Izvor 9. epizoda

Dream Sweet

Izvor 9. epizoda

Transcript

00:15I'm going to show you how to do this video.

00:15How to do the video?

00:17How to do the video?

00:17I'm going to show you how to do it.

00:18.

00:18of

00:19the

00:20of

00:20the

00:20I'm sorry.

00:36I'm sorry.

00:37I'm sorry.

00:38I'm sorry.

00:38The event has a lot of people who are living in the world,

00:40but also popular people who are used to live with this water,

00:45because they say that he brings a powerful voice,

00:48like with, for example, Sime Paštrmca.

00:51He was Amidža, the director of the city of Miloš.

00:56And he is from the village of Ramaće,

00:57and his name is the name of him.

00:59But we are not here because of this,

01:01but because of something else.

01:03Let's go, Roki.

01:05What will we talk about

01:07the Director of the Kancelarious Infrastructure Projects?

01:10Let's go, Roki.

01:12Mr. Milorad Milojevic.

01:15Stand, Roki, here.

01:16Yes.

01:18Well, as you can see,

01:20Amidžin is a large amount of drinking water,

01:24but unfortunately,

01:25with one home,

01:27the water is not available to others.

01:30Yes.

01:31Can you tell us about which one is working?

01:34Of course.

01:35It is...

01:36It is an organization.

01:37It is an organization.

01:38It is an organization.

01:39It is an organization.

01:40It is an organization.

01:42It is an organization.

01:43What was it?

01:44You said,

01:46it's an organization.

01:49It is an organization.

01:50It is an organization.

01:53It is an organization.

01:55Here, I will see you on television.

01:58When I am shooting it?

02:00When I am not listening.

02:02When I am watching it.

02:04Here, I am.

02:04Yes, yes, good.

02:10What do you call now?

02:12The new guy.

02:14This is the day.

02:15Hello.

02:20Hello.

02:21Good evening, the citizens.

02:23Good evening, sorry, what am I talking about?

02:28I will call him the Obre Biora on the phone.

02:30Yes, yes, Mr. Obre Biora.

02:34Let me tell you something.

02:36Don't let me laugh at all.

02:39I mean, what am I saying?

02:41Why would I laugh at all?

02:43No, it's not a celebrity.

02:44Why would I laugh at all?

02:45I don't think you're in the right direction.

02:48You're in Ramac.

02:50That's why I'm calling you to come.

02:52Not because I'm laughing.

02:53I'm calling you to wait for you,

02:56I don't think I could do that.

02:57I'll see you next time.

09:31I'm sorry. I'm going to deal with the defense.

09:35Everything is already agreed.

09:36The job is going to suffer because of old wars.

09:40Why didn't it happen to me?

09:43I said you have a great relationship.

09:45When we have a great relationship, what happened to you?

09:48I didn't want to talk about it.

09:53If you don't want to do it, I understand.

09:57You are writing books.

10:06Maybe we can do it. I mean Dragan.

10:11There is only time to do it. We don't have to talk about it.

10:16Nothing. I'm going to go to the house.

10:19I'm only a man. Let's see.

10:22Let's get to know Uno.

10:23It will be.

10:33Let's go.

10:37Let's go.

10:45Let's go.

10:51Let's go.

10:52Let's go.

11:00Let's go.

11:03Let's go.

11:09I don't know.

11:25Did I get to you?

11:26No, thank you.

11:30Did you see you here?

11:32I went a little bit, but I was looking for a conversation.

11:38Are you watching me?

11:41I'm watching you.

11:43I'm watching you on Facebook.

11:45I'm telling you about your friends.

11:48I'm telling you, when you find yourself.

11:51It's hard to get out of here.

11:53Let's pray, go.

11:55The other people are not here.

11:57Let's pray.

11:57Great. Then tell them they don't come.

12:02I won't be long.

12:04It's only half an hour, not so much.

12:07If you don't want to see you with me,

12:10I'd like to call them again.

12:12Okay.

12:12Good.

