Delitto Versace, l'omicidio che cambiò la storia della moda | ENIGMA 2005 - Video Dailymotion

DivinumCrime

La mattina del 15 luglio 1997 lo stilista Gianni Versace viene ucciso davanti alla sua casa di Miami Beach, in Florida, mentre rientra da una passeggiata. A sparare è Andrew Cunanan, un serial killer che nei tre mesi precedenti aveva ammazzato altre quattro persone, e che era conosciuto per stringere legami con uomini ricchi, sfruttandoli per spendere i loro soldi. A quanto si sa, però, Cunanan e Versace non si conoscevano, e non si seppe mai se dietro alla morte dello stilista ci fu qualcosa di più di una sfortunata coincidenza: anche perché Cunnan si suicidò una settimana dopo.  Corrado Augias dedica una puntata del programma “Enigma” al mistero del delitto Versace. Tra gli ospiti, Antonio D’Amico, compagno per quindici anni dello stilista.   #Versace #GianniVersace #Cunanan #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime

Transcript

00:00:12The Spilata of Florence

00:00:14June 25, 1997

00:00:16One month before the crime

00:00:20In Versace suit there is a model on the ground

00:00:23With a gun in his hand

00:00:33The stylist

00:00:35I wouldn't want to be in his place

00:00:38Death is always around the corner

00:00:42A strange premonition

00:00:44Is the Versace case really closed?

00:01:01Death is always around the corner

00:01:36Death is always around the corner

00:02:04Good evening

00:02:05Tonight's story is first and foremost the story of a man

00:02:10Caught at the height of his sensational

00:02:14The case of saying sensational, never has the adjective been more appropriate

00:02:18Ascent, abruptly interrupted by death

00:02:22Violent

00:02:23It is also the story of a sector of our Italian life

00:02:27The fashion one

00:02:29Which was the bow through which the name Made in Italy

00:02:33The Made in Italy brand has established itself in the world

00:02:36For another aspect

00:02:38It is also the story of the investigations that followed the assassination

00:02:42Where we will see

00:02:44Not a secondary aspect

00:02:46Where we will see how much difference there is

00:02:48Between a police action in the United States

00:02:52But also elsewhere told in a television drama

00:02:55And the police action in real, concrete life

00:03:00With a real victim and a real killer

00:03:04We will also see in this story that has so many twists and turns

00:03:08We will try to tell them all

00:03:09We will also see if in those minutes that were written

00:03:13And in the many books that have come out

00:03:16Here are some

00:03:17And also TV documentaries that have come out

00:03:22It has everything that was supposed to be there.

00:03:24Or if some teleshadows remain

00:03:28It all begins

00:03:29And we see it now in this first reconstruction video

00:03:32It all began on the morning of July 15, 1997.

00:03:39Miami Beach

00:03:40Tuesday, July 15, 1997

00:03:44After the triumphs of Parisian haute couture

00:03:46A day off

00:03:47Gianni Versace wakes up very early

00:03:50At 7

00:03:50An hour later he says goodbye to the butler

00:03:53And he comes out of his palace

00:03:54Villa Casuarina

00:03:56He goes to the News Café as always

00:03:58Buy some magazines

00:03:59Then calmly return home

00:04:02A few hundred meters away

00:04:048 and 44

00:04:05Gianni Versace climbs the steps of the villa

00:04:08He bends down to open the gate

00:04:11Someone is crossing the street

00:04:13And he reaches him from behind

00:04:14He shoots him at point-blank range

00:04:17Behind the left ear

00:04:18Then when Versace turns around

00:04:20A second blow

00:04:21On the right side of the face

00:04:23Near the nose

00:04:24The designer collapses to the ground

00:04:26The killer puts the gun in a bag

00:04:29And go straight along Ocean Drive

00:04:31Calm

00:04:32Self-confident

00:04:33As if nothing had happened

00:04:35The alarm goes off

00:04:37The cook hears the gunshots

00:04:38And call the police

00:04:40While the stylist's companion

00:04:41Antonio D'Amico

00:04:42He rushes out of the villa

00:04:44Another friend

00:04:45He sets off in pursuit

00:04:47But he has to give up

00:04:48The killer

00:04:49He points the gun at him

00:04:50It's a race against time

00:04:52The ambulance

00:04:53Versace Door

00:04:54At Jackson Memorial Hospital

00:04:559 and 15

00:04:57The arrival

00:04:57The situation is desperate

00:04:59They are keeping him alive artificially

00:05:01But technically he's dead

00:05:03Meanwhile in front of the Casuarina house

00:05:07It's chaos

00:05:07Curious people and acquaintances crowd in

00:05:10And about fifty policemen

00:05:11On the stairs it is very holy

00:05:13The glasses, the magazines, the Versace slippers

00:05:16Two silver .40 caliber shells

00:05:19And among the shells

00:05:20There's a dead pigeon

00:05:25In a hurry

00:05:26We try to draw up an identikit

00:05:28A witness

00:05:29It's about ten meters long

00:05:30The killer is a boy

00:05:32He's wearing black shorts

00:05:34A tank top over a loose t-shirt

00:05:36A black baseball cap

00:05:37Another witness

00:05:39For him the killer

00:05:41Bring a shirt

00:05:42And a white cap

00:05:44Then a faded shadow appears

00:05:45On a CCTV camera

00:05:47But they are too weak traces

00:05:49The killer has vanished

00:05:521pm

00:05:53Richard Barreto

00:05:54Miami Beach Police Chief

00:05:56It wasn't a robbery

00:05:58Versace had been targeted by someone

00:06:00Meanwhile a spell erupts in a garage

00:06:04On the ground were clothes stained with blood and sweat

00:06:07Next to a red truck

00:06:08Which is like a signature

00:06:09That of a serial killer already wanted

00:06:12His name is Andrew Cunanan

00:06:16Amazement, anger, fear

00:06:18Disappointment in Miami

00:06:19That morning of a quiet holiday day

00:06:26Here are the details that the video showed us

00:06:30At 9.15 on that 15th July 97

00:06:34Versace was clinically dead

00:06:36Two shots at point-blank range

00:06:37Macabre or grotesque details

00:06:40Depending on how we want to consider them

00:06:42That dead pigeon

00:06:44Maybe a symbol

00:06:45Maybe a coincidence

00:06:47A splinter from one of the balls

00:06:49It hit him

00:06:50He accidentally pierced him

00:06:52While he was in flight

00:06:53And Andrew Cunanan

00:06:55The name of the killer

00:06:57What we see in this photograph

00:06:59But I want to show you something else.

00:07:02I want to show you

00:07:03The scheme of places

00:07:06Why

00:07:07Some shadows that are cast on this case

00:07:10Some may be thinned out

00:07:12Bearing in mind what the nature of the movements was

00:07:15Look

00:07:15This is the south-central part of Miami

00:07:19In Florida

00:07:20This

00:07:21Here is Gianni Versace's house

00:07:25The luxurious

00:07:26Gianni Versace's Castle

00:07:28As you see on an Ocean Drive

00:07:31And then immediately after the beach the sea

00:07:34This is the path of the killer

00:07:37Who went away in a northerly direction

00:07:39He turned at the first street on the left

00:07:42And then again here on the right

00:07:46At this point he reached him

00:07:49Lazarus Quintana

00:07:51At least that's what he said.

00:07:52Who was trying to stop him

00:07:55But the murderer Cunanan

00:07:57He pointed the gun at him

00:07:59And then he got scared

00:08:01And then he quickly walked away

00:08:02In this direction

00:08:04Along this narrow road

00:08:05Up to this intersection

00:08:07Where there is an underpass

00:08:09Which leads to a

00:08:12Underground garage

00:08:14Which is what we saw

00:08:15Also in the video

00:08:16The walk

00:08:18What is the morning walk

00:08:19Gianni Versace's regular

00:08:21It was this

00:08:22From his house

00:08:23Up to here

00:08:24A little bit away

00:08:26Up to the News Café

00:08:27Where all the newspapers were

00:08:29Including the Italian ones

00:08:30That he went to buy

00:08:31And then calmly

00:08:33Almost beach dress

00:08:34He was going back home

00:08:36So these are the movements

00:08:38And we'll see later

00:08:39In a little while

00:08:40What importance?

00:08:42These movements

00:08:43They can have

00:08:44I would like to introduce you

00:08:47I wish we all

00:08:48Let's meet now

00:08:49The person who was

00:08:51Closer

00:08:52To Versace

00:08:53His companion

00:08:55Antonio D'Amico

00:08:56What is here?

00:08:56I thank him for coming

00:08:58Good evening D'Amico

00:08:59Good evening

00:09:00He was very kind

00:09:01Please sit down there.

00:09:03A little further on

00:09:05Here you are

00:09:06Yes

00:09:06As you wish

00:09:08Listen to D'Amico

00:09:09She was at home

00:09:10That morning

00:09:11It was nole

00:09:12What did he see and hear?

00:09:14But while I

00:09:16I was going to have breakfast

00:09:17Why I had to go out

00:09:18To go play tennis

00:09:19Because rightly so

00:09:20On vacation

00:09:21A

00:09:22He does what he can

00:09:25Certain

00:09:26There is

00:09:26At tennis

00:09:27And so

00:09:28While I was having breakfast

00:09:30I heard

00:09:31Two shots

00:09:31He heard

00:09:32I heard two gunshots

00:09:34Turning towards the window

00:09:36Which overlooked the gate

00:09:38You couldn't see anything

00:09:41But I saw

00:09:42The shadow of the gate

00:09:44Open

00:09:44And so I ran

00:09:45Immediately out

00:09:46I had it right away

00:09:47The feeling

00:09:48That something

00:09:48Sheets

00:09:48Versace was there

00:09:49Versace was

00:09:50Lying there

00:09:52AND

00:09:53The killer

00:09:53Era

00:09:54The killer

00:09:55He hadn't run away

00:09:57Why

00:09:57He was walking

00:09:59Very slowly

00:10:01But he didn't come

00:10:02The thing about running

00:10:03The gods

00:10:03Not before

00:10:05No, I ate

00:10:06Lazarus

00:10:06Because at that moment

00:10:07The first thing that came to mind

00:10:08I took

00:10:09Gianni in my arms

00:10:10Why

00:10:10There is

00:10:12The first person

00:10:12The shock

00:10:13The affective

00:10:13But then

00:10:15Clearly

00:10:16The first thing I wanted

00:10:17It was that of

00:10:18Keep it

00:10:18Nearby staglio

00:10:20He was bleeding

00:10:22Yes

00:10:22He was bleeding

00:10:23There was blood

00:10:24On the whole

00:10:24The asphalt

00:10:26Of the sidewalk

00:10:27Yes

00:10:28Some steps

00:10:29So

00:10:30But

00:10:31There was no

00:10:32He told him

00:10:32Run

00:10:33Run

00:10:33And he

00:10:34Why

00:10:35Then among other things

00:10:36This boy

00:10:37He turned around

00:10:38And so

00:10:39He looked at me

00:10:40I watched it

00:10:41And at that moment

00:10:42I told him

00:10:43To Lazarus

00:10:43Run

00:10:44Back there

00:10:46Take it

00:10:46And he

00:10:48He ran after me

00:10:48Listen

00:10:49She

00:10:50Era

00:10:51Was

00:10:52For a long time

00:10:53I believe

00:10:5415 years

00:10:55In short

00:10:56A beautiful piece of life

00:10:58The companion

00:10:59By Gianni Versace

00:11:00So

00:11:01Your relationship

00:11:02Affective

00:11:03It was intense

00:11:04And maybe

00:11:04That she

00:11:05In those moments

00:11:06If he wasn't very lucid

00:11:08Let's say

00:11:08As

00:11:09It would also be natural

00:11:11Well yes

00:11:12Let it be

00:11:12It's safe

00:11:13To remember well

00:11:15These things

00:11:15Who reported

00:11:16And what now

00:11:17He reported to us

00:11:18Yes because

00:11:19However they were

00:11:20Beyond

00:11:20Of the shock

00:11:22To see him

00:11:22Anyway

00:11:25At that time of the morning

00:11:26Normally

00:11:27On that road

00:11:28There is never anyone

00:11:29There is no one

00:11:30At least until

00:11:30Ten o'clock

00:11:31Something

00:11:32Because it's all people

00:11:33Who is on vacation

00:11:34And so

00:11:34He lives a nocturnal life

00:11:36And at half past seven in the morning

00:11:38Eight in the morning

00:11:39In particular

00:11:40There is no one

00:11:41So the only person

00:11:42Lass

00:11:43They have the head

00:11:43The only person I saw

00:11:44It was that girl

00:11:46That girl

00:11:46And so

00:11:47Who walked away calmly

00:11:49Very calmly

00:11:50Very calmly

00:11:51He had a takeaway

00:11:52About the shopping

00:11:53Where there was a gun

00:11:54Of the shop

00:11:56Probably

00:11:56With the gun

00:11:57This little bertino

00:11:59In the lead

00:12:00And he was dressed

00:12:02It might seem like

00:12:03Puerto Rican

00:12:04It might seem like

00:12:05A Spaniard

00:12:05Spanish

00:12:06Instead then

00:12:06Actually

00:12:07It's not even

00:12:08Of Spanish origin

00:12:09If anything

00:12:10He was of Italian origin

00:12:11He was of Italian origin

00:12:12No

00:12:12Yes

00:12:12I know that he was of origin

00:12:14Now let's go deeper

00:12:15This thing

00:12:16In the continuation of the story

00:12:17Listen

00:12:18He has a regret

00:12:20Of this long

00:12:22Period

00:12:23Why 15 years?

