
09:51Your mother was a schizophrenic, I believe.
09:54Wow.
09:55Sorry, is this making you uncomfortable?
09:57No.
09:58I just don't see what that has to do with anything.
10:01Well, you've experienced a lot of loss in your life, Miss Ryland.
10:06Do you feel culpable at all?
10:08People often think death is contagious.
10:12That has never been a problem for me.
10:17Okay.
10:21So tell me about the man you shot in Venice.
10:26That's interesting.
10:28That they told you that.
10:32They could have gone to the police.
10:34Instead, they sent me here.
10:37What do you think that says about them?
10:39We're here to talk about you.
10:42It must have had a lasting impact.
10:45Even for someone as detached as you.
10:49I'm not detached.
10:51I just think that guilt is a useless emotion.
10:56Would you say that is a common response?
11:02I don't know.
11:04I don't compare myself to other people.
11:09But you must have had some feelings of remorse.
11:14So I'm supposed to weep and wail and beat myself up?
11:19Would you ask me that question if I were a man?
11:25Either way, I felt nothing.
11:37What an extraordinary reaction.
11:39Really?
11:41It doesn't feel extraordinary to me.
11:43And you have no concerns about the lasting implications for yourself?
11:49Such as?
11:52Someone in your position is likely to suffer some kind of post-traumatic stress.
11:59Then I guess I'm an exception to the rule.
12:16Shall we?
12:24Let's go.
12:44Hello, I'm calling about patient abuse.
12:47Georgina Ryland.
12:48Yes, my name is Ellen Swan.
12:55My mistakes.
12:56Sorry to bother you.
13:06Hello, my name is Ellen Swan.
13:08I'm just calling you to check in on a patient of yours.
13:12Yes, her name is Georgina Ryland.
13:17My mistakes.
13:18So sorry to bother you.
13:27Hello, my name is Ellen Swan.
13:47I'm just calling you to check in on a patient of yours.
13:51My name is Georgina Ryland.
13:59I'm just calling you to check in on a patient of yours.
14:01I'm just calling you to check in on a patient.
14:16There is a visitor here for you.
14:21Who is it?
14:23Daphne Eltem.
14:26She says she is a friend of yours. I don't want any trouble this time
14:39Georgina
14:40I've been so worried about you. How did you know I was here?
14:43Alan Swan came to see me. Of course she did.
14:46This is so awful. I can't believe you've had to go through all of this on your own.
14:51Can we talk in private?
14:55Would it be okay if my friend and I went for a walk?
14:57Of course.
15:04I'm so happy to see you.
15:14You have to get me out of here.
15:19Look, I need to know if you've told anyone.
15:25Told anyone what?
15:27About Nico.
15:28No, of course not. What are you talking about?
15:30The suite has been cleaned. I threw his phone and passport into the sea.
15:34And that's got to be the end of it.
15:36I need to know that I can trust you to keep our secret.
15:41Is that why you came here?
15:43I'm here because I care about you.
15:46No.
15:47No, you came here because you're worried I'm gonna tell people that you stuck a fucking knife in your brother's
15:53chest.
15:54Don't say that.
15:55Why not?
15:56It's true.
15:57And I'm guessing that you didn't tell Gabriel I'm here because he would have come with you.
16:02Maybe Ellen was right to be concerned.
16:08What did you just say?
16:09I admire your strengths, Georgina. I really do.
16:12But what you did in that hotel room, the way you just switched emotions like that, it was frightening.
16:19Maybe some time in here will do you good.
16:22I'll give you a chance to work through your problems.
16:25Listen.
16:26You fucking bitch.
16:27What are you doing? Get off me!
16:28Is there a problem here?
16:28She just lashed out at me.
16:30I barely touched her.
16:31I think you need to leave now.
16:34I hate seeing her like this.
16:35You do not get to just walk out of here.
16:38That's enough.
16:39Ask her what she did to her brother.
16:41Go ahead. Ask her.
16:43I always knew that this would happen one day.
16:46She doesn't even know what she's saying. Poor thing.
