- 7 hours ago
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00:00We're just eating spaghetti.
00:01We're waiting for the apartment.
00:03But why not live?
00:05I want you to stay with us.
00:09Yes, for this evening.
00:11When we learn, we forget the opportunity
00:13to make peace again in the world.
00:17The last time I'm going to go to Greece.
00:22Hello, dear friend.
00:25Do you know your wife?
00:27Yes.
00:27Yes, yes.
00:29You can start now.
00:31But this evening.
00:33The hotel has a shower.
00:35He will stay at us.
00:40Tony!
00:45My house is so good.
00:47My house is so good.
00:50Tell me, this is a kind of a shower.
00:53My house is so good.
00:55My house is so good.
01:00My house is so good.
01:10My house is so good.
01:16My house is so good.
01:28My house is so good.
01:34My house is so good.
01:37I am not sure.
01:45My house is so good.
01:55My house is fine.
01:56to understand that the planet is not only about it.
02:02And for a family that doesn't have any problems with the amount of money,
02:06after Obira, we have to pay for the amount of money.
02:09That's why the new MNDV is
02:11that the client is on everything.
02:14Well, doctor, I think that you have any problems with the amount of money.
02:17I'm not sure. I have to make maximum ten months.
02:20And the patients start to be healthy.
02:24Only ten months?
02:25I'm not sure how much money can help them.
02:26I'm not sure what I'm not sure what I'm doing?
02:31I can't believe it's no problem.
02:32My desktop is going to go on as far as possible.
02:40I've got to tell you how many people can help me deal with the way.
02:45I'm not sure how they can help me.
02:47I'm going to go on the way.
02:48And on a different way, the Accident and the Brailleța MRS lug with me.
02:49But after that, you're the only good for my wife.
02:52You're the only good for me.
02:52You're the only good for me.
02:53You're the only good for my company.
02:55But...
02:56We were doing it everywhere.
02:58In the stadium, in the car, in the car, in the car.
03:01Remember the last time?
03:03It was a lot of turbulence.
03:04He was stuck in the car in the car.
03:06But we didn't have to do it for 20 minutes.
03:08But we were trying to do it.
03:10Alexander, as I say,
03:14I'm not sure...
03:17I don't want to leave him because of all kinds of lies.
03:22We were trying to do it.
03:23We didn't have any problems.
03:24You shouldn't have to do it.
03:26I'm a little business.
03:28What business is, Yasmin?
03:31In business with the education.
03:33If you want to find your job,
03:36or if you want to make your dreams of a person,
03:43or if you want to find your mistakes,
03:44or if you want to find your happiness,
03:45and see in my heart...
03:48...
04:16Okay, doctor, let's talk to you seriously.
04:18To write or not to write a book.
04:21To write or not to write a book.
04:23To write a book or to write a book.
04:26That's it.
04:27I'll tell you.
04:27Yes.
04:28You say it.
04:29To write a book or not to write a book.
04:31Yes, seriously.
04:32It's not that you want to depend on any of you.
04:35Because if you're like this, I'll meet you with the editor.
04:39I don't know.
04:42I don't know.
04:42I don't know.
04:44The next time I'm going to love you.
04:46No, I don't know.
04:47I'll give you enough money.
04:48Okay.
04:49I know how to motivate you.
04:53I don't know.
04:56I found a book on my mom's house.
04:59I didn't say anything.
05:01I remember how I'm sorry for the abuse of Lia.
05:05I'm sorry, Tony.
05:08I want to hear it again.
05:10Mickey
05:12Preserva TV,
05:13not a pen for a book.
05:14If it's not yet to learn anything,
05:16I don't know if they're having a drug.
05:18It's impossible to have another.
05:22Maybe I can give you an advertising campaign.
05:28They do like this.
05:30Yes.
05:30Maybe I can stay in the hospital and get in the sack.
05:33Maybe I don't have any evidence.
05:35I have.
05:35But you have to close your eyes, because you don't want to tell the truth.
05:39Do you know what?
05:41I'm going to find your place.
05:43And I'm going to go back to the back of the car with a slup.
05:47She's not a detective agency.
