Martedì 15 luglio 1997. A Miami è una bellissima mattinata piena di sole, il mare è calmo, e le palme sono scosse da una brezza leggera. Sono da poche passate le nove quando due colpi di pistola rompono la quiete e il corpo di un uomo resta a terra davanti al cancello d'ingresso di una magnifica villa. Quell'uomo è Gianni Versace. Il famoso stilista italiano. A due metri di distanza dal corpo giace una colomba bianca morta. E' un avvertimento? Una minaccia mafiosa? Niente di tutto questo. Perché Versace è rimasto vittima dell'incrocio fatale con un assassino dai molti volti e dai molti nomi; quello vero è Andrew Cunanan.
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Playlist: Stelle Nere [Tv] Tutte le Puntate [HQ]
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#StelleNere #Cunanan #Versace #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:00:04On July 22, 1997, the center of Milan was inaccessible.
00:00:11Via dell'Arcevescovado was closed to the public, something that had never happened before
00:00:17when the Pope had visited a few months earlier.
00:00:24Because the funeral of one of the most famous Italian stylists is held at the Duomo,
00:00:29Gianni Versace.
00:00:42Mezzomondo TV stations are covering the event live.
00:00:46The stars show up at the entrance with invitations.
00:00:53During the ceremony, Lady Diana bursts into tears.
00:01:00Elton John and Sting stand up and approach the altar to sing a song.
00:01:07It is Psalm 23.
00:01:14The Lord is my shepherd, I shall not want.
00:01:19He makes me lie down beside still waters.
00:01:22It leads me.
00:01:34The Lord is my shepherd, I shall not want.
00:01:52The Lord is my shepherd, I shall not want.
00:02:05The Lord is my shepherd, I shall not want.
00:02:19Something external, objective, immutable.
00:02:24We believe.
00:02:26But then we discover that we can modify that image as we please.
00:02:32May we build a new life around that image.
00:02:37Fuller, richer, more interesting than the one we live in.
00:02:41A life that makes us more fascinating, more sought after.
00:02:46Or who knows, more loved.
00:02:52But it can happen that the two paths separate.
00:02:56May what we are and what we want to appear to be become two worlds.
00:03:01Different, distant, incompatible.
00:03:05That face each other.
00:03:08And that one can survive only at the cost of the other's demise.
00:03:18The story you are about to hear has appeared in every tabloid in the world.
00:03:27It has been featured in newspapers, news programs, and magazines.
00:03:32Because he had an excellent victim.
00:03:35Gianni Versace.
00:03:37One of the greatest stylists of all time.
00:03:39Killed in the country that found us.
00:03:41This is a very well received friendship.
00:03:43Gianni Versace was murdered.
00:03:45It's a story that has been told a thousand ways.
00:03:48Like a drug story.
00:03:50Of extreme sex.
00:03:52Of AIDS.
00:03:53Of the mafia.
00:03:55But at its core
00:03:56what remains is the story of a conflict that resides within each of us.
00:04:00The conflict between what we would like to be
00:04:03and what we inevitably are.
00:04:13Tuesday, July 15, 1997.
00:04:17It's a beautiful sunny morning.
00:04:21The sea is calm
00:04:22and the palm trees are shaken by a light breeze.
00:04:26It's just past nine o'clock
00:04:28and on Ocean Drive,
00:04:30the road that runs along the coast of South Beach, Miami,
00:04:34there is no confusion yet.
00:04:39In a couple of hours,
00:04:40the seafront will be filled with bare-chested models
00:04:43that with the excuse of morning exercises
00:04:46they show off sculpted physiques
00:04:48from hours of gym, sweat and anabolics.
00:04:54and beautiful rollerblading models squeezed into microscopic bikinis.
00:05:04Young people, rained down from half the world
00:05:07with the hope of making it big in show business
00:05:10since stars like Madonna have moved here,
00:05:14Sylvester Stallone,
00:05:16Demi Moore,
00:05:17Bruce Willis
00:05:17and practically the entire elite of world fashion.
00:05:24From Eleventh Street
00:05:26he's walking down Ocean Drive
00:05:29Mersia Kolakiewicz
00:05:31who just dropped her daughter off at school.
00:05:36Pass by the gate of a splendid villa
00:05:39in brick and polished pink stone.
00:05:48He heard that in there
00:05:50someone important lives there.
00:05:52Who knows who thinks
00:05:54noticing the camera system
00:05:56closed circuit
00:05:57surrounding the building.
00:06:00At that moment
00:06:02he sees a graying man
00:06:03with sunglasses
00:06:04and a bundle of newspapers under his arm
00:06:07who is inserting the key
00:06:09in the pump of the large entrance gate.
00:06:13Now he's thinking
00:06:14that she knows that face.
00:06:17He must have seen it somewhere
00:06:19but he can't remember where.
00:06:22Will it be some important manager?
00:06:24Imagine.
00:06:26And his mind
00:06:27for a moment
00:06:28wander elsewhere
00:06:29in a world of wealth and well-being
00:06:31of limousines
00:06:32and gala evenings.
00:06:37he's still traveling with his imagination
00:06:39When
00:06:42a
00:06:42two detonations
00:06:44they bring it back abruptly
00:06:46to reality.
00:06:47The first thing he sees
00:06:49these are some copies
00:06:51of newspapers
00:06:52scattered on the ground.
00:06:55on the steps
00:06:56of the small staircase
00:06:57which leads
00:06:58at the gate
00:06:58There are
00:06:59unequivocal
00:07:00blood spatters.
00:07:02Mercia
00:07:03follows its path
00:07:04until you notice
00:07:05two black sandals
00:07:07in a disorderly manner
00:07:08deposited
00:07:08on the first step.
00:07:11Right next door
00:07:12sunglasses
00:07:13with black frame
00:07:14that the man wore on his face.
00:07:17I'm there
00:07:17a short distance away
00:07:19from one hand
00:07:19that lies
00:07:20with open palm
00:07:21stretched out to the sound.
00:07:23A huge bloodstain
00:07:25swallow the sidewalk
00:07:27on which a body lies.
00:07:29Now
00:07:29he sees it in the face
00:07:30and finally
00:07:32he recognizes it.
00:07:33It's Gianni Versace
00:07:35the famous
00:07:36Italian fashion designer.
00:07:40The first bullet
00:07:42he hit him from behind
00:07:43here on the neck
00:07:45a little below
00:07:46of the right ear.
00:07:51The bullet
00:07:53he fractured
00:07:54the skull
00:07:54for then
00:07:55to come out
00:07:56from the head.
00:08:00A bullet
00:08:02normal
00:08:02would not have caused
00:08:04all that damage.
00:08:05And in fact
00:08:06This
00:08:07it wasn't.
00:08:10It's about
00:08:11of a caliber
00:08:1140 Golden Sabre
00:08:13modified
00:08:14that could have
00:08:15to tear down
00:08:16a Vue.
00:08:19the barrel
00:08:20of the gun
00:08:21it was so close
00:08:22to leave
00:08:23signs
00:08:23of burns
00:08:24around the wound.
00:08:26The impact
00:08:27must have it
00:08:28rotated
00:08:29like a puppet
00:08:30why the second
00:08:31hit
00:08:32he arrived in front
00:08:33straight
00:08:34on the right side
00:08:35of the face
00:08:35just next door
00:08:36on the nose.
00:08:39The bullet
00:08:40it remained
00:08:41set
00:08:42in the center
00:08:42of the head.
00:08:58At two meters
00:08:59away
00:09:00from the body
00:09:00lies
00:09:01a dove
00:09:02white
00:09:02dead.
00:09:04A detail
00:09:05unsettling
00:09:06because in many
00:09:07in that dove
00:09:08killed
00:09:08next to the corpse
00:09:09by Versace
00:09:10they see
00:09:11a message
00:09:12mafioso.
00:09:15A warning
00:09:16to a man
00:09:17from southern Italy
00:09:18whose dizzying
00:09:19success
00:09:20it has been several times
00:09:21considered
00:09:22the fruit
00:09:23of relationships
00:09:24with crime
00:09:25organized.
00:09:26But nothing
00:09:27it's further away
00:09:28from the truth.
00:09:33And only
00:09:34a few hours
00:09:34later
00:09:35when an old man
00:09:36pick up
00:09:36is found
00:09:37covered
00:09:38of contraventions
00:09:39in a parking lot
00:09:40not far away
00:09:40it turns out
00:09:41who is the real one
00:09:42responsible
00:09:42of the murder.
00:09:46A man
00:09:47wanted
00:09:48in three states
00:09:49which has already happened
00:09:49left behind
00:09:50four more
00:09:51murders.
00:09:52A man
00:09:53whose capture
00:09:54becomes the priority
00:09:55number one
00:09:56of the FBI
00:09:56and that splashes
00:09:57at the top
00:09:57of the list
00:09:58of America's
00:09:59top wanted
00:09:59the men
00:10:00most wanted
00:10:01of America.
