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IMPORTANTE: NO SE CUAL ES LA CAUSA, PERO SI EL VIDEO SE DETIENE CON LA LEYENDA: "ALMACENANDO EN BÚFER", RECOMIENDO MEMORIZAR EL MINUTO EN QUE SE CORTA Y REINICIAR LA PÁGINA Y HECHO ESTO LLEVAR CON EL CURSOR HASTA EL MOMENTO EN QUE SE DETUVO.
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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CortometrajesTranscripción
00:00:28Gracias por ver el video.
00:00:59Gracias por ver el video.
00:01:27Gracias por ver el video.
00:01:53Gracias por ver el video.
00:02:05Gracias por ver el video.
00:03:38Flora May, is that your daughter, Mr. Cole?
00:03:41I am helpless without Flora May, and there's so little Mrs. Crandall can do.
00:03:45We're so upset about Flora May because, well, we haven't any children of our own.
00:03:50Well, who is Flora May, and what's happened to her?
00:04:23She's our Cocker Spaniel.
00:04:55Thank you.
00:04:55I did it on my coming here.
00:04:55I did it on my own responsibility.
00:04:57I thought that as a friend of his, you'd like to help him if you could.
00:05:00Well, did Mr. Rogers tell you I was a friend of his?
00:05:03That was my impression.
00:05:04He speaks of you frequently and reads all your books.
00:05:07Well, ours was just an elevator acquaintanceship when he had his office down the hall.
00:05:12Oh, in that case, I'm sorry.
00:05:14No, no, no, don't go away.
00:05:16As long as you're here, I'd like to know what it's all about.
00:05:18Will you have a drink?
00:05:19Thanks, I will.
00:05:20Watch your story.
00:05:22We're living at his place on Farm Lake.
00:05:24There's a situation there that I believe is causing Mr. Rogers to lose his mind.
00:05:28What makes you think so?
00:05:29He's afraid to go outside after dark, locks the door of any room he goes into,
00:05:33and leaves every light in the house burning all night.
00:05:36What's he afraid of?
00:05:38Apparently of two men whom he believed dead.
00:05:40They showed up suddenly at his house and forced themselves on him as guests,
00:05:42and he hasn't been able to get rid of them.
00:05:44Who are they?
00:05:45I only know what Rogers told me.
00:05:46He said he met them years ago in the Far East when he was a pearl buyer.
00:05:50Why doesn't he call the police?
00:05:52The few times that I suggested it, I sort of got put in my place.
00:05:56Well, uh, what makes you think that I could help him?
00:06:00I hope that you can find out what threat these men hold over him.
00:06:04I know that he'd confide in you and listen to your advice.
00:06:07Well, maybe he would.
00:06:08I'll drive out there this afternoon.
00:06:37Do you know where the Rogers police is?
00:06:40That's it, across the lake.
00:06:44I stay for fishing.
00:06:45Think they'll bite?
00:06:47Going fishing?
00:06:48No, not staying.
00:06:49And what do you care if they're biting?
00:06:54I want to...
00:07:01Anybody here or there?
00:07:05Yes, I'm here.
00:07:08I want to rent a boat.
00:07:09Well, help yourself.
00:07:10How much?
00:07:11Two dollars an hour.
00:07:13Put your money on the gas tank.
00:07:15Hey.
00:07:28What are you Khan?
00:07:48Now that you've got your money on the gas tank.
00:08:00No, no, no.
00:08:32No, no, no.
00:08:53Mr. Rogers is at home?
00:08:55Call in, please.
00:08:56Allory Queen.
00:08:56Mr. Rogers is not at home.
00:08:58Well, may I speak to Mr. Cole?
00:09:00I'll find out if Mr. Cole is in.
00:09:02You'll find that he is.
00:09:16Will you be seated, sir?
00:09:17Thank you.
00:09:22Hello, Mr. Queen.
00:09:23Terribly sorry Mr. Rogers isn't home.
00:09:25He left while I was away, but I'm sure he'll be back soon.
00:09:27Did you hear a shot a few minutes ago?
00:09:29Yes, the duck season's open, you know.
00:09:31Do I look like a duck?
00:09:33Why, did the shot come near you?
00:09:34Yes, too near.
00:09:36Gave my boat a fatal wound in the ribs.
00:09:38Well, that's no joke.
00:09:40I wouldn't be surprised if Bates or Cordae had fired that shot.
00:09:43I wouldn't put it past him.
00:09:44Those are too many we're talking about.
00:09:46Yes.
00:09:46You're not in?
00:09:47No.
00:09:48Let's take a look in that room.
00:09:49All right, follow me.
00:09:54Ready for a quick getaway, huh?
00:09:57Hey, you know, I'm afraid they're going to know somebody's been going through the blowings.
00:10:00I want them to.
00:10:01It'll worry them to know that somebody's been giving their stuff a frisky.
00:10:05Webley English.
00:10:07Yes.
00:10:09Take those and throw them in the lake.
00:10:11Okay.
00:10:12These two.
00:10:16It's this.
00:10:17Margo Fawcett Rogers.
00:10:19Marie Dubois Rogers, whose ages are 24 and 26 and were born in Manila, P.I. and for PDTI,
00:10:25are being sought by their father, Alan Rogers of 382 Fifth Avenue, New York, USA.
00:10:30Do not reply to this ad unless prepared to submit full proof of identity.
00:10:35I know that ad.
00:10:36That's the one that Rogers put in all the papers in the Far East.
00:10:40His daughter, Margo, came and answered one of them, but he's never seen or heard from Marie.
00:10:44That's probably how those two fellows located Rogers.
00:10:47I'd like to call my office in New York.
00:10:49All right.
00:10:49Do you want to use the phone, Mr. Rogers' bedroom?
00:10:51Thanks.
00:11:06There it is over there.
00:11:07There it is over there.
00:11:11Does he take all these pills?
00:11:13Yes.
00:11:13He takes those capsules for diabetes.
00:11:15The rest of the medicines are for imaginary complaints.
00:11:18Hypochondriac, huh?
00:11:20Well, I want to call New York.
00:11:21Caledonia 9-2133.
00:11:24Yeah, I'll hold a while.
00:11:31Larry, Queen's office.
00:11:33Oh, hello, Larry.
00:11:34How are you doing?
00:11:35Well, I want to be up here for some time, Nicky.
00:11:37You may as well close up and go home.
00:11:38Don't you need me up there?
00:11:40Definitely no.
00:11:41Why not?
00:11:42You know I could help you.
00:11:43No, thanks.
00:11:44You'd never find the place anyway.
00:11:46You did.
00:11:47You're not to come up here and that's fine.
00:11:49I'll see you in the morning.
00:11:50Okay, mastermind.
