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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:15¡Gracias!
00:01:42¡Gracias!
00:02:28¡Gracias!
00:02:51¡Gracias!
00:02:53Ladies and gentlemen,
00:02:54again this evening the Daily Classic
00:02:56has the pleasure of presenting to you
00:02:57the world's most eminent criminologist
00:02:59y el comentario, The Shadow.
00:03:02Ok, ya está en el aire.
00:03:06The Shadow speaks,
00:03:07bringing you the latest news
00:03:08in the world of crime prevention and detection.
00:03:10This afternoon, a crime was committed
00:03:12which brought only tragedy to the perpetrators.
00:03:14Three young desperadoes held up a bank
00:03:15and escaped in their car.
00:03:17The police quickly picked up their trail.
00:03:18There was a running gunfight
00:03:19between bandits and police
00:03:20which finally resulted
00:03:21in the three misguided young men
00:03:23plunging to their death.
00:03:24Once again, this proved the truth
00:03:25of that old adage,
00:03:27crime does not pay.
00:03:28Well, friends,
00:03:30we have a distinguished visitor in our midst.
00:03:32But the news won't make the society page.
00:03:35Honest John is back in town.
00:03:38Honest John is one of the last
00:03:39of our old-time safecrackers.
00:03:41So if your strong box blows up with a loud bang,
00:03:43don't think it's the 4th of July.
00:03:44It may be old John celebrating his release
00:03:47from what he probably calls
00:03:48the Big House or Sturr.
00:03:50Let us hope that the police commissioner Weston,
00:03:53whom we hear never misses one of our broadcasts,
00:03:56will keep an eye on Honest John.
00:03:59Hi there, commissioner.
00:04:01Memorandum to Detective Bureau.
00:04:03Check on Honest John.
00:04:04Yes, commissioner.
00:04:05Ladies, here's a little incident
00:04:07which proves the silence is really golden.
00:04:09Last night, bandits entered
00:04:11George Ward's furniture store.
00:04:13Mrs. Ward was alone in the place.
00:04:14The good lady was so frightened
00:04:16she couldn't talk.
00:04:17At least that's what the bandits...
00:04:19It's too bad something don't scare him so bad
00:04:21that he can't talk.
00:04:23There ought to be a law against guys like him
00:04:25shooting their mouth off within the city limits.
00:04:28But still Mrs. Ward refused to say a word.
00:04:30At the point of a gun,
00:04:31they took from the cash register
00:04:32a dollar bill and one thin dime.
00:04:34The moment they'd gone,
00:04:35Mrs. Ward calmly removed
00:04:36a hundred dollar bill from her mouth.
00:04:38Witnesses took the license number of the car.
00:04:413Y-41-37.
00:04:43I'll repeat that.
00:04:443Y-41-37.
00:04:47Did you make a note of that?
00:04:49Yes, sir, I did.
00:04:51Last night, young Michael Nolan
00:04:52took his pretty fiancée, Dorothy Walsh,
00:04:55for a drive along the scenic highway
00:04:56overlooking the city.
00:04:58With a bright lover's moon overhead,
00:05:00they stopped to enjoy the view
00:05:02and to romance.
00:05:04Today, police discovered their bodies
00:05:06in Nolan's car
00:05:07and are holding a transit
00:05:08named Miller for the murder.
00:05:12Well, you can't go in now, miss.
00:05:13The shadow's on the air.
00:05:15Oh, but I'm Phoebe Lane.
00:05:16I'm sorry you couldn't get in there
00:05:18if you was Calamity Jane.
00:05:19But I'm working for the shadow.
00:05:21Well, I'm the shadow's shadow.
00:05:22Well, they'll just fade away,
00:05:24will you please, lady?
00:05:26But I've got important news
00:05:27that must go on the air right away.
00:05:28I've got it all written down here.
00:05:31Look it.
00:05:32See?
00:05:36Mr. Grant?
00:05:37Last night in John Morgan's warehouse
00:05:38and a creature was stirring.
00:05:39I don't know what I'm doing.
00:05:40This is my job.
00:05:41As robbers silently jimmied a window,
00:05:44they were greeted by cries of,
00:05:47get out, get out.
00:05:47They did.
00:05:49An hour later,
00:05:50when police stopped
00:05:51to investigate the window,
00:05:53the parrot was still screaming,
00:05:54get out, get out.
00:05:56Ladies and gentlemen,
00:05:57there seems to be a slight disturbance
00:05:58in the studio.
00:06:07Ladies and gentlemen,
00:06:08a news flash has just been handed to me.
00:06:10I can't guarantee its authenticity,
00:06:11but here it is.
00:06:12A big theater robbery
00:06:13is planned to take place downtown
00:06:14in half an hour.
00:06:15In fact, nine o'clock.
00:06:17Read the Daily Classic for particulars,
00:06:19and now the shadow bids you
00:06:20good night until tomorrow.
00:06:22You didn't give the name of the theater.
00:06:23The police won't know where to go.
00:06:24No, and neither will
00:06:25ten thousand other
00:06:26thrill-hunting sightseers.
00:06:27But hadn't you better phone the police?
00:06:29I don't think you have to worry about that.
00:06:31Good night.
00:06:32Good night.
00:06:34Hello.
00:06:36Oh, hello, Commissioner.
00:06:38It's the police.
00:06:39Yes, I have that, too.
00:06:41The Metropolitan Theater.
00:06:43The Metropolitan Theater.
00:06:45See here, Cranston,
00:06:46if this turns out to be a phony tip,
00:06:48I have a good mind to sue you
00:06:49if I can find the proper grounds.
00:06:51Why not breach your promise, Commissioner?
00:06:54Listen.
00:06:58Radio broadcasting.
00:06:59Hook me up for an emergency order
00:07:00to all cars.
00:07:03General Order 6-2.
00:07:05All radio cars concentrate in sector 8.
00:07:08General Order 6-2.
00:07:09All radio cars concentrate in sector 8.
00:07:13Well, that's us again.
00:07:14Guess you'll have to get along
00:07:15without us, Frank.
00:07:16Well, I guess I can hold this down a little.
00:07:18Hold on.
00:07:20Oh, by the way, Miss Lane,
00:07:22where did you get this tip?
00:07:23From a man.
00:07:24From a man?
00:07:27Well, who was it?
00:07:28Don't you know his name?
00:07:29No, but he had not his face.
00:07:34Would you mind giving me some little hint
00:07:36about how you met this honest face?
00:07:39Well, there was an automobile accident.
00:07:40And suddenly, I remembered I was a reporter for you.
00:07:43So I stopped and asked the people their names
00:07:44and addresses and things.
00:07:45And one man said,
00:07:46I can't give you my name and address,
00:07:47but I can give you a big story.
00:07:49And he did.
00:07:51That's what I'm afraid of.
00:07:52He said the Metropolitan Fitter will be robbed.
00:07:54What time?
00:07:55Goodness, I forgot to ask him that.
00:07:57And you had me put that choice morsel on the air.
00:08:00Well, he was so sincere
00:08:02and he had such an honest face.
00:08:05You better spend more time awake.
00:08:06How did she get in?
00:08:07Well, I tried to stop her,
00:08:08but she scratched it.
00:08:12Well, sir, did you hear that pipe dream
00:08:14I just had in the air?
00:08:15Yeah, where did you get it?
00:08:17A man told her.
00:08:19Told who?
00:08:20Phoebe Lane, the girl you wished on me.
00:08:22The honor student of college journalism.
00:08:24Say, will you get her out of my hair
00:08:26and put her back on the household page
00:08:27where she belongs?
00:08:28Not a chance, Cranston.
00:08:29She said she's all fed up
00:08:31with recipes and household hints.
00:08:32She wants to be a real reporter.
00:08:34Oh, I see.
00:08:36Romance and adventure stuff, huh?
00:08:39Well, Mr. Heath,
00:08:40is she running this newspaper
00:08:41or are you, sir?
00:08:42Cranston,
00:08:43as long as she happens
00:08:44to be the owner's niece,
00:08:45I'm afraid she can pick
00:08:46any seat she wants for a ride.
00:08:49Oh, it's one of those, is it?
00:08:52Well, there's no law
00:08:53against our making the joyride
00:08:54a little, shall we say,
00:08:55bumpy for her, is there?
00:08:58Not that I know of.
00:08:59Thank you, sir.
