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مسلسل The Blacklist مترجم - Episode 10
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00:00You open the box.
00:02Utendidas!
00:15Yes!
00:22North Arlington Furniture Warehouse, can I help you?
00:27Hatchling 5591
00:34Stay on your knees.
00:41I got the signal out, but I need a dispatch code.
00:45I need a dispatch code.
00:50Cavalry's on their way.
00:52You're about to get your ass kicked off the planet, pal.
00:54Wanna bet I can drop you before you can get one shot off that pistol?
00:58Well, I'm gonna kill him now, aren't I, Red?
01:01Open the box!
01:09I'm gonna kill you.
01:15Let's go!
01:20Stop.
01:24Whoa, I killed him.
01:27We need to move now.
01:30I'm wrong.
01:31Listen to me.
01:32We need to move now.
01:36Hold it.
01:53Well, who made this bit?
01:55Someone you know, Red?
02:03Please?
02:05Oh, shit.
02:11Wrestler!
02:17Ah, son of a bitch!
02:19Look at me.
02:19I need you to focus, Donald.
02:21I need the code to open the box.
02:24Tell me the code now.
02:29Do not give him the code, Agent Wrestler.
02:32That's an order.
02:41Oh, come on!
02:43Telecom has been restored.
02:44They have an open signal out.
02:46In about five minutes, an FBI assault will retake the building.
02:50Get out now, you might survive.
02:55Lizzie, hey, what's going on?
02:56Lizzie isn't available right now.
02:58May I ask who's calling?
03:00Liz, her husband.
03:01Who the hell is this?
03:02I'm the guy that's gonna put a bullet in your wife's head.
03:05Hi.
03:07Who is this?
03:08I'm putting my wife on the phone.
03:09It's for you.
03:10Tom!
03:11Lizzie, you okay? What's going on?
03:12Tom, listen to me!
03:13Call the FBI!
03:14No!
03:24What are you gonna do?
03:25You're gonna kill me?
03:26You just saved my life.
03:27Circumstances have changed, Donald.
03:29If you can't save her, you're of no use whatsoever.
03:32Look at me.
03:33Look at me!
03:34Agent King will die.
03:35Now is your time.
03:40Romeo.
03:41The ex was coded as Romeo.
03:45R-O-M-E-O.
03:47Romeo.
04:21Angelou, what are you doing here?
04:57Let them go, Anslow.
04:58Are you pleading for the lives of the feds?
05:01There's enough blood on the floor.
05:03It's time to get the hell out of here.
05:04Oh, I know what time it is.
05:06You watch out for old Red here.
05:08You may not look like much,
05:10but I once saw him kill a Somali with a wire hanger.
05:13Simpler days, Anslow.
05:16Simpler days, right.
05:20Bring her.
05:20She doesn't do anything for you, Anslow.
05:23She's dead weight.
05:24I look like I care what you say, Red.
05:27I'm tired.
05:28Can I?
05:29I'm tired.
06:00Everyone get down, now.
06:07Coward.
06:09Knees.
06:30Secure the area and contact headquarters.
06:33Don't move.
06:34I'm getting help.
06:34I'm going to get you out of here.
06:35I need a phone.
06:44I have to admit, Red, I was starting to think you'd never come out of the box.
06:49Then, uh, she was unexpected.
06:53Old boy's still got the touch.
06:55Does he?
06:56Well, whatever blows up your skirt.
07:07Hold on tight.
07:13Red?
07:20Reached in full.
07:22Identify yourself.
07:23I'm assistant director, Harold Cooper.
07:25Help these people get to the Washington Hospital Center's Trauma Union.
07:28Alright, you're looking up right now.
08:1890 seconds to the drop. I need that chip.
08:35The Emissary Hotel in Chicago, Mr. Kaplan.
09:04The Emissary Hotel in Chicago, Mr. Kaplan.
09:27Hello? Aram?
09:29Agent Keene, are you okay? Sir, are you with Mr. Reddington?
09:32I'm in pursuit, but I've lost visual. I've headed west of Constitution.
09:36Do you have a location they're trying to pull as chips?
09:40Hurry the hell up!
09:42First of the drop point, 30 seconds!
09:44I'm flying!
09:45Just get out of sight here, come on!
09:49Aram, where are they?
09:50Okay, six blocks west, turn right at the intersection.
09:53Turn right, right here, right here!
09:5615 seconds, two blocks!