05:49And if you're not a victim, it means nothing is going to happen.
05:52Do you remember that, before 20 hours, we bought them?
05:54We don't have any money.
05:56And then, a more efficient way.
05:58But, a more efficient way.
05:59But, a more efficient way.
06:00The elite of the whole country is going to go with him.
06:02But, you need to take a picture on Tony.
06:04And, you know, someone who's an evil villain.
06:08How is it going to be?
06:10And then, a more efficient way.
06:12And then, a more efficient way.
06:13The most efficient way.
06:14You don't care about it.
06:17You don't care about it.
06:18You don't care about it for yourself.
06:19You don't care about it.
06:22You're going to pay a gig and you're going to get it.
06:25And if you get another kind of outfielder...
06:26And then, somebody else's wife is going to get it.
06:26And when you get a drug addict, you don't pay it.
06:27And it's the only way to get it to you.
06:30The only way you can do it.
06:55Come on, office.
06:58What do you do here?
07:00In the room you have a lot of trouble.
07:04They are always looking for the most of the time.
07:09I want to change the style.
07:12When you look at me, do you see me?
07:16I don't want to change the style.
07:22How do you think?
07:2415?
07:26I don't want to ask you to do that.
07:30If you tell me, you have to say that you have an orgasm, you don't want to be a orgasm.
07:36I don't want to change the style of the time.
07:38I don't want to change the style of the time.
07:42I can't wait for the time.
07:43You're welcome.
07:45You're welcome.
07:46You're welcome.
07:49You're welcome.
07:50You're welcome.
07:51You're welcome.
07:51You're welcome.
07:53You're welcome.
07:54You're welcome.
07:55You're welcome.
07:57You're welcome.
07:57Why do you say that you're free?
08:00When you saw me, I wanted to ask you to be so.
08:02You're welcome.
08:05You're welcome.
08:06I'm coming to the table.
08:07You're welcome.
08:08You're welcome.
08:09I don't know if you want to be a man.
08:14You're welcome.
08:15You're welcome.
08:15You're welcome.
08:27I don't know how much we can do it.
08:30We didn't want to go to the house.
08:34And then we came to Alexander and wanted to be together.
08:38He didn't do anything for me.
08:39Do you want me to go?
08:42Do you have any money?
08:44It doesn't matter.
08:46You've been in the same time.
08:48And I've been in the same time with the client.
08:51If it's done, no longer will be in the cabinet.
08:56We've been in the same time.
08:57We've got everything done.
09:02We're in the same place.
09:03We're in the same place.
09:03We're in the same place.
09:05We're not going to divide.
09:05Never be a little.
09:10You can go out of the house.
09:29I always want to invite you to be Sean to Alexander.
09:33Do you ask me why you need to know?
09:35I can't ignore I can't ask you.
09:37I can't always ask, you know what you need to know.
09:38I can't.
09:39I can't wait, and I can't wait.
09:39Can't wait, and I know, I can't wait and try to see.
09:41I don't know.
09:42I can't wait.
09:42I'll go to the next.
09:43Bye.
09:45Bye.
09:46Bye.
09:49Bye.
09:53You can't write down.
09:53.
10:04Hello, I'm not a kid.
10:06Oh, I'm sorry for Bobi.
10:10Is that you're not talking about?
10:18That's it.
10:20You can find me looking for you.
10:24Do you already pay attention to the pictures?
10:27I've been to the agency.
10:28I've been to two kilograms and I've been to the other side.
10:31But I've been to the school.
10:34Look at that.
10:36You know it?
10:40No.
10:42I've been to the school and if they understand why,
10:45what do you think about when I'm 80?
10:47I can't get to the school with Bobby.
10:51It's not a...
10:53...sestra.
10:54I hope you tell us about our video.
11:04It's a long time with a Russian variant.
11:08Is it a normal night?
11:11Do you want to go?
11:13Who is it?
11:14It's me in style.
11:15Look at you in the middle.
11:18Do you see in the middle of a model?
11:22Only women who are looking for a good life.
11:26I think I'm going to attack you.
11:28Miki!
11:30First, my husband.
11:37Did you do it?
