Al centro della prima puntata, una vicenda umana e giudiziaria che non ha precedenti, destinata a fare storia, per un duplice motivo: perché è la prima volta che, in Italia, in un Processo, entrano, con peso determinante per la definizione della pena, le Neuroscienze. Vale a dire, quelle tecniche di accertamento che consentono di studiare aree del cervello che regolano funzioni specifiche del comportamento: nel caso in questione, aree del cervello preposte a istinti aggressivi e criminosi. Perché è la prima volta che, chi si è reso protagonista di una "maledetta storia", rivela in una trasmissione televisiva quello che nel corso del Processo aveva taciuto, dichiarando di non ricordare; dichiarando di non sapere: i delitti commessi; la loro modalità; il movente alla radice di quei delitti. Ventisei anni nel 2009 all'epoca dei fatti, famiglia di imprenditori del comasco, Stefania Albertani, geometra, anche lei imprenditrice, ragazza di straordinaria intelligenza, è sinistramente abitata da una doppia identità. Un alter ego in incognito che la possiede, la domina, a sua insaputa determina e guida le sue azioni. Anche le più feroci, anche le più scellerate. Condannata a 20 anni di reclusione più tre di Ospedale Psichiatrico Giudiziario, Stefania Albertani - che attualmente sconta la pena nell'OPG di Castiglione delle Stiviere (Mn) - rivela a Franca Leosini come e perché ha ucciso la sorella e ne ha incendiato il corpo; rivela come e perché ha tentato di uccidere i genitori dando fuoco alla loro macchina; rivela a Franca Leosini come e perchè ha strangolato la madre che – in extremis – è stata salvata, malgrado Stefania ne avesse già affidato al fuoco il corpo straziato. Il fuoco ricorre come una maledizione in questa vicenda e nel racconto sconvolgente, emozionante, drammatico che scorre in esclusiva assoluta nell'intervista rilasciata da Stefania Albertani a Storie Maledette.
#StorieMaledette #FrancaLeosini #Leosiners #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Lucarelliracconta #BluNotte #CarloLucarelli #ColdCase #Crime #TrueCrime #Giallo #CronacaNera #CronacaItaliana #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Blu #Notte #Carlo #Lucarelli #Racconto #Racconti #Giallo #Gialli #Noir #Thriller #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #Nera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Delitto #Delitti #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Delitto #Delitti #Crimine #Criminale #DivinumCrime #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #Documentario #Docu #Doc #DocuITA #Netflix #Streaming #SerieTV #Serie #TV #Stagione #Completa #StagioneCompleta #Tutte #Puntate #Puntata #Episodi #Episodio #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #Criminalità
#StorieMaledette #FrancaLeosini #Leosiners #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime #Lucarelliracconta #BluNotte #CarloLucarelli #ColdCase #Crime #TrueCrime #Giallo #CronacaNera #CronacaItaliana #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Blu #Notte #Carlo #Lucarelli #Racconto #Racconti #Giallo #Gialli #Noir #Thriller #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #Nera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Delitto #Delitti #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Delitto #Delitti #Crimine #Criminale #DivinumCrime #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #Documentario #Docu #Doc #DocuITA #Netflix #Streaming #SerieTV #Serie #TV #Stagione #Completa #StagioneCompleta #Tutte #Puntate #Puntata #Episodi #Episodio #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #Criminalità
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40:44moreover, of debts in your family, to stem this crisis, your lawyers
40:50What do they recommend?
40:52To sell the house before it went to auction so as to get a little more for it.
40:57That house in Cirimido, that real estate complex which was then a hearth, a wall, a company, was
41:05place of the soul, it meant a lot to his parents.
41:07To my prison.
41:09Yes, but getting rid of it was ultimately a mourning, it was a pain, but it had to be done.
41:16Furthermore, the sale of the Cirimido properties represents the fulcrum, the cornerstone on which
41:21the whole story revolves around it.
41:24Let's start by saying one thing, Stefania, who was supposed to take care of Cirimido's future?
41:30Dad.
41:30But a person had been delegated to take care of it, his father had given the task to the accountant,
41:37True?
41:37Yes.
41:38Here you are.
41:39But what happens at that point?
