La Linea D'ombra 02.06_ Lo strano caso di Ezzedine #Sebai
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
Categoria
📺
TVTrascrizione
00:00:07Male, 36 years old, medium build, polite manners, speaks good Italian, smoker
00:00:20avid. Many jobs, Tunisian, illegal immigrant, many criminal records, a
00:00:32One was arrested for attempted sexual assault, one for robbery. Then, on May 15, 1995, he attacked
00:00:45For the first time, an elderly woman. She won't stop. Two years later, it's the 15th.
00:00:55September 1997. He kills a 75-year-old woman. He will be convicted of four murders, but he will say
00:01:08of having killed 15 times.
00:02:05Thank you all.
00:02:16The more these lonely women were afraid of me, the more I beat them, I threw stones at them,
00:02:23I pushed them. I asked to speak, as I intend to admit my responsibilities.
00:02:32regarding 15 murders. I would like to point out that I have already been convicted of four murders in each case.
00:02:41case to life imprisonment. But in reality I'm also responsible for 11 other murders.
00:02:51I know that innocent people have been convicted of some of these murders and so I want to
00:02:59To free my conscience from this burden. I ask to be able to make spontaneous statements,
00:03:08even without the presence of a defender.
00:03:13Older women are vulnerable. First of all, because they are likely to live alone.
00:03:18secondly, they are less likely to flee or resist an attacker than
00:03:24to younger women. They pay less attention to dangers from strangers and represent
00:03:30therefore an easy target for the criminal.
00:03:39Puglia 1995. Among the inhabitants of the Bassi, the small one-story houses with the entrance directly
00:03:48on the road, the territory spreads. Many elderly women live alone and many begin
00:03:59to die in a violent manner. In some cases the murderer or murderers take possession of a miserable person
00:04:11loot, a few pennies or some jewelry. Houses are being squandered. There is no
00:04:21A motive. There is no explanation. At the crime scene, only silence and blood. A sea
00:04:32of blood.
00:04:35Blood is the great metaphor that in all cultures has always represented that moment
00:04:42of division or conjunction between life and death. So blood is a metaphor
00:04:47which brings into play the most powerful figures of our existence which are precisely the
00:04:53Life and death. We always die from bleeding, we live because blood circulates. Blood
00:04:59It's the great metaphor. The Jews spoke of blood as a synonym for life. In this way
00:05:05pure Greeks, however different these cultures are, they all gathered around the
00:05:09figure of blood. Even popular language speaks of blood. When there is blood, a crime
00:05:16becomes more serious, more dramatic, more literary if we want even, because the blood is the
00:05:24big metaphor of the connection between life and death.
00:05:27The poor victims found lifeless, killed without mercy. The weapon is always the same: a knife.
00:05:42This is how the killer kills. Sometimes a single blow to the neck. Sometimes he brutally attacks his victims.
00:05:54Five, six, ten stab wounds. Fear is spreading. The culprits must be found. As soon as possible.
00:06:08But meanwhile, in the slums, people continue to die. Especially women. Elderly women.
00:06:20After the fifth victim, the pieces of this mosaic of death begin to come together.
00:06:28The killer always acts the same way. Same modus operandi. Same victim profile.
00:06:40It sounds like the signature of a serial killer. Cunning and ruthless. A serial killer. A serial killer who only kills women.
00:06:55elderly.
00:06:58Fear. That's how we're afraid. Yes, I'm afraid. Of everyone. Of all these old people. Even the gardens. Even us.
00:07:06Everyone.
00:07:07Hearing certain things, my goodness. You can't live on earth anymore. What?
00:07:14A psychosis had developed. A very, very strong psychosis. And a very, very delicate one. A psychosis.
00:07:21Women who no longer left their homes. Old ladies who were accustomed to leaving, especially during the summer months,
00:07:28To leave the doors open. Or at least unlocked. Who barricaded themselves in the house. Who didn't open the door.
00:07:35So a real psychosis that made our work, our investigative activity, even more difficult.
00:07:47The killer's profile begins to emerge. More and more clearly.
00:07:56Within a few months, the local newspapers were talking about nothing else. The theories were numerous.
00:08:06The killer only kills women whose names are associated with religious beliefs.
00:08:14Mary, Saint, Grace, Madonna.
00:08:20It always strikes in the middle of the week.
00:08:25Wednesday or Thursday.
00:08:29The murder weapon is never found.
00:08:34But there is an even more disturbing detail.
00:08:39The front door is never forced.
00:08:43The killer knows his victims.
00:08:47Or they trust him.
00:08:51The women welcome their executioner into their homes.
00:08:57None of the neighbors ever saw anything.
00:09:01Nobody ever noticed anything.
00:09:06In provincial towns, where everyone knows each other,
00:09:11the attacker goes unnoticed.
00:09:15It goes unnoticed.
00:09:18Never.
00:09:20But the killer makes many missteps
00:09:24and leaves a trace of itself.
00:09:28In the house of one of the victims,
00:09:31Giuseppina Barbetta,
00:09:33a man's hat is found.
00:09:36In that of Anna Maria Stella,
00:09:39a cigarette butt.
00:09:42At Totaro's house,
00:09:44a footprint is also found.
00:09:47The elements are compared.
00:09:51DNA is obtained.
00:09:54And there are no more doubts.
00:09:57There is only one culprit.
00:10:01Criminals who target elderly women
00:10:03they are much younger than their victims.
00:10:06They kill them in their homes
00:10:07or nearby.
00:10:09They live near the crime scene.
00:10:11And for them, the victims are usually unknown people.
00:10:21April 25, 1996.
00:10:24Lucera, province of Foggia.
00:10:28The door of the small house
00:10:32of Mrs. Celeste
00:10:33it's open.
00:10:35Like almost all of them
00:10:37in the village.
00:10:39The windows
00:10:40damage to the road.
00:10:43The woman is alone.
00:10:45He cleans the fish for dinner.
00:10:48In the kitchen.
00:10:50The front door
00:10:52it opens.
00:10:54Behind him
00:10:55a man appears.
00:10:58A stranger.
00:10:59speaks for itself.
00:11:02Ravings
00:11:03incomprehensible words.
00:11:06The lady is scared.
00:11:08She starts screaming.
00:11:11You can hear the noise
00:11:12of cars passing by.
00:11:15People walking on the street
00:11:17they are very close.
00:11:19they might hear.
00:11:23The killer then
00:11:24he slams the woman to the ground.
00:11:27It immobilizes her
00:11:28on the floor.
00:11:31Try to shut her up
00:11:33pushing her hand
00:11:35on the mouth.
00:11:37But nothing.
00:11:38At that time
00:11:39take it out
00:11:40a knife
00:11:41switchblade
00:11:42and hits her
00:11:46ferociously
00:11:47in the throat.
00:11:50When I entered
00:11:51the woman
00:11:52he started screaming.
00:11:54He started screaming.
00:11:57I didn't want to.
00:12:00I wanted to shut her up.
00:12:04From outside
00:12:05you could feel it.
00:12:08But she continued.
00:12:11He screamed louder and louder.
00:12:15Then I gave her a push.
00:12:18The woman fell.
00:12:20He had something around his neck.
00:12:22A napkin.
00:12:23A fular.
00:12:24It's called fular.
00:12:26Then I climbed on top of her
00:12:28and I stabbed her.
00:12:30With a knife
00:12:32that I had in my pocket.
00:12:33I've always had
00:12:34a knife with me.
00:12:35It's a habit of mine.
00:12:38When he stopped screaming
00:12:39I took my hands off the knife.
00:12:42The fular was
00:12:43blood suppository.
00:12:46I was scared.
00:12:47I started throwing away
00:12:49everything on the ground.
00:12:50I emptied the drawers.
00:12:54when I entered
00:12:55I just wanted to talk.
00:12:57But she started
00:12:58to scream so loud.
00:13:01Before leaving
00:13:03the killer
00:13:04he washes his hands
00:13:05in the sink
00:13:07in the kitchen.
00:13:09Then
00:13:10steal a few pennies
00:13:12from a glass jar.
00:13:15now it's quiet.
00:13:17The Celestial Lady
00:13:19lies on the floor.
00:13:23Almost 60%
00:13:24of the attackers
00:13:25lives less than 6
00:13:27blocks away
00:13:28from the victim.
00:13:29Most
00:13:30of them reaches
00:13:31and he moves away
00:13:31from the crime scene on foot.
00:13:3390%
00:13:34has a criminal record
00:13:35mostly robberies
00:13:37thefts
00:13:37and assaults.
00:13:39The approach
00:13:40used
00:13:40from most
00:13:41of the assassins
00:13:42that's it
00:13:43of a sudden attack.
00:13:44Gravity
00:13:45of the wounds inflicted
00:13:46can provide clues
00:13:47regarding his age
00:13:48and the distance
00:13:49between the crime scene.
00:13:52More serious
00:13:52they are the wounds
00:13:53plus the aggressor
00:13:54he is young
00:13:55and lives
00:13:55nearby
00:13:56of the victim.
