- hace 3 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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CortometrajesTranscripción
00:04:08Cuts on both of her arms.
00:04:10Exactly like the others.
00:04:12Get her down.
00:04:16What will you do now, Inspector Ramos?
00:04:18Do you know the name of Adam Rourke?
00:04:20Every detective in the world
00:04:22has read his book on sex crime,
00:04:24motivation and investigation.
00:04:26And he is my personal friend.
00:04:28I'm sending a cable to New York tonight.
00:04:58I'm
00:05:00I'm
00:05:02glad to see you Adam.
00:05:04Welcome to Manila.
00:05:06Miguel, it's nice seeing you again.
00:05:08You know, it's been four years.
00:05:10And from the looks of your face,
00:05:12I'd swear you haven't aged more than ten.
00:05:14What's up, Paré?
00:05:16Let me take this.
00:05:18No, no, come on. What's up?
00:05:20You're American directness.
00:05:22You don't even permit me the courtesy of greeting.
00:05:24Listen, I know a chief inspector of homicide
00:05:26doesn't send plane tickets to their friends
00:05:28just so they can fly in and sit by the ocean
00:05:30and watch colorful bonkers drift by, right?
00:05:32Besides, I got to know that particular look
00:05:34pretty well on your last trip to New York.
00:05:36What's up?
00:05:38All right, my friend. I'll tell you on the way home,
00:05:40and I'll tell you some more when we get there.
00:05:42My car is there. Let's go.
00:05:44Okay.
00:05:46All exactly the same.
00:05:48All neat, all deep.
00:05:50All precisely ten centimeters long.
00:05:52Not a fraction, more or less.
00:05:54On the inside of both forearms of every single victim.
00:05:56Very nice.
00:05:57You've worked pretty well on your last trip to New York.
00:05:58What's up?
00:06:00All right, my friend. I'll tell you on the way home,
00:06:02and I'll tell you some more when we get there.
00:06:04My car is there. Let's go.
00:06:06Okay.
00:06:08All exactly the same.
00:06:10All neat, all deep.
00:06:12All precisely ten centimeters long.
00:06:14Not a fraction, more or less.
00:06:15Very calculated and very professional.
00:06:18And every victim a young, attractive girl.
00:06:21No deviation?
00:06:22None.
00:06:23Are you absolutely sure each victim was completely drained of blood?
00:06:27Except for fractional amounts in the hands and head.
00:06:35No, Adam.
00:06:36It could not have been done with anything like that.
00:06:39The incisions are too thin, too neat.
00:06:42We have talked to every friend, every family.
00:06:45Anyone who could help us find any kind of link, any kind of pattern that could tie the victims together.
00:06:52Do you know what we found?
00:06:54No.
00:06:55There's no connection.
00:06:56There's no connection.
00:06:57And Adam, it has to be only one man.
00:07:01No two persons can kill so many people exactly the same way each time.
00:07:09Except for one thing.
00:07:11What's that?
00:07:12What if the killer were Siamese twins?
00:07:15Since you're supposedly here to help my brother, Mr. Rourke, it might be better if you remembered the pressures on him instead of making jokes.
00:07:24I'm glad you're here.
00:07:26Adam, I want you to meet my sister, Sylvia.
00:07:29How do you do, Sylvia?
00:07:31I'm sorry if that last remark created the wrong impression.
00:07:34No apology is necessary, Mr. Rourke.
00:07:36But it might help if you remembered that you own a country whose customs and attitudes are not your own.
00:07:42Sylvia, Adam is an experienced lieutenant of homicide himself.
00:07:47And he is also my friend.
00:07:49Do I make myself clear?
00:07:51Quite clear, Miguel.
00:07:53Now, what is it you wanted?
00:07:55To pour myself a drink.
00:07:57But if I'm disturbing...
00:07:58No, no, no.
00:07:59You know all about this.
00:08:00Go ahead.
00:08:01Is there anything I can get for you, Miguel?
00:08:04A ramen calamansi, please.
00:08:07And, um, for our guest?
00:08:10The same if you'd be so kind.
00:08:12Late yesterday, one of my men phrased the fact that Maria Cortes was working as a hostess at a barrio club here in the city.
00:08:25Have you done a follow-up over there yet?
00:08:27No. Frankly, I wanted to talk to you first.
00:08:31I'm glad you did.
00:08:32That gives me an idea, Miguel.
00:08:35You don't have any Americans working on the force, right?
00:08:39Therefore, the possibilities of somebody spotting me for a cop are pretty thin.
00:08:44Secondly, I'm a stranger here.
00:08:47So there's no chance of running into any previous acquaintances.
00:08:52Miguel, this is probably the best setup you've ever had for putting in a plant.
00:08:56Now, let me function as an undercover man.
00:08:58I can pass for a tourist.
00:08:59I'll even wear colorful sports shirts and carry two cameras, if you like.