00:09:08Ladies and gentlemen,
00:09:09this is Phoebe Lane,
00:09:10the real brains of the shadow
00:09:11who thinks he knows
00:09:12all about crime.
00:09:13But the real crime of the age
00:09:14is the way he makes you
00:09:15think he's so smart
00:09:16when it's really me
00:09:16that does the work
00:09:17all the time.
00:09:22Hello.
00:09:22I didn't see you.
00:09:23That's quite evident.
00:09:26I didn't mean what I said,
00:09:27Mr. Cranston.
00:09:28I hope you can forgive me.
00:09:29I wish I could forget you.
00:09:32Oh, oh, if you think
00:09:33you're going to have
00:09:34a public theater robbery
00:09:35without me, you're crazy.
00:09:36That is my story.
00:09:38Wait for Phoebe.
00:09:41Hello, Mr. Cranston.
00:09:43Now, listen, Moe,
00:09:44you're a fine driver
00:09:44and all that,
00:09:45but you're not working for me.
00:09:46You mean I'm fine?
00:09:47No, but you will be
00:09:48if you insist upon
00:09:49calling me by name.
00:09:50Now, remember,
00:09:50you're no good to me
00:09:51unless you don't know me.
00:09:53Okay, stranger.
00:09:54Where to?
00:09:54I'm at the call
00:09:55of the theater.
00:09:57This is going to be thrilling,
00:09:59isn't it, Mr. Cranston?
00:10:00Yes, and dangerous, too,
00:10:01particularly for you.
00:10:02For me?
00:10:03Why?
00:10:03Well, when the crooks
00:10:04start shooting,
00:10:05it seems they pick off
00:10:05the girl first.
00:10:06I never knew that.
00:10:08Oh, a strange quirk
00:10:08in the criminal mind.
00:10:09Nobody seems to understand it.
00:10:11Oh, but I understand it.
00:10:13It's because they realize
00:10:14that the girl is really
00:10:15the smart one.
00:10:15They have to get her first.
00:10:18Miss Lane,
00:10:19why didn't you stick
00:10:20to the baby and biscuit
00:10:20end of the newspaper business
00:10:22instead of hurling yourself
00:10:23into the jaws of death?
00:10:25Because I'm tired
00:10:25of babies and biscuits.
00:10:27I want thrills,
00:10:28adventure, romance.
00:10:29Ah, but the household
00:10:30hint page is the place
00:10:30to find it.
00:10:31The home is the very
00:10:32symbol of romance.
00:10:33Oh, no, it isn't.
00:10:34The nearest I ever came to
00:10:36it was when a cross-eyed
00:10:36washing machine salesman
00:10:37tried to kiss me
00:10:38in a model kitchen.
00:10:39Young lady,
00:10:40you're impossible.
00:10:41Not if the right man
00:10:42comes along.
00:10:56Hang around a while, Moe.
00:10:57Okay, stranger.
00:11:00Where are the police?
00:11:02Oh, don't worry about that.
00:11:03They'll be around.
00:11:04Oh, we've got to warn
00:11:04the theater right away.
00:11:05Now, wait a minute.
00:11:06Let's do some
00:11:06window shopping first.
00:11:08Well.
00:11:10The boss of them all,
00:11:12police commissioner
00:11:13Weston in the flesh.
00:11:15And if this turns out
00:11:16to be a false alarm,
00:11:17he'll love me even less
00:11:18than he does now.
00:11:20Oh, but I'm sure it isn't
00:11:21because he had such an honest...
00:11:22Such an honest face.
00:11:25Graham.
00:11:31Hello, commissioner.
00:11:32Say, what kind of a song
00:11:33and dance is this?
00:11:34I hope you realize
00:11:35my whole department
00:11:36has been shifted
00:11:36just to take care
00:11:37of this tip-off.
00:11:38Maybe you'd rather
00:11:38have the theater robbed
00:11:39than let them chalk up
00:11:40another black mark
00:11:41against your record.
00:11:42Now, see here.
00:11:43We got crime down
00:11:44to the lowest level
00:11:44it's been in years.
00:11:45But the way you advertise it,
00:11:46people will think
00:11:47a crime wave is on.
00:11:48You might have twice
00:11:49as much to deal with
00:11:50if I didn't advertise
00:11:51the crime doesn't pay.
00:11:52I'm helping you.
00:11:52Well, I'd like to try
00:11:53running the department
00:11:54without your help,
00:11:55just as an experiment.
00:11:58It's nine o'clock.
00:12:00Well, well, well.
00:12:01Our time flies.
00:12:22What do you got there?
00:12:25It's my violin.
00:12:26What are you taking
00:12:27in there for?
00:12:28What's the black?
00:12:29Of course.
00:12:29I am a violinist.
00:12:30Yeah?
00:12:31Let me see it.
00:12:33Please, be careful.
00:12:34It is very valuable.
00:12:35Shut up.
00:12:37See?
00:12:38I no lie.
00:12:40I'm sorry.
00:12:42I owe you an apology.
00:12:44Take those off.
00:12:50I ought to send you
00:12:51to jail for life
00:12:52for bringing me out
00:12:52in such a wild goose chase.
00:12:54I didn't invite you.
00:12:55You crashed the party.
00:12:56Mr. Cranston,
00:12:57I consider you
00:12:58public nuisance number one.
00:13:00Good.
00:13:00I like to be first
00:13:01in everything,
00:13:02Mr. Weston.
00:13:02I've got to phone the paper.
00:13:07Hello, Heath.
00:13:09Cranston speaking.
00:13:10That robbery tip
00:13:11was just a gag
00:13:11to get the radio cars
00:13:12off their regular runs.
00:13:13Yes, I've got to hunt
00:13:14something big
00:13:15is going to break elsewhere.
00:13:16Better hold page one
00:13:17in my column for remake.
00:13:18Oh, and have Burke stand by.
00:13:20Yeah, so long.
00:13:38Give me the captain.
00:13:41McCabe reporting, sir.
00:13:42Explosion in 93 Madeira Drive.
00:13:44Yes, sir.
00:13:46Yes, sir.
00:13:56First you tell me
00:13:56to get all my cars
00:13:57down here
00:13:58to stop a robbery.
00:13:59Then you get me
00:13:59to rush them all back
00:14:00before there is a robbery.
00:14:01What kind of a merry-goo
00:14:02robbery is this anyway?
00:14:04I know, but then there's...
00:14:05Calling all cars
00:14:06from District 9.
00:14:07Calling all cars
00:14:08from District 9.
00:14:09Explosion reported
00:14:10at 93 Madeira Drive.
00:14:12Explosion reported
00:14:13at 93 Madeira Drive.
00:14:15Assaults.
00:14:17Oh, Mr. Cranston.
00:14:19Wait for me.
00:14:21Go back, Dave.
00:14:29Mr. Cranston.
00:14:31Kindly keep your
00:14:32fingerprints to yourself.
00:14:33Raleigh, take the door.
00:14:39Have you searched the house?
00:14:40Yes, there's no one
00:14:41else here.
00:14:41What, no servants?
00:14:43Servants have a day
00:14:44off every week.
00:14:45Or haven't you heard?
00:14:47One in a house
00:14:48of this size
00:14:48is always someone
00:14:49on duty.
00:14:49Well, I want any
00:14:50information from you,
00:14:51I'll ask for it.
00:14:52That's fine.
00:14:53I've got to phone
00:14:53the paper anyway.
00:14:54Frank, is there
00:14:55a phone still working?
00:14:56In there.
00:14:57Thanks.
00:14:57Thanks.
00:14:59Thanks.
00:15:01Thanks.
00:15:22Thanks for the ride,
00:15:23mister.
00:15:23Don't forget
00:15:24to look for your name
00:15:24in the paper.
00:15:27No one in here.
00:15:28Stand back, lady.
00:15:29Oh, but I'm a reporter.
00:15:30I'll tell you my press
00:15:31cards.
00:15:32No reporters.
00:15:33Oh, but officer,
00:15:34I've got to make good
00:15:34on this story.
00:15:35I've got a sick mother.
00:15:36Oh, yeah?
00:15:36Well, your mother's
00:15:37going to have a sick
00:15:38daughter if you don't
00:15:38scram out of here.
00:15:39How many of them
00:15:40were there?
00:15:42I really can't say, sir.
00:15:45Oh, come on.
00:15:46You must have some idea.
00:15:47Think back.