00:14:02September 15th
00:14:051997
00:14:07Palagianello
00:14:08province of Taranto
00:14:102.40pm
00:14:13recently
00:14:15it's passed
00:14:16lunch time
00:14:18Rose
00:14:19she's a little girl
00:14:208 years old
00:14:22lives nearby
00:14:24to Lucia Nico
00:14:24a woman
00:14:2675 years old
00:14:28the woman
00:14:29she is sick
00:14:32Rose
00:14:33every now and again
00:14:34helps her
00:14:35in the chores
00:14:36domestic workers
00:14:36that afternoon
00:14:38like every day
00:14:40enter the house
00:14:42without knocking
00:14:43Mrs. Nico
00:14:45always leave
00:14:46the open door
00:14:47the little girl
00:14:50sees a man
00:14:55wears
00:14:56a pair of boxers
00:14:58he's rummaging around
00:15:00in the handbag
00:15:00of the mistress
00:15:01at home
00:15:03Rosa calls
00:15:04but he doesn't receive
00:15:06answer
00:15:07you feel it
00:15:09smells of sweat
00:15:10a smell
00:15:11acrid
00:15:14on the armchair
00:15:16a bag
00:15:17white
00:15:19the man
00:15:20he notices
00:15:22her
00:15:22he's calm
00:15:25he looks at her
00:15:27in the eyes
00:15:27and tells her
00:15:29vattin
00:15:31he pushes her
00:15:32Then
00:15:34he slams them
00:15:35the door
00:15:36in the face
00:15:37Rose
00:15:38run away
00:15:39go and ask
00:15:41help
00:15:41to the aunt
00:15:42he tells her
00:15:43of having surprised
00:15:45a thief
00:15:45the aunt
00:15:47decide
00:15:48to go
00:15:49to see
00:15:49enter
00:15:51in the house
00:15:51the man
00:15:53it's still there
00:15:55but he got dressed again
00:15:57wears
00:15:59clean clothes
00:16:01the aunt
00:16:02of Rosa
00:16:03he moves away
00:16:04quickly
00:16:07the man
00:16:08Now
00:16:08he has to run away
00:16:10he knows that soon
00:16:11someone will arrive
00:16:13to look for it
00:16:15Wait
00:16:16the moment
00:16:16Right
00:16:17to escape
00:16:18he doesn't want to
00:16:19give
00:16:19in the eye
00:16:21Look
00:16:22from the window
00:16:23the movement
00:16:24on the street
00:16:25decide
00:16:26to go out
00:16:28the mother
00:16:29of Rosa
00:16:30from his
00:16:31balcony
00:16:31he sees coming out
00:16:33the criminal
00:16:33with the bag
00:16:35in hand
00:16:35the man
00:16:37he doesn't run
00:16:38take a bite
00:16:39the little street
00:16:40which brings
00:16:41at the station
00:16:43meanwhile
00:16:43the neighbor
00:16:45of the lady
00:16:45Nico
00:16:46enter the house
00:16:47with shouts
00:16:50scary
00:16:50they are stealing
00:16:51to Lucia
00:16:52it would be the deceased
00:16:54I got up
00:16:56and I went to see
00:16:57sure to find
00:16:59the thief
00:16:59in there
00:17:00not the rest
00:17:01that I saw after
00:17:03I'm going in there
00:17:05I'm starting to
00:17:06raise the curtain
00:17:07on one side
00:17:07I'll bring it
00:17:08on the other
00:17:08to search
00:17:10Always
00:17:11this thief
00:17:11that he said
00:17:12they are
00:17:12when then
00:17:14I arrived in the room
00:17:15to be read
00:17:16look at this poor thing
00:17:17I made the signal
00:17:18that
00:17:19she died
00:17:20phone call
00:17:21the authority
00:17:22is called
00:17:24the 112
00:17:26the agents
00:17:28they find
00:17:29Lucia Nico
00:17:30was
00:17:32attacked
00:17:32killed
00:17:34with two
00:17:36stab wounds
00:17:36in the throat
00:17:39snap
00:17:39the chase
00:17:40the country
00:17:42it's small
00:17:43many people
00:17:44they say
00:17:45of having seen
00:17:46a man
00:17:46to head
00:17:47towards the station
00:17:48the carabinieri
00:17:51they reach
00:17:52the criminal
00:17:54the man
00:17:55screams
00:17:56of not having
00:17:57done nothing
00:17:57he says
00:17:59what is he doing
00:18:00a walk
00:18:01try
00:18:02to wriggle free
00:18:03but they have it
00:18:05recognized
00:18:07everyone
00:18:08the agents
00:18:09they block it
00:18:10then they arrest him
00:18:13nearby
00:18:15under one
00:18:16pile of
00:18:17wooden sleepers
00:18:18they find the bag
00:18:20inside the bag
00:18:22a pair of trousers
00:18:24and a knife
00:18:28stained with blood
00:18:31Lucia
00:18:32nico
00:18:32it's the umpteenth
00:18:34elderly woman
00:18:34killed in
00:18:36Puglia
00:18:36between the
00:18:371995
00:18:38and the
00:18:401997
00:18:40with the same
00:18:43modus operandi
00:18:45finally
00:18:46but
00:18:46this time
00:18:48the vovole
00:18:49was
00:18:49stopped
00:18:52Palagianello
00:18:531997
00:18:55station
00:18:57railway
00:18:57a small one
00:18:59village
00:19:00of the province
00:19:01Apulian
00:19:01a man
00:19:03dangerous
00:19:04was
00:19:05arrested
00:19:05Perhaps
00:19:07the nightmare
00:19:08it's finished
00:19:09Perhaps
00:19:10the days
00:19:12of fear
00:19:12they have passed
00:19:17the country
00:19:18as soon as
00:19:19as soon as
00:19:19it snakes
00:19:20the news
00:19:22he snapped
00:19:22by
00:19:23of the citizens
00:19:24of the young people
00:19:24some boys
00:19:25a mobilization
00:19:28which made yes
00:19:29that immediately
00:19:30After
00:19:30this came
00:19:31identified
00:19:32and delivered
00:19:33to the forces
00:19:33elector
00:19:35I say this
00:19:37Why
00:19:37since
00:19:38from that
00:19:39that we read
00:19:40in the press
00:19:40it seems that
00:19:41this gentleman
00:19:43had already
00:19:44Done
00:19:45others
00:19:45neighbors
00:19:46in others
00:19:47parts
00:19:47of Puglia
00:19:48Also
00:19:48from Basilicata
00:19:50and he had it
00:19:51always done
00:19:52Franca
00:19:52Why
00:19:53evidently
00:19:55had a
00:19:55method
00:19:56experienced
00:19:58and also
00:19:59here
00:19:59for a little while
00:20:00not the
00:20:01Franca did it
00:20:02Why
00:20:02being ours
00:20:03common
00:20:03crossed
00:20:05from the
00:20:06railway
00:20:06him
00:20:08I had
00:20:09scheduled
00:20:09to take
00:20:10the train
00:20:10Therefore
00:20:11would be
00:20:11was
00:20:12let's say
00:20:13the occasion
00:20:14the condition
00:20:15For
00:20:15do it
00:20:16Do
00:20:16here too
00:20:18to follow
00:20:19the classification
00:20:20of the assassins
00:20:21proposal
00:20:21from the FBI
00:20:22which distinguishes
00:20:23between killers
00:20:23organized
00:20:24and disorganized
00:20:25this type
00:20:26of attackers
00:20:27they can
00:20:28certainly
00:20:28to be considered
00:20:29extremely
00:20:30disorganized
00:20:32socially
00:20:33inadequate
00:20:33unemployed
00:20:34with precedents
00:20:35penalties
00:20:36and abuse
00:20:36of alcohol
00:20:37or drugs
00:20:38in three quarters
00:20:39of the cases
00:20:39they are not married
00:20:40nor do they coexist
00:20:41with someone
00:20:42they have an average age
00:20:44slightly lower
00:20:45at 30 years old
00:20:45they don't live
00:20:47distant
00:20:47from the scene
00:20:47of the crime
00:20:48these are people like that
00:20:49which must be sought
00:20:50first
00:20:58Palazianello
00:20:59it's a place
00:20:59Calm
00:21:00you live
00:21:02with the door
00:21:02at home
00:21:03open
00:21:04one afternoon
00:21:05like many others
00:21:06the air
00:21:08it's hot
00:21:09they have passed
00:21:11recently
00:21:11the two
00:21:11in the village
00:21:13he rests
00:21:14there is silence
00:21:16the shops
00:21:18they are closed
00:21:19the streets
00:21:20almost deserted
00:21:23if you go
00:21:24he knows that
00:21:26Lucia Nico
00:21:26always leave
00:21:28the door
00:21:28open
00:21:29follows her
00:21:31for days
00:21:31he knows
00:21:33its
00:21:33habits
00:21:34go
00:21:36towards
00:21:36the entrance
00:21:37of the house
00:21:38which gives
00:21:39directly
00:21:40on the road
00:21:40enter
00:21:42without hesitation
00:21:44he's confused
00:21:47he drank
00:21:48he's drunk
00:21:50it begins
00:21:53to rummage around
00:21:53everywhere
00:21:54Lucia Nico
00:21:57suspicious
00:21:58from the noises
00:21:59he wants to see
00:22:00What
00:22:00it's happening
00:22:01is found
00:22:04face
00:22:04face to face
00:22:05with the man
00:22:06a little Tunisian
00:22:08who had
00:22:10encountered
00:22:10in church
00:22:11on Sunday
00:22:12he had them
00:22:14asked
00:22:14a few pennies
00:22:15the woman
00:22:17he looks at it
00:22:18she's scared
00:22:20he asks him
00:22:22to leave
00:22:22the man
00:22:24take it out
00:22:25a knife
00:22:26switchblade
00:22:27the woman
00:22:29the screams
00:22:29his screams
00:22:31but
00:22:31they trigger
00:22:32something
00:22:33in the head
00:22:35of man
00:22:36he wants the woman
00:22:38stop screaming
00:22:41he pushes her
00:22:42on the ground
00:22:42and immobilizes her
00:22:44he presses her
00:22:46a hand
00:22:46on the mouth
00:22:47and with every reaction
00:22:49of the woman
00:22:50the attacker
00:22:52becomes more
00:22:53violent
00:22:55hits her
00:22:56in the throat
00:22:57Three
00:22:58four
00:22:59five times
00:23:01with the knife
00:23:05silence
00:23:06the woman
00:23:08now it is still
00:23:12blood
00:23:13on the floor
00:23:15on clothes
00:23:17of the murderer
00:23:18on his hands
00:23:20the man
00:23:22he undresses
00:23:22remains
00:23:24in boxers
00:23:24it takes off
00:23:26the clothes
00:23:27bloody
00:23:29keep rummaging
00:23:31in the drawers
00:23:32of the house
00:23:32looking for money
00:23:35jewels
00:23:36Then
00:23:37hear the door
00:23:39at home
00:23:39that opens
00:23:41he turns around
00:23:43a little girl
00:23:45he looks at it
00:23:46it's pink
00:23:47they have passed
00:23:50twelve years
00:23:51rose
00:23:52it is no longer
00:23:53a little girl
00:23:55but that moment
00:23:56he won't be able to
00:23:57he won't know
00:24:00forget it
00:24:02never
00:24:04I went out
00:24:05from school
00:24:05and mom
00:24:06he told me
00:24:07to go to him
00:24:07to throw away
00:24:08the envelope
00:24:08of the garbage
00:24:09as always
00:24:10to the lady
00:24:10and I arrived
00:24:13I went after
00:24:13very late indeed
00:24:15when we had
00:24:15already finished
00:24:15to eat
00:24:16I went
00:24:17and you see the house
00:24:18that they were
00:24:19all the pulls
00:24:21open
00:24:21television
00:24:23completely upside down
00:24:24on the ground
00:24:24and there was the door
00:24:26open
00:24:26with this gentleman
00:24:27with the box
00:24:28what does it do to me
00:24:29to me
00:24:29go away
00:24:30go away
00:24:31but
00:24:31after he had
00:24:32closed the door
00:24:33but
00:24:34there was a wardrobe
00:24:35with the mirror
00:24:36that anyway
00:24:36I see blood
00:24:37this lady
00:24:38on the bed
00:24:39and it slips out of me
00:24:40I on the order
00:24:40of the door
00:24:41I'm missing something
00:24:42and I went right away
00:24:43to visit mom
00:24:44I was little
00:24:45now again
00:24:45I remember it
00:24:46as if it were yesterday
00:24:47but
00:24:49Rose
00:24:50it's not the only one
00:24:52not to have forgotten
00:24:53in the village
00:24:55everyone still
00:24:56they talk about it
00:24:57everyone
00:24:58they remember
00:24:59that day
00:25:02before killing
00:25:03the killer
00:25:05he passed
00:25:05a few weeks
00:25:06in the village
00:25:07many
00:25:09they say
00:25:09to have seen him
00:25:10Often
00:25:10spends his days
00:25:13near the church
00:25:15the parish priest
00:25:17he welcomes him
00:25:17offers him
00:25:19a place
00:25:20where to sleep
00:25:21we saw it
00:25:22arrive
00:25:23one evening
00:25:25maybe they were supposed to be
00:25:26half past seven
00:25:29eight o'clock
00:25:29Like this
00:25:29we were playing
00:25:32in a bowl
00:25:33nearby
00:25:34to the parish
00:25:35No?