10:03Give me that damn chip!
10:15Okay, you're close. He just turned south on 7th.
10:23Okay, the signal has stopped moving.
10:25He's right there. He's in the street.
10:44Yo, this is the right location.
10:49Bad, we've got nothing.
10:54Agent Keene, did you find him?
10:56No, he's gone.
10:59We lost Reddington.
11:01We lost Reddington.
11:25Oh, this shall be fun.
11:33How did this happen?
11:35Enzo Garak was a known associate of Reddington's.
11:38He came in with a tactical assault team.
11:40He knew the floor plan.
11:40Then I have no choice.
11:42This task force is decommissioned.
11:44Diane.
11:44Do you understand what has happened, Harold?
11:47You obviously have a mole.
11:48We have to find Reddington.
11:50The only thing that matters right now
11:52is how quickly we contain this.
11:54This did not happen.
11:55Reddington is and always has been
11:57a fugitive at large.
12:08Aron, wait.
12:10You can't...
12:11We're done.
12:12I'm done.
12:12Listen to me.
12:13Red's alive.
12:14Liz, this is out of my hands.
12:18Okay.
12:20Assuming I could help.
12:23What would you need?
12:24Closed circuit feeds from a block around the building
12:26from when Reddington came in, going back an hour.
12:30I'm supposed to hand off the security feeds
12:31to the new team of investigators.
12:34I suppose they could make us a copy.
12:38How do you think Ressler's done?
12:40He's in surgery.
12:43They're hoping they can save his leg.
12:49Aron, we gotta keep this between us.
12:52We don't know who we can trust.
12:55Yeah.
13:09Emissary Hotel, may I direct your call?
13:11Yes, hi.
13:13Uh, Mr. Kaplan, please?
13:15He's not available.
13:16Can you be reached this number?
13:18This?
13:20Uh, yes.
13:21I suppose.
13:23Goodbye.
13:26The girl.
13:29The agent.
13:32I want to know who she is.
13:35You came out of the box for her.
13:39Traded your life for hers.
13:42Red Reddington placing somebody else's life
13:45ahead of his own.
13:47What makes her so special?
13:54I learned so much.
13:56Watching you, Red.
13:59You taught me.
14:01Gave me a taste of the good life.
14:03But that's all I was allowed.
14:05A taste.
14:08You're greedy, Em's, though.
14:13And behind my back,
14:14made deals you knew I wouldn't approve.
14:19What did you expect?
14:28I suppose I expected something better
14:31than a bullet in the face, Red.
14:44You okay?
14:45Yeah, I mean...
14:46I didn't know what was happening.
14:47I, uh...
14:47I know.
14:48Who...
14:49Who was that man on the phone?
14:50It's nothing.
14:51What happened to your face?
14:53I'm okay.
14:56David, you need to stop.
14:58You need to stop.
14:59You need to walk away from this job
15:01before it destroys you.
15:04Don't.
15:04Listen to me.
15:06Don't answer it, all right?
15:07Look at me.
15:07We can go.
15:10Go?
15:10Anywhere.
15:11Nebraska?
15:12We talked about moving there someday
15:13at your dad's funeral.
15:15Someday.
15:21I got caught up in the middle of something.
15:30I have to take this.
15:37Aram, what do you have for me?
15:39I sent you the files.
15:40Our cameras cover five blocks
15:42around the office in every direction.
15:43Okay, I'll excuse him right now.
15:45Don't bother.
15:46Red wasn't followed.
15:47He came in at 5.15.
15:48No tail cars, no eyes on the street.
15:51Damn it.
15:53How did Garrick know he was in the post office?
15:55My question exactly.
15:57So, I started thinking.
16:00What if somebody inside
16:02already tipped him off?
16:03You found them all.
16:04No, but I think I have a lead.
16:06We routinely collect all cellular transmission
16:08from inside and directly around this facility.
16:10So much data.
16:11I had to play around
16:12with various mathematical structures,
16:14knots, multivariate polynomials.
16:16Aram, the lead.
16:17Right.
16:18I found a pattern in the transmissions.
16:20A series of calls made from a burner cell.
16:22Each call was placed just seconds
16:24after Reddington arrived at the post office.
16:26All from the same burner?
16:28No, all from different burners.
16:29But all the calls were to the same number.
16:31I vectored the address
16:33to a private residence a few miles from here.
