Terry Broome con un passato drammatico alle spalle, arriva a Milano dove viene risucchiata in un mondo di eccessi, di abusi di sostanze, di perdizione. In preda alla rabbia, alla cocaina e all'alcool all' alba del 26 giugno 1984 uccide un ricco rampollo romano, Francesco D'Alessio, che, a detta della modella, l'avrebbe molestata più volte. Una storia torbida che ci mostra l'altra faccia della capitale meneghina. A raccontarci il delitto della Milano da bere, alcuni dei protagonisti: giornalisti, giudici, avvocati, periti e modelle. E Vanzina. Colui che, con suo fratello, ha saputo narrare la Milano di quei tempi e il mondo della moda in un film cult ispirato proprio al delitto Broome: Sotto il vestito niente.
#CronacheCriminali #TerryBroome #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#CronacheCriminali #TerryBroome #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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00:00:09Our journey into crime news begins, in search of the crimes that have affected us
00:00:14and worried because they asked us questions that we were unable to answer
00:00:18response and which have resonated with our deepest questions,
00:00:23but also crimes that marked an era, characterized it, and told its story.
00:00:28Our first stop is in the 1980s, in the heart of that season that we remember as the season
00:00:34of lightness and great changes. Our destination is Milan and in this city,
00:00:41which will soon be known as the Milan of drinking, where Terry Broome arrives,
00:00:45a beautiful girl from the American province who cultivates the dream of becoming a model, like her sister
00:00:51Damn. But Milan in those years was a city running at supersonic speed, a city in which
00:00:56It's easy to get lost and that's what happens to Terry Broome. And that's how the morning after a night
00:01:03Of
00:01:04Excesses of alcohol and cocaine, Terry Broome kills Francesco D'Alessio, the scion of a family
00:01:10Roman. It is a crime that causes an immediate media echo, especially because it tells the side
00:01:17dark side of Milan's drinking scene and reveals the anguish that lies behind the decade of frivolity.
00:01:47The 1980s, how did the world change? If we had to identify a word that describes that...
00:01:55unique and repeatable season of our history, that word would be reflux. Reflux as a meaning
00:02:03of freedom, a great sigh of relief, because we have finally left each other
00:02:09behind the cumbersome legacy of the 70s, their gloom, the political commitment, but also the
00:02:16The Years of Lead, street deaths, and terrorism. There's a city that epitomizes this change.
00:02:23deep and it is the city that invented the fortified aperitif. It is the city where they first arrived
00:02:30hippies, young professionals who are a little contemptuous, individualistic, solitary, arrogant.
00:02:38Of course we are talking about Milan and of course we are also talking about the season in which
00:02:44the center of the universe of young people becomes the body, the cult of the body, fitness, the fact of being
00:02:53Always beautiful, slim, attractive, fit, a real revolution. I'll show you the cover.
00:03:01In Panorama, a very important magazine, January 2, 1979, emblematic. There is a photograph of four
00:03:13Smiling boys with a very casual and disillusioned air. There's a guy who gorges himself,
00:03:21He looks like he's eating beans like there's no tomorrow and there's a hottie in a bathing suit
00:03:29leopard print and a naughty nipple peeking out that is enjoying it a lot. It's a text that says
00:03:36The new philosophy of Italians is to have fun. We mentioned the emblematic city.
00:03:42that season is Milan, Milan that has a great desire to have fun and go very fast.
00:03:57In the 80s Milan was coming out of very difficult years because there had been the Years of Lead and
00:04:03Until the 1980s, there were Angelo Paminondo's gambling dens, the Theban said. In the meantime, it's a city
00:04:10that starts its engines, becomes an increasingly rich city, the stock market goes crazy.
00:04:20We see hundreds of beautiful girls arriving in Milan from all over the world who enter the
00:04:27fashion world. Now obviously there is not room for everyone in the fashion world, but there is room for
00:04:34all
00:04:34in the world of nightclubs, in the world of parties, in the world of wealth.
00:04:42The girls came from all over Italy, there were many Italian girls, Italian girls work
00:04:48a lot because the Italian creators actually loved working with Italian girls and I
00:04:54I'm not the proof. And then there were the Americans.
00:05:04There was an army, an army coming from America, of these little girls, all pretty,
00:05:13all very young because in America as in England school ends at 16 and therefore
00:05:19either they were thinking of going to college or maybe they were thinking of taking a gap year, having fun.
00:05:31They were unscrupulous girls, much more than us Italians who instead had values like,
00:05:38I don't know, working to buy the house. So we had to be serious girls because we had to
00:05:45get to that, to concreteness.
00:05:52In the 1980s, Milan was called the "Milan to drink." I, who headed the Flying Squad, called it
00:05:59Milan was to be feared because anything could happen.
00:06:06Cocaine and heroin dealing, robberies, kidnappings, even though the phenomenon was declining.
00:06:15And in those years, especially the so-called wealthy Milan was absolutely in the grip of cocaine.
00:06:27Cocaine flowed like rivers.
00:06:34And I remember that we in the Flying Squad, especially the homicide section and the robbery section
00:06:41and the kidnapping section, we were busy day and night.
00:06:46And while we toiled from morning till night, the Milan of vice enters this context.
00:06:57Milan's dolce vita is different from that of other cities because it is a secret dolce vita.
00:07:03It has always been there, in Milan it is a city where people don't talk much about what they do, but
00:07:09it's done.
00:07:09And this whole secret world suddenly emerges with the Terry Bruma case.
00:07:23Terry Bruma is a girl who at the time was 26 years old and arrived in Italy following in the footsteps of her female sister
00:07:30in the hope of also becoming a protagonist in the world of fashion, fashion shows, photo shoots, etc.
00:07:39Unfortunately, she doesn't have the same luck as her sister and ends up, so to speak, in some rather unsavory circles.
00:07:49who at the time were quite active at a certain level of the social class.
00:07:57He began his Milanese life with a heavy consumption of cocaine, whisky and various alcoholic beverages,
00:08:05frequenting the most popular clubs of the time, such as Nepenta, Charlie Max, etc.
00:08:14And of this world that revolved a little around the modeling scene,
00:08:21so restaurants, late nights, drug use.
00:08:29In this context, her engagement with a jeweler called Giorgio Rotti was born
00:08:36and the attention of Francesco D'Alessio, the young scion of a very wealthy family.
00:08:45Francesco D'Alessio was the son of the lawyer Carlo D'Alessio, president of Unire.
00:08:51He didn't work in Milan, he lived like a young billionaire, doing more or less what he wanted.
00:09:00He takes aim at Terry Broom and starts aiming her heavily.
00:09:07She hadn't allowed herself to be with him, and this becomes a sort of worm,
00:09:12every time he sees her he tries to provoke her, it becomes a very heavy thing.
00:09:18She is terrified by this person's presence.
00:09:26It's a warm June evening.
00:09:29Terry Broom, the young model, goes around the clubs, the clubs of Milan,
00:09:33where you can meet the designer, the entrepreneur, the footballer, the beautiful girl,
00:09:39but also the criminal and the layabout.
00:09:42There's one so exclusive that you need a golden key to enter.
00:09:46Bettino Craxi has number one, Carlo Tognoli number two, and Giorgio Armani number three.
00:09:53In that same month of June other things happen around the world and in Italy,
00:09:59but it is hard to imagine that Terry Broom could have booked the ticket for the Bob Marley concert,
00:10:04which will be held shortly at the San Siro stadium.
00:10:07100,000 people singing No Woman No Cry, the Italian Woodstock.