00:11:52Goodbye.
00:12:07Oh, I beg your pardon.
00:12:12Also, Fifi is very sorry.
00:12:14I'm sorry, too.
00:12:15I hope I didn't hurt Fifi.
00:12:16Oh, no.
00:12:16It's all right.
00:12:17I'm looking for the office of Mr. Alan Rogers.
00:12:20Oh, you won't find him in this building.
00:12:22He retired from business about six months ago.
00:12:24Oh, do you know where I can locate him?
00:12:26Yes, I do.
00:12:27He lives at Fawn Lake.
00:12:28Fawn Lake?
00:12:28Where is that?
00:12:29Oh, it's about 40 miles from town.
00:12:32Could you tell me how to get there?
00:12:34I'm a stranger here.
00:12:35Well, if you'll come into the office, I'll look it up.
00:12:36Merci beaucoup.
00:12:38You're very kind.
00:12:39I'm Licky Boer, Mr. Green's assistant.
00:12:41Mr. Charmé.
00:12:42My name is Marie Dubois.
00:12:44It's a pleasure.
00:12:44Won't you come in?
00:12:45Merci.
00:12:46Oh, Fifi.
00:12:49Now, Fifi, you sit here.
00:12:52That's it.
00:12:53Good.
00:12:55It's in here.
00:12:56All right.
00:12:58Merci.
00:13:03What an interesting office.
00:13:05It's very unusual.
00:13:07Mary Queen's a very unusual man.
00:13:09Who is this, Mr. Queen?
00:13:10Not let's...
00:13:11Also quite detective.
00:13:15It's just by chance that I happen to know where Mr. Rogers lives.
00:13:19He sent for Mr. Queen this morning to have him investigate a very mysterious situation at his house.
00:13:25Do you mean there is something wrong at his home?
00:13:27He doubted me.
00:13:28Or he wouldn't have sent for Mr. Queen.
00:13:30Oh, that concerns me greatly.
00:13:32You see, Mr. Rogers is my father.
00:13:34Your father?
00:13:36And you're asking me where he lives?
00:13:38I haven't seen him since I was a baby.
00:13:40I just arrived here from Papiti in the Taishan Islands.
00:13:43Why didn't he meet you at the boat?
00:13:45He's not expecting me.
00:13:50I might never see him the notice myself, but a friend of Mama sent it to me months after it
00:13:54appeared.
00:13:55Oh, this is thrilling.
00:13:58You must be dying to see him.
00:14:01You know what?
00:14:01I'll drive it to his place.
00:14:04The directions are awfully complicated, and naturally you haven't a car.
00:14:08After what you told me, I'm not so certain I want to go there immediately.
00:14:12You have nothing to fear with an honorary queen there.
00:14:15Maybe this would change your mind.
00:14:19Dear Madam, it is impossible for you to daughter of my client, Mr. Alan Rogers,
00:14:24who denies ever having known the woman you state your mother.
00:14:29Mr. Rogers instructs me to advise you that he considers you an imposter
00:14:33and will not enter into any further correspondence with you,
00:14:36nor entertain any claim whatsoever that you may make on him.
00:14:39Very truly yours, L.C. Young, attorney at law.
00:14:42But I'm not an imposter.
00:14:44I have my mother's marriage certificate.
00:14:46I have photographs.
00:14:48I have my birth certificates and letters to prove that I am his daughter.
00:14:52Letters Mr. Rogers wrote to you?
00:14:53No, letters he wrote to Mama years ago.
00:14:55Only I knew nothing of it until after her death.
00:14:59Why would Mr. Rogers advertise for you?
00:15:03And then have his lawyer write this letter?
00:15:06I've asked myself that question many times.
00:15:10Perhaps Mr. Rogers doesn't know anything about it.
00:15:14Maybe it's a threat designed to frighten you from coming into this country.
00:15:17It very nearly did.
00:15:19Why don't you let me take the letter to Mr. Rogers and find out if it was written on his
00:15:23instructions?
00:15:24At the same time, I'll be able to find out why he calls so urgently for the services of Mr.
00:15:29Queen.
00:15:30Would you do that for me?
00:15:31Oh, I'd be happy to.
00:15:33I'm very fortunate in meeting you.
00:15:38I don't believe you, Mr. Queen.
00:15:40If you just opt in to say hello, why should it concern you who my houseguests are?
00:15:45As a matter of fact, Mr. Rogers, I asked Mr. Queen to come and see you.
00:15:49Why?
00:15:50Mr. Cole thought that you were being imposed upon.
00:15:52He did.
00:15:53In the future, attend your work and nothing else.
00:15:56And you, Mr. Queen, keep your inquisitive nose out of my house.
00:16:00When I need a detective, I'll engage one.
00:16:05You say you don't need a detective, but obviously you're afraid of something.
00:16:08That's this fool's idea.
00:16:09Probably gets it from reading your books.
00:16:12There's nothing mysterious about this place.
00:16:14And who shot at me as I was crossing the lake and why?
00:16:17I don't know or care.
00:16:19Will you please leave this house before I have you put out?
00:16:22Mr. Rogers, I caught this young woman snooping around the house.
00:16:29Who are you and what do you want?
00:16:32Mr. Rogers, I am your daughter, Mary.
00:16:39What makes you think you're my daughter?
00:16:41Oh, these papers, these letters you write, Mama.
00:16:46Your marriage certificates.
00:16:47The certificates of my birth, too.
00:16:49Or, too, you will find a picture of me when I'm six months old.
00:16:55Would you have recognized me, Papa?
00:17:00Well, I would know you, though I'm more handsome now.
00:17:05Oh, well, that's very kind.
00:17:07Ah, it is so very good to find you.
00:17:10It's nice to have you here, dear.
00:17:12So many times I have needed you, Papa.
00:17:16Especially since Mama has passed away.
00:17:22Is this my brother?
00:17:24No, no, thank heaven he's not.
00:17:26Call see Mr. Queen of the door, please, sir.
00:17:28Oh, excuse me.
00:17:29I was touched by the reunion with your daughter.
00:17:35Uh, bonsoir, mademoiselle.
00:17:37Charmé.
00:17:44Hey, what do you call him?
00:17:45A cute gentleman, mister?
00:17:47Cute, he's a pain in the neck.
00:17:49Deborah, Miss Marie will stay here.
00:17:50See that everything possible is done to make her comfortable, please.
00:17:53Yes, Mr. Rogers.
00:17:55Though I still wonder why you didn't come to the front door
00:17:57instead of trying to climb through...
00:17:59You are a darling Papa that wants me to stay here.
00:18:03Yet I must return to my hotel tonight.
00:18:06You see, I have no class.
00:18:08You shouldn't have gone to the hotel in the first place.
