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مسلسل Orphan Black مترجم - Episode 4
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00:01I saw a girl kill herself, and she looked exactly like me.
00:04Elizabeth Child? To find out who she is, to rob the rest of her shit?
00:08Beth is a cop. I'm a cop.
00:10Who the hell is Maggie Chen?
00:11That's the woman Beth shot.
00:13The only way you will regain custody of Kira is to show me you can be still.
00:17We're clones. We're someone's experiment and they're killing us off.
00:21The German's dead.
00:22And someone shot her right in front of me.
00:24You need to get rid of the body.
00:25Best partner found the German.
00:27At least part of her.
00:28If the body matches me, the cops will see a mugshot of somebody who looks like Beth,
00:32only is yours truly and I'm already supposed to be dead.
00:34Beth had a substantial sum of funds she used to buy information we couldn't get officially.
00:39The fund was how I could contribute.
00:41The killer contacted Art.
00:42He's already at the scene where Katya was shot.
00:44That was in the sniper's knife.
00:46He got a live one. Phone calls, even clues.
00:49I am fearfully and wonderfully made.
00:52I'm just gonna go after him! Go!
00:55I'm not Beth!
01:12I'm not Beth.
01:19I'm not Beth.
01:22I'm not Beth.
01:27I am Beth.
01:34I love Beth.
01:36I love Beth.
01:38I love Beth.
01:39I love Beth.
01:53I don't know.
02:26I don't know.
03:00I don't know.
03:33Why would one of us be killing us?
03:35What is wrong with her?
03:36Bad breath.
03:37Batshit crazy.
03:38Does she know about me?
03:40About my kids?
03:41How do you know you didn't just bring her right to my doorstep?
03:43Because she's impaled with rebar, and I wouldn't do that.
03:46I have been living this nightmare much longer than you have, Sarah.
03:49I explained I have a family to protect.
03:51I do what I can.
03:52Right.
03:53You provide financially.
03:55Yeah, so you wanted that money Beth was holding.
03:58Your self-defense fund.
04:00You're right.
04:01I was going to steal it and run, but I can't do that, because I have a family too, Alison.
04:06My daughter.
04:09Your daughter?
04:10Yeah.
04:11Her name's Kira, and I'm meant to be seeing her today, but there's this killer up my ass.
04:15So, wait, is she your biological child, or adopted like mine?
04:20Mine.
04:21Why?
04:23Don't you think you should have told us about that before?
04:26Uh, why would I do that?
04:27I'm telling you now, because we have to deal with this.
04:30Yeah?
04:31Beth was on this killer's hit list, and now I am.
04:33Yeah, well, what am I supposed to do about it?
04:40How can I help?
04:41Be available.
04:43I may need you somehow.
04:52Wow, rich, man.
04:55This looks like a new blade inset in a much older handle.
04:58So, the fish is a bitch.
05:01Semiotically speaking, like a universal way back symbol of fecundity.
05:05But these wings, though, they're...
05:08Seriously, what is she on about?
05:10Quiet, she's just weird.
05:12Sorry, sorry, sorry, sorry.
05:13Okay, going on a tangent there.
05:15If she's not dead, we need to find her.
05:18Find out what she knows.
05:19Are you mad?
05:20She's a homicidal maniac.
05:22Yeah, but we need to find out who she is, Sarah.
05:24She's...
05:24She's...
05:24She found us.
05:25She's got answers.
05:26The only way I'm going to do that is go back to being a cop.
05:29No.
05:30No way.
05:30You're not going back to being Beth.
05:33Impersonating a dead officer that's like a whole new crime.
05:36I think I'm safest with the cops, to be honest with you.
05:38Did that actually just come out of your mouth?
05:41Look, Art's already looking for the killer.
05:42I shadow him as Beth.
05:44I let them figure out what's happened to her, and then when I find that out, I can jump off
05:48and deal.
05:49Deal?
