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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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CortometrajesTranscripción
00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:10¡Gracias!
00:01:37¡Gracias!
00:02:00A canvas is a canvas
00:02:02Or a painting
00:02:04A rock is a rock
00:02:07Or a statue
00:02:08A sound is a sound
00:02:12Or is music
00:02:17A creature is a creature
00:02:20Or an artist
00:02:27Where are John, Joe, Jake, Jim, Jerk
00:02:32Dead, dead, dead
00:02:35They were not born
00:02:37Before they were born
00:02:39They were not born
00:02:41Where are Leonardo, Rembrandt, Ludwig
00:02:45Alive, alive, alive
00:02:50They were born
00:02:53Bring on the multitude
00:02:55With a multitude of fishes
00:02:57Feed them to the fishes for liver oil
00:03:00To nourish the artist
00:03:02Stretch their skins upon an easel
00:03:06To give him canvas
00:03:08Crush their bones into a paste
00:03:11That he might mold them
00:03:15Let them die
00:03:18And by their miserable deaths
00:03:20Become the clay within his hands
00:03:22That he might form an ashtray
00:03:26Or an ark
00:03:28For all that is
00:03:30Comes through the eye of the artist
00:03:33Arrest a blind fish
00:03:35Swimming in the cave of aloneness
00:03:39Swim on, you maudlin, muddling, maddened fools
00:03:43And breathe
00:03:45And one bright and sunny night
00:03:48Some artist will bait a hook
00:03:51And let you bite upon it
00:03:54Bite hard
00:03:56And die
00:03:57In his stomach
00:03:59You are very close to immortality
00:04:10Waller
00:04:13Waller, what are you doing there?
00:04:14I was looking at Carla's picture
00:04:15Do I pay you to look at pictures?
00:04:17Come on, get to work
00:04:18I was just looking
00:04:19There are empty cups all over the place
00:04:21Clear them out
00:04:24You shouldn't be so rough on him, Leonard
00:04:31Yes, I want it
00:04:32All right
00:04:44I think I'll cut
00:04:51Yes, man
00:04:58How are you making?
00:04:59Fine, man
00:04:59How about you?
00:05:00You're in my mouth
00:05:12Valdez, Weiss
00:05:13Yeah, LaCroix checking in
00:05:15It took over a couple of minutes ago
00:05:16Anything new at the door?
00:05:18Well, nothing you can pound nails in
00:05:20A couple of hustlers
00:05:21One of them is short, fat
00:05:22Brunette
00:05:23Name's skinny
00:05:24The other one was short also
00:05:26She was bleached and skinny
00:05:28Name of fat?
00:05:29Probably, I didn't get it
00:05:31They didn't give any pictures, though
00:05:32Guess you can keep an eye on them
00:05:34Okay, any heads?
00:05:36Well, Jerry Sachs looked like he was straight
00:05:38I'm sure he's on it anyway
00:05:40Didn't see any pushes around the place
00:05:42Lou said he'd check out on Jerry
00:05:43Sound him out later if he gets any higher
00:05:45I guess that's about it
00:05:48Okay, uh, go on home and get a good night's sleep, you think
00:05:52Okay, so long
00:05:56Everyone listen to my new poem
00:05:58But do you think they really heard it?
00:05:59I heard it, Mr. Brock
00:06:01Thank you, Walter
00:06:02I'm sure you did
00:06:03Bring on the multitude
00:06:04With a multitude of fishes
00:06:06Feed them to the fishes
00:06:07For live royal to nourish the artist
00:06:10That was word for word
00:06:11Yes, sir
00:06:12I've forgotten
00:06:13You mean you don't remember your own poem?
00:06:15I refuse to say anything twice
00:06:17Repetition is death
00:06:19Oh, get it
00:06:20When you repeat something
00:06:21You are reliving a moment
00:06:22Wasting it
00:06:23Severing it from the other end of your life
00:06:25I believe only in new impressions
00:06:27New stimuli
00:06:28New life
00:06:29I thought you believed that life is an obscure hobo
00:06:31Bumming a ride on a
00:06:32I do believe that, Walter
00:06:33But I also believe creative living
00:06:35To be uncreative, you might as well be in your grave
00:06:38Or in the army
00:06:41They tried to draft me once
00:06:43I couldn't pass the test
00:06:47Walter
00:06:48Lennon's looking at you
00:06:53Jesus, my God
00:06:55Walter has a clear mind
00:06:56One day something will enter it
00:06:58Feel lonely and leave again
00:06:59That's so much
00:07:01Yes, cats, yes
00:07:03If you want to know how beatniks live
00:07:05William and me will show you
00:07:07We'll introduce you to some wild ones
00:07:09You may even discover an artist of your own
00:07:12And how much is that going to cost us?
00:07:14What cost?
00:07:15A couple of bucks
00:07:16You want to meet some beatniks, don't you?
00:07:18Oh, no, it's the artist
00:07:19I'm just crazy about artists
00:07:20All that is comes through the eye of the artist
00:07:22The rest are just blind fish
00:07:24Swimming in a cave of aloneness
00:07:25Oh, you must be an artist
00:07:27And working as a busboy, too
00:07:29Feed him that he will be satisfied
00:07:31The artist is
00:07:32All others are not
00:07:33That's most intriguing
00:07:35Are you a painter?
00:07:36Well, no, I work
00:07:39I'm working on something
00:07:40It's not ready yet
00:07:41What is it, man?
