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مسلسل Fool Me Once مترجم - Episode 1

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Transcript
00:28You
00:30I don't know what you're saying.
01:04I can hear your voice
01:08I can feel you cry
01:12No matter what you do now
01:16Don't dare to close your eyes
01:21Can't destroy me
01:24I'll tell them what you try
01:28Shad a single tear now
01:32Time to say goodbye
01:37Time to say goodbye
01:53You're not weak for me
01:55I have not known
01:59I am the wind that shapes the mighty oak
02:02I am the gentle rain that falls upon your face
02:06I am the spring flower that pushes through the dark earth
02:11I am the chuckling laughter of the mountain stream
02:19I walk through the valley of the shadow of death
02:21I will fear no evil
02:23No road and no staff
02:25They comfort me
02:27We commit our brother to the ground
02:32Earth to earth
02:35Ashes to ashes
03:03Ashes to ashes
03:03Dust to dust
03:03Eleven hours
03:04I'll be on a plane back to base
03:05Well in that case
03:06We better make the most of the time that we have
03:10Captain
03:15No story
03:16I'm gonna make the most sure
03:40No!
03:49Come on, darling.
04:23You okay?
04:25Yeah, thanks, Shane.
04:28Detective Kiss?
04:29He's excellent. What are they? Volivans?
04:31What, you come for the catering?
04:32Have to tell me you've found my husband's killer.
04:34Oh, Jo's mum invited me.
04:37Oh.
04:37I think a psychiatrist would know better.
04:42Not today, but there's some things I need to follow up with you on.
04:45About that night of the attack.
04:46Look, I have given you three statements.
04:48And you're no closest to catching them.
04:51Your shoelace is undone.
05:08Why did you invite that detective?
05:12I wanted him to see who Jo was.
05:15But he was important.
05:17He was loved by his brothers and sister.
05:21And he grew up in this big house where he spent his childhood.
05:30How are you coping?
05:33I'm grieving.
05:36I lost the love of my life.
05:40No, I'm grieving.
05:43There's something more going on with you.
05:45No.
05:46I'm fine.
05:48I don't want to push you today, but I think you should get help.
05:52There's so much you're dealing with.
05:55First you lose your sister.
05:58Now Jo.
06:02All that army business.
06:06I better attend to the guests.
06:44Who's idea was Hinz?
06:46Who do you think?
06:48I must have told them ten times.
06:51Play the doors.
06:52Play...
06:53Nirvana.
06:54Play Nirvana?
06:55At a funeral?
06:57Do you know how much they spent?
06:59Go on.
07:00The coffin costs more than your car.
07:02Oh, well, that's not saying much.
07:08I don't want to leave you.
07:10I'll be fine.
07:13Look, I know you think you will, but...
07:15I don't care if it's three in the morning.
07:17If you have a wobble...
07:19Yeah?
07:21Oh, which reminds me.
07:22I've got something for you.
07:23Oh?
07:26It is...
07:27a digital picture frame.
07:30It rotates...
07:32photos...
07:33of...
07:33you...
07:34and your family.
07:37Okay.
07:38I've already preloaded some of you, Jo, Lily and the family.
07:44Except...
07:44that's not all it is.
07:47Ready?
07:54Do you want to see that funky move again?
07:56Please.
07:57Well, you can.
07:58It's all caught on here.
07:59On a secret camera.
08:02Which records when there's movement.
08:04Why have you got me a secret camera?
08:06So you can keep an eye on Lily when you're not here.
08:10When she's with Isabella.
08:11Exactly.
08:12Nanny can.
08:14I'm sure Isabella's great, but...
08:16what harm does it do to keep an eye on her?
08:18Eva.
08:19Her families and Jo's go way back.
08:22Well, I'm putting it in her playroom.
08:33Hi!
08:34Good morning.
08:34Ready for your next lesson?
08:35Yeah, can't wait.
08:36Let's go.
08:43Okay.
08:44You can take her up today.
08:48Okay?
08:54I would like to take a slight turn to the left.
08:57Okay, welcome.
09:00That's good.
09:02Right, keep your eyes on the horizon.
09:07BOOM!
09:09BOOM!
09:10There's a nasty grease to his elbow there.
09:13Is that what the teacher in military police?
09:15I was aiming for his elbow.
09:17Ah.
09:17You want a turn?
09:18No.
09:19I wouldn't want to embarrass you.
09:23How long have you been back at work?
09:25Three days.