00:25:36and we saw
00:25:37who approached
00:25:38let's start talking
00:25:40etc.
00:25:41then that evening
00:25:42we were going to get
00:25:43even a little bit
00:25:44of bocaccia
00:25:45of beer
00:25:45etc.
00:25:46and we fried it
00:25:48regularly
00:25:49a person
00:25:49that we were there
00:25:50Calm
00:25:51serene
00:25:51I wasn't bothering anyone
00:25:53In short
00:25:54and then after
00:25:55we waited for it
00:25:56here too
00:25:56Why
00:25:57he told us he wanted
00:25:58sleep
00:25:59etc.
00:26:01and we waited for it
00:26:02right in here
00:26:02but after
00:26:03maybe an hour and a half
00:26:05Like this
00:26:05he wanted to go out
00:26:06he says no no
00:26:07I have to go out
00:26:08there are mosquitoes here
00:26:10but I think it was an excuse
00:26:11perhaps to be able to
00:26:13easily escape
00:26:15we thought about it later
00:26:16No?
00:26:20Ben Mohammed
00:26:21Ezedin Sebai
00:26:22some time
00:26:24enter the church
00:26:25hours pass
00:26:27to watch
00:26:28the old women
00:26:28of the country
00:26:29that recite
00:26:30in chorus
00:26:31the rosary
00:26:31while the women
00:26:34they pray
00:26:34he feels
00:26:36in peace
00:26:37with himself
00:26:38he observes them
00:26:40follows them
00:26:41brings them closer
00:26:43at the start
00:26:45he only asks
00:26:46charity
00:26:47and food
00:26:48it doesn't bother you
00:26:50it's always
00:26:51educated
00:26:52never insistent
00:26:54you earn
00:26:56their trust
00:26:57learn
00:26:59to know them
00:27:00learn
00:27:01their habits
00:27:03learn
00:27:05where they live
00:27:06Ezedin
00:27:08since he was little
00:27:10has a memory
00:27:11of having been
00:27:13the brother
00:27:16unwanted
00:27:17from the father
00:27:19has the memory
00:27:20of having been
00:27:21the child
00:27:23scapegoat
00:27:24some pranks
00:27:25in class
00:27:26the memory
00:27:28of having been
00:27:29a little boy
00:27:30that he never had
00:27:31the possibility
00:27:32to have
00:27:33true friendships
00:27:34or of the
00:27:35possibility
00:27:37of relationship
00:27:38with people
00:27:39of the opposite sex
00:27:40and that therefore
00:27:41forever
00:27:42has the memory
00:27:44and the feeling
00:27:45and probably
00:27:46in fact
00:27:47it was like that too
00:27:48of having been
00:27:49a subject
00:27:50rejected
00:27:53the assassins
00:27:54in the background
00:27:55sexual
00:27:55of women
00:27:55elderly
00:27:56in general
00:27:57they were fantasies
00:27:58simple
00:27:58they are thinkers
00:27:59concrete
00:28:01they are not carried
00:28:02take something away
00:28:03of the victim
00:28:04to relive
00:28:04the pleasure
00:28:05of the aggression
00:28:06they don't take
00:28:07trophies
00:28:07or souvenir
00:28:07to them
00:28:09just a little bit is enough
00:28:10of cash
00:28:10and small objects
00:28:11like jewels
00:28:12to then resell them
00:28:14and make some money
00:28:15but don't get rid of it
00:28:17right away
00:28:17can be
00:28:18a fatal mistake
00:28:19because it is about
00:28:20of a test
00:28:20overwhelming
00:28:21that binds them
00:28:22to the victim
00:28:22and to the murder
00:28:29Cerignola
00:28:30Matera Alley 1
00:28:32Old Land District
00:28:34they begin
00:28:35the searches
00:28:36at Sebai's house
00:28:38two rooms
00:28:39without windows
00:28:40a small space
00:28:42for a stove
00:28:44from the field
00:28:44a sink
00:28:48Sebai
00:28:49divides the accommodation
00:28:51with his brother
00:28:51teacher
00:28:53of physical education
00:28:54and a friend
00:28:57even the brother
00:28:58he is being questioned
00:29:00Then
00:29:01released
00:29:02with a decree
00:29:04of expulsion
00:29:04at home
00:29:07the agents
00:29:08find some
00:29:09newspaper articles
00:29:10cut out
00:29:11and preserved
00:29:13they speak
00:29:15of murders
00:29:15they speak
00:29:17of women
00:29:17elderly
00:29:18killed
00:29:19in Puglia
00:29:21there is also
00:29:22a ring
00:29:23a clock
00:29:24Women's
00:29:25without a hand
00:29:27a knife
00:29:29switchblade
00:29:29some jewels
00:29:31but these
00:29:34a few things
00:29:34they allow
00:29:36to the investigators
00:29:37to connect
00:29:38the murder
00:29:39by Lucia
00:29:39Nico
00:29:39with others
00:29:41crimes
00:29:42almost identical
00:29:46Maria Totaro
00:29:4875 years old
00:29:50killed on January 15
00:29:52in Cerignola
00:29:54she too
00:29:55he lived in the house
00:29:57alone
00:29:58his home too
00:30:00it's on the ground floor
00:30:03she too
00:30:04she died
00:30:05for a wound
00:30:06cutting
00:30:07in the throat
00:30:09the family members
00:30:10of the lady
00:30:11Mary
00:30:12they recognize
00:30:13some jewels
00:30:14found
00:30:15At home
00:30:16of Tunisian
00:30:17the footprints
00:30:19digital
00:30:20detected
00:30:21at home
00:30:21of Mary
00:30:21Totaro
00:30:22those are those
00:30:24of Sebai
00:30:27the first thing
00:30:28what does the doctor do?