16:50Good luck, Georgina.
16:54I warned you about this behaviour.
16:56Now we're going to have to see about increasing your medication.
16:59And from now on, no more visitors.
17:01You can't do that!
17:03I think I can.
17:12This is Georgina Ryland. Please leave a message after the beep.
17:16Hi Georgina, hi, it's me.
17:18Look, whatever that was yesterday, um...
17:22I'm just going to put it down to hormones.
17:25Mine, I mean not yours.
17:28Um...
17:29Yeah, I just don't know where you are right now.
17:33Um...
17:33Yeah, can you just call me and tell me that you're okay?
17:36Please?
17:39Thanks.
17:40Thanks, please, of course.
17:52Homer on Inglaterra auf HERO.
17:52In the studio a Enrique Romero.
17:56Sacerdote activate in the social sources.
17:59Al parecer usted tiene nueva information
18:01with respect to the death of Tomas Castillo.
18:04Yes.
18:05Well, finally the manifestants have managed to make a second autopsy.
18:15And what are the conclusions?
18:18That the death of Thomas was due to a cardiac problem.
18:25Not diagnosed.
18:29That was caused by the use of hard drugs.
18:35This, in some way, confirms the result of the first autopsy.
18:44I want to publicly thank Mr. Víctor Alcina Suárez
18:53for accepting the cause.
18:57And I'm sorry for all those accusations that I could have done before.
19:18It's not time to protest.
19:22It's time to reflect.
19:25We have to reflect on Thomas's life with peace and humility.
19:33What a hypocrite, eh?
19:35And give him time to Juliana Castillo
19:40to lament the tragic loss of her dear friend.
19:46What a hypocrite.
19:49What a hypocrite.
19:50Toma, teneme.
19:53Respira, respira.
19:57Basta, basta.
19:59No podés seguir así, papá.
20:00Mirate cómo estás.
20:01Así no servís para nada ni para nadie.
20:04Escúchame.
20:05No te podés seguir haciendo el boludo con lo que te dice el cuerpo.
20:08Voy a llamar a la doctora.
20:17Adelante, tu padre ya está vestido.
20:22Yo le dije, doctora, mi hijo estaba exagerando.
20:25No, para nada.
20:26Hizo muy bien en llamarme.
20:28¿Cómo está?
20:29Mirá, la enfermedad de tu padre hace que los músculos alrededor de la garganta,
20:33la boca, la lengua, se vean debilitados.
20:36Y es por eso que tiene dificultades para masticar y para tragar.
20:40Ahora, ¿por qué carajo están hablando como si yo no estuviera acá?
20:43Víctor, nosotros ya discutimos esto.
20:45Pero es importante que él sepa que esto se va a poner cada vez peor.
20:50Doctora,
20:52usted tendría que ser un poquito más cariñosa con sus pacientes, ¿no le parece?
20:55¿Hay algo que yo pueda hacer para ayudar?
20:57Sí, claro.
20:58Él necesita descansar.
21:01Reposo absoluto.
21:02Yo voy a descansar el día que me muera.
21:04Y eso, Víctor, va a ocurrir antes de lo que yo quisiera
21:06si no descansas y si no escuchás a tu hijo.
21:10Bien.
21:11Vengo mañana a ver cómo sigue.
21:13Gracias.
21:14Permiso.
21:20Papá.
21:20No, no, no. No digas nada.
21:21No, no.
21:23Alguien te lo tiene que decir.
21:24Tenés que bajarte de estas elecciones.
21:26¿Y qué voy a hacer?
21:27A ver, decime, ¿qué voy a hacer si esto es lo único que yo tengo?
21:32Ey, ey.
21:33Mírame, mírame.
21:35¿Estás bien?
21:37Sí.
21:39Estoy bien.
21:41Yo no voy a permitir que esta enfermedad me gane.
21:46Todo era más fácil cuando estaba tu mamá viva.
21:58Está bien.
22:00¿Qué pasa?
22:01Está bien.
22:03Solo había que irme.