00:12:24In the life of a human being

00:12:25I'm a good piece

00:12:26He has a regret

00:12:28Of his

00:12:2915 years with Gianni

00:12:31No

00:12:32I

00:12:33I lived

00:12:35This story

00:12:36Important

00:12:38I consider myself

00:12:39A lucky one

00:12:39Because I had

00:12:41The important story

00:12:42Certain

00:12:43And I have no regrets

00:12:44The only thing

00:12:45And rightly so.

00:12:46I wish he wasn't dead

00:12:47This

00:12:49AND

00:12:50It's understandable.

00:12:51I

00:12:51But

00:12:52Saying regret

00:12:53I was referring to

00:12:54To a general thing

00:12:56Beyond

00:12:56Of his pain

00:12:58Staff

00:12:59And that is

00:13:00To the fact that

00:13:01These unions

00:13:02Homosexuals

00:13:04These unions

00:13:05In fact

00:13:06Even non-homosexuals

00:13:08In Italy

00:13:08They don't have

00:13:09No type

00:13:10Of protection

00:13:10Here you are

00:13:11I was referring to

00:13:12To that guy

00:13:13Of regret

00:13:14Well yes

00:13:15More than a regret

00:13:16I believe it is

00:13:18A waste

00:13:19Or anyway

00:13:21Something

00:13:21Which is missing

00:13:23In a company

00:13:23Like Italy

00:13:24Which is believed

00:13:25To be

00:13:25A social

00:13:26The avant-garde

00:13:27If we look

00:13:29A country

00:13:29Like Spain

00:13:30Like France

00:13:31Where

00:13:32We have arrived

00:13:33To have

00:13:34The Pax

00:13:35What is it?

00:13:35A signature

00:13:37As if it were

00:13:39A wedding

00:13:40But it is not

00:13:41But it's not a wedding

00:13:42I would like

00:13:43Remember

00:13:43To those who listen to us

00:13:44What is it?

00:13:45The Pax

00:13:45French

00:13:46The Pax

00:13:46It's a pact

00:13:47For assistance

00:13:48And solidarity

00:13:49That a couple

00:13:50In fact

00:13:52Homosexual

00:13:53Or straight

00:13:53It is exchanged

00:13:55In front of an officer

00:13:55Of civil status

00:13:56With which

00:13:58They are taken

00:13:58Some agreements

00:14:00Reciprocal

00:14:00For example

00:14:01The pension

00:14:01Of reversibility

00:14:02If one of the two

00:14:03He dies

00:14:04The assistance

00:14:05Healthcare

00:14:06In short

00:14:07The legacies

00:14:09From a post

00:14:09Very

00:14:10Above all

00:14:10Even the possibility

00:14:11To be able to choose

00:14:14When in case

00:14:15There is a need

00:14:17To be able to decide

00:14:18For the person

00:14:19For the person

00:14:20That there is not

00:14:21And so

00:14:21In this case

00:14:22It's going to the hospital

00:14:26Be close to him

00:14:28Etc. etc.

00:14:28Which in this case

00:14:30You can't miss it

00:14:31It can't be done

00:14:32Thanks D'amico

00:14:33Now we will return

00:14:34Then on to the other aspects

00:14:35From the

00:14:35Of its history

00:14:37Thank you

00:14:38About this conversation

00:14:39So frank

00:14:40We have to

00:14:41Go

00:14:42Instead to see

00:14:43This complex

00:14:45Personality

00:14:45By Gianni Versace

00:14:46This trajectory of his

00:14:48I was saying before

00:14:48Opening sensational

00:14:49We could also say

00:14:50Dazzling

00:14:51How it began

00:14:53He tells us about it

00:14:54This video

00:14:56The man

00:14:57What did he do?

00:14:58The beauty

00:14:58With vulgarity

00:15:00As

00:15:00Ungenerously

00:15:01The Times

00:15:02The next day

00:15:03Of his death

00:15:04In Miami

00:15:06Of its history

00:15:07Man complex

00:15:08And of stylist

00:15:09These images remain

00:15:14Very different perhaps

00:15:15From what happens

00:15:16Away from the spotlight

00:15:20Gianni Versace

00:15:21Born in Reggio Calabria

00:15:22December 2nd

00:15:231946

00:15:24Father Antonino

00:15:26A man of few words

00:15:27He's a merchant

00:15:28The mother

00:15:29Francesca Olandese

00:15:31Exuberant

00:15:31And concrete

00:15:32He runs a tailoring shop

00:15:33In the center of Reggio

00:15:34They don't swim

00:15:36In the gold

00:15:37Right in the tailor's shop

00:15:38Of the mother

00:15:39Gianni puts to the test

00:15:40His inclination

00:15:42The Versaces

00:15:43They dream for their

00:15:44Three children

00:15:45A degree

00:15:46A position

00:15:46But Gianni is lazy

00:15:48Gets abstained

00:15:50The diploma

00:15:50He prefers fabrics

00:15:52The scissors

00:15:53Inventing models

00:15:56At 26 years old

00:15:57The big leap

00:15:58He moved to Milan

00:16:00He is a young designer

00:16:02From the hoarse voice

00:16:02And from the infamous gestures

00:16:04He's full of talent

00:16:06In 1978

00:16:08The first collection

00:16:09Signed by Gianni Versace

00:16:10It's a success

00:16:12For the boy from Calabria

00:16:14The doors open

00:16:15Of great fashion

00:16:18The House of Versace

00:16:19It turns twenty years old

00:16:20A formidable climb

00:16:22Become a world empire

00:16:23A thousand billion in turnover

00:16:25Produces high fashion

00:16:26Jeans

00:16:27Teacups

00:16:28Lipsticks

00:16:28Upholstery

00:16:29Perfumes for children

00:16:32You want money

00:16:33Just for growth

00:16:34So dizzying

00:16:35What were they?

00:16:37The financing channels

00:16:38It's an empire

00:16:39Family run

00:16:41The familiar

00:16:42It's also the key

00:16:42Of success

00:16:44So much the iron accountant

00:16:46It makes the numbers add up

00:16:48The blonde Donatella

00:16:49And muse

00:16:50And Gianni's student

00:16:51Strong characters

00:16:52And edgy

00:16:53The Versace family

00:16:54They come in often

00:16:55On a collision course

00:16:56Inevitable

00:16:59Everything must be beautiful

00:17:01Very visible

00:17:01Unmistakable

00:17:03Like the jellyfish

00:17:04Symbol immediately

00:17:05Recognizable

00:17:06Of every creation

00:17:07Like the fashion shows

00:17:09Shows

00:17:09From astronomical figures

00:17:11On the catwalk

00:17:13The supermodels

00:17:14In the front row

00:17:15Princess and pop star

00:17:16It's the Versace style

00:17:18For women who love

00:17:19The exaggeration

00:17:20More than sobriety

00:17:21Never shy

00:17:22Rather

00:17:23Cheerful

00:17:24Eropic

00:17:24Cheeky

00:17:26And Gianni

00:17:27Become a king

00:17:28Nida

00:17:28With a passion

00:17:30Very expensive

00:17:31The furnishings

00:17:32Sumptuous

00:17:32Of his houses

00:17:33In Milan

00:17:34On Lake Como

00:17:35In New York

00:17:36Overcrowded houses

00:17:38Antiques

00:17:39Rare items

00:17:40Works of art

00:17:40Like the 18 paintings

00:17:42Identify

00:17:42Then

00:17:43Lastly

00:17:44The cursed house

00:17:46From Miami

00:17:49Miami

00:17:50Where nothing is impossible

00:17:52Gianni says

00:17:52A prophecy

00:17:54Here you feel at home

00:17:55Crossing of races and cultures

00:17:57Transgressive

00:17:58And it's fun

00:17:59But also Miami Vice

00:18:01Miami del Pizio

00:18:03Homeland of drug traffickers

00:18:05Dirty money

00:18:06And recycling

00:18:11Here you are

00:18:12This is a painting

00:18:13Synthetic

00:18:15Obviously

00:18:15Of necessity

00:18:16Synthetic

00:18:17Which reconstructs

00:18:18The origins

00:18:18And a little bit

00:18:19The style

00:18:20From the

00:18:21Versace Company

00:18:23And about him

00:18:23Personally

00:18:24Gianni

00:18:24With that statement

00:18:26Initial

00:18:27That maybe someone

00:18:27About you

00:18:28He noticed

00:18:29When it is said

00:18:29When reporting

00:18:30That American judgment

00:18:32Beauty and vulgarity

00:18:33It was like this

00:18:34The thing

00:18:35We have

00:18:36This evening

00:18:37Luck

00:18:37To have a guest

00:18:38One of the most

00:18:39Prestigious

00:18:40Authoritative journalists

00:18:41In Italian fashion

00:18:42Adriana Mulassano

00:18:43Good evening Adriana

00:18:44How are you?

00:18:45If you can accommodate

00:18:46There on that green sofa

00:18:48She likes it

00:18:49This green sofa?

00:18:50Very

00:18:51It makes me feel a bit

00:18:53By impression

00:18:53It looks like a lizard

00:18:55It's beautiful

00:18:56Handsome

00:18:57Adriana

00:18:58I said beauty and vulgarity

00:18:59Is it right or wrong?

00:19:01No

00:19:01I don't agree

00:19:03And that is?

00:19:04I don't agree

00:19:05Why Gianni

00:19:07He had a vision

00:19:08Of women

00:19:09Sensual

00:19:11Glamour

00:19:12But not vulgar

00:19:13If it was then

00:19:14Misinterpreted

00:19:17It's not his fault

00:19:18I know very well

00:19:21Why Gianni Versace

00:19:22I knew him

00:19:23What he had

00:19:24I believe

00:19:2523 or 24 years old

00:19:27Going to find it

00:19:29Behind the curtains

00:19:31Of brands

00:19:32For which

00:19:33He was already working

00:19:34She

00:19:34From a friend

00:19:36Were you already together?

00:19:38No

00:19:38Not yet

00:19:39Let's talk about your story

00:19:43Let's talk about the beginning

00:19:44From the 70s

00:19:45And Gianni has always had

00:19:48Even when

00:19:48The Gianni Versace

00:19:49It wasn't there yet

00:19:51A great penchant

00:19:52For women

00:19:53For the female figure

00:19:56And he saw her

00:19:58Absolutely

00:19:59Full of charm

00:20:01Full of

00:20:02Yes, even rich

00:20:04Even opulent

00:20:05But not vulgar

00:20:06No, it wasn't anymore in my opinion

00:20:08A strong woman

00:20:11Strong

00:20:12Yes

00:20:13A determined woman

00:20:14Understood?

00:20:15That is, a woman who was

00:20:16In many ways

00:20:18Not tied

00:20:19To classicism

00:20:21Here you are

00:20:21But not even

00:20:23What is called

00:20:24A big show

00:20:25Sorry to interrupt you.