09:25Right.
09:27What?
09:28Nothing.
09:29What am I supposed to do?
09:30Sit at home?
09:31Stare at a wall?
09:32No.
09:33But, you know...
09:35Lily?
09:37It's my grief, Shane.
09:39We need some normality.
09:40Okay.
09:42Listen, me and the guys we were talking...
09:44Oh, go on.
09:44How about we come over this weekend?
09:46Nothing crazy.
09:47Just a few drinks.
09:48Keep you company.
09:49So, it's too soon for me to be back in work.
09:53But not for a piss-up.
09:55Hm?
10:11Hello?
10:14Mommy!
10:15Hi!
10:16Good girl!
10:19Hi, Maya.
10:21Has everything been all right?
10:22Of course.
10:23We have fun.
10:23How are we, Lily?
10:25Yeah?
10:26We made...
10:27Oh, yeah.
10:28That's all right.
10:29You've made angels!
10:31Why don't you show, Mummy?
10:32Go on.
10:33Go on.
10:34Go.
10:34You're going.
10:36One minute.
10:37She's been talking about heaven, so...
10:40Yeah, no, it's fine.
10:40It's fine.
10:42Listen, you get off.
10:43It's fine.
10:44I'm going to look at these amazing angels.
10:47See you, darling.
10:51Clever girl!
10:53Look!
10:54Wow!
10:55Show me!
10:56Show me!
10:58I win!
10:59Oh, big girl!
11:01Ready?
11:05Wow!
11:07Shh, shh, shh, shh, shh, shh, shh.
11:13Thief!
11:14Haha, shh!
11:18Ice in water!
11:19I got it!
11:19Alright, woah, woah, woah!
11:22Oh, my God!
11:26A year, I got it.
11:29Pretty, pretty much, yeah!
11:32Yeah!
11:33You got it!
11:35The way you get it!
11:36Yeah!
11:36I got it!
11:41MUSIC
11:58Right, Lily.
12:00Hi. Breakfast.
12:01Go and sit down.
12:03Go and sit in your chair.
12:05Good girl.
12:06Here.
12:44Hi, Judith.
12:46Listen, I'm just pushing off to work.
12:47Can I call you back?
12:48I thought you could come over to Farnwood this weekend with Lily.
12:52Well, that's kind of, yeah.
12:53Erm, but I can't this weekend have arranged to see a friend.
12:56She spent a lot of time here, Maya, when you were away.
12:59I know you're not used to being a full-time mother,
13:01but children need their routines.
13:03Yeah, I know, I know.
13:06Erm...
13:06Listen, why don't I call you later and we can arrange another day?
13:10OK, yes, call me later.
13:11I'm only thinking about what's best for Lily.
13:14All right, bye.
13:18Unbelievable.
13:18I'll see you later.
13:20I'll leave you alone.
13:20You won't be alone.
13:20Yeah, you won't be alone.
13:26You won't be alone.
13:34So, I want you to be alone.
13:38Hello.
13:39You're right.
13:40You won't be alone.
13:45Let's go.
13:46Bye, girl.
14:01Lily? Did you see Daddy?
14:04Daddy.
14:05Did you see Daddy yesterday when I wasn't here?
14:07He came over and he gave you a cuddle and he sat you on his lap.
14:14OK. Mummy's being silly. I'm sorry.
14:34Fuck.
15:05I'm sorry.
15:07Mrs. Perkins, can I speak with you?
15:10Now?
15:11Yes, now.
15:13I need to show you something.
15:16What is this?
15:17It's a camera.
15:18You record me?
15:19Just watch your screen.
15:20You're spying on me.
15:21Watch. Watch.
15:28How do you explain this?
15:29I don't know what you mean.
15:30That man there, you saw him, you saw who that was.
15:34Who?
15:35What do you mean?
15:36Who?
15:37It's Joe. How the hell can that be?
15:38Please, Mrs. Perkins, you're scaring me.
15:40It's fucking Joe.
15:42He's dead, Isabella.
15:43You hurt him.
15:44He's dead and he's there on the camera whilst you were in the house.
15:48Mama!
15:53It's all right, darling.
15:54Just go back in and watch your show.
15:56Go on. It's all right.
15:57It's OK.
16:02I want answers.
16:04I need some water.
16:05I need some water.
16:12Ah!
16:14Ah!
16:16Ah!
16:19Ah!
16:21Ah!
16:22Ah!
16:23Ah!
16:24Ah!