22:03No iba a hacer.
22:05No va a hacer que suprimente ya que había.
22:16No iba a hacer que la vida se le hubiera.
22:18No viva.
22:21What was it?
22:22Did you give me a gift?
22:24You're my only judge.
22:25You're my only judge.
22:27God is my only judge.
22:28Don't let God tell me the truth.
22:31Father.
22:34Father.
22:40Pardon me.
22:42Lord, pardon me.
22:48Lord.
23:00But what you did in that hotel room,
23:03the way you just switched emotions like that,
23:06it was frightening.
23:23Well, this is a rather unexpected town of events.
23:32I know what you're thinking.
23:33I've made a miraculous recovery.
23:37What, you thought a knife in the chest was going to get rid of me?
23:44This isn't real.
23:46And yet here we are.
23:49In this rather imposing psychiatric facility.
23:53I would say it's been a long time coming, wouldn't you?
23:56Tell me, what have they got planned for you whilst you're here?
24:01Padded cell.
24:03Electro-convulsive therapy.
24:05A good old fashioned lobotomy.
24:09Now what's the matter?
24:10It's not often you're lost for words.
24:13I don't have to listen to this.
24:15Oh, but you do.
24:18Because this is my chance.
24:21To have my say.
24:24And by God, I'm going to enjoy it.
24:28Oh, you make out like this was all born out of some desire for the truth.
24:33Your pathetic attempts to restore order.
24:38But what you don't realize is you're the architect of all of this.
24:44So many lives have been destroyed by you, Georgina.
24:48Mine included.
24:51It's all starting to catch up with you, isn't it?
24:57This is your legacy.
25:00I just don't have the good sense to lock you up.
25:03Throw away the key.
25:23To be continued...
25:27I don't agree so.
25:36That's right.
25:42Finally.
26:06You have a visitor?
26:09Dario, I wasn't expecting you.
26:12Would you like a drink?
26:13No.
26:15Then what can I do for you?
26:17I need you to persuade my father to stand down.
26:20Why on earth would she do that?
26:22Because this is killing him.
26:24That's why.
26:27Your father is more than aware of his limitations.
26:33So that's it?
26:36You'd rather see him in a grave than walk away from this?
26:38What Victor does with his remaining time is entirely his prerogative.
26:42And we're about to achieve something monumental here, together.
26:46Please don't.
26:47No need to pretend you care about my father's legacy.
26:52This is just a vanity project for you.
26:56Look, I'm sorry you're upset about your father's illness, Dario.
26:59I really am.
27:01But we'll be moving ahead, with or without your approval.
27:06Hmm.
27:06Now, if you'll excuse me, I have a call to prepare for.
27:11Can I offer you a piece of advice?
27:13I'm all ears.
27:16You're a guest in this city.
27:18Don't outstay your welcome.
27:20You can't.
27:37Dad?
27:40I assumed you'd be in some exotic location hunting down some stolen paintings.
27:45Oh, no. No such luck, I'm afraid.
27:48Your message is very intriguing. How can it help?
27:50Um, I was hoping that you might have seen Georgina.
27:55We had a bit of a bust-up and haven't seen her since.
27:59Oh, I wouldn't worry. Georgina has a habit of showing up when you least expect it.
28:04So, you haven't heard from her at all?
28:08No, I'm thinking we're going to the police, and I was wondering if you'd be coming with me.
28:13What, is that wise? I mean, given her rather checkered history...
28:18What else I can do? She's not answering her phone. All her belongings are still at the apartment.
28:22And, you know, you've known her a lot longer than I have.
28:25You can finish some of the blanks for the police.
28:27Listen, this isn't the first time Georgina has done this.
28:31You know, she did walk out on her entire family, and...
28:34Well, I'm afraid the likes of you and I are left to pick up the pieces.
28:40No, she wouldn't do that.
28:43You said to yourself, I've known Georgina a lot longer than you.
28:48And the way I see it, we have a choice.
28:50We can either, you know, sit here and worry, or...