00:20:27Please

00:20:27This

00:20:27It's indisputable

00:20:29What she said

00:20:30Meaning what

00:20:31Versace's creations

00:20:33On the body

00:20:35Of those models

00:20:36They release

00:20:37A remarkable charge

00:20:39Sensual

00:20:40In a homosexual

00:20:42This accent

00:20:43Underline

00:20:44Of female sensuality

00:20:46Is it right or not?

00:20:48Or just because

00:20:49Was he a homosexual?

00:20:51No

00:20:51Not necessary

00:20:52Not necessary

00:20:53Absolutely not.

00:20:54It was more of an image

00:20:55Of a type of woman

00:20:57That he loved

00:20:58What was it?

00:20:59Sofia Lope

00:21:01It was Silvana Mangaro

00:21:03They were beautiful women

00:21:05Mediterranean

00:21:06Prosperous

00:21:06Mediterranean

00:21:07That he was a little girl

00:21:08He was drawing

00:21:08As he told about it

00:21:09It's very true

00:21:10It's very true

00:21:11Do you think that guy

00:21:12The one that was called

00:21:13Then the increased physical

00:21:15Yes

00:21:16That kind of woman

00:21:17Adriana can confirm this for me.

00:21:19I hope

00:21:20Yes

00:21:20That kind of woman

00:21:21He established himself in Italy

00:21:22Over the years

00:21:23In the late 50s

00:21:24Because Italy was poor

00:21:26Certain

00:21:27Who reacted

00:21:28Who reacted

00:21:29To depression

00:21:38To depression

00:21:39Absolutely

00:21:40And he was left

00:21:42Tied to that guy

00:21:43Very close

00:21:44And from the point of view

00:21:45Excuse me Adriana

00:21:46From the point of view

00:21:47Stylistic

00:21:47More generally

00:21:48In the panorama

00:21:49So vast

00:21:51Of the creation

00:21:51In Italian fashion

00:21:52What does he do?

00:21:53He represented

00:21:54It wasn't that big

00:21:55The panorama

00:21:56Of Italian creation

00:21:57I see that they are

00:21:58Two poles

00:21:59Two poles

00:22:00Extremes

00:22:01One was Gianni Versace

00:22:03And the other one

00:22:03It's Giorgio Armani

00:22:05Giorgio Armani

00:22:06Absolutely

00:22:07And that is

00:22:07How would Armani define it?

00:22:10With three adjectives

00:22:10Two adjectives

00:22:11With two adjectives

00:22:12Absolutely essential

00:22:15So minimalist

00:22:19However their audiences

00:22:22They were diametrically opposed

00:22:23And instead Versace

00:22:24Versace

00:22:25Instead redundant

00:22:27But not even baroque

00:22:28Sensual

00:22:29Glamour

00:22:30What Americans

00:22:31They say glamorous

00:22:32What can come?

00:22:34Misunderstood

00:22:35And be taken

00:22:36For vulgar

00:22:37But in reality

00:22:39In Gianni's head

00:22:40It wasn't

00:22:41Listen

00:22:41Adriana

00:22:42She takes care of

00:22:43He had known him for a long time

00:22:44He takes care of this

00:22:45Professionally

00:22:47At his level

00:22:48What did he think?

00:22:49That July morning

00:22:51When he heard the news

00:22:52Well as I think

00:22:54Everyone who knew him

00:22:56First of all

00:22:56A great pain

00:22:58Why Gianni

00:22:59He was a person

00:23:00Very special

00:23:02He was a person

00:23:03Very generous

00:23:04Affectionate

00:23:05If someone was his friend

00:23:08He was a friend

00:23:09Truly

00:23:10Truly

00:23:11There is a person

00:23:12What was given

00:23:13Without miseries

00:23:14Own

00:23:15And from the point of view

00:23:16If there was

00:23:17Professional

00:23:18No from the point of view

00:23:19If there was

00:23:20This thought

00:23:20Of the crime

00:23:22In short

00:23:22Why

00:23:23She asked herself

00:23:24How did this happen?

00:23:25This

00:23:26Well like everyone else

00:23:27Like everyone else

00:23:29Like everyone else

00:23:29Like anyone

00:23:29Why did he come?

00:23:31Also because it was absolutely

00:23:33Unexpected

00:23:34Unexpected

00:23:35We could also make a clarification

00:24:05What we see

00:24:06The environment

00:24:06I am trying to say

00:24:07But in fact

00:24:09Inseo al dessero

00:24:10No

00:24:11Instead of sugar

00:24:13No

00:24:13This is not our case

00:24:15All right

00:24:15This is not our case

00:24:18But there are

00:24:21Antonio D'Amico

00:24:22He said what he said

00:24:23But there were

00:24:24At that time

00:24:25Immediately after

00:24:26The fact

00:24:27Of the shadows

00:24:28Someone wondered

00:24:29American newspapers

00:24:30But also a little bit

00:24:31The Italian ones

00:24:31Maybe by rebound

00:24:33He wondered

00:24:33Possible reasons

00:24:35Possible

00:24:36From

00:24:36That murder

00:24:37So unexpected

00:24:38As he said

00:24:39Adriana Bonassano

00:24:40And this video

00:24:42He tells us

00:24:43What shadows

00:24:43They thickened

00:24:45Immediately after

00:24:46The assassination

00:24:48It had to be

00:24:49The year of the great leap

00:24:501992

00:24:52A new setup

00:24:54Corporate

00:24:54Of the Grif

00:24:55A series of mergers

00:24:56And liquidations

00:24:57To make it slimmer

00:24:58The financial structure

00:25:00But it's the year

00:25:01Of the first shadows

00:25:02The Versace

00:25:04Like other Grifs

00:25:05Made in Italy

00:25:06It ends in the cyclone

00:25:07Clean hands

00:25:08For a story

00:25:08Of alleged bribes

00:25:09To the financial police

00:25:11It will be necessary

00:25:12Prodare to the Court of Appeal

00:25:13To get there

00:25:14To a full acquittal

00:25:15Of the House

00:25:17The troubles

00:25:18They never arrive alone

00:25:20The year after

00:25:21A long article

00:25:22From the English newspaper

00:25:23Independent on Sunday

00:25:24Connect the fortunes

00:25:26By Versace

00:25:26On alleged accounting steps

00:25:28And relationships

00:25:28With the Calabrian mafia

00:25:29The story

00:25:31It's solved

00:25:32With a complaint

00:25:32Compensation

00:25:33And the newspaper's apologies

00:25:34The Versaces

00:25:35They come out clean

00:25:37More trouble

00:25:38Gianni discovers

00:25:40Of having a tumor

00:25:40In the ear

00:25:41After the treatments

00:25:42The healing

00:25:43And the return

00:26:09In a big way

00:26:09Gianni Versace

00:26:11It's July

00:26:121997

00:26:14A few days before

00:26:15About the appointment

00:26:16With destiny

00:26:23Here you are

00:26:24Have you heard?

00:26:25The latest news

00:26:26About this video

00:26:27And that's what interests us

00:26:28For the continuation

00:26:29Of the story

00:26:30The company

00:26:31The company

00:26:32Gianni Versace

00:26:33He was about to enter

00:26:34On the stock exchange

00:26:35What does it mean?

00:26:37When a company

00:26:38Born by hand

00:26:39As almost always

00:26:40These companies

00:26:41That have a high

00:26:42Creativity coefficient

00:26:43Like that one

00:26:45Of a designer

00:26:46In fashion

00:26:47Even of a designer

00:26:48Industrial

00:26:49Go public

00:26:50We have here with us

00:26:52This evening

00:26:52Paola Bottelli

00:26:53Who is a journalist

00:26:54Economical

00:26:55Of the sun 24 hours

00:26:56I thank you

00:26:57Like the others

00:26:58Oxini

00:26:58One evening

00:26:58Carabottelli

00:26:59If you want to sit down

00:27:00On the lizard

00:27:04At that time

00:27:04I saw that she

00:27:05He shook his head

00:27:06While it was on air

00:27:07The video

00:27:08To the word bribes

00:27:10He said

00:27:10He did so

00:27:11Yes because really

00:27:11Talking about bribes

00:27:12In this Italy

00:27:13It seems a bit ridiculous to me

00:27:14That is, how to go and get

00:27:15The little mote

00:27:16When there is a mountain

00:27:17Of troubles

00:27:18No

00:27:18I on this fact

00:27:19Of bribes

00:27:20I'm not very

00:27:21It seems like a problem to me

00:27:23Insignificant

00:27:24In the context of this story

00:27:25On Versace

00:27:26Certainly 97

00:27:27It was a year

00:27:29Fundamental

00:27:30For this company

00:27:31Why did we go to the stock market?

00:27:32We went to the stock exchange

00:27:33With a situation

00:27:34Stupendous

00:27:35Of the accounts

00:27:36970 billion

00:27:37Some old lire

00:27:38Almost a thousand

00:27:39They have been said before

00:27:40About 200 billion

00:27:42Of use

00:27:42In that year

00:27:43When a company

00:27:44It goes on the stock exchange

00:27:45Excuse me

00:27:46200 billion

00:27:47Of use

00:27:48After taxes

00:27:49Yes

00:27:49200 billion

00:27:50About useful

00:27:51But one thing

00:27:52But in the fashion world

00:27:54Profits are very high

00:27:55Because he can do them

00:27:56Not everyone can do them

00:27:57The Versace

00:27:58For example

00:27:58At this moment

00:27:59He can't do them

00:28:00It is at a loss

00:28:00But then

00:28:02It was a moment

00:28:03Successful

00:28:04Resounding

00:28:04When a company

00:28:05It goes on the stock exchange

00:28:06The main thing

00:28:07It's that the balance sheets

00:28:08They are passed through a sieve

00:28:09So also

00:28:11The voices of

00:28:12Drangheta

00:28:13Mafia

00:28:14They are all

00:28:14Voices in my opinion

00:28:15Even a little bit

00:28:16Ridiculous

00:28:17It is known that

00:28:18Not all companies

00:28:20Which are listed on the stock exchange

00:28:21They are pure

00:28:21Why

00:28:22I see that Diana Mulassano

00:28:23Do this with you

00:28:23Absolutely

00:28:25It's not that the companies

00:28:26Quoted

00:28:26Let them all be pure

00:28:27Why the cases

00:28:28Parmalat

00:28:28Cirio

00:28:29So Italy

00:28:29Enron

00:28:30In America

00:28:31They have demonstrated

00:28:31Which unfortunately

00:28:32It's not like that

00:28:33But

00:28:33I think at that moment

00:28:35The balance sheets

00:28:35If only they were really

00:28:36In a situation

00:28:38Fabulous

00:28:38Unfortunately

00:28:39Now it is not like that

00:28:40And it's in progress

00:28:41A renovation

00:28:42Very heavy

00:28:43But the situation

00:28:44Of Versace

00:28:44It's not dramatic

00:28:46From the point of view

00:28:47The accounts

00:28:47As well as many

00:28:48They are telling

00:28:49D'Amico

00:28:50She was there

00:28:51When all this

00:28:53That our friend

00:28:54Bottelli

00:28:55He has so lively

00:28:56Rebuilt

00:28:57It happened

00:28:57What's the atmosphere like?

00:28:59This passage

00:29:00On the stock exchange

00:29:01But also referring to

00:29:02To what she said

00:29:03There is work to be done

00:29:05An observation

00:29:07Important

00:29:07Gianni

00:29:08Era

00:29:09The hen

00:29:10Golden eggs

00:29:11The hen

00:29:11Speak a little louder

00:29:12The hen

00:29:13Golden eggs

00:29:14I'm a little harsh

00:29:15Dorito

00:29:15So

00:29:16The company

00:29:17She was very healthy

00:29:18And any operation

00:29:20The company

00:29:21If he wanted to do it

00:29:21He had the support

00:29:24Of a character

00:29:25So strong

00:29:25That alone

00:29:27It was worth it

00:29:27Billion

00:29:28I understand

00:29:30So any operation

00:29:32The aversion

00:29:33Had he ever undertaken

00:29:34Rightly

00:29:35Do you remember it?