16:41What the hell happened?
16:43Got pepper sprayed.
16:45Pepper sprayed?
16:46Yeah, by my nanny.
16:48Are you serious?
16:50No.
16:51No, I'm a gifted comedian.
16:53Nothing warms me a crowd.
16:55Like the pepper spray nanny routine.
16:56All right, mine.
16:57That's a serious offence.
17:01God.
17:02You OK?
17:05Can I ask what prompted it?
17:08I saw something on my nanny cam.
17:11And I challenged her about it.
17:14OK, what'd you see?
17:16It's going to sound crazy.
17:18Find me.
17:26It's gone.
17:28Gone?
17:29The SD card is gone.
17:31It's all right.
17:31She must have taken it.
17:33After she pepper sprayed you?
17:35Yes.
17:42So what was on it?
17:47Joe.
17:49Joe?
17:49So it was, er...
17:52It was an old take?
17:53No, it wasn't.
17:53It was from yesterday.
17:57You know that...
17:58You know that can't be...
18:00He was wearing his green shirt that's not in his wardrobe or his shoes.
18:04Are you sure it was Joe, Ryan?
18:06He went to Lily and she cuddled him.
18:09Did you ask Lily?
18:12She said he wasn't here.
18:17You know...
18:20Grief can do funny things.
18:21It's not grief.
18:26I'm sorry.
18:27No, it's all right.
18:29Fine, I'm sorry.
18:31OK.
18:32You want to ask me a few questions?
18:34Yeah, if you're OK now.
18:37Thanks.
18:41Jess, in your original statement on the night of the attack, you said two masked youths appeared in the park
18:49on scramble bikes.
18:50Yeah.
18:52And then you said they stopped in front of you and attempted to grab your bag.
18:58Correct.
19:01Right, and then, um...
19:04And then you said...
19:06I resisted.
19:08A fight broke out.
19:09Um, one of them had hold of my bag.
19:11He wouldn't let go.
19:12And I, uh, I was pushed.
19:14I fell backwards.
19:18They were demanding that Joe handed over his wallet and he wouldn't.
19:22What?
19:23Then all of a sudden, out of nowhere,
19:26he pulled out a gun.
19:28I tried to call for help.
19:32But before I could, I just heard...
19:36By the time I got to Joe,
19:39he was on the floor.
19:43So, dying.
19:45No!
19:46Joe!
19:46Joe!
19:47Joe!
19:48Joe!
19:52Besides a very detailed description of the suspects,
19:55you were able to tell us that the youth in the red Nike trainers
19:58was carrying a 9mm Glock 17R.
20:02Oh, that's very impressive.
20:05To identify a weapon like that.
20:07I was issued one.
20:09Overseas.
20:11Do you miss the army?
20:13I loved combat.
20:16The adrenaline.
20:18The fear.
20:20It was addictive.
20:22But that's all over now.
20:31As you know,
20:32despite never finding the weapon itself,
20:34we recovered three bullets from your husband's body
20:37and three cases from the scene,
20:39consistent with the Glock 17.
20:41Now, you own guns,
20:42don't you, Mum?
20:44Yes.
20:46Do you keep any of them here?
20:48They're in here.
20:50No one will get their hands on them,
20:51especially Lily.
20:54Look,
20:55how do you open it?
20:57Thumbprint.
21:05Wow.
21:09That's, uh,
21:10quite the collection.
21:12Does anyone else have access to these?
21:13No.
21:14Well, Joe used to.
21:15do you, Mum?
21:26What's that?
21:27It's old.
21:29Deactivated.
21:30Glock 17?
21:31Yeah.
21:32Is this your only handgun?
21:33Yep.
21:34Only one.
21:35And it's legally registered as deactivated,
21:39as I'm sure you already know.
21:42So, shall we stop playing games
21:43and you tell me what it is that you want?
21:44What I want, Maya,
21:47is to go away and test it.
21:48Go on.
21:49What, you think I killed my husband?
21:52No, Maya.
21:55You buried him.
21:56I was there.
22:00So he wasn't on the nanny cam.
22:17Hi.
22:18Hi.
22:18Hiya, sweetheart.
22:20How was your day?
22:21Yeah, good.
22:22Well,
22:22I say good,
22:23I had a six-year-old say bellend this morning.
22:26Hattering his parents.
22:29And were they bellends?
22:30Most definitely.
22:33Yeah.
22:35So, tonight,
22:36you got your dancing shoes ready?