00:10:02He's a man
00:10:03with many names
00:10:04da Silva
00:10:05Cummings
00:10:06Morales
00:10:07plus a pineapple
00:10:08a prostitute
00:10:09high-class
00:10:10according to the words
00:10:11of his mother
00:10:12a liar
00:10:13serial
00:10:13for his friends
00:10:14tighter.
00:10:15What is certain
00:10:16is that for us
00:10:17and for the world
00:10:18entire
00:10:18it's early
00:10:19become
00:10:20a dark one
00:10:21authentic
00:10:21black star.
00:11:18The Flix
00:11:19is one of the most
00:11:20renowned
00:11:20gay bar
00:11:21from San Diego.
00:11:26Television screens
00:11:27a bit
00:11:27everywhere
00:11:28they send it to the loop
00:11:30a selection
00:11:31of music videos
00:11:32and movie scenes.
00:11:33The settings
00:11:35they are the most diverse
00:11:35but the theme
00:11:36it's unique
00:11:37muscular men
00:11:39bare-chested
00:11:39that writhe.
00:11:41Nothing pornographic
00:11:43Anyway
00:11:43it's a pleasant environment
00:11:45a clientele
00:11:46very young
00:11:47very many
00:11:48they are military
00:11:49Andrew da Silva
00:11:51he is sitting
00:11:52at a table
00:11:53surrounded
00:11:54from a group
00:11:54of boys
00:11:55they are all
00:11:56very drunk
00:11:57and very young.
00:11:59A toast
00:12:00screams
00:12:01raising a glass
00:12:02to that faggot
00:12:03of my father
00:12:04who ran away
00:12:05with my man
00:12:06it can crash
00:12:07on his dick
00:12:09of Rolls Royce.
00:12:10Everyone
00:12:10they laugh
00:12:11why Andrew
00:12:12it really is
00:12:13the showman
00:12:13of the evening.
00:12:17at that moment
00:12:18a boy enters
00:12:19high
00:12:20Brown
00:12:20from the physicist
00:12:21placed
00:12:21it's the classic
00:12:23good boy
00:12:24grew up in the province
00:12:26with a smile
00:12:27frank
00:12:27and nourished
00:12:28of values
00:12:29of old America.
00:12:33from the dress
00:12:34compound
00:12:35and ironed
00:12:35impeccably
00:12:36it's not needed
00:12:38a lot to understand
00:12:38who is a soldier
00:12:39on leave
00:12:40but most of all
00:12:42it's beautiful
00:12:43Andrew
00:12:44he can't do it
00:12:45to detach
00:12:45the eyes
00:12:46off
00:12:47he approaches him
00:12:48and invites him to drink.
00:12:50That boy
00:12:51is called
00:12:51Jeff Trail
00:12:52and it is intended
00:12:54to become
00:12:54the first victim
00:12:56by Andrew Cunanan.
00:12:57If Andrew
00:12:58he didn't have it
00:12:59never known
00:13:00Gianni Versace
00:13:01he would still be alive
00:13:02but to understand
00:13:04Why
00:13:05all this
00:13:05it happened
00:13:06it must be done
00:13:07one step back.
00:13:11Andrew
00:13:12Philip Cunanan
00:13:13is born
00:13:14August 31st
00:13:15of 1969
00:13:17last
00:13:18of three children.
00:13:19The mother
00:13:20Marianne Schillaci
00:13:21she is a catholic
00:13:22practitioner
00:13:23of Sicilian origins
00:13:24a woman
00:13:25bulky
00:13:25It's fragile
00:13:26at the same time
00:13:27that for that son
00:13:29has always had
00:13:29overseen
00:13:30a little boy
00:13:31which according to her
00:13:32at seven years old
00:13:33he had read
00:13:34the whole Bible
00:13:35and he knew how to quote it
00:13:37from memory.
00:13:38A genius, in short.
00:13:39The father
00:13:40Pete Cunanan
00:13:42Then
00:13:42it's not on the menu.
00:13:43He is a Filipino
00:13:44arriving in the United States
00:13:45enlisting
00:13:46in the army
00:13:47one of the few Asians
00:13:48who fight
00:13:49against other Asians
00:13:51during the war
00:13:51of Vietnam.
00:13:54Pete
00:13:54he is really convinced
00:13:56that America
00:13:56both the earth
00:13:57of opportunities.
00:13:59He thinks that a little
00:14:00of gab
00:14:00and the right dose
00:14:01of effrontery
00:14:02can conquer them
00:14:04the world.
00:14:05As for the son
00:14:06Andrew
00:14:07with his clear eyes
00:14:08and his intelligence
00:14:09lively
00:14:10he sees it as his
00:14:11legitimate prince
00:14:12hereditary.
00:14:14That little prince
00:14:15who is a companion
00:14:16remember this way
00:14:18he always had
00:14:19nice clothes
00:14:20nice shoes
00:14:21branded stuff
00:14:22he wanted to show you
00:14:24that he was wearing
00:14:24an apolo
00:14:25a designer tie
00:14:26and we're talking
00:14:28of a child.
00:14:31Another says
00:14:33I remember
00:14:34who came home
00:14:35and he got angry
00:14:37because we didn't have
00:14:38the water perriere.
00:14:41He was 13 years old
00:14:42and it was the person
00:14:43more worried
00:14:44of his
00:14:45social status
00:14:46that I
00:14:47I have ever met.
00:14:52A few years later
00:14:53the family
00:14:54he moves
00:14:54in a neighborhood
00:14:55peripheral
00:14:56from San Diego
00:14:58and their
00:14:59young prince
00:15:00they sign it up
00:15:01at Bishops
00:15:02a private institution
00:15:03famous
00:15:04to host
00:15:05young Scions.
00:15:08It's an evening
00:15:09in autumn
00:15:10we're halfway there
00:15:11of the 1980s
00:15:12the wealthy twins
00:15:14Matthew
00:15:15and Rachel
00:15:15Riffert
00:15:16they are holding a party
00:15:17birthday
00:15:18and for Andrew
00:15:19that
00:15:20it's an evening
00:15:21very important
00:15:23he is dressed
00:15:24at full strength
00:15:25shiny shoes
00:15:26silk shirt
00:15:28impeccable cut
00:15:30but he can't
00:15:32to detach
00:15:32the eyes
00:15:33from the waitress
00:15:34Philippine
00:15:34who serves the canapés
00:15:36he's terrified
00:15:37that from a moment
00:15:38to the other
00:15:39someone notices
00:15:40the resemblance
00:15:41that unmasks him
00:15:42recognizing it
00:15:44like an intruder
00:15:45in that world
00:15:46of wealth
00:15:46and well-being
00:15:47too late
00:15:49a companion
00:15:51glimpsed
00:15:52in another class
00:15:53he apostrophizes him
00:15:54Like this
00:15:54you there
00:15:55where you come from
00:15:57you are an immigrant
00:15:58True?
00:16:00Now
00:16:01all eyes
00:16:02they are pointed
00:16:03about him
00:16:03those too
00:16:05of the waitress
00:16:06Philippine
00:16:09he can't escape
00:16:11Andrew
00:16:11you can't
00:16:12HIDE
00:16:13and then
00:16:14something happens
00:16:15in his head
00:16:17Perhaps
00:16:18remember
00:16:19the words
00:16:19of the father
00:16:20to be successful
00:16:22just a little bit is enough
00:16:23with cheek
00:16:24and gab
00:16:27and the words
00:16:28they come out spontaneously
00:16:29Pleasure
00:16:30Andrew
00:16:31Philip
00:16:32Cunanan
00:16:33mine
00:16:34they have land
00:16:35down in the Philippines
00:16:35but I'm American
00:16:36100%
00:16:37my father says
00:16:38that we are related
00:16:39with the old Portuguese nobility
00:16:41but I'm about these heraldic things
00:16:42I never understood anything about it
00:16:44and down
00:16:44to rattle off
00:16:45one anecdote after another
00:16:47with the audience
00:16:48who listens to him
00:16:49open-mouthed
00:16:50feel that they are figuring
00:16:51you won't be
00:16:52a queen
00:16:54Andrew
00:16:55he turns around
00:16:56he looks at it
00:16:57with an air of defiance
00:16:58because darling
00:16:59do you want to try?