12:18Hey, Branky, hi.

12:21I'm sure I got it, but some of the primitive people

12:24took our reservation, so we can't.

12:28Yes, yes.

12:30But no matter.

12:31Let's go to the cafe at your house.

12:33Let's go.

12:35Let's go.

12:36Let's go.

12:37Let's go.

12:37Bye-bye.

12:38Bye-bye.

12:40Bye-bye.

12:41I've had some quick reflexes.

12:42I've had some good friends.

12:43I've had some good friends.

12:45I've had some good friends.

12:45If you come, you can say that we're going to go.

12:48I'd like to go.

12:50I'd like to go.

12:51I'd like to finish the story about the house.

12:58I'd like to go.

13:00I'm sorry.

13:01I'm sorry.

13:02I'm sorry.

13:02It's not only me,

13:04but the whole house.

13:06Did you hear what the town's house is?

13:08If you heard,

13:10you're coming.

13:11Right.

13:23Good news.

13:25Let me tell you,

13:26I'll decide whether they're good or not.

13:28Two out of three places are closed.

13:31The contract is signed

13:33and everything is confirmed by the lawyer.

13:35And the third one must be Baružina.

13:38Is it?

13:39We'll do it.

13:42It's not precious

13:43to hide our past.

13:46Because

13:49a little money

13:50that you threw me

13:51like a dog

13:52in front of a hungry dog.

13:54Do you want it?

13:55I mean,

13:55it's not a problem

13:57to give it to you.

13:58I really have it.

13:59Do you want it?

14:00Don't be like that.

14:01It's not all about the money.

14:03I don't want to mention you,

14:04but

14:05I've had a lot of time

14:07invested in you.

14:11You should be

14:13my

14:15new

14:15and

14:16over

14:162018.

14:20But Seja

14:21never

14:21returned on the��

14:23perto.

14:23After short. The things

14:25I see are

14:26good to make you

14:27and work. I would

14:28so. You

14:29would help

14:29for a

14:30couple of sana.

14:33New wonderful songs.

14:37Good dicen.

14:38And

14:39to please indie

14:42of songs

14:42I've never had Seja, I've never had anything.

14:46Seja is with you only seen the darkness.

14:50It's only the damage, the increase and the pain.

14:58Listen to me well.

15:00I've already told myself to my husband,

15:03so that neither you,

15:05nor the same like you,

15:07anyone can't appreciate me

15:09and give me my past.

15:13You're good, man.

15:15Every time.

15:17I mean, you didn't accept the agreement,

15:19but you gave me some money.

15:21Excuse me, I'm sorry for you,

15:23I've deserved it.

15:26This is a punishment.

15:27A punishment?

15:28A punishment?

15:29A punishment.

15:30A punishment.

15:30It's only a punishment I have not Get Aailleurs,

15:51without paranoia.

15:51For Alic.

15:54My husband is billion.

15:56It's not the power of you,

15:56my husband is billion,

15:58but.

15:59It's not, no, no.

16:00You have to do it quickly.

16:02What is the third one?

16:04And Baruđa will fly to Rudo,

16:06even when they hear that Milic and Obradović

16:08have sold me, and not you.

16:11That's the most important thing.

16:15But...

16:16I have to tell you something.

16:21I'm going to pay for my name

16:25to write to Dragan.

16:28Are you going to pay for me or for Dragan?

16:31I'm going to pay for you.

16:33I'm going to pay for you.

16:35I'm going to pay for you.

16:35I'm going to pay for Dragan.

16:40You don't want to pay for me and my son.

16:44The land is going to pay for Dragan,

16:46and not because you want that.

16:51The rest, the land is bought by my money.

16:54I'm going to pay for it.

16:56I'm going to pay for you.

16:58I'm going to pay for you.

16:59And I'm going to pay for you.

17:03Listen to me, Baruđa.

17:05I'm going to pay for this land

17:06to write to Dragan.

17:08I'm going to pay for you.

17:11I'll pay for you.

17:12I'll pay for you.

