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مسلسل Outer Banks مترجم - Episode 2
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00:10Look, for nine months, everybody's tried to get me to believe my dad's dead.
00:14They say I'm in denial.
00:16Whatever.
00:17Denial's underrated.
00:18You should try it sometime.
00:20It's highly effective, and it's only denial if you're wrong.
00:26It doesn't make any sense.
00:27My dad is the last guy who'd ever get lost at sea.
00:31This compass coming back to me, my father's compass, which was passed down for generations, it's a sign.
00:38My dad's still alive, and I'm going to find him.
01:11Wheezy, shut up.
01:15God.
01:17You're not Wheezy.
01:19Correct.
01:20Yeah.
01:22Sorry.
01:23What are you doing?
01:25Uh, I'm just dropping off some scuba gear.
01:28What are you doing here?
01:33It's our boat.
01:34It's also the only place with air conditioning.
01:37Right.
01:38Did you, um, top off the tanks?
01:41Uh, no, no.
01:44Power's down.
01:45So the compressors were off.
01:47So you're sneaking onto our boat at 5 a.m. with empty tanks.
01:53I'll make sure to tell Ward.
01:56Okay.
01:57Good.
01:58Cool.
01:59Cool.
02:01Just drop these off.
02:03Yeah, yeah, in the middle of the room is fine.
02:05Yeah, this is pretty much what he told me to do.
02:08Bye.
02:09Actually, you know what?
02:10What exactly were you going to tell your dad?
02:15Nothing much, just that you poached our scuba gear.
02:18Okay, look.
02:20I borrowed it for a few hours, okay?
02:22And then I brought it back intact and unharmed.
02:25Minus air.
02:27Look, please don't tell him, okay?
02:29He'll fire me.
02:30So what are you going to do?
02:31Pull a gun on me?
02:32Okay, I didn't know JJ was going to do that.
02:34That's convenient to believe.
02:37Maybe you should get better friends.
02:39Maybe you should get a better boyfriend.
02:42Like one who doesn't poach?
02:46Look, please, just don't tell him, okay?
02:49Relax.
02:50I'm not going to tell him anything.
02:53Your secret's safe with me, John B.
02:58Okay, you can leave now.
03:00Right, yeah.
03:03I'll leave that right there.
03:05Bye.
03:06Later.
03:23DCS, I know you're in there.
03:28Whoa.
03:37I'm just saying, like, I don't understand why you don't at least try with Kiara.
03:40She clearly likes you.
03:42She's like, oh, John B.
03:44Is that what she does?
03:44She's sketching about you diving, and then she kissed you, bro.
03:46She kissed me on the cheek.
03:48It's not like we were making out or something.
03:50Low-hanging fruit, bro.
03:51Don't pretend that you don't notice.
03:52I see it in your eyes.
03:53You're like, I kind of like that, and you start blushing and shit.
03:55I blush?
03:56Yeah.
03:57Really?
03:57Yeah.
03:59I was just looking at it.
04:02I got to admit, your father's compass and Scooter's bow, that's freaky.
04:06Yeah, and that's why we're going to talk to Miss Alana.
04:08We figured this whole thing out.
04:09And I'm sure she would just love to talk to us.
04:11It's not like her husband just drowned or anything.
04:14I told you we're not out loud.
04:17I think it's a word so I couldn't even make a sound.
04:33You know what this house looks like?
04:35Whoever lives here smokes too much weed.
04:44Maybe we should come back.
04:45No, no, no, no, it's a little too soon.
04:46It's a little too soon.
04:46Shut up, shut up.
04:47Shut up, shut up.
04:47Tell me where I'm in.
04:49Fuck you.
04:50I think you've been a fucking...
04:54I...
04:54Shut up.
04:55Come on.
04:57Come on.
04:58Come on.
04:58We're fucking living things!
05:00Oh, no!
05:01Is it here in this house?
05:03Is it somewhere else?
05:04I can't believe it.
05:06I can't believe it.
05:07I can't believe it.
05:07I can't believe it.
05:08Shut up.
05:09Do you still think we should stay?
05:10Shut up.
05:11The compass wasn't in the boat.