00:09:03What do you say?
00:09:05No, Adam. No.
00:09:09Thank you, Sylvia.
00:09:16We don't know why he drains the blood from his victims.
00:09:20We can only assume that there's some peculiar twist in a sick mind.
00:09:25Do you think there'll be other killings in the club?
00:09:28Not necessarily.
00:09:29Of course, you don't have enough men to warn, much less protect every attractive girl in town.
00:09:33And if our killer even suspected we were trying, he'd pick up and move to a new area, a new city.
00:09:40Then it would be harder to look for him. And in the meantime, there will be more killings.
00:09:45Right.
00:09:46I'll do some digging on my own about this last girl. Maybe it'll help speed things up for you.
00:09:53No heroics now. No foolish chances. Just information. All right?
00:09:58Then there should be no connection between the two of us for a few days.
00:10:05Anyway, I'll provide you with a contact man.
00:10:09Good.
00:10:10Adam, there's another possibility I would like you to know.
00:10:16There are many sophisticated people among us, but there are many more who are not.
00:10:22There have been some rumors in the villages about a strange blood cult. Voodoo and the like.
00:10:29And since none of the victim's blood had ever been found on the scenes of the murders, people have begun to think and suspect that it had been taken for some fiendish purpose.
00:10:44Really?
00:10:46I know, I know. But anyway, I would like you to think about it.
00:10:50I'll do better than that. First thing tomorrow morning, I'll go down to the main library.
00:10:54And I'll read up on Count Dracula and the medieval witches.
00:10:59My brother is trying to help you.
00:11:01And I'll remember what he said, Sylvia.
00:11:04Don't move. There, at the base of your neck, two small holes. Yes, fang marks.
00:11:10Sylvia, I think that...
00:11:13And I think that only a complete fool would ignore all the possibilities that might apply. Even the occult.
00:11:19Regardless, I would like you to bring Adam into town.
00:11:21No thanks, Miguel. I'll call the cab.
00:11:24If there is to be no connection between us, there should be no connection at all. Not even a cab driver.
00:11:29Miguel, I prefer if...
00:11:31And I would prefer that you help us in this matter.
00:11:35Since you have just returned after two years of studies in London, no one will recognize you at this hour.
00:11:41The Luzon Hotel is very clean. I'm sure you'll get a room there. My man will contact you tomorrow.
00:11:54Adam, here is additional material that I prepared for you.
00:11:58Thank you for your hospitality and the spirited conversation.
00:12:03My sister, Sylvia, is very headstrong. But she means well. I hope you two get along well together.
00:12:09Miguel, I didn't know you had a sister.
00:12:12In here, yes. Her father was connected with an English firm here in Manila before the war.
00:12:17During the occupation, he joined as a guerrilla. He was very brave, but very unlucky.
00:12:24And her mother?
00:12:25Her mother died a few years back.
00:12:28So your family adopted her?
00:12:30I just ran out of languages.
00:12:32Okay, Harvey, boy, let's go.
00:12:35Harvey?
00:12:36Yes, Harvey. I always take him with me whenever I'm working.
00:12:40Oh, by the way, who runs the barrio club?
00:12:42His name is Calderon.
00:12:44Uh-huh.
00:12:46Thanks.
00:12:48The hotel is two blocks back on the other side of the street.
00:12:51I hope you'll forgive me for that little joke I made back at the house.
00:12:53Oh, yes.
00:12:55I'm sorry.
00:12:57I'm sorry.
00:12:58I hope you'll forgive me for that little joke I made back at the house.
00:13:01Oh?
00:13:02Was that a joke?
00:13:04I see.
00:13:05Well, I guess there isn't too much more to say except good night.
00:13:09Except one thing.
00:13:11Yes?
00:13:12Right now, my brother needs the help of people who can equal his dedication.
00:13:16Not that of-
00:13:17Of wisecracking skeptics who ignore the possibility of the Ark.
00:13:21All right. I'm just surprised that you believe in such things.
00:13:25Do you have all the answers to life, Mr. Roark?
00:13:27Not the last time I'd checked, no.
00:13:30Well, then it might surprise you to find out that there are still some mysteries.
00:13:34That science and policemen seem unable to answer.
00:13:37Good night, Mr. Roark.
00:13:39I came here to help Miguel.
00:13:41And I intend to do it.
00:13:43Because you're his sister, it would make things a lot more pleasant if I had your friendship, too.
00:13:47But I don't need it.
00:13:49Now, in the interest of friendship, I'll make a simple bargain with him.
00:13:52I won't form any final opinions of this case until all the facts are in, if you do the same with me. Okay?
00:14:00All right.
00:14:02Now, if you promise not to tell us so, I'll let you in our one conclusion I've made already.
00:14:06Really? What?
00:14:08Regardless of how it turns out, you must admit that someone has come up with a novel idea for a blood bank.