22:37Of course.
22:38Right, and don't forget,
22:396pm, yeah,
22:40and it's side together.
22:42Side tap.
22:43Side together, yes?
22:44Love you.
22:46Love you too.
22:47Bye.
22:48Bye.
23:30And have the board members call at 2.45.
23:32Ah.
23:34It's in your diary.
23:35Oh, joy of joys.
23:37Excuse me?
23:40Daughter-in-law.
23:46Reconsidering my offer?
23:47No,
23:48um,
23:49I need to ask you something about Joe.
23:52What is it?
23:54When you,
23:55uh,
23:56when you went to see him,
23:58to
24:00identify his body.
24:03Yes.
24:05What did he look like?
24:07Why on earth would you ask me that?
24:09What did he look like?
24:11What sort of a question is that, Maya?
24:12Because I never saw his body.
24:14Maya, please,
24:15I urge you to think again about counselling.
24:17I have an excellent colleague at the clinic,
24:20specialises in grief.
24:21I don't need counselling.
24:24Please,
24:25just tell me what you look like.
24:27There's no stigma attached to it, Maya.
24:29Judas.
24:32He looked like what he was.
24:35Beautiful.
24:37But a body.
24:40Everything that made him do
24:42was gone.
24:49All right.
24:50Love, love, love, love.
24:52Yeah, get up.
24:52All right.
24:52Yeah.
24:52Cheers.
24:53All right.
24:53Thanks, yeah?
24:55Oh,
24:56nice.
25:09A cat.
25:11Yeah.
25:12Yeah,
25:12from nowhere.
25:13It jumped out.
25:13I swear,
25:14next thing I know,
25:15I've hit a fence.
25:16Are you OK?
25:17Yeah, yeah, yeah.
25:17Not a scratch.
25:18Unlike the car.
25:20Can I have a replacement?
25:21Most likely.
25:23But, Sammy,
25:24I'm just going to ask you this straight.
25:26Oh, come on, Pam.
25:27You've had your challenges,
25:28and I know you've risen to meet them,
25:30but we're all capable of...
25:311,278 days sober.
25:34Do you know how long that is?
25:36Nearly three and a half years.
25:37You're getting married.
25:38And?
25:39Oh, come on, Sammy.
25:41Are you sure the wedding's not bringing back
25:43unhappy memories of what happened last time?
25:51It was a cat.
25:52It was an accident.
25:54It was a complete freak event.
25:57OK.
25:57Fine.
25:59I'm partnering you up on the Joe Berkley.
26:01Oh, no, no, no, no.
26:02Come on.
26:03Marty McGregor.
26:04He's young, he's bright,
26:05and he'll benefit from the wisdom of an older man.
26:07So I'm being babysat by a child?
26:09Let's see it as babysitting.
26:11Oh, I've...
26:12See it as someone to help you avoid cats.
26:17Oh, my God, this is...
26:18This is so exciting.
26:19I know.
26:20I'm really stoked to be...
26:23You know, I think...
26:24I think we'll be a really good team.
26:25Oh, God.
26:26Are you...
26:26Are you stoked?
26:28Yes, yeah.
26:29Yes, yes, I'm stoked.
26:30Very stoked.
26:32Marguerite Corner.
26:34This is where the attack happened.
26:36Do you know who Marguerite was?
26:38Oh, a painter, was she?
26:40Ruler of Denmark, Norway and Sweden in the 1300s.
26:44Now you're probably thinking...
26:47Why does she have a corner...
26:50In a UK park?
26:53Er, yeah, why?
26:56Fuck knows.
26:57Ha!
26:58But she does.
27:01And this is where Jo Burkett was murdered.
27:03On the night of the 12th.
27:06And the wife's statement's all we have to go on.
27:09Come on.
27:13You know, she left the army under controversial circumstances.
27:16Yeah, yeah, it was a kind of a whistleblower thing, right?
27:19Yeah.
27:20Yeah, she killed innocent civilians.
27:22Corey, the whistle leaked the details.
27:23People wanted her in prison, yeah, I remember.
27:25Yeah.
27:26Yeah, and then...
27:29And then today, she claimed to see her dead husband alive.
27:34What?
27:35Yeah.
27:36Nice me says she's in grief.
27:39She lost her sister and her husband in a short period of time,
27:43and she's seeing things, but...
27:46The cynical me says if she did do it,
27:49maybe she's trying to show us that she's losing it.