00:29:36It was anyway

00:29:38Seized by the banks

00:29:39Because anyway

00:29:40It was money

00:29:41That they were returning

00:29:41The next day

00:29:42Why Gianni

00:29:44Considering the oar

00:29:45About fashion

00:29:46Anything

00:29:47Had he ever done

00:29:48That it was a house

00:29:49That it was a painting

00:29:50That it was

00:29:50The shop

00:29:52Of glasses

00:29:53He was able to exalt

00:29:55Mediatically

00:29:56Any operation

00:29:57And it made it become

00:29:58A historic event

00:30:00Anyone

00:30:00Insignificant thing

00:30:01Here you are

00:30:02Yes there he said

00:30:02A very right thing

00:30:04Let's hear

00:30:04Gianni was

00:30:05The greatest

00:30:06Communicator

00:30:07About fashion

00:30:08For example

00:30:09I remember

00:30:10The first campaigns

00:30:11Advertising

00:30:12What did they do?

00:30:13Discuss the world

00:30:15Those were the ones

00:30:16By Gianni Versace

00:30:16Years?

00:30:181980s

00:30:19With Avedon

00:30:22Irving Penn

00:30:23Then again

00:30:24Bruce Weber

00:30:26The best

00:30:27The vote

00:30:29It also served

00:30:29To support

00:30:30These investments

00:30:31Massifs

00:30:32Open shops

00:30:33To make yourself known

00:30:34All over the world

00:30:34The shops are expensive

00:30:3610 billion

00:30:3720 billion

00:30:37Depending on the positions

00:30:39Which are chosen

00:30:39In the world capitals

00:30:41And the investments

00:30:41Advertisers

00:30:42In recent years

00:30:43In fashion

00:30:44They were

00:30:44In order

00:30:44Of the 50

00:30:4560 billion

00:30:46I'm talking about the old lire

00:30:47Per year

00:30:48For these brands

00:30:49Important

00:30:51Excuse me

00:30:51But

00:30:52The bottle

00:30:53Rightly

00:30:53She is a journalist

00:30:54Economical

00:30:55She is a specialist

00:30:56About fashion

00:30:56The question is

00:30:59Respect to creativity

00:31:00I said first

00:31:01In a manner

00:31:02A little clumsy

00:31:03Let's hope

00:31:03The craftsman

00:31:04What is there?

00:31:05With the sheet of paper

00:31:06In hand

00:31:07And the pen

00:31:07And draw

00:31:09Those four traits

00:31:10He outlined

00:31:12A dress

00:31:12He launched

00:31:13A line

00:31:16Pass by

00:31:17Becoming

00:31:17With the advice

00:31:18Of administration

00:31:19The bag

00:31:21His

00:31:21The down

00:31:22There is no risk

00:31:23To cocoon oneself

00:31:24No

00:31:25Absolutely not

00:31:26On the contrary

00:31:26The success

00:31:27It's an adrenaline rush

00:31:29Scary

00:31:30Look

00:31:31Tom Ford

00:31:31With the peel

00:31:32For example

00:31:33Tom Ford

00:31:34With the peel

00:31:36Let's look

00:31:36Armani

00:31:37I am trying to say

00:31:38It was an adrenaline rush

00:31:39For everyone

00:31:40The more you have

00:31:41Successful

00:31:42The more you get

00:31:43The desire

00:31:43To do

00:31:43Who were they in those 70s?

00:31:45The Lancers

00:31:46Alone

00:31:47Versace

00:31:47And Armani

00:31:49And Armani

00:31:50That other one

00:31:52Missoni

00:31:53What he does

00:31:55All other stories

00:31:57Missoni

00:31:58They are people

00:31:59It's a wonderful company

00:32:01They are people

00:32:03Stunning

00:32:03But

00:32:05All Italian fashion

00:32:07It's a trend

00:32:08Family-sized

00:32:09The only true family

00:32:12Of Italian fashion

00:32:13They are the Missonis

00:32:14And they are also the only ones

00:32:16That they succeeded

00:32:16To transmit

00:32:18To the children

00:32:19And the Fendi

00:32:21Also

00:32:22Less

00:32:23So what?

00:32:24If I say Prada

00:32:25If I say Gucci

00:32:26And instead

00:32:27Versace

00:32:29In my opinion

00:32:30I will say now

00:32:31A donkey ride

00:32:32She will correct me

00:32:33Surely

00:32:34You have to correct me.

00:32:36But in my opinion

00:32:38The fact

00:32:40What a Versace

00:32:42If he wanted to come in

00:32:42On the stock exchange

00:32:43It was due

00:32:44Even to the fact

00:32:45That he was

00:32:45Very

00:32:46Conscious

00:32:47Of the fact

00:32:48Of the fact

00:32:49That after him

00:32:50A premual

00:32:51Of the uge

00:32:52Eh

00:32:52Meaning what

00:32:53He places himself

00:32:54It will be placed

00:32:55I imagine

00:32:56The problem

00:32:57From the

00:32:57Of the succession

00:32:59From a friend

00:33:00He asked himself this question

00:33:01The problem

00:33:01Of the succession

00:33:02Yes

00:33:03In my opinion

00:33:04And how

00:33:05As for her

00:33:07It turns out

00:33:07How did he solve it?

00:33:08He solved it

00:33:09With the fact

00:33:10That

00:33:10The entrance

00:33:11On the stock exchange

00:33:12He was putting

00:33:13The agenda

00:33:14In a state

00:33:15Different

00:33:16So

00:33:17Of great

00:33:18Safety

00:33:19Then

00:33:20I am trying to say

00:33:21He would have gone

00:33:22Let's get to work

00:33:22Until

00:33:23Had he had

00:33:24The possibility

00:33:25To do it

00:33:26He would never have

00:33:27Abandoned

00:33:27AND

00:33:29Then

00:33:30In the future

00:33:31Long

00:33:32In the long term

00:33:33There would have been

00:33:34Anyway

00:33:34The sister

00:33:35The grandchildren

00:33:36Etc

00:33:37But

00:33:37The problem

00:33:38It wouldn't have been

00:33:39More space

00:33:39Because anyway

00:33:40It was a company

00:33:41To action

00:33:41So

00:33:42We have

00:33:43Excuse me

00:33:44Potelli

00:33:44I saw

00:33:45But

00:33:45There is time

00:33:47There is time

00:33:48On the contrary

00:33:48We need to delve deeper

00:33:49But first

00:33:50I wanted to show you

00:33:52We have some statements

00:33:54We're talking about him

00:33:55How he reacted

00:33:56How he behaved

00:33:57We put together

00:33:58A collage

00:33:59A series of statements

00:34:01By Versace

00:34:01Which illustrate it to us

00:34:02A little better

00:34:04Let's hear them

00:34:14In each of us

00:34:15There is a male part

00:34:16And feminine

00:34:16I succeeded

00:34:17To take them out

00:34:18Both

00:34:18And I'm not ashamed of it

00:34:19I believe that all people

00:34:21With a minimum of intelligence

00:34:22They try hard to understand

00:34:23The man inside

00:34:25And the woman inside

00:34:26Because it seems like there is

00:34:27Inside each of us

00:34:28Many people reject it

00:34:29Due to stupidity complexes

00:34:38I'm interested in change

00:34:40Because I think it is

00:34:41The only way

00:34:42To stay young

00:34:43And change continuously

00:34:44I've been challenging since

00:34:45The Altamodo in Paris

00:34:46The French adopted me

00:34:48And the same now in America

00:34:49But I'm always Italian

00:34:51Thank goodness

00:34:52After all, why Marco?

00:34:53Molò go around

00:34:54And Christopher Columbus

00:34:55He's come this far

00:34:56I think there is some reason

00:34:57May there be one for us too

00:34:59These are the statements

00:35:01By Versace

00:35:02D'Amico recognizes it

00:35:04In these sentences?

00:35:07We can take them on

00:35:08How typical of you?

00:35:10I don't know if they are really typical of him.

00:35:13Let's say that in certain cases

00:35:14When he is interviewed

00:35:16Can exhibit

00:35:18But knowing him well

00:35:21In his great shyness

00:35:24Because he was a man

00:35:25Because he was a man of a shyness

00:35:27Truly childish

00:35:28As a child

00:35:29Yes

00:35:30I know that he

00:35:31Actually

00:35:32He's also naive

00:35:32It's like Moulassano says

00:35:34Even naive

00:35:34You don't talk to each other

00:35:36He must speak

00:35:37Even naive

00:35:54He listened to everyone

00:35:56But then the final decision

00:35:58It was his

00:35:58Because it was something

00:36:00What he had to feel inside himself

00:36:02In his safety

00:36:04I always take things a bit too far

00:36:05About what she says

00:36:06Do you know why?

00:36:07Because I guess

00:36:08That even at a distance now

00:36:09Eight years old

00:36:10She is always a little veiled

00:36:13From affection

00:36:14So what?

00:36:15I have always been

00:36:16A very honest person with Gianni

00:36:18Even in criticism

00:36:20That is Gianni

00:36:21She has always been a person

00:36:21Who has always accepted criticism

00:36:23And then from the criticisms

00:36:27It solved the problem

00:36:28Which was to decide

00:36:30If we go ahead

00:36:31Or take a step back

00:36:33To apologize

00:36:35If

00:36:35Understood?

00:36:36I have always been critical of him.

00:36:37I was saying

00:36:38You're doing well

00:36:40You're doing wrong

00:36:40In my opinion you're exaggerating.

00:36:42In my opinion

00:36:42Understood?

00:36:43Bottelli

00:36:43There

00:36:45It's true that he had slowed down a bit

00:36:47Anyway

00:36:48After that illness

00:36:49What he had had

00:36:50And indeed

00:36:51It was then said

00:36:52We have it

00:36:53Seen in the news

00:36:54Of time

00:36:55Building the episode

00:36:56What was it?

00:36:57It was expected

00:36:58A sensational announcement

00:37:00Over the course of the summer

00:37:01No

00:37:02But I this thing

00:37:03I've never heard of it

00:37:04I've never heard of it

00:37:05She never heard it either

00:37:07So it will be one of the usual lies

00:37:09What newspapers publish

00:37:10In the world of fashion

00:37:11Everyone says yes

00:37:12They make up a lot of things

00:37:13I note that out of three guests

00:37:15Two are journalists

00:37:16Yes but there is a lot

00:37:17There's a morbidity about Versace

00:37:20Always exaggerated

00:37:21But in the fashion world

00:37:23In general

00:37:23The gossip

00:37:25Reigns supreme

00:37:25In all fields

00:37:27In the field of style

00:37:27Of finance

00:37:28Of anything

00:37:30Fashion-related

00:37:30I liked it

00:37:31When I said

00:37:32Newspapers publish lies

00:37:33You did it with enthusiasm

00:37:34The head is dry

00:37:35I am trying to say

00:37:36Excuse me

00:37:37I had respect

00:37:38The fact of slowing down

00:37:39It was just a parenthesis

00:37:40Because he needed treatment

00:37:43And it was necessary

00:37:45Because anyway

00:37:46Like any man

00:37:48Knowing that you may have cancer

00:37:51It puts you in great fear

00:37:52I don't want to talk about it

00:37:54Here it is

00:37:55Instead I would like us to resume

00:37:58The thread of our history

00:37:59What we left behind

00:38:01To talk

00:38:01But dutifully

00:38:02Who was Versace?

00:38:04And to go and understand

00:38:07Better

00:38:08Who was he?

00:38:08His killer

00:38:10That is, that

00:38:11Andrew Philip Cunanan

00:38:13That

00:38:14That morning

00:38:16He shot

00:38:20Andrew Cunanan

00:38:2227 years old

00:38:23From May 9, 1997

00:38:24Highly sought after

00:38:28A monster

00:38:30A ruthless killer

00:38:31Technically a spree killer

00:38:33Of those who kill

00:38:34In a short time

00:38:35In the grip of a sudden frenzy

00:38:36Without a fixed rule

00:38:37An unconventional killer

00:38:39But who is he really?

00:38:41Andrew Cunanan?