05:12Where is it, Lana?
05:13I don't know.
05:15I don't know.
05:20Is that paint?
05:21Yes, it's paint.
05:22No!
05:23Let's get the hell out of here, man.
05:26We should just go.
05:27This guy's smuggling written.
05:28Shut up.
05:28Smuggling written all over.
05:31Shut up, shut up.
05:40Dude, those are the guys that shot at us.
05:42Come on.
05:43Come on, come on, come on.
06:02Miss Lana?
06:04Miss Lana?
06:05Hey.
06:06Hey.
06:07Hey.
06:08You okay?
06:09It's okay.
06:10It's okay.
06:10Dude, she's tweaking.
06:11Mom.
06:11Do you need a doctor?
06:12Hey, let's call the sheriff's department.
06:14No, no, no, no.
06:14Cops, please.
06:15That's not good.
06:16Come on, dude.
06:16Let's go.
06:17I shouldn't be here.
06:18That's enough for me.
06:19What do you know about these guys?
06:22They were looking for something.
06:27Does it have anything to do with this?
06:33Do you know anything about this?
06:36This is my father's and Scooter had it.
06:39Why?
06:40Scooter didn't have it, okay?
06:42Don't tell anyone that you have that.
06:43Come on, why?
06:44They can't know that you have that.
06:46You've got to get out of here.
06:47You've got to go.
06:47What do you know about the compass?
06:48Go!
06:49We've got to go.
06:49Let's go.
06:50Let's go.
06:50Let's go.
07:05Let's go.
07:06Geez, man.
07:07This is nuts.
07:08Agatha's a bitch, man.
07:09Yeah, right she is.
07:11Bitch.
07:13Man, I just can't get it out of my head.
07:15It's just on repeat.
07:16Your move, bro.
07:17Scooter.
07:18He had a semi-automatic pointing at your hand.
07:19That's what I'm saying.
07:20That's insane.
07:21Safety off.
07:23Pogue.
07:23They're freaking pogues, man.
07:25You know you should get a piece?
07:27What do you mean?
07:27You've got to fight fire with fire in the homestead, right?
07:30Yeah.
07:30It's better to be caught without one.
07:31Hey, listen, listen, guys.
07:33I'm going to get them back, all right?
07:34I'm making it a little project of mine.
07:36Yeah, you should, man.
07:38Yo, that's Sarah.
07:39You left her in the boat, right?
07:41Mm-hmm.
07:41Okay.
07:42Can you tell me what she looks like?
07:43She has a trunk and blue ears.
07:45Okay.
07:45I'm going to get her for you.
07:46Be careful, electricity.
07:48Don't worry.
07:49I'll be okay.
07:50It's really dangerous.
07:50What is she doing?
07:51Watch her fall and make a big drama out of it.
07:54Hey, there's 14,000 volts in those wires.
07:59Hey, Sarah, be careful.
08:00Oh, you've got to be kidding me.
08:01Sarah, get down now.
08:03Ruth, calm down.
08:04I'm an athlete.
08:06I got this.
08:08You're going to get electrocuted.
08:09Get down.
08:10She just wants attention.
08:11Are you kidding me?
08:12Get over.
08:13Sarah, that's not funny.
08:14Now, when I tell your dad about this, Sarah...
08:16Oh, fried Sarah.
08:18Ruth, your sister's crazy, man.
08:26Hi, Sarah.
08:29Sarah!
08:34Sarah!
08:35Sarah!
08:36Sarah!
08:38Sarah!
08:41Oh.
08:43It's disconnected.
08:45For the love of God.
08:47She got you.
08:48Absolute sucker.
08:50Oh, my God.
08:51Topper, you should see her face.
08:53Yeah, okay, yeah, I'm sorry that I care.
08:55All right, guilty.
08:55More grats.
08:57Pussy.
08:58You're officially her bitch.
08:59All right.
09:00Well, officially, because you know that?
09:01You're officially her bitch, all right?
09:04You're worried, like a normal person.
09:06I mean, she could have died.
09:08She does scary stuff like that all the time.
09:11I mean, but if you say something, it'll be like,
09:12you're trying to tell her what to do,
09:13and you'll end up like Denny.