00:14:15Why, you croot!
00:14:17Why, you croot!
00:14:47Why, you croot!
00:14:48Why, you croot!
00:14:49Why, you croot!
00:14:50Why, you croot!
00:14:51Why, you croot!
00:14:52Why, you croot!
00:14:53Why, you croot!
00:14:54Why, you croot!
00:14:55Why, you croot!
00:14:56Why, you croot!
00:14:57Why, you croot!
00:14:58Why, you croot!
00:14:59Why, you croot!
00:15:00Why, you croot!
00:15:01Why, you croot!
00:15:02Why, you croot!
00:15:03Why, you croot!
00:15:04Why, you croot!
00:15:05Why, you croot!
00:15:06Why, you croot!
00:15:07Why, you croot!
00:15:08Why, you croot!
00:15:09Why, you croot!
00:15:10Why, you croot!
00:15:11Why, you croot!
00:15:12Why, you croot!
00:15:13Why, you croot!
00:15:14Do you have a light?
00:15:17Yeah.
00:15:22Oh.
00:15:24I was just going to ask you something very personal,
00:15:26but you have that business-before-pleasure look in your eyes.
00:15:29Not really.
00:15:30Yes, really.
00:15:31You're very perceptive.
00:15:33Well, I'm not very subtle, but be sure to ask for me when that look changes.
00:15:38My name's Teresa.
00:15:44Good evening, sir.
00:15:53What would you like?
00:15:54Whatever you make, Ben.
00:15:56Ah, very difficult.
00:16:07First round.
00:16:08The best way.
00:16:10And no charge for a new visitor's first ring.
00:16:14Your eyes are as sharp as your drinks, huh?
00:16:16Oh, excuse me.
00:16:20Yes?
00:16:21Maybe you can help.
00:16:23This club is run by Mr. Calderon, isn't it?
00:16:26Yes.
00:16:27Where can I find him?
00:16:30Why?
00:16:30I want to talk to her.
00:16:40You're a good man.
00:16:41I'm a stranger.
00:16:42And right away you spotted the fact that I did a rob, Mr. Calderon.
00:16:46And maybe even kill him.
00:16:53Maybe you are all right, padre.
00:16:56But I still won't tell you until you tell me.
00:16:58I'm a writer.
00:17:01Magazine articles in general and anything else I can get in particular.
00:17:04Now, I read the newspaper story about the murder of Maria Cortez.
00:17:09Yes.
00:17:12I would like to put my hands on the one who did that.
00:17:15Then you can help.
00:17:16And Calderon, too.
00:17:19You'll find his office at the top of the stairs, brother.
00:17:23Thanks.
00:17:23But you must not.
00:17:26He's very sick about that.
00:17:34Now, we shall have to wait until after Serena's dance.
00:17:37We shall have to wait until after Serena's dance.
00:18:07We shall have to wait until after Serena is sera Autumn.
00:18:09We shall have to wait until after Serena's dance.
00:18:11Wait until after Serena's dance islympic.
00:18:11This song will get pulling through Serena's dance.
00:18:13Okay.
00:18:13I will have to wait until after Serena's dance just like this for Verena.
00:18:35have to wait until after Serena's dance starts since Elenino's dance.
00:18:37Gracias.
00:19:07Gracias.
00:19:37Gracias.
00:20:07Gracias.
00:20:08You were wonderful.
00:20:09Thank you.
00:20:37I can't let you go on doing this to yourself time after time, dancing too much, overworking
00:21:04yourself.
00:21:05What about me?
00:21:06What about us?
00:21:07Aren't we ever going to have any time for us?
00:21:10Is there never going to be any rest for either one of us?
00:21:13If you're in one of these days, we must find it.
00:21:19Uh, excuse me.
00:21:22This is a private office.
00:21:24Oh, I'm awfully sorry.
00:21:25I thought that was a door to a hallway.
00:21:27Get out of here.
00:21:28I'm looking for Mr. Calderon.
00:21:31I have some very important business with him.
00:21:34I'm Calderon.
00:21:35I have nothing to discuss with you.
00:21:36Now, outside.
00:21:37Uh, no offense.
00:21:38Uh, I just made a clumsy mistake.
00:21:40Please, accept my apologies.
00:21:41Get out.
00:21:42Get out.
00:21:43You must be awfully tired after that dance.
00:21:46But it was wonderful.
00:21:47Like I said before, ma'am.
00:21:48Uh, no offense.
00:21:49I'm leaving.
00:21:50Sorry.
00:21:51Well.
00:21:52When were you talking to him?
00:21:53On the stairs, a moment ago.
00:21:54What did you tell him?
00:21:55I believe I said thank you.
00:21:56For what?
00:21:57For the compliment.
00:21:58He paid me on my dance.
00:21:59I'm sorry.
00:22:00It's just that, just that everything makes me nervous ever since Maria was.