00:18:10I'll have your bill paid and your baggage sent here.
00:18:14By the way, what hotel are you staying in?
00:18:17I forget.
00:18:18What?
00:18:19Oh, I am so stupid.
00:18:22I am foolish like a child.
00:18:25But I am so excited.
00:18:27New York is so big and so strange.
00:18:30Don't worry, my dear.
00:18:31You'll recall the name later.
00:18:33I'll make you so much trouble.
00:18:34Not at all, dear.
00:18:35It's worth anything having you here.
00:18:37How'd you come into the country?
00:18:39On a visitor's permit?
00:18:40No, on a ship.
00:18:41No, no.
00:18:42I mean, how long is your passport good for?
00:18:44I never asked.
00:18:46Well, we'll straighten everything out in the morning.
00:18:48I want to take you to my attorney,
00:18:49and we can go to the immigration department from there.
00:18:53Immigration department?
00:18:54Yes, it's my daughter.
00:18:55You're an American citizen.
00:18:56You can stay here forever.
00:18:59Oh, I'm an American.
00:19:01Oh, how wonderful.
00:19:04Now we'll go see if Deborah has things straightened out.
00:19:06Oh, yes.
00:19:08We...
00:19:10Oh, Margot.
00:19:11Yes, Father?
00:19:12I have a very happy surprise for you.
00:19:14We found your sister Marie.
00:19:15Oh.
00:19:16Or rather, she found us.
00:19:18Sister?
00:19:20Ah, oui.
00:19:22But Mom always never told me I have one.
00:19:24I didn't know myself until recently that I had a half-sister.
00:19:27Well, you see, Marie, your mother was my second wife.
00:19:29I understand, she, Father.
00:19:31I am certain I shall adore my big sister.
00:19:34Yes, I'm sure we shall get along wonderfully together.
00:19:37Well, come on.
00:19:38Let's have a drink to celebrate Marie's arrival.
00:19:40This is really a very happy reunion.
00:19:46What?
00:19:46No, butler?
00:19:47No, butler.
00:19:48No, butler.
00:19:54Hey, Al.
00:19:54Have these cooked.
00:19:55We eat them tonight.
00:19:57Freshly killed ducks aren't fit to eat.
00:19:58Can I do that and stop us at the art of cuisine?
00:20:01Just have them cooked.
00:20:02You want to have them plucked?
00:20:04Look.
00:20:05Who's this?
00:20:06Oh, pardon me.
00:20:08My dear, I want you to meet two old friends.
00:20:11Mr. Fates and Mr. Corday.
00:20:13This is my daughter Marie.
00:20:15Oh, yes, is it?
00:20:17I am all chante to meet old friends of Papa.
00:20:20Yeah, well, how do you happen to show up here just at this time?
00:20:24Oh, I see the advertisement Papa has placed in the paper in Papilly.
00:20:30Oh, to him, je n'ai, let's say.
00:20:31Oui.
00:20:31We lived there for ten years.
00:20:32Ah, a very charming place, do you not think?
00:20:37Hmm.
00:20:37Pardon me.
00:20:39Je n'ai pas dit la la et de Marie.
00:20:43Je n'ai pas voir encore, je n'ai pas de main du silence.
00:20:46Merci beaucoup.
00:20:47Merci beaucoup.
00:20:49Merci beaucoup.
00:20:50Je n'ai pas dit toi à pas encore, merci beaucoup.
00:20:53Oh, my dear.
00:20:56Why, my dear.
00:20:57Marie, apparently you've never had a drink before.
00:21:00That's unique for a girl from Tahiti.
00:21:03Extraordinaire.
00:21:04Sit down, my dear.
00:21:05Oh, merci, sir, Papa.
00:21:07It is not that time.
00:21:08I have no good time.
00:21:10I feel I am on the ship again.
00:21:13I think maybe I should lie down.
00:21:15Margot, take her upstairs and look out for her.
00:21:17Yes, certainly.
00:21:18Come along, dear.
00:21:19Oh, revoir, is she?
00:21:20Au revoir, au revoir.
00:21:22Au revoir.
00:21:23Au revoir, au revoir.
00:21:26Funny girl.
00:21:27I think she's an idiot.
00:21:28I'll thank you to speak of my daughter with more respect.
00:21:31We speak here as we wish, Rogers.
00:21:33Excuse me, sir.
00:21:34What time shall I serve dinner?
00:21:35When these are ready.
00:21:36They won't be fit to eat.
00:21:38They'll taste all right to us.
00:21:41You seem to forget the time we lived on seagulls and weeds.
00:21:44Yeah, when you stole the schooner in Marundis on the Marquises.
00:21:47I told you I didn't run out on you.
00:21:48Oh, no.
00:21:50You only persuaded us to go ashore,
00:21:52so a most regrettable squall could blow you with the ship away.
00:21:55Yeah, now that a second dizzy dame shows up calling herself your daughter,
00:21:58I think it's high time that we really talk business, Rogers.
00:22:01You are right, my friend.
00:22:03But we're not going to settle for the original amount.
00:22:06We want two-thirds of what you've made on the shares of the cargo
00:22:09since you left us on the island.
00:22:10That's impossible.
00:22:12Thirty thousand is all I can raise.
00:22:13Impossible, eh?
00:22:14What did you do?
00:22:15Put most of your fortune in Margo's name?
00:22:18Yeah.
00:22:18Now he thinks he's going to transfer what's left to Marie.
00:22:21So the next time we talk to him, he'll be flat broke.
00:22:23Oh, but there won't be no next time.
00:22:26This is your last chance, Rogers.
00:22:30Well, by sacrificing a lot of securities,
00:22:33I might raise fifty thousand.
00:22:36That's all I can do.
00:22:37When do we get it?
00:22:37Tomorrow afternoon.
00:22:39Hey, where are you going?
00:22:41Call my lawyer and tell him to make arrangements.
00:22:43Come on, we'll supervise his call.
00:22:50Come on, Ducky, Ducky.
00:22:52Come on, Ducky.
00:22:54Come on, Ducky.
00:22:55Come on.
00:22:56Come, Ducky.
00:22:57Come, Ducky, Ducky.
00:22:59Come, Ducky.
00:23:02Come, Ducky, Ducky.
00:23:03What happened?
00:23:04One of them wasn't dead, sir.
00:23:09There he is.
00:23:10Who?
00:23:16Ah, a duck.
00:23:24They're hidden?
00:23:25Yes.
00:23:27Good.
00:23:27Hooker with the others.
00:23:41Hey, Andres, now, you can give me a mouth down.
00:23:44All right.
00:23:44Come along.
00:23:45Pick up what you want.
00:23:47They're hidden by him.