11:38I'm going to attack you.
11:39You're going to attack me.
11:41I'm just in the mood.
11:43What do you do?
11:44I'm looking for the meaning.
11:47Yes, I'm looking for the meaning in the picture of Picasso.
11:51The girl, the yellow, the blue, the blue.
11:53She was sold out of Christie for 106 million.
11:56It's a meaning.
11:58With the girl, I'm pitying you.
12:01Marita Resulte, she's a woman and a lover of Picasso.
12:04And the blue is the top 3 of the most precious in the world.
12:10Let me introduce you.
12:13Hristina.
12:15Let me know the artist.
12:17Art.
12:18For the first time, I met art.
12:22I love art.
12:24Especially Picasso.
12:26When he painted the colors on his own models,
12:31he wanted to show his style to show...
12:35The first time, I'm a plasticist.
12:38I'm sorry, my husband.
12:39Of course.
12:43But...
12:45Don't look like that.
12:46I'm a different one.
12:47Number one, you can do it and you can do it.
12:51You're going to go.
12:53Hey!
12:55Hey!
12:55Hey!
12:56Hey!
12:57Hey!
12:58Hey!
12:58Hey!
12:59Hey!
13:02Hey!
13:07Hey!
13:10Hey!
13:11That's me, Nishto.
13:47That's me, Nishto.
13:48I'm not.
13:48I'm not.
14:11That's me.
14:28I'm not.
14:31I'm not.
14:33I'm not.
14:37I'm not.
14:38How are you doing?
14:39How are you doing?
14:41You didn't answer me.
14:43I'm in a way.
14:45I have a desire to listen to me.
14:49I'm 20.
14:51Maybe tomorrow?
14:53Yes.
14:54I don't want to go.
15:22My mother says that the situation is a certain number.
15:26How is the idea of the future?
15:33My mother, I'm going to go.
15:55I see a man and a man, because I look towards you.
16:00And I'm traumatized by something.
16:02What about you?
16:03What about you?
16:05I don't know.
16:08But because of this, I'm in another way.
16:12Is it in a way or is it in a metaphor?
16:16I'm looking at this metaphor.
16:20It's just a way.
16:25I'm looking at the cards with love.
16:28With love?
16:29Yes.
16:32You can choose two things.
16:36And two things are wrong.
16:39You should always repeat it.
16:42Sex is the same.
16:44Love is the color.
16:49The color is the color.
16:52The color is the color.
16:57It's clear.
17:05I'm looking at the color.
17:06The crown is turned back.
17:10I'm looking at one...
17:13...pressed...
17:16...and a strong woman,
17:17which only creates problems.
17:23Does that mean that there is another one?
17:26It can't be.
17:28It can't be.
17:29It can't be.
17:32It can be you.
17:34It can't be the crown,
17:35which is the crown,
17:36which is the crown.
17:40Is there another one?
17:43The crown will be the crown.
17:44The crown will be the crown.
18:08It can't be the crown.
18:09The crown will be the crown.
18:13It says only that when close to a person...
18:16...you will get to the truth.
18:40I don't know.
18:41How is it going?
18:42This is really a good one.
18:44So there's another one?
18:45No.
18:47Everything is in my mind.
18:48I'm going to change my mind.
18:50Yes.
18:51The one that was in shape.
18:53Yes.
18:54And if there's another one, why do you have a pistol on the mace?
18:57From the mace.
18:59I was a little bit of a desire.
19:00I'm not going to repeat it.
19:02Let's start to get the bucket.
19:04The internet is full of spies and techniques.
19:06I found a tracker for a long-term investigation.
19:09It's a promotion.
19:10You just need to put it in the car.
19:11Yes.
19:12I'll leave the mansion.
19:14If you knew what the hell is to give it,
19:19this recipe for love and magic.
19:21I'm not supposed to be Harry Potter.
19:27Hello.
19:28I don't know what you're doing.
19:32No, I don't know what you're doing.
19:34Yes, of course, I'm working on the project.
19:38Yes, we can see you in half a minute.
19:43That's the opposite way?
19:45Why?
19:46Why?
19:47It's like a baby in school.
