- 2 days ago
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00:00I... I... I... I...
00:02...Krackata!
00:04What's wrong?
00:05...Dole...
00:07...Krashkach!
00:08I don't know who is the woman.
00:10What?
00:11You can understand.
00:13You've seen the scene without the scene.
00:15I've got an infarction.
00:17You know, you're the actor who plays.
00:22Yes.
00:23Sex with me is a classic.
00:25Yes.
00:26Just like...
00:27...Krackata Mick Jagger.
00:28I have to go.
00:34You're like an old girl.
00:38You're wrong with sex.
00:40I want to sign up for you.
00:42I want to sign up for you.
00:55I want to sign up for you.
00:58I want to sign up for you.
01:02I want to sign up for you.
01:04I want to sign up for you.
01:05I want to sign up for you.
01:07Now he takes additional classes.
01:12By the way of fighting techniques,
01:16by the way of protecting systems,
01:22and by the way of the safety of life.
01:26Yes, from so many problems, my mother can't hear the problems of others.
01:32No, you have to say to me!
01:35My mother is coming for a few months.
01:39He is the first one in Poland, but he is running away.
01:43You call my mother Hitler.
01:45Hitler is looking for the children.
01:47They don't have to get out of the way.
01:48Then you can get out of the TV.
01:52Do you have any more good advice, doctor?
01:57Yes, first you can scare yourself,
02:00and then you can shoot yourself.
02:05But if one wants to get out of the way,
02:08one wants to get out of the way,
02:09another wants to get out of the way.
02:11I'm talking about my mother.
02:13My mother's lesson is that love is not given.
02:15And that's the most difficult thing in my life.
02:20And you're asking why the people are in the way,
02:23because they're in the way.
02:23And they're in love.
02:27And they're in love.
02:27Because the boys give love for the way,
02:29and we give sex for the way.
02:34And we give sex for the way.
02:36But they're very much easier than the boys.
02:39But you're in love with them.
02:39Because, finally,
02:41the boys miss sex.
02:45And they're important things.
02:47Like these in office,
02:48or the kids at home.
02:50They're going to feel this moment,
02:51but your own man is in the way
02:54if you're in the way,
02:54you're in your mother.
02:55That's why
02:58without a doubt
02:59there is no sex.
03:01Without sex
03:02there is no sharing.
03:04And without sharing there is no...
03:08It's a relationship.
03:09With sex and speaking,
03:11you are coming from your head.
03:15Let's go.
03:26Besides,
03:27we can be friends.
03:32But friends share everything.
03:35Did you say that?
03:36No.
03:38Yes.
03:40She thinks I don't know who I am,
03:43who you are,
03:44how you spend time.
03:46Let's go.
03:47Yes, friends share everything.
03:59Yes.
04:00I came here with Giorgio Andreev,
04:01the producer.
04:02Who are you?
04:04Did you want to share a share?
04:07Is he on my years?
04:09No, it's not true.
04:10It's not true.
04:13No, it's not bad.
04:15Did you get so bad?
04:16Did you get so bad?
04:18What did you do with that man?
04:21I know.
04:23He was smart.
04:24He was smart.
04:26I liked him.
04:27I liked him.
04:28Then I got him.
04:31He was a father and a lover.
04:33What?
04:34Come on!
04:36I'm sorry to tell me.
04:38I'm sorry to tell you.
04:39I'm sorry to tell you.
04:40I'm sorry to tell you.
04:40I'm sorry to tell you.
04:45They have a problem with cholesterol.
04:47I'm sorry to tell you.
04:48They have an erectile dysfunction.
04:52They have an erectile dysfunction.
04:53They have an egg like a egg.
04:55They will die every time.
04:57That's right.
04:58I see that you are a lot of familiar with the issue.
05:01Is that your friend?
05:02First of all, you are a daughter.
05:04The daughter who comes with the children who are much younger than me.
05:07You know, I hear what you think about when you are sleeping with me.
05:11Yes, I am.
05:12I'm sorry to talk about the money that you take your care of.
05:17Lya, give me a second.
05:18Lya!
05:19Lya!