00:22:02I know.
00:22:03But don't you think you should go and talk to him?
00:22:04I'll be right back.
00:22:05I think Maria had more sense.
00:22:06Well.
00:22:07It was a surprise.
00:22:08I thought Maria had more sense than just me.
00:22:09I know.
00:22:10Well, I thought Maria would be good.
00:22:11You know, I don't know.
00:22:12Well, I was a busy guy.
00:22:13But I got to go back, my dear, I've been asking her.
00:22:14What did you tell him?
00:22:15I believe I said thank you.
00:22:16For what?
00:22:17For the compliment he paid me on my dance.
00:22:20I'm sorry.
00:22:21It's just that, just that everything makes me nervous ever since Maria was.
00:22:23I know.
00:22:24But don't you think you should go and talk to him.
00:22:25I'll be right back.
00:22:27¡Gracias!
00:22:57Are you all right, Teresa?
00:22:58Yes, Mr. Calderon.
00:22:59Are you sure?
00:23:00Would you like to go home early tonight?
00:23:02No, I'm fine, really.
00:23:04Good.
00:23:05Then would you excuse us, please?
00:23:06I want to have a word with this gentleman.
00:23:11May we talk?
00:23:13There are many problems to running a business like this.
00:23:17My nerves sometimes.
00:23:19Well, I'm afraid you startled me at such a moment in the office.
00:23:22It's my turn to apologize.
00:23:24My pleasure, Mr. Calderon.
00:23:26You know where I come from, folks don't consider a man a man
00:23:29unless he knows how to make an apology and accept one.
00:23:32That's a very good philosophy, Mr.
00:23:35Rourke. Adam Rourke.
00:23:37Bueno.
00:23:39Yes, Mr. Calderon?
00:23:41Whatever Mr. Rourke would like.
00:23:43And have it brought down to us, please.
00:23:45Another of your specials, Marino.
00:23:47And what would you like?
00:23:49Nothing, thank you.
00:23:50Well, since you said it was important business,
00:23:53I suggest a little more privacy.
00:23:55There's nothing secret about it.
00:23:57At least you can sit in more comfort.
00:23:59Please.
00:24:00Whatever you say.
00:24:01What's your açık sign at this date?
00:24:06Yes.
00:24:07Here we go.
00:24:08Let's make a second dinner.
00:24:10What's his thing you say?
00:24:26¡Gracias!
00:24:56¡Gracias!
00:25:27Ay, bueno.
00:25:29Nice meeting you, Mr. Roark.
00:25:33Amedria, you sure got good taste in the women you hire.
00:25:37Mr. Roark, very pleasant talking with you,
00:25:41but, well, I hope you appreciate that as owner of a club,
00:25:45I have many things to do.
00:25:47Just what was it you wanted to talk to me about?
00:25:49Well, like I told you, I'm a writer,
00:25:52I know not a famous writer,
00:25:53but I've always been able to spot an interesting story
00:25:54No, no, no, no, no, no, no.
00:26:24No, no, no, no, no.
00:26:54A writer is a writer. He's always looking for an interesting story.
00:26:59I see.
00:27:00Now, if you agree, I can guarantee that the results will be very profitable for both of us.
00:27:05What do you say?
00:27:07Let me think about it. I'll try to contact you in the morning and give you my decision.
00:27:11Fine.
00:27:12Where are you staying?
00:27:13Luzon Hotel, room 12.
00:27:15I do admit it's an interesting idea.
00:27:17It's just that I have to reconcile my previous affections for Maria with such a concept.
00:27:22Good night, Mr. Rourke.
00:27:23Good night, sir.
00:27:23Good night.
00:27:31Good night.
00:27:31Gracias.
00:28:01Gracias.
00:28:31No.
00:28:33No, there couldn't be that much of a boat.
00:28:35Let's go.
00:28:38I was just a little bit.
00:28:40You will.
00:28:41I will.
00:28:42I am.
00:28:43I am.
00:28:44I am.
00:28:45I am.
00:28:46I am.
00:28:47I am.
00:28:48I am.
00:28:49I am.
00:28:50I am.
00:28:51I am.
00:28:52I am.
00:28:53I am.
00:28:54I am.
00:28:55I am.
00:28:56I am.
00:28:57I am.
00:28:58I am.
00:28:59I am.
00:29:00There couldn't be that much of a room shortage.
00:29:13Can I assume he worked alone?
00:29:25Sorry about that.
00:29:30Poor Harvey, the things you go through for me.
00:29:44Well, Harvey, old man, you've done it again.
00:29:47You don't know what this means to me.
00:29:49And one of these days, I promise you,
00:29:52I'm going to get you a complete paint job and an overhaul.
00:29:57Wait, Harvey, wait, wait, please.
00:30:02Be the less fortunate. I'm hungry, Harvey. I'm hungry.
00:30:06Oh, you are truly a monster. May you be happy.