00:07:42Fingerpainting?
00:07:43Draw me a picture of a house, Walter
00:07:45Make some smoke coming out of the chimney
00:07:46I am working on something
00:07:48I'll show you soon
00:07:49Walter
00:07:55Is he...
00:08:17You get a good look, kid?
00:08:21Come on home
00:08:50Hello, Mrs. Swicker
00:08:52Oh, Walter
00:08:53Walter, you look awful pale
00:08:54What'd you have to eat tonight?
00:08:56I had a salami sandwich, Mrs. Swicker
00:08:58Oh, if you were my son
00:09:00Why don't you let me fix you a nice bowl of soup?
00:09:02Won't take but a minute
00:09:03Oh, it's okay
00:09:03I can fix myself something
00:09:05Besides, I got something important to do
00:09:07Oh, say, Walter
00:09:08Did you see anything of Frankie's tonight when you went out?
00:09:11I didn't see him at all
00:09:12Well, if you do, tell him I got a nice, fresh piece of halibut for him
00:09:15Tell him that?
00:09:17I mean, do you think he'll understand?
00:09:18He's only a cat
00:09:20Good night, Walter
00:09:24Good night
00:09:26Good night
00:09:37Good night
00:09:37Good night
00:09:43Good stink
00:09:44Good night
00:10:15Gracias por ver el video.
00:10:44Gracias por ver el video.
00:11:09Gracias por ver el video.
00:11:18A canvas is a canvas or a painting.
00:11:22A rock is a rock or a statue.
00:11:25A sound is a sound or it's music.
00:11:44Come on, be a nose.
00:11:49Be a nose.
00:11:51Come on, be a nose.
00:12:10Come on, be a nose.
00:12:18Come on, be a nose.
00:12:24I'm stuck in a wall.
00:12:27Wait a minute, I'll get you out.
00:12:42Frankie?
00:12:45Frankie?
00:12:48You all right, Frankie?
00:12:56Frankie?
00:13:12Frankie?
00:13:15Frankie?
00:13:20Oh, Frankie.
00:13:25La pobre Mrs. Squickard.
00:13:30Ella tiene una buena, fresca de calabar para ti.
00:13:38Voy a dar a ti en la mañana.
00:13:49Repetición es la muerte.
00:13:50¡Franquí!
00:13:58¡Franquí!
00:14:07¡Franquí!
00:14:16¡Franquí!
00:14:32¡Franquí!
00:14:44¡Franquí!
00:14:57¡Franquí!
00:14:59¡Franquí!
00:15:09¡Franquí!
00:15:14¡Franquí!
00:15:25¡Franquí!
00:15:40¡Franquí!
00:15:52¡Franquí!
00:16:04¡Franquí!
00:16:05¡Franquí!
00:16:16¡Franquí!
00:16:17¡Franquí!
00:16:18¡Franquí!
00:16:19¡Franquí!
00:16:30¡Franquí!
00:16:32¡Franquí!
00:16:44¡Franquí!
00:16:57¡Franquí!
00:17:27¡Franquí!
00:17:32¡Franquí!
00:17:33¡Franquí!
00:17:43¡Franquí!
00:17:46¡Franquí!
00:17:48¡Franquí!
00:17:50¡Franquí!
00:17:52¡Franquí!
00:17:52¡Franquí!
00:17:53¡Franquí!
00:17:53¡Franquí!
00:17:54¡Franquí!
00:17:55¡Franquí!
00:17:55¡Franquí!
00:17:58¡Franquí!
00:18:03¡Franquí!
00:18:12¡Franquí!
00:18:16Hey, Walter, come here a minute.
00:18:22Hey, congratulations, man.
00:18:25Walter, you're famous.
00:18:26I saw your cat.
00:18:27Did you like it, Mr. Brock?
00:18:29You may call me Maxwell.
00:18:31How'd you do it, Walter?
00:18:32Oh, I just took some clay and fixed it up.
00:18:38Attention.
00:18:39Attention, everyone.
00:18:41As you pass through these yellow portals, I am sure you noticed on your right a small clay figure
00:18:46and assumed this transfixed effigy to be the work of a master sculptor.
00:18:51And indeed, so it is.
00:18:53That master sculptor is in our midst.
00:18:56He is none other than Walter Paisley, our very own busboy,
00:19:01whose hands of genius have been carrying away the empty cups of your frustrations.
00:19:07Mark well this lad.
00:19:09His is the silent voice of creation.
00:19:12Within the dark, rich soil of humility,
00:19:16he blossoms as the hope of our nearly sterile century.
00:19:21Beautiful, Maxwell.
00:19:23Bring me an espresso, Walter.
00:19:25That's Maxwell.
00:19:26Really beautiful.
00:19:26Thank you.
00:19:28Man, you are in.
00:19:29Oh, Walter, it was wonderful.
00:19:31Yes, Dan, the cat's cut.
00:19:33Yes.
00:19:34This is my man.
00:19:35Took him everything.
00:19:36Yes, yes.
00:19:36Listen, man, you got a pin.
00:19:38Huh?
00:19:39This is my man.
00:19:42Hey, Pops, what's happening?
00:19:44Making a big scene for Walter.
00:19:46Who'd he shoot?
00:19:47He made a cat.
00:19:50Out of clay.
00:19:52See you around.