00:23:51Oh.
00:23:54Oh.
00:24:02Wow.
00:24:07Wow.
00:24:10Wow.
00:24:10Wow.
00:24:11Wow.
00:24:12Wow.
00:24:13Wow.
00:24:29¡Gracias!
00:24:47¡Gracias!
00:24:48¡It was so funny!
00:24:59Perhaps don't think of us.
00:25:03Good idea. Maybe it'll straighten you up.
00:25:09Oh, you've turned on the shower.
00:25:11Pull out the handle to fill the tub.
00:25:24A hot bath will make you feel better afterwards.
00:25:27Yes, I love it.
00:25:29I would like to sleep in the tub.
00:25:30All right.
00:25:38Good night, sister dear.
00:25:41Good night, sister dear.
00:25:43Good night, sister dear.
00:25:44Don't leave my lovely house.
00:26:15¡Suscríbete al canal!
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00:29:04¡Suscríbete al canal!
00:29:13¡Suscríbete al canal!
00:29:18¡Suscríbete al canal!
00:29:30¡Suscríbete al canal!
00:29:43¡Suscríbete al canal!
00:29:55¡Suscríbete al canal!
00:29:58¡Suscríbete al canal!
00:29:59¡Suscríbete al canal!
00:30:15¡Suscríbete al canal!
00:30:16¡Suscríbete al canal!
00:30:28¡Suscríbete al canal!
00:30:38¡Suscríbete al canal!
00:30:42¡Suscríbete al canal!
00:30:44¡Suscríbete al canal!
00:30:47¡Suscríbete al canal!
00:30:49¡Suscríbete al canal!
00:30:50¿Qué es el día de hoy?
00:30:51Hoy hablé de la hotel.
00:30:53¡Oh, de repente se recuerda el nombre?
00:30:55¡Sí, papá, de Brinkley!
00:30:57¡Y voy a estar listo en un minuto!
00:30:59¡Un minuto!
00:31:01¡Uh-huh!
00:31:03Bueno, esto ha sido un tiempo para encontrarme, Miss Rogers,
00:31:06pero creo que eres más bien para eso.
00:31:08¿Cómo, Marie?
00:31:09Un cigarro?
00:31:13No, Lester es más que mi abogado, Marie.
00:31:15¡He es un buen amigo!
00:31:17¡That es bueno!
00:31:18¡Well, para un moment, I am going to be nothing but the lawyer!
00:31:21I do not know whether your father has told you or not,
00:31:23but he is transferring his entire estate to you and Martin.
00:31:27¡Oh!
00:31:28¡Oh, muchas gracias!
00:31:30Now, if I may see the dark woman that you are his daughter.
00:31:34Un saludo.
00:31:53¿Qué es lo que está pasando?
00:31:54No escribí esta carta.
00:32:01¿Y se puede ver que no está en mi stationery?
00:32:06¿Y por eso no está en el cable?
00:32:09¿Quieres ver por mí lo que mi problema es lo que mi problema es?
00:32:12I do not think you would advertise for me and then warn me not to come.
00:32:18I'm glad you were clever enough to realize that.
00:32:21Alan, you know that I had nothing whatever to do with that.
00:32:24It certainly looks like your signature.
00:32:27Mr. Young, if you were writing such a letter, you would be clever enough, I am sure,
00:32:33not to use your ordinary stationery, but to have some made for the occasion.
00:32:39You'd better wait for me in the outer office for you.
00:32:42Yes, ma'am.
00:32:48Alan, I don't know what to say.
00:32:51I know you didn't send this letter.
00:32:53It looks like the work of those two blackmailers.
00:32:56Let me have the money and I'll get rid of them for good.
00:32:58Yes, of course.
00:33:10There it is.
00:33:11Thanks.
00:33:14But I won't need that.
00:33:16Be sure they sign the release before you pay them.
00:33:19I'll handle them.
00:33:22I wish you'd come to the house this evening.
00:33:24Come for dinner.
00:33:25Oh, I'd be glad to.
00:33:37I'll call for you in two hours.
00:33:38That should certainly give you time to pack.
00:33:40Two hours will be fine.
00:33:42What do you want, Chef, Papa?
00:33:44What do you want?
00:33:44I'll call for you in two hours.
00:34:09I'll call for you in two hours.
00:34:13I'll call for you in two hours.
00:34:14What am I going to do?
00:34:16Oh, oh, wait a minute now.
00:34:17Sit down and cool off.
00:34:18How can I sit down?
00:34:19You've got to find Marie and you've got to find her fast.
00:34:21All right, hold everything.
00:34:22I'll begin at the beginning.
00:34:24Oh, can I?
00:34:25Everything happens to me and I'm always in the middle.
00:34:28But, Hillary, I did get a lead on that lawyer, Young.
00:34:32Yeah.
00:34:32I talked to the threatening letter he wrote Marie right under his nose and he swore he didn't write it.
00:34:37But he can't fool me, even if the letterhead is different.
00:34:40I bet he's the one that made Marie disappear.
00:34:42I'll bet you anything.
00:34:43How could he when he didn't even know where she was?
00:34:46He's got something there.
00:34:52Extra paper!
00:34:54Extra paper!
00:34:56Extra paper!
00:34:58Paper!
00:34:59Extra paper!
00:35:01Extra paper!
00:35:03Wait a minute, sir.
00:35:05Extra paper!
00:35:07Paper!
00:35:09Extra paper!
00:35:11Paper, sir.
00:35:15Extra paper!
00:35:25It's coming down tomorrow.
00:35:26I'm going to put a rosebud on it.
00:35:33Thanks.
00:35:34It's a guy at the bar, wouldn't you?
00:35:38Yeah.
00:35:38Hey, Al!
00:35:38Come over here.
00:35:43Don't forget, Jack.
00:35:44I was next.
00:35:45Right, John.
00:35:46Thanks.
00:35:47Corday's waiting for you.
00:35:51Right here, Al.
00:35:53Come on.
00:35:57Well, you are almost out of time.
00:36:00All right, gentlemen.
00:36:01Let's get this over with.
00:36:04Let's forget the whole darn thing.
00:36:05You mean it?
00:36:06I don't have to meet him at the hotel and go back with him?
00:36:09No.
00:36:09Let Rogers call up the police and send a trace out for his missing daughter.
00:36:13Oh.
00:36:13They'll find her somehow, and you can hide out here.
00:36:16I knew you'd see it my way eventually.
00:36:19Well, shall we get started on the next chapter of your book?
00:36:21Good.
00:36:22Catch a notebook.
00:36:27Elri.
00:36:28What?
00:36:29When Rogers called the police, they'll find me.
00:36:32Well, why on earth should they?
00:36:35Margot got my photograph.