05:20Let me tell you to my mother.
05:21I'm not sure to tell you anything.
05:23Lya!
05:30Hello.
05:31Hello!
05:42How do you deal with your clients?
05:55How do you deal with your clients?
05:55You didn't have an infection.
05:59How do you help me?
06:00How do you deal with your clients?
06:01No, I have a problem with my clients.
06:09My wife is at the moment.
06:17Your wife is on the barista.
06:20You're going to drink it down.
06:22You talk to you, if you want something for your clients.
06:25You can't do anything about your clients.
06:27You're going to drink it down.
06:49Thanks.
06:50All you find me, Yassmina.
07:08The end of the experiment.
07:10All of you wrote that I love you on your own man?
07:15Okay.
07:16We'll see you in the comments.
07:17We'll see you in the comments.
07:19Is it a cold or a cold?
07:20Or a cold?
07:23Who will I know?
07:24The answer from the gadget.
07:29If you don't say that I love you immediately, I will kill you.
07:39Don't go and tell you how much you need.
07:43Many of you need.
07:46I'm going to tell you what I'm going to do.
07:47What I want is, the answer is not.
07:50I'm going to tell you what I love you.
07:58I call my new gadget. When I wrote, I love you, you are crazy.
08:04I do not want to do that. I am such a very new woman.
08:07He has looked different, he is different, I am different, and then I am fine.
08:13This is the reality of today. I want to take care of you from the old roles and try to
08:18find new ones, not familiar ones.
08:21I have written it here.
08:23Who are you going to take it first?
08:25Maybe I am?
08:36I have a lot of money.
08:46With my own clothes, I don't have to help.
08:50You are the first person who took me a big sum of money.
08:54I am not sure how much I am.
09:00But I like it.
09:02I like it.
09:03I don't see you anymore.
09:05Listen to your voice.
09:08And your heart.
09:11But on the front of the front, there are people who take it so seriously,
09:15who take it seriously.
09:17Hello.
09:18Hello.
09:18Hello.
09:22Hello.
11:23What are you doing?
11:23What are you doing?
11:26What are you doing?
11:28What are you doing?
11:30What are you doing?
11:31What are you doing?
11:32What are you doing?
11:35What are you doing?
11:48What are you doing?
12:16What are you doing?
12:17What are you doing?
12:19What are you doing?
12:22How do you do?
12:24What are you doing?
12:25and my life is 10 out of 10.
12:29And...
12:29You can't...
12:319 out of 10.
12:33And we can talk about it.
12:35And now is the moment to tell you that I have two new ones.
12:39What do you mean?
12:41I have many more.
12:42But my brother is that I have to take care of your man.
12:45And Alexander?
12:46I'm surprised.
12:47You can tell me that you can tell me that you can tell me.
12:52But you can.
12:56Wait, wait, wait, wait.
13:08Oh, it's cool, it's cool.
13:10I really took him.
13:12Oh, how sweet you are!
13:14Like a baby.
13:16It's our baby.
13:17Our baby?
13:18I'm going to call him Tony.
13:20Tony?
13:21Mладish.
13:29Come on!
13:29Where am I am now?
13:32I'm so happy.
13:33I'm so happy to to come here.
13:35Everyone is looking for a dream.
13:36You're not the one out of me if you are watching me, is it possible by...
13:44Hey, a woman needs to look at me.
13:45She's got to look at me.
13:47Hello?
13:48Hello, my friend.
13:50Did you get a SMS?
13:53Yes, I always told you that I didn't know.
13:55I'm fine, but I don't want to look at me.
13:58I just want to look at you a little, emotional.
14:03You did not do it.
14:04Yes, you did not do it.
14:06With this voice, it's very sexy.
14:09I'll wait until the evening.
14:13Until the evening.
14:16Oh!
14:18Oh!
14:20Oh!
14:21Oh!
14:22That's the end!
14:25That's the end.
14:28After the protest, the security of the course is on the drama,
14:31at least one is sure.
14:32I won't change my mind.
14:34I'll be happy.
14:36I'll be happy.
14:40I'll be happy.