00:30:29legal
00:30:30when it is found
00:30:30in these
00:30:31situations
00:30:32that's it
00:30:32to observe
00:30:33the relationship
00:30:34between the corpse
00:30:35and the environment
00:30:36so see
00:30:36if there are any
00:30:37of the cocciolature
00:30:38see if there are any
00:30:39of the fragments
00:30:40of bullets
00:30:41and see
00:30:41what is the relationship
00:30:43environment
00:30:43corpse
00:30:44to see
00:30:44What
00:30:45can be
00:30:45been left
00:30:46from the corpse
00:30:46on the environment
00:30:47and vice versa
00:30:48afterwards
00:30:49after they have been
00:30:50carried out
00:30:50all photographs
00:30:51all analyses
00:30:53of the scientific
00:30:54which perhaps must
00:30:55first see
00:30:56if there are any
00:30:56of the footprints
00:30:57digital
00:30:57or if there are any
00:30:58of the fibers
00:30:59or fabrics
00:30:59and so on
00:31:00once
00:31:01the scientific one
00:31:02he finished
00:31:02to immortalize
00:31:04the situation
00:31:05we begin
00:31:07to touch
00:31:08and to work
00:31:09on the corpse
00:31:10this first of all
00:31:11consists
00:31:12trying to do
00:31:13to be
00:31:13less invasive
00:31:14possible
00:31:15because then
00:31:15the analyses
00:31:16detailed
00:31:16we will do them
00:31:17at the autopsy
00:31:18in the anatomy room
00:31:19but it starts
00:31:20absolutely
00:31:21with research
00:31:22of those elements
00:31:23which are fundamental
00:31:24to answer
00:31:24to the three questions
00:31:26main
00:31:26that I am
00:31:26who is the victim
00:31:27how she died
00:31:28and when she died
00:31:30so it begins
00:31:31a meticulous one
00:31:33description
00:31:34of all injuries
00:31:35which can be
00:31:36visible
00:31:36of the traits
00:31:37physiognomics
00:31:38or of the elements
00:31:39that can help us
00:31:40indicate
00:31:40the identity
00:31:41and a series
00:31:42of measurements
00:31:44for example
00:31:45of the temperature
00:31:45of the ear
00:31:47rectal
00:31:47to go back up
00:31:48then at the time
00:31:49of death
00:31:50through
00:31:50some calculations
00:31:51referred to
00:31:51to the cooling
00:31:52of the corpse
00:31:53Angela Sansone
00:31:5584 years old
00:31:56killed in Spinazzola
00:31:58August 27th
00:32:01another old woman
00:32:03who lived alone
00:32:05killed
00:32:07with six stab wounds
00:32:09Angela Sansone
00:32:12she was raped
00:32:15and I always thought
00:32:18that it had been
00:32:20a red herring
00:32:21because he repeats
00:32:23he was putting to the rescue
00:32:24all rooms
00:32:25he implied
00:32:26that there had been
00:32:26a robbery
00:32:27he was carrying
00:32:28he took away
00:32:29something
00:32:30but he had never
00:32:31I never say
00:32:32committed violence
00:32:33on the person
00:32:35except in one case
00:32:36in a single case
00:32:38where even
00:32:40the experts
00:32:41certainly not me
00:32:43the medical experts
00:32:45scientists
00:32:45and what
00:32:46have to establish
00:32:47that the
00:32:47the conjunction
00:32:49there was even
00:32:49after death
00:32:50something like that
00:32:51in this case too
00:32:53the killer
00:32:55he left
00:32:56trace of itself
00:32:58and once again
00:33:00from the analyses
00:33:01we go back up
00:33:03to Sebai
00:33:04the clock
00:33:06without the hand
00:33:07found
00:33:08in the house
00:33:09of man
00:33:10era
00:33:11of Samson
00:33:12Saint Leo
00:33:1482 years old
00:33:16killed
00:33:17in Canosa
00:33:18May 8th
00:33:19same
00:33:21modus operandi
00:33:22same
00:33:24situation
00:33:26in the morning
00:33:28of July 29
00:33:29Maria Valente
00:33:3183 years old
00:33:32she is killed
00:33:34in his house
00:33:3424 shots
00:33:37of a knife
00:33:37to the body
00:33:39and to the throat
00:33:42the day
00:33:43after the murder
00:33:44was
00:33:45arrested
00:33:46a young man
00:33:46Joseph Tinelli
00:33:49but maybe
00:33:51they arrested
00:33:53the person
00:33:53wrong
00:33:57who kills
00:33:59older women
00:33:59and he does it
00:34:00on the push
00:34:01of a sexuality
00:34:02sick
00:34:02he doesn't care
00:34:03not much
00:34:04of the tracks
00:34:04that leaves
00:34:05on the scene
00:34:05of the crime
00:34:06biological traces
00:34:08evidence
00:34:09of violence
00:34:09sexual
00:34:10but also hair
00:34:11fibers
00:34:11fingerprints
00:34:12some
00:34:13they forget
00:34:14even
00:34:14objects
00:34:15personal
00:34:15on the scene
00:34:16for example
00:34:17hair
00:34:18clothes
00:34:18intimate
00:34:19and documents
00:34:20personal
00:34:2615 women
00:34:28killed
00:34:29old women
00:34:31attacked
00:34:32and killed
00:34:34all in the same way
00:34:37but a murder
00:34:39it looks different from the others
00:34:42it's the most terrible
00:34:44Angela Sansone
00:34:46killed in Spinazzola
00:34:48August 27th
00:34:51lunch time
00:34:53the woman prepares a simple meal
00:34:57a plate of green beans
00:34:59he puts them on the table
00:35:01for lunch
00:35:02but he's not hungry
00:35:04she feels tired
00:35:06he lies down on the bed
00:35:08suddenly
00:35:10he hears footsteps
00:35:12the door
00:35:13of his room
00:35:14from bed
00:35:15it opens
00:35:16a man
00:35:18in front of her
00:35:21Angela
00:35:22he doesn't try to escape
00:35:24she is paralyzed
00:35:25from terror
00:35:26the killer
00:35:28he has a knife in his hand
00:35:30without hesitation
00:35:33hits her
00:35:34in the throat
00:35:36six times
00:35:38Then
00:35:40the violent one
00:35:42he attacks the corpse
00:35:44a real massacre
00:35:47the killer washes himself
00:35:50in the kitchen
00:35:51now he's hungry
00:35:54he sits at the table
00:35:56and eat
00:35:59eats
00:36:00the green bean dish
00:36:01that Angela Sansone
00:36:03had prepared
00:36:05Then
00:36:06steal a small watch
00:36:08wristwatch
00:36:10he changes his shirt
00:36:12and sets the clock
00:36:13in your pocket
00:36:14he goes out into the street
00:36:16and goes away
00:36:19walk
00:36:20he walks with ease
00:36:21as if nothing had happened
00:36:24as if everything were normal
00:36:27as if nothing had happened
00:36:30and that very clock
00:36:32he will be found in his house
00:36:36a test
00:36:38that will nail him
00:36:44the behavior
00:36:45socially abhorrent
00:36:47we are used to
00:36:47call them
00:36:48madness
00:36:49for the sole purpose
00:36:50Of
00:36:51build
00:36:52the enclosure
00:36:53of our normality
00:36:55we must keep in mind
00:36:56that madness
00:36:57lives in each of us
00:36:59it's enough
00:37:00that we
00:37:01we fall asleep
00:37:02in the evening
00:37:02and we have some scenarios
00:37:03crazy
00:37:04well described
00:37:05from our dreams
00:37:05where it no longer works
00:37:07in space
00:37:08over time
00:37:09in the principle of causality
00:37:10in the principle of non-contradiction
00:37:12in identity
00:37:13that's why I'm male
00:37:14together with females
00:37:15I'm starting a dream
00:37:16during the Roman Empire
00:37:17I'll finish it in America
00:37:18so the madness
00:37:19he lives there
00:37:20the problem
00:37:22the problem
00:37:24it becomes tragic
00:37:25when this madness
00:37:26it manifests itself
00:37:28as suppression
00:37:30of the self
00:37:31who's crazy?
00:37:32he is the one
00:37:32whose instinctive forces
00:37:34they abolish
00:37:35the rational part
00:37:37of himself
00:37:37this can happen
00:37:39to us too
00:37:40it's enough
00:37:40that we drink
00:37:41it's enough
00:37:41that we take drugs
00:37:42and automatically
00:37:44our self
00:37:44it weakens
00:37:45the rational part
00:37:46he owns us
00:37:47Here you are
00:37:48let's say
00:37:49that madness
00:37:49it's nothing else
00:37:50that the suppression
00:37:51of the rational part
00:37:52how can it happen
00:37:54to any person
00:37:56in an excessive manner
00:37:58the difference
00:37:58it's only quantitative
00:38:00between us and the madmen
00:38:01non-qualitative
00:38:04FBI
00:38:04classification manual
00:38:06of the crime
00:38:07code 135
00:38:09sexually motivated homicide
00:38:11of an elderly woman
00:38:12the code concerns
00:38:14the murder
00:38:14of a woman
00:38:15aged 60 or over
00:38:16when the motive
00:38:17main assassin
00:38:18is represented
00:38:20from his sexual behavior
00:38:21at the crime scene
00:38:27name
00:38:28Ben Mohamed Ezzedini
00:38:31surname
00:38:32Sebai
00:38:33born in Kairwan
00:38:36October 15th
00:38:38of 1964
00:38:39Tunisian citizen
00:38:43illegal immigrant
00:38:45in Italy
00:38:45second of eight brothers
00:38:48four males
00:38:49four females
00:38:51body type
00:38:53and average height
00:38:55collect a long list
00:38:57of criminal records
00:38:59he speaks good Italian
00:39:01changes seven different identities
00:39:05the need for Ezzedini
00:39:07sebai
00:39:08since he was little
00:39:09becomes that
00:39:09to enter homes
00:39:11of single women
00:39:12where it can be accepted
00:39:14in the houses where there were
00:39:17other males
00:39:18it was more difficult
00:39:20that it be accepted
00:39:21especially growing up
00:39:22it's a situation
00:39:23which was not very pleasant
00:39:26welcomed in her country
00:39:28then start to get your bearings
00:39:30this always unconsciously
00:39:32he never does it
00:39:32choosing to do this
00:39:34we understand this
00:39:36hearing for many hours
00:39:38the story of his life