05:50I'm beginning to realize crazy is genetic.
05:52Well, yeah, bad brain chemistry can be genetic, but environment, that's individual, right?
05:59I mean, that's the whole nature-nurture question right there.
06:02Okay.
06:03Let's talk nature.
06:05Out of nine so far, one's a psycho who killed four others, one committed suicide, one is
06:10a bloody soccer mum, and then there's you.
06:13My crazy sister is sane by comparison.
06:16Thanks, P.
06:17I think this might help us figure out where she's coming from, so I'll look into it.
06:24Yeah, police business.
06:26Art's got a lead.
06:27Okay.
06:28Hey, you didn't show this to Allison by any chance, did you?
06:31You're joking?
06:32She'd crap a lily lemon.
06:35Got Allison on standby.
06:40Make sure Gemma wears her seatbelt.
06:42You're sending the kids to your parents on a school morning.
06:44Well, they're saying the night.
06:47That's not an answer.
06:48Well, you didn't pose it as a question, did you, Donnie?
06:51Okay, why?
06:52Why did you cancel all their activities?
06:53I just need some time to myself.
06:55Well, you have your usual Thursday night drinks with clients, right?
06:59Yes.
07:00So I'll see you when you come crashing in at 3 a.m. then, one time.
07:03I don't crash in one time.
07:24Oh, crap.
07:28I'm sorry.
07:30I'm drunky, too.
07:32How's your head?
07:33Probably about the same as yours.
07:36It's a good day to be alive, Beth.
07:38My kids thank you.
07:39And even my ex thanks you.
07:41Yeah, don't mention it.
07:42I didn't.
07:43They did.
07:44I got a present for you.
07:46Our killer made a pit stop.
07:48That's his bike.
07:50They got him?
07:51No, but we got a witness.
07:53Just follow the bloody brick road.
07:59Hey, there he is.
08:00Our walking wounded.
08:02Y'all good, Art?
08:03Yeah.
08:03Yeah?
08:04Hey, Roger, okay.
08:05We're going to get this guy.
08:06Don't worry.
08:06All right?
08:07So your guy wore gloves.
08:08No prints.
08:09But he's not exactly covering his tracks.
08:10Go take a look.
08:20Self-surgery.
08:22Guys, what?
08:23Military.
08:24Looks like it's got to hurt.
08:26Oh, the witness is ready.
08:28Art, you want to take him?
08:29No.
08:31Come on.
08:34I slept through the whole thing.
08:36I can't believe it.
08:39Trevor came into my room, and it was dark.
08:42And he was all wet.
08:44With blood.
08:51He said it was an angry angel.
08:59Hey, Trevor.
09:01Can you tell me what the angry angel looked like?
09:10Beth?
09:12The person in your bathroom was a woman.
09:15Is that possible?
09:22Let me talk.
09:24Yeah, sure.
09:31It's okay, darling.
09:33I'm not her.
09:34I thought she said you would come.
09:39Pick a color.
09:43Red.
09:44R, E, D.
09:46Pick one.
09:49That one.
09:52Wait, wait, wait.
09:53Let me see that.
09:58Can I keep this?
10:00Yes.
10:00What you got there?
10:04Souvenir.
10:10What the hell?
10:12Hey, can you bag this?
10:30Yes.
10:31Once again, eight o'clock before her bedtime.
10:35Is that my mom?
10:37No one.
10:38Did you just tell her it wasn't me?
10:39Sarah, why are you calling?
10:41If you don't show after all this anticipation, I'll...
10:44Just making sure we're still on.
10:46Well, we are at this end.
10:47Yeah, I'll be there.
10:50Can I talk to her?
10:51You can talk to her tonight.
10:56If you let her down, that's it.
11:00I wanted to see her again.
11:02I said I'll be there.
11:17So you all have copies of the fortune teller?
11:19Eyewitness says we got it wrong.
11:22Jane Doe's killer is female.
11:24About that size.