41:42The problem was that a lot of sharks were coming forward, obviously as always happens,
41:49so they were offering too low figures.
41:52At that point I think I hit rock bottom.
41:55At that point I was so out of it, so disconnected from reality, that at that point I
42:01I took the situation into my own hands, even pretending to be an interested lawyer
42:06when buying a house.
42:09At that point I thought I had developed so much anger.
42:15The more I shouted that the company's collapse was indeed my fault, but the more I tried
42:21to explain that it wasn't a conscious, aware thing anyway, the more I heard myself say
42:26which wasn't true.
42:29well, at that point I said, okay.
42:32That Stefania said, okay, I did the damage.
42:35If it's me, it might as well really be me.
42:38So at that point I was no longer interested in saving, but at that point I wanted to sink and
42:44I wanted them all to go down with me.
42:56As a practical matter, what do you do?
42:59Do you usually want to prevent the sale of the film?
43:01To prevent the sale, you first invent buyers who didn't exist, but
43:12the accountant realizes, because she even presents them a preliminary draft
43:17of purchase, the accountant realizes that it was false, because they were fiscal data
43:21of a character who didn't exist.
43:24So the accountant says to his father, sorry, I don't want to deal with it anymore, and
43:28so Stefania takes charge of the situation.
43:32But her father had already, if I may say so, taken a risk in entrusting him to her.
43:38He continued to gamble, he continued to trust me and I took advantage of it.
43:42But why did he continue to trust me? The man of experience, the great love he had
43:47for her. She said it at the beginning, she's wrong
43:49for great love. The question that arises is this. She
43:54He didn't want the mythical property to be sold and he did everything he could to prevent it.
44:00This is a meditation. But there is an underlying reason.
44:03Yes, Dad intended to give part of the money from that sale to Mare Rosa for
44:08buy the chalet. Where did she live with her happy cats?
44:12God forbid that something like this should happen.
44:16Because we must remember one thing, that when her father entrusted her, he registered
44:22then basically to her and her brother a business, Maria Rosa had not had any knowledge of that business
44:27no quota. So practically his father and his mother to re-establish some elements of
44:32justice in the family believe with the sale of Cirimido, with a part of the sale to give her
44:37a hand to lend...
44:39This chalet she wanted to buy all the places. And what did she say?
44:43God forbid that something like this could happen.
44:45Why Stefania?
44:46No. She could continue to have a normal life, but I couldn't, I had to continue to
44:52slipping, it didn't exist.
44:54In short, she absolutely didn't want her sister to get what she was expecting.
45:02But for me, they weren't expected, due to my distorted conception.
45:07For that Stefania there, for that Stefania with the heart of darkness, he wasn't expecting them.
45:13Then when Maria Rosa, let's tell the truth, especially in a moment of difficulty, had put her
45:18she had her current account with her savings at her disposal, which she had quickly emptied.
45:24Yes. Those yes, I admit that.
45:27She's wonderful. When she looks clearly into her past, from which she has taken
45:33The distances, in short, one thing, what did you know about Maria Rosa? Is it true that you lived in…
45:39Very little.
45:40So you knew nothing about Maria Rosa's life?
45:43Almost zero.
45:44Nothing of his loves, nothing…
45:45Almost zero.
45:47Anyway…
45:48We cordially avoided each other.
45:50So he didn't know that Maria Rosa had had a relationship with one of his…
45:55Something, bits and pieces, but because it was Mom, maybe tell me a few times.
46:00Because, well, I'm taking the liberty of saying this because, since it's in the trial records,
46:04It was a friend of Maria Rosa who told about this love of Maria Rosa, of which Maria Rosa
46:09he had suffered a lot because he was a busy man with a family, with children.
46:14so it's a love from which she also had a very serious pain, Maria Rosa I mean,
46:20because, after all, she had to give up motherhood, that's it.
46:25So about that unborn child of hers…
46:26She didn't know anything.
46:28I found out during the trial.
46:30She didn't know anything.
46:31So there was no… there was no trust, no contact.
46:35No, absolutely not.