27:52You know, to plead diminished responsibility.
27:57Well, does she have a motive?
27:59Well, you know, motive isn't always clear.
28:02You know, we dig.
28:03Right.
28:03We find reasons.
28:04Okay.
28:06Oh, a rich family.
28:07I mean, work at Global Enterprises.
28:09Ching!
28:10Is she in line for a big payout?
28:11Some life insurance,
28:12but most of the money goes into trust with her daughter,
28:15but that was all three agreed years ago.
28:18So, well, maybe it is exactly as she says, you know.
28:22Two kids on motorbikes.
28:26Yeah.
28:27Yeah.
28:29Which is why we need a ballistics check on her gun.
28:32Right.
28:35Oh, but, yeah, okay, I'll get on it.
28:37Yeah.
28:37And while you're there, chase them up on the bullets.
28:40I requested a matching review
28:41to see if the killer's gun could be linked to any other incidents.
28:44Ballistics bullets.
28:45Yes, Cal.
28:46Hey, whoa, whoa.
28:49Don't never ever do that.
28:50Okay.
28:51Just nuke it up.
28:54What?
28:55What's that?
28:57Oh, it was chocolate whey protein, spinach,
29:00and a little bit of banana.
29:01Did you want to?
29:03You should.
29:03I should, yeah.
29:04Okay.
29:05Well, I'll see you.
29:07I'll see you back at...
29:07Yeah.
29:10Oh, God help me.
29:11I don't know what you have to say.
29:11Shh.
29:16I don't know.
29:23I need...
29:24I don't know.
29:29I don't know.
29:30I don't know.
29:33Let me know.
29:33Oh, God help me.
29:39I don't know.
29:39I don't know what you have to say yet.
30:15Hello, you've reached Isabella. Please leave a message and I'll get back to you.
30:21Call Charlie.
30:26Hello? Charlie, it's Maya. Have you seen Isabella up your way?
30:30Yeah, I think I saw her come back a little while ago. I think she's at the house in the
30:33ground.
30:33Alright. Okay, thanks. Bye.
30:53Hello?
30:58Hello?
30:59Hello?
31:00Hello?
31:10Hello?
31:11Come on then.
31:12Let's see you again.
31:14Yeah.
31:16Hi, Lily. Hi, Auntie Maya.
31:18Hi, Dan.
31:19We haven't seen you in ages.
31:22Sorry, Auntie Maya.
31:24Is your dad in?
31:25Yeah, just inside.
31:25Yeah, got it.
31:26Hey.
31:28I want to start playing with caution.
31:30There you go.
31:31Go and find Abby.
31:36Hey, Lily.
31:37Hello.
31:42Oh, he's amazing.
31:55Eddie?
31:55All right.
31:56Do you mind look after Lily for me for an hour? I need to go and speak to someone.
32:00Yeah, whatever.
32:01Petting Auntie Maya?
32:02Abby!
32:03Oh.
32:04I'll come and see you today. Maybe second half.
32:07You don't need to.
32:08No, I want to.
32:09How are you getting there?
32:10How do you think?
32:12What, with that in your hand?
32:14One drink.
32:15I'm fine.
32:17I don't drink and drive, Maya.
32:19It's one drink.
32:21Satisfied with mine.
32:27Eddie.
32:28It's bad enough that the kids are living in the house that their mum was killed in.
32:32The boxes.
32:35Let me take them out of here.
32:36I'm dealing with it.
32:37You've been saying that for weeks.
32:38Well, maybe you'll understand when you start to throw Joe's stuff.
32:42Know how it feels now, don't you?
32:46Please, let me help.
32:48My wife, my problem.
32:50Yeah, and my sister.
32:51Eddie.
32:52I think that trumps marriage.
32:58I know I wasn't here as much as she'd have liked.
33:01But you're off saving the world.
33:03She hated you being away, you know that.
33:06She was worried every shithole conflict she went to would be her last.
33:10And one day she'd get a call telling her as much.
33:13But it was the other way around.
33:30Hiya.
33:32Hi.
33:33Why are you at Fanwood?
33:34I've been updating Judith.
33:36How's the nanny situation?
33:37Right.
33:40Well, I'm going to see Isabella now to talk about it.
33:43Asking what?
33:46If she saw Joe.
33:47Why she took my SD card.
33:49Listen, I know.
33:51Maybe I am going crazy.
33:55But she saw what I saw.
33:58And now she won't even speak to me.
34:03Do you want me to come with you?