28:55We can make the most of this beautiful sunshine and get to know each other a little better.
29:01What do you say?
29:04Yeah, that sounds like fun.
29:08Wonderful.
29:08Oh, monsieur.
29:12Oh, monsieur.
29:22That won't be necessary.
29:26They gave me some pretty fucked up dreams last night.
29:29I'll ask if they can change your prescription.
29:37I've heard about you.
29:39You're a famous art collector.
29:41Curator.
29:43At least I was.
29:49Do you like art?
29:54Do you know Boulevard Montmartre Matiné du Printemps?
30:00Of course.
30:01I paid eight million for it in 2014.
30:06I didn't catch your name.
30:08Theo.
30:09Have you been here long?
30:11Two years.
30:16There's got to be a way out of here, right?
30:18I can pay you.
30:20Anything you want.
30:21Just name your price.
30:22We shouldn't be having this conversation.
30:24Then at least just let me go outside.
30:26I just need some time to myself.
30:28I feel like there are eyes on me everywhere.
30:31I'd need the doctor's permission.
30:32I've taken the pills.
30:33I have done everything that you asked.
31:19I've taken the pills.
31:19I小朋友.
31:19I could do nothing.
31:19I was done nothing.
31:31I was done and I was done.
32:07You're new here, aren't you?
32:11Don't worry. It just takes a bit of getting used to.
32:16How long have you been here?
32:17Must be at least two weeks now.
32:19It was my husband's idea, and knows I suffer with my nerves.
32:25Miss Rylander, I wasn't expecting you to join us.
32:28Please, take a seat.
32:31Sure.
32:35Don't worry. It's not as bad as you think.
32:38As we've previously discussed, this is not only a sounding board, but also a support network.
32:45So, who'd like to start us off?
32:49Oh, no. I am happy just to listen.
32:53I'll go first, if you like.
32:56Go ahead, Diane.
32:58I want to thank you all for taking such good care of me here.
33:02I know my husband's relieved to know I'm in such safe hands.
33:07Diane, we've talked about this.
33:09Talked about what?
33:13This is simply delusional.
33:16You're in denial because you're trying to protect yourself from the truth.
33:20Your husband is dead.
33:22You murdered him.
33:24That's why you came to us three years ago.
33:27I don't know why they keep saying this.
33:29The more you keep telling yourself this story, the harder it will be for you to move forward.
33:35Please don't listen to them.
33:48I'm surprised you're still in town.
33:51Why would you say that?
33:53Well, because I went to the bib last week for you and they said that you'd checked out.
33:59Well, Nika's gone travelling and I was rattling around that place all by myself.
34:05So tell me, how is a handsome and charming man like you still so long?
34:13Ah, it's complicated.
34:15Well, I love complicated.
34:19Were you ever married?
34:22For a time, yeah.
34:24I mean, what woman in her right mind would grow tired of you, I wonder?
34:34Well, Georgina, by all accounts.
34:40Well, can we not talk about it now?
34:43I don't think we should waste any more time discussing her.
34:48Do you?
34:50You're trying to get me drunk.
34:55Would it matter if I was?
34:59Oh, thanks.
35:08Oh, much.
35:10Oh, my God.
35:24Let's go.
36:18Let's go.
36:36Ah, seems our mutual friend is alive after all.
36:40Georgina needs to know that she can't treat people like this.
36:43Fuckin' hell!
36:44You'll be better off without her.
36:46Believe me.
36:53Hi, you've reached Gabriel's phone.
36:55I'm not here right now.
36:56Leave a message.
36:57Gabriel, it's me.
36:58Listen.
36:59Alex and Alan set me up.
37:01I'm locked in a psych ward.
37:04It's called Chateau St. Jude.
37:07I have no idea how to get out of here.
37:08You have to come find me.
37:18This place is a frickin' maze.
37:20Is that the way to my room?
37:24I will take you.
37:27But first, Dr. Mathieu wants to see you.
37:34Would you say you struggle maintaining meaningful attachments?
37:38What is this?
37:39Kindergarten?