00:30:12Are you all right?
00:30:15Fine, fine. I'm sorry. I'm very sorry.
00:30:17I'm nothing but a close old fool.
00:30:18Don't worry about it.
00:30:19Please forgive me.
00:30:20And I wouldn't even blame you if you hit me for such a pity.
00:30:22Look, I said it's fine. Don't worry about it.
00:30:23This guy isn't safe anyway.
00:30:24And I wouldn't take that knife to the police if I were you.
00:30:26It's a knife, isn't it?
00:30:27A grace for a baron.
00:30:28Yes, a favorite attack weapon in this part of the world.
00:30:30Will you help me up and walk me to that bench on there?
00:30:33Why should I?
00:30:34Because Miguel said that you not only had a sense of humor,
00:30:37but you're kind and generous.
00:30:41Thank you.
00:30:42Thank you.
00:30:43I'm sorry.
00:30:44I'm sorry.
00:30:45I'm sorry.
00:30:46I'm sorry.
00:30:47I'm sorry.
00:30:48I'm sorry.
00:30:49I'm sorry.
00:30:50I'm sorry.
00:30:51I'm sorry.
00:30:52I'm sorry.
00:30:53I'm sorry.
00:30:54I'm sorry.
00:30:55I'm sorry.
00:30:56I'm sorry.
00:30:57I'm sorry.
00:30:58I'm sorry.
00:30:59I'm sorry.
00:31:00Thank you.
00:31:01And that bundle, if you don't mind.
00:31:04I had a feeling you wouldn't be able to last till morning to take this to Miguel.
00:31:11You're quite an actor.
00:31:13So were you, while you were talking to Valderon last night.
00:31:16I don't remember seeing you.
00:31:18I didn't want you to.
00:31:20My job is not only to relay information, but also to stay as close as possible to you without arousing suspicion.
00:31:26Oh, yes.
00:31:27I know I don't present a very capable picture at the moment.
00:31:31Well, the bundle you're carrying.
00:31:35It's modern science's contribution to my lack of parts.
00:31:40You'd be surprised how well I can move when I'm wearing it.
00:31:44Like half an hour ago when I pulled your victim across the street.
00:31:48Obviously a suicide.
00:31:50Suicide?
00:31:51The three bullet holes in him?
00:31:53Of course.
00:31:55Tell me, you carry a gun?
00:31:59Uh-huh.
00:32:00Then why didn't you use it when our friend paid me a visit?
00:32:03I regret that I didn't see him until he was on your balcony.
00:32:06Well, fortunately, you were better prepared than I.
00:32:08But I promise to be more alert next time.
00:32:11Thank you.
00:32:12That's very consoling.
00:32:14Leave the varong with me.
00:32:16However, I doubt if we'll find more than a few smudge fingerprints on it.
00:32:21What I'm more interested in is finding out if...
00:32:24If your visitor had connection with Calderon.
00:32:26That's right.
00:32:27You'll hear from me.
00:32:28By the way, my name is Herrera.
00:32:31Now give me some more money and bite me on the shoulder sympathetically.
00:32:34I still think you're an expensive proposition.
00:32:37You know that, don't you?
00:32:38How's that, hmm?
00:32:39Thank you, thank you.
00:32:40I've never seen such generosity.
00:32:42Bless you.
00:32:43Uh...
00:32:44Aren't you forgetting something?
00:32:45Oh.
00:32:46Thanks.
00:32:47I think you'd look more peculiar with three than I do with one.
00:33:15Good evening.
00:33:25Please get in.
00:33:28Yes, you.
00:33:29Doesn't anybody sleep around here?
00:33:45Please, I can't believe it.
00:33:46Thank you, yes, sir.
00:33:48Please, I have a funnier house for the rest of the night.
00:33:50I'm sorry, man.
00:33:51I'm sure the things.
00:33:52I'm sorry.
00:33:53It's okay.
00:33:54You have to get in.
00:33:55Thank you, sir.
00:33:56Please welcome on the table.
00:33:57How are you here?
00:33:58How are you here?
00:33:59Thank you, sir.
00:34:01I'm sorry.
00:34:02I'm sorry, sir.
00:34:03I'm sorry.
00:34:04You can do it.
00:34:05You can do it.
00:34:06I'm sorry.
00:34:07Take care.
00:34:08I'm sorry.
00:34:10I'm sorry.
00:34:11You can do it.
00:34:12¡Gracias!
00:34:42¡Gracias!
00:35:13She's kidding.
00:35:16She's got to be kidding.
00:35:19She's not kidding.
00:35:26Sylvia, wait.
00:35:35She set you up for that one and you fell for it.
00:35:39How?
00:35:42Whatever made you think she could change that fast.
00:35:46Your ego, that's what.
00:35:49You overactive schoolboy.
00:35:53Knotted.
00:35:55Claude.