00:19:54Yeah, later.
00:20:11Did you hear them, Mr. DeSantis?
00:20:17They all like my cat.
00:20:18Yeah, very good.
00:20:19Now, look, Walter, you must be tired.
00:20:22Why don't you take the rest of the night off?
00:20:24No, no, no, no.
00:20:25You got it coming.
00:20:26Besides, you're creating an incident.
00:20:28When people are applauding, they don't order coffee.
00:20:30So go on home and work on something.
00:20:33Make another cat.
00:20:34Well, I haven't got another cat.
00:20:37Just go to the movies.
00:20:39Please, Walter, go.
00:20:40All right, Mr. DeSantis.
00:20:42Good night.
00:20:43Good night, Walter.
00:20:45Walter?
00:20:46Walter, wait a minute.
00:20:47Oh, hello, Maolia.
00:20:49Walter, I dug it.
00:20:52My cat?
00:20:53It was the most wonderful, wildest, like, wiggiest thing I've ever seen.
00:20:59Walter, you've done something to me.
00:21:01Something deep down inside of my prana.
00:21:05I have?
00:21:06Oh, Walter, I want to be with you.
00:21:09You're creative.
00:21:12You've got a hot light bulb glowing inside of you, and I want to be warmed by it.
00:21:18Gee, that's nice of you, Maolia.
00:21:21Walter, take me away from here.
00:21:23Take me away to some cool blue place.
00:21:26And gas me.
00:21:28I can't.
00:21:29I've got to go home.
00:21:30Oh, then I'll go home with you.
00:21:31Oh, no, Mrs. Swickard wouldn't like that.
00:21:33She's my landlady.
00:21:35Isn't there anything I can do for you?
00:21:38I don't think so, Maolia.
00:21:41Walter, I can't let you just split like this.
00:21:44I've got to do something.
00:21:46I've got to contribute.
00:21:48You don't have to do anything.
00:21:51Wait.
00:21:53Wait, there is one thing I can do.
00:21:55One little thing.
00:21:57Don't leave, Walter.
00:22:00I want to give you something.
00:22:02Something that will make you remember me.
00:22:10Put it in your pocket.
00:22:12I'll go, Walter.
00:22:14Don't look back.
00:22:16Just go.
00:22:18Go.
00:22:20Go.
00:22:44I'll go, Walter.
00:22:51I'll go, Walter.
00:22:51I'll go, Walter.
00:22:52I'll go, Walter.
00:23:15Can I have your autograph, Mr. Paisley?
00:23:18Why, certainly, my good woman.
00:23:22Everybody likes my cat.
00:23:25You want to buy my statue, mister?
00:23:28Ten thousand dollars?
00:23:30Okay.
00:23:34See, I'll be famous.
00:23:37And then I can ask Carla, and she'll say, yes.
00:23:40I knew she will.
00:24:00Hello, Walter.
00:24:01Oh, hi.
00:24:01Hey, yo, Lou, ain't you?
00:24:02I've seen you down the yellow door plenty.
00:24:04Come on in.
00:24:05I was just making some pancakes.
00:24:07You can have some if you like.
00:24:08Did you see my cat?
00:24:09Yeah, I saw your cat.
00:24:11I also saw that chick like these on you.
00:24:13Oh, that was Neolia.
00:24:14She's a nice girl.
00:24:15She's kind of strange, though.
00:24:18I guess she figures I get headaches or something.
00:24:20Okay, Walter.
00:24:21Who's your connection?
00:24:22Connection?
00:24:22Yeah, connection.
00:24:24Who do you score from?
00:24:25Where do you buy your horse?
00:24:26Horse?
00:24:27Horse.
00:24:28Junk.
00:24:29White stuff.
00:24:30Heroin.
00:24:30Is that what that is?
00:24:31I've never seen any of that before.
00:24:33I always thought that was expensive.
00:24:35Yeah, Walter, that can be real expensive.
00:24:37Gee.
00:24:38Well, wasn't that nice of Neolia to give me that expensive horse?
00:24:41Walter.
00:24:42Huh?
00:24:43Police officer.
00:24:45Oh.
00:24:46You're like an undercover man.
00:24:48You're under arrest, Walter.
00:24:49Under arrest for what?
00:24:51Possession of narcotics.
00:24:52Who, me?
00:24:53What are you talking about?
00:24:54Walter, I got you cold.
00:24:56Now, you just come along quietly.
00:24:57I didn't do nothing.
00:24:59A Neolia give me those.
00:25:00I didn't ask her for it.
00:25:01I didn't even know what was in her life.
00:25:03All right, you can tell them that downtown.
00:25:04Now, let's go.
00:25:04I ain't going no place with you.
00:25:06Walter, do I have to point this at you?
00:25:08You're going to shoot me.
00:25:09No.
00:25:10Don't shoot me.
00:25:10Walter, just relax.
00:25:11No, you're going to shoot me.
00:25:12Just relax.
00:25:13No, don't shoot me.
00:25:14Just shut up, Walter.
00:25:14No, you're going to shoot me.
00:25:15Don't shoot.
00:25:24Walter.
00:25:28Walter.
00:25:33Walter.
00:25:34Are you all right?
00:25:36I thought I heard you shouting a minute ago.
00:25:42Walter.
00:25:52What's all the noise in here?
00:25:54Noise, Mrs. Strickett?
00:25:55What noise?