00:39:40and listening to his words
00:39:42we can understand it
00:39:43he himself is nothing but
00:39:45he tells us this way
00:39:46so this means
00:39:48which is very well understood
00:39:49how it evolved
00:39:50his personal story
00:39:52which then led him to become
00:39:55the second serial killer
00:39:57fiercest in Italian history
00:39:58after Donato Bilancia
00:40:00it is certainly a unique case
00:40:02of European criminology
00:40:04and worldwide
00:40:06I remember when I was little
00:40:07that everything was forbidden
00:40:10I have my first memories
00:40:11since I was 5 years old
00:40:135 and a half years
00:40:16the first day of school
00:40:18the presentation to the master
00:40:20and to his companions
00:40:22my father accompanied me
00:40:25my sister was already there
00:40:28my father came to school
00:40:30he made me go out
00:40:32he took off my shoes
00:40:35he took off my shoes
00:40:37because you could then receive
00:40:38shoes used by the state
00:40:42I was happy at school
00:40:43I was learning things
00:40:46I memorized without difficulty
00:40:49I got along well with my classmates
00:40:52I had to repeat the sixth year
00:40:55I had to do the homework
00:40:57of the final exam
00:40:58in another school
00:41:01I felt very bad about this
00:41:05maybe they did me some injustices
00:41:09then I did three years of high school
00:41:12and two from high school
00:41:14when I was 18
00:41:16I was already thinking about coming to Italy
00:41:19I didn't like Tunisia
00:41:21the people
00:41:22the way of life
00:41:24the lies
00:41:25the arguments
00:41:26I was a person unwanted by everyone
00:41:30I was drinking
00:41:31I spent nights out
00:41:34they reported me
00:41:36the police came looking for me
00:41:42it is clear that there are many traits of his childhood
00:41:46reminiscent of children with autistic traits
00:41:53autistic traits
00:41:54which is what we call in jargon
00:41:56that family of pervasive developmental disorders essentially
00:42:02that is, he was a child who had a form of relationship with others
00:42:07which is rather unaffectionate
00:42:10in his memory there are no forms of meeting with other children
00:42:15of any kind
00:42:16for him life has always been about trying to understand
00:42:22what others wanted from him
00:42:25try to understand
00:42:27how not to be used by others
00:42:29trying to figure out how to defend yourself from others
00:42:33that for him
00:42:33his father first and foremost
00:42:35his brothers
00:42:36his family
00:42:37and all his companions
00:42:40lived like enemies
00:42:41what is this if not
00:42:43a strongly paranoid experience
00:42:48among the many theories
00:42:49on how a serial killer is born
00:42:51there is one that seems to fit well
00:42:54to the story of Mohamed Sebae
00:42:56This is the trauma control model
00:42:59It all starts with a destabilizing event
00:43:02a trauma suffered in childhood
00:43:04as the years go by
00:43:05the future murderer then encounters the so-called facilitating factors
00:43:09the use of alcohol and drugs
00:43:11the consumption of pornographic material
00:43:14reinforce the constructions of fantasies
00:43:16that slowly slowly
00:43:17they become increasingly sadistic and perverse
00:43:24July 1988
00:43:26Ben Mohamed Ezzedin Sebae
00:43:30arrives in Italy
00:43:31in Cerignola
00:43:33find work as a farm laborer
00:43:36May 1990
00:43:39moves to Merano
00:43:42in the province of Bolzano
00:43:44first as a dishwasher
00:43:46then as a worker
00:43:49in December of the same year
00:43:52he is arrested
00:43:54for attempted sexual assault
00:43:56about a girl
00:44:04my first sexual intercourse
00:44:06I had it around 18
00:44:08she was a girl not from my country
00:44:11she had run away from home
00:44:13from a distant country
00:44:17the story ended soon
00:44:19why I raped her
00:44:20and was charged with sexual assault
00:44:23you were held in prison
00:44:26I don't remember how many months
00:44:28every time I was arrested in Tunisia
00:44:31I stayed only for 15-20 days
00:44:34a month at most
00:44:37then I tried to abuse women several times
00:44:41but I was never convicted
00:44:44the second sexual intercourse
00:44:46I had it when I was drunk
00:44:48her name was Monia
00:44:50that girl there
00:44:52I took her by the hand
00:44:53then I threatened her with a knife
00:44:56after raping her
00:44:58she started screaming
00:44:59then she ran away
00:45:03it was 5pm
00:45:08then I started going to brothels
00:45:11I was looking for good words
00:45:15he was a very lonely child
00:45:17lonely and alone
00:45:18then it is clear that as always happens in these situations
00:45:22It's not easy to understand whether the chicken or the egg came first
00:45:26that is, in some way
00:45:27how much his behaviors have caused aggressive reactions in others
00:45:32and how hostile the world is
00:45:34made him so distrustful of others
00:45:37but one fact is certain
00:45:39he doesn't remember this
00:45:41as sometimes happens in behavioral disorders
00:45:45how something started in adolescence
00:45:47in the age of rebellion
00:45:48of the awareness of some issues
00:45:51He has this memory, he told us since he was very little
00:45:57once released from prison
00:45:58for the granting of the benefit of conditional suspension of the sentence
00:46:03an expulsion decree is issued
00:46:06Sebai returns to Cerignola
00:46:09where he starts working in the fields again
00:46:12January 1993
00:46:15Sebai is arrested again
00:46:19by the Carabinieri of the Bari operational unit
00:46:23for robbing a priest
00:46:26gives false personal details
00:46:29they condemn him
00:46:31to one year and eleven months of imprisonment
00:46:34and a 750,000 lire fine
00:46:37he is released from prison
00:46:40one more time
00:46:41for the conditional suspension of the sentence
00:46:44April 1993
00:46:48he is stopped again
00:46:51in Pescara
00:46:52this time too
00:46:55provides false personal information
00:46:57Then
00:46:59he is stopped again
00:47:00four times
00:47:02and always
00:47:04provides different data
00:47:091996
00:47:10takes up residence in Cerignola
00:47:14March 1997
00:47:18Sebai
00:47:19buy a small house
00:47:21September 14th
00:47:241997
00:47:26he is arrested
00:47:28and his arrest in Palagianello
00:47:31changes all scenarios
00:47:33the investigators
00:47:36cross-reference the data
00:47:37and this data
00:47:39converge
00:47:41towards a single identity
00:47:43his
00:47:45the killer used
00:47:48a knife
00:47:50used
00:47:51with a mode
00:47:53from tip and cut
00:47:54that is to say
00:47:55not in the sense
00:47:56using the knife
00:47:58with the blade
00:47:59but rather sinking
00:48:01in the victim's body
00:48:02with a mechanism
00:48:03from a dagger
00:48:04stabbed in a way
00:48:08this represents
00:48:10a modality
00:48:12harmful
00:48:13particularly atypical
00:48:16so much so that already in 1997
00:48:19the advisory board
00:48:22of the Court of Foggia
00:48:24of a medical-legal nature
00:48:26criminological
00:48:29identify
00:48:30these common traits
00:48:32in four of these murders
00:48:34analyzed
00:48:35and concludes
00:48:36after an analysis
00:48:38precise and careful
00:48:39that the murderer
00:48:41has a modus operandi
00:48:43which results
00:48:44healthy
00:48:45to reality
00:48:46let's say so
00:48:47inferred
00:48:49from the case history
00:48:50analyzed
00:48:53both in the territory
00:48:54Apulian
00:48:55that even
00:48:55throughout the Italian territory
00:48:59it seems incredible
00:49:00that a man
00:49:01can turn
00:49:02free for Italy
00:49:03despite committing crimes
00:49:05and for this
00:49:06be stopped
00:49:07then say
00:49:08of not having documents
00:49:09provide every time
00:49:10false personal information
00:49:11and go away
00:49:12before being tried
00:49:14free
00:49:15to commit other crimes
00:49:17and yet this
00:49:17it's success
00:49:18to Mohamed Sebai
00:49:19even if it should be added
00:49:21that his entrance
00:49:21in our country
00:49:22dates back to 1988
00:49:23when attention
00:49:25to non-EU citizens
00:49:26illegal immigrants
00:49:27it wasn't certain
00:49:28a priority
00:49:35ben Mohamed Ezzedin Sebai
00:49:38he's a serial killer
00:49:40he is a violent
00:49:42grown up
00:49:44in a climate of violence
00:49:46as a child
00:49:47he suffered mistreatment
00:49:50violence
00:49:51abuses
00:49:52he says to kill
00:49:55because he hears voices
00:49:58voices
00:49:58who persecute him
00:50:00that remind him
00:50:02someone
00:50:03someone
00:50:04who scored
00:50:05his childhood
00:50:08they are voices
00:50:09that accompany
00:50:10in a manner
00:50:12strong
00:50:12the murderous act
00:50:14and what they tell him
00:50:15what to do
00:50:16at the moment in which
00:50:16it's in the house
00:50:17and must
00:50:20to orient oneself
00:50:20in an environment
00:50:21that he doesn't know
00:50:22in a situation
00:50:23in which there is
00:50:24an assault
00:50:25until
00:50:26but he is
00:50:26in this delirium
00:50:27here too
00:50:28his story
00:50:29it's very precise
00:50:30from the point of view
00:50:32psychological
00:50:32and psychiatric
00:50:33and criminological
00:50:34the modus operandi
00:50:36of Sebai
00:50:36Ezzedin
00:50:37it is clearly
00:50:39scanned