19:50It's normal.
19:51Alexander Panova is the only client.
19:54After one hour, we'll make a meeting.
19:59Camelia?
20:01Where are you, Kote?
20:07I let you know what you're doing.
20:15Camelia!
20:17Left, right.
20:31Today, baby.
20:34I don't know what they're doing.
20:37I get a thanks to the Niava.
20:42They are all here.
20:46I was able to protect the big, big ego.
20:51I learned that after the war, I left the street because they didn't know exactly what they were doing.
20:59That's why I came back to them.
21:01I like it to change your mind.
21:04It's like a young boy's face behind my head,
21:07so you keep the most valuable computer.
21:10I got all the financial documents.
21:12It's time to find a bank for your wallet.
21:16If you think that the best friend of mine are the diamonds,
21:20you're now the results.
21:23It's nice to play with your new family.
21:29See you soon.
21:43I'll see you soon.
21:48I'll see you soon.
21:50I'll see you soon.
21:56I'll see you soon.
21:57That's how you put your authority on it.
21:59In the video, you can't be a puppy and a puppy.
22:02How much can I do it?
22:04The parents' story is clear.
22:06And where are you?
22:10I'm a sister and I'm going to replace it.
22:13Everything is for me.
22:15I didn't know how to repeat it in the weekend.
22:17I got friends and...
22:19And...
22:20And a lot of them are in charge.
22:23And a lot of them are in charge.
22:25It's a good experience.
22:27But you can do it more.
22:31And even if you don't believe it,
22:33it's true to me.
22:34Who will say to the sites,
22:36who will say to the reporters,
22:38who will say to the reporters,
22:40who will say to the door.
22:42And who will say to the image
22:45of our elite school.
22:47There is no one.
22:49So today,
22:50I'm going to stop the course for drama.
22:53And the people who will go to the language school.
22:57And that's not possible.
22:59And that's not possible.
23:01That's not possible.
23:01The club was a team building.
23:04Super!
23:05I'm going to play football.
23:06I'm going to play football.
23:07I'm going to play football.
23:09I can't do it.
23:10We can only talk about terrorists.
23:13I can't do it.
23:25I can't do it.
23:31You can watch the show, or watch the series that you've watched before.
23:36Oh my dear, I'm a fan. I'm watching only the news.
23:39You can watch it in the middle.
23:41And then you can watch it in the same place.
23:44Here is the USB port.
23:46USB port? It's a lot of fun. I remember the Porto Alegre.
23:51Do you know where it is?
23:52No.
23:54Brazil. I've been there.
23:56It's strange that you can be a Brazilian.
23:58You can watch the clips, pictures, pictures.
24:04And you can see the minimal amount of 40 channels.
24:07The maximum amount of.
24:10It's about 160 channels and videos.
24:13It's about 1500 films.
24:15You can get out of the way.
24:18Moment.
24:25What do you do here?
24:27I'm going to help you.
24:29Yes.
24:29Yes, yes.
24:32Mr. Viva.com
24:34You can't do anything with anything.
24:38This is the phone from office.
24:40Yes, from office.
24:41Yes, from office.
24:50Stina, I can tell you about everything.
24:56From Picasso to the business of BORS.
24:59How many of the people who know me have made a difference between BORS and BORS for Zelenchuk?
25:04No one.
25:05And Tina is right.
25:09Doctor, are you listening?
25:13And how many of you have been on your scale?
25:15Who?
25:16How many of you have been on your scale?
25:18Tina.
25:1910 to 10.
25:20But now, the woman has not made a gift.
25:23You see?
25:24Of Tina.
25:26Of Tina.
25:28I'm interested in Tina.
25:32In the beginning, I wanted her a lot.
25:35I'm not sure what I was doing, but that's not what I was doing.
25:35So, how did I do it?
25:37I'm not sure what I was doing.
25:42I didn't want to give up.
25:44But, if it was a lady who sent me, she didn't want to go out.
25:49But I didn't want to get out of it.
25:52I'm not sure how many of you are doing it.
25:53So, when Tina was a gift and she weighs a lot, it's a thing that's not to do it.