11:25As for the Jane Doe,
11:27it isn't easy reconstructing a skull
11:28that's gone through a gravel crusher,
11:30but we do have cause of death.
11:33This hole.
11:34.223 caliber.
11:36So, we have a long-range, high-powered weapon.
11:39Name me one homicide ever pinned on a female sniper.
11:43How's that profile?
11:44Female killers tend to suffer from chronic detachment.
11:47Isolation breeds social pass.
11:48This song.
11:49Fearfully and wonderfully made.
11:51She's a religious fanatic.
11:53The stick figures.
11:55The doll's head.
11:56The fortune teller.
11:57Early childhood development issues could be extreme abuse.
12:00Yes, but she's also careful.
12:02In her way.
12:02No prints on any of this so far.
12:05And the DNA evidence?
12:06On Rush, but we're still a week away from knowing if they match anyone on file.
12:09Nothing on Jane Doe's prints?
12:10Her hand didn't give us a match?
12:13No.
12:14No, they did not.
12:16Look, the bottom line is we are chasing a calculated female killer who loves playing games.
12:21Like these fortune tellers.
12:24Angie.
12:25Certain choices give certain answers.
12:27Every choice is a different death.
12:29Could be threats.
12:30Could be existing kills.
12:31They might mean something when combined with the numbers.
12:34Childs?
12:35Childs?
12:36Call for you.
12:42Detective Childs.
12:43No, you're not.
12:45Beth is dead.
12:47Isn't she?
12:48What do you want from me?
12:49You could have killed me, but here we are.
12:51You didn't feel it?
12:54What?
12:54We have a connection.
12:58Uh, you mean when I stuck that piece of rebar in your liver?
13:01How's that going?
13:02I need to know who you are.
13:05Let's meet again.
13:07I never got your name.
13:09I never got yours.
13:11Helena.
13:14And, uh, last name?
13:16You're doing police work.
13:19But how long can that last?
13:21When a real police find me.
13:23You are me.
13:25I'm you.
13:26We're both the victim and the cop.
13:29Yeah, that would be bad for both of us.
13:31So come see me.
13:33This class.
13:34I already gave you directions.
13:37Hey.
13:38Come here.
13:40The numbers.
13:41Their addresses.
13:45Okay.
13:4617 is the street number of the corridor where we found Jane Doe.
13:50Yeah.
13:50Rooming house.
13:53Shooting scene.
13:54The kids' house.
13:56Even the precinct.
13:58Everywhere we've been.
13:59Except one.
14:0010-24.
14:01And GPS gives one address with that street number.
14:03Ten minutes from the kids' house, Lake Point Road.
14:05Oh, I know that place.
14:07A lot of squatters around there.
14:09Let's check it out.
14:09Hold it.
14:10Wait for emergency tactical, huh?
14:12This is a probable sniper, so let him sweep it first before you go in.
14:16Got it?
14:17Yeah.
14:18Hey.
14:18Don't worry.
14:20Let's do this.
14:30I'm parked over here, so...
14:32No, no, no, no, no.
14:33After last night, we'll stick together.
14:35Come on.
15:02Whoa, Beth.
15:04Rough night?
15:08Okey-doke, then.
15:21Out.
15:29I'll be right back.
15:31I'll be right back.
15:31No, no, no, no.
15:32No, no, no.
15:34I'll be right back.
15:35Oh, no, no.
15:37Oh, no, no.
15:39I'll be right back.
15:43I can't wait.
15:54What?
15:55Anybody else feel like they have a target on their back?
15:59Copy. Okay. I'll take you guys in for a closer look.
16:03You're gonna love it.
16:37Over here, detectives.
16:45Looks like more self-surgery.
16:51Can't be long till she bleeds out.
16:57Holy shit.
16:59It's the same figures as the fortune tell me.
17:03She's saying she's a serial killer?
17:05Could be her single victim, our Jane Doe, over and over again.