09:15Wait, Denny?
09:16What are you talking about?
09:17What happened with Denny?
09:18She cheated on him.
09:19And the guy before that.
09:21You know what that means?
09:22You're next.
09:23You're the next sucker up.
09:24You should have seen her flirting with John B. this morning.
09:28John B., the guy that works on the boat.
09:30Mm-hmm.
09:31Yeah.
09:31She caught him stealing stuff off the boat.
09:34Did she tell anybody?
09:35Nope.
09:36She was all, John B., what are you doing here?
09:39What's up, Top?
09:41Hey, Sneezy.
09:42That's not my name.
09:43No way.
09:45Hey.
09:46No, I'm here.
09:47Oh, my God.
09:49Oh, God.
09:52And then we were right outside like this,
09:54and all we hear is just BAM!
09:56BAM!
09:57BAM!
09:57Knocking paint off the wall, G, from the inside.
10:00All right?
10:00And I'm just looking at him like,
10:02wait, first off, look at this shit.
10:03Look at the house.
10:05That's danger.
10:06Okay, thank you.
10:07Look at all that.
10:08All right?
10:09That's paint.
10:10At that point, I was just like,
10:13I'm waiting for death.
10:14Oh, okay.
10:15So you saw the guys that shot at us, right?
10:17Yeah.
10:17Did you get a good description of them?
10:19What they look like?
10:20Anything. Anything's helpful.
10:20Anything we can bring to like a police report, maybe.
10:22Yeah.
10:24Burley.
10:26Burley.
10:26Yeah. You know, like...
10:28That's not very helpful.
10:29Okay, well, no.
10:30Like the type of guy at my dad's garage.
10:32I mean, you guys know he made cargo hides for drug smugglers.
10:34Yeah.
10:35All right.
10:35So then I can tell you with full confidence, guys.
10:38These boys?
10:39These boys?
10:40These killers?
10:44They're square groupers.
10:46They're square groupers?
10:47Like Narco square grouper?
10:49Like Pablo Escobar square grouper?
10:51Yeah, man.
10:52You guys, not everything's a Kingpin movie.
10:54Okay, so what does a square grouper look like specifically if you're throwing it out there?
10:57Dude, you weren't there, bro.
10:57Because apparently you don't know what to look for.
10:59Dude, I wasn't taking little mental Polaroids the entire time, man.
11:02I was under duress, okay?
11:04But I can tell you...
11:08I can tell you by the way that Miss Long was screaming.
11:12That these guys...
11:13They're serious, serious hombres, man.
11:18It's a heavy vibe right now, okay?
11:20I'm not liking this very much.
11:22Okay, why would they want the compass?
11:23That thing's a piece of shit.
11:24You could pawn it off for five bucks if you wanted to.
11:28No offense, John B. I know it's like in your family's...
11:30The office.
11:31What?
11:33My dad.
11:34My dad's office.
11:35He always kept the office locked because he was worried about his competitors stealing his royal merchant research.
11:40I mean, we used to laugh at him all the time about it like he was actually going to find
11:42it.
11:42But now that he's gone, I've just kind of...
11:45I just left it as he kept it.
11:48Yeah, for when he gets back.
11:51Yeah.
11:58I've slept over here like 600 times and I've never seen this door open.
12:02Yeah.
12:05Here, look.
12:06This is the original owner right here.
12:08Okay, Robert Q. Rutledge.
12:111880 to 1920.
12:13There's a lucky compass right there.
12:15Actually, um, he was shot after he bought it.
12:19Then the compass was shipped back to Henry.
12:22Henry was killed in a crop dusting accident when he had the compass.
12:24After he died, the compass was given to Stephen.
12:27Stephen had the compass with him when he died in Vietnam.
12:30Let me guess.
12:30He died in action, right?
12:32Sort of.
12:33Uh, actually, he was killed by a banana truck.
12:36In country.
12:37Anyways, after that, Stephen passed the compass down to him, my dad.
12:42Hmm, sounds like there's a reoccurring theme here.
12:44Yeah, um, you have a death compass.
12:46No, I do not have a death compass.