25:59I'm not sure how many of you are doing it.
26:04We have a great deal.
26:06Yes, we have a meeting with you, which is a lot of pain.
26:11You made a lot of gifts.
26:12And she didn't agree with you.
26:14Yes, exactly.
26:18And then you started to get rid of it.
26:20You understand me.
26:22And that's what I wanted to do.
26:24Doctor, what do you want to say?
26:25I'll talk to you later.
26:27I'll do it.
26:29Hold on.
26:39Alexander?
26:40Doctor, you tell me, you'll be at least.
26:42No, I want to say something.
26:44I'll do it in your office.
26:45Yes, exactly.
26:47I'll do it today.
26:47I can see you here.
26:50If you're not a patient, you'll be able to get rid of it.
26:54No, I'll say that.
26:56I'll do it in your office.
26:58But...
26:58No, I'll do it in my office.
27:00I don't see Bobby.
27:01I'll do it in your office.
27:02I don't do it in my office.
27:05I'll see you later.
27:06You're talking to me.
27:08I said you're a lady.
27:19No, you're not a teacher.
27:21I'll be on a bus for you.
27:22I'll show you.
27:23When things are coming from you, you're going to look at it.
27:27You're a
27:27They've tried to imitate me, but...
27:30All of them got out!
27:34Now you can become a director.
27:36No, I already have a new hobby.
27:57Now we're going to the history of modern art from the 20th century.
28:04Here.
28:08Professor, this isn't a moket?
28:12It's a famous painting.
28:15The red-dressed painting by Gerhard Richter.
28:19One of the most modernists of the 20th century.
28:22But I'm going to take care of it.
28:24I'm going to take care of it for more than ten minutes.
28:28And if I need to put it here, I'll take care of it.
28:33I'll take care of it.
28:34To the end of your story,
28:37I'd like to remind you the name of El Suart Kelly.
28:42He didn't love Kennedy.
28:44The Harvey Oswald is a famous painting.
28:46And this is the famous painting of Kelly.
28:52The green-dressed painting.
28:59The blue-dressed painting.
29:00The blue-dressed painting.
29:01The blue-dressed painting.
29:05Yes?
29:06I'm very happy to meet you.
29:08This is my story.
29:10You have to take care of it.
29:11No, no, no, no, no.
29:14I'm sure I'm sure we'll see you again.
29:17Yes.
29:18You have to take care of it and take care of it.
29:38What is it?
29:40personas.
29:42Would you like to reinforce that?
29:43No, no.
29:45No, no, no.
29:45No, no, no, no.
29:46No, no...
29:47I'm going to try to improve the quality of my life after picking up and sending it to the object.
29:52What is that?
29:53I'm just going to check if I'm going to do it.
30:01Shepard!
30:02A little bit!
30:18Stay!
30:19It's enough for me!
30:20No!
30:22I don't hear anything!
30:23I have a conversation with you!
30:24I'm going to leave the point with the avance.
30:32I don't want to do it for the project, which I have seen.
30:36I have to do it for the first time.
30:38I'm going to do it.
30:39I'm almost ready for the project.
30:41I'm sorry.
30:43What do you say about the 50% avance?
30:46In our case, these are 20 000 euros.
30:49And how do you buy a cot?
30:51You know, Alexander, I love the clients.
30:56I love the clients.
30:57Some of them have a good job.
30:58But many of them have to start making things and then make them out.
31:03How do I guarantee you that I don't want to work on the day?
31:05I'm going to do it.
31:07I'm going to do it.
31:09I'm going to do it.
31:10I'm going to do it.
31:11I'm going to do it.
31:11I'm going to do it in the morning, if I'm going to do it.
31:16I'm going to do it.
31:17Just want to go back to the office.
31:2011 in office.
31:23Get ready to be done.
31:26My meeting is not going to go.
31:28Go ahead.
31:29Go ahead.
31:30Go ahead.
31:30Go ahead.
31:31Go ahead.
31:58Go ahead.
32:00Go ahead.
32:01Go ahead.
32:01Go ahead.
32:02I've been given no one yet.
32:02I've never offered anything.
32:03Except the former.
32:05I've already had a collection.