17:10Or she just draws like a third grader.
17:12Is this her?
17:16Or her next victim?
17:19Next victim.
17:44No.
17:45No, she's in the middle.
17:49Yeah, she's got one of the spears to kill us.
17:52one of the other guys,
18:01All right.
18:02Sorry, I lost.
18:04Short record.
18:05I'm losing all of them.
18:05I got seven.
18:07I'm losing all.
18:09I think it's really hard.
18:09I was justfelic I can't stop.
18:10I'm losing all of them,
18:22Detective Giles?
18:23Hey, it's me.
18:26Paul.
18:27Oh.
18:28Hello, Paul.
18:30How are you doing?
18:32Not too good.
18:34I got beat up.
18:34What? What happened?
18:36Please come get me out of here.
18:42She led us here.
18:44She wanted us to see this.
18:46Maybe a wild goose chase.
18:47Wasting our time.
18:48No.
18:50She had a reason.
18:51Okay, let's let forensics have this.
18:54I hope you don't have dinner plans.
18:57Yeah, I'll be right with you.
19:04It's in my imagination.
19:06Does Cosima have bigger breasts than you?
19:07There's no way I can make dinner with Kira tonight.
19:10Well, you've got to.
19:11I can't.
19:12I'm stuck with art, and this bitch is right on top of me.
19:15I can lead her straight to Kira.
19:16I know, but Mrs. S gave you an ultimatum.
19:19She's going to cut you off.
19:20What can art place here, Fee?
19:22Yeah, your permanent address.
19:24I do have one really idiotic idea.
19:27Oh, good.
19:28I need to be in two places at once, yeah?
19:31Yeah.
19:32Well, if anybody can do that, we can.
19:34Are you effing serious?
19:37Yeah, sadly I am.
19:44I'm not trying.
19:57I'm going to get it.
20:01Oh, boy.
20:10I'm going to be in two places.
20:14What happened? Is she okay?
20:16Yeah, she's okay. She's fine.
20:18That doesn't sound okay.
20:20Sarah needs your help with her daughter.
20:27I'll get the drawings out to my criminal site guy.
20:30Where's missing persons on our Jane Doe?
20:31Nothing local.
20:32Well, widen the net.
20:34How wide?
20:35North America.
20:37Whoa, quick change.
20:40Huh?
20:41Your whole look, it's cleaned right up.
20:45Looks way better.
20:46Keep it in your pants, Raj.
20:50Uh, sorry.
20:52Guys?
20:53What the hell?
21:01Nice to know someone's having fun.
21:21Maggie-chan.
21:26Maggie-chan.
21:52I'm sorry, but she wants me to impersonate her in front of her own daughter.
21:56Who she hasn't seen in almost a year.
21:58Ten months.
22:00This is terrible parenting.
22:01Felix.
22:02I mean, that poor child.
22:03I don't think you understand the situation here.
22:06If Sarah misses tonight, then she may never get Kira back.
22:09I'm sorry, but a request like this...
22:12Maybe the child is better off with your foster mother.
22:14Excuse me?
22:16Sarah is out there, risking her life, playing cat and mouse with Killer Clone, so that your
22:21kids don't end up orphans, and you think that she should lose her child for that.
22:26Yeah.
22:27I think you need to step up here, sister.
22:33Well, I did just play Anel in Steel Magnolias.
22:36Seriously?
22:37Mm-hmm.
22:38Glendale Community Theatre.
22:41Anel.
22:42Anel.
22:42Oh, my God.
22:43The Daryl Hannah part.
22:45Yeah.
22:47It's terrible casting.
22:48Um, it was actually very good acting.
22:50Felix.
22:51Trust me, Sarah's no stretch.
22:53I got great reviews.
22:53From the whole neighbourhood, I'm sure.
22:58The Rhine in Spine falls mainly on the Plain.
23:03Okay, Eliza.
23:05Holy shit.