34:05No, thanks.
34:07Alright.
34:07Well, be careful.
34:10He's gone.
34:12Maya.
34:15Joe.
34:20You know that.
34:24See you.
34:47Isabella, it's Maya.
34:50Will you just open the door?
34:54Please.
34:55I just need to talk to you about Joe.
35:01I know you're in.
35:04Isabella.
35:15I can see your feet.
35:16I'm sorry.
35:17I grabbed you.
35:18I panicked.
35:19Just...
35:19Just please open the door.
35:21I know you're in.
35:35Down.
35:41Ah.
35:42Hi.
35:44What's all this?
35:45Oh, yeah. They, er, they changed it. Don't know why.
35:50It's awful.
35:51It's a car.
35:53It's green.
35:54Looks like Kermit. Kermit vomit.
35:58Feel free to walk home after a dance lesson.
36:01I'd rather.
36:02Do.
36:03I will.
36:07You're the greatest.
36:11You're too much for me.
36:14Yes, very nice.
36:16Disappointing.
36:17I'm so sorry. I don't, I don't.
36:19I thought it was lovely.
36:20I thought it was very nice.
36:22You did.
36:22Yes, yes, yes.
36:23Because you're making me look bad.
36:25Yeah, yeah, yeah.
36:25That was bad.
36:28You're the lady.
36:30You're my symphony.
36:34You're the most supreme.
36:36The biggest dream.
36:38And oh, so super fine.
36:40You're the greatest.
36:43Yes, the greatest.
36:46Stop it.
36:47Stop, stop, stop, stop.
36:48I'm sorry.
36:49I'm sorry.
36:50Sorry.
36:52How long till the wedding?
36:54Stop it.
36:55Don't laugh.
36:56Four weeks.
36:57Four weeks.
36:58Yeah.
36:59We've got our work cut out.
37:01Who?
37:02Stop it, please.
37:03Please.
37:05Sorry.
37:05All right.
37:08Don't give the ball away.
37:10Chase it.
37:11Chase it.
37:11Keep moving.
37:12Come on.
37:12Let's go.
37:13Go on, Abby.
37:14Go on.
37:15You send it to donuts, Abby.
37:16That'll get you moving.
37:18My granny could play better than you.
37:20Just move it faster, you bloody donkeys.
37:21Come on.
37:22Faster.
37:23Talk to me, Trevor.
37:23Come on.
37:25Don't give it away.
37:34Don't give it away.
38:03chase it.
38:04Quick.
38:05Quick.
38:06Come on.
38:07Come on.
38:08Come on.
38:08Come on.
38:09That's yours, Abby.
38:10Challenge.
38:10Challenge.
38:13Awful.
38:14Ref, number five.
38:17Abby, off.
38:18Off.
38:20Off.
38:23Awful.
38:25Woeful.
38:26Maybe he's up on the cakes, yeah?
38:28Your book's not helping.
38:30Hey.
38:31Coach.
38:32Bit of a game here.
38:33Yeah, I'm Maya Stern.
38:34I'm Abby's aunt.
38:35Maya, don't.
38:35Yeah, I know you are, Captain.
38:38I'm talking to you.
38:39What?
38:40The kids.
38:41I'm ex-forces and I've heard sergeant majors go easier.
38:44They're embarrassing themselves.
38:45No, no, no.
38:45You are.
38:46You can't speak to kids like that.
38:48Who the hell are you?
38:49I'm a winner.
38:50Oh, my God.
38:51You want to know the rainbows and bluebells?
38:53Well, get her in the art club.
38:54God.
38:54Now, excuse me.
38:54I'm coaching a team, yeah?
38:56Okay, yeah.
38:56You're a rude man.
38:57Whatever.
38:58Yeah.
38:58Don't turn your back on me.
39:00I said, don't turn your back on me.
39:03Come on.
39:08Now, go on.
39:10Give me an excuse to put you down.
39:13Go on.
39:16Nah.
39:17You're not worth it.
39:18Yeah, I thought so.
39:20Bye.
39:21Do one.
39:27I'll rent off!
39:29Okay.
39:30Yeah?
39:31No worry.
39:32Come on.
39:33Come on.
39:38Maya?
39:41Maya.
39:43Wait in the car, please.
39:45Oh, here we go.
39:52I don't want you around my children.
39:53Oh, Eddie, come on. The guy was a bully.
39:55Oh, he's not just that.
39:57You don't get it, do you?