14:48I'll be happy.
14:50It's official.
14:51I talked to the director.
14:53They're in the field.
14:57You want success?
15:00If you have other stupid ideas,
15:03you can only take them for yourself.
15:04Okay?
15:06What about you?
15:08What about you?
15:09Let's leave.
15:10Don't take care of her.
15:15Oh!
15:18How small is that,
15:20that you show,
15:21that you have to close your eyes to see.
15:24Show me. Show me. Show me.
15:26Show me. Show me.
15:29Oh!
15:31Oh!
15:32You have to do it.
15:33You have to do it.
15:35Like every organ of the body,
15:38when you play.
15:40Have you already set sexual pressure?
15:46I have to do it.
15:55I have to do it.
15:57I have to do it.
16:03I have to do it.
16:05Yes, we talked about it.
16:07We will play football,
16:09and you will visit the theater school.
16:32Now, can I continue?
16:33I'm sorry.
16:35I'm sorry.
16:37I'm going to show you the room in the dress room
16:40from the Franski Varovic.
16:41We'll put it with the colors,
16:43which will be white and white.
16:45The shelves around the table
16:47will be the same color.
16:50This catalog is for you.
17:22I'm sorry.
17:23I'm going to show you the room.
17:25I'm going to show you the services,
17:27but I'm interested in the idea of the Polyleia.
17:29I'd like it to be the same.
17:31You're going to be mad?
17:32Do you like it?
17:33I love you.
17:34I love you.
17:36I love you.
17:36Do you want me to enjoy it?
17:44I love you.
17:45I love you.
17:46I love you.
17:48I love you.
17:50I love you.
17:50I love you.
17:53I'm sorry for you.
17:54That was a bomb, La Tudmene.
18:20I post their notes. Talk note.
18:22How do you react?
18:24Who?
18:25Miki?
18:26She doesn't know anything about me.
18:28If you know, you always say,
18:30how can I tell you the most rich guy?
18:36Well, I can.
18:38I got a psychopath.
18:41I'm happy and I want to go.
18:44So I found a lot of people.
18:47Do you want to say Miki?
18:50I'm happy to go.
18:52I'm happy to go.
18:54I'm happy to go.
18:54Even if I'm not going to go?
18:57I'm happy to go.
18:58I want to tell you,
19:00I'm happy to go.
19:02I've been so happy to go.
19:02I've been so happy to go.
19:04I don't know.
19:07We don't have a lot of friends to go.
19:10I'm not sure.
19:11I'm not sure.
19:12Yes.
19:18I'm missing the same thing in Brazil.
19:23I'm going to go out and take a look.
19:27I'm going to take a look.
19:28I'm going to take a look.
19:29I'm going to take a look.
19:31And...
19:32I'm going to tell you how are you looking.
19:34You're a little bit,
19:35or a little bit.
19:35That's my dream.
19:37That's my dream.
19:38That's my dream.
19:39So, between you and Miki,
19:42everything is on the way.
19:43Yes.
19:43I'm writing a love.
19:47And why are you talking about Miki?
19:49So, that's the idea.
19:52This is a bar, not a church.
19:54The end of the sentence,
19:55you agree with the bagage.
19:57I understand.
19:58I'm happy.
20:03Be nice and sexy.
20:05Be nice and sexy.
20:06Be nice and sweet.
20:07Be nice and sweet.
20:17Be nice and sweet.
20:19Not come back to your heart.
20:20I have nothing to have been, Miki and I.
20:22I don't have a run.
20:24I think, wait a minute.
20:30Come on, Miki?
20:31The dog has to be pinned on the table.
20:34I don't know.
20:35I don't know.
20:35I am not quite too excited.
20:37I'm on the other side.
20:39I'm waiting.
20:40So.
20:44I love you, Svodorich.
20:47Oh, dear, I have the most beautiful medical sister.
20:53And I love you, number one.
20:56You, you, you!
20:58And the two, Miki?
21:00The two make the highest number.
21:03Number 69.
21:12What's the taste of?
21:14A little bit on the inside.
21:17How do I get it?