12:47You have a death compass.
12:47Seriously, dude, get rid of it.
12:49It's cursed and it's made its way back to you.
12:50Look, I gotta just talk about this compartment in here.
12:53Soldiers used to hide secret notes.
13:00What's that?
13:02I wasn't there before.
13:04This is my dad's handwriting.
13:06How can you know that?
13:07Because he does these weird R's with the...
13:08See it? Can I see it?
13:14Rattle root...
13:15No, I think that's an...
13:15It says Redfield.
13:17Right.
13:18Okay, well, what's Redfield?
13:19Besides the most common name in the county?
13:21Maybe it's a clue, right?
13:23Maybe it's a clue to where he's hiding, you know?
13:24A clue, come on, that's...
13:28But if it is a clue, maybe it's an anagram?
13:31Yes, perfect.
13:32Anagram, you need paper.
13:32Okay.
13:33Just kidding.
13:34How can you concentrate with that thing constantly crawling in?
13:37JJ loves the rooster.
13:38I love the rooster.
13:39Oh, that's what an anagram is.
13:39Okay, let me think.
13:40Seriously, um...
13:41Benfield.
13:42Oh, there's no...
13:42Stupid.
13:43What about, like, Ritalin?
13:45Rital?
13:46Zedler?
13:47Let's stick with what I told you, people.
13:48Defiled.
13:49Does that mean anything to anyone?
13:50Guys?
13:51Whatever that means.
13:51Guys, somebody's here!
13:58Guys, guys, is that them?
14:00Is that them?
14:01This is suboptimal.
14:02Guys, is that...
14:03John B., I told you, man.
14:04Why does it always...
14:04Hey, hey, look at me!
14:06Where's the gun?
14:07Gun?
14:08I have...
14:09I can't...
14:09Now you don't have the gun the one time you need the gun?
14:11It was in my backpack.
14:13And then I...
14:13On the porch.
14:14It's on the porch.
14:15It's on the porch.
14:15Go, go, go.
14:20John, Rutledge!
14:21Hey!
14:22Come on out now!
14:24Where's that?
14:25They're on the front porch, guys.
14:27Get out of here!
14:28Rutledge!
14:30Where you at, boy?
14:32God, you're crazy.
14:34Window, window, window.
14:36Sorry.
14:36Back to this place!
14:39What's happening?
14:40What's happening?
14:41It's taking so long.
14:41It's painted shut, okay?
14:47Okay, guys, guys.
14:50Here, I got it.
14:50Where the hell is that COVID?
14:51Where's that?
14:52Take this back, boys!
14:54No!
14:55Come on, punk.
14:56Come on, my friends.
14:57Get out of here.
15:02You better not be in there!
15:22Come on, punk.
15:25Come on, punk.
15:31Aw.
15:32Who run?
15:43Go!
15:51Radder, check out these blueprints of the ship.
16:00The mother load.
16:09Do something, Paul.
16:11Shut him up.
16:12Do it.
16:13Is that it or something or talk to us?
16:15No.
16:52Radder, what the hell are you doing?
16:53Let's go.
16:59Let's go.
17:06Let's go.
17:10Let's go.
17:15Let's go.
17:17Let's go.
17:17Let's go.
17:23Let's go.
17:27Let's go.
17:28You're looking a little unstable there.