39:58No, obviously I don't, no.
40:00The army, that incident, then Claire, now Jo.
40:04Death follows you, Maya.
40:06What, you sure you've only had that one drink?
40:11You think I wasn't torn in half when my sister died?
40:14I wasn't even here, Eddie.
40:16They're her kids.
40:17They're all I have left of her.
40:19You stay away.
40:19No, you can't do that.
40:20You stay the fuck away!
40:24In the car, please!
40:35Dick.
40:37So I spoke with Sharon about the dress.
40:40She said that this little fella will definitely show,
40:45but she said she can do some kind of, I don't know,
40:49frill thing to conceal it a bit.
40:51But everyone attending knows that you're pregnant, so...
40:54It's our wedding day, Sammy.
40:57I want to look the blushing bride.
41:00It's not like we're dashing down the aisle
41:02because you managed to slip one past the goalie.
41:04I want to look the blushing bride.
41:09Hello?
41:11What's up?
41:13Oh, I'm sorry.
41:14It's just...
41:16It's justice murder.
41:18Plus, they gave me a partner.
41:21Is that a bad thing?
41:21Yes.
41:22He's about three.
41:24A health nut.
41:25Duran Duran came on the radio.
41:27You've never even heard of them.
41:29What a bastard.
41:31No, no...
41:31Never heard of Duran Duran.
41:33Look, I'm not saying he should like them,
41:35and I'm not saying he should be able to recite their lyrics,
41:37but he never even heard of them.
41:39No, I agree.
41:40He should be fired immediately.
41:44Come here, you big daft bugger.
41:48Oh.
41:51Listen.
41:53It's a job, Sammy.
41:55An important job, but a job nonetheless.
42:00Yeah, you know what I mean, Matt?
42:01Come here.
42:20Thanks.
42:21See him again.
42:21Yes.
42:25Some fresh...
42:26Yeah, I told him.
42:27I told him.
42:28Hello?
42:30Yo, it's Marty.
42:31I've, um, I've just sent you the ballistics report
42:32on the bullets that killed Joe Burkett.
42:34Have you got it?
42:40Yeah, yeah, I got them.
42:41Yeah.
42:43You're not going to believe your eyes.
42:58Jane, you're going to be this singer.
43:01Yeah, by now.
43:03When's your next tour kicking off?
43:04Two weeks now.
43:05Two weeks?
43:06Yeah.
43:06God, that's soon.
43:08I know.
43:08I've got to say, I'm glad you're not going back there.
43:10Although, if it wasn't for you, Ben wouldn't be here, so...
43:14I'm not sure whether that's a good thing.
43:15Oh!
43:17No, I know what you're going to do.
43:18No?
43:18What are you going to do?
43:19Yeah.
43:19No!
43:20No!
43:21No!
43:22No!
43:22No!
43:23No!
43:23Hey!
43:24Come on in.
43:24Gather in.
43:25He does this.
43:27Maya.
43:28No.
43:28Yes.
43:29Well, I want to thank you for having us a bunch of degenerates over at your humble palace,
43:36maybe?
43:37And, um, I think I speak for everybody when I say, we've missed you loads, little sister.
43:43Yeah.
43:45Haven't we?
43:46Yeah.
43:48Hey.
43:49Stay strong.
43:50Oh.
43:50God's sake, stop me.
43:52Okay, okay, okay, okay.
43:52Tamiya!
43:53The best combat copter pilot I've ever flown with!
43:57Our captain!
43:58Tamiya!
43:59Tamiya!
43:59And little Lily the Hurricane!
44:02Yay!
44:03Come on!
44:04Cheers!
44:05Cheers, everybody!
44:06Cheers!
44:06Cheers, all!
44:13Cheers.
44:14You okay?
44:17Stop it.
44:18Stop what?
44:18You.
44:19You treat me like a widow.
44:20Well, I hate to break it to you, but that's exactly what you are.
44:23Which is convenient, really, because you've always suited black.
44:30I know this is going to sound crazy, Shane, but I keep thinking that I'm seeing him.
44:38It's natural, Maya.
44:41People do this all the time.
44:45When you lose someone, it's like, I don't know, it's like you still want them to be there,
44:49you know?
44:52Yeah.
44:55I'm going to sound even crazier now when I tell you this.
44:59Uh-oh.
45:01I think I'm being followed.
45:04By who?
45:06Don't know.
45:08I've seen the same car twice.