00:10:12And who knows if she ever knew that 15 days earlier a huge crowd had greeted him in Piazza San Giovanni
00:10:18in Rome
00:10:18the secretary of the Communist Party Enrico Berlinguer, who recently died.
00:10:24No, Terry Broom's is definitely another world.
00:10:27It's the world of Nepenta, the club where that evening she will end an evening destined to later evolve tragically.
00:10:35A small, very elegant place, a small dance floor, waiters always in jacket and tie.
00:10:43A dinner that couldn't be more classic.
00:10:46Champagne risotto, salmon linguine, cutlet with arugula, shrimp cocktail.
00:10:53Unfortunately, tragedy is lurking, because that evening of June 25th Francesco D'Alessio also goes to Nepenta
00:11:01and he's the last man in the world Terry would want to meet.
00:11:09At one table are Terry Broom and his boyfriend, his sister Donna Broom, and Donna Broom's boyfriend.
00:11:15Francesco D'Alessio arrives, she gets agitated because he was having a very provocative attitude.
00:11:22Today he would have been arrested after half an hour.
00:11:25At the time there was much more tolerance towards this kind of attitude.
00:11:31She goes to the bathroom, he tries to follow her.
00:11:38When he comes out, he's unzipped his pants, as if to say, I'm ready, let's do whatever you want.
00:11:47She returns to the table.
00:11:48At that point he goes to the table and perhaps to humiliate her even more, or rather certainly to humiliate her even more
00:11:55more,
00:11:56people still tell that she had participated in an orgy a few days before in a villa in Brianza
00:12:04property of Carlo Cabassi
00:12:05and this is his revenge because she didn't want access to his leftovers.
00:12:14All of this obviously causes problems in the relationship between Terry Blume and her boyfriend.
00:12:21The evening continued at the Princess Clutilde residence where she was staying.
00:12:27The two argue.
00:12:29Basically he says enough, he doesn't want to end the relationship.
00:12:33and she's desperate, she starts drinking, she starts doing coke, etc.
00:12:40After a few hours he decides to solve the issue his own way.
00:12:50Let's stop here.
00:12:51Terry Blume is under the influence of cocaine and alcohol and is determined to solve the problem in her own way, in
00:12:57violent way, the issue with Francesco D'Alessio.
00:13:00But who are Terry Blume? Who are Francesco D'Alessio and his friends?
00:13:04What is this world that populates Milan's models and nightclubs?
00:13:10There are the appis, for example, the professionals, who at the time we actually called iuppis,
00:13:15who try to assert themselves at all costs, who are obsessed with fashion and health.
00:13:21But what is the scenario in which they are moving?
00:13:24I didn't use this expression by chance, because Scenario is a little blue volume like this one,
00:13:29which was circulated at that very time among Rizzoli's management,
00:13:34the largest Italian publishing group.
00:13:36It is a kind of socio-cultural instruction manual regarding what the trends of the future will be.
00:13:45It's one of those lyrics that you can't tell if they capture the spirit of the times or if they want to create it,
00:13:50if they're telling you what's moving or if they're telling you look, take us in that direction.
00:13:57Let's read what the instructions are for this Scenario.
00:14:02Display of symbols of success and power, expression of one's personality,
00:14:08rejection of social constraints, simplification of life,
00:14:12self-manipulation of the somatic and psychic state, sensitivity to nature,
00:14:17pay attention to your appearance, your health and your shape,
00:14:20refuge in the magical and the irrational and finally hedonism.
00:14:28The 1980s are perhaps the last happy decade of our lives,
00:14:33in the sense that Italy was a successful brand, the GDP was galloping,
00:14:40we were proud to be Italian.
00:14:42For example Madonna, in one of her most famous videos of the 80s,
00:14:47he wears a T-shirt that says "Italians do it better."
00:14:51Italians do it better.
00:14:53What better way to promote the Italian brand than this?
00:14:56Then there wasn't.
00:15:02The 1980s were not only the last happy decade of our lives,
00:15:07These were also years characterized by the beginning of some barbarities.
00:15:11These were the years of political opposition in territorial terms,
00:15:16«The North against the South»,
00:15:18the appearance of writings on the highways "Terroni wash yourselves" or "Forza Etna",
00:15:23slogans that still live on in stadiums today, among other things.
00:15:26Everything was seen as Organian hedonism.
00:15:29And it is the great phenomenon of the success of John Travolta's film,
00:15:33with John Travolta, Saturday Night Fever,
00:15:35which triggered a sensational emulation phenomenon in Italy
00:15:39which was also discussed at length in the newspapers.
00:15:42We were wondering, but how is it possible that these young people who until the other day
00:15:46They dreamed of revolution, now their greatest aspiration is to dress like Tony Manero
00:15:51and spend a Saturday night at the disco?
00:15:53So Organian hedonism, this television phrase in some way,
00:15:57that for great success, all this represents it very well,
00:16:00also because what does the organist tell us?
00:16:03It points us to the United States, which is the land from which all cultural influences come.
00:16:08they arrive and hit our country in ways that we can judge positively or negatively.
00:16:16For now we'll stop here.
00:16:19Crime Chronicles returns after the news.
00:16:27We are telling the story of the Terry Broom murder,
00:16:31the American model who committed a crime that shocked Milan in the 1980s.
00:16:36Those were the years of the American model.
00:16:39How many models came from America, positive or negative?
00:16:44But death could also come from America,
00:16:47in the form of a girl high on a cocktail of drugs and alcohol.
00:16:53And that's the condition we left Terry Broom in.
00:16:57that evening at her boyfriend Giorgio Rotti's house.
00:17:00Direct, who knows where.
00:17:07Terry Broom takes Giorgio Rotti's gun from a Smith & Wesson,
00:17:15He calls Cabassi's house pretending to be someone else.
00:17:21Around six in the morning he shows up in Corso Magenta.
00:17:28Francesco D'Alessio is at home, in the house that Carlo Cabassi lent him.
00:17:36Carlo Cabassi owned a building in Corso Magenta
00:17:39and had made a ground floor apartment available to Francesco D'Alessio,
00:17:44while he lived on the top floor, in the attic.
00:17:48When Terry arrives in Corso Magenta, Mary Laurie Roico opens the door for her,
00:17:53a beautiful model, friend of Cabassi,
00:17:56but that he was in D'Alessio's apartment that night.
00:18:03She asks to come in, Francesco D'Alessio thinks she has changed her mind,
00:18:08so she is willing to give herself.
00:18:11Actually, that's not the case.
00:18:13They go into another room, Maria Laurie is in yet another.
00:18:16The two begin to argue.
00:18:22Until at a certain point she pulls out the gun.
00:18:29The first two shots, it is not known whether because he tried to disarm him,
00:18:33what they go to waste.
00:18:35The other three hit him and kill him.
00:18:39A crime this morning in a ground floor apartment
00:18:43of an elegant building on Corso Magenta in Milan.
00:18:46Two gunshots killed 40-year-old Francesco D'Alessio,
00:18:50son of the vice president of Unire and owner with his father
00:18:53of an important racehorse stable.
00:18:56Witness to the crime, an American model
00:18:58whose testimony was collected with great difficulty.
00:19:01The girl was in shock
00:19:03and she hadn't even fully recovered from a night-time binge drinking.
00:19:10She goes out, returns to Princess Clotilde,
00:19:14asks her boyfriend to help her escape
00:19:17and takes a plane to Zurich.
00:19:19Here the companion Linate and she takes a plane to Zurich.
00:19:24I believe that the gunshots fired that night in Corso Magenta
00:19:30in reality they do not so much underline ferocity or wickedness,
00:19:37but only the desperation of a girl who wanted to be left alone
00:19:42from a person much more mature than her
00:19:46that he would have had all the psychological and intellectual capacity to leave them alone.