00:25:56Don't tell me I didn't hear a racket.
00:25:58Are you sure you're all alone?
00:26:00I'm always alone, Mrs. Strickett.
00:26:03Walter, have you been talking to yourself again?
00:26:05Well, I guess maybe I have Mrs. Strickett.
00:26:08Somebody's got to.
00:26:09Walter, you know, what you need is a girl.
00:26:11But she doesn't have to be pretty.
00:26:13Just so long she takes good care of you.
00:26:16Well, I can take real good care of myself, Mrs. Strickett.
00:26:18Yeah, I can see that.
00:26:19Look at this pad.
00:26:20It's terrible.
00:26:21When did you ever clean it up?
00:26:23And when did you change these sheets last?
00:26:25They look like they're alive.
00:26:27Mrs. Strickett, I've got to meet some friends in a little while.
00:26:30And I've got to take a shower.
00:26:31Well, why don't you clean up this side?
00:26:33Oh, please, Mrs. Strickett.
00:26:57I didn't mean to hurt you, Lou.
00:27:00But if you'd have shot me, you'd be mopping up my blood now.
00:27:05I can't help it if I got scared and hit you.
00:27:08I didn't mean it.
00:27:16It's crazy.
00:27:19It's crazy.
00:27:23I didn't know you had it in you, Walter.
00:27:27How'd you do it?
00:27:31Well, I just took some clay and fixed it up.
00:27:37Go home and make something, Walter.
00:27:40Make another cat.
00:27:52But I haven't got another cat.
00:27:55Well, I reported in here around midnight.
00:27:58Lou had already been gone over an hour.
00:28:00No, nobody seems to know where he went.
00:28:03Why don't you put an alert out on him, and I'll check on him from here.
00:28:05Okay.
00:28:10All right.
00:28:32Gracias por ver el video.
00:28:41Gracias por ver el video.
00:29:28Gracias por ver el video.
00:29:41Gracias por ver el video.
00:30:22Gracias por ver el video.
00:31:04¿Vale?
00:31:35No.
00:31:44¿Qué?
00:31:45What kind of a statue was that?
00:31:47I don't know.
00:31:48It was made out of driftwood and dipped in fluoric acid.
00:31:51Very wild.
00:31:54What's wrong, Leonard?
00:31:55What kind of a statue?
00:32:28I don't know.
00:32:54I'll give you that $100 for the cat.
00:32:55$500.
00:32:56$500 for the cat and a first look at his next stuff.
00:33:07Someone has the cat just now, but I'll have him back in a few days.
00:33:11And you can have it for the $500.
00:33:14Oh, thank you, sir.
00:33:15I think I've made a bargain.
00:33:17Call me when you're ready.
00:33:18Good night.
00:33:19He walked behind, and he saw the sky.
00:33:23Leonard?
00:33:25You feel better?
00:33:27Listen, I'm going over to Walter's later after the place closes to see murdered man.
00:33:32You feel up to coming along?
00:33:34The rope was fixed around his neck and a washer behind his ear.
00:33:39And the prison bell was tolling, but Tim Evans didn't hear.
00:33:45Saying, go down, you murderer, go down.
00:33:57Look at the size of it.
00:33:59Well, it's not really that big.
00:34:01I got it on a kind of a stamp.
00:34:03Well, let's see it.
00:34:05I'm a little nervous.
00:34:06I never did a person before.
00:34:08You can do anything if you set your mind to it.
00:34:10It's hard in here.
00:34:11You want me to open a window?
00:34:13Come on, Walter.
00:34:14Take off the sheet.
00:34:26Don't you like it?
00:34:31Walter, it's a masterpiece.
00:34:34I've never seen anything like it before.
00:34:38And I hope I never see anything like it again.
00:34:42Neither do I.
00:34:45It's hideous.
00:34:47And it's eloquent.
00:34:49It expresses modern man in all his self-pity.
00:34:55How did you ever find that in yourself, Walter?
00:34:57Well, it wasn't easy.
00:35:02What's the matter with you?
00:35:04Nothing.
00:35:05Nothing at all.
00:35:06I've never seen anyone so squeamish.
00:35:09What's your opinion, Leonard?
00:35:11Don't ask me.
00:35:12Oh, come on.
00:35:14Now, even you must see its value.
00:35:16Do you think that you or I could have conceived of such a thing, much less executed it?
00:35:21Well, then admit it.
00:35:22It's a work of genius.
00:35:24I admit it.
00:35:27Then let's take it down to the yellow door.
00:35:30No.
00:35:30Why not?
00:35:31I'll tell you.
00:35:33But you...
00:35:34You cover it up again, please, huh?
00:35:36Please.
00:35:41Thank you.
00:35:43What is all this nonsense?
00:35:44Why do you want to hide it?
00:35:47Well, I've been thinking.
00:35:50I didn't realize how much talent Walter actually had.
00:35:55It would be wrong to show his pieces one at a time.
00:35:58Dead wrong.
00:35:59You're right.
00:36:01He should build a collection first.
00:36:05Dead.
00:36:06That's the idea.
00:36:07Maybe when it's big enough, we're going to have a show.
00:36:09A show?
00:36:09Just for me?
00:36:10No.
00:36:11Not exactly.
00:36:12I mean, you can take years and years.
00:36:16It's getting hot again.
00:36:18Well, it would take you years to make that many statues, but your work would be featured.
