- hace 22 horas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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CortometrajesTranscripción
00:00:28¡Gracias!
00:00:58¡Gracias!
00:01:12¡Gracias!
00:01:55¡Gracias!
00:02:27¡Gracias!
00:02:48¡Gracias!
00:03:04¡Gracias!
00:03:05¿Wallace Williams' gonna make a present for the panting?
00:03:07Can't prove it by me.
00:03:08Betcha, even though he gets you before you get the red rock.
00:03:10Make it fire to one and I'll take ya up.
00:03:12All right.
00:03:12All right, too done night.
00:03:15That way, man.
00:03:24This is one time this gold had gone through.
00:03:27Now you boys keep your eyes open.
00:03:29¡Suscríbete al canal!
00:04:04¡Suscríbete al canal!
00:04:38¡Suscríbete al canal!
00:04:40¡Suscríbete al canal!
00:04:43¡Suscríbete al canal!
00:04:50¡Suscríbete al canal!
00:05:09¡Suscríbete al canal!
00:05:12¡Suscríbete al canal!
00:05:16¡Suscríbete al canal!
00:05:22¡Suscríbete al canal!
00:05:44¡Suscríbete al canal!
00:05:56¡Suscríbete al canal!
00:06:12¡Suscríbete al canal!
00:06:17You better toss it away and put your hands up.
00:06:23Come on, light out.
00:06:34Ahora, but not too much trouble.
00:06:36You can hand me that box the bank is shipping.
00:06:38Come on, hurry up.
00:06:47Gracias.
00:06:54Oh, cuando llegue a la ciudad, ¿puedo dar esta nota a Mr. Williams?
00:06:59¿Puedo dar esta nota con mi comprimiento?
00:07:08I'm sorry the inconvenience you, ma'am.
00:07:13No, no, no.
00:07:40I'd be very careful with that first, ma'am.
00:07:43No, no, no.
00:07:44Los bambinos no ríe de las escas.
00:07:50El establecidoá en un momento, pero vas a entrar.
00:07:56¿Cuántas partes del mes?
00:07:59A continuación.
00:08:10Bien, hablo de viaje.
00:08:16¡Apúntame un minuto!
00:08:22¿Qué te trae a hacer? Chotele el horse a la cara?
00:08:25¡Ya lo hemes de la caída!
00:08:33¡Todo bien!
00:08:35¡Guita!
00:08:36¡Guita!
00:08:54¡Gracias!
00:09:12¿Qué tal?
00:09:12You can't wait well all that...
00:09:30Where's Pendleton? I got to see him right away.
00:09:33There he is now.
00:09:36What's all your excitement about?
00:09:37See here, Pendleton.
00:09:38I won't stand for anymore of this.
00:09:40Any more of what?
00:09:41¿Por qué?
00:09:42El Fattel me robó $45,000.
00:09:45¿Por qué?
00:09:45¿Por qué?
00:09:46Justo al final de la tarde.
00:09:48Ahora, si no te stopa a este señor watching for Old Pendleton,
00:09:50vamos a tener un sheriff que le va a dar.
00:09:52Bueno, él no me ha dado cuenta.
00:09:54Y no sé sólo lo que el cofre está en el lugar.
00:09:57Pero voy a ir a pasar y ir a la tarde.
00:09:59¡Vamos a la tarde!
00:10:04¡Vamos a la tarde!
00:10:06¡Vamos a la tarde!
00:10:08¡Vamos a la tarde!
00:10:10¡Hey, Max!
00:10:11Never mind that shave,
00:10:13we're going after the Phantom.
00:10:14Ok.
00:10:16Hey, Epler,
00:10:17get your gun.
00:10:18The stage has been held up again.
00:10:19¡Oh, right!
00:10:57¡Suscríbete al canal!
00:11:49¡Suscríbete al canal!
00:11:52¡Suscríbete al canal!
00:11:53¡Suscríbete al canal!
00:13:18¡Muy bien!
00:13:36Gracias.
00:14:03Gracias.
00:14:47What's the matter, Dad?
00:14:49I had a brush with William's men.
00:14:54What's the matter, Dad?
00:14:55What's the matter, Dad?
00:14:58What's the matter, Dad?
00:15:39Well, you've got to get out of here.
00:15:42We'll both go.
00:15:43I'll help you.
00:15:46This gravity is through riding.
00:15:50If we're going to be here, I didn't want you to leave.
00:15:59You mean you're going to...
00:16:00Well, we've all got to go sometime.
00:16:13You're a man now, son.
00:16:15From now on, you've got to stand on your own feet.
00:16:30I didn't have a chance to throw them off the trail.
00:16:33We should look out and see if someone's coming.
00:16:35You're a man.