00:19:52There were plenty of them they could sleep with and have fun with.
00:19:57Being aggressive with Terry is something inexplicable,
00:20:00but that definitely happened.
00:20:02And so Terry maybe didn't have any other weapons
00:20:07if not to say enough, you have to leave me alone.
00:20:11After that, impulsive murder exists.
00:20:14When the perpetrator of a crime is known,
00:20:17attention shifts to the motive, to the cause.
00:20:21Why did he kill Terry Broome?
00:20:24But above all it focuses on who committed this crime.
00:20:28Who is this American girl?
00:20:30What charge of despair armed his hand?
00:20:34Why did an aspiring young model become a murderer?
00:20:40Terry Broome's personality and psychological and psychic characteristics
00:20:47they had an origin in a life story
00:20:50which is not an exaggeration to define as dramatic for certain episodes.
00:21:02The father was a violent, careless, and unloving father.
00:21:10She is the second of five, including brothers and sisters.
00:21:14At the age of sixteen, Terry Broome was gang-raped.
00:21:23He doesn't report the incident and goes back home after this episode.
00:21:28and the father would have told her
00:21:32you probably asked for it.
00:21:36Terry Broome's life story continues
00:21:39with a marriage, I would say early.
00:21:42At 18 she gets married,
00:21:45the marriage lasts about a year, however,
00:21:48followed by divorce.
00:21:52After the divorce, Terry Broome moves to New York
00:21:55to try a career as a model,
00:21:57but in reality he begins a life of excess and debauchery.
00:22:02A partner of his, a New Yorker,
00:22:04cocaine starts it.
00:22:11These dramatic experiences
00:22:13they made Terry Broome develop a particular personality.
00:22:20It was definitely a bit under-equipped,
00:22:23but not from an intellectual point of view, mind you,
00:22:26from a purely personality point of view.
00:22:29Even the fact that those same experiences,
00:22:33once in Milan,
00:22:34they have not compromised their sister in this way,
00:22:39but she,
00:22:40it already suggests a basic psychological equipment
00:22:43fragile, vulnerable.
00:22:46And in that they are grafted
00:22:48substance abuse,
00:22:50which are not exactly a healthy touch.
00:22:52I would mention cocaine in particular.
00:22:59Cocaine was going around, as they say in Milan,
00:23:03it was the second or third cocaine epidemic
00:23:06that Italy passed,
00:23:08because there are not only virus pandemics,
00:23:11but there are also substance-related epidemics.
00:23:15And so not only was this circulating in large quantities,
00:23:19but above all we must think
00:23:22that among the effects of cocaine
00:23:26there is persecution
00:23:29which can even lead to delusional psychosis.
00:23:36Cocaine was considered an elite drug
00:23:40because it was a very expensive drug
00:23:43and therefore those who could afford it used it.
00:23:47Then it was also a bit fashionable.
00:23:49It was a bit, you understand,
00:23:51that next step,
00:23:52it wasn't the heroin or the joint.
00:23:59Terry then in Milan,
00:24:01where he had hoped for a new opportunity,
00:24:03instead falls back into a life of excess,
00:24:06just like what happened in New York.
00:24:08Terry was definitely a girl
00:24:10extremely vulnerable
00:24:12and somehow
00:24:13these men seemed to sense it.
00:24:15But she was also someone who knew how to say no.
00:24:18And this is exactly what he claimed for Francesco D'Alessio,
00:24:22her right to accept or not his advances.
00:24:28That evening at Nepenta,
00:24:30when she is unjustly accused by D'Alessio
00:24:33of having participated in an orgy with six other men,
00:24:36Terry probably brings back a previous experience,
00:24:40perhaps the memory of that gang rape suffered
00:24:43when he was only 16 years old.
00:24:48As always, we only have the words of Terry Brun,
00:24:51but a reconstruction in a criminological key
00:24:55of identification with the aggressor
00:24:58it's also plausible.
00:25:00That is, it is that law, let's say, criminological,
00:25:04for which the victim was
00:25:07at a certain point he decides instead
00:25:10to take on the more comfortable role of aggressor.
00:25:20And so finally I'm the one who holds the game.
00:25:24Although to tell the truth,
00:25:26Terry Brun didn't have the game in hand.
00:25:33Early morning on June 26, 1984
00:25:40a call came to 113,
00:25:42there was a murder in Corso Magenta in Milan.
00:25:47I immediately sent an official to the site
00:25:50and from Roico we know what happened.
00:25:58We learn that Terry lived
00:26:02at the Residence Principessa Clotilde.
00:26:05The official I had sent to the place
00:26:08he immediately went to the Residence Principessa Clotilde,
00:26:12identified Terry as Terry Brun
00:26:15and learned that she was living with a jeweler, Rotti.
00:26:20We immediately ran to Rotti's house
00:26:27and we found him.
00:26:30She had completely disappeared into thin air.
00:26:32We found him and we found the gun
00:26:35which had naively been reloaded.
00:26:42We took Rotti to the police station,
00:26:46we subjected him to a long interrogation as well
00:26:49and he said
00:26:50«Yes, she ran away, she told me everything,
00:26:55I accompanied her to the airport
00:26:58and she went to Switzerland, destination Zurich."
00:27:06Terry Brun has escaped
00:27:08Investigators know immediately
00:27:11where to go looking to solve this crime.
00:27:14That's the track, that's the only one.
00:27:16Meanwhile, the debate heats up.
00:27:19A gun was used.
00:27:21The weapon that in the 70s
00:27:23characterized terrorist violence
00:27:25it is used here for a private matter.
00:27:28There is a curious, very fascinating novel
00:27:32written by a great Italian writer
00:27:34that no longer exists.
00:27:35His name was Giorgio Faletti
00:27:36which tells a very similar story,
00:27:39an almost impossible connection
00:27:42yet told in a literary way
00:27:45between the Milan of drinking and violence.
00:27:49The novel is called
00:27:51"Notes of a Woman Seller"
00:27:53and we hear a little excerpt from it.
00:27:55It all started when I realized
00:27:57that there were women willing
00:28:00to sell one's body
00:28:01to get some money
00:28:02and when I realized
00:28:04that there were men willing
00:28:05to spend one's money
00:28:07just to have that body.
00:28:08It takes forethought,
00:28:10either resentment or cynicism
00:28:12to be in the middle of this exchange.
00:28:14I had all three.
00:28:15Carla begins to undress,
00:28:17without malice.
00:28:19He's just a person
00:28:20who gets rid of clothes
00:28:21with quick, asexual gestures.
00:28:24He takes off his sweater
00:28:25she doesn't wear a bra underneath.
00:28:27The breasts are firm,
00:28:29full.
00:28:30The nipples are swollen
00:28:32for rubbing with wool.
00:28:34He leans against the sink
00:28:35and parade one at a time
00:28:37the camperos I had given her
00:28:38at my house.
00:28:39Unfasten your seat belt
00:28:40and with just one movement
00:28:41comes out of jeans and briefs.
00:28:43She's naked.
00:28:45She's beautiful.
00:28:46She is a woman who killed.
00:28:49Only now is he looking at me.
00:28:52His eyes
00:28:53they are full of something
00:28:55that I can't define.
00:28:57Regret,
00:28:58penalty,
00:28:58or just tiredness.
00:29:00Whatever it is
00:29:01is obscured by another gaze.
00:29:04The one-eyed one
00:29:04of a gun
00:29:05who is watching me
00:29:06a few centimeters away
00:29:07from his hand.