00:38:44His real name is

00:38:46Andrew Philip Schillaci Cunanan

00:38:48The last grandchild

00:38:49Of grandparents from Palermo

00:38:50Emigrants to Ohio

00:38:51In 1928

00:38:52The mother

00:38:53She is Italian-American

00:38:54The father

00:38:55Pete Cunanan

00:38:56He is a former sailor

00:38:57Of the Navy

00:38:58Of Filipino blood

00:39:00Andrew's Birth

00:39:01In 1970

00:39:02In San Diego

00:39:03Last of four children

00:39:04It's the attempt

00:39:05To strengthen

00:39:06A marriage in pieces

00:39:07But a few years later

00:39:08Tensions explode

00:39:10The father will run away

00:39:11In the Philippines

00:39:12After selling the house

00:39:15Andrew is a boy

00:39:16Very intelligent

00:39:17Of Catholic education

00:39:19Will try to sign up

00:39:20At the university

00:39:21In history class

00:39:22But it will only last a year

00:39:23In this period

00:39:25Start dating

00:39:26Expensive places

00:39:27Of the homosexual circuit

00:39:28Californian

00:39:29She dresses well

00:39:30It's brilliant

00:39:31In conversations

00:39:31But for sure

00:39:32He can't afford it

00:39:33This life

00:39:34How is it maintained?

00:39:37He's a prostitute

00:39:38High-class

00:39:38What will the mother say?

00:39:40It seems so

00:39:40He supports himself with money

00:39:42Of rich men

00:39:43Older people

00:39:43Probably

00:39:44As someone says

00:39:45He also sells drugs

00:39:49A pineapple with extreme flavors

00:39:51Porn

00:39:52Sadomasochism

00:39:53A trend

00:39:54Which is increasing dangerously

00:39:55In the last period

00:39:56Along with its fragility

00:39:58When he arrives in Miami

00:40:00May 11, 97

00:40:01It blends in perfectly

00:40:02In the local gay scene

00:40:04An environment that knows

00:40:05To perfection

00:40:06For two months

00:40:07Become invisible

00:40:09Hard to say

00:40:10If he already knew Versace

00:40:11He often told

00:40:13To friends in San Diego

00:40:14Of having met him

00:40:15October 21st

00:40:16From 1990

00:40:16In San Francisco

00:40:19Versace

00:40:19He was there for the first time

00:40:20Of Strauss's Caprice

00:40:21Of which

00:40:22He had taken care of the costumes

00:40:24Cunanan

00:40:25He would have fixed it

00:40:26A ticket

00:40:26For a VIP party

00:40:27They would have spoken to each other

00:40:29They would have gone

00:40:30Having dinner together

00:40:31But maybe

00:40:32It's just

00:40:32One of the many lies

00:40:34Of a fragile boy

00:40:34Who wants to be accepted

00:40:36Being at the center

00:40:37Of attention

00:40:38At any cost

00:40:38To the extreme

00:40:40Final escalation

00:40:43In short

00:40:44This Cunanan

00:40:45A little guy

00:40:46Let's say

00:40:46To take a little

00:40:47With springs

00:40:48Have you heard?

00:40:50In the video

00:40:51The definition

00:40:52This is how he defined it

00:40:53The FBI

00:40:54In the 70s

00:40:55Spree killer

00:40:56I went

00:40:57To check

00:40:58Spree

00:40:59It means

00:41:00In American parlance

00:41:03Party

00:41:03Revelry

00:41:04Carousal

00:41:05At that time

00:41:05Put together with killers

00:41:07What does murderer mean?

00:41:08I translated

00:41:09A bit'

00:41:09Haphazardly

00:41:10A murderer

00:41:12Chaotic

00:41:13But we have here

00:41:15In the studio

00:41:16Paul De Pasquale

00:41:17Criminologist

00:41:17Which followed

00:41:18Many cases

00:41:19Of monsters

00:41:21Foligno

00:41:22Up to Florence

00:41:23To whom I would like to ask

00:41:25De Pasquale

00:41:25I don't see it

00:41:26He gets up

00:41:27There he is

00:41:28Good evening

00:41:29Good evening

00:41:29I was saying

00:41:30Chaotic Assassin

00:41:31She

00:41:32No, eh

00:41:33Maybe it's more correct

00:41:34Translate it

00:41:35Compulsive killer

00:41:36Compulsive

00:41:37Exactly

00:41:38That is, it is a subject

00:41:39That kills

00:41:40In a compulsive form

00:41:42Two or more people

00:41:43In a single event

00:41:45That is, with the same

00:41:46Mood

00:41:47It strikes

00:41:48Let's say

00:41:49Doing a sort of

00:41:50Of prolonged slaughter

00:41:52That is, he kills

00:41:53A

00:41:54Two people

00:41:55Then continue

00:41:56The situation

00:41:56Generally in environments

00:41:58Contiguous

00:41:59To those of whom

00:42:00Where he had completed

00:42:01The first crimes

00:42:02And then

00:42:03Let's say

00:42:04It stops

00:42:05It stops

00:42:06Usually

00:42:07Why do people kill themselves?

00:42:09Or more

00:42:09Often

00:42:11Let's say

00:42:11He kills himself

00:42:25They don't think

00:42:25Not to let go

00:42:27Capture

00:42:27And they are looking for it

00:42:29This final conflict

00:42:30In which then

00:42:31There is the final apotheosis

00:42:32Which provides

00:42:33In their intent

00:42:35Even one's own death

00:42:36So if I understand

00:42:38She is a criminologist

00:42:39But in short there are strong elements of psychology

00:42:42In what he said

00:42:43If I understand correctly

00:42:44But correct me.

00:42:45He's a man

00:42:47Very disturbed

00:42:49In short

00:42:49Very disturbed

00:42:51Psychically

00:42:52Usually

00:42:54Mass murders

00:42:56And the waste-makers

00:42:57They are subjects

00:42:58With serious

00:42:58Serious

00:42:59Serious

00:42:59Mental ethologies

00:43:00They have

00:43:01Disruption of type

00:43:02Paranoid

00:43:03Oh big depressions

00:43:05AND

00:43:06Otherwise

00:43:07To the serial killer

00:43:07Which instead

00:43:08Not always

00:43:09He has mental illnesses

00:43:10But surely

00:43:11The waste-maker

00:43:11Part from

00:43:12A motivation

00:43:14Pathological

00:43:15Usually

00:43:16A strong feeling

00:43:16Of anger

00:43:17A desire for revenge

00:43:19A strong grudge

00:43:20And he kills

00:43:21Some people

00:43:21What do you think?

00:43:22That they are enemies

00:43:24And then though

00:43:25Extends

00:43:26Let's say

00:43:26This

00:43:27This massacre

00:43:28To others too

00:43:29That they are not guilty

00:43:30Listen

00:43:32Him

00:43:33These victims

00:43:35Against which

00:43:35He lashes out

00:43:36And that kills

00:43:38You can

00:43:39Know

00:43:41It may not

00:43:41Know

00:43:42That is, it acts

00:43:43Also

00:43:43Out on a limb

00:43:45Like those

00:43:45That are read

00:43:46For the American record

00:43:47That from

00:43:47From the thirteenth floor

00:43:49They start shooting

00:43:50With a carbine

00:43:51No here

00:43:51They are two different types

00:43:53The sniper

00:43:54He's a shooter

00:43:55To people he doesn't know

00:43:56Instead

00:43:57The Spree Killer

00:43:58He is a person

00:43:59Which usually

00:44:00What did he call it?

00:44:01Excuse me

00:44:01Compulsive homicide

00:44:03Compulsive homicide

00:44:04Let us remember

00:44:05Exact

00:44:06The first people he kills

00:44:35The gallery

00:44:36The gallery of enterprises

00:44:37In quotation marks

00:44:38Of which Conana

00:44:40He had been the protagonist

00:44:41Before arriving in Miami

00:44:43That July morning

00:44:45We see it

00:44:46Immediately after

00:44:46This short commercial break

00:44:58You like to win easily

00:45:00Even bigger

00:45:01And you win

00:45:02Even easier

00:45:03What do you win?

00:45:08Sometimes we feel uncomfortable

00:45:10But then Activia

00:45:12With Bifidus Essensis

00:45:14After 15 days

00:45:15It helps us to find

00:45:16Our regularity

00:45:17And like me

00:45:188 out of 10 women

00:45:19They suggest it

00:45:20Activia

00:45:21After 15 days

00:45:23Helps your natural regularity

00:45:248 out of 10 women

00:45:26After consuming Activia

00:45:27Every day for 15 days

00:45:29I agree

00:45:30Activia solves

00:45:31Intestinal transit problems

00:45:32And from today

00:45:33Discover the goodness

00:45:35Some new Activia Bran

00:45:36It's from the name

00:45:38Since the world

00:45:40It's not perfect

00:45:41You need to

00:45:41Degreaser figure

00:45:42With bicarbonate

00:45:43Effective against fat

00:45:44Grease and encrustations

00:45:45The perfect product

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00:45:51With tray and gisipil

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00:46:06I wish summer could last forever

00:46:21With Vodafone

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00:46:22Summer never ends

00:46:24With Super Summer Card

00:46:26We'll give you a month of phone calls.

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00:46:29All the time you want

00:46:31Vodafone

00:46:32All around you

00:46:48If there is one thing that the national team

00:46:51And without anything

00:46:52And that we have to try

00:46:58Up to a ninetieth

00:47:01For one

00:47:03One of us

00:47:06Sun, baths

00:47:07Summer is the best

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00:47:10To protect them

00:47:11For a unique treatment

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00:47:58For twenty years I have been getting up at 5

00:47:59And I come on these paths

00:48:01This is where the revelation grows

00:48:03A unique grain in the world

00:48:05Which I grow only for Barilla

00:48:07Our pasta is born here

00:48:14The one I raised my kids on

00:48:17But not only mine

00:48:18Many more

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00:48:20How many are these challenges?

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00:48:32Acquapanna is with you

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00:48:38Delicate to you

00:48:48The journey continues on the route to Timbuktu

00:48:51Following in the footsteps of Jules Bern

00:48:53Sveva Sagramola travels around the world

00:48:55Visiting the Mysterious Orient

00:48:57Africa and the Masai

00:48:59The ethical ISOs

00:49:00San Francisco

00:49:29And many other places still

00:49:31And Patrizio Roversi

00:49:32They tell the story of Southeast Asia

00:49:34Visiting Thailand

00:49:35And its capital Bangkok

00:49:36The mysterious Bali

00:49:37And finally

00:49:38The legendary Vietnam

00:49:40A journey of discovery

00:49:41Of other cultures

00:49:42And it's an opportunity

00:49:43To meditate with irony

00:49:45On development

00:49:46Wealth

00:49:46Poverty

00:49:47And globalization

00:49:48Belisti by chance

00:49:49The other half of the world

00:49:51Sunday at 9pm

00:49:52On Rai 3

00:50:01Here we are

00:50:03So here we are back in connection

00:50:05We were talking about his career

00:50:08So to speak

00:50:08The Versace Murder

00:50:09And the career

00:50:10Always in quotation marks

00:50:12Of his murderer

00:50:14Andrew Philip Cunanan

00:50:15That before arriving

00:50:17In Miami

00:50:18To kill

00:50:19The stylist

00:50:20He had committed

00:50:22A long series

00:50:23Of criminal actions

00:50:24That this video

00:50:25Rebuilds

00:50:26The video

00:50:27And like everyone else

00:50:28Of the episode

00:50:29And edited by Francesca Carli

00:50:31And Tommaso Liberti

00:50:33We see

00:50:35Andrew Cunanan's Journey

00:50:37It starts in San Diego

00:50:38In April 1997

00:50:40Cunanan lost everything

00:50:42His companion

00:50:44A wealthy 58-year-old

00:50:45He leaves it

00:50:46Andrew has too many demands

00:50:48And delusions of grandeur

00:50:49He wants more money

00:50:51He wants a luxury car

00:50:52Instead

00:50:53It is liquidated

00:50:56April 25th

00:50:57Cunanan flies to Minneapolis

00:50:59In Minnesota

00:51:00Maybe he wants to start a new life

00:51:02He thinks of exploiting

00:51:03Two old acquaintances

00:51:04Jeff Trail

00:51:05And David Madson

00:51:06But he miscalculated

00:51:08Neither of the two

00:51:09Wants to know more about him

00:51:11Andrew Cunanan

00:51:12He loses completely

00:51:13Self-control

00:51:14His first crime

00:51:16It's atrocious

00:51:16He kills with hammer blows

00:51:18Jeff Trail

00:51:18Then

00:51:19He steals his gun

00:51:20And she runs away with David Madson

00:51:22At Lake Russia

00:51:22It's Tuesday, April 29th

00:51:26David Madson

00:51:27He's an accomplice

00:51:28Of the sudden impulse

00:51:28Andrew's Friendship

00:51:29We will never know

00:51:31A few days later

00:51:32Indeed

00:51:32It is discovered

00:51:33Even his corpse

00:51:34It was cooled down

00:51:35Against gunshots

00:51:37In the lead

00:51:37And behind

00:51:39While the investigators

00:51:40They try to understand

00:51:41Whoever could have

00:51:42To commit the crime

00:51:43Andrew Cunanan

00:51:44It's already far away

00:51:45He stole the jeep

00:51:46Red Cherokee

00:51:47By Madson

00:51:47And it burned

00:51:48Almost 900 kilometers

00:51:49Up to Chicago

00:51:50It arrives on April 30th

00:51:52At 6 in the morning

00:51:54Park near your home

00:51:55By Lee Miglin

00:51:5672 years old

00:51:57Real estate tycoon

00:51:58Father of a family

00:51:59Was Miglin an acquaintance?