00:17:01a loud laugh
00:17:02it rises
00:17:03in the room
00:17:04and his first
00:17:05moment
00:17:06of glory
00:17:15that evening
00:17:16Andrew
00:17:17learn to build yourself
00:17:18an identity
00:17:19tailor-made
00:17:20start behaving
00:17:22in a way
00:17:22increasingly eccentric
00:17:23and to take care of
00:17:24more and more
00:17:25his appearance
00:17:26he introduces himself
00:17:27at the dance
00:17:28of the school
00:17:28wrapped up
00:17:29in a suit
00:17:29red leather
00:17:30as a paratrooper
00:17:32stolen
00:17:32to brother Chris
00:17:37at the end of the course
00:17:38he is elected
00:17:39the student
00:17:40which is more likely
00:17:42will be remembered
00:17:42Nobody
00:17:44would ever have
00:17:45imagined because
00:17:51Gianni Versace
00:17:53born on December 2nd
00:17:54of 1946
00:17:55in Reggio Calabria
00:17:58the war
00:17:59it just ended
00:18:00and throughout Italy
00:18:01you live
00:18:02a new euphoria
00:18:04the father
00:18:05Antonio
00:18:05called Nino
00:18:06he put on
00:18:07a trade
00:18:07in gas chambers
00:18:08and the eldest son
00:18:10holy
00:18:10he took
00:18:11to give him a hand
00:18:11he's good
00:18:12with the accounts
00:18:13holy
00:18:14Gianni
00:18:15Instead
00:18:15No
00:18:16him
00:18:16that accounting
00:18:17small change
00:18:18he hates her
00:18:19and prefers
00:18:20pass the time
00:18:21in the boutique
00:18:21in the center
00:18:22of the city
00:18:22that the mother
00:18:23Franca
00:18:24manages
00:18:25like a little one
00:18:26jewel
00:18:26it's the place
00:18:27that Gianni
00:18:28he loves more
00:18:29to the world
00:18:31it's there
00:18:32who learns
00:18:32the rudiments
00:18:33of the trade
00:18:33sitting together
00:18:35to the old saints
00:18:35that help
00:18:36the mother
00:18:37to package
00:18:37the clothes
00:18:38for customers
00:18:39of the boutique
00:18:41my life
00:18:42was
00:18:42like a movie
00:18:43by Fellini
00:18:46I grew up
00:18:47surrounded
00:18:48by women
00:18:48that they have for me
00:18:49spoiled
00:18:52I had
00:18:5320 girlfriends
00:18:54and 20 mothers
00:18:56the fact
00:18:57to be
00:18:57homosexual
00:18:58it doesn't help him
00:18:59if Italy
00:19:00stay
00:19:01a country
00:19:01essentially
00:19:02homophobic
00:19:02Calabria
00:19:03of the years
00:19:0460
00:19:04for a homosexual
00:19:05it's a real one
00:19:06and precisely
00:19:07hell
00:19:08Papanino
00:19:09then comes
00:19:09from Spramonte
00:19:10and when
00:19:11he played football
00:19:12or Charles Armato
00:19:13they called him
00:19:14so much to underline
00:19:15how much it was
00:19:16liberal
00:19:16and flexible
00:19:17with him
00:19:19the conflict
00:19:19it's inevitable
00:19:23Gianni then
00:19:24he can't wait
00:19:24to escape
00:19:31in the end
00:19:32of the years
00:19:3380
00:19:33the biography
00:19:34by Henry
00:19:35Cunanan
00:19:35it starts to swell
00:19:37without more
00:19:38check
00:19:39in his stories
00:19:40the family
00:19:41Cunanan
00:19:41becomes
00:19:42a family
00:19:42of nobles
00:19:43fallen
00:19:43who owns
00:19:44vast plantations
00:19:46of meat
00:19:46from sugar
00:19:47in the Philippines
00:19:47the father
00:19:48an eccentric
00:19:50homosexual
00:19:50who stole from him
00:19:51the boyfriend
00:19:52and nine times
00:19:54out of ten
00:19:54who listens to it
00:19:56he believes him
00:19:59There had been
00:20:00the hitch
00:20:00but
00:20:01in that
00:20:01burning
00:20:02bright
00:20:02ascent
00:20:03Pete
00:20:04the father
00:20:05by Henry
00:20:06one fine day
00:20:07it really was
00:20:07disappeared
00:20:08uff
00:20:09escaped
00:20:10in the Philippines
00:20:10leaving each other
00:20:12behind
00:20:12quite a bit
00:20:13of debts
00:20:13and what is
00:20:14worse
00:20:14he also had
00:20:15sold
00:20:15the house
00:20:16of the family
00:20:16with wife
00:20:17and children
00:20:18still inside
00:20:19certainly not
00:20:20a beautiful one
00:20:21surprise
00:20:21to Henry
00:20:22they served
00:20:23other sources
00:20:24of sustenance
00:20:25for a while
00:20:27he had taken
00:20:27to sell
00:20:28drugs
00:20:28and drugs
00:20:29under the counter
00:20:30poppers
00:20:31methamphetamine
00:20:32but also
00:20:33testosterone
00:20:38things that however
00:20:39they didn't add up
00:20:40completely
00:20:40that character
00:20:41cultured
00:20:42and refined
00:20:43who had
00:20:44so carefully
00:20:45studied
00:20:46for himself
00:20:48meanwhile
00:20:49had become
00:20:50one of the characters
00:20:51more prominent
00:20:51of the gay scene
00:20:52from San Diego
00:20:53everyone
00:20:54they knew
00:20:55Andrew
00:20:56da Silva
00:20:56even if no one
00:20:57of them
00:20:58he knew
00:20:58Andrew Cunanan
00:21:04it's in this
00:21:05period
00:21:06that Andrew
00:21:07Cunanan
00:21:07he knows
00:21:08the flix
00:21:08Jeff Trail
00:21:10the only friend
00:21:11that he has
00:21:12never had
00:21:14the relationship
00:21:15between Jeff
00:21:16and Andrew
00:21:16it's a relationship
00:21:17complex
00:21:18my
00:21:20male
00:21:20alpha
00:21:21he loves to call him
00:21:22but between them
00:21:23it's not alone
00:21:24a question
00:21:25of sex
00:21:25Jeff
00:21:27for Andrew
00:21:28become a confidant
00:21:29a brother
00:21:30maybe his
00:21:31Alone
00:21:32true friend
00:21:32Jeff
00:21:33he is loyal
00:21:34solid
00:21:35and respectful
00:21:36of the rules
00:21:36because of this
00:21:38his betrayal
00:21:39it will be unbearable
00:21:40and Jeff
00:21:41as we will see
00:21:43it will be just
00:21:44the first
00:21:44to be killed
00:21:54when Gianni Versace
00:21:55arrives in Milan
00:21:57It's 1972
00:21:58he doesn't like the city
00:22:01and the city
00:22:02it doesn't seem like it
00:22:02love him
00:22:05Milan
00:22:06with that attitude of his
00:22:07of superiority
00:22:08for which
00:22:08all southerners
00:22:10I'm like
00:22:10of the parvenu
00:22:11of parasites
00:22:12without culture
00:22:13by reaction
00:22:15Versace
00:22:16begins to exalt
00:22:17its origins
00:22:18after all
00:22:19Calabria
00:22:19it doesn't mean
00:22:20just ignorance
00:22:21and underdevelopment
00:22:22in his stories
00:22:23Calabria
00:22:24it means above all
00:22:26Magna Graecia
00:22:27the cradle
00:22:28of culture
00:22:29six years later
00:22:31when it presents
00:22:32his first collection
00:22:32woman
00:22:33finally
00:22:34it takes
00:22:34his revenge
00:22:35about the city
00:22:45we are at the dawn
00:22:47of the great season
00:22:48of Italian fashion
00:22:49the name Versace
00:22:50starts to circulate
00:22:51in the environments
00:22:52the photographer
00:22:53Richard Avedon
00:22:54start taking pictures
00:22:55Gianni's creations
00:22:57and its images
00:22:58they're quick
00:22:59around the world
00:23:00and then
00:23:01Paris
00:23:08the money
00:23:09they begin
00:23:10to arrive
00:23:10in Palati
00:23:13and Gianni
00:23:14he is someone who loves
00:23:15spend
00:23:18in 1981
00:23:20buy a small building
00:23:21in the heart of Milan
00:23:23which becomes
00:23:24his headquarters
00:23:2515,000 square meters
00:23:27arranged on three floors
00:23:28with two internal courtyards
00:23:30and a winter garden
00:23:31it costs him
00:23:3214 billion lire
00:23:34more others
00:23:356 and a half
00:23:36of restructuring
00:23:43at the door of the palace
00:23:44there is a knocker
00:23:45in bronze
00:23:46with a head
00:23:47of jellyfish
00:23:47what will become
00:23:49the Versace brand
00:23:51all over the world
00:23:55the years pass
00:23:56they multiply
00:23:57the successes
00:23:58at the fashion shows
00:23:59the celebrities
00:24:00they compete
00:24:01to sit in the front row
00:24:02the most beautiful models
00:24:03of the world
00:24:04they challenge for him
00:24:06collection after collection
00:24:07Versace
00:24:08builds his myth
00:24:12and in 1991
00:24:14house
00:24:15Casuarina
00:24:16a house in Miami
00:24:17dating back to 1500
00:24:18and what is said
00:24:20belonged
00:24:20nothing less
00:24:21that to the son
00:24:22by Christopher Columbus
00:24:23Diego