37:41You don't like talking about yourself much, do you?
37:44Not unless I've had, like, four vodka martinis.
37:46No.
37:49It strikes me you have a tendency to run away from your problems.
37:52Then you don't really know me well at all.
37:54If anything, I run straight towards them.
38:03Listen.
38:05Whatever mistakes I have made in the past, I have owned them.
38:09So the dead man in Venice, that's you owning the problem, is it?
38:12What is it you don't understand?
38:14He was going to kill my friend.
38:17And you seem to think that grief and guilt are like this universal experience.
38:24I kind of think they are.
38:27What about you?
38:29What are you running from?
38:34We're not here to talk about me.
38:36You are making assumptions.
38:40Well, go on.
38:42Tell me.
38:43I'm sure you've filled up that entire notebook by now.
38:48I think your mother's illness.
38:53This is still something that occupies your thoughts.
38:56Even though you've trained yourself to compartmentalize fearful and damaging experiences.
39:02No wonder.
39:04When so many people around you have ended up dead.
39:07Whether your refusal to acknowledge any guilt over the man you killed is simply a symptom of delayed grief.
39:12I didn't know him.
39:14Then your lack of remorse would suggest sociopathic tendencies.
39:23Is that it?
39:25My diagnosis?
39:29Does that mean I can go now?
39:34There are many more factors I need to consider before I feel confident in making a diagnosis.
39:40This is such bullshit.
39:44You must be so tired of running.
39:50Thank you, Georgina.
39:52That's it for today.
40:06It's okay.
40:07I know the drill.
40:10I know the drill.
40:20What are you doing?
40:25What, do you want to do what you do?
40:27I know the drill.
40:27I know the drill.
40:28I know the drill.
40:38I know the engineer is just ready to say it doesn't out.
40:39I know the drill.
40:39I can't do that.
40:39I know it is meant to hit the drill.
40:43Miss Ryland, whilst engaged, displays obvious signs of disassociative behaviour.
40:49There is a clear disconnection between the way she presents herself
40:53and the trauma she has no doubt endured.
40:59She's proving to be a compelling case study.
41:13One, new message.
41:15Gabriel, it's me. Listen. Alex and Ellen set me up. I'm locked in a psych ward.
41:22It's called Chateau Saint-Jude. I have no idea how to get out of here. You have to come find
41:27me.
41:34I am looking for Georgina Ryland.
41:41I'm afraid Miss Ryland is not allowed to visit us.
41:45Okay, but look, there's been a mistake.
41:47She was admitted to us in a highly agitated state, and she's undergoing psychiatric evaluation.
41:53What are you talking about? She shouldn't even be in here.
41:56That's something I'm afraid you'll have to take up with the courts.
41:59The courts? This makes no fucking sense.
42:03We will, of course, be happy to allow visitors once there is some improvement in her condition.
42:10Thank you. Goodbye.
42:29I suppose you won't want to sit with me now.
42:38They've broken you already, haven't they?
42:41They want me to think I'm crazy.
42:43But you're not. I can see that.
42:48You're angry, though, aren't you?
42:50Like you wouldn't believe.
42:55I don't regret a single one of those blows.
42:59Sometimes people can push us too far.
43:19Miss Ryland, whilst engaged, displays obvious signs of disassociative behavior.
43:26There is a clear disconnection between the way she presents herself and the trauma she has no doubt endured.
43:32She's proving to be a compelling case study.
43:35Her lack of empathy is as fascinating as it is disturbing.
43:39She doesn't seem to be frightened of anything or anyone.
43:42And yet it's apparent to me that the person she should be most afraid of is herself.
43:56I would suggest we look to extend Miss Ryland's stay well beyond the 30-day time frame.
44:13The man in Venice wasn't the first person that I've killed.
44:20But you probably worked that out already.
44:27You know what?
44:30I don't regret anything.
44:38You were right.
44:41Traumatic events can leave their mark.
44:46I just hope this is something that you can get over in time.
45:00Sorry.
45:02Didn't have a letter.
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