00:52:01Another of her lovers?

00:52:03Or a victim

00:52:04It happened at home

00:52:05On his path?

00:52:06You'll never know

00:52:07Miglin

00:52:08He will be found again

00:52:09In his garage

00:52:10Horribly tortured

00:52:11Bound

00:52:12And stabbed to death

00:52:14Cunanan

00:52:15He stole from him too

00:52:16The car

00:52:16And he resumed his escape

00:52:18The last car though

00:52:19It's a luxurious Lexus

00:52:20He has a satellite phone

00:52:22The police

00:52:23Follow the signal

00:52:24Of the telephone

00:52:25And Cunanan

00:52:25He knows it from the radio news

00:52:27It travels many kilometers

00:52:29May 3rd

00:52:30It's in Michigan

00:52:30Sunday 4th

00:52:32It's in Pennsylvania

00:52:32The next day

00:52:33In New York

00:52:36Then on May 9th

00:52:38The escape resumes

00:52:38But he always has to change cars

00:52:40The satellite intercepts it

00:52:42In the afternoon in Philadelphia

00:52:43Then in southern New Jersey

00:52:45In Pennsville

00:52:46Near a cemetery

00:52:48Kill the keeper

00:52:49William Reese

00:52:50And he steals from him

00:52:51The little red truck

00:52:53Night again

00:52:54Invisible again

00:52:55Four dead on the shoulders

00:52:57Such a long way to go now

00:52:59Behind him

00:52:59Useless deaths

00:53:00More and more senseless

00:53:02It's getting closer to Miami

00:53:03May 11th

00:53:04After having traveled

00:53:05In two days

00:53:05Almost 1800 kilometers

00:53:07At this point

00:53:08He has nothing left to lose

00:53:09Perhaps

00:53:10They come back to mind

00:53:11Words spoken to a friend

00:53:12At the San Diego airport

00:53:13At the beginning of this crazy journey

00:53:16He was talking about a stylist

00:53:17Who lives in Miami Beach

00:53:19Versace

00:53:20He's the worst stylist

00:53:21Of all time

00:53:22It's the pretentious one

00:53:23Pompous

00:53:23Arrogant

00:53:24I hate it

00:53:30Here you are

00:53:31This one then

00:53:32The criminal

00:53:34Muddy

00:53:35Career

00:53:36Of this murderer

00:53:38Compulsive

00:53:39As he told us

00:53:40The criminologist

00:53:41Paul De Pasquale

00:53:42What is it?

00:53:43Up there

00:53:44In his post

00:53:45What effect?

00:53:46He did it to her

00:53:47This video

00:53:48He got it from it

00:53:49Some confirmations

00:53:50Of the elements

00:53:51Which is interesting

00:53:52Comment

00:53:53Yes indeed

00:53:54It's well done

00:53:55Rebuilds

00:53:56Appropriately

00:53:57The state of mind

00:53:58What do we say?

00:54:00He had grabbed

00:54:02This subject

00:54:03Which is pushed

00:54:03In desperation

00:54:04In the end

00:54:05He takes the cars

00:54:06Of the various victims

00:54:07What did he do?

00:54:08And this is a sort of

00:54:09By signature

00:54:10Its

00:54:10That is the necessity

00:54:11Psychological

00:54:12To carry with you

00:54:13Something

00:54:14Of the person

00:54:15Who killed

00:54:15And with this machine

00:54:17Leaving

00:54:17Several tracks

00:54:19Behind him

00:54:19In the end

00:54:20Reaches a place

00:54:21That

00:54:21In which

00:54:23He thinks he can stop

00:54:24To reflect

00:54:25To think

00:54:26Andrea

00:54:27Keep that one

00:54:28Framing

00:54:29With that

00:54:30The United States

00:54:31With the track

00:54:32If it is possible

00:54:33With the track

00:54:34Made by Cunana

00:54:35I would like

00:54:36Let me introduce you

00:54:37What a San Diego

00:54:38On the left

00:54:39It's the last city

00:54:41American

00:54:42In the south

00:54:42Before the border

00:54:43With Mexico

00:54:44In California

00:54:45Obviously

00:54:46Look

00:54:47What a trip

00:54:48What's going on?

00:54:49Up to the great lakes

00:54:50He goes down to New York

00:54:51Which then

00:54:52It goes down to the peninsula

00:54:53From Florida

00:54:54What respect

00:54:55To the peninsula

00:54:56From Southern California

00:54:58How do you say

00:54:58They are the two extremes

00:55:00Opposites

00:55:01Of America

00:55:02Meaning what

00:55:02A vastness

00:55:04Of radius

00:55:05But

00:55:05In this vastness

00:55:06Of radius

00:55:06Please

00:55:07In my opinion

00:55:08During this trip

00:55:10That this too

00:55:10It's a compulsive form

00:55:11Take the car

00:55:12And travel

00:55:13There are several subjects

00:55:14That compulsively

00:55:15They do this

00:55:16I believe

00:55:16That he

00:55:17During the trip

00:55:18It occurred to him

00:55:19That in a certain place

00:55:20He lived

00:55:21The third victim

00:55:22For example

00:55:23The father

00:55:23Apparently

00:55:25Of a friend of his

00:55:26Of the university

00:55:27Or colleague at the university

00:55:28So he could

00:55:28To have had

00:55:29That

00:55:30That instinct

00:55:31That stimulus

00:55:32To go to

00:55:33Look for that person

00:55:34To kill

00:55:36In a way

00:55:36Truly atrocious

00:55:37So

00:55:38There it is

00:55:39He wastes it

00:55:39There is the compulsion

00:55:40Find more victims

00:55:42During the journey

00:55:43And the same thing

00:55:44It could have happened

00:55:45With the latest victim

00:55:46To which also

00:55:47Subtracts

00:55:47Let's say the car

00:55:49I have to ask a question

00:55:50But perhaps naive

00:55:51If so,

00:55:52Don't say it.

00:55:53Without shame

00:55:55Him

00:55:56He always left

00:55:57The city

00:55:58After the compulsiveness

00:55:59That she called back

00:56:00The murder was committed

00:56:02He's gone

00:56:03In this case

00:56:04Instead

00:56:04After killing

00:56:05Versace

00:56:06It doesn't go away

00:56:07On the contrary

00:56:09Exact

00:56:09It doesn't go away

00:56:10Because at this point

00:56:11In my opinion

00:56:11Him

00:56:14Become a serial killer

00:56:15He passes by

00:56:16From spree killer

00:56:17A serial killer

00:56:18That is, compulsiveness

00:56:19It ends

00:56:22Physiologically

00:56:22As he was not killed

00:56:24As it happens for everyone else

00:56:25Spree killer

00:56:25He remained alive

00:56:26He was good at sowing

00:56:27Everyone

00:56:28At this point

00:56:29He has a break

00:56:30It's picking up again in my opinion

00:56:31His usual emotionality

00:56:33So go back to living a life

00:56:34Pretty normal

00:56:35And start meditating

00:56:37The great crime

00:56:39That is the crime

00:56:39Of the illustrious character

00:56:41Of celebrity

00:56:41Which to do with

00:56:43A leap in quality

00:56:44Become him too

00:56:45A character

00:56:46Obviously a character

00:56:47In the criminal field

00:56:48But anyway

00:56:49Someone

00:56:50Becoming someone

00:56:51And it seems that it is

00:56:52His obsession

00:56:53From a young age

00:56:53He told his friends

00:56:55Who wanted to be remembered

00:56:56And so he had

00:56:58Let's say this ability

00:57:00Sad and dramatic

00:57:01To be remembered

00:57:02Like the killer

00:57:03By Gianni Versace

00:57:04Thank you Paolo De Pasquale

00:57:06The criminologist

00:57:06Who gave us this

00:57:07He outlined

00:57:09This explanation

00:57:10I to friend

00:57:11Friend and companion

00:57:13For 15 years

00:57:14As he reminded us

00:57:16Before

00:57:16By Gianni Versace

00:57:18I have to ask a question

00:57:19Raw

00:57:21She

00:57:21Which has been for a long time

00:57:23With Versace

00:57:24Can exclude

00:57:25That she

00:57:27And Versace

00:57:29You knew

00:57:30Cunanan

00:57:32Categorically

00:57:33Categorically

00:57:34Yes

00:57:34In the sense of exclusion

00:57:36Even when it was said

00:57:37That

00:57:38The first meeting

00:57:39He had it

00:57:40In San Francisco

00:57:41Beyond the fact

00:57:42That Gianni has arrived

00:57:43Two days in San Francisco

00:57:45For the first

00:57:46And the next day

00:57:47There was the reception

00:57:48Meaning what

00:57:49Immediately after the first

00:57:50There was the reception

00:57:50Of the theater

00:57:52Then they left

00:57:54It was me

00:57:5515 days

00:57:56Which was on stage

00:57:57San Francisco

00:57:57Whim

00:57:58The Caprice

00:58:00Directed by John Cox

00:58:03I worked

00:58:04For

00:58:05Almost a month

00:58:06Moving forward

00:58:07Back from Milan

00:58:08With the San Francisco Theater

00:58:10Gianni has arrived

00:58:11The last two days

00:58:12Because anyway

00:58:13He was preparing

00:58:14The collection in Milan

00:58:15So

00:58:16Can I ask a question?

00:58:19Paola Bottelli

00:58:20In the sun 24 hours

00:58:21Yes my curiosity

00:58:22It's always been this way

00:58:23It's true that he

00:58:23He was a private person

00:58:25You hung out with few people

00:58:26Etc

00:58:26But there have been

00:58:28Some cases

00:58:28In which Gianni Versace

00:58:30He took baths

00:58:31Of crowd

00:58:31In New York for example

00:58:33I participated

00:58:34At the inauguration

00:58:35From the shop

00:58:35On Fifth Avenue

00:58:36Three floors

00:58:37Four floors

00:58:38How many people

00:58:38There must have been

00:58:39That evening

00:58:40Two thousand people

00:58:41Elton John

00:58:42On the floor

00:58:42That was playing

00:58:43And he sang

00:58:43An exceptional thing

00:58:44In those same days

00:58:45A parade

00:58:46On the streets of New York

00:58:47Where he has been

00:58:48If you remember it

00:58:50We were there

00:58:50Where he has been

00:58:51Among the people

00:58:52He spoke to so many people

00:58:54There was a live broadcast

00:58:55On one of these local TVs

00:58:56In New York

00:58:56Who can exclude

00:58:57That they met

00:58:59You met

00:59:00It's impossible

00:59:02Even in situations like this

00:59:03In which one

00:59:04How does it remind you?

00:59:05Yes but why?

00:59:06The problem there

00:59:07This is it

00:59:07That even if there was

00:59:08The crowd bath

00:59:09It's not that he

00:59:10If he stopped

00:59:11To speak

00:59:11With the singles

00:59:13People

00:59:14That were around

00:59:15But it was always

00:59:16In the condition

00:59:17Of being watched

00:59:18And anyway

00:59:19Yes he was very helpful

00:59:20With the others

00:59:20But he

00:59:21His availability

00:59:22It was rather

00:59:23With the public

00:59:24He was happy to chat

00:59:25Absolutely

00:59:26But

00:59:27In this case

00:59:28In San Francisco

00:59:30I doubt

00:59:31What a little boy

00:59:3217 years old

00:59:33Because in that period

00:59:35Let's celebrate 90

00:59:36At 96

00:59:38I think he

00:59:39He was 25-26 years old

00:59:40No?