00:15:50I think there was
00:15:50only one, sir.
00:15:52I was grabbed
00:15:53from behind.
00:15:56Oh, I'm so shaky.
00:15:58I think I'd better
00:15:59go to bed.
00:16:00All right.
00:16:01Thank you.
00:16:07Stay with him, Tom.
00:16:09We're wasting time here.
00:16:11Get your men out
00:16:12and bring in the man
00:16:12who did this job.
00:16:13An old-time safe blower
00:16:15who just got into town.
00:16:16His name is, uh...
00:16:18Honest John?
00:16:19Honest John.
00:16:20Bring him in
00:16:21and we'll charge him
00:16:22with robbery and homicide.
00:16:23The motive of the crime
00:16:24wasn't robbery.
00:16:26How can you look at that safe
00:16:27and say the motive
00:16:28wasn't robbery?
00:16:29Don't you know
00:16:29that man's watching
00:16:30while it are gone?
00:16:31If it wasn't robbery,
00:16:32what was it?
00:16:33Murder.
00:16:36If it was robbery,
00:16:37they'd have taken the bonds,
00:16:39wouldn't they?
00:16:40Marvelous powers
00:16:41of observation.
00:16:42Why do you use
00:16:43the word they,
00:16:44Mr. Cranston?
00:16:45Because one man
00:16:46couldn't have done all this
00:16:47between the departure
00:16:48of the radio car
00:16:48and the time
00:16:49of the explosion.
00:16:50As I recall,
00:16:51you gave the impression
00:16:52Honest John
00:16:52was a very fast workman.
00:16:54Right.
00:16:54And much too efficient
00:16:55to be guilty
00:16:56of a botched-up job
00:16:57like that.
00:16:57That blast wasn't set
00:16:59to blow a safe.
00:17:00It was calculated
00:17:01to kill whoever opened it.
00:17:03I say you're wrong.
00:17:04That's great.
00:17:05I'll see that your opinion
00:17:06has given its proper
00:17:07unimportance
00:17:07in my column tomorrow.
00:17:09There won't be
00:17:09any shadow column tomorrow.
00:17:11Oh, no?
00:17:12No.
00:17:13And for a long time to come.
00:17:16Inspector,
00:17:17kindly file this gentleman
00:17:18in one of our steel cabinets
00:17:20somewhere out in the stick.
00:17:22On what charge, Commissioner?
00:17:23Material witness.
00:17:25Thanks for being the first man
00:17:26on the scene of the crime.
00:17:28You certainly use your brain,
00:17:29Mr. Cranston.
00:17:30I wish I could say
00:17:31the same for you, sir.
00:17:33Oh, never mind those things.
00:17:34I don't go in
00:17:35for flashy jewelry.
00:17:56Hello?
00:17:58Give me the desk, sweetheart.
00:18:00Burke speaking.
00:18:02New lead-off for shadow column.
00:18:05He says Weston all wet
00:18:07with robbery theory
00:18:09on Morton case.
00:18:11Says it's murder
00:18:12using robbery as a cover-up.
00:18:16Honest John?
00:18:17Nah.
00:18:18He's just as innocent
00:18:19as a new-laid cornerstone.
00:18:21Oh, yeah, I say.
00:18:23Cranston's been pinched.
00:18:25Yeah.
00:18:26Held as material witness.
00:18:28On the way now
00:18:29to some hick-town hoose gal.
00:18:32Oh, sure.
00:18:34Right on my toes.
00:18:36Well, so long,
00:18:37pumpkin-puss.
00:18:59Take it easy, boys.
00:19:00I only want one of you
00:19:01for traffic court.
00:19:02You.
00:19:02You.
00:19:07Say, officer,
00:19:07I'm sure the judge
00:19:08wants to see me first.
00:19:09Ah, go on back
00:19:10and sit down.
00:19:11I know who to let out
00:19:12and who not to.
00:19:13But I've got to get
00:19:13a message to my folks.
00:19:14Now, if you help me out,
00:19:15I'll take care of you.
00:19:16Take care of me?
00:19:17I'm taking care of you.
00:19:19Come on, get out of here.
00:19:42Hello, Heath.
00:19:43Well, I suppose you want
00:19:44to know what happened
00:19:44to your man, Cranston.
00:19:46After what you let him
00:19:47print yesterday,
00:19:48this is a fine time
00:19:49to call me up
00:19:50and ask for anything.
00:19:51But, Commissioner,
00:19:52you've got to let him out
00:19:53for the broadcast tonight.
00:19:54Why, thousands of people
00:19:55are waiting.
00:19:56To hear what else
00:19:57he has to say
00:19:57about the stupidness
00:19:58of the police department,
00:19:59huh?
00:19:59Well, let him wait.
00:20:01And furthermore,
00:20:02unless he changes his tune
00:20:03and lines up on our side,
00:20:04I'm going to cut off
00:20:05all police news
00:20:06from your paper.
00:20:06But the news
00:20:07is public property.
00:20:09You can't...
00:20:09Keep your men away
00:20:10from the records?
00:20:11Of course not.
00:20:12They can have the same access
00:20:14as other citizens.
00:20:15And I'd like to see you
00:20:16get out a newspaper on that.
00:20:17All right, Commissioner.
00:20:18Anything you say.
00:20:20But you've got to let
00:20:21the shadow out
00:20:22in time for his broadcast tonight.
00:20:24We can't disappoint
00:20:25the public.
00:20:26Can't disappoint the public,
00:20:27huh?
00:20:27Well, we can't
00:20:28mislead them either.
00:20:29Goodbye.
00:20:30But...
00:20:35we must have got cut off.
00:20:40Say, what are you in for?
00:20:42Nothing.
00:20:43You mean you've done nothing?
00:20:45Absolutely nothing.
00:20:46They're holding me
00:20:47without charge.
00:20:48Oh, well, now
00:20:49that son scrumps us.
00:20:50That's the great...
00:20:52That's my...
00:20:53I've never heard
00:20:53such a thing in my life.
00:20:55They can't do that to you.
00:20:58Hey, Jada!
00:21:02Hey, Jada!
00:21:03Keep your shirt on.
00:21:04I'm taking you out right now.
00:21:05Me?
00:21:06I don't want to go out.
00:21:08I've got a right
00:21:09to stay here.
00:21:10This is the man
00:21:11who wants to go out.
00:21:13Listen,
00:21:13tell that to the judge
00:21:14and he'll take care
00:21:15of your friend
00:21:15and you too.
00:21:16Oh, yeah.
00:21:17Don't you worry.
00:21:18Everything's coming out.
00:21:19Now, wait a minute.
00:21:20Don't handle me so rough.
00:21:22Don't worry.
00:21:22Everything's coming out
00:21:23all right.
00:21:24Goodbye, old boy.
00:21:25I'll see you soon.
00:21:26I'll see you some more.
00:21:28Good luck.
00:21:28Have a good try.
00:21:29Just a moment.
00:21:30Wait.
00:21:30I'll just be a listen.
00:21:33Everybody gets out
00:21:34but me.
00:21:51Come on.
00:21:54When you get out,
00:21:55make a phone call for me,
00:21:56will you?
00:21:56Sure, fella.
00:21:56I'll give you the number
00:21:57of the paper I'm working on.
00:21:59You call them.
00:22:00Come on, you.
00:22:01Yes, sir.
00:22:02I don't mean you.
00:22:03I mean you.
00:22:04Me?
00:22:05Yes, you.
00:22:07Yeah, your girlfriend's here
00:22:08with the hateless corpus
00:22:09and that lets you out.
00:22:13Good luck, pal.
00:22:22Nice little Phoebe
00:22:23to call for you.
00:22:24Yes, thanks a lot.
00:22:25Don't thank me.
00:22:26Thank Moe.
00:22:27How much was it this time, Moe?
00:22:29Is this a place
00:22:29to talk business?
00:22:30Don't worry.
00:22:31It'll be on your bill.
00:22:32Where to?
00:22:33The office.
00:22:33Okay, stranger.
00:22:37Cranston.
00:22:38Well, he must be here.
00:22:40Well, he goes on the air
00:22:41in a few minutes.
00:22:43Well, where is he?
00:22:44You looking for me, sir?
00:22:46With millions of people
00:22:47about to tune in
00:22:48on your broadcast
00:22:48in a few minutes,
00:22:49I should worry
00:22:50where you are.