17:29oh all right it's worth it for this view right here oh you mean oh you too no you too
17:42oh man
17:48hey uh
17:51heard you had a pogue kind of sneaking around here this morning
17:56who told you that oh it doesn't matter um yeah it's just like gotta be careful these
18:04pogues are all these low lives
18:10don't say that topper you don't know then i'm sorry i'm sorry that uh sorry that they put a gun
18:16to my
18:17head you know what that feels like no i don't but to be fair to be fair
18:24you threw the first punch that's my bad that's my i deserve that i didn't say that
18:30you realize i'm just trying to protect you here i know and i appreciate that yeah i'm just watching
18:35you're i don't think you're getting it though you're just gonna go hang out with them topper
18:38john b works here what do you want me to do yeah yeah i don't know what you expect from
18:42me
18:42do you want me to use hand signals i'm sorry that i just just care about you
18:50yeah just you're just gonna walk away yeah i am i can't deal with
19:02hey chop hey how's your family come through your house okay yeah we're doing all right sir we uh
19:08you know had a few leaks had a tree come close to the house but yeah we're doing all right
19:12glad to
19:13hear yeah hey listen what's this i hear about a uh kid with a gun at the point did that
19:18happen yeah
19:19yes sir oh my god you know how those pokes are you just gotta watch them hey sir sir actually
19:25actually one of the um i just want to say one of these kids you gotta watch for he works
19:29for you
19:31it's that john b kid what he's not the one that the gun no no sir no it's just um
19:37i heard he likes to
19:38kind of help himself to gear so i'll just what gear i don't want to be telling stories sir it's
19:45just
19:45you got a lot of nice things laying around i'll just make sure everything's nailed down
19:50good to see you mr cameron yeah
19:57i mean it's obvious right a family heirloom i mean what better place to hide a message he had to
20:04know it was going to get back to me right yeah it's possible it could also be possible that you're
20:09concocting wild theories to help you know both deal with your sad feels bro you know how i process my
20:15sad feels bank nuts and the stickiest dickies that's how i do cocky okay my dad's trying to give me
20:21a
20:22message if it helps you believe john b look i don't need a therapy session okay i'm not tripping out
20:30it's okay to trip bro look my dad is missing okay missing you don't know what it's like to have
20:39the
20:39person closest to you vanish and then i have no idea what happened you just wake up every morning
20:46wondering it's been almost a year hey he could have been kidnapped that's definitely impossible yeah
20:55in a soviet sub getting interrogated by the kgb somewhere absolutely uh or atlantis jj look what
21:02do you think the message is redfield redfield lighthouse it's my dad's favorite place
21:21okay here's what's gonna happen you're gonna post up and look out for bogeys okay wait why me
21:26because you're not coming why what did you do there are independent and there are deep
21:29independent variables and you're an independent variable we don't know what you're gonna do
21:32just shut up for a second just listen pope you stay and look out with jj okay if we
21:36get split up we meet back at jj's house great
21:41i'm gonna work on my merit scholarship essay and i'm trying to keep felonies down to a minimum
21:45all right would you just shut up or any
21:51remind me what we're looking for again well now when we see it okay
22:27i'm behind
22:34Uh, we were here for the Lighthouse.
22:37The Lighthouse is closed.
22:40Um.
22:44Actually, we, we aren't here about the Lighthouse.
22:48We're here about the, um, the Royal Merchant.
23:01You came to the right place.
23:05I know more, what you say up here, about the Royal Merchant than anyone else in Kildare County.
23:13Holy shit.
23:14Huh?
23:18Well, a merchant disappeared in the graveyard of the Atlantic in 1829.
23:27400 million.
23:28Correct.
23:30You're a bit of a merchant here yourself, huh?
23:33Uh, something like that?
23:37Don't follow me.
23:39I won't show you something.
23:43I've been working 30 years up here.
23:46The views never changed until two days ago.
23:49The point's almost gone.
23:51One more storm like that, they'll take the Lighthouse.
23:54I'll go with her.
23:57Now, the trick to knowing where the merchant is
24:00is knowing whether she's on the north end or the south end of the eye of the storm.
24:07Now, most experts believe that she was on the south end.
24:10Now, she's on the south end.
24:12The bands from the hurricane would have pushed her back out to sea.
24:17But I don't believe that.
24:21I think she was on the north end of the eye.
24:26Which means the bands would have pushed her closer to shore.
24:30That's right.
24:32Now, by my calculations, the rural merchant is about 10 miles ahead of the way.
24:54Right here is where the point used to be.
24:56My calculations say the merchant's right about there, down about a thousand feet.
25:01That's what my dad used to say.
25:04Yeah.
25:08I know this is weird, all right?
25:11Do you know anything about this?
25:15Look, it says Redfield in the back, in my dad's handwriting.
25:21I don't know why I'm here, but I feel like I'm supposed to be here.
25:25Do you have anything to give to me or to...
25:28Where are you going?
25:31Wait a minute, look.
25:32Look, man.