23:06We need to pull a full reverse Pygmalion here.
23:30Guess what?
23:32My crime site guy says, biblically messed up or not, woman on woman means it's got to be
23:37personal, whether it's her first or 15th kill.
23:40Yeah, no, that makes sense.
23:41So we're back to Jane Doe and who she was to Jane Death.
23:45Something's got to give.
23:47And when it does, yeah.
23:49Yeah.
23:51Right behind you.
23:55These are your worst clothes?
23:58Well, I'm sorry, mate, but I don't shop secondhand.
24:01No, no.
24:02My God, no.
24:03It's not mate, all right?
24:04It's more like, um, it's like might.
24:07Might.
24:08Yeah?
24:09Hello, mate.
24:11Um, yeah, that's better.
24:13But, look, you're going to have to get past Mrs. S.
24:17So you've really got to play the, um, the dreary history there, you know?
24:20I mean, you basically won't talk.
24:21This shirt is all wrong.
24:23Hey, hey, hey!
24:25Not hey.
24:26You're a punk.
24:28Be one.
24:30Oi!
24:31Oi!
24:43Detective Childs, there's a visitor for you.
24:52Hey, hey, hey, what are you doing here?
24:54You said come get you.
24:55What happened?
24:56Are you okay?
24:58Yeah.
24:59Yeah, no, I'm fine, really.
25:01You didn't say I'm fine and you don't look fine.
25:05Come on, I took the rest of the day off.
25:07Whatever you need, okay?
25:08Uh, no, no, no, no.
25:10Paul.
25:10Paul, I can't.
25:12Everything all right here?
25:13Did she seem all right to you?
25:16Okay, take it easy.
25:18First day back, she gets beat up.
25:20No wonder she wants to leave.
25:21What the hell are you talking about?
25:23No, no, no, no, Paul.
25:24Please, Art.
25:25I got this.
25:28Do you?
25:32What am I doing here?
25:33Sorry, I overreacted.
25:35I didn't mean to literally come get me this second.
25:38And what did you mean?
25:39Because seriously, you're like a completely different person these days.
25:44I'm sorry, it's just a case.
25:46It's a bitch.
25:47I got upset, so I asked you to come get me.
25:53I didn't say I mind it.
25:56Look, we need to spend some time together.
26:00Figure out what's suddenly going on with us, because most of it I like.
26:07A lot.
26:24Think about it.
26:40So, the woman Beth shot and Helena are connected.
26:44Holy watershed.
26:45Okay, Beth probably shot Maggie Chen on purpose.
26:47She never told us anything about this.
26:49Yeah, she never told her partner either.
26:51I can't keep doing this, Cosima.
26:54Helena was here.
26:55She was Beth.
26:56She's going to get us both busted unless I meet her.
26:59Alone.
27:00Oh my God, bad idea.
27:02Yeah, she thinks we have a connection.
27:04Do you?
27:05Yeah, we're clones.
27:06Right.
27:07So, what do the cops know?
27:09She's a churchy psychopath.
27:11Duh.
27:12It's personal.
27:13She's a loner, probably abuses a child.
27:16Okay, so, the fish reads Christian.
27:20And crafted onto a weapon, a personal crusade.
27:24Great.
27:25A zealot.
27:26You know, when I'm seeing this branded onto Maggie Chen, I'm thinking that she's not a lone warrior.
27:31To extreme creationist types, we would be abominations.
27:35Like, not God's children, but Satan's.
27:38So, they hate us.
27:40And she's killing us, even though she's identical to us.
27:44Well, but if you were a messed up, abused loner whose faith compelled you to belong,
27:50and somebody that you trusted told you that this was the way to redeem yourself in the eyes of God,
27:56I mean...
27:57Yeah, I might become an angry angel, too.
27:59Okay, got it.
28:00Thanks.
28:07Something you want to tell me?
28:09About Paul?
28:10No.
28:11I've got him wrapped around my little finger.