00:22:51You don't think
00:22:51I'd miss an opportunity
00:22:52to pay my respects
00:22:53to Commissioner Weston,
00:22:54do you?
00:22:54Now, look here, Cranston.
00:22:56You've got to lay off Weston.
00:22:57I see.
00:22:58He's been sticking a knife
00:22:59in me with one hand
00:23:00and patting himself
00:23:01on the back with the other
00:23:01and you fell for it.
00:23:03You're smart enough
00:23:04to report crime
00:23:05without deliberately
00:23:06antagonizing
00:23:07the entire police department.
00:23:08Well, I try
00:23:09to take care of myself.
00:23:11Well, I try to take care of myself.
00:23:26Good evening, friends.
00:23:28Yes, it's your old shadow man
00:23:29and after languishing
00:23:30in one of Commissioner Weston's
00:23:32small town jugs,
00:23:33the shadow is just a shadow
00:23:34of his former self.
00:23:35Now, we'll get down
00:23:36to the Gerald Morton case
00:23:38and the reported difference
00:23:39of opinion
00:23:40between the shadow
00:23:40and his other shadow,
00:23:42Police Commissioner Weston.
00:23:43Friends,
00:23:44I am now of the opinion
00:23:45that our efficient
00:23:46police department,
00:23:47under the able guidance
00:23:48of the commissioner,
00:23:53of the commissioner.
00:23:57Ladies and gentlemen,
00:23:58an emergency has arisen
00:24:00in the studio
00:24:00and we must pause briefly
00:24:02for station identification.
00:24:07Listening to station
00:24:08EMOR of the Daily Classic,
00:24:10our program will continue
00:24:11in just a moment.
00:24:12Well, John,
00:24:12what can I do for you?
00:24:13So, you're the guy
00:24:14that reminded the cops
00:24:16I was in town.
00:24:17But I spoke of you
00:24:18in a very complimentary
00:24:18way.
00:24:19I said you were
00:24:19tops in your profession.
00:24:21No man can ask
00:24:22for more than that,
00:24:22can he?
00:24:23Yeah, but you sounded
00:24:24off that I'd done
00:24:25that amateurish Morton job.
00:24:26That's my beef.
00:24:28Now, listen,
00:24:29when I was cracking safes,
00:24:31which I ain't no more,
00:24:32I was so good
00:24:33I could lift the door off,
00:24:35lay it on a blanket
00:24:36as gentle as a mother's kiss.
00:24:38I know that, my friend.
00:24:40I ain't no friend of yours.
00:24:42Now, you turn the heat on me
00:24:43and you're going to
00:24:44turn it off, see?
00:24:46Now, go ahead.
00:24:47Start talking.
00:24:48Tell them who really
00:24:49done that job.
00:24:49Go on.
00:24:50Right into that microscope.
00:24:53But I don't know.
00:24:55If you can't think of
00:24:56anybody else,
00:24:57tell them you done it.
00:25:06My friends,
00:25:07now that I have the situation
00:25:08in the studio
00:25:09absolutely under control,
00:25:12we can resume our discussion
00:25:13of the Morton murder mystery.
00:25:15Why was Gerald Morton murdered?
00:25:17He is said to have been
00:25:18a good man,
00:25:19a charitable and benevolent man,
00:25:21a man without enemies.
00:25:22But although Mr. Morton's character
00:25:23seemed almost too good
00:25:24to be true,
00:25:25other men,
00:25:26supposedly paragons of virtue,
00:25:27have met violent ends
00:25:28and investigation has developed
00:25:30some extremely unsavory facts.
00:25:32If my own investigation
00:25:33should develop a hidden side
00:25:34of Mr. Morton's life,
00:25:36I shall tell you
00:25:36all about it tomorrow.
00:25:39Well, what about me?
00:25:40I can now inform
00:25:41the police commissioner
00:25:42that Honest John
00:25:42is absolutely innocent
00:25:44of the explosion
00:25:44which caused the death
00:25:45of Gerald Morton.
00:25:47As a matter of fact, John,
00:25:49that job wasn't up
00:25:49to your usual
00:25:50professional standards,
00:25:51was it?
00:25:52No.
00:25:52I'd done better than that
00:25:54when I was still
00:25:54wearing short pants.
00:25:55Surely.
00:25:56Now, I ain't squawking
00:25:57about the cops
00:25:58pinning a murder on me,
00:25:59but when they tries
00:26:00to hang an amateurish job
00:26:02like that Morton blow up on me,
00:26:03I resent to see.
00:26:05Naturally, naturally.
00:26:06I'll get it.
00:26:08Take a general order.
00:26:09Effective immediately.
00:26:10There you are,
00:26:11ladies and gentlemen.
00:26:11You've just had the pleasure
00:26:12of hearing Honest John
00:26:13in person.
00:26:14You mean I was on air?
00:26:16You were, John,
00:26:17and thank you.
00:26:23You, you dumb ox,
00:26:24why don't you look
00:26:24where you're going?
00:26:25Ladies and gentlemen,
00:26:26for the past 24 hours,
00:26:27the entire police force
00:26:28of this city
00:26:28have been trying
00:26:29to locate Honest John,
00:26:30yet the Shadow
00:26:31has had no difficulty
00:26:32in bringing him to you
00:26:33on this program
00:26:34this evening.
00:26:34For further details,
00:26:35please read the classic.
00:26:36This is the Shadow
00:26:37saying goodbye
00:26:38until the same time tomorrow.
00:26:41Here's everything ever
00:26:42published on Jero Morton.
00:26:44Now, let's get busy.
00:26:45Yeah, well, let's not.
00:26:46Well, uh, well, uh,
00:26:48what are you going to do?
00:26:50I don't know.
00:26:53You mean you don't know?
00:26:57That's right.
00:26:58The Shadow doesn't know.
00:27:01Have one?
00:27:03Uh, uh, I tried it once
00:27:04and it made me dizzy.
00:27:05Oh, so that's what caused it.
00:27:07Good night.
00:27:08Good night.
00:27:10This case is getting
00:27:11to be a bore.
00:27:11Why don't you hurry
00:27:12and make something happen?
00:27:14Miss Lane,
00:27:15when lightning is about to strike,
00:27:17one doesn't try to hurry it.
00:27:19Well, nice going, Cranston.
00:27:22You've fixed things up
00:27:23just dandy.
00:27:25Now, Weston,
00:27:25it's shut down
00:27:26on all police news,
00:27:27all fire news,
00:27:28and all hospital news.
00:27:29From now on,
00:27:30it's no news for us.
00:27:31Splendid.
00:27:32No news is good news,
00:27:34they say.
00:27:34And that Honest John gag.
00:27:36What is the idea
00:27:37of staging that stunt
00:27:38for the dumb stooge?
00:27:39Mr. Heath,
00:27:40that was no stooge.
00:27:41That was Honest John himself
00:27:42with a gun at my head.
00:27:45You mean the man
00:27:46that just went out?
00:27:47Miss Lane wants excitement
00:27:48but doesn't know it
00:27:49when she bumps into it.
00:27:52I don't care
00:27:53if this does make me dizzy.
00:28:01Oh, hello, Matt.
00:28:01How are you?
00:28:05How are you?
00:28:05Well, where is he?
00:28:07You mean Honest John,
00:28:08I suppose.
00:28:09Yeah.
00:28:10I do believe,
00:28:11as he'd say himself,
00:28:12that he's taken it
00:28:13on the lamb.
00:28:14Why didn't you hold him?
00:28:16Well, why should I?
00:28:17I'm not the police commissioner.
00:28:19Then quit acting
00:28:19like a chump.
00:28:21You know,
00:28:22I think he's got
00:28:23something there.
00:28:24Phoebe, thank you.
00:28:25You're a gentleman
00:28:25and a lady.
00:28:26Now, here,
00:28:27stop this clowning.
00:28:28How are we going
00:28:29to get the paper
00:28:29off the spot
00:28:30you two have got it on?
00:28:31We're not clowning,
00:28:32Mr. Heathen.
00:28:32Please don't blame Miss Lane.
00:28:34It was my fault.
00:28:35I thought I was doing something.
00:28:36Say, wait a minute.
00:28:37I think you hit an angle
00:28:38in your broadcast
00:28:40where you hinted
00:28:40that Morton's character
00:28:41wasn't all it should be.
00:28:43I don't know the...
00:28:44I don't know what my offer
00:28:45to work this thing out.