21:18Well, I'll clean it up.
21:21I'll clean it up.
21:21I'll clean it up, Miki.
21:23What did you get?
21:32How do I get it?
21:35It doesn't matter what I'm interested in.
21:37In the evening, we're going to be only the two.
21:42Okay.
21:44What's the other one?
21:46It's not one.
21:47It's not one.
21:48What?
21:49It's the National Board for the Synchronization of Brazil.
21:52It's a clean office.
21:54And if you don't forget it, you're doing it.
21:57It's not one.
21:59I have a picture of a woman with a woman in the car.
22:02I don't know who I am.
22:04I'm sure it's a prostitute.
22:05I'm still pregnant.
22:07I'm fine.
22:12I'll go back.
22:13I'll go back to the next one.
22:15I'm gonna do something.
22:16It's an end!
22:16Jokie!
22:18Here it's...
22:24Here it's the dog.
22:29Here it's the other dog.
22:31Where you sleep?
22:32Here it's the dog.
22:35Here it's the dog.
23:02What do you do?
23:04What do you do?
23:06What do you do?
23:37What do you do?
23:42What do you do?
24:09What do you do?
24:12What do you do?
25:39What do you do?
25:42What do you do?
25:46What do you do?
25:59What do you do?
26:01What do you do?
26:02What do you do?
26:02What do you do?
26:04What do you do?
26:05What do you do?
26:07What do you do?
26:08What do you do?
26:10What do you do?
26:11What do you do?
26:14What do you do?
26:15What do you do?
26:16What do you do?
26:16What do you do?
26:30What do you do?
26:32What do you do?
26:54What do you do?
26:55What do you do?
26:56What do you do?
26:57What do you do?
27:09What do you do?
27:18What do you do?
27:20What do you do?
27:33What do you do?
27:34What do you do?
27:34What do you do?
27:35What do you do?
27:35What do you do?
27:49What do you do?
27:52Yes, but from the same time.
27:54That was the fault.
28:15Oh, Bobby, you are my own sex book.
28:19You are my own sex book.
28:23You are my own sex book.
28:26You are my own sex book.
28:29You are my own sex book.
28:32You are my own sex book.
28:33I can explain.
28:35I thought you were good, but you are clearly not.
28:43She and her are back in the book.
28:45We are already a copy of my own parents.
28:47You are my own sex book.
28:50You are my own sex book.
29:25You are my own sex book.
29:36You are my own sex book.
29:48You are my own sex book.
30:20You are my own sex book.
30:44I don't know what you're doing, but I don't know what you're doing.
30:50Are you from the film?
30:51No, exactly. I'm from another film.
30:54If you're from the product, you should put it in the car.
30:57I'm waiting for a bus to park every moment.
30:59I can't wait for 10 minutes.
31:02Please.
31:04I'm going to park it.
31:05I'm going to park it.
31:07Hello?
31:14I'm just checking, alive is it?
31:15I'm going to park it.
31:18You're not special.
31:19Take your money in the car.
31:21You're going to park it.
31:22You're going to park it.
31:24You're going to park it.
31:26I'll do it.
31:27You can do everything you can,
31:30if you don't send your portfolio.
31:31Okay. Very funny.
31:34But not to go here.
31:50You're going to park it.
31:53You're going to park it.
31:54You're going to park it.
31:55You got him?
31:56I'm going to park it.
31:57In the car.
31:58In the car.
31:59In the car.
32:00In the car.
32:01.
32:01.
32:01.
32:01.
32:01.
32:01.
32:04.
32:04.
32:05.
32:06.
32:07.
32:07.
32:07.
32:07.
32:07.
32:07.
32:07.
32:07.
32:08.
32:08.
32:08.
32:20SHUTGON
32:20It's okay, Mikael!
32:21What did you call Mikael?
32:22I'm out of the тр start.
32:23No, my...
32:24No.
32:25Can I go out of the으로 of mu?
32:26What?
32:26Can I get...
32:26Please...
32:28Please take this for the next 2 years, Mikael!
32:31No, that's not...
32:32No...
32:32I'll tell you about to explain...