28:13What's he talking about?
28:15Leaving.
28:16We just got you back, Pat.
28:18No, he doesn't know what he's talking about.
28:20Things are just messy right now.
28:21Yeah, I heard that.
28:22But we don't bring that shit in here, right?
28:25I know.
28:26It's so freaking embarrassing.
28:27Don't worry, it won't happen again.
28:30I thought you two were calling it quits.
28:33Yeah, we were, but now we're trying to work it out.
28:38You know how things go.
28:40Right.
28:42Let's get back on track.
28:45This killer.
28:46You had a close quarters running with her.
28:47Did you get anything else?
28:49Something she said?
28:50If she'd said anything, I would have known she was a woman.
28:56Which I'd look back with.
28:58She's making progress on Jane Doe.
29:01Should have facial reconstruction soon.
29:04Great.
29:12Detective Childs?
29:13Things must be getting uncomfortable there for you now.
29:18Helena, you forgot something.
29:20Your friend Maggie.
29:21Oh, you're a terrible detective.
29:25Beth figured us out.
29:27Or Beth Shorter.
29:28Not me.
29:29If it's revenge you're after.
29:30It's not about revenge.
29:33It's about you.
29:35Right.
29:35We have a connection.
29:38You want to tell me about that?
29:40In person.
29:42You have my invitation.
29:49You have my invitation.
29:54My name is Detective Beth Childs.
29:59I murdered Margaret Chen.
30:02It wasn't an accident.
30:04I shot her on purpose.
30:24I'm gasping for the fact.
30:26No, you're not.
30:27Sarah never smoked.
30:28OK, it's curtain time.
30:30So, just remember that an insult is a greeting, but you're trying not to lose your temper, yeah?
30:35Mm-hmm.
30:39Wait.
30:41Thanks.
30:47Overslouching, you're overslouching.
30:48Shut up.
30:50Now you've got it.
30:54Oi, oi, Mrs. S.
30:58Not driving a nice new Jag today, then?
31:01She's in the shop.
31:02Mm-hmm.
31:03You're going to let me see my daughter, or what?
31:14Who are you keeping us?
31:33Who are you keeping us?
31:35Something I can do?
31:38You ever fight a woman?
31:40Depends business or pleasure.
31:42They do say crazy makes you strong.
31:45But women, they look different, fight different, smell different.
31:51This woman is a trained sniper.
31:53A path taken for a man that flies with you?
31:59The whole time it feels like she's got something else chewing on her mind.
32:02You know, civilian shooting's hard to shake.
32:05Maybe she was back too soon.
32:07I don't know if that's even it.
32:08Where is she, anyway?
32:21Could be she's just working it out with her boyfriend, right?
32:23Yeah, it could be.
32:32What?
32:33No.
32:45It's a wet now, invisible ink.
33:00Find a store, Angie.
33:02Maybe I should come with.
33:04Come on, Art, what's up?
33:06You don't know when I do.
33:25Kira, your mom's waiting.
33:28Hurry up, girl.
33:29Come on.
33:30Come on.
33:32Come on.
33:36There she is, look.
33:38She's here.
33:41She won't bite, love.
33:47Well, are you shy now or something?
33:51Is that for me?
33:55Can I see it?
34:01How about a cup in the kitchen, yeah?
34:09Give us a hug.
34:15I'm sorry, we haven't seen each other in a long time, but we can change all that.
34:20See each other all the time.
34:23You're not my mother.
34:34Silly.
34:35Of course I'm your mum.
34:37Who else would I be?
34:44You just look like her.
34:51It's still me, Kira.
34:53What do you call me?
34:55Monkey.
34:56What else?
34:58Monkey.
35:00Bum.
35:01Face.
35:03Where's my mum?
35:07Art, if you're hearing this, you found a body.
35:13It's not Beth.
35:15It's me.
35:17My name is Sarah Manning, and you're about the only person I trust to figure the whole thing out.