00:29:08A friend
00:29:10It made me laugh.
00:29:12After a certain hour
00:29:13and a certain amount
00:29:14of alcohol and cotton
00:29:16in Milan
00:29:16it's very easy
00:29:17find some friends.
00:29:18You end up in certain places
00:29:20in the company of people
00:29:21that put together
00:29:22they add up to 700 years of prison
00:29:24to exchange
00:29:26that word
00:29:26extracted directly
00:29:27from coca leaves.
00:29:29Actually
00:29:30no one is anyone's friend.
00:29:33Not even of himself.
00:29:35So it's very easy
00:29:36that in the morning
00:29:37someone wake up
00:29:38with next to you in bed
00:29:39a scary woman
00:29:40of which
00:29:41he doesn't even remember the name.
00:29:42Any one
00:29:43desperately picked up
00:29:45when loneliness
00:29:46and the hangover
00:29:47they close their eyes
00:29:48worse than a Chinese evening.
00:29:50There are not only
00:29:51the escorts
00:29:52told by Giorgio Faletti
00:29:54in those Milanese nights
00:29:55there are also
00:29:56the girls
00:29:57like Terry Brum
00:29:58that in the meantime
00:29:59she fled
00:30:01and the research
00:30:02they are intense.
00:30:07Naturally
00:30:07nobody knew
00:30:08where it was possible
00:30:09find Terry
00:30:11if not in Zurich
00:30:12but Zurich is a huge city
00:30:14then we submitted it
00:30:16still under interrogation
00:30:18Broken
00:30:18and we came to know
00:30:20the hotel
00:30:22where he was staying
00:30:24and that she was ready
00:30:26starting
00:30:26for the United States.
00:30:30Immediately
00:30:31we warned
00:30:32the Swiss police
00:30:33we had her blocked
00:30:35with the Attorney General's Office
00:30:37we hastened the times
00:30:39for extradition
00:30:41and so
00:30:42my official
00:30:43he went to get it
00:30:44at the border
00:30:45with Switzerland
00:30:46arrived at the police station
00:30:48she confessed everything.
00:30:49She was arrested
00:30:51last night
00:30:52in Zurich
00:30:52the alleged murderer
00:30:53by Francesco D'Alessio
00:30:55killed yesterday morning
00:30:56by gunshots
00:30:57in his Milanese apartment
00:30:58almost certainly
00:30:59for reasons of jealousy.
00:31:01The arrested
00:31:01It's Terry Brum
00:31:03a young American woman
00:31:04original
00:31:04of South Carolina.
00:31:09In the interrogation
00:31:11he told a little
00:31:12the story
00:31:13it wasn't
00:31:14Calm
00:31:15she was very nervous
00:31:17she was a girl
00:31:18a kind
00:31:20of deer
00:31:21lost.
00:31:25We started
00:31:26to get to know us
00:31:27I started
00:31:28to understand
00:31:28what she
00:31:29had done
00:31:30and practically
00:31:31he suffered
00:31:31confessed
00:31:32the crime
00:31:33that came to her
00:31:34disputed
00:31:35that is, the murder
00:31:36by D'Alessio.
00:31:45It was done
00:31:46of cocaine
00:31:47and he put himself
00:31:48to play
00:31:49with video games
00:31:51with things
00:31:53that he found
00:31:54in the drawer
00:31:55and opening
00:31:55a drawer
00:31:56this is how it is told
00:31:57he saw the gun.
00:32:04she said
00:32:05than to see the weapon
00:32:06and think
00:32:07to that young man
00:32:09who had mocked her
00:32:11during the evening
00:32:12of Nepenta
00:32:13it was a combination
00:32:15Almost
00:32:16of destiny
00:32:17let's put it this way.
00:32:29it's gone
00:32:30in Corso Magenta
00:32:33she came in
00:32:34he saw
00:32:35D'Alessio
00:32:35which
00:32:36he did
00:32:37the umpteenth
00:32:37provocation
00:32:38ah finally
00:32:39you've made up your mind
00:32:40do you want to stay there?
00:32:41with me
00:32:46she said
00:32:47No
00:32:47I didn't come
00:32:48for that
00:32:48I'll shoot you now
00:32:54immediately after
00:32:55the confession
00:32:56the girl
00:32:58era
00:32:58in the grip
00:32:59to a state
00:33:00confusing
00:33:02you could see it
00:33:03which was
00:33:03strongly
00:33:04excited
00:33:06strongly
00:33:09saddened
00:33:09for that
00:33:10what had happened
00:33:12and we
00:33:12we accompany him
00:33:13we didn't hold her back
00:33:14more at the police station
00:33:15we accompany him
00:33:16immediately
00:33:16to prison
00:33:17of San Vitore
00:33:28the times
00:33:28of justice
00:33:29and those
00:33:30of fiction
00:33:31they don't match
00:33:32naturally
00:33:33because of this
00:33:33the process
00:33:34to Terry Broome
00:33:35it begins
00:33:36in 1986
00:33:37two years
00:33:38after the murder
00:33:39that 1986
00:33:41it's been a year
00:33:42fateful
00:33:42it's the year
00:33:43where it begins
00:33:43the process
00:33:44most important
00:33:45of Italian history
00:33:46of the twentieth century
00:33:47that
00:33:47to the big mafia
00:33:50the process
00:33:51basted
00:33:51from Falcone
00:33:52and Borsellino
00:33:53the Maxi
00:33:54process
00:33:55it's a process
00:33:57that will end
00:33:57in 1992
00:33:58remember
00:33:59this date
00:34:001992
00:34:00Why
00:34:01he will return
00:34:02to cross paths
00:34:03with destiny
00:34:04by Terry Broome
00:34:04and with that
00:34:05of another
00:34:05big story
00:34:06Italian
00:34:07Tangentopoli
00:34:08but in the meantime
00:34:09in 1986
00:34:11what opens
00:34:13to Terry Broome
00:34:13is defined
00:34:14with an expression
00:34:17that we heard
00:34:17hundreds of times
00:34:19but that in this case
00:34:20it is justified
00:34:21from a huge
00:34:22media echo
00:34:23the process
00:34:24of the year
00:34:28they defined it
00:34:30the process
00:34:31of the Milanese wealthy
00:34:32and that
00:34:32for the murder
00:34:33by Francesco D'Alessio
00:34:34killed two years ago
00:34:35by Terry Broome
00:34:37young and aspiring model
00:34:38came to look for
00:34:39luck in Milan
00:34:40and here it is
00:34:41Terry Broome
00:34:41today at the first hearing
00:34:43must answer
00:34:44of voluntary homicide
00:34:45premeditated
00:34:46but the defense
00:34:47tip
00:34:48on many circumstances
00:34:49mitigating circumstances
00:35:02the process
00:35:03for the murder
00:35:03d'Alessio
00:35:04it was a trial
00:35:05most important
00:35:05of the end
00:35:06of the previous century
00:35:07had visibility
00:35:09international
00:35:10Why
00:35:10why D'Alessio
00:35:11he was known
00:35:12all over the world
00:35:13for the activity
00:35:15horse racing
00:35:16of the D'Alessios
00:35:18with their
00:35:19large stable
00:35:25there were
00:35:26at the time
00:35:27all journalists
00:35:28the televisions
00:35:29Italian
00:35:30English
00:35:31Americans
00:35:34Americans
00:35:35it was a trial
00:35:35very difficult
00:35:37demanding
00:35:38with about ten
00:35:40hearings
00:35:40in which they participated
00:35:42the lawyers
00:35:42most important
00:35:43of the time
00:35:47many said
00:35:48this is a thriller
00:35:49there were the innocentists
00:35:51and the guilty ones
00:35:53as if there were
00:35:55the doubt
00:35:56on who had
00:35:57clerk
00:35:58this crime
00:35:59and I kept saying