00:28:46All right.
00:28:47Johnny, I believe
00:28:47you have something there.
00:28:48Yes, there's the...
00:28:49Mr. Cranston?
00:28:49I'm Mr. Cranston.
00:28:50What can I do for you, sir?
00:28:51I am Roger Morton,
00:28:53brother of the Gerald Morton
00:28:55whose name you tried
00:28:56to besmirch
00:28:56in your broadcast.
00:28:57I came over
00:28:58to see just what sort of man
00:29:00could be guilty
00:29:01of such an attack.
00:29:02Well, I'd like to explain
00:29:04that...
00:29:04I don't know
00:29:05what you meant
00:29:06by your hint
00:29:07about a hidden side
00:29:08in my brother's life,
00:29:10but in the presence
00:29:11of my attorney...
00:29:12I beg your pardon.
00:29:13Our firm has
00:29:14great commitments abroad,
00:29:15young man,
00:29:16and your paper
00:29:17will pay the penalty
00:29:18if you do or say anything
00:29:19to jeopardize
00:29:20our international dealings,
00:29:21and we deal in millions.
00:29:24That's all.
00:29:25Good night.
00:29:26Good night.
00:29:30Now what are you going to do?
00:29:32I'll tell you
00:29:32what he's going to do.
00:29:34He's going to handle
00:29:34the story Morton's way,
00:29:36or he'll sew it for millions.
00:29:37Nice thing.
00:29:38Honest John says
00:29:39I handle it his way
00:29:40or he'll shoot me.
00:29:41Weston says
00:29:41I handle it his way
00:29:42or I go to jail.
00:29:43I think you started
00:29:44all this, sweetheart.
00:29:45Have you got any suggestions?
00:29:46Don't ask me.
00:29:47You're the great big detective.
00:29:48There you are.
00:29:49You see,
00:29:49she craves action
00:29:50and when she runs into it,
00:29:51she starts passing the buck.
00:29:52I wish you'd go home
00:29:53and roll your hoop
00:29:54so we can roll up
00:29:55our sleeves
00:29:55and get to work.
00:29:58I'll admit,
00:29:59you have performed miracles,
00:30:01like that Alan murder.
00:30:02But there,
00:30:03you had a bend pen
00:30:04to start with it a clue.
00:30:06This time,
00:30:06you have nothing.
00:30:08You're right.
00:30:10Nothing.
00:30:11Don't forget,
00:30:12you've still got Phoebe.
00:30:13Well,
00:30:14we don't want you shot.
00:30:15You're no good to us in jail
00:30:16and we can't afford
00:30:17to offend Morton.
00:30:19There it is, son.
00:30:20Get us out of it.
00:30:21Just like nothing happened.
00:30:24Well, Miss Lane.
00:30:25Miss Lane went home
00:30:26to roll her hoop.
00:30:31Phoebe,
00:30:32I wonder if Miss Lane
00:30:34would recognize the man
00:30:35that gave her the tip
00:30:36that started all this.
00:30:37Miss Lane would know him
00:30:38anywhere.
00:30:39She never forgets a face.
00:30:43Well,
00:30:44what did he look like?
00:30:47Oh,
00:30:47he was thin.
00:30:49Well,
00:30:50not too thin.
00:30:51No.
00:30:52And, uh,
00:30:54blonde?
00:30:55He was between
00:30:56a blonde and a brunette
00:30:57and rather medium size
00:30:58for a man.
00:31:00And he was thin and,
00:31:01oh,
00:31:02but I said that,
00:31:03didn't I?
00:31:03yes,
00:31:04you did.
00:31:04My,
00:31:04my,
00:31:05what a memory.
00:31:06Anyway,
00:31:06he wasn't bad looking.
00:31:08Well,
00:31:08go on.
00:31:09Anything else?
00:31:10Anyhow,
00:31:10I know how he spoke.
00:31:12How?
00:31:12With a foreign accent.
00:31:14A foreign accent?
00:31:15Mm-hmm.
00:31:15Listen,
00:31:16that's important.
00:31:17Was it,
00:31:18uh,
00:31:19Moscow,
00:31:20Russian?
00:31:20I will give you a tip
00:31:21about a theater.
00:31:23No,
00:31:23it wasn't that,
00:31:24I say.
00:31:24Uh,
00:31:25Italian,
00:31:25perhaps,
00:31:26more liquid.
00:31:27Uh,
00:31:28Senora,
00:31:28do we know about the theater?
00:31:29No,
00:31:30no,
00:31:30No,
00:31:31it wasn't that.
00:31:31French,
00:31:32of course,
00:31:32it wouldn't be French.
00:31:33There is a theater
00:31:34that will be robbed tonight.
00:31:35Oh,
00:31:35no,
00:31:35no,
00:31:36that's not right.
00:31:37A German,
00:31:37perhaps.
00:31:38I can give you a tip
00:31:39about a theater
00:31:40around the corner
00:31:41that's going.
00:31:42That's nearer.
00:31:42That's nearer.
00:31:43Perhaps a little finer,
00:31:44huh,
00:31:44Viennese.
00:31:45Uh,
00:31:46I can give you a tip
00:31:47about a theater
00:31:48around the corner
00:31:49that is-
00:31:49You,
00:31:49you've got it.
00:31:50That's exactly
00:31:51the way he spoke.
00:31:52Fine.
00:31:53And I'm sure
00:31:54I'd recognize him
00:31:55now if I saw him.
00:31:56Good.
00:31:56Thank you,
00:31:57Miss Lane.
00:31:57Now you can go home.
00:32:06Oh,
00:32:07wait a minute.
00:32:07Let me finish
00:32:08before you go away mad.
00:32:11Uh,
00:32:11go home,
00:32:12put on your nicest
00:32:13dinner dress
00:32:13and I shall call
00:32:15for you between
00:32:159.30 and 10 o'clock.
00:32:17You mean I'm going
00:32:18to be wined and dined
00:32:19for remembering
00:32:19his accent?
00:32:20No,
00:32:20sweetheart.
00:32:21The idea is
00:32:21to find the man.
00:32:25I don't get it.
00:32:27When you want
00:32:27to find an American,
00:32:28you go where he works.
00:32:30When you want
00:32:30to find a foreigner,
00:32:31you go where he dines.
00:32:33My,
00:32:34but you're clever.
00:32:37Let me see now.
00:32:38Should I wear black
00:32:39or blue?
00:32:40You'll wear black
00:32:40and blue
00:32:41if you don't hurry.
00:32:42Scram,
00:32:43sister.
00:32:45No,
00:33:11God,
00:33:11you,
00:33:11Lord,
00:33:11you,
00:33:13Mr.
00:33:36¡Gracias!
00:33:47¡Gracias!
00:33:50¡Oh no!
00:33:51No, if I eat any more of that bookshot, I'll pass out.
00:33:53Hey, don't you dare pass out until we find that man.
00:33:58Bookshot?
00:34:02Oh, 1.30, I've looked at so many men.
00:34:05They all look so tired.
00:34:06Now, I thought you wanted to be a reporter.
00:34:08Now listen, you stick around until we find the man,
00:34:10then you can go home.
00:34:11You can go home the very minute the fun begins?
00:34:13I'm not going to do all the hunting, then it's the shooting.
00:34:15Oh, and I'll be reasonable, will you, Phoebe?
00:34:17You're the boss' niece. I can't let anything happen to you.
00:34:19Why did I have to be born a relative?
00:34:21Why couldn't I have been born an orphan or something?
00:34:36What?
00:34:38There he is.
00:34:41I thought you said he was good-looking.
00:34:49Are you sure that's the man?
00:34:52I'm positive.
00:34:57I'm sorry, sweetheart. You have to scram.
00:35:09Oh, hello! Hello! Oh, I am sorry. I have made a mistake.
00:35:16You are not my old friend, Captain Litzman, as I thought.
00:35:20My mistake was a natural one. You know, I have not seen Litzman since we flew together in the war.
00:35:26Uh, I see you are an ace also. May I know the name?
00:35:32Mein istolski. Baron Stolski.
00:35:35I'm called Floto. And this is my friend Starkov.
00:35:40How do you do? I was told when I arrived in America recently that I could meet and make friends
00:35:47with many people of my own class.
00:35:50I am glad that is so.
00:35:53Veda, uh, gentlemen, preferably drink.
00:36:03Lassau, twenty-six. And make sure it is twenty-six, please.