32:07These are very clear.
32:11They remember the picture of Gerhard Richter,
32:14and the red blood.
32:15It's not good.
32:17Go ahead.
32:18I want you to find something.
32:21Yes.
32:28I'm going to go.
32:36Hey, how are you doing?
32:40I'm going to go.
32:42Can I ask you?
32:43I don't know.
32:45I'm going to find something here.
32:47You have to come to me.
32:49Now I'm in a bank.
32:52We'll finish it.
32:53Okay?
32:53Okay.
32:54Okay.
33:09I'm on you.
33:33F visa.
33:36F visa.
33:37F visa be paid by the family.
33:38F visa.
33:39F visa be paid by the kids, your aunt, own people, your daughter, your daughter.
33:39F visa.
33:39F visa.
33:39F visa.
33:39No, I don't think I'm in a car.
33:44Why do you do that?
33:46I'm going to finish the presentation.
33:48If I'm successful, tomorrow I'm going to sign an agreement with the first client.
33:52Then I'll be able to buy it.
33:54Only one day is for the time of your job.
33:59Of course.
34:01Do you want to make a massage?
34:03As you say, you're not sure.
34:04Yes, of course.
34:07And how do you work?
34:09I'm sure for the first one you can't make a difference between a baroque and a baroque.
34:13And you know what I know.
34:16I wanted to do more time.
34:18You're not sure.
34:20How do you do it?
34:22I'm working in the cabinet.
34:23I'm going to university.
34:26I'm going to do it.
34:27I'm going to do it.
34:27I'm going to do it.
34:27I'm going to do it.
34:29Why do you do it?
34:34I'm going to do it.
34:35I'm going to do it.
34:36How do I do it?
34:37I'm going to do it.
34:38I'm going to do it.
34:39I'm going to do it.
34:40It's a bit of a blusk for Sandvich.
34:43You're going to ask me why?
34:45I'm going to pick up between me and me.
34:49Sandvich.
35:00I'm glad you had a good movie.
35:04There were two minutes.
35:06After 10 minutes, I told you everything.
35:08I'm going to pick up all of you.
35:09I'm going to pick up all of you.
35:11If not, he has another list.
35:14Unlike any of them, they are not suitable for you.
35:16As soon as he is in trouble, he is in trouble,
35:18he is in trouble again.
35:18I'm going to take care of him.
35:39I'm going to pick up all of you.
35:40I'm going to pick up all of you.
35:48You're going to pick up all of you.
35:50D Larsen?
35:53No, no, no.
36:00They are in trouble.
36:02You're going to pick up all of you.
36:06You are not going to pick up all of you.
36:08I'm sorry, but I didn't have a gift to play Nix.
36:11Today it's about 6 years.
36:12Hey, when all the assistant are on the way, I'm going to kill you.
36:25This is Sofia in 1908, when it was built in your house.
36:31After the arrival of the architect of the architect Thomas Prager,
36:35the people were able to do it again.
36:37Now it's going to happen again.
36:40I made a decision and realized that the original one had disappeared,
36:44but I connected with the architect's bureau of Thomas Prager in Vienna.
36:50They were hiding the archives for 106 years.
36:54Voilà.
36:59I'm impressed.
37:00I'm impressed.
37:02The idea is to modernize the house without being left out of the classic.
37:06And since you're a man, I know that you want to want to be comfortable and comfortable.
37:14It starts from the entrance.
37:18But there's nothing to do.
37:20I got a file.
37:22This is file.
37:23It is well.
37:24You, I didn't know.
37:28...I can't say anything.
37:30...
37:30...
37:31I'm a faultful.
37:31It's true to have a mistake to have a mistake as architect.
37:33It's a project!
37:46When we exclude the colors,
37:49this is the most difficult project.
37:53I think that this should be me.
37:57I can't do much work.
37:59But all the time, I would like to improvise on the terrain.
38:03But I would like to show you another one.
38:12It was absolutely right, Doctor.
38:15Tina is an elite man.
38:17She was three people at the same time.
38:21No.
38:24My friend took the picture from Porto Zante and said that my gadget is his own.