00:36:00look, it's not a thriller
00:36:02This
00:36:02here
00:36:03the facts
00:36:04they are peaceful
00:36:05if ever
00:36:06if you want to talk
00:36:07of yellow
00:36:08let's talk about yellow
00:36:10of the mind
00:36:10it was full
00:36:12packed with people
00:36:13who was curious
00:36:14to know
00:36:15what would have happened
00:36:17he had a curiosity
00:36:18morbid
00:36:18and he saw
00:36:20in
00:36:21Francesco D'Alessio
00:36:22as he wanted
00:36:24the defense
00:36:24of Brum
00:36:25the bad person
00:36:26the person who
00:36:27he was hitting
00:36:28women
00:36:29he used them
00:36:31as if they were
00:36:32an object
00:36:34from
00:36:35burn
00:36:36it wasn't
00:36:38Like this
00:36:39Francesco D'Alessio
00:36:40because only
00:36:41in the end
00:36:41had become
00:36:43succubus
00:36:44of narcotics
00:36:46it's not that
00:36:47he left
00:36:48casually
00:36:49a gunshot
00:36:50the Brum
00:36:51he took the gun
00:36:53At home
00:36:53of the apartment
00:36:55the partner
00:36:56in the drawer
00:36:57he took the taxi
00:36:58sound
00:36:59D'Alessio
00:37:00at the intercom
00:37:01on Corso Magenta
00:37:02Sari
00:37:03on the first floor
00:37:04and shot him
00:37:05Therefore
00:37:06more determined
00:37:07of this
00:37:07it is not clear
00:37:08that is, it is placed
00:37:09a situation
00:37:09of polycholus
00:37:12the words
00:37:13of the lawyer
00:37:14of the civil party
00:37:15they bring us back
00:37:16with your feet
00:37:17on the ground
00:37:17Certain
00:37:18we are telling
00:37:19a city
00:37:19we are telling
00:37:21an era
00:37:21but as in all
00:37:22the processes
00:37:23in the center
00:37:23there is the fact
00:37:25and this one
00:37:26it's the story
00:37:26of a man
00:37:27who was murdered
00:37:28and that will never come back
00:37:39land at the trial
00:37:40she was a girl
00:37:41discharged
00:37:42eyes downcast
00:37:44sometimes it appeared
00:37:45absent
00:37:46the fist
00:37:47closed
00:37:47that was tightening
00:37:48he heard people talking
00:37:50sometimes
00:37:51of people
00:37:52and he had an attitude
00:37:53as if to say
00:37:54but what is he saying
00:37:55this one here
00:37:56this has nothing to do with it
00:37:57with what I know
00:37:58with what I experienced
00:37:59but always with
00:38:00an attitude
00:38:02of extreme weakness
00:38:03as if it were
00:38:04convalescent
00:38:05it was definitely
00:38:06a tremendous
00:38:07a terrible mistake
00:38:08that was not premeditated
00:38:10I was absolutely not
00:38:11gone there
00:38:12to kill Francis
00:38:13I
00:38:14I went alone
00:38:15to talk to him
00:38:18and then the thing
00:38:19he transformed himself
00:38:20in a nightmare
00:38:22and since then I
00:38:25I continue to live
00:38:26with this nightmare
00:38:33somehow
00:38:34it's like he wanted
00:38:36to give of oneself
00:38:36an image
00:38:37completely different
00:38:38compared to that
00:38:39that had come out
00:38:39in the weeks
00:38:41and in the months
00:38:41of the crime
00:38:42of '84
00:38:45appeared in the classroom
00:38:46without makeup
00:38:48he answered
00:38:49in a way
00:38:50calm
00:38:51without giving
00:38:52if he didn't give
00:38:53no type of signal
00:38:54of nervousness
00:38:55or other things
00:38:55so you hit a lot
00:38:57both public opinion
00:38:58both the jury
00:38:59Why
00:39:00he had just the right idea
00:39:01of the girl
00:39:02which he had suffered
00:39:04a grave wrong
00:39:05before committing
00:39:06she a crime
00:39:07it was obvious
00:39:08his attempt
00:39:09to change the image
00:39:11that people
00:39:12she had made herself
00:39:19this process
00:39:21tells
00:39:21a story
00:39:22of blood
00:39:23a story
00:39:24of violence
00:39:25he paints
00:39:26a world
00:39:27that strikes
00:39:28deeply
00:39:29public opinion
00:39:30how it changes
00:39:31the perception
00:39:32of that time
00:39:33and of that reality
00:39:34in the face of evidence
00:39:35raw
00:39:35of the process
00:39:36and of the story
00:39:37that he is telling
00:39:39let's find out
00:39:40Together
00:39:41to those who assist
00:39:42to that process
00:39:43a reality
00:39:44very different
00:39:45from that
00:39:45that was told to us
00:39:46for example
00:39:47from a book
00:39:48very trendy
00:39:49in those years
00:39:49it was called
00:39:50I will marry Simon Le Bonne
00:39:52a fresh story
00:39:53fun
00:39:53he wrote it
00:39:54a little girl
00:39:5516 years old
00:39:55Clizia Gurrado
00:39:57and it is
00:39:57the story
00:39:58of the dream
00:39:59impossible
00:40:00of a little girl
00:40:01at that time
00:40:01they called themselves
00:40:02the Paninari
00:40:03who marries
00:40:04the leader
00:40:05and the frontman
00:40:06by Duran Duran
00:40:07this one instead
00:40:07it's a story
00:40:09of blood
00:40:09a story
00:40:10which reveals
00:40:11a violence
00:40:11that was brooding
00:40:12under the ashes
00:40:13he told it
00:40:14another book
00:40:15a prophetic book
00:40:16written
00:40:17a year ago
00:40:18of the crime
00:40:18by Terry Broom
00:40:19from a journalist
00:40:20his name
00:40:21it was Paolo Pietroni
00:40:22but the pseudonym
00:40:23that's it
00:40:24by Marco Parma
00:40:25and the book
00:40:25it was called
00:40:26Nothing under the dress
00:40:36there was a book
00:40:37which was a great success
00:40:38which was called
00:40:39Nothing under the dress
00:40:40the film was supposed to do
00:40:41Michelangelo Antonioni
00:40:42but Michelangelo Antonioni
00:40:43he called my brother
00:40:44and me
00:40:45he told us
00:40:45this movie
00:40:46you do it better
00:40:46you of me
00:40:47Antonioni here
00:40:48super auteur cinema
00:40:49the project passes
00:40:51to us
00:40:51it was a gift
00:40:53in a certain sense
00:40:58I have to tell the truth
00:40:59I haven't even read it
00:41:00the book
00:41:01because we liked it
00:41:02the title is very much
00:41:03we liked to do
00:41:04a film about Milan
00:41:05that Milan
00:41:05at that moment there
00:41:06of fashion
00:41:07and all that
00:41:07that revolves around fashion
00:41:09and we left
00:41:10from a news story
00:41:12which caused quite a stir
00:41:13At that time
00:41:16the American model
00:41:17in '84
00:41:18Terry Broom
00:41:19shoot
00:41:19to Francesco D'Alessio
00:41:21we know
00:41:23Very good
00:41:23personally
00:41:24Francis
00:41:25son of Carlo D'Alessio
00:41:27Carlo was a great lawyer
00:41:28they had horses
00:41:29they were busy
00:41:29of the best horses
00:41:31at a gallop
00:41:32and that case
00:41:33it was emblematic
00:41:34because everything was inside
00:41:36it was inside
00:41:36night life
00:41:38of Milan
00:41:38the models
00:41:39cocaine
00:41:40a certain violence
00:41:42induced
00:41:43from travel
00:41:44facts under the influence
00:41:46of substances
00:41:47very dangerous
00:41:51starting from that case
00:41:53of news
00:41:53what do we say?