00:50:39from these two times
00:50:40the beginning
00:50:41of this stage
00:50:42delirious
00:50:42which coincides
00:50:44with an intoxication
00:50:45alcoholic
00:50:45which reaches
00:50:46a limit
00:50:46of intolerability
00:50:48for his physique
00:50:50and the situation
00:50:51in which
00:50:52after having completed
00:50:53the murder
00:50:54there is blood
00:50:55of the victim
00:50:57it is determined
00:50:59he knows how to pretend
00:51:00he knows how to lie
00:51:02he is unscrupulous
00:51:04the child
00:51:06as a victim
00:51:08has become
00:51:10a violent man
00:51:11a ferocious
00:51:13and ruthless
00:51:13murderer
00:51:16I wasn't going
00:51:18agree
00:51:18with my father
00:51:19he was killing me
00:51:21of blows
00:51:21he made me get up
00:51:23Soon
00:51:24at 5 in the morning
00:51:25to learn
00:51:27from memory
00:51:27the Quran
00:51:28and since
00:51:30my father
00:51:30he was illiterate
00:51:33to check
00:51:34if I had learned
00:51:35he took me
00:51:36from the imam
00:51:37if I didn't know
00:51:38the Quran
00:51:39my father
00:51:40and the imam
00:51:41they beat me
00:51:44my father
00:51:45he punished me
00:51:46severely
00:51:46it was forbidden
00:51:48to play
00:51:49contact
00:51:50the others
00:51:52really
00:51:53it tied me up
00:51:53with two hooks
00:51:54out the door
00:51:55at home
00:51:55the others
00:51:57my brothers
00:51:58and sisters
00:51:59they were not
00:52:00treated like me
00:52:03I finished
00:52:04to become
00:52:05the bad one
00:52:06of the country
00:52:08Often
00:52:09other people too
00:52:10of the country
00:52:11they beat me
00:52:13I was sleeping
00:52:14always under the points
00:52:15I was going
00:52:17in the countryside
00:52:18near the rivers
00:52:19I was hiding
00:52:20because my father
00:52:21he came looking for me
00:52:24my mother instead
00:52:25he gave me some cigarettes
00:52:28I remember my maternal grandparents
00:52:30my grandfather was good
00:52:32he defended me from my father
00:52:35he came to the police
00:52:36when they held me back
00:52:40he was a stingy person
00:52:42but he loved me
00:52:44my grandmother
00:52:46if he had something to eat
00:52:47he gave me some
00:52:47but he never intervened
00:52:49when they beat me
00:52:50or they tied me up
00:52:52because I smoked
00:52:55the definition of evil
00:52:57And
00:52:58I would say
00:52:59to mirror
00:53:00to the definition of the good
00:53:01if we look
00:53:03the dictionaries
00:53:04There are
00:53:04infinite
00:53:05definitions
00:53:07that leave
00:53:08from the great philosophy
00:53:10medieval
00:53:11the good
00:53:12it was defined
00:53:14above all
00:53:14as
00:53:15the fullness
00:53:18of the person
00:53:20it's an idea
00:53:21I would almost say
00:53:22circular
00:53:23symbolic
00:53:24that unites together
00:53:25all sizes
00:53:27the dimensions
00:53:28explicit
00:53:29exteriors
00:53:30immediate
00:53:31and the dimensions
00:53:31deeper
00:53:32well
00:53:33When does it begin
00:53:34to fail
00:53:35a part
00:53:36it is introduced
00:53:37a wound
00:53:38in this circle
00:53:40the circle is broken
00:53:41and it leaves
00:53:42an empty part
00:53:43very quietly
00:53:44to see
00:53:45what is evil
00:53:46evil
00:53:47it's at the end
00:53:48the lack
00:53:50of fullness
00:53:51and the lack
00:53:52Therefore
00:53:53if you want
00:53:54of that fullness
00:53:55absolute
00:53:56which is love
00:53:59after his arrest
00:54:01Sebai
00:54:02he always denied
00:54:03All
00:54:03he declared himself
00:54:06a persecuted person
00:54:07victim
00:54:08of a series
00:54:09of misunderstandings
00:54:10he claims
00:54:12his innocence
00:54:13in the barracks
00:54:15in the course
00:54:16of the interrogations
00:54:17with the carabinieri
00:54:18show
00:54:19a personality
00:54:20complex
00:54:21sometimes
00:54:23he has an attitude
00:54:24challenging
00:54:24other times
00:54:26gives in
00:54:27to despair
00:54:28Then
00:54:30one day
00:54:31bangs several times
00:54:33the head
00:54:34against a desk
00:54:36and attempts suicide
00:54:38twice
00:54:40in court
00:54:43will reject
00:54:44all the charges
00:54:44with obstinacy
00:54:46he denies everything
00:54:48always everything
00:54:59May 15th
00:55:001995
00:55:02Sebai
00:55:03attacks
00:55:04Luigina
00:55:05vigilant
00:55:06she is a woman
00:55:0770 years old
00:55:08it's the first time
00:55:10that attacks
00:55:11an elderly woman
00:55:12it is introduced
00:55:14in his house
00:55:15the stages
00:55:17the mouth
00:55:17hits her
00:55:19with two stab wounds
00:55:21one on the right hand
00:55:23one in the throat
00:55:26the woman reacts
00:55:28struggle
00:55:29screams
00:55:30he manages to put him to flight
00:55:33there is a form of split
00:55:35even mental
00:55:36in Sebai
00:55:37that is when he
00:55:38he sees the blood
00:55:39realizes that he has accomplished
00:55:41something
00:55:42of serious
00:55:43and there
00:55:44it's moved
00:55:46from necessity
00:55:47somehow
00:55:48panicked
00:55:49Certainly
00:55:51to avoid
00:55:52to stay there
00:55:52when they arrest him
00:55:55Sebai
00:55:56once again
00:55:58provides
00:55:59false personal information
00:56:00he says his name is
00:56:03Habib Safi
00:56:04and to have
00:56:0538 years old
00:56:06he is condemned
00:56:08at 4 months
00:56:09for injuries
00:56:11and port
00:56:12abusive
00:56:12of weapon
00:56:15about half
00:56:16of the assassins
00:56:16confess
00:56:17after the arrest
00:56:18while another
00:56:1920%
00:56:20provides
00:56:21some admissions
00:56:22but continue
00:56:22to deny
00:56:23the responsibility
00:56:24of the murder
00:56:25who is there
00:56:27to question
00:56:27a suspicion
00:56:28perpetrator of crimes
00:56:29similar
00:56:29should hold
00:56:31an approach
00:56:31calm and empathetic
00:56:32Despite
00:56:33the brutal nature
00:56:34of the murder
00:56:35and place
00:56:36attention
00:56:37on the appearance
00:56:37of economic gain
00:56:38avoiding
00:56:39at least the beginning
00:56:40to face
00:56:41the component
00:56:42sexual
00:56:42of the aggression
00:56:44which is not a thing
00:56:45of which the killer
00:56:45be proud
00:56:46rather considering
00:56:48of being the victim
00:56:49of an impulse
00:56:49which he did not know
00:56:50resist
00:56:57once
00:56:58it was rare
00:56:59that a court
00:57:00of Italian Assisi
00:57:01was found
00:57:02in front of
00:57:04to facts
00:57:05clerks
00:57:05from series
00:57:06killers
00:57:08seriality
00:57:09for example
00:57:10in the murders
00:57:11it was an event
00:57:13rarely
00:57:14occurred
00:57:15in our country
00:57:17subsequently
00:57:18here too
00:57:19seriality
00:57:21in the murders
00:57:22was
00:57:23an event
00:57:24which occurs
00:57:26with a certain
00:57:27frequency
00:57:31assize court
00:57:32from Foggia
00:57:33the lawyer
00:57:34defender
00:57:35of Sebai
00:57:35Maria Letizia Serra
00:57:37asks
00:57:39an expert opinion
00:57:39psychiatric
00:57:40but the judge
00:57:42does not agree
00:57:43the permission
00:57:45Sebai
00:57:46is recognized
00:57:47guilty
00:57:48for the murders
00:57:49by Lucia Nico
00:57:50Maria Totaro
00:57:52Maria Valente
00:57:53and Angela Sansone
00:57:57the sentence
00:57:58four life sentences
00:58:00but the legal affair
00:58:02it's far from closed
00:58:04before the arrest
00:58:07of Sebai
00:58:07had already been accused
00:58:10processed
00:58:11and condemned
00:58:12eight other people
00:58:14found guilty
00:58:17for the crimes
00:58:18some old ladies
00:58:21a few months
00:58:22after the conviction
00:58:23of the Tunisian
00:58:24Vincenzo Don Vito
00:58:26an inmate
00:58:28convicted
00:58:28for the murder
00:58:29of the lady
00:58:30Salesmen
00:58:31he commits suicide
00:58:34he hangs himself
00:58:36in his cell
00:58:37with a sheet
00:58:38it was always there
00:58:41declared
00:58:41innocent
00:58:42but at this point
00:58:44something happens
00:58:46unexpected
00:58:48a twist
00:58:51Sebai
00:58:51is found
00:58:52in a situation
00:58:53of intolerance
00:58:54of his suffering
00:58:56nocturnal
00:58:56the nightmares
00:58:57of blood
00:58:58and so on
00:58:59of term
00:59:00will have a situation
00:59:02psychiatric
00:59:02that explodes
00:59:04after death
00:59:05by Don Vito
00:59:06that he had known
00:59:07in prison
00:59:08and that he wanted
00:59:09already exonerate
00:59:09and had assured him
00:59:10that would have exonerated him
00:59:11not telling him how
00:59:13and he can't take it anymore
00:59:14and then
00:59:15it's at that moment
00:59:16that he
00:59:16call the judge
00:59:18on duty
00:59:19and confess everything
00:59:22February 10, 2006
00:59:244.20pm
00:59:26Public Prosecutor's Office
00:59:28of Milan
00:59:29Sebai
00:59:30confess
00:59:32decide
00:59:33to take on
00:59:35the faults
00:59:35of all the murders
00:59:38confess
00:59:38of having killed
00:59:40all the old women
00:59:41murdered in the area
00:59:43it must be said
00:59:45that if once
00:59:47the confession
00:59:49it was considered
00:59:49the queen of trials
00:59:51However
00:59:53in our time
00:59:54the confession
00:59:56it is an element
00:59:57probative itself
00:59:58that deserves
00:59:59a particular one
01:00:01circumstance
01:00:02in his assessment
01:00:05confess
01:00:06and tells
01:00:08every murder
01:00:09down to the smallest detail
01:00:11detail
01:00:13but what is it?