00:36:12I don't believe it.
00:36:13I still don't believe it.
00:36:25I still don't believe it.
00:36:28But there you are.
00:36:29I don't believe it.
00:36:32I still don't believe it.
00:36:36But there you are.
00:36:37I don't believe it.
00:36:38I don't believe it.
00:36:39I don't believe it.
00:36:40I don't believe it.
00:36:41I'm sure you'll find it.
00:36:42I don't believe it.
00:36:43But there you are.
00:38:07¿Are you positive she used to work in the club?
00:38:10I was even talking to her the night before last.
00:38:12Was she there last night?
00:38:14I imagine so
00:38:15Why? You did not see her?
00:38:19I didn't make it to the club
00:38:21Why not?
00:38:22I was busy, I was out in the country
00:38:25Just on the other side of the city
00:38:26Adam, is something the matter?
00:38:30There's something you're not telling me?
00:38:32No, there's nothing the matter
00:38:33It's just that I'm nervous about coming here
00:38:35It's still too soon to start taking chances
00:38:37It's not too soon for her
00:38:39Yes, I'm sorry
00:38:42I wish I had followed my instincts last night
00:38:44What do you mean?
00:38:46I was there
00:38:47She came home drunk
00:38:49I thought about seeing if I could help
00:38:51But I didn't
00:38:52You were there?
00:38:54Yes
00:38:55Then you are on to something
00:38:58Not about last night, that was pure coincidence
00:39:00Oh, I'm sorry, Miguel
00:39:06I didn't realize you had company
00:39:08Well, what is it you wanted?
00:39:10Oh, uh, nothing
00:39:11I'll talk to you later
00:39:13Well, I was not expecting another killing so soon
00:39:20I know how you feel
00:39:22But give me two or three more days
00:39:24As regrettable as this is
00:39:25We still don't have anything solid to go on, Miguel
00:39:27I know
00:39:29But I'm going back to the morgue
00:39:32To look for some more clues
00:39:34Anything that we have missed
00:39:36Any clues
00:39:37Adam
00:39:38Two or three more days
00:39:41That's all I can afford
00:39:42Oh, oh, I, I am just coming out
00:40:00There's something I want to say to you
00:40:03About yesterday
00:40:04There's something I want to say to you
00:40:08Oh, uh, yes
00:40:10Good evening, Mr. Calderon
00:40:39Fascinating woman, isn't she?
00:40:44Yes, she is, Mr. Roy
00:40:46Just thought I'd check in since I hadn't heard from you
00:40:53Although I've got the impression you tried to get in touch with me the other night
00:40:56No, I
00:40:57I've been busy the last two days
00:40:59Make a decision, yes?
00:41:03Decision?
00:41:04On that story I want to write
00:41:05Oh, yes, the story
00:41:07No, I haven't
00:41:08But I'm sure it'll be all right
00:41:10After we've discussed the few details
00:41:11Good
00:41:14I'm glad to hear it
00:41:15Maybe we can start tonight
00:41:17No
00:41:19Not tonight
00:41:20Come on
00:41:49Come on
00:41:49Come on, Mr. Lock
00:41:51You mustn't
00:41:52There can be lots of trouble
00:41:53I'll take my chances, Elena
00:41:54Thank you
00:41:56Get out of here
00:41:59I told you once before
00:42:02It is not permitted
00:42:03I was only trying to help, fellas
00:42:05You made me trouble the last time
00:42:07Now you mind your business
00:42:09Well, if that's the way you feel about it, okay
00:42:11I think I don't like you as much as before
00:42:17I'm glad you told me about the trick you pulled on Adam
00:42:31Sylvia, I'm glad you told me about the trick you pulled on Adam
00:42:43It was a silly thing to do
00:42:46But a very feminine one
00:42:48However, no matter what you feel about Adam
00:42:52I ask you not to do anything
00:42:55That can interfere
00:42:57Sylvia
00:43:01Yes
00:43:03Could it be possible that you no longer feel the same way about Adam as when he first arrived?
00:43:10It's possible
00:43:11I see
00:43:12In a way, I'm glad
00:43:15Adam is a fine man
00:43:17In another way
00:43:19I hope you would consider your emotions more carefully before giving them to men who are in our kind of work
00:43:26That is one reason why I never got married
00:43:29I wouldn't like the woman that I love to ever feel the loneliness
00:43:34If I were to be killed suddenly
00:43:36That's very good advice, Miguel
00:43:38It's a pity you didn't give it to me
00:43:41Before I realized I was in love with him
00:43:44That's another reason why I never got married
00:43:47What is?