16:35The address is 8123 12th Street.
16:37What?
16:52I'll call you right back.
17:00As with everything involving you,
17:02things are more complicated
17:03than they may appear.
17:05If I could,
17:06I'd end this right now.
17:09Give you the horrifying death
17:11that you so deserve.
17:17You'll do it.
17:19When it's time.
17:21You see, sadly,
17:23this isn't my surprise party.
17:25I am merely the hired help.
17:27My job was to get you
17:29to the venue.
17:32And while I would pay a high price
17:34to silence you forever,
17:36others have paid much more
17:38for the chance to hear
17:40what you have to say.
17:43Please.
17:47Anesthesia blocks the impulses
17:50to the brain
17:50so one doesn't feel
17:52the sensation of pain.
17:54The drug that the kind doctor
17:56is giving you
17:56is the opposite.
17:59It enhances the impulses
18:01received by the brain.
18:03When he's finished,
18:05the feeling of a breeze
18:06wafting against your skin
18:08will be enough
18:09to make you beg me
18:11to kill you.
18:13I don't know.
18:13I don't know.
18:17I don't know.
18:18I don't know.
18:25I don't know.
18:28I don't know.
18:31I don't know.
18:31I don't know.
18:32I don't know.
18:33I don't know.
18:33I don't know.
18:35I don't know.
18:36I don't know.
18:37I don't know.
18:39I don't know.
18:39I don't know.
18:39I don't know.
18:40I don't know.
18:41I don't know.
18:41I don't know.
18:41I don't know.
18:41I don't know.
18:42I don't know.
20:18Cooper?
20:19Agent Kane?
20:21Agent Kane, are you there?
20:33Mr. Kaplan?
20:34Mr. Kaplan?
20:49Red.
20:52You?
20:54You?
20:55You're Mr. Kaplan?
21:02Who else knows your hair?
21:03Nobody.
21:04Have you found anyone?
21:06No.
21:07Who is he?
21:08I don't know.
21:08Every time Reddington came to the post office, a call was made to this address.
21:11I assumed to him.
21:12He's been watching.
21:13When he got word that Red was at the post office, he must have called Garrett to trigger the hit.
21:17I'll handle the body.
21:18Handle?
21:19We need the bullets.
21:20We can't have ballistics traced to your weapon.
21:22Okay, wait.
21:22I can't do this.
21:23I'm a federal agent.
21:24I have two directives.
21:26To protect you and find my employer.
21:28I intend to do both.
21:30My team will be here soon.
21:33Find his car.
21:39210 over 145.
21:50103.7.
21:52Increase the dosage.
21:54We're already 12 cc's over the max.
21:58Then why isn't it working?
22:02He's resisting somehow.
22:03I couldn't stick him again, but if his heart goes into VFIP, we could lose him.
22:22Stick him again.
22:23It's like I'm sorry.
22:49I don't know.
23:21I ran his face against the database.
23:22What database?
23:24No matches.
23:26Cars registered to Borderland Cargo, Shell Corp with a dummy address.
23:30What about the GPS data?
23:31If he worked for the man holding red, then maybe he's been there before.
23:42You have six addresses.
23:44Five are centrally located.
23:46A motel, a church, two gas stations, and a restaurant in Alexandria.
23:50But this?
23:52This is something.
23:53Why?
23:54It's an industrial neighborhood.
23:56Remote.
23:57The kind of place I'd find for Mr. Reddington if I didn't want him to be found.
24:01Time for a road trip.
24:20Armed lookouts.
24:22What are you doing?
24:24Calling it in.
24:24We need backup.
24:30Stay in the car.
24:32My orders are to keep you safe.
24:45Get out.
25:01Come out.
25:09I think we're ready here.
25:11About bloody time.
25:41We've got company.
26:13Where the hell is this place?
26:24He's not here.
26:47How are we?
26:49He's ready for you, sir.
27:00Hello, Ray.
27:03It's been, what, 20 years?
27:18Tell me, Agent Keene, which part of Stand Down was unclear to you?
27:21This wasn't my operation.
27:23Fowler may have shut us down, but did you really think Reddington's people weren't gonna try to find him themselves?
27:27They did this without your involvement.
27:28The only reason you're standing here is because they trust me enough to involve me.
27:34Enlighten me.
27:35What is all this?
27:38Some kind of operations outpost three miles from the post office.