01:00:14the meaning
01:00:15of this confession
01:00:17a repentance
01:00:18a repentance
01:00:20or the killer
01:00:23Now
01:00:23he has nothing left
01:00:24to lose
01:00:25he is a mythomaniac
01:00:27or he's telling the truth
01:00:32I asked
01:00:33to speak
01:00:33as
01:00:34it is my intention
01:00:35to put
01:00:35my responsibilities
01:00:36in order
01:00:37to 15 murders
01:00:39I specify that
01:00:40for 4 murders
01:00:41I am already
01:00:42been convicted
01:00:43in each case
01:00:44to the penalty
01:00:44of life imprisonment
01:00:45but in reality
01:00:47I am responsible
01:00:48of others too
01:00:4911 murders
01:00:51for some
01:00:52of these murders
01:00:53I know they have been
01:00:54condemned
01:00:55innocent people
01:00:56and then
01:00:57I want to break free
01:00:57the conscience
01:00:58from this weight
01:01:00and I ask
01:01:01to be able to release
01:01:02spontaneous declarations
01:01:03even without
01:01:04the presence
01:01:05of a defender
01:01:07I had a defender
01:01:08in Taranto
01:01:09the lawyer
01:01:10Maria Letizia Serra
01:01:11but at this moment
01:01:13I intend to avail myself
01:01:14of a defender
01:01:15ex officio
01:01:16and I want it right away
01:01:17make statements
01:01:18I have always acted
01:01:20in a state of drunkenness
01:01:22against older women
01:01:24I have a huge weight
01:01:26on the conscience
01:01:27it's all your fault
01:01:29of my vice
01:01:29of alcoholism
01:01:30this vice
01:01:32he took me
01:01:33literally
01:01:33to lose one's head
01:01:35and to search
01:01:36to commit robberies
01:01:37to the elderly ladies
01:01:38who lived alone
01:01:40the same thing
01:01:42what I was doing
01:01:43as a young man
01:01:43in my country
01:01:44Where
01:01:45moreover
01:01:47I was also arrested
01:01:49on several occasions
01:01:50but there
01:01:52never killed
01:01:52no woman
01:01:53I got drunk
01:01:55drinking everything
01:01:56including spirits
01:01:59it practically happened
01:02:01everyday
01:02:03sometimes though
01:02:04I decided to rob
01:02:06women
01:02:07with a knife
01:02:08I made a number
01:02:10unspecified
01:02:11of robberies
01:02:11about
01:02:121200
01:02:13since 1993
01:02:15to 1997
01:02:19sometimes
01:02:20I also did some
01:02:214
01:02:22or 5
01:02:23per day
01:02:24if women
01:02:25they reacted
01:02:26or they were starting
01:02:27to shout
01:02:28I killed them
01:02:31I always have
01:02:32acted alone
01:02:35in some cases
01:02:37I succeeded
01:02:37to subtract
01:02:38money
01:02:38or jewels
01:02:41he is aware
01:02:42of that
01:02:43what he did
01:02:44in the going
01:02:46what he did
01:02:47he's still coming back
01:02:48in a situation
01:02:49of automatism
01:02:50which denotes
01:02:50his situation
01:02:51of non-healing
01:02:52from what it is
01:02:53his psychiatric illness
01:02:55it's true that
01:02:56during the interrogation
01:02:57in Taranto
01:02:58at a certain point
01:02:59the public prosecutor
01:03:00he is forced
01:03:01to stop him
01:03:02and says
01:03:02they are women
01:03:03they are not goats
01:03:05February 10th
01:03:062006
01:03:07Sebai
01:03:08declares
01:03:09to the public prosecutor
01:03:10nobles of Milan
01:03:11of having to free oneself
01:03:13the conscience
01:03:14from an atrocious weight
01:03:15after the conviction
01:03:18of many people
01:03:19innocent
01:03:20further declares
01:03:22that the lawyer Serra
01:03:24his defender
01:03:25prevented him
01:03:26to confess
01:03:30tried
01:03:31for four crimes
01:03:32at a distance
01:03:33of years
01:03:33suddenly
01:03:34Sebai
01:03:35confess
01:03:35of having killed
01:03:36several times
01:03:36murders
01:03:37for which
01:03:38in prison
01:03:39they ended up there
01:03:40other people
01:03:40innocent people
01:03:42one of them
01:03:44he couldn't take it
01:03:44and he took off
01:03:45life
01:03:46but before being
01:03:47certain that history
01:03:48of Sebai
01:03:49let it also be history
01:03:50of a series
01:03:50incredible
01:03:51of judicial errors
01:03:52you have to go there
01:03:53cauti
01:03:54a hypothesis is valid
01:03:55the other
01:03:56if not supported
01:03:57from feedback
01:03:58investigative
01:03:58extremely rigorous
01:04:00because it's right
01:04:01recognize
01:04:01innocence
01:04:02and compensate
01:04:03who paid
01:04:03through no fault of his own
01:04:04but also
01:04:05don't take risks
01:04:06to put back
01:04:06a guilty person
01:04:07at liberty
01:04:14miscarriage of justice
01:04:16or mythomania
01:04:17This
01:04:19the question
01:04:20to be dissolved
01:04:21the investigations
01:04:23they are reopened
01:04:24Sebai
01:04:26he is accused
01:04:27for the murder
01:04:28by Madonna Celeste
01:04:29and after nine months
01:04:31even for four
01:04:33murders
01:04:33attributed
01:04:35to other people
01:04:36for the alleged
01:04:38innocent
01:04:38is asked
01:04:39the review
01:04:40of the processes
01:04:41but the prosecution
01:04:43from Taranto
01:04:43it splits
01:04:45in two
01:04:45someone
01:04:47think that
01:04:48Sebai
01:04:48is guilty
01:04:50others
01:04:51that it is
01:04:52a mythomaniac
01:04:53the process
01:04:55started
01:04:57in 2008
01:04:57it's still
01:04:59in progress
01:05:01February 13th
01:05:022009
01:05:03Sebai
01:05:05he is sentenced
01:05:06to another
01:05:07life imprisonment
01:05:08for the murder
01:05:10of Rosa
01:05:11Lapiscopy
01:05:13Today
01:05:13only one
01:05:15of the seven
01:05:15alleged
01:05:16innocent
01:05:17enjoys
01:05:18of the regime
01:05:18of semi-liberty
01:05:19two
01:05:21I'm still
01:05:22inmates
01:05:23the others
01:05:24four
01:05:25they already have
01:05:26discounted
01:05:27the penalty
01:05:29the judges
01:05:31that in courts
01:05:32several have it
01:05:32tried
01:05:33and condemned
01:05:34they thought
01:05:35that for Sebai
01:05:36if it wasn't there
01:05:37need
01:05:37of an expert opinion
01:05:38psychiatric
01:05:39that his words
01:05:40his actions
01:05:41the behavior
01:05:42held during
01:05:43the interrogations
01:05:44and then in the classroom
01:05:45did not bring
01:05:46to make you think
01:05:47to madness
01:05:48for his lawyer
01:05:50things
01:05:50they are not like that
01:05:51because of this
01:05:52in December
01:05:53of 2006
01:05:53he appointed
01:05:55two experts
01:05:55that they visited
01:05:56Sebai
01:05:57and be
01:05:58their opinion
01:05:59on the case
01:05:59a psychiatrist
01:06:00and a psychologist
01:06:07the lawyer
01:06:09of Sebai
01:06:09play
01:06:10the paper
01:06:11of madness
01:06:12send
01:06:13one of his consultants
01:06:14to interview him
01:06:17when he speaks
01:06:18with him
01:06:18Sebai
01:06:20he does it
01:06:20with ways
01:06:21calm
01:06:21with tone
01:06:23resigned
01:06:23he doesn't smile
01:06:25never
01:06:25Alone
01:06:27some grimaces
01:06:29demonstrates
01:06:30from now on
01:06:30a fragility
01:06:32inner
01:06:33deep
01:06:34and structured
01:06:35lives
01:06:37a condition
01:06:38of anguish
01:06:39generalized
01:06:40try
01:06:42to mask it
01:06:43in all ways
01:06:44he doesn't want to
01:06:45to appear fragile
01:06:47the psychiatrist
01:06:49thinks
01:06:50to a disorder
01:06:51of development
01:06:51with presence
01:06:53of autistic traits
01:06:54and disorders
01:06:55of behavior
01:06:56In the village
01:06:58they called me
01:06:59Charar Otto
01:07:00the rebel
01:07:03I have always been
01:07:04a loner
01:07:05I liked it
01:07:07to wander
01:07:08especially
01:07:09at night
01:07:10sometimes
01:07:11I was violent
01:07:12on animals
01:07:13on donkeys
01:07:15I kicked them
01:07:18I was
01:07:19if I may say so
01:07:21the boy
01:07:23bad
01:07:23of the country
01:07:24I was doing
01:07:25spite
01:07:25around
01:07:26at night
01:07:27I untied the cows
01:07:29and other animals
01:07:30tied
01:07:30I was throwing stones
01:07:32inside the houses
01:07:33I was always drinking
01:07:35I was getting it
01:07:37alcohol
01:07:38Sebai
01:07:39he says he feels
01:07:41of the voices
01:07:42of having heard them
01:07:44for the first time
01:07:46at the age of 14
01:07:48in Tunisia
01:07:50he says he feels
01:07:52the voices
01:07:53when he is drunk
01:07:56these voices
01:07:57in his opinion
01:07:58they distress him
01:08:00they make him feel bad
01:08:03for drinking
01:08:04I was 8 years old
01:08:06a relative of mine
01:08:08he made me drink
01:08:09of wine
01:08:10from a bottle
01:08:11from there I always have
01:08:12continued drinking alcohol
01:08:13mixed with Pepsi Cola
01:08:15why the bottle
01:08:17it was very expensive
01:08:19sometimes
01:08:20after drinking a lot
01:08:22I felt like
01:08:24a person's voice
01:08:25young
01:08:25who spoke to me
01:08:27in the left ear
01:08:28then I heard the voice
01:08:30of an adult man
01:08:30and of a woman