17:13I'll pay for you.

17:15You've won, Baruđa.

17:18I'll pay for you.

17:20I'll pay for you.

17:21Okay, I'll pay for you.

17:26That's my money.

17:27I'll pay for you.

17:30I'll pay for you.

17:32I'll go to the residence.

17:35I'll pay for the parking lot.

17:36I'll pay for you.

17:37That's all you'll see.

17:39to sell it.

17:40I'll call my friend to the star.

17:43I'll call him my name.

17:45I'll tell him.

17:47Why?

17:49There's no land here for him.

18:00Hey.

18:01Sit down.

18:14Is this a disaster?

18:15Is this a disaster?

18:16No.

18:18What is a disaster?

18:21What is a disaster?

18:21Except for something you don't deserve.

18:24Good morning.

18:25Good morning, welcome.

18:26Good morning.

18:28I thought we were able to get to the time.

18:30You get to the right time when you need.

18:43What are the results of the test from Ramacin?

18:46Are they not negative?

18:48Resultati?

18:48No.

18:50Why would they be negative?

18:53No.

18:53I thought...

18:54This is an agreement about trust and protection.

18:57Nothing special.

18:59When there are big projects in the question,

19:01these agreements are expected.

19:03And...

19:05you can sign them the first time.

19:08You're not negative.

19:09You're not negative.

19:10I'm paying for money and hard to put this in,

19:12so someone...

19:13not you,

19:14but anyone...

19:16...

19:17...

19:18...

19:19...

19:20...

19:21...

19:22...

19:23...

19:24...

19:25...

19:26...

19:27...

19:28...

19:30...

21:31...

21:32...

21:33...

23:04...

23:05...

23:06...

23:07...

23:37...

23:38...

23:39...

23:40...

25:40...

25:41...

25:42...

26:18...

26:19...

26:20...

29:20...

29:27...

29:30...

29:31...

32:32All of you have heard about Rudnik.

32:34After all you have tried,

32:36all of you have been on the side of the court.

32:38Now more than ever.

32:40You have tried to convince him to work, nothing.

32:43You have tried to destroy his job, nothing.

32:46You have tried to convince Rudnik, nothing again.

32:49You told me to convince him.

32:51Tošić comes to the community.

32:54I will give you a statement that I will replace you,

32:57which you did.

32:59And it would be better to see how to achieve this job.

33:04You have to pay attention to that task.

33:31You have to pay attention to that task.

33:33You have to pay attention to that task.

33:41I'm gonna give you the right task at all.

33:53I don't even know what to do.

34:01I don't know what to do.

34:06I don't know what to do.

34:09that's what I'm saying.

34:10But...

34:12I don't know what to do.

34:19I have to admit...

34:23that I'm not really important.

34:25I would like...

34:29to see...

34:32how...

34:33that...

34:35looks...

34:36looks...

34:40It was before the internet, so you can only think about it.

34:50It's important that we...

34:52we don't have any of them.

35:13Where are you?

35:16Hello, come on.

35:17Where are you? What's going on?

35:19Something special.

35:20I see...

35:21you should have something to do today.

35:23Yes.

35:24I left the manager.

35:25I like the pictures.

35:27Good.

35:28Good.

35:29Good.

35:42What's with you?

35:45Nothing.

35:46I think...

35:47I think...

35:48I think...

35:48you should have thought about it.

35:50And...

35:51about your future.

35:54What are you talking about, Lidia?

35:55I think...

35:56I think...

35:57I think...

35:57that Goran is ready to save you all...

35:59and you...

35:59for your business plans.

36:02What are you talking about?

36:03Where are you talking about?

36:04I understand.

36:05I understand.

36:05He's your father.

36:06He's probably fine, good and all that.

36:09But...

36:09it doesn't mean that he wouldn't sell you.

36:12What are you talking about, Lidia?

36:13What are you talking about, Lidia?

36:31You're lying.

36:33That village isn't for you.

36:34And then, Dragan.

36:36What is he's just a character in his combination with his own...