00:24:24to Versace
00:24:25it costs a fortune
00:24:27buy it
00:24:28and another fortune
00:24:30restore it
00:24:31musicians
00:24:32sculptors
00:24:33interior designers
00:24:34everything is imagined
00:24:36made
00:24:37in the most minute detail
00:24:38some details
00:24:39no one would have imagined
00:24:41that that would become
00:24:43the most expensive para
00:24:44of modern history
00:24:51in that same period
00:24:53in the early 90s
00:24:55Gianni Versace's murderer
00:24:57is living
00:24:58his period
00:24:58golden
00:24:59he is young
00:25:00it's beautiful
00:25:01Andrew
00:25:01and the money
00:25:02I'm no longer a problem
00:25:03at least since
00:25:05he started doing
00:25:06the kept man
00:25:07from year to year
00:25:08it had passed
00:25:09from a protector
00:25:10to the other
00:25:11until one day
00:25:12he hadn't done it
00:25:13bingo
00:25:14with a selection
00:25:16accurate
00:25:17of knowledge
00:25:17had arrived
00:25:19to enter
00:25:19in contact
00:25:20with a circle
00:25:21very exclusive
00:25:22that was going
00:25:23under the name
00:25:24by Gamma Mu
00:25:25the Gamma Mu
00:25:27it's a conventicle
00:25:28composed
00:25:29from entrepreneurs
00:25:30with interest
00:25:30in the sectors
00:25:31most disparate
00:25:32but united
00:25:33from a single characteristic
00:25:35they are all gay
00:25:37elderly people
00:25:38and disgustingly rich
00:25:45Norman Blatchford
00:25:46is a member
00:25:47of the Gamma Mu
00:25:48for almost
00:25:48ten years
00:25:49at 58 years old
00:25:51played
00:25:52Norman
00:25:52he doesn't love anymore
00:25:53the noise
00:25:54and the gay scene
00:25:54youth
00:25:57it's been some time
00:25:59that seeks
00:26:00a company
00:26:00more sophisticated
00:26:01a partner
00:26:03of life
00:26:03able
00:26:04to support
00:26:05a conversation
00:26:06not focused
00:26:07only
00:26:08on the turns
00:26:09of the career
00:26:10by Madonna
00:26:10or on the flu
00:26:11of the moon
00:26:12in the ram
00:26:13when Norman
00:26:14meet Andrew
00:26:15it seems to him
00:26:16that someone
00:26:17up there
00:26:17he answered
00:26:18to his prayers
00:26:21and Andrew
00:26:23Certain
00:26:23he behaves
00:26:24like the companion
00:26:25ideal
00:26:26is present
00:26:27helpful
00:26:28and at the bottom
00:26:29he claims
00:26:30quite little
00:26:31he is happy
00:26:32of a monthly
00:26:32of 4,000 dollars
00:26:34an apartment
00:26:35all his
00:26:35and a beautiful one
00:26:36machine
00:26:37and then
00:26:37their relationship
00:26:39it is sufficiently
00:26:40open
00:26:41to allow
00:26:42to Andrew
00:26:42to maintain
00:26:43a certain freedom
00:26:44and Andrew
00:26:46Cunanan
00:26:47da Silva
00:26:48in that freedom
00:26:49he wallows in it
00:26:55October 21st
00:26:571990
00:26:57the community
00:26:59homosexual
00:27:00from San Francisco
00:27:01it's in turmoil
00:27:03it's the day
00:27:04of the first
00:27:04of the whim
00:27:05by Richard Strauss
00:27:06and the theater
00:27:07of the work
00:27:08it's crowded
00:27:11not so much
00:27:12for the event
00:27:12in itself
00:27:13how much because
00:27:14in the city
00:27:14there is Gianni Versace
00:27:15who took care of it
00:27:16the costumes
00:27:20and everyone
00:27:22they press
00:27:22to be
00:27:23admitted
00:27:23at the party
00:27:24of that evening
00:27:24at the Colossus
00:27:26a gay nightclub
00:27:27from others
00:27:28cavernous
00:27:47and that evening
00:27:49it happens
00:27:49the incredible
00:27:50Gianni
00:27:51he's chatting
00:27:52with some friends
00:27:53when you notice
00:27:54the strange one
00:27:55elegant boy
00:27:56that stares at him
00:27:58Gianni Versace
00:27:59Andrew
00:28:00Cunanan
00:28:02victim
00:28:03and executioner
00:28:04they meet
00:28:05neither of them
00:28:06knows the role
00:28:07that in this story
00:28:08he reserved for him
00:28:09destiny
00:28:13we know each other
00:28:14True
00:28:15says Versace
00:28:15Lake Como
00:28:17if I'm not mistaken
00:28:18Andrew
00:28:19he is enthusiastic
00:28:20It is true
00:28:22Thank you
00:28:23for having remembered it
00:28:24Mr. Versace
00:28:25we don't know
00:28:26if the two
00:28:26Really
00:28:27they met
00:28:28previously
00:28:29what is known
00:28:30for sure
00:28:31is that
00:28:32Andrew Cunanan
00:28:33in Italy
00:28:33he never gave us
00:28:34set foot
00:28:35and equally certain
00:28:37is that for the months
00:28:38subsequent
00:28:38Andrew
00:28:40he does nothing else
00:28:41what to talk about
00:28:42of his meeting
00:28:42with Gianni
00:28:50let's recap
00:28:51July 15th
00:28:521997
00:28:54Gianni Versace
00:28:55he is killed
00:28:56outside his house
00:28:57from Miami
00:28:58his killer
00:28:59is called
00:29:00Andrew Cunanan
00:29:01he's a boy
00:29:03quite well known
00:29:04in gay circles
00:29:05from San Diego
00:29:06This is where he knows
00:29:07Jeff
00:29:08person
00:29:09on which he counts
00:29:10in life
00:29:10with all the others
00:29:12Cunanan
00:29:13he pretends to be the scion
00:29:14of a rich
00:29:15Filipino family
00:29:17the money instead
00:29:18they come to him
00:29:19from an elderly billionaire
00:29:20Norman Bletchford
00:29:22whose kept man he is
00:29:24Norman
00:29:25he pays for it
00:29:26but he leaves it
00:29:27also free
00:29:27to do
00:29:28what he believes
00:29:29and this story
00:29:30it doesn't end here
00:29:34it's in progress
00:29:35of one of the many trips
00:29:37made to recover
00:29:38its spaces
00:29:39far from Norman
00:29:40that Andrew
00:29:41he knows
00:29:42David Manson
00:29:43what will define
00:29:45the only man
00:29:47that I have ever loved
00:29:48in my whole life
00:29:53Andrew is in San Francisco
00:29:55guest of the Mandarin Oriental Hotel
00:30:00David wasn't very convinced
00:30:02to follow him
00:30:02in his room
00:30:03hotel
00:30:04but Andrew
00:30:05has that certain
00:30:06know-how
00:30:07so it's difficult
00:30:08tell him no
00:30:08and then
00:30:09as for gifts
00:30:10he is very generous
00:30:11and to David
00:30:12I like Russian
00:30:13him
00:30:14who comes from Minneapolis
00:30:15suffers a little
00:30:16the charm
00:30:17of the big city
00:30:17and Andrew
00:30:19it's easy to play
00:30:20to take it with you
00:30:21to bed
00:30:21after all
00:30:23his is not a room
00:30:24anyone
00:30:25it's a suite
00:30:26from $520
00:30:28at night
00:30:28with a view
00:30:29on the Golden Gate
00:30:37part of the game
00:30:38I am also
00:30:39sexual tastes
00:30:40that both
00:30:41they share
00:30:44sex
00:30:45for them
00:30:46it's not done
00:30:46of soft
00:30:47carnal fusions
00:30:48but of relationships
00:30:50of strength
00:30:50of wise use
00:30:51of pain
00:30:52and clear
00:30:53reports
00:30:54of domination
00:30:58in fantasies
00:30:59by Andrew
00:31:00forever
00:31:00they were peeking out
00:31:01whips
00:31:02rubber balls
00:31:04blades
00:31:04and chains
00:31:05in those of David
00:31:07the same objects
00:31:08but on condition
00:31:09that someone
00:31:10he used them
00:31:11about him
00:31:12the interlocking
00:31:13it's perfect
00:31:16their relationship
00:31:18start
00:31:18on a wave
00:31:19of mystery
00:31:20Andrew
00:31:20it's always
00:31:21elusive
00:31:22always on the go
00:31:23somewhere far away
00:31:25very luxurious
00:31:26corner of the planet
00:31:28French Riviera
00:31:29England
00:31:30Japan
00:31:31the places
00:31:32which in reality
00:31:33frequents
00:31:33to keep company
00:31:35in Norman
00:31:35and Norman
00:31:37Certain
00:31:37you don't dream
00:31:38to speak
00:31:39to the new lover
00:31:43every week
00:31:44David
00:31:45receives a postcard
00:31:46and in each one
00:31:47Andrew
00:31:48it's there
00:31:48to enchant him
00:31:50with the story
00:31:51of his strange adventures
00:31:52of his extraordinary encounters
00:31:55of his mysterious affairs
00:31:58Hawaii
00:31:59Dave
00:32:00it's beautiful here
00:32:025 hectares of beach
00:32:04in front of a panorama
00:32:06spectacular
00:32:07I wanted to send you
00:32:09a shell
00:32:10but she wouldn't have entered
00:32:11in the envelope