00:36:23It's a wonderful idea, Walter.
00:36:25It's the only way to gain recognition.
00:36:27All the big art critics and art dealers will be there.
00:36:30It'll be an event.
00:36:30Yes, then we can unload.
00:36:32We can sell this stuff for a lot more.
00:36:34But the show, how soon can we go?
00:36:36Don't rush things.
00:36:37It takes time.
00:36:38But first of all, you've got to stop making these horrible statues.
00:36:43Carla and I will guide you.
00:36:45Maybe you can turn to Freeform.
00:36:47Freeform?
00:36:48Well, that's the movement today.
00:36:49With his talent for realism?
00:36:50But you can see the direction his realism takes.
00:36:52It's unhealthy.
00:36:53But you said I was a genius.
00:36:55I don't want to be a busboy anymore.
00:36:57Yes.
00:36:57Maybe you've got a point there.
00:36:59You shouldn't keep working at the yellow door.
00:37:01Look, I'm sure that man is going to buy you a dead cat.
00:37:04So, here.
00:37:05Here's your fee in advance.
00:37:07Fifty dollars.
00:37:08And if you need more, I've got it.
00:37:09So don't worry.
00:37:10I've got great faith in you, Walter.
00:37:14Gee, fifty dollars for something I made.
00:37:16Now you're a professional.
00:37:18Let's go.
00:37:20Okay.
00:37:21Good night, Walter.
00:37:24Keep up the good work.
00:37:25Yeah, but don't rush things.
00:37:27You've got all the time in the world.
00:37:29Come on, Carla.
00:37:32Good night.
00:37:43You are, Walter?
00:37:44I'm an artist, Mrs. Swickett.
00:37:47Oh, sure you are, Walter.
00:37:49I am.
00:37:50Look.
00:37:55Good night.
00:37:57Good night.
00:38:14One of the greatest advances in modern poetry is the elimination of cleric.
00:38:18I am proud to say my poetry is only understood by that minority which is aware.
00:38:22Well, of what?
00:38:24We're not of anything stupid.
00:38:25Just aware.
00:38:28Man, this place is beginning to feel like a line-up.
00:38:32Yeah, baby.
00:38:33But don't cool out pretty soon.
00:38:35I'm going to haunt somebody else's choice.
00:38:37We may have to start drinking.
00:38:43Good night.
00:38:44Good night.
00:38:46Yes, man.
00:38:48Yeah.
00:38:50That's my man.
00:38:51Yeah.
00:38:54Gracias, señor.
00:39:29¡Gracias!
00:39:52¡Gracias!
00:40:24¡Gracias!
00:40:52Nudes, nudes.
00:40:54Right, right, right.
00:40:56Ain't nobody an artist lest he does nudes.
00:41:00Will you get them out of here before we wind up in night courts?
00:41:03Oh, let's change the subject.
00:41:04I'm sick of hearing about sculpture.
00:41:06Nobody knows how to do that anymore.
00:41:08Much less the busboy from the Yellow Door.
00:41:10Who do you think you're talking about?
00:41:12Don't shout at me.
00:41:15I don't like you.
00:41:17Nobody asked for your opinion, Walter.
00:41:19You're just a simple little farm boy and the rest of us are all sophisticated beeknicks.
00:41:24That's all, man.
00:41:26Let's split.
00:41:28Yeah, man.
00:41:30I gotta make me some air.
00:41:34See, you made them leave.
00:41:36What did I do?
00:41:37The first beneficial service of your benighted life.
00:41:40It proves we're all good for something.
00:41:43Are you saying that this busboy is better than I?
00:41:46Yes.
00:41:46I think this whole bit about him being a sculptor is just a big put-on for my benefit.
00:41:51That's not true.
00:41:51I am a sculptor.
00:41:53Oh, yeah?
00:41:54Prove it.
00:41:55Make something out of this.
00:41:57There.
00:41:58Hand.
00:42:00That isn't a real hand.
00:42:01If you were a sculptor, you'd create something for me.
00:42:04A harpoon would be very nice.
00:42:06I'm going home.
00:42:10Alice, you're obnoxious.
00:42:14But he's such an idiot.
00:42:15I'm going home.
00:43:00Yes?
00:43:02What are you doing here?
00:43:03I wanted to apologize for being nasty to you this evening.
00:43:07So you're apologized.
00:43:08Good night.
00:43:09Good night.
00:43:11Good night.
00:43:13Good night.
00:43:15Good night.
00:43:18Good night.
00:43:19Listen, Tork, why don't you get out of here and let me go to bed?
00:43:21I didn't finish talking to you.
00:43:23I decided to make that female figure after all.
00:43:25Oh?
00:43:26And I'd like you to pose for it.
00:43:28Remember what I said about my price?
00:43:30Twenty-five dollars an hour.
00:43:32If you want to pay it, I don't mind posing.
00:43:35When do you want to start work?
00:43:37Tonight.
00:43:37Tonight.
00:43:38You mean right now?
00:43:40Uh-huh.
00:43:41Wait till I get my sweater.
00:43:43Wait till I get my sweater.
00:44:09¡Gracias!
00:44:18We could use a little more heat around this place.
00:44:21It's bad for the clay.
00:44:23You'll get used to it.
00:44:29Well, I'm almost ready.
00:44:35Here.
00:44:37Sit in this chair and I'll pose you.
00:44:50It's kind of rickety.