45:12I've noted down the plate it's a red Volkswagen.
45:15You just sent me to a free Amex.
45:18Do you think you can find the owner?
45:20Not legally.
45:21Yeah, but you can.
45:24Yeah, send it to me.
45:27Thanks.
45:31Mother-in-law.
45:32Good luck.
45:35Hello?
45:36Maya, what happened?
45:38Isabella's saying she won't work for you anymore.
45:40She's here now.
45:41Right, well, don't let her leave.
45:42I'll come over now, yeah?
45:43Keep her there.
45:45Shane.
45:45Look after Lily?
45:46Yeah.
45:46Gotcha.
45:49Yeah.
46:06There's a way, I'll go over here.
46:06Oh, my God.
46:10Yeah.
46:10Oh, my God.
46:15That's right, Jane.
46:16Oh, my God.
46:16Oh, my God.
46:16Oh, my God.
46:16Let's go.
46:46You attack her.
46:48Isabella? Isabella?
46:49What did you do with this?
46:50Fuck you.
46:51She's scared of you.
46:52Let me pass or I swear to God I'll have to worry you.
46:53Leave her alone.
46:54Luca, I just need to talk to her about Joe.
46:56She's fucking pepper sprayed me.
47:07Isabella?
47:11You can't run from this.
47:28Why did you let her leave?
47:29What was I supposed to do?
47:31Keep her prisoner?
47:33I needed to speak with Judith.
47:35She says you attacked her.
47:37I didn't attack her.
47:38You laid hands on her?
47:40Yes.
47:40Then what's the difference, Maya?
47:43Why did you do that?
47:44Why was she here?
47:46Well, her family's been employed by ours for many years.
47:49Long before you came.
47:50I see.
47:50You believe her.
47:52It doesn't matter that I was married to your son.
47:54It doesn't matter that I'm the mother of your grandchild.
47:56She says she caught you spying.
47:58Did she tell you what I saw?
48:01No.
48:01No.
48:03I saw Joe.
48:06I saw Joe Judith.
48:09Joe.
48:10On the camera.
48:12I don't know how.
48:13But that's what I saw.
48:16So answer me this.
48:17How can a dead man appear on a secret camera?
48:21How can a dead man cuddle his own daughter?
48:24Stop it.
48:25Stop this.
48:27Now, you know that can't be true.
48:31You wanted to see him, so you saw him.
48:35And then you started accusing Isabella.
48:37It wasn't a vision, Judith.
48:39He was there.
48:41Maya, it's your subconscious.
48:43Don't fucking analyse me, Judith.
48:44Please don't swear in my home.
48:46I know what I saw.
48:47What, my dead son whom we buried?
48:49I'm going to tell you the truth now, Maya.
48:52I'm worried about you.
48:54All those things you went through when you were abroad.
48:57I'm fine.
48:58You never dealt with them.
49:00What, are you saying I'm going mad?
49:01No, I'm saying you never dealt with them.
49:03Or the scandal that followed.
49:06And if I'm to be brutally honest,
49:09I wonder whether you're in a fit state
49:11to be looking after that little girl right now.
49:13Don't you dare question my parenting.
49:16I saw him.
49:18And I'm not going mad.
49:28Did you love him, Maya?
49:31What?
49:33Simple question.
49:35My son, did you love him?
49:38You know I did.
49:39Because I did to my core.
49:43But sometimes,
49:45when you were together,
49:46I loved him.
49:52But if I'm honest, Judith,
49:57I did often wonder,
49:59was there a voice in his ear?
50:02A little voice.
50:05Saying, is she good enough?
50:08This bit of rough.
50:11Was she really good enough?
50:15For my special boy?
50:17Because I'm not one of you.
50:19Am I?
50:21And I never will be.
50:43Hey, come in.
50:46Hiya.
50:48We're just having a bit of a barbecue.
50:59Maya, the 9mm bullets you recovered
51:03from your husband's body,
51:04we ran them through ballistics
51:06to see if the bullets
51:07matched any of the cases
51:08on our database.
51:11And they did?
51:14They did.
51:16The gun
51:17that killed your husband
51:20was also used
51:21to kill your sister,
51:23Clearwalker.
51:23надо Aman'
51:39down.
51:40No.
51:41No.
51:44No.
51:45No.
51:45Let's go.
52:19Let's go.
52:46Let's go.
53:18Let's go.
53:46Let's go.
54:15Let's go.
54:45Let's go.
55:15Let's go.
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