00:32:11if you can
00:32:13think of me
00:32:14I miss you
00:32:15your devoted
00:32:17little wife
00:32:18pygmy
00:32:25Cap Ferrat
00:32:26French Riviera
00:32:27we are in a resort
00:32:29luxury
00:32:30and Andrew
00:32:31is here to accompany
00:32:32Norman
00:32:33for yet another vacation
00:32:34Andrew
00:32:35he chuckles
00:32:37Norman
00:32:38he asks him
00:32:38let it happen
00:32:39him
00:32:40niche
00:32:41Nothing
00:32:42I'm just writing
00:32:43a postcard
00:32:44to a friend
00:32:46Norman
00:32:46observe
00:32:47than postcards
00:32:48lately
00:32:49he's writing about it
00:32:50several
00:32:50and there is a sore point
00:32:52in those words
00:32:53almost a thin one
00:32:54recrimination
00:32:55because in recent times
00:32:58Andrew
00:32:58he started to gain weight
00:32:59the gym
00:33:01it bores him
00:33:01and he stopped
00:33:02to go there altogether
00:33:03some friends
00:33:05he also warned him
00:33:06if he neglects
00:33:07physical appearance
00:33:08there is none
00:33:09brilliant conversation
00:33:11that can save
00:33:12his relationship
00:33:13from maintained
00:33:15but that obviousness
00:33:16Andrew
00:33:17he took it with annoyance
00:33:18after all
00:33:19Norman
00:33:20must be grateful
00:33:21he almost has to kiss
00:33:22the land
00:33:22on which he rests his feet
00:33:24seen all that
00:33:25what's right for him
00:33:25and then
00:33:26the problem of the physique
00:33:27can solve it
00:33:28with some beautiful
00:33:29injection
00:33:30of testosterone
00:33:36look at the postcard
00:33:37that he holds in his hand
00:33:38directed to David
00:33:39and it ends
00:33:40the sentence
00:33:41who was writing
00:33:43I miss you
00:33:44your
00:33:46Drew
00:33:52returned from vacation
00:33:53Andrew
00:33:54it makes it explode
00:33:55the publican
00:33:56he wants to give up
00:33:57Norman
00:33:57after all
00:33:58he is young
00:33:59he knows a lot of people
00:34:00he is loved
00:34:01and appreciated by all
00:34:02has
00:34:03of a lucid intelligence
00:34:04and can get
00:34:06all that
00:34:07what he wants
00:34:07it has never been
00:34:09so far away
00:34:10from the truth
00:34:14Andrew
00:34:15confess
00:34:15friend Jeff
00:34:16his intentions
00:34:17leave Norman
00:34:20but it is added
00:34:21of money
00:34:22he would have
00:34:23earned
00:34:23applause
00:34:24him
00:34:25can sell
00:34:26over-the-counter drugs
00:34:27and to the right contacts
00:34:28with some drug dealers
00:34:29of cocaine
00:34:34No
00:34:35the money
00:34:36it wouldn't have been
00:34:37a problem
00:34:37Jeff
00:34:39he's pretending
00:34:39of not hearing
00:34:40he knows well
00:34:41how much Andrew
00:34:41may be insistent
00:34:43invites him to reflect
00:34:45deeply
00:34:45on the consequences
00:34:47of choice
00:34:47to leave Norman
00:34:48all the more so
00:34:50that he
00:34:50could no longer
00:34:51help him
00:34:52since he is
00:34:53to move
00:34:54in Minneapolis
00:34:57where are you going
00:34:59Andrew
00:35:00he rolls his eyes
00:35:01incredulous
00:35:04in Minneapolis
00:35:05and leave me
00:35:06here
00:35:06alone
00:35:08Jeff
00:35:09he objects to something
00:35:10but Andrew
00:35:11leave the premises
00:35:12banging
00:35:12the door
00:35:13behind
00:35:15in the weeks
00:35:17subsequent
00:35:17at the break
00:35:18with Norman
00:35:19Andrew
00:35:19he realizes
00:35:21which is not alone
00:35:21Jeff Trail
00:35:22to have left it
00:35:23Alone
00:35:30David too
00:35:31Manson
00:35:32he tells him
00:35:32which is perhaps
00:35:33the case
00:35:33to take
00:35:34a break
00:35:36no big deal
00:35:37thinks Andrew
00:35:37he will think again
00:35:38after all
00:35:40it's always been him
00:35:41to have control
00:35:42of the situation
00:35:43and anyway
00:35:44friends
00:35:45and lovers
00:35:45it won't take long
00:35:47to do with it
00:35:48again
00:35:57federal bureau
00:35:58of investigation
00:35:59official report
00:36:04in the autumn
00:36:05of 1996
00:36:06a prostitute
00:36:08by name
00:36:08Daniel
00:36:08is contacted
00:36:10on the phone
00:36:10from a customer
00:36:12he is asked
00:36:13to go
00:36:13at the address
00:36:14cancelled
00:36:15and to wait
00:36:17on the roadside
00:36:17on site
00:36:19of the appointment
00:36:20it stops
00:36:21a machine
00:36:21model
00:36:22cancelled
00:36:23on board
00:36:25there are two people
00:36:26an older one
00:36:27and a younger one
00:36:30the young man
00:36:31is identified
00:36:32as
00:36:32Andrew
00:36:33Cunanan
00:36:37the two
00:36:38they tell him
00:36:39to go up
00:36:39on board
00:36:40they drive
00:36:41up to an apartment
00:36:42located
00:36:42in cancelled
00:36:45once
00:36:46within
00:36:46the three
00:36:46they consume
00:36:47a relationship
00:36:47sexual
00:36:49the price
00:36:50agreed
00:36:50it's $140
00:36:52for that
00:36:52that Daniel
00:36:53describes
00:36:54like an hour
00:36:5450 minutes
00:36:55plus the cost
00:36:56of the taxi
00:36:57to go back
00:37:01who was
00:37:02that person
00:37:03with Andrew
00:37:03what he did with him
00:37:05we'll find out
00:37:07afterwards
00:37:10what is certain
00:37:12is that
00:37:13in the autumn
00:37:13of 1996
00:37:14Andrew
00:37:16it is given
00:37:16a lot to do
00:37:17he does nothing else
00:37:19what to spend
00:37:19go out
00:37:20frequent bars
00:37:21the discos
00:37:22the restaurants
00:37:23fashionable
00:37:24and of people
00:37:25he meets hundreds of them
00:37:27but of friends
00:37:28not even a shadow
00:37:35the months pass
00:37:36and we arrive
00:37:37in April
00:37:38of 1997
00:37:40Andrew
00:37:40it's again
00:37:41in San Diego
00:37:42he no longer has
00:37:43a penny
00:37:43the two cards
00:37:45of credit
00:37:45inherited
00:37:46from Norman
00:37:46they count a debt
00:37:47total
00:37:48of 20,000 dollars
00:37:49he sold
00:37:50the machine
00:37:50and suddenly
00:37:52he realizes
00:37:52of not having
00:37:53a plan
00:37:58let's recap
00:37:58Andrew Cunanan
00:38:00what will become
00:38:02the killer
00:38:02by Gianni Versace
00:38:03it's quite well known
00:38:05in gay circles
00:38:05in San Diego
00:38:07he met
00:38:08his only friend
00:38:09Jeff Trail
00:38:10and months later
00:38:12love
00:38:12of his life
00:38:13David Manson
00:38:15Andrew is a difficult person
00:38:17he's a liar
00:38:18pathological
00:38:19Soon
00:38:20both
00:38:21they leave it
00:38:21Alone
00:38:22as time goes by
00:38:24of the months
00:38:24when he broke off
00:38:25with the billionaire
00:38:26that kept it
00:38:27he runs out of money
00:38:29and without friends
00:38:30he has no alternatives
00:38:32must ask for help
00:38:33to Jeff
00:38:34and David
00:38:35and this story
00:38:36it doesn't end here
00:38:42April 25th
00:38:441997
00:38:45Andrew
00:38:47is going
00:38:47to find
00:38:48Jeff
00:38:48and David
00:38:49on the flight
00:38:51for Minneapolis
00:38:51a thousand things
00:38:53they pass to him
00:38:53for the head
00:38:55Now
00:38:56he understands it
00:38:57abandon Norman
00:38:58it was a mistake
00:38:59think about the quantity
00:39:01of money wasted
00:39:02and it comes to him
00:39:03to be punched
00:39:05then think about Jeff
00:39:06Yes
00:39:07he would have wanted
00:39:08see it
00:39:09talk to him
00:39:09he would have understood
00:39:11the situation
00:39:11him
00:39:12his only friend
00:39:15but most of all
00:39:16think about David
00:39:17David
00:39:18it's again
00:39:19alone
00:39:19Alone
00:39:20and ready
00:39:21to pick it up
00:39:22Andrew
00:39:22he is sure of it
00:39:26the time has come
00:39:27to tell him the truth
00:39:28the whole truth
00:39:29to tell him that he is penniless
00:39:31without prospects
00:39:33but what if the two of them
00:39:34they will get back together
00:39:35it's certain
00:39:36that everything will be okay
00:39:46arrived in Minneapolis
00:39:47Jeff tells him
00:39:49that will be difficult
00:39:50see each other that weekend
00:39:51it's the birthday
00:39:52of the new boy
00:39:53by Jeff
00:39:54and he
00:39:55he promised him
00:39:55that they would go together