32:34Then come on, then you pay?
32:36Well, I'll come.
32:38Well, you buped me.
32:43Go.
32:43Do you believe that?
33:00Ah!
33:02Mickey!
33:04You didn't expect me to go.
33:06Right?
33:06Yes.
33:09Are you going to go?
33:16Yes, I'm going to go.
33:19I'm going to go.
33:21So, I'm going to go.
33:23So, I'm going to go.
33:23Yes.
33:27Has something happened?
33:28No, nothing.
33:30I just didn't have to go back.
33:32I didn't have to go back.
33:34I didn't have to go back.
33:35You didn't have to go back?
33:36Yes, you didn't have to go back.
33:39Because if it's like this,
33:41you feel very uncertain.
33:44I know that after 14,
33:45it's normal.
33:46But you have to go back.
33:49Yes.
33:52I'm going to go back.
33:55I'm going to go back.
33:59I'm going to go back.
34:01I'm going to go back.
34:04I'm going back.
34:08I'm going back.
34:21I cut down.
34:22What's the exit Urban of the hospital.
34:26I'm going back.
34:26And these pile
34:28These darkипs.
34:31I'm going back.
34:34You're not going back.
34:36I'm the chairman is in this office.
34:38To the table.
34:40To the roof you sorry wealth.
34:42Well, hey.
34:52Yeah, Chef.
34:54The kitchen room is ready.
34:56We'll have to come home.
34:57I'm going to take a break.
35:00My cousin!
35:02Dr...
35:03It's ready.
35:05What?
35:06Here, here.
35:09See you?
35:13Let's go here and stay down here.
35:16Take it here.
35:20Look at this on the top of the bed.
35:22It's all about it.
35:24It's all about you.
35:27Mademoiselle Marie,
35:28do you have a little bit of cleaning up?
35:32No, I don't want to take care of it.
35:34Do you want to get out of the bed?
35:35No, I don't want to get out of the bed.
35:38Do you want to get out of the office?
35:42I know, Monsieur.
35:45If I'm a little bit,
35:49I'll be able to get out of the bed.
35:51I'll be able to get out of the bed.
35:52Where is it?
35:53I'm here, I'm an allergic reaction.
35:55I know that I'm not going to get out of the bed.
35:59Just a few cups.
36:01No, no.
36:02No, no.
36:04I want to go to the hospital.
36:06This is your replica. Monsieur Leger.
36:08You always get out of the bed.
36:11You always get out of the bed.
36:12You are so nice to see you.
36:15I'm not trying to get out of the bed.
36:17No, I don't want anything.
36:17Other than I always ask you to get out of the bed.
36:19But you always get out of the bed.
36:39I'm the former wife of the former wife.
36:42Hello.
36:43Hello.
36:43I've removed one apartment here.
36:46It's a small accident.
36:47You've removed it?
36:49Yes.
36:49No, no, no.
36:52It's hard to explain.
36:55I've always heard which one of you is more conservative.
36:59You or Miki?
37:04I think it's not Miki.
37:08I think it's not Miki.
37:09Miki, you made a big mistake, to divide both of you.
37:15And him?
37:19And him.
37:20A little?
37:23Better?
37:32No, no.
37:33No, no, he doesn't get into the house.
37:38Yeah, okay.
37:44I'm going to go.
37:45I'm going to go.
37:51Yes, I have a lot of ideas, so I'm glad.
37:54Yes.
37:56And later?
37:57I have a critical two and...
38:00Well, I don't know.
38:01I don't know.
38:03I don't know.
38:04I don't know.
38:05I don't know.
38:05I don't know.
38:05I don't know.
38:08I don't know.
38:10I don't know, Alexander.
38:11I'm sure I'm a ped GRan.
38:13Idealno.
38:14I think we should be able to enjoy television and do a lot of love.
38:20And even more,
38:22I already have three.
38:24I can pray.
38:27Okay, he is with you.
38:29He is your hand.
38:31No, he is with you, because they are in hotel.
38:33He won't play!
38:38You will only be an architect as an architect, or it will be better for you to pay for it.
38:43It's a good show.