27:42Seems to be manned by the same people who infiltrated our facility and kidnapped Reddington.
27:46That doesn't concern you.
27:48I lost a dozen people today, Keene.
27:51That isn't on you.
27:52It's on me.
27:52No one wants the men who did this more than I do.
27:54But riding shotgun on an unsanctioned massacre isn't the way to get it done.
27:59Excuse me, Director Cooper?
28:01What is it?
28:03There's something you need to see.
28:18I thought I was clear.
28:20This task force is done.
28:22I think you'll reconsider.
28:24Why in God's name would I do that?
28:26Because this isn't just about Reddington anymore.
28:28Agent Keene located a surveillance outpost a few miles from here.
28:31Next-gen tech.
28:32Better than anything we have in the field.
28:34Surveillance on what?
28:35Us.
28:35They've been watching this task force for months.
28:38Phone taps, communications logs.
28:40We're not sure to what extent.
28:41We were able to recover very little.
28:43The equipment and data were rigged to self-destruct.
28:45I don't understand.
28:46How is this even possible?
28:48Something else you should know.
28:55They've been watching U2.
29:07All right, it's enough. Let him down.
29:09Come on, get him a chair.
29:27I don't understand, Ray.
29:29None of this had to happen.
29:31I thought we had an arrangement.
29:35We do?
29:36I don't know.
29:38The people I represent, they're...
29:42They're nervous.
29:44We don't know what to think.
29:50We could have killed you.
29:52I don't mean today. I mean any day.
29:54I mean every day for the past two decades.
29:59But we don't.
30:01We know what you have, Ray.
30:04And we know what'll happen to it if you turn up dead.
30:08So we do nothing.
30:10We let you live.
30:12And in exchange, we trust that our secret remains secret.
30:19Everything's changed.
30:20Oh, no, I'd say everything's changed.
30:23Everything changed the minute you've surrendered to the FBI.
30:27Did you think we wouldn't know?
30:29Maybe you wanted to change our arrangement.
30:31Maybe you thought you could turn yourself in,
30:33and find some new friends that protect you.
30:36Maybe you plan to expose us.
30:37No.
30:48What have you told, Ray?
30:52Nothing.
30:53Then what the hell are you doing here?
30:55My reasons have nothing to do with you.
31:06Well, I hope so.
31:08I really do.
31:09Because I've always liked you, Ray.
31:12You were a pain in my neck, but...
31:15I like you.
31:24Just know this.
31:26You were walking in the park this morning.
31:28We could've taken you then.
31:30Instead, we dragged you from the safety and security of the bed you're now sharing with new friends.
31:36Why would we do a thing like that?
31:41To make it abundantly clear.
31:45There's nowhere you can go.
31:49There's no one you can trust to keep you from us.
32:07You were there.
32:08When Reddington's people took the building.
32:11How many people were killed?
32:12At least six.
32:14It was an outpost.
32:16Professionals.
32:17These people were highly trained.
32:19Like Garrick.
32:21What's all this?
32:23Waste of time.
32:24By Cooper's directive, I reached out to a few of our colleagues at the agency.
32:28Informed them of our situation and offered to contact my counterparts at the other black sites to share intel.
32:34All these names are redacted.
32:35So much for interagency cooperation.
32:41You really think that Garrick has someone on the inside?
32:45It's possible.
32:46The only one beyond suspicion is Ressler unless he used Garrick to shoot him in the leg to cover his
32:52tracks.
32:52Is he still in surgery?
32:54Four hours and counting.
33:03Hollins Ferry Road.
33:04I know that address.
33:06It says DCM. What does that mean?
33:08Decommissioned.
33:09Here I am trying to help and the only names that aren't blacked out are sites that are no longer
33:14in use.
33:16Is that a church?
33:17That's the cover story.
33:19I'm gonna need satellite access to this address.
33:22Why?
33:22Because I think this might be where they're holding Reddington.
33:27Is this in Franklin Square?
33:29Yeah, why?
33:30The ambulance that was used to abduct Reddington, they found burning in a garage a quarter mile from there.
33:38I think we found Reddington.
33:40Where?
33:41A church in Baltimore. A decommissioned black site.
33:44A black site? You think that's where they're holding Reddington?
33:46It makes sense. It's the last place we would think of.
33:48And if he knew about this site, he'd know about others.
33:50What about it, Diane? I need an answer. Are we shut down or not?
34:04You should go, sir. I'll take care of Reddington.