36:39What's his name?

36:40Listen, let's take a little bit of your crystals.

36:43You're a stupid fool and something to throw you in the head.

36:46I'm going to get time.

36:47Let's go.

36:48Bye.

36:50Did you even say what you wanted to say?

36:53No.

36:56I couldn't.

37:00Good.

37:00Give me the camera.

37:02Here we are.

37:03I'm telling you about the water supply chain.

37:06As well as the Rudeniku Opala,

37:09about his project,

37:10we've come back to the owner of the city manager Svetlani Arsic.

37:15I have to go back and watch your viewers

37:18to talk about false news.

37:19The Rudeniku Opala is a project that is older than half a year.

37:25Beautiful woman.

37:27Did you help her as a campaign?

37:31Aha.

37:34When it was three or four years ago,

37:37you didn't see anything from that time.

37:43Yes, before some day.

37:48The Opstina wants to buy our land

37:53and to find the Rudenik.

37:57And?

37:58What did you say?

38:00What did I say?

38:01I said that the Opstina may be hiding in our village,

38:03not in our village.

38:05After all promises,

38:07what did we get?

38:08We got the asphalt and the asphalt

38:10and the water for the river.

38:11We thought that our friend

38:13is a big fish from Beograd.

38:15We, no one.

38:16We, no one.

38:17And why then?

38:18And our friend and the Opstina

38:19want to buy our land.

38:21Because we have something

38:22that they don't have.

38:24We have a clean land

38:25and a clean forest.

38:26the water.

38:30Is it going to be safe?

38:30What did you say about the water?

38:37I don't know when it was a country like this.

38:41What do you mean at the water?

38:42What is the water?

38:42You don't know what I'm saying.

38:49I don't care.

38:49I don't care about the water.

38:51There's no water.

38:52I don't care about the water.

38:55How can I get up?

38:56I don't care for everyone, especially Dragan.

39:02I'm doing all of this because of all of us.

39:05And not because of myself.

39:08What is a domestic family?

39:16Yes.

39:17See, we know that we've heard from now.

39:23Maybe these young people can, but I don't.

39:30I don't want to be ashamed of them.

39:32I don't want to be ashamed of them.

39:33I'm just curious. And how did it go?

39:35They were out of their hands.

39:37And that newspaper from Kragujevce. And that pop.

39:39And the rest.

39:57We're out of their hands.

40:02We're out of their hands.

40:04We're out of their hands.

40:31We're out of their hands.

40:34We're out of their hands.

40:36We're out of their hands.

40:50We're out of their hands.

40:52You're not the only one.

40:53So you're the only one.

40:55You're the only one.

40:57He's the only one.

40:57He doesn't want to have a job with you.

40:58Like many others.

41:00I'm ready.

41:01I don't know what you're talking about.

41:03Go first and talk to your son. He's told the crime.

41:06Let me know you're my son.

41:08I know you're going to take care of me.

41:10You're going to take care of me.

41:12You're going to be very important.

41:15You don't have to.

41:16You're a housewife.

41:17You can be like this and that.

41:19But you can't be a housewife.

41:21You change your life.

41:24I found a housewife.

41:26It wasn't for you.

41:27Who?

41:28My name is Milena.

41:30He threw his eyes on his face.

41:31Because he was my brother.

41:34Now I've been with him.

41:36Do you think you're going to die?

41:38God, God.

41:39You don't exist in him anymore.

41:42That's the best.

41:43In you, in him.

41:47You have a nice house.

41:52You have a nice house.

41:53You have a nice housewife.

41:54You have a nice housewife.

41:56You have a nice housewife.

41:56When the asphalt falls to the house,

41:59you won't come to this flower,

42:01nor any of your properties.

42:03Listen to me.

42:04Listen to me.

42:06Listen to me.

42:07Listen to me, the woman's head.

42:08Listen to me and my friend,

42:10Goran Stanković.

42:13Find your life.

42:15What's going on?

42:17What's going on?

42:18What's going on?

42:24What's going on?