35:28Kira, your mother couldn't be here right now.
35:31Why?
35:46Please stay inside.
35:51Because she is out there right now, doing something very brave.
35:56She's making sure everything is safe, so you two can be together.
36:27Turn around.
36:30Turn around.
36:31all the way. Kneel. I'm guessing you know how. This isn't my society. Kneel down.
36:44You're different than the others. Yeah, I am. Do you want to talk? Let's talk. I think I'm dying.
36:59Yeah, I think I'll watch. Where did you come from? I came out of the woodwork. Where did
37:13you come from? God sent me. Right. So you don't know either? You don't know God. This God?
37:20The one branded on your friend Maggie Chen? Maggie helped make you. Then she saw the light
37:31and came to our side. Beth killed her to protect us. I can save you. Right, because we have
37:40a connection. I can see a light in you. There's a light in all of us. No. No. The others
37:49bought copies of God's image of human beings. But not you. You're special. They told you
38:02you were the original, didn't they? Your people. It's not true what they said. We're genetic
38:20identicals. Let me save you. You, me, Beth, the German you killed were all made the same.
38:27you. Whoever told you different hates you as much as they hate us. You're wrong. What
38:36happened to you, Helena? Stay back. Can you feel it?
39:00Beth? Beth? Beth? Beth, are you in there? Come on. Run. You don't feel it.
39:30Beth? There's no one here. You're here? Why? Beth? The apartment of the woman you killed? What
39:48wouldn't you be my Auntie Allison? My mom doesn't have any sisters. My mom doesn't even
39:53have a mom. Well, it's very complicated. Um, but Kira, I'm sorry about this, but it's very
40:01important that you keep this a secret. Right? Promise? Getting on for bedtime, Kira, love.
40:10Up you go. Get your PJs. Pinkies. Bye, Mommy.
40:26Hey. Scoot. Thanks for everything. Well, you kept your word. You showed up. I mean,
40:34Kira. She's well. And that's, uh, down to you. Sarah. I'm just, uh, I'm not used to an honest
40:45word on the subject. Um, I'd like to do this again. Sooner rather than later. I'm not opposed,
40:56as long as we take it slowly. So, I'll be by tomorrow to walk her home from school. Straight home.
41:04Well, all right then. Well, unleash the doves. World peace must be right around the corner.
41:12Piss off, you.
41:21Well, aren't you full of surprises? You passed. You turned us his head for your uncle.
41:27Well, that's something. Uh-oh. Kira knew right away. No. Oh, shite.
41:44I just don't get it. Doesn't make any sense to me. Just explain to us why you were at the
41:49home of Maggie Chen.
41:50When? Like I said, I was, I was taking a walk to clear my head. I found myself there.
41:56You just found yourself there. Yeah. Yes or no? Is there a connection between the Maggie Chen
42:01shooting death and this Jane Doe homicide? None. Well, you called this meeting, Beth.
42:07What the hell are we doing here? After the Chen thing, I came back to prove that I could.
42:13But I'm not doing anybody any good, so... I quit.
42:21After all we've done for you. Yeah, I appreciate it, but uh...
42:24But you bail. Why? What is it with you?
42:29Walking out's not the answer, Charles.
42:32So how does this go?
42:36Something like this.
42:49Oh, no.
42:52Oh, no.
42:54Oh.
42:58Oh.
42:59Oh.
42:59Oh.
43:30What'd they do to me?
43:31This is about Paul, right?
43:33We think Beth was spying on him.
43:35She wasn't messing around, wasn't she?
43:36Maybe it's time to find out where Paul works.
43:39What happened to you, Scar?
43:41Where were you and my baby?
43:43Daddy, what's in the box?
43:44I don't know who you are.
43:45Sarah, I thought you were dead.
43:47Is someone trying to date us?
43:49What'd you ask that?
43:52How could you do that to her?
44:09How could you do that to her?
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