25:33I know this is weird.
25:34I just thought, hoped, maybe you would know something about this, all right?
25:40Sir, you won't believe what he's been through in the past 24 hours.
25:43I mean, threatened, shot at, home invaded.
25:45Home invaded.
25:45I wish he was killed.
25:46Look, man, my dad wanted me to talk to you, okay?
25:49So if there's anything that you could think of that would help us, please, just tell us, okay?
25:53Look, man, please.
25:54Jumpy.
25:56If you know anything, just, just...
26:00Wanda, I got two kids on drugs up here at the lighthouse.
26:03Call the police.
26:04Let go.
26:05What are you doing?
26:07It was an accident, okay?
26:08Jumpy, we have to go.
26:09I'm so sorry, I didn't mean to.
26:12Oh, shit.
26:14Wanda, I believe I've been assaulted.
26:19Get ready to get out.
26:23Oh, shit.
26:31Seriously?
26:33Shit.
26:33This way, this way.
26:42Hey, look, you've got to admit, that was kind of promising.
26:45I mean, my dad, the royal merchant, the ranger, the royal merchant.
26:49I mean, coincidence?
26:50I don't, I don't think so.
26:51It's his job to know about shipwrecks, Sean B.
26:53Okay, but the royal merchant?
26:54That's like the most famous shipwreck of all time.
26:58Redfield's one of the most common names in the Outer Banks.
27:00That could mean anything.
27:02Look, as wild goose chases go, this was a really good one.
27:05Look, I, I don't know.
27:06Maybe, maybe we missed something at the lighthouse.
27:08We should, we should go back.
27:10You believe me, right?
27:14Right?
27:16I think there might be some light to moderate concocting going on at this point.
27:21Look, it's, I get it.
27:23You miss your dad, I know.
27:26I just don't understand why he would put a clue on a compass.
27:29Because he knew it would come back to me.
27:37You're losing it.
27:39We gotta pull it together.
27:51Uh, what was that?
27:53You, uh, I'm, I'm, I'm, I'm, I'm sorry.
27:57I, I, I...
28:00Oh, God, I'm an idiot.
28:01No, it's okay.
28:03No, it's okay.
28:04I'm just, it's because I'm, I'm freaking out about my dad and, and, and, and, and the DCS stuff.
28:09Just, I can't breathe sometimes.
28:11Look, I don't even mind.
28:12What?
28:14It's the rules, you know?
28:16Yeah, yeah.
28:17The pogue on pogue macking.
28:21Right.
28:22Rules.
28:24Rutledge!
28:25I got you, son.
28:27Now, why don't you just be chill and not make me chase you?
28:32Hands where I can see them.
28:40I feel for you, kid.
28:42I really do.
28:44I know since they never found your dad, a part of you thinks he might walk through that door someday.
28:50I don't blame you.
28:51You know, I'm a minor, right?
28:53But going on fandangos, they're gonna bring him back.
28:57He's been missing at sea for nine months.
29:02Your father's dead.
29:07You don't know that.
29:09Yeah, I do.
29:10And as hard as it is, it'd be best for you to accept it and move on.
29:15You've been running around, getting caught up in things that do not involve you, and now you're in a heap
29:20of trouble.
29:21It's not just foster care we're talking about.
29:23It's assault, battery, JD time.
29:33I can still help you out, but we gotta do a little tit-for-tat.
29:38And this time, you gotta tat a whole lot better.
29:45I know you've gotten hold of a compass.
29:51I don't know what you're talking about.
29:53I know you took it off the rack.
29:56There ain't much that happens in the OBX that I don't hear about eventually.
30:02Pete, what do you want with this compass?
30:05It's evidence and investigation.
30:09I'm gonna need it, son.
30:12Otherwise, I'm charging you.
30:16I don't know what you're talking about.
30:22I don't have a compass.
30:35If you skip that on your bail and I lose my money, I'm gonna hunt you down and skin you.
30:39Dad!
30:40Cut it.
30:41Thank you, Mr. C.
30:42Don't thank me.
30:43Yeah.
30:52Get in.
30:54Give me a sec.
31:01You're gonna be good.