00:59:40This one here

00:59:41I can't tell you

00:59:42But anyway

00:59:43It was very fair

00:59:4410 years ago

00:59:46All things considered

00:59:4710 years ago

00:59:48In my opinion

00:59:49There wasn't

00:59:50Just possibility

00:59:51Above all

00:59:51In a condition

00:59:53Of the theater

00:59:54Where it was made

00:59:55From the invitations

00:59:56Where it was actually controlled

00:59:58Listen

00:59:58In the villa

00:59:59From Miami

01:00:00You never gave

01:00:01Of the parts

01:00:02Where dozens came

01:00:03Of people

01:00:04All around

01:00:05At the swimming pool

01:00:05A little drunk

01:00:08Absolutely

01:00:08Those who fell

01:00:09In the water

01:00:09In short, as you can see

01:00:10A bit'

01:00:10Neioso

01:00:11Rebuilt

01:00:11So this too

01:00:12It was a party

01:00:12Colette of the world

01:00:13About fashion

01:00:13Because everyone has

01:00:14Always fabled

01:00:14Of these holidays

01:00:15No?

01:00:16In fact

01:00:16There were no such parties

01:00:17There were dinners

01:00:19With friends

01:00:19Of family

01:00:21Dinners with friends

01:00:22Everyone does them

01:00:23The party around

01:00:23At the swimming pool

01:00:24In Miami

01:00:25With dozens of people

01:00:26There was

01:00:26The birthday

01:00:27By Madonna

01:00:28Once

01:00:29There was the party

01:00:30With the Kennedys

01:00:31For children

01:00:32Americans

01:00:34Disabled

01:00:35I am trying to say

01:00:36Gianni was not a person

01:00:37Who loved

01:00:38The party

01:00:38For the party

01:00:39In the sense

01:00:40That he did it

01:00:41But if there was

01:00:42A logical reason

01:00:43Certain

01:00:43Or he loved very much

01:00:44Receiving friends

01:00:45But friends

01:00:46That is, considering one thing too

01:00:48That in America

01:00:49Party

01:00:50After three people

01:00:51Oh party

01:00:51Yes

01:00:52Party at our place

01:00:53It means

01:00:53A big party

01:00:54A big party

01:00:55For us, dinner

01:00:56It is to invite

01:00:57Five

01:00:58Six people

01:00:59And have a night out

01:01:01Of great talk

01:01:03Of type

01:01:03Yes

01:01:04Normal

01:01:05In short

01:01:06I would like

01:01:08Adriana

01:01:08Do you want to say something?

01:01:10I would like

01:01:11Moving forward

01:01:12And continue

01:01:14This story

01:01:15With the intervention

01:01:16From another guest

01:01:17What is it?

01:01:18The Deputy Director

01:01:19Of the brave

01:01:21Weekly

01:01:22The diary

01:01:23A

01:01:24In my opinion

01:01:25One of the best weeklies

01:01:26Let them be published

01:01:27In this country

01:01:28His name is

01:01:29Gianni Barbacetto

01:01:30Good evening

01:01:31Dear Barbacetto

01:01:32That's his place

01:01:33And the

01:01:35Since she listened

01:01:37Thank you

01:01:38Of patience

01:01:39His entrance

01:01:41The first question

01:01:41What I would like to do to you is

01:01:42What an idea

01:01:44It had been done

01:01:45And it was done

01:01:46Of this

01:01:47Story

01:01:47Which she wrote about

01:01:49Long

01:01:50Listening

01:01:51Seeing these movies

01:01:52I confirmed myself

01:01:55In the idea

01:01:55Which is a story

01:01:56Wrong

01:01:57In the sense

01:01:58What if he had written it

01:01:59A writer

01:02:00Or a mystery writer

01:02:02It's a story

01:02:03That's leaky

01:02:04From all sides

01:02:05That doesn't fit together

01:02:06It's a story

01:02:07Wrong

01:02:08Why

01:02:10Why

01:02:12There is a strange one

01:02:14Killer

01:02:14What's coming?

01:02:16From a long

01:02:16Voyage

01:02:17Which is a journey

01:02:18It's the dream

01:02:19American

01:02:19Backwards

01:02:20Instead of

01:02:21Towards the east

01:02:21Towards the West

01:02:23In which he kills

01:02:25Many

01:02:26Four people

01:02:27But he kills them

01:02:28In a ferocious manner

01:02:29He kills them

01:02:30In a manner

01:02:30Very different

01:02:31From the last

01:02:31Homocide

01:02:32What is it?

01:02:33A ruthless one

01:02:34Execution

01:02:35Cold

01:02:38He arrives

01:02:41Kills

01:02:42It disappears

01:02:43A wanted man

01:02:45Highly sought after

01:02:46The Most Wanted Man

01:02:48From America

01:02:49Most wanted

01:02:50As they say

01:02:51Yes

01:02:52He manages to live

01:02:53Before killing

01:02:54Gianni Versace

01:02:55In Miami Beach

01:02:57For quite some time

01:02:59Without anyone finding it

01:03:01Really

01:03:01He can go

01:03:03To make some money

01:03:04To commit

01:03:05A gold coin

01:03:06And they give it to him

01:03:08About eighty

01:03:09From

01:03:09190

01:03:09Aspects

01:03:11I have it here

01:03:11The document

01:03:13By chance

01:03:14Let's put it this way

01:03:15They give him

01:03:17190 dollars

01:03:18This is

01:03:19The photocopy

01:03:19Of the sheet

01:03:21Of that agency

01:03:23Of pledges

01:03:23Cash on the beach

01:03:25Cash on the beach

01:03:26With many

01:03:27On the beach

01:03:28Where

01:03:29Qunan

01:03:30Andrew Phillip

01:03:31Signature

01:03:32Here

01:03:33For

01:03:34190 dollars

01:03:35Exactly

01:03:36A gold coin

01:03:37A gold coin

01:03:38With his name

01:03:39With his name

01:03:40Checks are also carried out

01:03:42I asked

01:03:44To the Miami Beach Police

01:03:47How come

01:03:48Those controls

01:03:49Which were made

01:03:50They didn't get it

01:03:52No results

01:03:53They answered me

01:03:54That

01:03:54The controls

01:03:56On the pledges

01:03:57In the pawn shops

01:03:57They are made

01:03:58On thieves

01:03:59Not about the murderers

01:04:00And so

01:04:00Andrew Qunanan

01:04:01This brings us inside

01:04:04The procedure

01:04:05Of the American police

01:04:06But that though

01:04:07Gianni Provacetto

01:04:09I remember

01:04:09It's one of the best

01:04:11Journalists

01:04:12Of investigation

01:04:12In Italy

01:04:13So

01:04:14As well as

01:04:16His weekly

01:04:17But

01:04:19This video

01:04:20Given that

01:04:20He has

01:04:21Overshadowed

01:04:23Overshadowed

01:04:24Some points

01:04:25Not clarified

01:04:26This video

01:04:27What we see now

01:04:27It brings us back

01:04:28Exactly

01:04:29On these points

01:04:30Not clarified

01:04:36An execution

01:04:37In cold blood

01:04:38Two bullets

01:04:39Shoot at point-blank range

01:04:40From a Golden Saber

01:04:4140 caliber

01:04:42The weapon that kills

01:04:43Versace

01:04:44It's the same

01:04:4540 caliber

01:04:45Stolen from Qunanan

01:04:47To one of his

01:04:47Previous victim

01:04:48But about the matter

01:04:50Many mysteries remain

01:04:51Let's take a step back

01:04:53We're going back

01:04:54At the crime scene

01:04:57It all happens

01:04:59In a few seconds

01:05:00Versace

01:05:01He is struck

01:05:01On the doorstep

01:05:02At 8:44

01:05:04Casuarina House

01:05:05A three-story villa

01:05:07Inside there are

01:05:08Antonio D'Amico

01:05:09Gianni's partner

01:05:10Lazaro Quintana

01:05:11A Cuban friend

01:05:12The chef Charles

01:05:13The Keeper Thomas

01:05:14And a maid

01:05:16Where exactly are they located?

01:05:18At the time of the shots

01:05:19They can see the killer

01:05:21And how

01:05:24None of the eyewitnesses

01:05:26And there are at least 15

01:05:27Identify with confidence

01:05:28Qunanan

01:05:29In the man who hit Versace

01:05:31The designer and his killer

01:05:33They knew each other

01:05:34At least two witnesses

01:05:36They claim to have seen

01:05:37Versace and Qunanan

01:05:38Exchange a few words

01:05:39Before the shots

01:05:40A few meters away

01:05:42There is a policeman

01:05:43Intent on verbalizing

01:05:44A fine

01:05:44Does not intervene

01:05:45Still a mystery

01:05:47Why Qunanan

01:05:48He doesn't run away far

01:05:49From the crime scene

01:05:51He flees on foot

01:05:53An escape

01:05:53All in all, calm

01:05:55He planned a hiding place

01:05:57Someone help him

01:05:58The man who holds in his hand

01:06:00The tangled skein

01:06:01About the investigations

01:06:02It's Richard Barreto

01:06:03Miami Police Chief

01:06:04The investigators

01:06:06They exclude immediately

01:06:07The robbery

01:06:07And the occasional murder

01:06:09Qunanan

01:06:10He planned

01:06:11And accomplished alone

01:06:11The attack

01:06:13Police and FBI

01:06:14They can't thin out

01:06:15All the doubts

01:06:15All the weird things

01:06:16The Versace family

01:06:18It prevents for two days

01:06:19To the police

01:06:20To enter the casuarina house

01:06:21Why?

01:06:23He decides in a hurry

01:06:24To have cremated

01:06:25Gianni's body

01:06:26Before 48 hours

01:06:27Required by law

01:06:28For what reason?

01:06:30And then again

01:06:31That pigeon

01:06:32Found dead

01:06:33Next to Versace's body

01:06:34Is this a sign?

01:06:35Is it a coincidence?

01:06:37According to the police

01:06:37The pigeon

01:06:38He is a victim

01:06:39On the trajectory of the projectile

01:06:40It has been achieved

01:06:41From a fragment

01:06:42The .40 caliber

01:06:44The only clue

01:06:45Really sure

01:06:46He killed two people

01:06:51These are some

01:06:52Some points

01:06:53Not entirely clear

01:06:56Which can be

01:06:57Remember

01:06:57And rise up

01:06:58But I

01:06:59I would like to ask a friend

01:07:01In particular

01:07:03A thing about family

01:07:05We have invited

01:07:06Obviously here

01:07:07Be Holy Versace

01:07:09What a Donatella

01:07:10Which however

01:07:11They did not consider

01:07:12Of having to intervene

01:07:13So I ask

01:07:15To a friend

01:07:15It's true

01:07:16That for two days

01:07:18The house remained closed

01:07:20To the police

01:07:21Who was asking to come in

01:07:23To do his

01:07:24Investigations?

01:07:25No

01:07:25It is not true?

01:07:26No

01:07:27Because I read it

01:07:28In this book

01:07:30In this book

01:07:31You see

01:07:33Which is a biography

01:07:36Versace

01:07:36Versus Versace

01:07:38By Mario Guarino

01:07:40It's written exactly like that

01:07:41That is, it is written

01:07:42That the Miami Herald

01:07:44City newspaper

01:07:46He told how

01:07:48The police

01:07:48Had he criticized

01:07:49Donatella and Santo

01:07:50For the fact

01:07:51Of having prevented

01:07:52To the investigators

01:07:53For two and a half days

01:07:54After the murder

01:07:55To enter the villa

01:07:56Casuarina

01:07:56Don't you remember?

01:07:58Well I remember

01:07:59That same day

01:08:00They were in there

01:08:01Also because I

01:08:02I couldn't

01:08:03Talking in the hospital

01:08:04And I stayed

01:08:05At home

01:08:06With the police

01:08:08At home

01:08:09Here you are

01:08:09But it was the police

01:08:11To say

01:08:11She doesn't move

01:08:12And are you still available?