00:36:36With her blooming, candid camera.
00:36:38How could you be such a fool?
00:36:40I couldn't help it.
00:36:42Go ahead.
00:36:43Call me names.
00:36:44I hadn't broke my nose in this.
00:36:46Now that's what happened.
00:36:47What a mess.
00:36:48Rogers gives your pictures of the police, and Dad gives it to us with both barrels.
00:36:52You'll have to meet him at the hotel and go out there.
00:36:54Oh, well, what about luggage?
00:36:56Well, that's easy.
00:36:57Pick up a couple of your own bags and have some steamship labels pasted on.
00:37:00Come on.
00:37:00You've got to hurry.
00:37:01Yeah, well, what about tonight when the lawyer comes?
00:37:03Well, play sick, but don't sign anything.
00:37:05Okay.
00:37:07Now, chin up, sister.
00:37:10I'll get to Dad, and somehow, without giving you away,
00:37:14haven't started the search for Marie Dubois.
00:37:16I wish him luck.
00:37:18Hey.
00:37:20What now?
00:37:22How are you going to keep in touch with me?
00:37:24You can't phone.
00:37:26Well, I carry a pigeon, I guess.
00:37:29Yes.
00:37:40Oh, how about a kiss?
00:37:44Come on, a big smack.
00:37:48Oh, don't be so stingy.
00:37:51Oh, Miss Queen.
00:37:52I'm sorry your dad's not in.
00:37:54Please.
00:37:56Please.
00:37:56Psst.
00:37:57Psst.
00:37:59Psst.
00:38:03Psst.
00:38:04Psst.
00:38:05Oh, come on.
00:38:07Make up, will you?
00:38:10Why, Sergeant Bailey.
00:38:12They're cute, ain't they?
00:38:16They're lovebirds.
00:38:17Lovebirds?
00:38:18Why are they so mad at each other?
00:38:20I'll bet they're canaries.
00:38:22Canaries?
00:38:23I have a jeep.
00:38:24Oh, but don't bother.
00:38:26Listen, I'm here to ask Dad to instigate a search for someone.
00:38:29Friend of yours?
00:38:30Well, not exactly.
00:38:31The daughter of a friend of mine.
00:38:32Will you make a note of it?
00:38:34Sure.
00:38:35Oh, and another thing.
00:38:36Don't let this get on the police plot or in the papers.
00:38:38My friend asks if there's a particular favor.
00:38:41Oh, fussy, isn't he?
00:38:43The name is Marie Dubois.
00:38:47And...
00:38:47Uh, Marie Dubois.
00:38:51Dubois.
00:38:52Oh, yeah.
00:38:53Yeah.
00:38:53Dubois.
00:38:54And she disappeared from the Bentley Hotel last night.
00:38:58That's the inspection.
00:39:03Get your hat, Billy.
00:39:04Oh, hello, son.
00:39:05Hi, Dad.
00:39:06We're going on a hurry call.
00:39:07You can tag along if you like.
00:39:09You may learn something.
00:39:10Okay.
00:39:11What's that?
00:39:12Why, that, uh, that...
00:39:14That's my vitamin B1.
00:39:17Now, leave a lot of it.
00:39:19You'll need it.
00:39:32You don't have to take your hat off in here.
00:39:35What happened?
00:39:36Hey, what's going on?
00:39:37Oh, no, no, no, no, no.
00:39:45How's the director, Doc?
00:39:46Hello.
00:39:46Nice seeing you.
00:39:47Long time work this neighborhood, Inspector.
00:39:49Yeah.
00:39:50Who is he, probably?
00:39:51You mean, who are they?
00:39:52They fell on top of one another.
00:39:53Slug of peace was all it took to finish him.
00:39:5538 did the job.
00:39:56Come on, take a look.
00:39:58Looks like murder and suicide, eh, Inspector?
00:40:01That was my first impression.
00:40:02There's no gun here.
00:40:03What do you know about this, Ford?
00:40:05There isn't much, Inspector.
00:40:06They're supposed to come from Singapore.
00:40:07Wanted to get in this country a short time.
00:40:09But who found him?
00:40:10Uh, that sailor in the bar.
00:40:12Well, get him in here.
00:40:13Hurry up.
00:40:14There's nothing I can add, Inspector.
00:40:16I'll have the bullets removed.
00:40:17As soon as I get him over to the marg
00:40:18and turn him over to ballistics.
00:40:22Hey, my friend.
00:40:23This is him, Inspector.
00:40:25Yeah.
00:40:26Come on in here.
00:40:27What's your name, Jack?
00:40:29Jack.
00:40:30Jack, yes, but what's the rest of it?
00:40:32Waterman.
00:40:33Waterman.
00:40:33What's your occupation?
00:40:35Artist.
00:40:36Artist.
00:40:37Portrait painter or, uh, sculptor?
00:40:39No, no, not that.
00:40:41I'm a tattoo artist.
00:40:42Oh, I see.
00:40:44Well, uh, what were you looking for
00:40:46when you came into this room
00:40:47and so accidentally discovered these bodies?
00:40:50Well, that guy down there wanted me to work on him
00:40:52and I came in to see if he was ready.
00:40:53Oh, friends of you, is it?
00:40:55Well, I know Corveille, a Frenchman, quite well.
00:40:58I came in a geisha girl in Shanghai
00:41:00and a clipper ship in Calcutta
00:41:01and a mermaid in Bombay.
00:41:04A what?
00:41:05A mermaid, a mermaid in Bombay.
00:41:09How about the other man?
00:41:10Ah, he was just a prospective customer.
00:41:13I only met him the day.
00:41:14His name was Bates.
00:41:15Told me he expected a lot of dough this afternoon
00:41:17and wanted me to do a big project on him.
00:41:20Dough, eh?
00:41:21Who from?
00:41:22Can you tell me that?
00:41:22Oh, sure.
00:41:24From the big shot with the briefcase, I guess.
00:41:27Big shot?
00:41:28Yeah, the chump.
00:41:29He came in when Bates was hanging around
00:41:31admiring my work.
00:41:33Then Bates brings him right in here.
00:41:34Did Bates mention this other man's name?
00:41:36Oh, yeah.
00:41:37Yeah.
00:41:38He called him Al.
00:41:39And Al didn't like it.
00:41:41See you later, Dan.
00:41:44Well, then, uh, what made you come into this room just when you did?
00:41:48Well, after a while, the guy with the briefcase goes out.
00:41:51So I figured they'd throw, so I come in to tell Bates I'm ready for him.
00:41:54And you found them both dead?
00:41:56No.
00:41:57I found them counting all the money in the world.
00:42:00It was laying out on the table, and they were stacking it into two piles.