46:50Returning to what would later prove to be the trigger of the tragedy,
46:55that is, the purchase of the chalet, the chalet in Guanzate,
46:59which was the one where Maria Rosa already lived with her happy cats,
47:02as I say, in short, in that period with his double identity, well,
47:06with those messed up chromosomes of his, let's say he's done everything.
47:10He did everything to avoid this sale.
47:13He even made up his father's death again, I think.
47:15Here you are.
47:16He even created the existence of a recipe.
47:20A hole that would handle the negotiations for the sale of the house.
47:27Then it was reported in the documents that I disguised my voice.
47:30No, I didn't disguise any voice, I used my own.
47:33No more, no less.
47:34And you pretended to be this lawyer, Mrs. Frigerio?
47:39I was just trying to get this damn sale over with.
47:42I didn't want to, I wanted it to get to the limit,
47:44I wanted the banks to get their hands on it.
47:46I wanted the story to end there.
47:48Because I thought that once it got there the matter would be over.
47:53Instead it was the point of no return.
47:55So she invented this phantom figure of this lawyer Frigerio,
48:01to which it would have been entrusted, then it is not clear by whom,
48:05the task of negotiating the sale of Cirimino's house.
48:09This lawyer Frigerio, however, who was her, who did not exist,
48:14who was he talking to, basically?
48:17Dad.
48:17Dad and Maria Rosa.
48:19No, he was also talking to the owner of the junk house.
48:23He was pushing, he needed to sell that house, he had to get rid of that asset,
48:27so he needed to sell that house.
48:29So basically, let's say, this mysterious lawyer never showed up,
48:35he only dealt by telephone.
48:37So what was its function?
48:39It was to prevent the sale.
48:43Both, a sale and a purchase?
48:45The purchase of that little house of banalities.
48:47And that Susana be given what was rightfully hers.
48:50and that furthermore it wouldn't have taken anything away from her.
48:55But for me it took my soul away.
48:59Why?
49:00Can you understand now why?
49:05She lived, I did not.
49:07And for me this was a fault above all else.
49:14Only at that moment it was his fault, instead it was my fault.
49:20Stefania can't even say it was her fault.
49:23At that time she had a tenant who practically dominated her behavior.
49:29Now we have basically said that this lawyer Frigerio spoke with her father and with the owner of the house of banzate.
49:39His verbal father later said he never recognized his voice.
49:42It is true?
49:44Didn't she disguise her voice?
49:46No.
49:48It's really strange that he didn't recognize her.
49:51Because the owner of Banzate, she said about the lawyer Frigerio, made appointments with the owner of the chalet in Banzate.
49:58Yes, which then promptly jumped for excuses.
50:01And of course she couldn't show up, after all.
50:03What happens until?
50:04Here we are at the point of no return because I no longer knew how to extricate myself at that point.
50:13The lies were exhausted, the excuses were exhausted.
50:17So the owner of the chalet began to realize that something was wrong.
50:21Who asks to meet his father.
50:24And there's the excuse, teacher, dad's no longer here.
50:29He killed him again.
50:31But his father knew every now and then that he was a little dead or he wasn't coming...
50:34But in that case they had informed him.
50:38What did your father say?
50:39We had a good laugh about it.
50:42But thank goodness, after all, because her father, thank God, lives there...
50:44The problem is that he wasn't the only person there who understood something.
50:49Maria Rosa too.
50:51Dad and Mom continued to be in their limbo.
50:55In the limbo of love, in their limbo of love.
50:58Maria Rosa, on the other hand, begins to point the finger.
51:01We'll get there, but in the meantime we'll stick to the owner of the little house in Guanzate.
51:05who understands that all these postponements...
51:07He says enough, he doesn't want to sell the house anymore.
51:10So basically she, Stefania, wins the war, wins the battle.
51:16Yes.
51:17But what did that victory taste like for her at that moment?
51:20Sweet.
51:22At that moment it was sweet.
51:27Anyway, Stefania, it's a question we can't help but ask you.
51:32when she was piling up all those lies, those...
51:37those reckless lies, let's say, all in all to the detriment of his family.
51:43But it didn't feel bad inside.
51:45No.
51:50I was empty inside.
51:54There was never a moment when she stood before that mirror called conscience.
51:59I didn't look at myself in the mirror.