00:39:57to pass by
00:39:57the weekend
00:39:58in the countryside
00:39:59that evening
00:40:00Andrew
00:40:01but
00:40:01he can sleep at his house
00:40:03the keys
00:40:04I'm under the mat
00:40:06the news is falling
00:40:08Andrew
00:40:08in depression
00:40:10Jeff
00:40:11he knows very well
00:40:12that Andrew
00:40:12it's not passing
00:40:14a beautiful moment
00:40:14and instead of being there
00:40:16ready to listen to it
00:40:17he's leaving for the weekend
00:40:19moreover
00:40:20could have
00:40:21give him the right advice
00:40:23to win David back
00:40:29to all this
00:40:30thinks Andrew
00:40:31while at home
00:40:32by Jeff
00:40:36he goes to the bathroom
00:40:37to do
00:40:37an injection
00:40:38of testosterone
00:40:43since he stopped
00:40:44to go to the gym
00:40:45he decided
00:40:46that to maintain
00:40:47a lean physique
00:40:48and pleasant
00:40:48it would have been enough
00:40:50to make oneself
00:40:50injections
00:40:51at regular times
00:40:58but testosterone
00:40:59besides doing nothing
00:41:01for his physique
00:41:02influences very heavily
00:41:04his mood
00:41:05he comes out of the bathroom
00:41:06and it begins
00:41:07wandering around the rooms
00:41:09rummage
00:41:10between the drawers
00:41:11by Jeff
00:41:14in search
00:41:15of something
00:41:15a sign
00:41:16anything
00:41:18that the witnesses
00:41:19as much as he does too
00:41:20it is important
00:41:20for Jeff
00:41:22Nothing
00:41:23he finds nothing
00:41:25but
00:41:26in a box
00:41:27of the closet
00:41:28something
00:41:30catches his attention
00:41:33it's a gun
00:41:3440 caliber
00:41:41he sits on the bed
00:41:42and if he turns it around
00:41:43between the hands
00:41:44for a few moments
00:41:46look at the barrel
00:41:47Perhaps
00:41:48should do it
00:41:50a shot
00:41:51and everything would vanish
00:41:53all the problems
00:41:54all the difficulties
00:41:59then think about David
00:42:01I think they haven't talked yet
00:42:04that maybe
00:42:05there is still
00:42:06a possibility
00:42:07he puts the gun in
00:42:10in the pants
00:42:12and sinks
00:42:13in a sleep
00:42:14disturbed
00:42:18What does Andrew dream about?
00:42:20Perhaps
00:42:21dreams of parties
00:42:22of those prestigious parts
00:42:24that he loved to frequent so much
00:42:26and to whom
00:42:27he is no longer invited
00:42:28Now
00:42:29that everyone knows
00:42:30who is a certified liar
00:42:33those same parts
00:42:34that every weekend
00:42:35they keep themselves at home
00:42:37to priest
00:42:49Sunday
00:42:49April 26
00:42:51Andrew
00:42:52he goes home
00:42:53by David
00:42:56Andrew
00:42:57note that there is
00:42:58a new wall
00:42:58in the house
00:43:01David
00:43:02he did some work
00:43:03he hasn't finished yet
00:43:05and in fact
00:43:06there is the cassette
00:43:07of the tools
00:43:08next to the door
00:43:09but from the expression
00:43:11by David
00:43:11Andrew understands
00:43:13that there is something
00:43:14that's not going well
00:43:14David's smile
00:43:16it's a forced smile
00:43:18the gun
00:43:19it burns on his side
00:43:22Andrew
00:43:22he proposes to him
00:43:23to go to bed
00:43:24and to do someone
00:43:25of their little games
00:43:27but David
00:43:28he's tired
00:43:29he has no desire at all
00:43:30to please him
00:43:31to distract
00:43:33attention
00:43:33from that topic
00:43:34thorny
00:43:35he asks him
00:43:36why it is
00:43:36of so much
00:43:37Bad mood
00:43:39Andrew
00:43:40it melts
00:43:41he noticed it
00:43:42thinks
00:43:43David understands me
00:43:44he can read me inside
00:43:45It's for Jeff
00:43:47admits
00:43:48they will see each other
00:43:49that evening
00:43:49in a cafe
00:43:50but it will be only
00:43:51for a clipping
00:43:52of time
00:43:52because then
00:43:53Jeff
00:43:54he will come back
00:43:55from the boyfriend
00:43:55to dance
00:43:56somewhere
00:43:57he did not find
00:43:58time for him
00:44:00David
00:44:01try to console him
00:44:02you shouldn't think
00:44:04to Jeff
00:44:04don't be offended
00:44:06but maybe
00:44:06you don't know
00:44:07What
00:44:07Jeff
00:44:07really think
00:44:09of you
00:44:11and takes
00:44:12to tell him
00:44:13that for him
00:44:14Andrew
00:44:15he was a liar
00:44:16pathological
00:44:16and had left
00:44:18California
00:44:18own
00:44:19to be with him
00:44:20distant
00:44:21Andrew
00:44:22he can't do it
00:44:23to believe
00:44:23to his ears
00:44:24what he said
00:44:26a moment
00:44:27After
00:44:27he picks up the phone
00:44:29and calls him
00:44:29let's not meet for coffee
00:44:31come here
00:44:32at David's house
00:44:33he says with a tone
00:44:34which does not allow replies
00:44:38from this moment on
00:44:40no one really knows
00:44:41what happened
00:44:42in detail
00:44:43why no process
00:44:44has never been celebrated
00:44:46on these events
00:44:47but probably
00:44:49things
00:44:49it went like this
00:44:50at 9.45pm
00:44:52the bell
00:44:53at home
00:44:54suoma
00:44:56It's Andrew
00:44:57to welcome Jeff
00:44:58the look
00:45:00it's made of ice
00:45:01the words
00:45:02by David
00:45:02they reverberate
00:45:03like bells
00:45:04to death
00:45:05in his head
00:45:08I'm happy
00:45:09that you found
00:45:10ten minutes
00:45:11to talk
00:45:12with that
00:45:12that pushed you
00:45:13to leave
00:45:14California
00:45:14he tells him
00:45:16with a cold tone
00:45:17sharp
00:45:17Jeff
00:45:18he knows him
00:45:20that tone
00:45:20he knows that
00:45:21when Andrew
00:45:22it's like this
00:45:22is coming out
00:45:23head
00:45:25try to calm him down
00:45:26to justify himself
00:45:28but he is preparing
00:45:29to the storm
00:45:31he doesn't know that Andrew
00:45:33has in circulation
00:45:34liters of testosterone
00:45:36that's for sure
00:45:37they don't help
00:45:38his lucidity
00:45:39his words
00:45:41they ring for him
00:45:41empty
00:45:42and false
00:45:43you are a piece
00:45:45shitty
00:45:45whispers
00:45:47Jeff
00:45:48shakes his head
00:45:50you know what's there
00:45:51I'm leaving
00:45:52yes go
00:45:53go away
00:45:54get out of here
00:45:55come on
00:45:56Andrew shouts at him
00:45:56with all my breath
00:45:58which is in the body
00:45:58Jeff
00:45:59in turning around
00:46:00he addresses him
00:46:02a smile
00:46:02of farewell
00:46:03and compassion
00:46:07Here you are
00:46:08This
00:46:09this is the point
00:46:11in which everything
00:46:12it falls to pieces
00:46:13that smile
00:46:14that smile
00:46:16of commiseration
00:46:17it's the switch
00:46:19for everything
00:46:20the horror
00:46:21what will happen next
00:46:27stop traitor
00:46:28growls
00:46:29grab the hammer
00:46:30from the box
00:46:31of the tools
00:46:31next to the door
00:46:36pieces of skin
00:46:37they splash on the walls
00:46:38and immediately after
00:46:39blood
00:46:40a sea of blood
00:46:45David maybe
00:46:46he saw everything
00:46:47and he can't
00:46:48to move
00:46:49for terror
00:46:51Andrew
00:46:52he orders him
00:46:53to help him
00:46:55they insert the body
00:46:56by Jeff
00:46:56in a carpet
00:46:57and they start cleaning
00:46:59the blood
00:47:00from the ground
00:47:01David
00:47:02follows orders
00:47:03upset
00:47:03when they cleaned
00:47:05the room
00:47:06the best
00:47:06and locked up the dog
00:47:08in the closet
00:47:08David tries to talk to him
00:47:11with all the sweetness
00:47:13that he can invoke
00:47:14pray Andrew
00:47:15to contact
00:47:16the police
00:47:17you went out
00:47:19off my mind for a moment
00:47:20Andrew
00:47:20you flipped
00:47:21you weren't yourself
00:47:23the policemen
00:47:24they will understand
00:47:25but Andrew
00:47:26he doesn't listen to him
00:47:27take it out
00:47:29the gun
00:47:33two days pass
00:47:34at home
00:47:35together with the corpse
00:47:36by Jeff
00:47:37they also bring
00:47:39twice for a walk
00:47:41the dog
00:47:42until
00:47:43late morning
00:47:45Tuesday 28th
00:47:46contacted perhaps
00:47:48from David's friends
00:47:49at home
00:47:50the administrator enters
00:47:52of condominium
00:47:54is anyone there?