42:36What's going on?

42:36Look, one sliači.

42:37I'm done.

42:39What's going on?

42:42You don't want to leave it in the past.

42:47You can hear it.

42:47It's good.

43:13Hey!

43:17You're from Beograd.

43:19I'm sorry, I'm not sure.

43:22Maša.

43:23Yes, Maša, I'm sorry.

43:26Do you want me to go?

43:27I'm sorry, I'm tired of training.

43:30Let's go.

43:36I'm at the end.

43:55I'm sorry, I'm not at the end.

43:57I felt that it was good.

43:58We finished it for the kace.

44:00The kace, let's go back to Bašićke.

44:03The other time, when you plan something,

44:06first of me, to ask.

44:07We're going to have a better advice.

44:10Go back the kace and don't forget it.

44:26Hello, my friend.

44:29I'm calling you to me.

44:31We have some information,

44:33so we'll continue to talk together.

44:35You won't tell me how it is.

44:36Okay.

44:39Okay.

44:41We'll talk about it.

44:43We'll see you in the room.

44:54And how do you like it here?

44:56Varohunski.

44:58The nature is beautiful.

45:01I'm doing picturesque.

45:03I'm doing picturesque, illustrations and all that.

45:06So it's really inspiring to me.

45:10Sometimes I finish the job earlier

45:13and then I'm doing it myself.

45:15I think since Gaga is doing it.

45:19And what are you doing?

45:21What are you doing?

45:21I'm going to go to my parents around a company.

45:25Oh, they're cold.

45:26Yes, I'm talking about it.

45:28Yes, cold.

45:31Do you want me to go to my house?

45:35Now?

45:37No, I don't mean now.

45:39I don't know.

45:40I don't know.

45:49I don't know.

45:50Who could go to my parents?

45:51Well, how are you doing?

45:58You know what?

46:00I'd probably get it better for training.

46:02Yes.

46:03We had a couple of days ago at Gaginih

46:05we had food.

46:08You see, we bought it.

46:09Sorry, we bought it.

46:11Yes, we bought it.

46:11Well, I had a condition for my time.

46:15I mean, I literally went to sleep.

46:18I don't think I'm going to run because I'm enjoying it,

46:21but because I'm upset and I don't know what to do with me.

46:25I thought we'd be together.

46:27Cool.

46:31I mean, maybe we don't have to be together at the end of the day.

46:34Maybe it's a stupid idea, right?

46:38I think so.

46:40Why would we have had a serious relationship with Gabo?

46:44It's just so.

46:49Sorry.

46:51What do you think?

46:55I'm sorry, I don't understand what you're talking about.

46:58I'll show you what you understand.

47:00What do you think, Miros?

47:31What do you think?

47:31And I think he won't be able to.

47:34You know how much Gaga loves me?

47:37He won't be able to forget me.

47:41He loves me forever.

47:44And you?

47:45He doesn't feel like Gaga.

47:51I'll be able to enjoy the funeral for several hours.

47:55I'll do another funeral for several hours.

47:57It's just a little while we're waiting for you.

47:57The funeral for several hours.

48:26The fate of our family is going to turn around my company.

48:29My fate will not turn around your company.

48:32Okay, okay, okay.

48:33You're going to get him out of the door, you're going to return to someone else.

48:37What do you do with your relationship with my job?

48:39You're not a problem.

48:41What will it be, Pavle?

48:42You're because you're listening.

48:43What do you do with your friends?

48:46Go, now you're going.

48:47What if you're going to go to the house, you didn't think about it?

48:50Tell him to go and let him not turn around.

48:52People come to church not to be with me, but with God.

48:57The people are only because of God.

48:59He's much better than all.

49:01Is there something you didn't say to me?

49:03You need to tell me.

49:04There's no problem.

49:06No, I don't.

49:07What problem?

49:07I don't know.

49:08I don't know.

49:10I don't know.

49:12I don't know.

49:17I don't know.

49:19I don't know.

49:20I don't know.

49:22I don't know.

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