00:44:52How's this pose?
00:44:54That's fine.
00:44:55It's very good.
00:44:57Just stay like that.
00:45:00It doesn't look like very much clay.
00:45:03Oh, it's enough.
00:45:06Put this around your neck.
00:45:32Ah, breakfast.
00:45:35Watch it.
00:45:36The plate's on.
00:45:37Are these fertile eggs?
00:45:38Are these eggs fertile?
00:45:40Naturally.
00:45:41What did you fry them in?
00:45:43We ran out of the safflower seed oil, but I found a bottle of peanut oil on the shelf.
00:45:48Don't worry.
00:45:48It's not hungry, Jeanette.
00:45:50Is that the cold-pressed stuff or the junk he'll do about by mistake?
00:45:55Yes, man.
00:45:56Yes.
00:45:57Hi.
00:45:57Good morning, Walter.
00:45:58Hi, Walter.
00:45:59What brings you here?
00:46:00Have some breakfast, man.
00:46:01What are you having?
00:46:02Soy and wheat germ pancakes, organic guava nectar, calcium lactate and tomato juice,
00:46:08and garbanzo omelettes sprinkled with smoked yeast.
00:46:10Join us?
00:46:11No, thanks.
00:46:12Sounds great, though.
00:46:14I brought something to show you.
00:46:16Could I have some of the guys help me?
00:46:17Is it better, man?
00:46:18It's better.
00:46:19Come on.
00:46:20Borders.
00:46:27Put it in the middle of the room.
00:46:29When did you do this, Walter?
00:46:30Last night.
00:46:31It doesn't take me very long.
00:46:32I should say not.
00:46:34Well, let's see it, man.
00:46:36Let's see it, man.
00:46:38Let's see it.
00:46:40Let's see it.
00:46:41Let's see it.
00:46:51Walter, I can't believe it.
00:46:54I'm honored to know this man.
00:46:56Do you think it's nice?
00:46:57Hey, she's beautiful.
00:46:59Do you think it's nicer than a murdered man?
00:47:00Oh, I don't know, Walter.
00:47:01It's impossible to choose.
00:47:03They're both great.
00:47:05Walter, I'm deeply moved.
00:47:07Show my appreciation.
00:47:08I'm going to give a party tonight at the Yellow Door.
00:47:10In your honor.
00:47:11And I shall compose a poem.
00:47:30Some more champagne, Your Majesty?
00:47:33Yeah, yeah.
00:47:34Where, where?
00:47:34There, there.
00:47:37It's mine.
00:47:39I'll just have another little kiss.
00:47:41Walter.
00:47:42Walter, you're a wretch.
00:47:43Yeah.
00:47:48Here we go.
00:47:49Right.
00:47:50Here we go.
00:47:57All right.
00:47:59All right.
00:48:00Walter.
00:48:02The bird that flies now pays later through the nose of Amadextra's apathy.
00:48:07Necrophiles may dance upon the placemats in an orgy of togetherness.
00:48:12The highway of life cuts sharply through the shady ghettos and the ivy-covered tombs, and
00:48:17laughter rings from every time capsule in the star-spangled firmament.
00:48:21And in the deep freeze, it is the children's hour, and no one knows that Duncan is murdered, and no
00:48:29one knows that Walter Paisley is born.
00:48:40And you and I and you and I and you and I and you and I and you and I
00:48:45and all such things with souls, we know that Walter Paisley is born.
00:48:50Bring rubber bells, beat cotton gong, strike silken cymbals, play leather and flutes, the cats and cans and you and
00:48:59I and all such things with souls, we shall hear, Walter Paisley is born.
00:49:06And the souls become flesh, Walter Paisley is born.
00:49:20Marvelous, darling, marvelous.
00:49:24Man, like that was the greatest gasp I ever heard.
00:49:27Crazy, what did he say?
00:49:28Didn't you hear him?
00:49:30No, man, I'm too far out.
00:49:38Maxwell, that was magnificent.
00:49:40I feel so elegant.
00:49:42Walter deserved every word of it.
00:49:44Makes me so glad I'm aware.
00:49:48Did you hear what he said?
00:49:50Yes, Walter.
00:49:51All about me.
00:49:54It's true, isn't it?
00:49:57Every word.
00:50:01You better hold off on the bubbly, Curtis.
00:50:04Yeah, why?
00:50:06We might talk too much.
00:50:08What would I say?
00:50:10Most anything I expect.
00:50:12Are you two trying to ignore the rest of us?
00:50:14Oh, not me, Maxwell.
00:50:16I wouldn't ignore you.
00:50:18I know what it is to be ignored.
00:50:21Tell us what you're going to do next, Walter.
00:50:23I'm going to make the most wonderful, wildest, wiggiest things you've ever seen.
00:50:28I'm going to make big statues and little statues, tall statues and short statues.
00:50:35I'm going to make statues of nobodies and statues of famous people.
00:50:40Statues of actors and poets and people who sell things on television.
00:50:48And a statue of the mayor.
00:50:50And some opera singers and their intimate friends.
00:50:53And everybody will say, Walter, let me shake your hand.
00:50:57It's been a real pleasure to have known you.
00:51:06Alley cats and garbage cans, they know that Walter Paisley is born.
00:51:11Ring rubber bells, beat cotton gowns, strike silken symbols, clay leather and flutes.
00:51:21Tell us what you're going to do next, Walter.