38:33Here you go.
38:35You can see him somewhere.
38:37The whole number is hidden in the gifts.
38:40But I saw him somewhere.
38:41You can see him.
38:42You are aware of him.
38:45I'm sure you didn't say the gifts.
38:49The principle is...
38:51Pari, подарок, pari.
38:52Kato pari, stoka pari?
38:54Da.
38:55Skinti-te are cashiering at the one.
38:57Tia kupua подарък на другия, за да гошаш не.
38:59След това, той и отвръща с нещо три пъти по-скъпо.
39:03Tia връща подаръкът в магазина,
39:04свива част от парите,
39:06а с останалата впечатлява трети балък.
39:08Кажи ми, как да вярваш на жена?
39:11Куче.
39:12Моля?
39:13Ако искаш сигурно заостряваш, ще си връзка,
39:15купи си куче.
39:16Тони е саботирал презентацията ми.
39:19Толкова е прозрачна.
39:21Моля?
39:22Мъжът ми.
39:23Той е подменил файла с проекта на Банов.
39:25Искал е да се проваля.
39:27Защото тази, която уж не съществуваше,
39:30вече го настроива срещу те.
39:32Защото Тони се страхува за връзката ни.
39:35Мисли си, че работата ми пак ще стане по-важна от него.
39:38С нощи правихте ли секс?
39:41Не.
39:42И колко днята ти се събира този месец?
39:45Вината беше моя.
39:46Скарахме се заради поръчката.
39:48И ако имаше друга, нямаше да се бори за мен.
39:52Ох, Мики, не виждаш ли, че това е стратегия?
39:54Той изценира скандал, след което се завива през глава.
39:57Просто източен от кучката.
39:59Не искам да те слушам повече.
40:03Има само един човек, който може да ми каже как да намеря път към мъжа си.
40:08Неговата авторка.
40:11Божевам жени, които напълнят на майка ми.
40:15Ако ще го правим, ще трябва да я увлечеш пеньора.
40:20Сега живее в гърсонера под ме.
40:23Ако много си паснем, мога да се префърля при теб.
40:32Меселина?
40:33А ти си лъвско сърце, 23?
40:38Гледам те и нямам какво да добавя.
40:40Ти си перфектна за мен.
40:42Стреляш право в целта.
40:44Имам много малко време, а имам нещо точно като за теб.
40:48Предлагам чудесни здравни за страховки.
40:50Трябва само да ми кажеш истинските си години.
40:58Дара?
41:00Предложението за курса още ли остава в сила?
41:08Малко подръних.
41:10Но след теникията, която ми върза, реших, че искаж да си поговорим преди часа.
41:14Къде е партньоркото?
41:15Прави се на писата.
41:19Помоли ме да дойда сам.
41:25Скъпа, зад е кръжка някой.
41:27Му трябва средства.
41:29Мотив.
41:30И възможности.
41:31И мотив.
41:32Синът ми е мъж.
41:35Възможности.
41:36Има пенис.
41:37Средства.
41:38В момента сте толкова зле, че ако тони, изобщо има любовница.
41:42Най-много да ги купува солети.
41:45Спри да мислиш за това.
41:47Фокусирай се.
41:48Върху това как да го вкараш в леглото си.
41:52Опитвали ли сте вече вертикалният секс?
41:58Фили, аз съм имала само два мъже в живота си.
42:02Прекленно съм се търстена.
42:03О, аж искам да кажа.
42:08Аржентинско танго.
42:10Потни тела.
42:11Стегнати ханшове.
42:13Той води нея.
42:14Ще повиши тестостерона ви.
42:16Ти спри да се обличаш като класната му.
42:18Трябва да изглеждаш малко по-сексия, ако искаш да го вкараш в леглото.
42:21Яйла с мен!
42:22Яйла в спалнията!
42:28Това, което исках да говоря с теб е напредната ми е график.
42:33Той с какво късава мен?
42:35Ами, мисля, че ти и твоята партньорка се нуждаят от специални грижи.
42:41Искам да ви представя на един изключителен терапевт.
42:43Чудеса.
42:44Докторе, не дай скромнич.