00:47:55request
00:47:56notice something
00:47:59behind the sofa
00:48:00feet appear
00:48:01of a different man
00:48:02takes a step forward
00:48:06Then
00:48:06he brings a hand
00:48:08on the mouth
00:48:08he saw the corpse
00:48:10by Jeff Trail
00:48:11and runs away
00:48:12to call the police
00:48:15he doesn't know
00:48:15that in the other room
00:48:17with the gun
00:48:18in hand
00:48:18focus on her
00:48:19there was Andrew
00:48:20with David
00:48:21handcuffed
00:48:22and gagged
00:48:23to a chair
00:48:26Andrew
00:48:26he's in a panic
00:48:30there
00:48:30can't stay
00:48:31it's about to arrive
00:48:33the police
00:48:36David
00:48:37try again
00:48:37to explain it to him
00:48:38you have to
00:48:40to constitute
00:48:41Andrew
00:48:42he intimates him
00:48:43to keep quiet
00:48:45shaking his head
00:48:46between tears
00:48:46repeats
00:48:47between sexes
00:48:48and obsessively
00:48:49Why
00:48:50I'm not friends with you
00:48:50Why
00:48:51I'm not friends with you
00:48:53the two
00:48:55they leave the house
00:48:55and they mount
00:48:56on the car
00:48:57by David
00:48:57four days later
00:48:59May 3rd
00:49:01his corpse
00:49:02will be found
00:49:0320 kilometers
00:49:04north
00:49:05of the city
00:49:07that David
00:49:08loved him
00:49:08Andrew
00:49:09he didn't have it then
00:49:10believed
00:49:11all the way
00:49:14let's recap
00:49:15Andrew
00:49:16Cunanan
00:49:16what will become
00:49:17the killer
00:49:18by Gianni Versace
00:49:19he lived
00:49:20a life
00:49:21of lies
00:49:22he did
00:49:23the kept man
00:49:24and also
00:49:25the procurer
00:49:26of prostitutes
00:49:26on behalf
00:49:28of rich men
00:49:28middle aged
00:49:29he has no more money
00:49:31and discovers
00:49:32that the only ones
00:49:33two men
00:49:33on which he relied
00:49:35they hate it
00:49:36I am
00:49:37Jeff Trail
00:49:38a former soldier
00:49:39It's David Manson
00:49:41the only man
00:49:42that I have ever loved
00:49:43kills them both
00:49:45Then
00:49:46with the Jeep Cherokee
00:49:48by Manson
00:49:48he gives himself the stain
00:49:49in search
00:49:50of someone
00:49:51that can help him
00:49:53and this story
00:49:54it doesn't end here
00:49:59more or less
00:50:00at the same time
00:50:01the Jeep Cherokee
00:50:03which belonged to David Manson
00:50:04he's parking
00:50:06on Astor Street
00:50:07in a neighborhood
00:50:08residential
00:50:09from Chicago
00:50:0985 steps away
00:50:11further on
00:50:12there is the house
00:50:13by Lee Meaglin
00:50:14a very rich man
00:50:15entrepreneur
00:50:16builder
00:50:20Lee Meaglin
00:50:21he's a character
00:50:22very well known in the city
00:50:23he's a friend
00:50:24staff
00:50:24of the mayor
00:50:25and everyone considers it
00:50:27as one of the pillars
00:50:28of the community
00:50:30do you recognize it?
00:50:32it's that same man
00:50:33seen with Andrew Cunanan
00:50:35in the autumn
00:50:36of 1996
00:50:37what a prostitute
00:50:39by name Daniel
00:50:40had identified
00:50:42to the FBI
00:50:42Why
00:50:44although many
00:50:45they know
00:50:46the public face
00:50:47by Lee Meaglin
00:50:47almost no one
00:50:49he knows about it
00:50:50the private face
00:50:51a man
00:50:52who loves
00:50:53the male company
00:50:54and loves to indulge
00:50:55in heavy games
00:50:57Sadomasochism
00:50:57Andrew instead
00:50:59he knows him
00:51:00Very good
00:51:02why Lee
00:51:03we can only guess
00:51:05for a few days now
00:51:06and on the run
00:51:07he needs
00:51:08helpful
00:51:10when it occurs
00:51:12at the door
00:51:12by Meaglin
00:51:13he understands
00:51:14that from that man
00:51:15he won't have it
00:51:15he just has to look at it
00:51:17a moment
00:51:18in the eyes
00:51:19Meaglin
00:51:20it doesn't stand in itself
00:51:21from the excitement
00:51:22already anticipating
00:51:24the weekend
00:51:24of excesses
00:51:25that awaits him
00:51:26with Andrew
00:51:26while his wife
00:51:28it's far away
00:51:30you want excesses
00:51:31old bastard
00:51:32thinks Andrew
00:51:33Well
00:51:34you will have them
00:51:35Andrew
00:51:36take it out
00:51:37the gun
00:51:37and Meaglin
00:51:39he smiles
00:51:40he smiles
00:51:41thinking
00:51:42to another
00:51:42erotic game
00:51:43and smiles
00:51:44Also
00:51:45when Andrew
00:51:46it envelops them
00:51:47the head
00:51:47with duct tape
00:51:48and brings it
00:51:49in the garage
00:51:52what you don't expect
00:51:53it's what happens next
00:51:55Andrew
00:51:56grab a screwdriver
00:51:57and stabs him
00:51:58dozens of times
00:51:59around the neck
00:52:00and to the face
00:52:00while he is dying
00:52:02on the ground
00:52:03grab a saw
00:52:04and tears them apart
00:52:05the trachea
00:52:05it wraps him up
00:52:07with some bags
00:52:07of garbage
00:52:08then grabs
00:52:09a block of concrete
00:52:10from 25 kg
00:52:11and leaves it to him
00:52:12fall on top
00:52:14then it goes up
00:52:15on his Lexus
00:52:16sets the engine in motion
00:52:17and it passes
00:52:175 times
00:52:18on what remains
00:52:19of his corpse
00:52:20Therefore
00:52:21he moves away
00:52:22skidding
00:52:30since 1995
00:52:32the Versace brand
00:52:34is one of the most famous
00:52:35brand in the world
00:52:36Versace clothes
00:52:38they are worn
00:52:40from premiosca
00:52:40supermodels
00:52:42and princesses
00:52:43there are Madonna
00:52:44Tina Turner
00:52:46Sylvester Stallone
00:52:47Mike Tyson
00:52:48Faye Dunaway
00:52:49George Michael
00:52:50and of course
00:52:52Elton John
00:52:52and Princess Diana
00:52:54who are friends
00:52:55Gianni's personal
00:52:56but also Gianni
00:52:58has a private face
00:52:59that he keeps well hidden
00:53:01to the lights
00:53:02of the limelight
00:53:02him and his partner
00:53:04to a friend
00:53:05they love company
00:53:06of beautiful boys
00:53:07and young people
00:53:11Jaime Cardona
00:53:13that of Versace
00:53:14he was also a model
00:53:15he declared
00:53:16to the police
00:53:17to have at regular times
00:53:19encountered
00:53:21potential companions
00:53:23destined for Versace
00:53:26he observed the candidates
00:53:28and chose the most attractive ones
00:53:29he gave them directions
00:53:32and then
00:53:33he escorted them
00:53:34up to the rear entrance
00:53:35of the residence
00:53:36by Versace
00:53:42hours later
00:53:43they were going out
00:53:44from the same door
00:53:45with a beautiful story
00:53:46to tell
00:53:47to friends
00:53:49after all
00:53:50they ended up in bed
00:53:51with a real one
00:53:52living legend
00:53:53Gianni Versace
00:53:58and maybe
00:53:59one of these stories
00:54:00he also feels it
00:54:02Andrew
00:54:02that a year old
00:54:05May 10th
00:54:06after killing
00:54:08another person
00:54:08to steal his car
00:54:09Andrew
00:54:10arrives in Miami
00:54:11and takes
00:54:12a room here
00:54:13at Normandy Plaza
00:54:15the Normandy
00:54:17it's a historic hotel
00:54:18of the city
00:54:18opened in 1936
00:54:21as a luxury resort
00:54:22for whites only
00:54:23Now
00:54:24its corridors
00:54:25from yellowed paper
00:54:26its bare rooms
00:54:28they give off the smell
00:54:29of failure
00:54:30low-cost holidays
00:54:32of mercenary sex
00:54:33consumed
00:54:34in the space of an hour
00:54:38K'unanan
00:54:39will stay here inside
00:54:40more than two months
00:54:41until that fatal
00:54:43July 15th
00:54:451997
00:54:47the police meanwhile
00:54:49he is in a state of confusion
00:54:51three prosecutors
00:54:52they chase him
00:54:53without coordinating
00:54:54it's the failure
00:54:55more sensational
00:54:56of the Federal Bureau
00:54:57of Investigation
00:54:58the FBI
00:54:59but nobody
00:55:01if there is still any
00:55:01realized
00:55:02what does Andrew do?