00:51:23Walter, I'm going to make big statues, little statues, movie stars and poets, and guys who sell things on television.
00:51:35And the mayor and some opera singers.
00:51:38Tell us what you're going to do next, Walter.
00:51:46What am I going to do next?
00:51:50What am I going to do next?
00:51:54I've got to do something before they forget.
00:51:59I know what it's like to be ignored.
00:52:15Who are you?
00:52:16What do you want?
00:52:17Life is an obscure hobo, bumming a ride on the omnibus of art.
00:52:21Huh?
00:52:21What did you say?
00:52:22Well, it's not creation.
00:52:23It's graham crackers.
00:52:24Let them all crumble to feed the creator.
00:52:27Oh, Bated, you must be nuts.
00:52:40No!
00:52:41No!
00:52:43No!
00:52:45No!
00:52:45No!
00:52:46No!
00:52:47No!
00:52:47No!
00:52:47No!
00:52:48No!
00:52:48No!
00:52:48No!
00:52:48No!
00:52:49No!
00:53:00No!
00:53:01Oh, Leonard!
00:53:02Beautiful morning, isn't it?
00:53:03It was.
00:53:05What's that you got in the box?
00:53:07Just wait till you see this.
00:53:09Extra!
00:53:10Extra!
00:53:11Horrible murder and friendship factory.
00:53:14Read about the man who got cut in half.
00:53:17Extra!
00:53:18Extra!
00:53:19Police can only find part of it.
00:53:21Leonard!
00:53:22Read all about it.
00:53:26What's the matter, Leonard?
00:53:30You made a bust.
00:53:32Yeah, isn't it wonderful?
00:53:35What's the matter, Leonard?
00:53:37Put it down, Walter, please.
00:53:44Walter.
00:53:46Walter.
00:53:47Walter, listen to me carefully.
00:53:48I don't want you to make any more statues.
00:53:51Do you understand?
00:53:52No more statues.
00:53:53Why not?
00:53:55Why not?
00:53:55I gotta make statues, Leonard.
00:53:57You heard, Brock.
00:53:57They want me to make them.
00:53:58If I stop making them, I'll just be a bust boy again.
00:54:02Brock, he's behind all of this with this stupid, bitter poetry.
00:54:05Listen.
00:54:06You've got to stop him right away.
00:54:08I'm beginning to feel responsible.
00:54:11Why?
00:54:12Well, what did you do?
00:54:13Oh, never mind.
00:54:16Walter, I've decided to have that show for you right away.
00:54:20Yes.
00:54:21When Carla comes, we'll have her work up some nice invitations.
00:54:24We'll have them printed up.
00:54:26We'll invite the critics and the art collectors.
00:54:30We'll tell them.
00:54:35Well, I don't see why we can't go.
00:54:37Mr. Leonard DeSantis is afraid to have you come.
00:54:40You who buy his coffee that lure his tourists.
00:54:43You are the heart and soul and meat of the yellow door.
00:54:46He slighted you.
00:54:47Did you get an invitation?
00:54:49I did not.
00:54:50But I'm going anyway.
00:54:52Not to drink his champagne, but to see Walter's triumph.
00:54:55After that, we go no more.
00:54:57Hi, Maxwell.
00:54:59I won't say good luck, Walter.
00:55:01Why not?
00:55:01It would imply you could not succeed on your ability alone.
00:55:08You look so handsome.
00:55:10I do.
00:55:11So do you.
00:55:13I mean, you look so pretty.
00:55:15Thank you.
00:55:16Are you ready?
00:55:17Oh, we've got plenty of time.
00:55:19I know, but I wanted to talk to you.
00:55:21Okay.
00:55:22We can go now if you like.
00:55:24Bye.
00:55:27Later, man.
00:55:28Later.
00:55:28Swing.
00:55:30Man, why do you suppose Walter wants to get her alone?
00:55:34Do you suppose he could be physically attracted to her?
00:55:36No, man.
00:55:37He ain't the type.
00:55:38You don't get enough vitamin E.
00:55:40Maxwell gave him a bottle of wheat germ oil once.
00:55:43Maybe he just started taking it.
00:55:53What did you want to talk to me about, Walter?
00:55:56Well, what kind of people do you like, Carla?
00:56:00Oh, thinking people.
00:56:04Artistic people, I guess.
00:56:06You think I'm artistic?
00:56:07Of course I do.
00:56:08That means you like me.
00:56:10I like you very much, Walter.
00:56:12I thought you did.
00:56:13I can't.
00:56:14I kissed me the other night.
00:56:17Oh, that was for your sculptor of the girl.
00:56:19You're nude in the chair.
00:56:23Carla, I've been alone for a long time.
00:56:25And I know you've been alone because you never seem to go out with anybody,
00:56:27even though Leonard's always asking you to go out with him.
00:56:30And I just...
00:56:32What are you trying to say?
00:56:42Carla?
00:56:45I don't want to make statues anymore.
00:56:47I want to get married.
00:56:48To you.
00:56:54How long have you been thinking about this, Walter?
00:56:56Oh, for a long time.
00:56:58Ever since you first came to work at the club.
00:57:02You were the only one who was ever nice to me.
00:57:04I didn't know you loved me until you kissed me.
00:57:10Walter, I do like you.
00:57:13And I did kiss you.
00:57:16But that was because of your work.
00:57:21There's more to being in love with someone than just that.