34:07No.
34:09We had a deal. I delivered him for interrogation. I took that risk because you promised...
34:15I know we promised.
34:18What I don't know is whether he's telling the truth.
34:20If you kill him, it could trigger whatever he has in place.
34:23With all due respect, sir, that's not my problem.
34:28Excuse me?
34:29Lost a lot of men today.
34:31Couple of good ones.
34:33You had your talk.
34:36Now it's my turn.
34:47Just you and me again, Red.
34:50Just like the old days.
34:51I'll give it a rest.
34:53We both know Fitzroy once you finish it.
34:55That's as may be.
34:57Do you know what I can do, though, Red?
35:00I can find Lizzie.
35:02I can hurt her.
35:03I can make her suffer.
35:06And when I'm finished, I can kill her.
35:11Sometimes you just have to take what you can in this crazy world.
35:15Guess who taught me that, Red?
35:18You did.
35:22What?
35:24No smart quips.
35:26No?
35:31You're not actually feeling something, are you, Red?
35:42We're Red.
35:58We're Red.
36:00We're Red.
36:00We're Blue!姿勢.
36:01We're Red, we're
36:05Red. We're Red. We're
36:07Red. We're
36:09Red. We're
36:09There! End of
36:13her!
36:22He was here.
36:44In what world is any of this okay?
36:47The fact that you don't see that, that this is somehow normal to you.
36:50I'm sorry.
36:51A man told me that he was gonna kill you.
36:55I've been attacked, I've been accused of murder, and now people are watching us.
36:59Apparently, there are cameras in our bedroom.
37:03They're gone.
37:03Do you believe that?
37:06I need us.
37:08Together.
37:09And safe.
37:11I meant what I said earlier.
37:15We need to leave this place.
37:29Audrey?
37:30Hey.
37:31What are you doing here?
37:33I got a call.
37:35You okay?
37:36Yeah, you're a long story.
37:38I'm fine.
37:40They called you?
37:42Bureau did.
37:43I guess I'm still on as your next of kin.
37:47Right.
37:48Your name's still on that list.
37:50I meant to take it off.
37:51It's just been so busy.
37:52No, no, no.
37:52It's okay.
37:53I get it.
37:54So you're okay?
38:03You're engaged.
38:08It's crazy, right?
38:12Tell me he's fat and unemployed.
38:15He's fat and unemployed.
38:20You might stay in for a few minutes.
38:26He was there.
38:28Lab tests confirmed the blood was Reddington's.
38:31Which means?
38:31As far as we can tell, he killed his captor and escaped.
38:34Then why aren't you on hunting him down?
38:35I'm sorry?
38:36I thought we were in the cover our asses business in containment mode.
38:39That ship has sailed, Harold.
38:41Someone is surveilling us, and we don't know who Reddington does.
38:45You don't know that?
38:45We have a mole.
38:47That mole leaked intel leading to the abduction and torture of Reddington.
38:51It's a simple math problem, Harold.
38:53Whoever's after Reddington is after us.
38:55And that means, as far as I'm concerned, that Reddington still has real value.
38:59The unit has new focus, finding him.
39:03As of this moment, the only target on the blacklist is Raymond Reddington.
39:14It's done.
39:16It's done.
39:17Till you've been down so long
39:21The future's bright
39:24Lit up with nowhere to go
39:30To enthrone the pendulum throne
39:39We are here and then we go
39:48My shadow left me long ago
40:05To understand what we don't know
40:07Hello?
40:09Lizzie
40:12Red, where are you?
40:14Gone for a short while
40:16Dembe is looking for you.
40:17He says it's urgent
40:19Dembe will have to wait
40:22Lizzie
40:24I want you to know wherever I am
40:26Whatever I'm doing
40:28If you are in need, I will be there
40:31The task force, Cooper
40:33They're searching for you
40:35What should I tell them?
40:37I have to go
40:37Wait
40:38One question, please
40:41It's about my father
40:44Growing up, Sam
40:46He raised me like his own
40:48He was
40:52My whole world
40:56But he wasn't my father
40:58What is the question, Lizzie?
41:05Are you my father?
41:13No
41:19Lizzie
41:23Be careful of your husband
41:25Be careful of your husband
41:55I have to tell my father
41:56yeah, yeah, yeah, yeah, yeah
42:38Transcription by CastingWords
42:44CastingWords
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