52:02But there was a mirror called conscience.
52:05Wasn't that said?
52:06What the hell am I doing?
52:08Never.
52:09Never.
52:10No.
52:11Without ifs or buts...
52:12But in that dark period, you know, of confusion, didn't you ever think of getting help?
52:18To get psychological help?
52:20No.
52:20Far be it from me.
52:22I was fine.
52:24It was all perfect like that.
52:27If she had gone to a therapist during that time...
52:31Many things would not have happened, in fact let's say that most likely nothing would have happened.
52:37But if she had wisely gone to an analyst at the time,
52:42she would have talked about that nine-year-old girl, she Stefania,
52:47that one day, while he was with his grandmother, suddenly...
52:56he sees a burning tent.
53:12There's a little detail: I set fire to that tent.
53:18Why?
53:22This is a question that most likely doesn't have an answer.
53:29Stefania, what role did fire have in your life?
53:35Not relevant enough to explain something like that.
53:52Stefania's stories are made of dates.
53:55We arrive at May 2009,
53:59that is, a few days after the tragedy.
54:01Yes.
54:01A strange thing happens, an astonishing thing Stefania.
54:05Suddenly his parents, in a rush, behold, from morning to night,
54:10they leave the house in Cirimido, which of course was not sold.
54:15But why do they almost flee from that house Stefania?
54:18I convinced her.
54:21Why Stefania?
54:22I managed to convince them, because there too I had to save my well-structured castle of lies,
54:29so I had to get them away from there, because obviously Maria Rosa's landlord was looking for dad,
54:35he had understood that something was wrong, so sooner or later he would end up there.
54:42I had to defend my lies, I had to defend my world again.
54:47But his parents leave and flee from that house from morning to night.
54:52Look, she convinced them, but using a trick, remember?
54:58Yes.
54:58So his parents had to leave the house in Cirimido immediately.
55:02because they were in serious danger of their lives, is that right?
55:05Yes.
55:05Here you are.
55:06But his parents...
55:07No, they didn't ask themselves the question.
55:09So, what could his parents have been afraid of?
55:13What could threaten them?
55:15They had reached the point where they too couldn't take it anymore.
55:19So whatever he was told...
55:24Poor things, they were really like leaves in the wind.
55:26Yes.
55:27Here, because his parents, good people, serene people, people who had no enemies,
55:33here, in short, accepting the idea that they could be in danger of dying,
55:38in short, however, they leave Cirimido's house from morning to night.
55:41Here, and where are they going to live?
55:43In a rented apartment nearby, in Cadorago.
55:47Had she arranged it?
56:03We said this happened a few days before the tragedy.
56:06Now, Stefania, let's try to retrace together the most difficult part of her story.
56:13And we do it together, and we can do it together.
56:18Because after a journey of suffering, Stefania, to take back her soul, her life itself,
56:24he found the strength, precisely, to face memories, to look into the abyss,
56:31which is the only way to emerge from the darkness of a story, when a story is
56:38dark.
56:38On the evening of May 11th, as happened every evening, Maria Rosa, after work, goes to greet her parents
56:46in the house in Cadorago, in this rented house where they were now living.
56:51At one point, you and your sister left your parents' house together.
56:57From that moment on, all traces of Maria Rosa are lost.
57:02From that moment on, Stefania is the only one who can say what really happened.
57:07There's still a little bit here that I can't explain, I haven't gotten there yet.
57:12I have a hole in my memory from those two days.
57:15My memory starts from that cursed evening, that cursed evening of May 13th.
57:22We were in Cirimigo's house and she and I argued.
57:28We argued because she pointed the finger at me.
57:31But he pointed the finger at me not out of malice,
57:36and he wanted to help me.
57:39And he had laid the truth out before me as it was.
57:42He was telling me that I wasn't well.
57:45He was telling me that mine was a disconnected world.
57:49It was taking my reality away from me.
57:53He was taking away my castle of lies.
57:57She threatened to talk to Dad if I didn't do it myself.
58:06and I put my hands around his neck.
58:10See you soon.
58:20At that time.
58:26At that time.
58:30At that time.
58:33At that time.
58:50Thank you all.
59:25Thank you all.
59:39Thank you all.
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