00:57:26You mean you don't love me?
00:57:30I'm afraid that's what I mean.
00:57:34But...
00:57:35But you've got to love me.
00:57:37Why do you think I made that statue of Alice?
00:57:40Walter, I'm sorry, but...
00:57:41You just can't be sorry.
00:57:43I want to marry you.
00:57:45Now, calm down, Walter, and let's go in there and...
00:57:49And then, maybe when the show's over, we can talk about it.
00:57:52Well, I want to talk about it.
00:57:56I get it.
00:57:58I see the whole thing now.
00:58:02Nobody knows that Walter Paisley is born.
00:58:07Carla.
00:58:10Will you do one favor for me?
00:58:14Just about anything, Walter.
00:58:18Would you let me make a statue of you?
00:58:21Would you really like to?
00:58:24That'd make me very happy.
00:58:27Okay.
00:58:29Tonight.
00:58:31I'll make a statue of you tonight.
00:58:33Okay?
00:58:39Come on.
00:58:41Come on.
00:58:43Come on.
00:58:59Come on.
00:59:01Come on.
00:59:02Come on.
00:59:03Come on.
00:59:12No, gracias.
00:59:14Esto podría ser una vuelta a la realidad.
00:59:17Sí, una una vuelta a la realidad.
00:59:19Tenemos muchos artistas, pero no es un craftsman.
00:59:23Este hombre sabe su anatomía.
00:59:25Yo le voy a $1,500 para esto.
00:59:27Cuando le voy a mi review, podría ser $5,000.
00:59:35Entonces, ¿cuál es el problema?
00:59:38¿Por qué te estás tan preocupado?
00:59:40¿Has escuchado las cosas que están diciendo?
00:59:41Puedes hacer $25,000 en estos piezas.
00:59:44¿I thought you put money down?
00:59:46¿Puedo? ¿Puedo hacer $25,000?
00:59:48Leave me alone.
01:00:02¡Out!
01:00:02Man, we have come to make the scene.
01:00:05¿Vamos a cappuccino, man?
01:00:06We got the bread.
01:00:07We're not open for business.
01:00:08This is an art exhibit.
01:00:09No bumps.
01:00:10Get up.
01:00:10That art is a bum, man.
01:00:12Man, he's sober.
01:00:13Yeah, well, that's his problem, man.
01:00:15All right, man, all right.
01:00:16We'll wait outside.
01:00:16Yeah, you wait outside.
01:00:17Let's go.
01:00:19Thank you.
01:00:27Go ahead.
01:00:33Thank you.
01:00:41You put come into it.
01:00:51¿Dónde están, Carla?
01:00:53¿Qué es lo que pasa?
01:00:55¡Walter!
01:00:56¡There es un cuerpo dentro de esa estatua!
01:01:00¡Oh, eso es Alice!
01:01:02¡Es bien, Carla!
01:01:04¡Masas dice que es bien!
01:01:06¡Let them become clay in his hands, que él puede mold them!
01:01:10¡Walter!
01:01:11¡You stay away from me!
01:01:14¿Por qué, Carla?
01:01:15¡I made them immortal!
01:01:17¡Don't you see, I can do the same for you!
01:01:37¡Ah!
01:01:39¡Ah!
01:01:50Call Valdez, have him send some cars.
01:01:52I'm going at the pace.
01:01:52I'm going with you.
01:01:54Hey, man, what is the score?
01:01:56Walter Pasey's a murderer.
01:01:57Ah, man, I saw him chasing Carla down the street.
01:02:00Oh, yo, I like it.
01:02:09Glad横.
01:02:11I'm going with you.
01:02:27I'm going with you.»
01:02:50¿Qué es eso?
01:02:53¿Nobody knows I'm here?
01:02:57¿No?
01:02:58No, no.
01:02:59No, no.
01:03:01They're dead.
01:03:05How could they know?
01:03:07Did you see him?
01:03:09He's hiding around here someplace.
01:03:11He can't hide just because we're in clay and he isn't.
01:03:25Walter, go home.
01:03:27He won't know where else to go
01:03:30Walter, go home
01:03:35Where is he?
01:04:14Walter, go home
01:04:42Walter, go home
01:04:56Walter, go home
01:05:03What's the matter with you?
01:05:08Walter
01:05:12Walter
01:05:16We'll find him
01:05:19We'll have him soon, Lou
01:05:22We'll teach him he can murder us
01:05:24And get away with it, won't we?
01:05:30Walter
01:05:33Walter
01:05:36Walter
01:05:36Walter
01:05:39What are you going to do now, Walter?
01:05:49I'll hide where they'll never find me
01:06:02I'll hide where they'll never find me
01:06:18I suppose he would have called it Hanging Man
01:06:23His greatest work
01:06:27I'll hide where he'll never find me
01:06:33I'll hide where he'll never find me
01:06:34I'll hide where he'll never find me
01:06:36I'll hide where he'll never find me
01:06:38I'll hide where he'll never find me
01:06:40I'll hide where he'll never find me
01:06:42I'll hide where he'll never find me
01:06:42I'll hide where he'll never find me
01:06:43I'll hide where he'll never find me
01:06:44I'll hide where he'll never find me
01:06:44I'll hide where he'll never find me
01:06:44I'll hide where he'll never find me
01:06:53I'll hide where he'll never find me
01:07:09Gracias por ver el video.
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