31:03Kiara.
31:06I'm sorry.
31:11I told you.
31:12You hang out with trash, you get dirty.
31:24You're gonna be good.
31:40Hey, employee of the month.
31:42Where the hell you been?
31:43You taking some me time?
31:46The board sees looking all over for you.
31:49You know I don't like to wait.
31:56Have a seat, John.
31:57Yes, sir.
31:59I had a hard year.
32:03I had a hard year, John.
32:08A very hard year.
32:11I feel like I've done what I could to help you.
32:14Do you agree with that?
32:16Yeah.
32:16Yeah.
32:16Yes, sir.
32:17I told you you could always come to me if you ever need anything.
32:20Is that true?
32:22Yeah.
32:23I mean, you said you'd help me with my DCS case.
32:27I need to answer your question.
32:29I need you to be straight with me here.
32:33Did you take gear off the druthers yesterday?
32:41Yes, sir, I did.
32:44Look, Mr. C, I'm not a thief, okay?
32:47It was $2 worth of air.
32:48It's stale O2.
32:49I mean, you don't want your daughters to breathe in that air.
32:51It's the principle of the thing.
32:55I cannot have employees that I cannot trust.
32:57I don't want to do this, John,
32:59but you have made me do this.
33:01I have to let you go.
33:10Hey, John B.
33:13I'm sorry, that's it?
33:15Not a hey, how you doing?
33:17Or a kiss my ass?
33:20Your secret's safe with me?
33:23It's secret or...
33:24Oh, not secret.
33:26I just got fired because of you.
33:28And I know you can't imagine that,
33:30but some people need jobs so that they can eat.
33:34What the fuck?
33:36You're exactly who I thought you were, Sarah Cameron.
33:44Asshole.
33:44Asshole.
33:47Asshole.
33:50Asshole.
33:52Asshole.
33:53Asshole.
33:53Asshole.
33:53Asshole.
33:54Asshole.
33:55Asshole.
33:55Asshole.
33:56Asshole.
33:56Asshole.
33:57Asshole.
33:58Asshole.
33:58Asshole.
33:58Asshole.
33:59Asshole.
33:59Asshole.
34:00Asshole.
34:01Asshole.
34:02Asshole.
34:03Asshole.
34:26Time's up, boy.
34:29Damn it!
34:31Don't run, boy!
34:35Tell me!
34:37Tell me!
34:59Tell me!
35:04All right.
35:07Go!
35:14Stop!
35:17Stop!
35:31Come on.
35:32Come on.
35:33Come on.
35:33Come on.
35:35You're gonna watch those live wires after a storm.
35:41Now you're gonna give me what I want.
36:08So how's it working out, kid?
36:12It's a whole lot safer to give it to me than anybody else.
36:41This thing probably saved your life.
36:45Concentrated the shock.
36:49Lucky.
37:15Maybe my friends were right. I should let it go.
37:18Move on.
37:22Pull myself together.
37:25Pick up the pieces.
37:30Stop living in denial.
37:35Leave the past behind.
37:52And bury the dead.
38:04Before you lie to the darkness, you just can't lie to me.
38:09And either of me can't tell that I'm just too late for me.
38:16So I think that somebody's actually the only one that I want to be.
38:50Let's ride.
38:51This better be good.
38:58She says she's not coming.
39:00Why not?
39:02What'd you do to return to me?
39:03Shh.
39:05Hang on.
39:06I'll deal with you.
39:14Hey.
39:15What are you doing?
39:18What does it look like?
39:19Look, smackling can wait.
39:20We're about to make history.
39:22You concocting again?
39:24Yes.
39:25Yes.
39:25I'm concocting.
39:26I'm concocting more than I've ever concocted in my life.
39:28Look, I know you're just being a good friend.
39:30And I know you're not trying to enable me and my delusion.
39:33Dude.
39:34And I know your dad doesn't want you to see me.
39:35Look, listen to me.
39:35Please, please, please.
39:37Look, you are my best friend.
39:40And I need you right now.
39:42And I'm sorry about the kiss thing that was super weird.
39:44And I feel awkward about it.
39:44And listen.
39:46I need you.