00:42:04They told me to slam, so I slam.
00:42:06After a few minutes, I come back, and there they were.
00:42:09Like they are now, and the money was gone.
00:42:12Did you find any money on them, Forbes?
00:42:14Only a few dollars, Inspector.
00:42:16Well, then, who came into this room between your visits?
00:42:19Why, nobody.
00:42:19And you didn't hear a shot?
00:42:21Nope.
00:42:22Well, the jukebox was grinding, and there was a lot of jabber in the joint.
00:42:26Forbes, take him and his outfit away.
00:42:28Get him out of here.
00:42:29Come on.
00:42:29What does this mean, Admo?
00:42:30It means you're going on a little voyage, sailor.
00:42:35Well, we certainly landed our man's little black man, Inspector.
00:42:39Short and snappy.
00:42:40Stick him up.
00:42:43Oh, wait just a minute, son.
00:42:46Well, this is no time to play childish games.
00:42:49What do you mean, games, Dad?
00:42:51This alley I'm standing in leads to the street.
00:42:53The killer came to this window, caught those two by surprise, and got the gun on them.
00:42:57And he ordered them to bring the money over here and pass it through.
00:42:59Well, you don't think they'd hand it over that easy, do you?
00:43:01Wouldn't you?
00:43:02Wouldn't I?
00:43:03Wouldn't anybody with a gun in their face?
00:43:05But why would he kill them if they gave him the money?
00:43:07Because they knew him, Mr. Bailey.
00:43:09Reminds me, Dad, I've got to be running along.
00:43:11Don't let this case get you down.
00:43:12But remember.
00:43:14Hey, wait a minute, son.
00:43:15What makes you think so?
00:43:18Do you suppose he saw something in here that we missed?
00:43:21Hey, V, I want you to go over to the immigration department right away and find out all you can
00:43:25about this court aid.
00:43:26Just when, where, and how he got into the United States.
00:43:29Okay, Inspector.
00:43:35Take the picture of V.P.
00:43:47I'd like to see Mr. Rogers.
00:43:49I'm sorry, sir, but you've been ordered off this estate.
00:43:52That order will be revoked when you tell him I have a message from his friends, Bates and Corday.
00:44:00I'll speak with you, Mr. Rogers.
00:44:01Oh, yes, Morton.
00:44:02What is it?
00:44:04Oh, all right.
00:44:05I'll see him.
00:44:07Excuse me.
00:44:08Certainly.
00:44:11What's this about?
00:44:11A message from me.
00:44:13If you don't mind, we'd better go inside and talk.
00:44:16All right.
00:44:16Come in.
00:44:22Oh, bonsoir, Manziel.
00:44:24How about me, Ann?
00:44:25I am.
00:44:26Bates and Corday have been murdered, and Dad will be here soon.
00:44:29Oh, uh, this is my sister, Markle.
00:44:30How do you know?
00:44:31I'm into the study group.
00:44:33Excuse me.
00:44:40Now, what's this about Bates and Corday?
00:44:42I settled everything with them this afternoon.
00:44:45You mean you admit it?
00:44:47Certainly.
00:44:47That's fine.
00:44:48My dad's a police inspector.
00:44:50He'd be tickled to death to have you tell him all the details.
00:44:52You mind if I use the phone?
00:44:53What on earth are you talking about?
00:44:55Only that Bates and Corday will never spend the money you paid them.
00:44:57They were both found murdered in the back of that dad this afternoon.
00:45:01Murder?
00:45:03Mr. Rogers, you actually seem surprised.
00:45:31I agree with you.
00:45:49¡Gracias!
00:46:08That's what the police will accuse you of having done.
00:46:10The money didn't mean that much to me.
00:46:13If I were greedy, I wouldn't be transferring all my resources to my daughters while I'm still alive.
00:46:18Mr. Rogers, if you've given me all the facts,
00:46:21someone must have known of your plans and followed you there.
00:46:23I'm certain that no one hanging around that saloon killed them.
00:46:26No one knew what I was going to do except my attorney.
00:46:29That's impossible.
00:47:01No one knew what I was going to do except my attorney.
00:47:08No one knew what I was going to do except my attorney.
00:47:39Oh, Young, I want you to meet Elry Queen, the novelist.
00:47:43Oh, how are you doing, Mr. Queen?
00:47:44He's visiting me for a few days.
00:47:45Good. You're a criminologist, too, aren't you?
00:47:49According to my publisher's advertisements.
00:47:50Well, it would be a nice bit of deduction, Mr. Queen,
00:47:52if you could tell us who had the $50,000 now, wouldn't it?
00:47:55Well, that shouldn't be too difficult, Mr. Young,
00:47:57considering you're the only one who knew that Rogers paid off today.
00:48:00Lester, this has put us both in a tough spot.
00:48:01Well, I wouldn't say that, Alan.
00:48:03According to the newspapers, the murders are committed at 20 minutes of 3.
00:48:06That's right.
00:48:07Let me see.
00:48:08Where was I at 20 minutes of 3?
00:48:10You know, Mr. Queen, a lawyer always has an alibi.
00:48:14Well, hello, Margot.
00:48:15Hello, Lester. How are you?
00:48:16Fine. Margot, where's your sister?
00:48:17Oh, I don't know.
00:48:18I went up to my room to get a sweater, but instead I took a nap.
00:48:22Here I am, Papa.
00:48:23Good evening, everybody.
00:48:25Dinner is served.
00:48:27Shall we go in?
00:48:28Yes, dear.
00:48:30Why didn't you do as I told you?
00:48:31I did, but somebody tried to drown me.
00:48:33I'm not letting go of this arm until you get me safely back in town.
00:48:42What I want to tell you, Cole, is that during dinner, Marie Dubois told me confidentially
00:48:47that she was out on the lake in the canoe in a speedboat right or down.
00:48:50What on earth is she doing out on the lake after dark?
00:48:52Well, don't ask me.
00:48:54This deck's still wet. The boat must have been out.
00:48:57Hey, look here.
00:48:59How long have these streaks of white paint been on this boat?
00:49:01Well, they went on out this afternoon.
00:49:04Look, the white canoe's missing.
00:49:06Look, get in.
00:49:08I'd like to take a run in this park.
00:49:11It's as good a place as any to talk.
00:49:13For certain reasons, Mr. Rogers has decided to divide his holdings between you and now
00:49:18rather than let you wait until you would inherit them.
00:49:20I think that's the loveliest thing I ever heard of anyone doing.
00:49:23Just sign right there, Margot.
00:49:26You'd better read it first.
00:49:29Whereas I, Margot Borsett Rogers,
00:49:32affirming that this is my true name
00:49:33and that I am the daughter of Alan Rogers,
00:49:37of course I'll love and obey you, Father.