00:41:54it's the backbone of the film
00:41:55we did
00:41:56a portrait
00:41:57thriller
00:41:58a bit
00:41:59De Palma
00:41:59and the film
00:42:00I have to say
00:42:00it came out very well
00:42:01it's one of the Italian films
00:42:02most viewed in the world
00:42:04gives a portrait
00:42:05quite ruthless
00:42:06but also then
00:42:07the sentimental end
00:42:08of that moment
00:42:09so special
00:42:10of Milan
00:42:11of the 80s
00:42:12which gives a little
00:42:14we say it
00:42:14the there
00:42:15to the color
00:42:16of the whole decade
00:42:22a whole ideological part
00:42:24has always considered
00:42:26the 80s
00:42:26of the hedonistic years
00:42:29superficial
00:42:29actually
00:42:30after many years
00:42:31we have to say
00:42:32that the 80s
00:42:33were founded
00:42:34from all points of view
00:42:35both expressive
00:42:36that from the quality of life
00:42:37Today
00:42:38what he does to me
00:42:39really impressive
00:42:40is that all the new generations
00:42:41of today's kids
00:42:42they live in myth
00:42:43of the 80s
00:42:44the boys of 2022
00:42:46they would like to take a leap
00:42:47backwards
00:42:48and return to life
00:42:49in the 80s
00:42:50this should make us think
00:42:55the words of Enrico Vanzina
00:42:57they make us think
00:42:58because they describe
00:42:59a less gloomy decade
00:43:01of how we are telling it
00:43:03some reason for attraction
00:43:04there had to be one
00:43:06if still in our memory
00:43:08these are the years of lightness
00:43:10nevertheless
00:43:11how they started
00:43:12the 80s
00:43:12they had started
00:43:13with the fall
00:43:14of the 19th of Ustica
00:43:15with the Bologna massacre
00:43:16with the killer
00:43:17of the vice president
00:43:18of the superior council
00:43:19of the judiciary
00:43:20Victor Bachelet
00:43:21with the mafia massacres
00:43:23from the church
00:43:24Judge Chinici
00:43:25mourning events
00:43:27tragic events
00:43:28nevertheless
00:43:29in our mind
00:43:31the years remain
00:43:32of lightness
00:43:34because we want to forget
00:43:36because we want to remove
00:43:38why we activate
00:43:40of the mechanisms
00:43:41thanks to which
00:43:42we tend to put aside
00:43:44the anguish
00:43:44of anguish
00:43:46for example
00:43:46in the process
00:43:47to Terry Broom
00:43:47it was breathed in
00:43:48so much
00:43:49it was the anguish
00:43:50of that dark side
00:43:51of fun
00:43:53of that repressed
00:43:54who was hiding
00:43:55behind the scenes
00:43:56of a season
00:43:58apparently
00:43:59so happy
00:44:00like all processes
00:44:01that too
00:44:02to Terry Broom
00:44:03at a certain point
00:44:04reaches its final act
00:44:05the sentence
00:44:15Terry Broom
00:44:18he didn't have
00:44:19a precise idea
00:44:20of what could have been
00:44:21the right punishment
00:44:22for the crime
00:44:23which he had committed
00:44:24but it wasn't
00:44:27so distressed
00:44:28because he still had
00:44:29a life ahead
00:44:30once discounted
00:44:32the penalty
00:44:32and why
00:44:34he once told me
00:44:35in America
00:44:36they could also
00:44:36to have condemned her
00:44:37to death
00:44:42I told her
00:44:44look at that
00:44:44you can try
00:44:45an improvement
00:44:46you who do it
00:44:47and she recovered
00:44:48Obviously
00:44:48to my decisions
00:44:49which I did
00:44:52proposing an appeal
00:44:54who was asking
00:44:55the provocation
00:44:57as a mitigating factor
00:44:58and the mitigating factor
00:45:00of chronic intoxication
00:45:03from cocaine use
00:45:04he is 15 years in prison
00:45:06the request for conviction
00:45:07of the public prosecution
00:45:08towards
00:45:09by Terry Broome
00:45:09the young American model
00:45:11who killed
00:45:11by gunshots
00:45:12Francesco D'Alessio
00:45:13with regard to
00:45:14Terry Broome
00:45:1415 years of imprisonment
00:45:16which are followed by
00:45:18as accessory penalties
00:45:20perpetual ban
00:45:21of public offices
00:45:22the public prosecutor
00:45:23Marco Maiga
00:45:24he asked
00:45:25that Terry Broome
00:45:25be condemned
00:45:26for voluntary homicide
00:45:28unpremeditated
00:45:29and for which
00:45:30the generic mitigating circumstances
00:45:31must prevail
00:45:32on the aggravating circumstances
00:45:32Terry Broome
00:45:33he said
00:45:34the public prosecutor
00:45:35he suffered
00:45:36a state
00:45:36of dependence
00:45:37economic
00:45:37respect for the environment
00:45:39and to friends
00:45:39who frequented
00:45:40right against
00:45:41this environment
00:45:42and these friends
00:45:42among which defendants
00:45:43the magistrate
00:45:44he had words
00:45:45very hard
00:45:45invoking three convictions
00:45:47for aiding and abetting
00:45:47and drugs
00:45:485 years and 4 months
00:45:49to Giorgio Rotti
00:45:502 years and 8 months
00:45:51for drugs
00:45:51to Carlo Cavassi
00:45:52upon request
00:45:53of condemnation
00:45:53at 15 years old
00:45:54Terry Broome
00:45:55he reacted like this
00:45:56it's wonderful
00:45:58for now
00:45:58I hope for the best
00:45:59the sentence
00:46:00by Saturday
00:46:08Terry Broome
00:46:09she was sentenced
00:46:10in the first degree
00:46:11at 14 years old
00:46:12for the murder
00:46:13it has been applied
00:46:14Therefore
00:46:15to the minimum sentence
00:46:1621 years old
00:46:17the reduction
00:46:18of a third
00:46:19for generic mitigating circumstances
00:46:22in the second degree
00:46:24were recognized
00:46:25the generic mitigating circumstances
00:46:26that had not been
00:46:27recognized
00:46:27in the first trial
00:46:29linked to the fact
00:46:30That
00:46:31Terry Broome
00:46:32he was a personality
00:46:33how to say
00:46:34fragile
00:46:35that he had had
00:46:36a past
00:46:37very difficult
00:46:38of a father
00:46:39violent
00:46:39had suffered
00:46:40a rape
00:46:41and so in short
00:46:42somehow
00:46:42the penalty
00:46:43it shrank further
00:46:45at 12 years old
00:46:46listen Terry
00:46:47she at 16 years old
00:46:48she was raped
00:46:49Yes
00:46:51when she came home
00:46:52his father
00:46:53what did he tell her?
00:47:02that's probably it
00:47:04that you deserve
00:47:06I don't know how I say it
00:47:07in Italian
00:47:08and that's it?
00:47:09and that's it
00:47:12his mother?