00:55:04for two long months
00:55:06he goes around
00:55:07he goes around
00:55:08for gay clubs
00:55:09hangs out with local pushers
00:55:11and the rest of the time
00:55:13he spends it locked in the house
00:55:14to eat junk food
00:55:16to drink Coca-Cola
00:55:17and to read
00:55:18it's just the shadow
00:55:20of himself
00:55:20All
00:55:21in his head
00:55:22he is now confused
00:55:23even the words
00:55:24of that model
00:55:25that he told him
00:55:26to have met
00:55:27Versace
00:55:28of having been
00:55:29at his house
00:55:30a beautiful villa
00:55:31which is found only
00:55:3360 blocks away
00:55:34away
00:55:35but always
00:55:36another universe
00:55:43who knows what's going on with him
00:55:44for the head
00:55:45that morning
00:55:46of July 15th
00:55:47When
00:55:48with the gun
00:55:49in your pocket
00:55:49leave the hotel
00:55:51forgetting to pay the bill
00:55:52and walk
00:55:53for those 60 blocks
00:55:57maybe he hates Versace
00:55:58his success
00:56:00because it is one
00:56:01who made it
00:56:01unlike him
00:56:03maybe he's looking for a way
00:56:04to close the circle
00:56:05the way of being
00:56:07remembered forever
00:56:09Perhaps
00:56:10saw the latest collection
00:56:12that Versace
00:56:13he presented
00:56:13two weeks before
00:56:14at the Ritz in Paris
00:56:15and found it
00:56:16horrible
00:56:17vulgar
00:56:18detestable
00:56:20maybe
00:56:21but when he sees it
00:56:22there in front of the house
00:56:23he calls him
00:56:25maybe Gianni
00:56:26he will remember him
00:56:27once again
00:56:28how did he do it?
00:56:29a long time ago
00:56:31a lifetime ago
00:56:33because now that
00:56:34Jeff and David
00:56:34they died
00:56:35who remembers
00:56:36the man who was
00:56:40but if Versace
00:56:41he will remember
00:56:42then think
00:56:44All
00:56:45it will be back in place
00:56:46it will be again
00:56:47what it once was
00:56:48as if nothing
00:56:50had happened
00:56:51all this
00:56:53thinks
00:56:53while he says
00:56:55Mr. Versace
00:56:59Versace
00:56:59move your face
00:57:01he looks at it
00:57:02he doesn't recognize it
00:57:04think it is
00:57:05another
00:57:06bothersome
00:57:07fan
00:57:07seeking notoriety
00:57:09he turns sharply
00:57:11and puts the key in
00:57:12in the patch
00:57:12of the lock
00:57:13for Andrew
00:57:15that gesture
00:57:16that turning around
00:57:17it means something completely different
00:57:19it's the umpteenth
00:57:20last
00:57:21final
00:57:22rejection
00:57:23extracts
00:57:25the gun
00:57:31Versace's body
00:57:33by backlash
00:57:34he does a half pirouette
00:57:35again
00:57:36in the face
00:57:39Then
00:57:40the escape
00:57:42behind him
00:57:43the ghosts
00:57:44by David
00:57:44and Jeff
00:57:45the men
00:57:46that at least once
00:57:47they loved him
00:57:48and of Miglin
00:57:49the man
00:57:50that sometimes
00:57:51he bought it
00:57:53all of America
00:57:54now he's looking for it
00:57:55it's at the top
00:57:56to the list
00:57:57of America's
00:57:58top wanted
00:57:58his face
00:58:00everywhere
00:58:04every newscast
00:58:05every daily newspaper
00:58:06the authorities
00:58:07they think it's in Mexico
00:58:09in Canada
00:58:09they say he's a genius
00:58:11who speaks five languages
00:58:12which could
00:58:13kill again
00:58:14that at the top
00:58:15to his list
00:58:16there's Tom Cruise
00:58:17they are wrong
00:58:19they are wrong
00:58:20because he
00:58:21it's a few kilometers away
00:58:22away
00:58:23from Versace house
00:58:24in this houseboat
00:58:26where they often happened
00:58:28mercenary meetings
00:58:29between men
00:58:30at 7.30 pm
00:58:32there are policemen
00:58:33everywhere
00:58:34the entire neighborhood
00:58:35blocked
00:58:36special teams
00:58:38ready to break in
00:58:39they break down the door
00:58:41and I'm inside
00:58:46and they find it
00:58:48there
00:58:51with a smashed head
00:58:53from the last shot
00:58:54of his .40 caliber
00:58:56in a bloodbath
00:58:58the face
00:58:58it's still in the meantime
00:58:59Andrew
00:59:01it's a lot
00:59:02Very
00:59:03Handsome
00:59:10and here
00:59:11the circle closes
00:59:12there were
00:59:14two people
00:59:15in Andrew
00:59:16Andrew K'unanan
00:59:17reality
00:59:18and Andrew da Silva
00:59:20the image created
00:59:21artfully
00:59:22to bring him
00:59:23recognition
00:59:24Attention
00:59:25Love
00:59:26when da Silva
00:59:28fails
00:59:28drag
00:59:29K'unanan
00:59:30in a spiral
00:59:31of violence and death
00:59:32that only stops
00:59:33on the corpse
00:59:34by Gianni Versace
00:59:36what killed
00:59:37you could say
00:59:40than kill him
00:59:40it was just
00:59:41his double
00:59:42that pile
00:59:43of aspirations
00:59:44and claims
00:59:44which he had concentrated
00:59:46in the romantic image
00:59:48by Andrew
00:59:49da Silva
00:59:51but the image
00:59:52will kill
00:59:53reality
00:59:53just to find out
00:59:55that without
00:59:56reality
00:59:56not even the image
00:59:58can survive
01:00:05a tragic epilogue
01:00:07that of history
01:00:09by Andrew
01:00:09K'unanan
01:00:10da Silva
01:00:15ah
01:00:16do you remember
01:00:17the dove
01:00:17she died
01:00:19why the bullet
01:00:20which hit
01:00:20Versace
01:00:21and he went out
01:00:22from his body
01:00:23he used
01:00:23against one
01:00:24of the bars
01:00:25of the gate
01:00:25a splinter
01:00:27he hit her
01:00:28in one eye
01:00:28while he was passing through
01:00:31coincidence
01:00:31but some oddities
01:00:33of the case
01:00:34we will talk
01:00:35in another episode
01:00:45Norman Blatchford
01:00:47during the escape
01:00:48by Andrew
01:00:48K'unanan
01:00:49he was questioned
01:00:50from the FBI
01:00:51a few days later
01:00:53he left
01:00:54for abroad
01:00:54where he remained
01:00:55until death
01:00:56by Andrew
01:00:58Donatella Versace
01:00:59she took over
01:01:00to Gianni
01:01:01in management
01:01:02of the company
01:01:02and still is
01:01:04the creative director
01:01:06Pete K'unanan
01:01:07continue to support
01:01:09that his son
01:01:09he wasn't homosexual
01:01:11and that it's over
01:01:12victim
01:01:13of a great game
01:01:13of power
01:01:14from history
01:01:15wants to produce
01:01:16a movie
01:01:19Marianne K'unanan
01:01:20in his house
01:01:21paid by social services
01:01:23he built
01:01:23a small altar
01:01:24among dozens
01:01:26of pink candles
01:01:27always on
01:01:28there is the portrait
01:01:29of his son
01:01:30Andrew
01:01:30with black stars
01:01:32Donato Bilancia
01:01:33the serial killer
01:01:34This
01:01:36he is young
01:01:37he will be about thirty
01:01:39of years
01:01:39and she
01:01:40Elizabeth
01:01:41Zorpetti
01:01:41but Elizabeth
01:01:42it's just one
01:01:43of the victims of Libra
01:01:44a shot
01:01:45at his head
01:01:46two shots
01:01:47to her chest
01:01:48there is a fight
01:01:50more shots are fired
01:01:51Balance
01:01:52might stop
01:01:53will kill again
01:01:55and again
01:01:55until arriving
01:01:56to 17 people
01:01:58of Libra
01:01:58of Libra
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