39:47And I'm begging.
39:47I am begging you.
39:48I am begging you.
39:49And I just want to talk about all this-
39:50Oh, my God.
39:51Shut up.
39:52What?
39:53I get it.
39:59Friends.
40:01Friends?
40:02Yeah.
40:04Begging the friend zone.
40:11You mind if I just relax on this one?
40:13It's been a long day.
40:14And a lot of weird stuff's gone down.
40:16I'm just going to lay low.
40:17Oh, did you want to hear this?
40:19I keep the signal clear.
40:20Dude, okay.
40:21Do you understand that your problem is that you don't get creative?
40:23If you got creative, then-
40:25Look, I know I was wrong about the lighthouse, all right?
40:27And pretty much wrong about everything else going on.
40:30But I was right about one thing, okay?
40:32My dad is trying to tell me something.
40:36Come on.
40:36Hey.
40:37Hey, come in.
40:38Come in.
40:38This place is scary.
40:41Shut up.
40:41What are we doing?
40:42Okay, so you know how you try to remember a song,
40:44and you can't remember who sings it?
40:45Yeah.
40:46So, Redfield, this whole time, I thought it was a place, right?
40:49But it's not a place.
40:54It's a person.
40:56What effin' love?
40:57It's my great-great-grandmother, Olivia.
40:59Redfield.
41:01That was her maiden name.
41:06Hey, help me with the door.
41:07Come on.
41:08All right.
41:10One.
41:10Go.
41:10Two.
41:12Are you pushing?
41:13Yeah, I'm pushing.
41:14Come on.
41:15Come on.
41:15Here, I got it.
41:16Come on.
41:17This door's like 700 pounds, man.
41:18It's not gonna punch.
41:19It didn't come this far to get this far, all right?
41:21Ah!
41:23Whoa!
41:23Whoa, whoa, whoa, whoa, whoa, whoa.
41:25That's some oxygen, all right?
41:26E-oh!
41:27Don't call them out.
41:28Can't be tall grass.
41:30Jay Jay, shut up!
41:31Shut up!
41:32Shut up!
41:32I feel like they're frickin' dead, man.
41:34Dude, they're afraid of dogs.
41:35Everyone knows that, man.
41:36Wait, wait, hold on, hold on, hold on.
41:37What?
41:37There's one, and there's probably dozens.
41:39Oh, my God.
41:40Can you stop?
41:40You're scaring me, bro.
41:42Stop harking at the snakes.
41:44Look, John, shut up.
41:45I was just making fun.
41:46It's clear, man.
41:46Shut up.
41:47John, look.
41:49We're not gonna get in there, all right?
41:51It's not budging.
41:52You should probably just go.
41:55I can get through.
41:56What?
41:57No, no, no, no.
41:58You think you're gonna fit through the hole?
42:01That hole?
42:01Look, this is about your dad.
42:05And honestly, I really don't believe in it,
42:08but you deserve to know the truth.
42:13I'll do it.
42:15Come on.
42:16Well, we'll get through the first time.
42:17Can you help me with that?
42:22You got it?
42:23Yeah, you got it.
42:24Give her a boost.
42:25I'm gonna boost you.
42:26All right.
42:27I've seen her in the movie several times.
42:29Ready?
42:30Remind me what we're looking for.
42:33I'll know when you see it.
42:37Hold my flashlight.
42:39All right.
42:40I'll put your hands right there.
42:41Yep.
42:42Your foot.
42:42Yeah.
42:43All right.
42:43And then one, three, one, two.
42:44Okay.
42:45Never mind.
42:45Just forget about three.
42:47I got it.
42:50Hey.
42:51Flashlight.
42:51Yeah.
42:52Here.
42:58You alive?
42:59Like a heartbeat and everything?
43:02So far.
43:04That's good.
43:04That's good.
43:05Yeah.
43:06Uh, I need some more light.
43:09Yeah, yeah.
43:10Here.
43:10Yeah, I got you.
43:10I got you.
43:11Let me see.
43:13Let me see.
43:18What?
43:19Did you find something?
43:20Did it gold?
43:21Oh, my God.
43:23What?
43:33Oh, my God.
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