00:36:06Very bien, monsieur.
00:36:07Thank you.
00:36:08Hello, darling.
00:36:12Well, aren't you going to introduce me, precious? After all, I am your wife, you know. Or do you?
00:36:17Oh, yes. Forgive me. Baroness Stolski. May I present Mr. Floto, Mr. Starkov, my new friend.
00:36:24How do you do? How do you do? Thank you very much.
00:36:30For a recent arrival in America, as I say over here, you must be a fast worker to have married
00:36:36so charming a girl so soon.
00:36:39Well, it was a whirlwind courtship. We met on Wednesday, I proposed on Thursday, and we were married on the
00:36:48Statue of Liberty.
00:36:52You met her through her newspaper work?
00:36:58Newspaper work?
00:36:59Yes. You're a reporter for the Daily Classic. Are you not?
00:37:06No, darling.
00:37:15No, darling. Pardon my mistake. America is a land of women so beautiful. They all look alike.
00:37:24Sorry, monsieur. I cannot say. The bar is closed. It's at the closing hour.
00:37:30Oh, that's too bad. I counted on talking over old times with you. But my apartment is never closed.
00:37:37Come. We'll go and have a drink and chat before we break up.
00:37:43I'm afraid we cannot join you. You know, the Baroness never keeps late hours.
00:37:47But one evening won't matter, darling. We'd be delighted to go. Come on, dear.
00:38:00Taxi? Taxi? Midtown Apartments.
00:38:03Oh, no. You see, it is a raining night. I'm sorry. And it's so late. I must take my wife
00:38:08home. I'm sure.
00:38:09But the Midtown Apartments are not far from here.
00:38:11Yes, darling. And I'd love to have another drink.
00:38:13Oh, dumbass.
00:38:14Ow!
00:38:15You see, my wife gets these attacks, you know, when it's late and raining. I must take her home. But
00:38:20we will see you tomorrow for luncheon.
00:38:21At the hog brow. At one. Luncheon. One o'clock puncture late.
00:38:27Good.
00:38:27Yes.
00:38:28Where?
00:38:28At 12 Dutton Street.
00:38:29Okay, Spencer.
00:38:31Good night, gentlemen.
00:38:32Good night.
00:38:33Good night.
00:38:33Good night.
00:38:37Mmm.
00:38:38You ought to let this coffee right your column.
00:38:41It's strong enough.
00:38:43Good strong coffee for a strong, silent man.
00:38:47How's this? The shadow says that his statements over the air yesterday regarding the character of Mr. Gerald Morton were
00:38:53unjustified.
00:38:54And those statements are hereby withdrawn with due apologies to Mr. Morton's family.
00:38:59Yeah, but you have to apologize to Commissioner Weston.
00:39:02Let's not go overboard in our enthusiasm for whitewashing ourselves.
00:39:06But you've got to square the paper with Weston. Tell how it happened. Describe the scene.
00:39:12You at the mic and Honest John with the gun.
00:39:15I was afraid you'd be expecting that, so I wrote it last night.
00:39:19But I don't like it.
00:39:22My apologies to Commissioner Weston.
00:39:24Perhaps he's right in his belief that Honest John is the...
00:39:27My statement on the air that the man was innocent was made while John himself was holding a gun at
00:39:31my head.
00:39:32And I hope that the Commissioner, with his usual fair-mindedness,
00:39:36will restore the classic favor.
00:39:38Great.
00:39:40Now, Morton can't sue us.
00:39:41And the Commissioner will have to restore our news.
00:39:44Oh, I spend years building up a reputation as a crime expert,
00:39:48then have to expose myself as a stuffed shirt that gets kicked around by the police department.
00:39:53Well, look here, son.
00:39:54If you were so keen about that reputation of yours,
00:39:58why don't you solve this case?
00:40:20Well, did you check?
00:40:22Who is he?
00:40:24The shadow, the criminologist.
00:40:28He is not to be taken lightly.
00:40:31Neither were the best detectives of Paris, London, New York.
00:40:35Yet, you'll be out.
00:40:39An amateur.
00:40:42Well, Mr. Cranston, how are you feeling this morning?
00:40:44Now listen, Moe, for the last time,
00:40:46if you ever call me by name again or recognize me,
00:40:48or even speak to me before you're spoken to...
00:40:50I'm fired!
00:40:51That's right.
00:40:52Okay, Stranger.
00:41:13I wonder where our friend, Mr. Cranston, is.
00:41:18There's something wrong, Starko.
00:41:20There's something wrong with your nerves, my friend.
00:41:24We are not going to leave here with our work half finished.
00:41:27Yes, yes.
00:41:28I know how much there's at stake.
00:41:30That's why I'm so uneasy.
00:42:00That's right.
00:42:00Tell everybody we're here.
00:42:02Suppose Flodo or Starkov would have been behind this door instead of me.
00:42:05Oh, but they couldn't be.
00:42:06They're both at the restaurant.
00:42:07And I thought you'd be there having lunch with them too.
00:42:09Oh, and this would be a good time to do a little detecting.
00:42:12Uh-huh.
00:42:13Well, for once you had a good idea.
00:42:15Well, come on.
00:42:16Let's get busy and look for the clue.
00:42:18So you've got a clue, have you?
00:42:19Why, yes.
00:42:20The watch and the wallet that were missing from the man's body.
00:42:23Hmm.
00:42:23And where do you suggest we look for them?
00:42:26Well, my mother always used to hide things in the mattress.
00:42:28And oh, if we could only find a teapot, I'm sure it would be in there.
00:42:32Well, then all we have to do is find a teapot.
00:42:34Uh-huh.
00:42:34Come on.
00:42:34Let's get started.
00:42:39Telephone, Mr. Flodo.
00:42:44Hello.
00:42:47We have waited long enough, Rudolph.
00:42:51Has our man come home from downtown?
00:42:53Not yet, sir.
00:42:55I understand he won't be home before late.
00:42:59He's to meet our countrymen here for a final conference tonight.
00:43:03We must know his plans.
00:43:05Keep in touch with us at the apartment.
00:43:07We'll be there in a few...
00:43:10Waiter.
00:43:11Yes, sir.
00:43:12Check.
00:43:14I think we should definitely stay here and find that watch and wallet.
00:43:17Now, my wallet's intuition.
00:43:27Hello.
00:43:29This is Flodo.
00:43:31The master has just gotten home.
00:43:33Early in the afternoon will occur an opportunity when he's gone.
00:43:39No more.
00:43:40Someone is coming.
00:43:41I'll call you back.
00:43:45What's happened?
00:43:46Uh, just a minute.
00:43:49Operator, can you trace that last call to this number, please?
00:43:52But it's important.
00:43:54Oh, I see.
00:43:56Thank you.
00:43:57Are they going to trace the call?
00:43:58Well, they can't trace a call on a dial phone.
00:44:01What are we going to do now?
00:44:02Well, wait till he calls back.
00:44:05Till who calls back?
00:44:06The fellow I just talked with.
00:44:27Oh, hello, hello.
00:44:30We were afraid we had missed you.
00:44:31We've been waiting and waiting, haven't we, dear?
00:44:36What are you doing here?
00:44:38Well, we came for the luncheon.
00:44:41But the appointment was to have luncheon at the restaurant.
00:44:43Oh, how stupid of me.
00:44:45You know, I'm afraid last night when we made the appointment,
00:44:49my mind wasn't on it.
00:44:50You know, my wife had that attack.
00:44:52I trust she's better now.
00:44:54No, I'm afraid she's even worse.
00:44:57Aren't you, dear?
00:45:02Oh, dear.
00:45:03Make her comfortable.
00:45:04We soon have lunch.
00:45:06Oh.
00:45:07Oh, poor darling.
00:45:09No, you see, she's getting another attack.
00:45:11I must take her for the air right away.
00:45:13Just a minute, Mr. Cranston.
00:45:16Your hand, Mr. Shadow.
00:45:18What do you suspect us of?
00:45:20And why?
00:45:22Well, now, you'll have to listen to the broadcast to hear that.
00:45:24You see, our business is to get interviews, not to give them.
00:45:27Isn't it, sweetheart?
00:45:29Yes, sir.
00:45:30And may we go now?
00:45:32No.
00:45:33Now that we have you here, you're going to stay.
00:45:35Take your time, mister.
00:45:38Taxi stranger?