00:43:50That I still don't understand women
00:43:52No, Miguel, no, it's still too soon
00:44:02But it is my responsibility
00:44:04To protect your life, too
00:44:06Miguel
00:44:07You know as well as I do
00:44:09They simply claim that I was trespassing
00:44:11And legally speaking
00:44:12They'd be right
00:44:13Actually, they didn't hurt me that much
00:44:16If the truth were known, I'm more embarrassed than anything else
00:44:18I won't wait much longer, Adam
00:44:21You won't have to
00:44:22Now, I'm sure we're on the right track
00:44:23But all we have right now is strong suspicions
00:44:26Unless, of course, you found proof to tie Caldron in with the hotel room attack
00:44:30And Therese's murder
00:44:31Have you?
00:44:33No
00:44:33Okay, then let's stick with the original plan
00:44:36Now, what have you found out about Caldron and the woman Serena?
00:44:41All we know here is that they arrived about two years ago with Peruvian passports
00:44:46And have taken out citizenship papers
00:44:49They had enough money to buy the club and made it a success
00:44:53We have no idea where either the money or where they came from before that
00:44:57But I have sent a wire to the police at Lima for more details
00:45:02Need to open up your heart
00:45:03Could you open up your consciousness or the money or how to make it a dla me?
00:45:15¡Gracias!
00:45:45¡Gracias!
00:46:15¡Gracias!
00:46:45¡Gracias!
00:46:52Get back to the bar, go on.
00:47:02I see that our easy-going rider also has a temper.
00:47:09What's the trouble?
00:47:10I'm afraid Morena's getting a bit over zealous again.
00:47:13Ladies and gentlemen, I'm sorry for the interruption.
00:47:18The dance will resume in just a moment.
00:47:20Perhaps there's something we can do over there.
00:47:24Excuse me.
00:47:26I'm sorry about interrupting your dance, ma'am.
00:47:29Please accept our apologies.
00:47:31It's just that Moreno is loyal and Mr. Calderon was angry with him
00:47:34for letting you up to the office that first time.
00:47:37Believe me, we'll be more than happy to help you with your story.
00:47:40Oh, we told you about it.
00:47:41Yes, it sounds very interesting.
00:47:43I'm glad to hear that from you.
00:47:45Is he watching us?
00:47:47No.
00:47:48Calderon.
00:47:50No.
00:47:51He's talking to some men over there.
00:47:53Please.
00:48:05No matter what he may have told you,
00:48:07please believe nothing until I've had a chance to talk to you privately.
00:48:11Be here tomorrow night at nine.
00:48:13I'll find you.
00:48:15He's to be out of the club on business.
00:48:18Will you do it?
00:48:20Gladly.
00:48:21And I warn you, for your sake as well as my own,
00:48:24please say nothing of this to him.
00:48:26He's charming.
00:48:28But he can also be strange and violent.
00:48:31Will you trust me?
00:48:32Yes, I'll trust you.
00:48:36I need a friend very badly now.
00:48:38And I don't think fate could have brought me a better one than you.
00:48:42Thank you.
00:48:43I won't let you down.
00:48:45Now I'm asleep.
00:48:47Good night.
00:48:48Thank you.
00:49:04No, no, no.
00:49:34Sorry, but you were very impulsive.
00:49:43Besides, it's not nice to hit a cripple.
00:49:49Herrera, would you mind telling me how you did that?
00:49:54Oh, just an old-fashioned hip throw.
00:49:56Oh.
00:49:57Well, what's up?
00:49:59Or did you just drop by to give me a judo lesson?
00:50:02I was coming to your hotel.
00:50:04This afternoon, the parents of a young woman named Elena Munoz reported her missing.
00:50:09They returned from a trip late last night and found her room had been thrown apart.
00:50:13As in a violent fight.
00:50:14But there was no blood.
00:50:16Elena Munoz.
00:50:18See words in the wire club.
00:50:19Of course, that was the girl who tried to keep me from going into Calderon's room.
00:50:25Was she in the club tonight?
00:50:26I didn't see her.
00:50:28Well, Miguel called me and said to tell you right away.
00:50:31He also said that if the body is found, he's going to move in on Calderon no matter where we stand.
00:50:35I don't blame him.
00:50:37But tell him this.
00:50:39I spoke to the dancer Serena tonight.
00:50:41She seemed a little upset about something.
00:50:43She wants to talk to me tomorrow night after Calderon leaves the club.
00:50:47Now, I don't know what she's up to.
00:50:49But I think it's worthwhile looking into.
00:50:51We can't afford to jump a gun.
00:50:53We don't have enough evidence.
00:50:54But I want to give this guy enough rope to hang himself.
00:50:57Then you're convinced he's the one.
00:50:59In the meantime, have him wait for a telephone call tomorrow night.
00:51:01And when it comes to move.
00:51:03And move fast.
00:51:04All right.
00:51:05And remember to be careful.
00:51:07How can I ever thank you for that advice?
00:51:11Oh, uh, did you say that was a hip throw?
00:51:14Uh-huh.
00:51:15Ah.
00:51:24Oh, no, wife.
00:51:38Not this time.
00:51:49Are you all right?