00:47:13she didn't believe
00:47:14to these things
00:47:15she
00:47:16I didn't understand
00:47:18she
00:47:18he refused
00:47:20these things
00:47:21even when I was arrested
00:47:24I said
00:47:25this happened
00:47:26me for years
00:47:27I've always said
00:47:27she refused
00:47:28to believe
00:47:29in these things
00:47:33we experts
00:47:34we have concluded
00:47:37for partial incapacity
00:47:39to understand
00:47:40to want
00:47:40by Terry Broome
00:47:41this means
00:47:42not that Terry Broome
00:47:44it was absolutely
00:47:45unconscious
00:47:48when he committed the crime
00:47:50or overwhelmed
00:47:52from illness
00:47:53to the point
00:47:54not to be understood
00:47:55absolutely
00:47:56what he did
00:47:57this means
00:47:59that the conditions
00:48:00psychopathological
00:48:01And
00:48:02there
00:48:03the intoxication
00:48:04from cocaine
00:48:06they had
00:48:07greatly
00:48:09diminished
00:48:09his ability
00:48:11to understand
00:48:11to want
00:48:12but they hadn't abolished it
00:48:14and so
00:48:15for Terry Broome
00:48:16they open
00:48:16the doors
00:48:17of the prison
00:48:18could be
00:48:19a terrible place
00:48:20place of suffering
00:48:22place of punishment
00:48:23but we must not think
00:48:24to prison
00:48:25like in certain American films
00:48:26we have to think
00:48:27how it happened
00:48:28also to Terry Broome
00:48:29that the prison
00:48:30can transform
00:48:31really
00:48:32in a place of light
00:48:40Terry Broome
00:48:41discount
00:48:42his imprisonment
00:48:44in prison
00:48:44of Viagleno
00:48:45in Bergamo
00:48:46it was already
00:48:47a prison
00:48:48very advanced
00:48:49at the time
00:48:49Where
00:48:51they were
00:48:52inmates
00:48:53someone
00:48:55exponents
00:48:56of terrorism
00:48:57we are in parallel
00:48:58in those years
00:48:59with processes
00:49:00for terrorism
00:49:01if they were celebrated
00:49:03many
00:49:03and important
00:49:04in Milan
00:49:05in prison
00:49:06from Bergamo
00:49:07above all
00:49:08in the feminine
00:49:09there was
00:49:09a reality
00:49:10different
00:49:11there were
00:49:12the first
00:49:12laboratori
00:49:13where the inmates
00:49:15they could
00:49:15work
00:49:16create
00:49:17but above all
00:49:17in prison
00:49:18from Bergamo
00:49:19as far as
00:49:19I know
00:49:21they develop
00:49:22of relationships
00:49:23very intense
00:49:25among some inmates
00:49:27restricted therein
00:49:29for facts
00:49:29very serious
00:49:30of terrorism
00:49:31also exponents
00:49:32of the Red Brigades
00:49:33front line
00:49:34and detainees
00:49:37common
00:49:37among these
00:49:38Terry Broome
00:49:45she obviously
00:49:46in prison
00:49:47makes a living
00:49:47irreproachable
00:49:49and in prison
00:49:50meets
00:49:51Vincenza Fioroni
00:49:52a
00:49:53representative
00:49:55front line
00:49:57terrorist organization
00:49:58who had participated
00:49:59to the murder
00:49:59of the judge
00:50:00Alexandrians
00:50:00in Milan
00:50:01and the two
00:50:02they come in right away
00:50:02in tune
00:50:03so much so that it is true
00:50:04what they do
00:50:05a course
00:50:05ceramic
00:50:06the Fioroni
00:50:08help
00:50:08Terry Broome
00:50:10to follow
00:50:11this course
00:50:11to develop
00:50:12this
00:50:12this one of his
00:50:14manual skill
00:50:15that will serve you
00:50:17Very
00:50:17to find again
00:50:18its own dimension
00:50:19more
00:50:20more peaceful
00:50:21somehow
00:50:28let it be one
00:50:29that the other
00:50:30they had entertained
00:50:32reports
00:50:33with father
00:50:33Adolfo Bachelet
00:50:34the brother
00:50:36of the
00:50:38vice president
00:50:39of the council
00:50:39superior
00:50:40of the judiciary
00:50:41killed
00:50:41from the brigades
00:50:42red
00:50:42who frequented
00:50:44the circuit
00:50:45Italian prison
00:50:46just for
00:50:48realize
00:50:49that commitment
00:50:50that the family
00:50:50Bachelet
00:50:51she had taken
00:50:52to reconnect
00:50:53all that
00:50:54which had been
00:50:54destroyed
00:50:55in the period
00:50:56bloodthirsty
00:50:57of terrorism
00:51:03Vincenza Fioroni
00:51:04he is committed
00:51:06with Terry Brun
00:51:07not only
00:51:07teach her
00:51:07Italian
00:51:08but he is committed
00:51:10to bring her back
00:51:11to a lifetime
00:51:12normal
00:51:13to do them
00:51:14rediscover
00:51:15those
00:51:16values
00:51:18that the same
00:51:18Vincenza Fioroni
00:51:19on his way
00:51:20staff
00:51:21he had gradually
00:51:22rediscovered
00:51:24and of that
00:51:25he had put some
00:51:26in the current Bachelet
00:51:27who had told me about it
00:51:29even putting myself
00:51:30aside
00:51:31of an exchange
00:51:32epistolary
00:51:32that with
00:51:33the Fioroni
00:51:34had had
00:51:40it happened
00:51:41That
00:51:41a few years
00:51:42After
00:51:43our process
00:51:44could have
00:51:45light
00:51:46some lines
00:51:47That
00:51:48Terry Brun
00:51:50I had
00:51:50noted
00:51:52a postscript
00:51:53of the letter
00:51:54by Vincenza Fioroni
00:51:56in which
00:51:57it turned out to be
00:51:59a girl
00:52:00now at peace
00:52:01absolutely
00:52:02far away
00:52:03from the unfortunate
00:52:05which had been
00:52:06when he set foot
00:52:08in Italy
00:52:09and had been involved
00:52:10and it had been
00:52:11hero
00:52:12of the story
00:52:14of which
00:52:14we are talking
00:52:15Today
00:52:24the model
00:52:26and the terrorist
00:52:26they meet
00:52:27in prison
00:52:28and between them
00:52:29is born
00:52:29a relationship
00:52:30a friendship
00:52:31what a strange joke
00:52:33of destiny
00:52:33two paths
00:52:35of violence
00:52:36divided
00:52:37from a world
00:52:38completely
00:52:40separated
00:52:41from each other
00:52:42they meet
00:52:42in the territory
00:52:43of re-education
00:52:45the prison
00:52:45through punishment
00:52:46as if
00:52:47the prophecy
00:52:48by Giorgio Faletti
00:52:49of his novel
00:52:50come true
00:52:51it's a story
00:52:52of Milan
00:52:521980s
00:52:53it's a story
00:52:53possible
00:52:54in that world
00:52:55which was under
00:52:56the fashion empire
00:52:57and by the way
00:52:58of fashion
00:52:59what happened
00:53:00in these years
00:53:01how they have changed
00:53:02the scenarios
00:53:03there's still something
00:53:04that binds us
00:53:05in Milan
00:53:06of those years
00:53:07or is it a world
00:53:08completely different
00:53:09that of which
00:53:10we live today
00:53:15the world of fashion
00:53:17of the 1980s
00:53:17it was a world
00:53:18lively
00:53:19sparkling
00:53:20full of creativity
00:53:21it was at the beginning
00:53:22of an era
00:53:23Italy
00:53:24was passing by
00:53:24from a fashion
00:53:26let's say
00:53:26mentioned
00:53:27for a few
00:53:29to a fashion
00:53:30to ready-to-wear
00:53:31luxury
00:53:35there was a desire
00:53:36to understand it