00:49:39I don't have to read any further.
00:49:41Here is your copy, Miss Marie.
00:49:46No.
00:49:48I do not understand these.
00:49:49I will not sign.
00:49:50My dear, don't you understand?
00:49:52I'm giving you half of my money.
00:49:54It's the essence of the agreement.
00:49:56I do not want your money, Papa.
00:49:57I do not come for these.
00:49:59They come because you are my father.
00:50:01But your father wants to do this.
00:50:03Did Papa write these papers?
00:50:05Not exactly.
00:50:06I drew it up upon his instructions.
00:50:08Ah, that is what I suspect.
00:50:11Write it in French, Mr. Lawyer,
00:50:12and then perhaps I sign it.
00:50:14If I like it.
00:50:15Why don't you take my word for it
00:50:17that everything is to your advantage?
00:50:19I would take your word for anything, Papa.
00:50:21But I am not so sure about him.
00:50:23He writes me a letter
00:50:24warning me not to come to this country,
00:50:26and then he lies.
00:50:27My dear, you mustn't say such things.
00:50:30I say nothing what he writes.
00:50:32Good night, Papa.
00:50:37Oh, wait, Luster.
00:50:39Excuse me, Margot.
00:50:43So you insist that you're Marie Dubois Rogers.
00:50:47Certainly.
00:50:48Marie's upset.
00:50:48Please don't bother her tonight.
00:50:50Oh, that's a little too much, Alan,
00:50:51leaving from you.
00:50:52She calls me a liar,
00:50:53insinuates I'm a crook,
00:50:54and now you say Marie's upset.
00:50:56Let's don't bother her.
00:50:57Well, I'm going to have to bother her plenty.
00:50:59Alan, don't you see this is all an act?
00:51:00I'll tell you why you wouldn't sign that agreement.
00:51:02It was because you had to declare
00:51:04that your true name is Marie Dubois Rogers.
00:51:06Now you're being absurd.
00:51:07I examine all Marie's papers of identification.
00:51:10But you didn't examine her belongings.
00:51:17Leave that alone.
00:51:18It's mine.
00:51:19Marie alone, let's go downstairs.
00:51:20Did you bring this from Tahiti?
00:51:23Oui, sir, Damon.
00:51:24And the clothes in it should be from Tahiti, too,
00:51:26shouldn't they?
00:51:51I guess I was wrong.
00:51:53Miss Rogers, you have my sincere apologies.
00:51:56I accept your apologies, but please go now.
00:52:00You have exhausted me.
00:52:16I don't feel like talking anymore tonight, young,
00:52:19if you don't mind.
00:52:20See you in the morning.
00:52:36Who is it?
00:52:37Valerie.
00:52:42What did you go on?
00:52:43She just texted me.
00:52:44He was up here to see if my clothes really came from Tahiti.
00:52:46What happened?
00:52:47Somebody switched the clothes.
00:52:48These aren't mine.
00:52:49They have a pity label in them.
00:52:54These must be Marie's.
00:52:55Someone living here knows where Marie is.
00:52:58Obviously.
00:52:59You know, Nicky,
00:53:00this type of knowing that you're a phony
00:53:02and the other believing that you're real
00:53:03is trying to get you out of the way.
00:53:05I know where Young stands.
00:53:07I'm still convinced he sent Marie that letter.
00:53:09And Marco seems on very friendly terms with it.
00:53:11She's hiding something.
00:53:13She wouldn't have lied about taking a nap
00:53:15when you saw her sneaking down the back stairs.
00:53:18Hillary.
00:53:19Let's go and see what's down those back stairs.
00:53:21I'll go.
00:53:22We can't be seen prowling around together.
00:53:26Lock this door.
00:53:49Who's out there carrying that tray?
00:53:51For what tray?
00:53:53Okay.
00:53:57We can't be seen.
00:54:46No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:54:48I hope I didn't hurt him, Ellery.
00:54:57Gracias.
00:55:37Must be having a party.
00:55:40What'd you say?
00:55:42Must be having a party.
00:55:43Everybody's in the kitchen.
00:55:50Where are you going?
00:55:51On an errand, sir.
00:55:52Mr. Rogers.
00:55:53Wait a minute.
00:55:55It's faster than you've ever done on an errand.
00:55:56Get up out of there.
00:55:57Get in the house.
00:56:01Erich, isn't that your father's car?
00:56:04Yes, I believe it is.
00:56:05You better get up to your room and keep out of sight.
00:56:12Are you right, Liz?
00:56:13No, my name is John.
00:56:14I'm Mr. Rogers' attorney.
00:56:15Hello, Dad.
00:56:16Hello, Erich.
00:56:18How did you get up here?
00:56:19It's a long story, Mr. Bailey.
00:56:20Did you tell Mr. Rogers that I was here?
00:56:22No, sir.
00:56:23I caught him sneaking out the back door.
00:56:24Well, who is this?
00:56:25I'm the watch.
00:56:26Is that right?
00:56:28Yes.
00:56:28That's what he was employed for.
00:56:29You make a pretty thorough job of it.
00:56:31If you wait from the other room, we'll get to you later.
00:56:34Okay.
00:56:35Are you Rogers?
00:56:36Oh, this is Mr. Call, Dad.
00:56:37He's Mr. Rogers' secretary.
00:56:39Mr. Rogers' attorney.
00:56:40Mr. Rogers' secretary.
00:56:42Mr. Rogers' watchman.
00:56:43Mr. Rogers' butler.
00:56:45Where is Rogers?
00:56:46I believe he's gone to bed.
00:56:47Well, go up and wake him up and tell him I'm here.
00:56:50He'll use a little bit.
00:56:53Well, what made you run to the side of the policeman?
00:56:55Really, sir, it was nothing personal.
00:56:57The last time I gave evidence against an employer at a murder trial, I was three years finding a new
00:57:02post.
00:57:03Well, what's the evidence you have now you're afraid to give against your present employer?
00:57:07Well, it's really nothing, sir.
00:57:08It was only the matter of the pistol.
00:57:10I found it in the master's overcoat pocket when he came back from the city today, and I put it
00:57:14in the drawer of his desk in the study.
00:57:16Well, let's go and get a study.
00:57:32Bradley's just been cleaned.
00:57:37Mr. Queen, Mr. Rogers is dead.
00:57:48Looks like he died from asphyxia caused by a poison.
00:57:52I'm a sign, old dad.
00:57:54It causes immediate paralysis of the respiratory centers in the brain.
00:57:58That's it.
00:57:59I got it.
00:58:00After he paid off base and cord A, he held them up and killed them to get his money back.
00:58:04And when he saw you here, he knew I wouldn't be far behind, so he just got panicked.