00:51:52Uh, I...
00:51:54I think so.
00:51:55Uh, just, just a little embarrassed.
00:51:59You're embarrassed?
00:52:00Are you sure you're all right?
00:52:02I didn't hurt you.
00:52:03No.
00:52:05And it's reassuring to know that you can take care of yourself.
00:52:08I'm great with women, but you should see me with one-legged men.
00:52:12What are you doing here anyway?
00:52:15I thought I told you I didn't want you getting into any dangerous situations.
00:52:18And you never know what can come flying through that window.
00:52:21Well, I'm sorry.
00:52:21It's just that I was so worried about you, I had to make sure you were all right.
00:52:26Okay.
00:52:27You see I'm all right?
00:52:28Now get going.
00:52:29No, I had another reason for coming.
00:52:32Miguel just received word from his office.
00:52:35The report from the police at Lima stated that Calderon fled the country after he was implicated
00:52:40in the death of a plantation owner from whose factory some young women had disappeared over a period of two years.
00:52:46What about the woman?
00:52:48Her name is Serena Brioso.
00:52:50She's been known to have lived with him for two or three years.
00:52:53Anything else?
00:52:54No, that's all.
00:52:55Oh, yes, Miguel tried to contact Herrera right away, but he couldn't find him.
00:53:00That's probably because he was with me.
00:53:02By the way, does Miguel know you're here tonight?
00:53:06Well, I didn't tell him.
00:53:08Great.
00:53:09Okay.
00:53:09Out.
00:53:10Wait.
00:53:12Since you're so worried about what can come in through that door,
00:53:17well, the only thing that can come in now is moonlight.
00:53:21I say, old man, could I interest you in a team sweater
00:53:48with the number of your local mafia chapter embroidered on the front?
00:53:54No.
00:53:57Well, then how about a slightly used but official Sherlock Holmes decoding rave?
00:54:04No, I guess not.
00:54:06Well, happy hunting.
00:54:08Well, I guess not.
00:54:13Gracias por ver el video.
00:54:43Gracias por ver el video.
00:55:13Gracias por ver el video.
00:55:45Gracias por ver el video.
00:55:47Gracias.
01:06:33años, eso es lo que da vida continuamente renovada a los que nos han sido elegidos como
01:06:39guadalas. Pero para asegurarnos de que nunca se sienta a los efectos de la vida normal,
01:06:45la sangre de la cortesanía fue firsta de nuestras vidas. Y cualquier persona que intentaba
01:06:53interferir sería un crimen. Y tú has intentado.
01:07:03I'm Antonio Munoz, Lina's father. I wanted to help the policemen in my own way,
01:07:22but I'm not very good at following people.
01:07:26You did all right. Let's go.
01:07:33Hey, in there. Open up. Anybody home?
01:08:03What?
01:08:05Can I use your phone?
01:08:07Why?
01:08:08There's a killer loose, a homicidal maniacal delusions of ancient history.
01:08:11Now, can I use your phone?
01:08:13No, you're right in there.
01:08:15Thanks.
01:08:16Thanks, huh?
01:08:18He breaks in and ruins a man's flip.
01:08:21Better he should steal my blood.
01:08:24Hold. Break it in.
01:08:45You. Inside. The rest of you. Another building. Quickly.
01:08:47Go. Break it in.
01:08:48You. Inside. The rest of you. Another building. Quickly.
01:08:52Wait a minute. Why? This way.
01:09:07Wait a minute. Why? This way.
01:09:09Wait a minute. Why? This way.
01:09:14Your Diane cop-ed-son.
01:09:17Goodbye.
01:09:18Go, go, go.
01:09:19You.
01:09:41¡Gracias!
01:10:11¡Gracias!
01:10:41¡Gracias!
01:11:11¡Gracias!
01:11:41¡Gracias!
01:12:11¡Gracias!
01:12:41Aquí estamos.
01:12:46¡Gracias!
01:12:49Well, Adam, no more words except that you will always be welcome.
01:12:53Thank you, Miguel.
01:12:55Before you leave.
01:12:57I have a gift for you.
01:12:57I wonder where he is.
01:13:01Ah...
01:13:04Sorry I am late.
01:13:06Here he is. I hope you like him.
01:13:07Harvey?
01:13:09pero yo pensé que tenía que tenerlo aquí
01:13:14el último pezco de trabajo
01:13:17desde que tomé tanta culpa mientras estuvo aquí
01:13:21pensamos que uno de ustedes regresa
01:13:22así que no pensar en nosotros como inhóspitables
01:13:26no, no inhóspitables, pero a veces un poco
01:13:30rara, voy a comprar un pack de cigarros
01:13:33pero yo bebí cigarros
01:13:35hoy te bebí cigarros
01:13:36will you be back soon?
01:14:06¡Suscríbete al canal!
01:14:36¡Suscríbete al canal!
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