01:08:32that spoke to me
01:08:33in the right ear
01:08:36the voices told me
01:08:38to go
01:08:38by single women
01:08:40stay a while
01:08:41with them
01:08:42things to eat
01:08:45I wanted to hear
01:08:46from them
01:08:46a good word
01:08:49but these people
01:08:51they understood
01:08:51that I was stronger
01:08:52of them
01:08:53I entered their homes
01:08:55with stones
01:08:56or with a knife
01:08:58if they treated me well
01:09:00I accepted them
01:09:01if they attacked me
01:09:03I started hitting them
01:09:07I ended up coming
01:09:08taken to the police
01:09:11there
01:09:11I was beaten up
01:09:14he was my father
01:09:15who insisted
01:09:16to get me beaten
01:09:17in blood
01:09:19the voices
01:09:20who says he feels
01:09:21there are three
01:09:23the first
01:09:24belongs
01:09:25to an adult man
01:09:27Perhaps
01:09:28the imam of the country
01:09:29the second
01:09:31he is a man
01:09:31younger
01:09:32not well identified
01:09:34but always
01:09:35Tunisian
01:09:37the third
01:09:38it's the voice
01:09:39of a woman
01:09:39one of those women
01:09:41who beat him
01:09:43when he was little
01:09:46my mother
01:09:47it struck me
01:09:47with slippers
01:09:48and he put me
01:09:50of tobacco
01:09:50in powder
01:09:51in the eyes
01:09:52to punish me
01:09:54other women too
01:09:56of the country
01:09:56they helped my mother
01:09:57to do this
01:09:58sometimes chili pepper
01:10:00they put it on me
01:10:01in the anus
01:10:01to punish me
01:10:04my grandmother
01:10:05she helped other women
01:10:06to beat me
01:10:08my mother
01:10:09and her friends
01:10:09they beat me
01:10:12at eleven years old
01:10:14I started
01:10:15to beat
01:10:16my mother
01:10:16And
01:10:17growing up
01:10:20I was becoming
01:10:21ever stronger
01:10:22her
01:10:23all my brothers
01:10:25they were afraid
01:10:26about me
01:10:26he was
01:10:28the outcast
01:10:30Why
01:10:30since he was little
01:10:32he was a child
01:10:33which he had demonstrated
01:10:35a modality
01:10:36oppositional
01:10:37towards
01:10:38of the orders
01:10:39of adults
01:10:40and above all
01:10:41of his father
01:10:42that is, from the very beginning
01:10:43he was
01:10:45a child
01:10:45disobedient
01:10:46he didn't have
01:10:47accepted
01:10:48both the authority
01:10:50paternal
01:10:51That
01:10:52somehow
01:10:53the mode
01:10:54with which
01:10:55this
01:10:55authority
01:10:57was exercised
01:10:58that is, violence
01:11:00Now
01:11:01in prison
01:11:02sebai
01:11:04he can't hear anymore
01:11:05the voices
01:11:06the Tunisian
01:11:07he stopped drinking
01:11:09the serial killer
01:11:11he stopped
01:11:12to kill
01:11:14kill women
01:11:15elderly
01:11:16dressed in black
01:11:17women
01:11:19that remind him
01:11:20his childhood
01:11:23sebai
01:11:24Perhaps
01:11:24he killed
01:11:25to drive away
01:11:26the anguish
01:11:27that subjugated him
01:11:28when there is
01:11:30the murder
01:11:30we lost
01:11:32we can also
01:11:34stop
01:11:35we can also
01:11:36to have condemned
01:11:37to 10 life sentences
01:11:3815 life sentences
01:11:39and things
01:11:40but
01:11:40the defeat
01:11:41there is
01:11:42Why
01:11:43a person
01:11:44she was killed
01:11:45Therefore
01:11:45the fact
01:11:46to remove
01:11:47from circulation
01:11:48or the author
01:11:50of facts
01:11:50so brutal
01:11:51it brings satisfaction
01:11:53professional
01:11:55only
01:11:55professional
01:11:56but not personal
01:11:58it is read
01:12:01in consultancy
01:12:02biased
01:12:02Mr.
01:12:04sebai
01:12:04Ezzedin
01:12:05Ben Mohamed
01:12:06presents
01:12:08a sufficient one
01:12:09consistency
01:12:09in the story
01:12:11which corroborates
01:12:11the hypothesis
01:12:12of personality
01:12:13slice
01:12:14from psychosis
01:12:15alcoholic
01:12:16grafted
01:12:17on a personality
01:12:18disturbed
01:12:19the appraiser
01:12:21he is a victim
01:12:23of automatisms
01:12:23mental
01:12:24that on the basis
01:12:25of a scene
01:12:26ghostly
01:12:27they brought it
01:12:29to commit murders
01:12:30with a precise
01:12:32and coercive
01:12:33serial mode
01:12:36in consultancy
01:12:37there are written
01:12:38interesting things
01:12:39first of all
01:12:40that you saw
01:12:41it was decided
01:12:41to confess
01:12:42all the crimes
01:12:43even for fear
01:12:44to suffer
01:12:45the reactions
01:12:45of the other inmates
01:12:46then the specials
01:12:48they rebuilt
01:12:49his story
01:12:50the mistreatments
01:12:52the violence
01:12:53suffered by the father
01:12:53from mom
01:12:54from the mother
01:12:55and from all women
01:12:56of the village
01:12:57at least until
01:12:58he hadn't grown up
01:12:59then the alcohol
01:13:00the excesses
01:13:01started
01:13:02which was still
01:13:02a child
01:13:04drunk
01:13:05had started
01:13:05to hear the voices
01:13:06at the age of 14
01:13:09three voices
01:13:10who spoke to him
01:13:10inside the head
01:13:11one belonged
01:13:12to the imam
01:13:13a second
01:13:14to a man
01:13:14younger
01:13:15and the third
01:13:16it was that
01:13:16of a woman
01:13:17one of those
01:13:18who beat him
01:13:19as a child
01:13:20it just happened
01:13:21when he exaggerated
01:13:22with alcohol
01:13:22and once
01:13:23ended up in prison
01:13:24sebai
01:13:25the voices
01:13:25he never heard from them again
01:13:30he is looking for
01:13:32to find
01:13:33a redemption
01:13:33according to his
01:13:35revision
01:13:35through his
01:13:36prayer
01:13:37through
01:13:37observance
01:13:38of the Koran
01:13:38we are talking
01:13:40still
01:13:41of an action
01:13:41and he
01:13:43had
01:13:43from me
01:13:44the maximum
01:13:44respect
01:13:44for his
01:13:45religion
01:13:46also the support
01:13:48to bring them
01:13:49those who are
01:13:49his instruments
01:13:50of prayer
01:13:51in prison
01:13:52because he
01:13:52may have
01:13:53a medium
01:13:54of support
01:13:56Ezzedin
01:13:56Ben Mohammed
01:13:57Sebai
01:13:58it's armored
01:13:59in a small one
01:14:00cell
01:14:01together with
01:14:02a compatriot
01:14:04his
01:14:05lawyer
01:14:05defender
01:14:06convinced
01:14:07of madness
01:14:08of the Tunisian
01:14:08keep asking
01:14:10an expert opinion
01:14:11psychiatric
01:14:12that opens for him
01:14:13the doors
01:14:13of a mental asylum
01:14:14criminal
01:14:15and not
01:14:16of a prison
01:14:17common
01:14:17wants
01:14:19that his
01:14:20assisted
01:14:21be taken care of
01:14:23in prison
01:14:24Sebai
01:14:25has become
01:14:26a Muslim
01:14:27convinced
01:14:27please
01:14:29five times
01:14:30per day
01:14:31kneeling
01:14:32towards Mecca
01:14:33every morning
01:14:35he gets up
01:14:35at four o'clock
01:14:36for the first
01:14:37prayer
01:14:38Then
01:14:39system
01:14:40his
01:14:41camp bed
01:14:41and prepare
01:14:43tea
01:14:44in the afternoon
01:14:45study
01:14:46for the exam
01:14:47as an expert
01:14:47electrician
01:14:49he is an inmate
01:14:51model
01:14:53He was coming in
01:14:54in the houses
01:14:55drunk
01:14:55the voices
01:14:56that the
01:14:56they resounded
01:14:57in the head
01:14:58women
01:14:59they were dressed
01:14:59in black
01:15:00like those
01:15:00that they had it
01:15:01beaten
01:15:01When
01:15:03scared
01:15:03they were starting
01:15:04to shout
01:15:04he felt
01:15:06rejected
01:15:06and then
01:15:07he was shooting
01:15:07a Syrian
01:15:09who has crossed
01:15:09the border
01:15:10and exceeded
01:15:11the limit
01:15:13This
01:15:14homocide
01:15:15it happened
01:15:15that has passed
01:15:16the night
01:15:17there
01:15:17I was drinking
01:15:18from two
01:15:19three days
01:15:20when it started
01:15:21to shout
01:15:21I took it
01:15:22and the pushed
01:15:24inside the room
01:15:25to be read
01:15:26and immediately
01:15:27it fell
01:15:27To the right
01:15:27After
01:15:28I
01:15:30I continued them
01:15:31to shout
01:15:31then I took it off
01:15:32the knife
01:15:33and I have
01:15:34used
01:15:34the knife
01:15:37Then
01:15:37right away
01:15:38started
01:15:39as
01:15:39I did
01:15:40like many other times
01:15:42to open
01:15:44open
01:15:44open
01:15:44open
01:15:45open
01:15:45throw away
01:15:46I didn't take it
01:15:47Nothing
01:15:48with nothing
01:15:49it seems to me
01:15:50era
01:15:51visible
01:15:52I answered
01:15:54to all the murders
01:15:55I'm ready
01:15:56to answer
01:15:57to any
01:15:57again
01:15:58any murder
01:15:59and tell
01:16:02All
01:16:02Enough
01:16:03what do you give me?
01:16:03the weather
01:16:04I'm with the bevolo here
01:16:05here
01:16:05here
01:16:06here
01:16:06here
01:16:06here
01:16:06here
01:16:07and everyone
01:16:08those
01:16:08inmates
01:16:09that I am
01:16:09if they are in the car
01:16:10they are all
01:16:11innocent
01:17:01which are found in car
01:17:04Thank you all.
Commenti