00:45:41Scram, Phoebe.
00:45:44Thanks for your hospitality, boys.
00:45:48Nice work, Moe.
00:45:50Moe?
00:45:50I thought we were strangers.
00:45:52Have a cigarette, pal?
00:45:57Oh, ho, ho, ho.
00:46:01The police.
00:46:02What makes you think so?
00:46:03Because he prefers to work alone.
00:46:09Hello.
00:46:09What's that?
00:46:12That wasn't I.
00:46:13We were not at home then.
00:46:14That was Cranston.
00:46:16Repeat what you told him.
00:46:21es Rudolf
00:46:22he told Kranz and his master would be at home this afternoon
00:46:24that an opportunity might occur to strike
00:46:27that's indefinite but incriminating
00:46:29you must act it once, today
00:46:31tomorrow may be too late
00:46:34naturally my woman's intuition told me that we should get out of there
00:46:36but I was afraid to tell you because I thought you'd laugh at me
00:46:38well thank goodness it's all over
00:46:40there's nothing to worry about now
00:46:41you take your woman's intuition and go to luncheon
00:46:43oh trying to get rid of me
00:46:44well I'm not going to go
00:46:45I'm not going to miss any more fun
00:46:46well I've got some work to do
00:46:47now you run along please
00:46:49all right
00:46:50it's a good girl
00:46:58Burke
00:46:59Burke
00:47:01Burke
00:47:02Burke
00:47:05come on get up and get going
00:47:06where to
00:47:07go to the midtown apartments
00:47:09stake out
00:47:10watch for two foreigners in a closed car
00:47:12phone me as soon as they leave
00:47:13okay
00:47:14and hurry for a change
00:47:15okay chief
00:47:20hello
00:47:21oh yes Mr. Heath
00:47:22no still as much in the dark as ever
00:47:25well those fellas are rather clever
00:47:27as a matter of fact
00:47:28they're planning another deal right now
00:47:33well if I knew that
00:47:34I wouldn't be hanging around here
00:47:35pardon me
00:47:36come in
00:47:39oh hello Barrow
00:47:40sit down be right with you
00:47:41yes Heath
00:47:42no thanks I don't need you
00:47:44what I need is a clairvoyant
00:47:45right
00:47:46so long
00:47:47I have that Morton information for you
00:47:49good
00:47:49I understand that Gerald Morton's firm was interested in some very big international deals
00:47:54was that right
00:47:55yes they still are
00:47:57I made these notations for you
00:47:59their recent underwritings include 10 million Argentine fords
00:48:0228 million Danish refunding two and a halves
00:48:05and I understand they'll soon issue several new European debentures
00:48:08well what about them
00:48:10that might be a good investment for me
00:48:12certainly
00:48:13however these new bonds that Morton and Morton are about to offer seem to me to be highly speculative
00:48:17but if the 50 million is spent to build up the army as intended
00:48:21the exiled aristocrats will never succeed with their threatened revolution
00:48:24good
00:48:25that's what I wanted to find out
00:48:26oh pardon me
00:48:27Miss Lane
00:48:28do you know Mr. Barrows our financial editor
00:48:30how do you do
00:48:30how do you do
00:48:32what's this all about
00:48:33at a time like this you're talking about investments
00:48:35I'll be with you in a minute
00:48:38editorial
00:48:38editorial
00:48:39Cranston speaking
00:48:40whole shadow column for remake
00:48:41right
00:48:43I brought you some lunch
00:48:44I was in such a hurry
00:48:45I dropped your bottle a bit
00:48:46but we can share mine
00:48:47a good assistant would never let her boss go hungry
00:48:49oh thank you Miss Lane
00:48:50and now will you phone the commissioner and tell him I'll call him back later
00:48:53what's his number
00:48:54uh you'll find it in the book
00:49:03L
00:49:068
00:49:086
00:49:117
00:49:142
00:49:174
00:49:209
00:49:209
00:49:27there you are commissioner
00:49:28first edition on the streets now
00:49:30with the full explanation apology by the shadow
00:49:32hmm
00:49:33the apology could have been stronger
00:49:36I hope this paves the way for renewing friendly relations
00:49:40I'm no enemy of the shadow
00:49:42I always give him credit for being somewhat clever
00:49:45pero se debe recordar que es solo un amador.
00:49:48Por todo, somos profesionales.
00:49:49Es correcto, Commissioner.
00:49:50Y espero que te haya gustado el día de la clase
00:49:53a la gente con el Departamento.
00:49:54¿De acuerdo?
00:49:55De acuerdo, yo voy.
00:49:57Voy a tomar el orden.
00:49:58¿Cigar, Commissioner?
00:49:59No, gracias.
00:50:05¿Cuándo se puede hacer esto, Peavy?
00:50:07El Morton case se va a abrir abierto tonight
00:50:09y va a ser un gran sorpresa para el policía.
00:50:12Perdón me.
00:50:13Under the misguidance of Commissioner Weston,
00:50:15the department has wasted 24 hours
00:50:16searching for the wrong man
00:50:17with the right men under their noses all the time.
00:50:20But won't that make the commissioner furious?
00:50:23Pardon me.
00:50:24You would get hard-boiled eggs.
00:50:26And although the murders
00:50:27have completely baffled the police
00:50:29by their shrewdness and daring,
00:50:31pardon me,
00:50:32the shadow knows who they are
00:50:33and why they killed Gerald Morton.
00:50:35But how do you know that?
00:50:36We didn't find a single clue and just a motive.
00:50:39Ah, yes, we did.
00:50:40And you know when it happens.
00:50:41You're intelligent.
00:50:42You sparkle.
00:50:43I don't know what I'd have done
00:50:44without you on this case,
00:50:45but we've got to keep going.
00:50:46Here, rush this down for the night edition.
00:50:48Yes, sir.
00:50:50Pardon me.
00:51:18I don't know what I'm doing here.
00:51:21I told you not to fight Weston
00:51:24You've ruined the paper with your grandstanding
00:51:26Even if you have added a hundred thousand new readers to our circulation
00:51:29Maybe you're right, maybe I did pull a boner
00:51:32I did it to keep the confidence of our readers
00:51:34To prove that we've tried to expose stupidity wherever it exists
00:51:37For years we've been trying to educate them and their children to obey the law
00:51:41Now maybe you're willing to undo all the good we've done
00:51:43But I'm not, Mr. Heath
00:51:44Well, neither am I
00:51:45But I've got the paper to think of
00:51:48Suppose you're wrong in this case
00:51:49Why, they'll laugh you out of town
00:51:51What if you don't solve this murder this afternoon?
00:51:54Then I'm through, washed up
00:51:56No more shadow column and no shadow
00:51:58But if I'm right and Weston's wrong
00:52:00He's the one that has to change his tune
00:52:02He'll have to work hand in hand with me
00:52:04And between the two of us
00:52:06There'll be so little crime in this city it'll be a crime
00:52:09That's the spirit
00:52:11Now you're talking
00:52:13Yes, sir
00:52:15I'll mix four straight passes right in the road
00:52:19Then I picks up them dice again
00:52:22Breeze on them
00:52:23And I said, come on, baby
00:52:25Papa needs the dough
00:52:29And right there is where the cop comes along
00:52:31Oh, yeah
00:52:45Well, how's that, boy?
00:52:48A boss
00:52:56Shine them again, won't you, boy?
00:52:58Again?
00:52:59I done shine them three times
00:53:23Look out there, boss
00:53:24You better put that thing away you don't kill somebody
00:53:28A boss
00:53:29Machine, money
00:53:34We'll have the usual introduction
00:53:35And then naturally work out the theme that
00:53:39Crime doesn't pay
00:53:42Answer that, will you please, Miss Lady?
00:53:44Hello
00:53:46Yes, this is Mr. Cranston's office
00:53:48Who shall I say wishes to speak to him
00:53:50I can't hear you
00:53:53Oh, I'm so sorry
00:53:54It sounded just like you were yawning
00:53:56Oh, I know who that is
00:53:57I'll take it, thanks
00:53:58Hello, Burke
00:53:59Yes, what's up?
00:54:01Bag and baggage, huh?
00:54:02Which way do they go, Wes?
00:54:04Never mind how I knew
00:54:05Yeah, so long
00:54:07I've got to run
00:54:08Now, if you want to help me
00:54:09You'll stay here and finish those notes
00:54:10Uh, well, you're just trying to get rid of me
00:54:12No, not at all, really
00:54:13If whether or not I go on the air tonight as advertised
00:54:15Depends absolutely upon you
00:54:17Now, you wouldn't let me down, would you, pal?