42:47Ти си професионален професионалист.
42:49Останалите са матьори.
42:51Аз знам, но работата е там, че аз съм изключително претоварен.
42:55Добре.
42:56Ще те правяте на почивка.
42:58Майорка, семейен хотел, само за теб и за женати.
43:01А, не, не, не.
43:02Аз не мога да напусна работата си, не мога да оставя клиентите си.
43:05А, ме, не можеш така ли?
43:06Не, не иска да кажеш това, не.
43:08Но го каза.
43:11Добре.
43:12Раутата е там, че е.
43:14Ем личностни проблеми.
43:16Добре.
43:18Значит, то ваше те решит, часто в тях.
43:21Даре, приема подарца.
43:22Отврю.
43:39Добре.
43:40А, че, какво са?
43:42Не това, отвори кутията.
43:44Кутията.
43:50Кутията.
43:50Ага.
43:52Ама те са не женами.
43:54Така да чух яос.
43:56Бяха ви ограбрали някакви наркоманчета.
43:58Не беше трудно да ги намеря.
44:01А, добре.
44:03Извън терапията.
44:05Да ми продължиш терапията.
44:20Комент.
44:21Ало.
44:24Още съм с клиент.
44:26На Тенго.
44:27Тая вече.
44:30На Тенго.
44:32Като на Тенго.
44:34Миличък.
44:34Не съм го измислила аз.
44:36Тангото е терапия за много двойки.
44:38Ами аз самия съм терапевт.
44:40Трябва да си се обличам като пингвин, за да си решава проблемите.
44:43Нали ти искаше повече време за нас, бабата?
44:48Аз заради теб отказах проекта на този клиент.
44:52Ти не можеш ли да направиш нещо за мен?
44:54Отказвал си проект на клиент?
44:56Да.
44:56Да.
44:58Прецених, че ти си по-важен.
45:01Но защо ме така и аз имам нещо за теб.
45:03Така?
45:04М-м.
45:06Какво е това?
45:08Нали казах, че не решавам проблемите.
45:10Искам да си върнеш думите назад.
45:15Мишутата ми.
45:16Как ги намери?
45:17Сега съм мъж.
45:19Имам си начин.
45:22Не, всичко е тук.
45:23Не, аз не мога да повярвам. Не мога да повярвам.
45:28А сега ще ми спестиш ли Тенгото?
45:31Не.
45:38Обърнете внимание на стъпалата.
45:40В този танц мъжът е водещият.
45:43Чуете?
45:44Тихо.
45:44И показвам пак.
45:46Имаме.
45:47Назад.
45:48В страни.
45:49Напред.
45:50Издължаваме корпуса.
45:52Дясната ръка е по-диагонал, а лявата придържа партньорката.
46:26Това е лесно.
46:26И в музика.
46:30К'во правиш, момики?
46:32Танцова ме.
46:34Гледай в мен, не в краката си.
46:39О, не, Мария, Мария, не, не.
46:42В този танц партньора е водещият, а дамата се наслаждава на движението.
46:46Вяре.
46:47Пет минути не можеш да бъдеш жена.
46:49Вписа ми.
46:50Ромни.
46:51За тангото трябва двама.
46:53Ще си видим вкъща.
46:54Казват, че тангото е танц на страстта и тъгата.
46:57Танц на срещите и разделите.
47:00И танц, в който лесно може да стъпиш накриво.
47:03А когато това стане, танцорите имат два варианта.
47:06Да продължат с танца все едно нищо не се е случило,
47:09или да си намерят нов партньор.
47:11О, есмина.
47:12След 10 минути съм там.
47:30Твоето място до мен е празно,
47:34а може би просто ти си студен.
47:38Моето място до теб е празно,
47:42и бавно се стича навън.
48:12Дъжда стремя се напред,
48:15но обрещам се бавно.
48:17Къде да се скрия?
48:21Сега съм сама.
48:23Съм сама.
48:29Съм сама.
48:33Съм сама.
48:38Съм сама.
48:39Съм сама.
48:40Съм сама.
48:42Съм сама.
48:42Съм сама.
48:43Съм сама.
48:44Съм сама.
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