00:58:09He had killed himself.
00:58:10I'm afraid you're mistaken, Dad.
00:58:12This is not suicide.
00:58:14It's murder.
00:58:17I take it for granted you two found a body exactly as it is.
00:58:20Except that I pulled a sheet over his head when I was sure that he was dead.
00:58:24Now, this is your slam.
00:58:27Rogers came into the bedroom.
00:58:28He got undressed.
00:58:29Then he mixed himself that poison highball and drank it.
00:58:32Got into bed and carefully arranged the covers.
00:58:34What's wrong with that?
00:58:36Everything.
00:58:37Why would a suicide go to the trouble of getting undressed before taking poison?
00:58:40Maybe he just wanted to be comfortable.
00:58:42Mr. Billy, how the cyan all hit you like this?
00:58:44If he drank it standing up, he might have fallen on the bed, but he'd never have time to tuck
00:58:47himself in.
00:58:48Could he have taken it after he got into bed?
00:58:50No.
00:58:51He'd never been able to put the glass on the table.
00:58:52It would have fallen from his hands.
00:58:54The point is, he didn't drink the poison.
00:58:56Then how did he take it?
00:58:58Mr. Carl, you notice anything missing from that bed stand?
00:59:02Yes, the capsules of medicine Mr. Rogers took for diabetes.
00:59:06I understand he never went to bed without taking one.
00:59:08No, not to my knowledge.
00:59:10He took one tonight, all right.
00:59:12Almas, cyan all have been substituted for the medicine.
00:59:14Where are the rest of the capsules?
00:59:16Down the drain, in the lake, I don't know.
00:59:18The murderer removed the capsules after Rogers was dead.
00:59:21Then he planted the glass with the poison in them.
00:59:23That's it.
00:59:24To take the capsules a minute to dissolve, which gave him time to get in bed.
00:59:28He'll wait for the poison to take effect.
00:59:30Cole, you have everyone come down to the living room.
00:59:33Lee, you lock the door.
00:59:34Right.
00:59:35You drove Mr. Rogers and his daughter to New York today?
00:59:38Yes, sir, I did.
00:59:39May you go upstairs and tell Miss Rogers to go down here right away?
00:59:42Yes, sir, but I've told her twice already.
00:59:44Well, tell her three times and make it stick.
00:59:47Where did you drive her?
00:59:48To Mr. Young's office and then to the Bentley Hotel.
00:59:51To the Bentley Hotel, to the Bentley Hotel.
00:59:53Who stands for me?
00:59:54Are you Marie Rogers?
00:59:55Yes, monsieur le gendarme.
01:00:02That girl's not my sister.
01:00:04I've never seen her before and Marie's been here.
01:00:06Monsieur le commissaire, allow me to explain.
01:00:09You see, I knew from the start you were an imposter.
01:00:13Mickey, I mean Marie.
01:00:14Wait a minute, Laurie.
01:00:15Go on.
01:00:17But I didn't want to expose you until the right minute.
01:00:19Of course, I was the one who put Marie's clothes in your suitcase.
01:00:23Why were you hiding Marie?
01:00:25I believed you to be a pair of crooks and thought you might want to do away with her.
01:00:29Now I know you're merely a pair of lunatics.
01:00:31Oh, why weren't you worried about Margo?
01:00:34Margo?
01:00:35Oh, why, she's as big folly as you are.
01:00:44Her name's Rogers, all right.
01:00:45But her father and mother are those acrobats.
01:00:49I'll have this autograph for you.
01:00:52Now I'm beginning to understand.
01:00:55Dad, excuse me a matter of what I'm saying.
01:00:58Would you like this for your scrapbook?
01:01:00Go ahead, look at it.
01:01:06Thank you.
01:01:08Where did you get this?
01:01:09I'll never forget the kindness of these people.
01:01:11They took care of me when I didn't know where my father was.
01:01:14Nice going, Margo.
01:01:16But it won't take long to prove that those acrobats are your parents.
01:01:19You don't think my father accepted me as his daughter without proof, do you?
01:01:22Certainly not.
01:01:23But what I want to know is who forged that proof.
01:01:26And who sent the letter to Marie wanting her to stay away?
01:01:28I know you're not in this alone.
01:01:29Lester, I don't have to answer all these questions, do I?
01:01:32Dad, she's up to her nakedness.
01:01:34You know you couldn't put this over indefinitely, so you planned to kill Rogers from the start.
01:01:38That's why you scared Marie off, so she wouldn't share in the profits.
01:01:42He killed my father?
01:01:43Don't call him your father.
01:01:44The first idea was to murder Rogers and pin the job on Corday and Bates.
01:01:48But he arranged to pay them off before that could be accomplished.
01:01:52So you deemed it advisable to recover the money and plant it in Rogers' desk.
01:01:56That was conviction and execution practically a certainty.
01:01:59Right.
01:02:00Then you believed you'd inherit his estate.
01:02:02No, no.
01:02:03But tonight somebody became nervous and decided to put Rogers out of the way in a manner that
01:02:06looked like suicide to stop the investigation.
01:02:08And you know who did it.
01:02:09I wish I did.
01:02:11Dad, this young lady knows more than she's willing to admit.
01:02:14I suggest that you and I have a talk with her in the study.
01:02:17Come right along, young lady.
01:02:22Lester, won't you try to convince them this is senseless?
01:02:28I tell you, I have nothing to do with this.
01:02:30Absolutely nothing.
01:02:31Make yourself comfortable.
01:02:34Why did you bring me in here?
01:02:36Seems like my son is trying to find out.
01:02:39Who put this idea into your head?
01:02:41Dad, this is just a hunch.
01:03:06Turn on the lights!
01:03:12That was a smart trick to come to my office.
01:03:14You expect me to call the police and tell them how anxious you were to protect your boss.
01:03:18That's Mr. Cole's property, Dad.
01:03:21Undercover partners, eh?
01:03:23I think you'll find that this is the gun that killed Bates and Corday.
01:03:27Really?
01:03:28See that Miss Margot and Mr. Cole are comfortable in the car.
01:03:32It'll be a pleasure, Inspector.
01:03:33Why doesn't somebody turn on the light?
01:03:35Somebody please turn on the light?
01:03:40I might have guessed it.
01:03:42Follez-vous français?
01:03:43Oui, oui.
01:03:44You know what I ought to do with you?
01:03:46Oh, have a heart, Dad.
01:03:47If Nicky hadn't helped me out, this is...
01:03:48Monsieur le préfet, please do not punish Miss Porter.
01:03:51To what I've been through, I expect a bonus, not a beating.
01:03:58Oh, my God, honey!
01:04:00Oh, my God!
01:04:03Oh, my God!
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