00:53:37to participate
00:53:38there was
00:53:38the race
00:53:40even when purchasing
00:53:41the race
00:53:41to dress well
00:53:42had become
00:53:43a status symbol
00:53:44for which
00:53:44these beautiful boutiques
00:53:46Italian
00:53:46that they distributed
00:53:47fashion
00:53:48of the designers
00:53:49in Italy
00:53:50and then
00:53:51this fashion
00:53:51he was walking around
00:53:52for the world
00:53:52in the big ones
00:53:53department store
00:53:54Americans
00:53:58in Italian fashion
00:53:59of those years
00:54:00it couldn't be missed
00:54:01a symbol
00:54:01an important symbol
00:54:02and this symbol
00:54:03becomes
00:54:04Via Montenapoleone
00:54:05be on the way
00:54:06Montenapoleone
00:54:07was becoming
00:54:07the most important thing
00:54:09for a brand
00:54:10be there
00:54:11where everyone
00:54:12they wanted to go
00:54:13everyone wanted to be
00:54:14but above all
00:54:14where the whole world
00:54:15he came to look
00:54:16what was happening
00:54:18what was new
00:54:18and then together
00:54:19on Spiga Street
00:54:20Sant'Andrea Street
00:54:21become the three roads
00:54:22prince
00:54:23symbol
00:54:24of this city
00:54:26it forms
00:54:27the famous
00:54:27quadrilateral
00:54:28of fashion
00:54:29it's the mall
00:54:30largest in the world
00:54:31it's open to the sky
00:54:32it is made up of individual boutiques
00:54:33of the highest quality
00:54:35even today
00:54:36rather today
00:54:37more than ever
00:54:37but at that time
00:54:39is born and grows
00:54:42today instead
00:54:43fashion has become
00:54:44more of a phenomenon
00:54:46an exercise in style
00:54:47which is why it is suitable
00:54:48more to the communities
00:54:49and the communities
00:54:50they are formed
00:54:50based on
00:54:51to those trends
00:54:52of each individual brand
00:54:53not just fashionable
00:54:55high
00:54:56but also streetwear
00:54:57or whatever
00:54:58when we talk
00:54:59of young people
00:54:59at the time
00:55:00No
00:55:01at the time
00:55:01it really was
00:55:02all-encompassing
00:55:11Well yes
00:55:11everything has changed
00:55:13since then
00:55:13All
00:55:14if we think back
00:55:16today at Terry Broom
00:55:17we have to think
00:55:18to his world
00:55:19we have to think
00:55:20to what
00:55:20those years
00:55:21they gave us
00:55:22and to that too
00:55:23that they took away from us
00:55:25until then
00:55:26at a certain point
00:55:27a kind of ending
00:55:28it doesn't even arrive
00:55:29for her
00:55:42finished serving
00:55:43the penalty
00:55:43she's back
00:55:44in the United States
00:55:45I accompanied her
00:55:46at the airport
00:55:47to make her come back
00:55:50to his country
00:55:52and I remember
00:55:53that she made me again
00:55:54the joke
00:55:56that he had done to me
00:55:57previously
00:55:58that is, in America
00:55:59probably
00:56:00they could have it
00:56:00sentenced to death
00:56:02he thanked
00:56:03in his heart
00:56:05Italian justice
00:56:06who had understood it
00:56:08and treated
00:56:09in a fair manner
00:56:10let's say
00:56:10without favoritism
00:56:12but without even
00:56:15justicialism
00:56:15how do you say
00:56:16nowadays
00:56:24she then went out
00:56:25from prison
00:56:26that is, he stopped
00:56:27to discount
00:56:27the penalties
00:56:28in 1992
00:56:30and he left
00:56:31for the United States
00:56:321992
00:56:33it's the year
00:56:34of Tangentopoli
00:56:35Therefore
00:56:36Terry Brun
00:56:37came totally
00:56:38forgotten
00:56:40Why
00:56:40now in Italy
00:56:42we were talking
00:56:42on the other hand
00:56:43we were talking
00:56:43of political corruption
00:56:44and that guy
00:56:45of crime news
00:56:46it was no longer of interest
00:57:02when Terry Brun
00:57:03he is released from prison
00:57:04after serving
00:57:05the penalty
00:57:06it's the 90s
00:57:07a political earthquake
00:57:08is about to collapse
00:57:09about Italy
00:57:10other cases
00:57:11of crime news
00:57:12they press
00:57:13Terry Brun
00:57:13doesn't want to be
00:57:14forgotten
00:57:15and we
00:57:15we forget it
00:57:17but before leaving her
00:57:18to his new life
00:57:20a few words
00:57:21pronounced
00:57:22by Giorgio Bocca
00:57:23a great journalist
00:57:24of the time
00:57:25they didn't have
00:57:26nor desires
00:57:27or neither ability
00:57:27to love
00:57:28and they had to resort to
00:57:29to drugs
00:57:29and to flattery
00:57:30of the meat
00:57:31to survive
00:57:31at night
00:57:32women
00:57:33they were incapable
00:57:34to have valid wishes
00:57:35or to live
00:57:36a real life
00:57:37but they left each other
00:57:38exploit
00:57:38and use
00:57:39simply
00:57:39to be considered
00:57:40desirable
00:57:41to be appreciated
00:57:43just for their looks
00:57:44and availability
00:57:45immediate
00:57:46we had been asked
00:57:48to assist
00:57:49to a drama
00:57:49of impotence
00:57:50without heroines
00:57:51and heroines
00:57:52played on a background
00:57:53of trivial activities
00:57:55and easy money
00:57:56I have to confess
00:57:58that I find it
00:57:59a little excessive
00:58:00this moralism
00:58:01of the great journalist
00:58:03George Mouth
00:58:04sure one
00:58:04who had seen a lot
00:58:05who gives a judgment
00:58:07final
00:58:08on the spirit
00:58:09of the time
00:58:10but
00:58:10he takes it
00:58:11a little too much
00:58:12with women
00:58:13in conclusion
00:58:14there is also another way
00:58:16to reread
00:58:17that season
00:58:18it's the way
00:58:19of a song
00:58:20that was all the rage
00:58:21in those years
00:58:22and with which
00:58:22we leave you
00:58:23the girls
00:58:24in conclusion
00:58:25they just want to have fun
00:58:26Girls Just Want To Have Fun
00:58:28a great success
00:58:29by Cyndi Lauper
00:58:36murdered in Catania
00:58:37in an ambush
00:58:38mafia-type
00:58:39Joseph Fava
00:58:40writer and journalist
00:58:49these are the years
00:58:51of Milan to drink
00:58:52of the great stylists
00:58:53and padded shoulder straps
00:59:06Albano Romina Power
00:59:08at the first victory
00:59:17I'm Cesare guys
00:59:19how is your hair?
00:59:21Well?
00:59:28Gigliola Giorgini
00:59:29Mom had Bolognese
00:59:31of evil origin
00:59:32Girls Just Want To Have Fun
00:59:36One and a half
00:59:38Girl
00:59:39One and a half
00:59:45It will be Italy
00:59:47Victory
00:59:47Victory
00:59:48Victory
00:59:48incredible
00:59:57TO
01:00:01It was his son Pietro, 19, who made the macabre discovery.
01:00:26The house had just been ransacked by the same murderers for burglary.
01:00:37It was a terrible night, a very strong storm was raging.
01:00:46I would have liked to hold my dad's hands and say I love you.
01:00:54When I was going down the stairs I almost found legs sticking out.
01:00:59Thank you all.
01:01:10Thank you all.
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