38:46I don't have a show.
38:51Why do you never listen to me?
38:52Can I have a look?
38:54Can I have a look?
38:58On the show, it doesn't happen to me, so...
39:00Are you okay?
39:04Yes, but...
39:07That's not typical for me.
39:08What?
39:09You're lying to him?
39:11He's sure he doesn't have any attention.
39:14He's scared.
39:18He's a girl.
39:20I don't know how he's doing it.
39:21If I tell him about him, I'm sure he doesn't know exactly that.
39:25He doesn't interest you.
39:28You're interested.
39:29What do you do?
39:30He's an assistant.
39:32He'll do it every time.
39:33I don't think so.
39:38And how do I do it?
39:39Where be?
39:51He'll do it.
39:53I don't know how he died.
39:55I don't have a turn.
39:56It's changed so.
40:00That's what'seless.
40:02Like a Designer.
40:07Where should I leave the Det Cyr's when he doesn't know anything?
40:08You're not sure anything.
40:10Mom, what are you doing?
40:12I'm going to go.
40:35This is the guest table.
40:36I'm going to go to the guest table.
40:38And when I tell you, she's very comfortable.
40:41But after two of them, they're doing massage.
40:44And they're already doing nothing.
40:49Tony, this is my friend, Andro.
40:51I'll stay in the house, if I can.
40:53It's only for a few days.
40:55Did you know?
40:55No, I'm not sure you did it.
40:57I'll be on the couch.
40:58I'll be on the couch.
41:00I'll show you the bed.
41:07I want to see you again.
41:10Why?
41:12You didn't want to see what you wanted?
41:14I told you, I want to see you again.
41:17I want to see you again.
41:19I want to see you again.
41:22I want to see you again.
41:23How do you love me, Madam?
41:36How do you love me?
41:43How do you love me?
41:47How do you love me?
41:49I'll show you again.
41:50I love you again.
41:52I'm a couple of friends who are busy with us.
41:56How are you?
41:58I'm a friend.
41:59I'm sure you've seen a show.
42:02My dad can't watch TV TV.
42:06Yeah.
42:08I thought it's funny that I just had to touch with...
42:09Who?
42:11If no one...
42:13I thought that I wouldn't touch with anyone.
42:15Mariah, hello?
42:16Alexander.
42:18Alexander.
42:18Andra?
42:19Yes, but all of them are called Andra.
42:21Should I stay for a few days, if it's not a problem?
42:24Yes, of course.
42:27Mom?
42:28What?
42:29I'm so glad.
42:33Ah!
42:35I made something in a store.
42:37I'm sure I've put it in a store.
42:38Excuse me.
42:41We're going to make an evening, right?
42:42We're going to get guests.
42:43No, we're going to get out.
42:44So?
42:46Good evening then.
42:47And then...
42:47Alexander?
42:55Leko mi, no?
42:57It's quite a bit of a sight.
43:07Mom?
43:08Look!
43:09The tireless.
43:11I found it in the building.
43:14If you want to hold it,
43:16you can't be a girl.
43:17Why are you, boss?
43:18I'm not sure you're looking for him.
43:23I'm a girl.
43:25I'm a girl.
43:25I'm a girl.
43:26I'm a girl.
43:28I'm a girl.
43:29I'm a girl.
43:29I'm a girl.
43:30I'm a girl.
43:32I'm a girl.
43:34I'm a girl.
43:37The meantime...
43:38I'm a girl.
43:38I'm a girl.
43:41It's coming to me.
43:43I've already allowed him to hold him.
43:45For one hour, we're in the car and the actor.
43:49Or a little more.
43:55How are you doing today?
43:59I saw Irina in the cooperation and thought...
44:03What do you think? The clients of Irina are right behind me.
44:06That's why I told you.
44:08Not because of Irina.
44:10I'm sorry.
44:11No, I'm sorry. I'm going to see you on the dermatologist.
44:51I'm sorry.
44:54That's why I told you.
44:57I don't know.
44:58I'm sorry.
45:01I'm sorry.
45:02That's why I'm here.
45:04I'm here.
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