00:54:18You bet I won't, pal
00:54:19All right, so will you
00:54:23Hello, Brenda
00:54:24Hello, 896 Clover Road
00:54:26In hurry
00:54:27Okay, Mr. Cranston
00:54:28Mo, you're fired
00:54:29I've warned you a dozen times
00:54:31Yeah, and I warned you once
00:54:32Get in
00:54:35You two
00:54:35In the first break you make
00:54:37You're driving a dead passenger
00:54:41I know I did you wrong, John
00:54:42But I'll square it later
00:54:43I'm in a hurry now
00:54:44Let's talk it over some other time
00:54:46There ain't gonna be any other time for you, buddy
00:54:49You can't laugh this off
00:54:52My apologies to Commissioner Weston
00:54:55I'm now convinced that he's right
00:54:57In his belief that Honest John is the killer
00:54:59Oh, that's only the first edition
00:55:01I had to red apple the commissioner
00:55:02Wait till you read the final edition
00:55:04This is the final edition for you, buddy
00:55:07Just a minute
00:55:08Another move like that
00:55:09And I'm gonna let you have it right here
00:55:11I was only reaching for a cigarette
00:55:13You got a cigarette, driver?
00:55:17I got you covered now, pal
00:55:21Well, suppose you left the pit
00:55:23And you wanna go straight
00:55:24You come to town
00:55:26Looking for an honest jar
00:55:27What do you get?
00:55:29A bum murder rap hung on you
00:55:31Do you really wanna go straight, John?
00:55:33Oh, my word of honor
00:55:36Have a cigarette
00:55:39Well, I'll go ahead and plug
00:55:41Anybody dumb enough to fall for that one's gotta come
00:55:55Am I on the air?
00:55:57Thank you
00:56:00Ladies and gentlemen
00:56:01This is Miss Phoebe Lane, the Shadow's Shadow
00:56:04If Police Commissioner Weston is listening in
00:56:06I should like him to know
00:56:07That the Shadow and I think he's the world's prize sap
00:56:10And we intend to leave no stone unturned
00:56:13The Shadow knows who killed Gerald Morton and why
00:56:17Will be on the air at 8 p.m. this evening as usual
00:56:21Well, we'll see about that
00:56:24Matthews, what's the law covering withholding of evidence from the police?
00:56:27Section 164, revised criminal code, sir
00:56:30Get out of the warrant for Cranston and pick him up at once
00:56:32Yes, sir
00:56:34And now, ladies and gentlemen, I'll give you my own story of how I helped the Shadow to solve the
00:56:38Gerald Morton murder mystery
00:56:39In the first place, Commissioner Weston and his very dumb stooge Detective Inspector Matthews
00:56:44Were off on a false scent as usual and
00:56:47Keep right on, sister. You are going great
00:56:50Oh, I'm so sorry
00:56:51You frightened me so I didn't know what I was saying
00:56:54I never know what I'm saying when I'm frightened
00:56:56Do you want to see Mr. Cranston?
00:56:58Yeah, just to say hello
00:57:00You're not going to arrest him again
00:57:01Oh, no
00:57:03Cranston and I are old personal friends
00:57:05Oh, then I can tell you where he is
00:57:07He's out in the Morton case
00:57:08Ah, Morton
00:57:09Hmm, thank you
00:57:11Be sure to thank Mr. Cranston for me
00:57:13Well, thank you, Mr. Matthews
00:57:15I certainly will
00:57:16I'm sure he'll thank you
00:57:18Goodbye
00:57:19Bye
00:57:36Remember your instructions, Stefan
00:57:37I'm sorry, Stefan
00:57:38I'm sorry, Stefan
00:58:19Sorry if I kept you waiting, gentlemen
00:58:22Our appointment wasn't until later
00:58:25We are not the men you were expecting
00:58:27But we are here regarding the same matter
00:58:31Won't you sit down?
00:58:38I, uh, really there's no need of that
00:58:42The business is out of the confidential stage
00:58:44And the deal is about to be concluded
00:58:46The deal will never be concluded
00:59:00You will kindly take out all negotiable bonds and securities
00:59:03In any large amount of money
00:59:13This is, uh, all I have of value here
00:59:17Mrs. Morton's jewels and the bulk of my holdings are in a bank vault downtown
00:59:22And if you want to
00:59:24And if you want to
00:59:24This is not a robbery, Mr. Morton
00:59:25This is a matter of international diplomacy
00:59:30These bonds represent much money, do they not?
00:59:32A hundred thousand dollars or more
00:59:36I don't see what ends you can gain by killing me
00:59:39Let us review the history of the loan you were about to make tonight
00:59:43Three years ago, a French banker was about to lend that money
00:59:47He died in an auto accident
00:59:51The loan was next negotiated with an English financier
00:59:54Who was very much devoted to his wife, Mr. Morton
00:59:58He committed suicide
01:00:01So you see, we have many ways of taking care of those who oppose us
01:00:08But say you did kill me
01:00:10There are other banking houses
01:00:12You can't prevent them all from dealing with your country
01:00:15We intend that the death of both partners and Morton
01:00:19Shall throw this bond issue into such litigation
01:00:22As will hold it in the courts indefinitely
01:00:26Unfortunately, you were not with your brother
01:00:28At the time of the accident we planned for both of you
01:00:31So now, you will do as I suggest
01:00:35Or, if you're stubborn, we'll wait for Mrs. Morton
01:00:46What do you want me to write?
01:00:47The death of your brother will make necessary that you account to his estate for your interest in the firm
01:00:52Will it not?
01:00:53Of course
01:00:54Good
01:00:56We take these
01:00:58Your accounts are one hundred thousand short
01:01:01You are faced with exposure as a faithless partner
01:01:05As a thief of your brother's money
01:01:07You understand?
01:01:10Now you know what to write, Mr. Morton
01:01:51Answering an unspoken question, there is only one bullet
01:01:55But there are two of us
01:02:12Good shot, John
01:02:15Are you surprised to see me?
01:02:16You won't need this now, Mr. Morton
01:02:18Oh, Flodo, I thought you were clever
01:02:20Even a small town constable could spot that concealed weapon
01:02:24Uh, you better let me take care of that, Mr. Morton
01:02:28Watch him, John
01:02:35Oh, hello, Matt
01:02:37Hello
01:02:37How did you get here?
01:02:38Weston sent me out to pick you up
01:02:40You're under arrest
01:02:40What, again?
01:02:42What's the charge this time?
01:02:44Withholding evidence in the Morton case
01:02:45As usual, the commissioner is late
01:02:48Hey, you
01:02:54If it's my last act on earth, I'll put you in jail for life
01:03:01Okay, you're on the air
01:03:02The shadow speaks, announcing that the Morton case has at last been solved
01:03:07And the murderers are now in the custody of our able police
01:03:09This has been one of the most baffling cases in the shadow's experience
01:03:12A case without a clue
01:03:14Murderers too clever to be caught by ordinary methods
01:03:16And had it not been for the able cooperation of the police department
01:03:19The case would still be unsolved
01:03:20I have already handed Commissioner Weston a bouquet today
01:03:25But now I wish to do so publicly
01:03:26And to compliment him for his shrewdness in causing the killer to think
01:03:30He and his men were following a false clue
01:03:32As a result, the murderer and his accomplices were later taken in the act of attempting the life of Mr.
01:03:37Roger Morton
01:03:38For the complete story, read the daily classic
01:03:42And now my friends, I'm going to ask Miss Lane
01:03:44The lovely young lady who assisted in the solution of this crime to tell her own story
01:03:48Ladies and gentlemen, I give you Miss Phoebe Lane
01:04:02Ladies and gentlemen, there seems to be a great deal of static interference this evening
01:04:05And anyway, we thank Miss Lane for her very vivid description
01:04:09The shadow speaks
01:04:10Ladies and gentlemen, crime does not pay
01:04:12The shadow bids you goodnight
01:04:14Till our next broadcast
01:04:17To the�
01:04:17To the
01:04:31To
01:04:31To
01:04:31To
01:04:31To
01:04:34To
01:04:34To
01:04:34To
01:04:34To
01:04:45Once
01:04:59Gracias por ver el video.
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