01:08:13They forced me

01:08:14They have me

01:08:15And Gianni's brothers

01:08:17There were

01:08:18They were there

01:08:18They arrived the next day

01:08:19They arrived the next day

01:08:20From Italy

01:08:21How is this possible?

01:08:22They came from Italy

01:08:23From Italy

01:08:24They were in Rome

01:08:24Adriana

01:08:25They suspended

01:08:26The thread of

01:08:27Spanish Steps

01:08:29You know the one that's there

01:08:30All summer long

01:08:31Oh yeah in summer

01:08:31Certain

01:08:32Why it had to be

01:08:33That very evening there

01:08:35Barbacetto

01:08:36At that time

01:08:36It seems to me that

01:08:38The family

01:08:38It did not prevent

01:08:39To enter for two days

01:08:41To the police

01:08:42In the house

01:08:42And this was

01:08:43Within their rights though

01:08:44Why

01:08:45The criminal act

01:08:46It had happened

01:08:48Out

01:08:49Outside

01:08:49And so there was none

01:08:52According to American law

01:08:53It's not possible

01:08:54Entering a private residence

01:08:57Without the family's permission

01:08:58The family's permission

01:08:59It didn't arrive

01:09:00And so

01:09:00Facts don't escape

01:09:02Reliefs inside

01:09:04Listen

01:09:05From a friend

01:09:06And the other relief

01:09:07That the video also did

01:09:09That's why we had

01:09:10I believe

01:09:11An explanation

01:09:12At least in legal terms

01:09:15And on the other relief

01:09:16Who made the video?

01:09:18That the body

01:09:18By Gianni Versace

01:09:19He was cremated

01:09:20Before the deadline

01:09:22Legal terms

01:09:23For the award ceremony

01:09:24This is not his saying

01:09:26Why there?

01:09:27The deadline

01:09:28It was 48 hours

01:09:29From death

01:09:30Confirmed

01:09:31Instead

01:09:32The body

01:09:33He was cremated

01:09:35Before

01:09:36They were missing

01:09:37I believe

01:09:375 or 6 hours

01:09:38At the deadline

01:09:39But I think that

01:09:41We asked for it

01:09:42The permit

01:09:43To be able to start again

01:09:44With the ashes

01:09:45For Italy

01:09:47And so

01:09:48Probably

01:09:49They gave him the go-ahead

01:09:50To do it

01:09:51Just to be able to leave

01:09:52This biographer says

01:09:54Even the Corriere della Sera

01:09:55He wrote that

01:09:56Gianni's body

01:09:56He was cremated

01:09:57At 4 in the morning

01:09:58Of the same July 17th

01:10:00All you had to do was wait

01:10:005 hours

01:10:01And everything would have been legal.

01:10:03But it was probably

01:10:05The explanation

01:10:05That she

01:10:06I only know

01:10:07That same day

01:10:08That he was then cremated

01:10:10Us

01:10:11We all left again

01:10:12All for Italy

01:10:14For Italy

01:10:14Which brought

01:10:15Excess in Como

01:10:16In Como

01:10:18Where is he buried?

01:10:20While however

01:10:21Let's say

01:10:22All over the world

01:10:22He was wondering

01:10:24He had doubts

01:10:25He asked himself questions

01:10:26About what had happened

01:10:28In Miami

01:10:28The family instead

01:10:29These questions

01:10:30He closed them immediately

01:10:31He didn't want to

01:10:32This too

01:10:33Maybe it's understandable

01:10:34From a psychological point of view

01:10:35He didn't want any questions

01:10:36He didn't want any doubts

01:10:37Closed

01:10:37And everything is explained

01:10:39And everything

01:10:40The investigation

01:10:40Then he went on

01:10:41It went on for a month

01:10:42In fact there were two investigations

01:10:44One made by the Miami Beach police

01:10:46And the other one from the FBI

01:10:47And they closed only after a few months

01:10:50Until then they remained open

01:10:54Many

01:10:54At least three

01:10:56I would say

01:10:57Possible tracks

01:10:58Newspapers from around the world

01:11:00They were telling the story

01:11:02Of Versace's murder

01:11:03At least in three different ways

01:11:05What were the three different ways

01:11:07In which the chroniclers

01:11:08At that time

01:11:09They hypothesized

01:11:11The motive

01:11:12The first one is the simplest one

01:11:14The John Lennon Effect

01:11:17Let's call it that

01:11:18Meaning what

01:11:18A disturbed personality

01:11:21What's going on?

01:11:21And he kills

01:11:22Cold

01:11:23A great one

01:11:25A recognized character

01:11:27A famous man

01:11:28All over the world

01:11:28This was the first

01:11:30The second one instead

01:11:31He hypothesized

01:11:33Which between the two

01:11:34If there had been something

01:11:35Let's say

01:11:35Revenge

01:11:36Of a person

01:11:37That he had known

01:11:39In earlier times

01:11:41Versace

01:11:41And that somehow

01:11:42If he had something

01:11:44To be avenged

01:11:45The third

01:11:46It's the most complicated thing

01:11:48AND'

01:11:50Let's say

01:11:50There

01:11:51Explanation

01:11:52Of the criminal message

01:11:54That he would arrive

01:11:55From a criminal world

01:11:57And it was

01:11:58The thesis

01:11:59Supported

01:11:59For example

01:12:00From Cunanan's brothers

01:12:01That they went

01:12:02To one

01:12:03Television broadcast

01:12:04Very popular

01:12:06In America

01:12:07Hard copy

01:12:08And they said

01:12:09Our brother

01:12:11He is the victim of a conspiracy

01:12:13Was

01:12:14Offered

01:12:16As a victim

01:12:17Of one

01:12:18He is not

01:12:19The murder

01:12:20The Versace Murderer

01:12:21It was offered

01:12:23But on the houseboat

01:12:24We'll get to that in a moment.

01:12:26It was offered

01:12:28As

01:12:30Assassin

01:12:31Of a story

01:12:32Instead

01:12:32Wrong

01:12:33Who had other

01:12:34Explanations

01:12:35From a friend

01:12:35She was shaking her head

01:12:36Skeptic

01:12:37Yes no

01:12:38I mean to say

01:12:38Which is nothing but the family

01:12:39If it hadn't been done

01:12:40Some questions

01:12:41When we then remained

01:12:43In the summer period

01:12:45In Como

01:12:46We were in contact

01:12:49Daily

01:12:50With the FBI

01:12:51And with the police

01:12:52From Miami

01:12:52Meaning what

01:12:53The fact of coming to Italy

01:12:55It was simply

01:12:56To bring us all

01:12:58In one place

01:12:58For safety

01:12:59Don't worry

01:13:01Out of every

01:13:02Other

01:13:05Place

01:13:06By Pasquali

01:13:08Criminologist

01:13:09Two things to say

01:13:11The corpse

01:13:13Let's say

01:13:13More interesting

01:13:15From a criminological point of view

01:13:17That's it

01:13:17Of the murderer

01:13:18Why

01:13:18He speaks to us

01:13:19We'll get to that in a moment.

01:13:35Here you are

01:13:36Who had been infected

01:13:37From White

01:13:38This was said

01:13:39The killer

01:13:40He had contracted White

01:13:41From a report

01:13:42Occasional

01:13:43Because he was a boy

01:13:44Who had relationships

01:13:45Lively

01:13:46Yes

01:13:46Very lively

01:13:47Very lively

01:13:48And he was called

01:13:48Party boy

01:13:49In short

01:13:49To indicate

01:13:50His

01:13:51Flourishing

01:13:52Even in relationships

01:13:53Sexual

01:13:54But

01:13:54All these hypotheses

01:13:56Even those a little bit

01:13:57More well-founded

01:13:57Effectively

01:13:57They didn't find

01:13:59No foundation

01:14:00While instead

01:14:01Right on this part

01:14:02What she tells me

01:14:03Which we are going to discuss now

01:14:04What's up?

01:14:05Let's face it

01:14:07I see that the topic

01:14:08I see that the topic

01:14:10Bubbles

01:14:10Because it almost surfaced

01:14:12Is

01:14:12In the

01:14:13What he said

01:14:13Barbacetto

01:14:14Whether in that

01:14:15What did he say?

01:14:16De Pasquale

01:14:17And so

01:14:17Let's face it

01:14:18The capture

01:14:19Because then

01:14:20Cunanan

01:14:20He was captured

01:14:22And indeed

01:14:22Then there will be more

01:14:23Another sequel

01:14:24Why there?

01:14:25The thing

01:14:26The story

01:14:26It gets even more stringent

01:14:28So

01:14:29The capture

01:14:29By Cunanan

01:14:31The man

01:14:32So

01:14:33It's Cunanan

01:14:33And hunting

01:14:35No quarter

01:14:35In every corner

01:14:36From Miami

01:14:37Andrew Cunanan

01:14:38It is among the ten largest

01:14:40Wanted

01:14:40Of the United States

01:14:41A gay group

01:14:42From New York

01:14:43Put a size

01:14:44Of 10,000 dollars

01:14:45About him

01:14:45They are printed

01:14:473,000 flyers

01:14:48Several photos

01:14:49Which are posted

01:14:50Distribute

01:14:51Broadcast via the internet

01:14:52For television

01:14:54How was it?

01:14:55As

01:14:55How could it be

01:15:00Wednesday, July 16

01:15:01The next day

01:15:02The Versace Murder

01:15:03An employee

01:15:04Of the pawn shop

01:15:05Cash on the Beach

01:15:05Contact the police

01:15:07Andrew

01:15:07It was here

01:15:08He committed

01:15:09A gold coin

01:15:10The coin

01:15:11It's by Lee Meeklin

01:15:12The real estate tycoon

01:15:14Killed in Chicago

01:15:14Cunanan

01:15:15By depositing the coin

01:15:16It has been signed

01:15:17With name and surname

01:15:18He gave the address

01:15:19Of his Alberto

01:15:20Normandy Plaza Hotel

01:15:22Yes

01:15:23It was here

01:15:24But now it's gone

01:15:25It has been signed

01:15:26Andrew De Silva

01:15:28For the capture

01:15:29It seems like only a matter of hours

01:15:31Then days

01:15:32Lee Cunanan

01:15:33No trace

01:15:33He's still in Miami

01:15:35Then suddenly

01:15:36The turning point

01:15:42Wednesday, July 23

01:15:43Fernando Carreira

01:15:45He is the guardian

01:15:46Of some floating houses

01:15:47On Indian Creek

01:15:48Go check it out

01:15:49One was occupied

01:15:51Enter

01:15:51He hears a gunshot

01:15:53Call the police

01:15:54In two hours

01:15:56All hell breaks loose

01:15:57The Chief of Police

01:15:59From Miami

01:16:00Barreto

01:16:00Bring in helicopters

01:16:01Motorboats

01:16:02Snipers

01:16:03Kevlar helmets

01:16:04There's also the FBI

01:16:06Armored car

01:16:07Ambulances

01:16:08The roads are blocked

01:16:10The satellite trucks are coming

01:16:12Of television

01:16:13The helicopters

01:16:14The power goes out

01:16:16From the boat

01:16:16It is feared that from within

01:16:18Cunanan

01:16:18You're watching the action on TV

01:16:23At eight o'clock in the evening

01:16:25The special team

01:16:26Miami Police

01:16:27Fire tear gas

01:16:28In the boat

01:16:29Twenty minutes later

01:16:31I'm inside

01:16:32On the first floor

01:16:33In the bedroom

01:16:35They find a man

01:16:36A gunshot

01:16:38In the lead

01:16:38And a gun in hand

01:16:39Is dead

01:16:40For several hours now

01:16:42To have some certainties

01:16:44But we will have to wait

01:16:45Until late at night

01:16:46At 5.10am

01:16:48The identification

01:16:49It's Andrew Cunanan

01:16:51The hunt is over

01:16:53The scene

01:16:54It closes at 6.45am

01:16:55In the morning

01:16:56With the body

01:16:57Which is taken away

01:16:58For the autopsy

01:16:58The case is truly closed

01:17:02For the autopsy

01:17:03For the autopsy

01:17:04Thank you.

Delitto Versace, l'omicidio che cambiò la storia della moda | ENIGMA 2005

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