00:16:35Come on, Dad.
00:16:39Wait.
00:16:48But I'll be there.
00:16:48You're not as good as the man of the tissotide.
00:17:01I'm going to wait a while.
00:17:03Wait.
00:17:04Here.
00:17:05You're up, geez.
00:17:05You're up.
00:17:06No, no.
00:17:07No, no.
00:17:08Están muy jóvenes a la gente como William.
00:17:14No es de uso.
00:17:17Open la puerta, así que no se empiezan a disparar.
00:17:39No, no.
00:17:39You leave him alone.
00:17:46Slim Braddock.
00:17:50Hello, Penn.
00:17:52Did Williams know that you were the one that's been raiding him?
00:17:56If he didn't, you wouldn't be here.
00:18:01Slim, if I'd known that you were the Phantom, I wouldn't have been within miles of this place.
00:18:06Oh, I tried to fight him in court.
00:18:09It was no use.
00:18:11He had too much money.
00:18:12Too many crooked lawyers.
00:18:15I know that Williams cheated you.
00:18:17Yes, but I could never prove it.
00:18:20The old-timers are all for you, Slim.
00:18:22They know you've got a raw deal.
00:18:28Did it hurt much, Slim?
00:18:36I can with you.
00:18:37Well, you do me a favor.
00:18:40Tell Williams that...
00:18:43there'll be another Braddock in the riding.
00:19:05Looks like the town is deserted.
00:19:06Well, here's everybody, partner.
00:19:08South Court House listening to the trial.
00:19:10What trial?
00:19:11The one between Williams and Brennan.
00:19:20Thanks.
00:19:22Thank you.
00:19:32Peter.
00:19:50You were with Jefferson.
00:19:52The bank had nothing to do with it.
00:19:53I know all about that.
00:19:54¿Qué pasa?
00:20:27¿Qué pasa?
00:20:54¿Está bien o no?
00:20:58Sí, por supuesto.
00:21:00Eso es lo que quería saber.
00:21:01Objeto sobre ruedas.
00:21:03¿Qué de ese dinero?
00:21:05Se va en el siguiente paso de vacaciones.
00:21:07¿Como para pagar el banco?
00:21:08Sí.
00:21:10¿Para 24 horas de extensión?
00:21:12Sí.
00:21:13¿Para 24 horas de extensión?
00:21:14¿Para qué?
00:21:15¿Para qué?
00:21:17Objeto sobre ruedas.
00:21:19Corte adjourn.
00:21:24.
00:21:25¿Para qué?
00:21:42Resp Ged
00:21:59¡Ah!
00:22:13Put him up, partner.
00:22:14Yes, sir.
00:22:19Hand me that package, Marquette Brennan.
00:22:25And hurry it up.
00:22:38Now get going and don't look back.
00:22:44No, no, no.
00:22:49So, it's the end of the day.
00:22:50What's up?
00:22:58This is my favorite.
00:22:59So, let's eat it.
00:22:59I'm going to eat it.
00:23:10I'm going to eat it.
00:23:12Now, I'm going to eat it.
00:23:25No se hagan nada de eso.
00:23:31Ahora, si no hay mucho problema, voy a tomar el paquete.
00:23:34No, dije que el paquete.
00:23:47Gracias, chicos.
00:24:03Gracias.
00:24:04Gracias.
00:24:11Gracias.
00:24:27Gracias.
00:24:29Gracias.
00:24:31Gracias.
00:24:39No, no, no, no, no.
00:25:11No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:25:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:25:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:25:21no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:25:22no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:25:27no, no, no, no, no, no, no, no, no, no, no, no
00:25:28No, no, no, no.
00:26:03No, no, no, no.
00:26:30Bring in the rest of the stuff so we can check it out.
00:26:35No, no, no.
00:27:13No, no, no.
00:27:46No, no, no.
00:28:18Something you want in there?
00:28:21No, no, no.
00:28:37No, no, no, no.
00:28:54No, no, no, no.
00:29:37No, no, no, no.
00:30:01No, no, no, no, no.
00:30:30No, no, no.
00:30:35No, no, no, no.
00:30:47No, no, no, no, no.
00:31:10No, no, no, no.
00:31:15No, no, no.
00:31:18No, no, no, no.
00:31:50No, no, no, no.
00:31:52No, no, no, no.
00:31:53No, no, no.
00:31:54No, no, no.
00:31:57No, no, no.
00:32:03No, no, no.
00:32:03No, no, no.
00:32:37No, no, no.
00:32:40No, no, no.
00:32:54No, no, no, no.
00:32:56No, no, no.
00:32:57No, no.
00:32:58No, no.
00:32:58If it's not too much trouble, you can give me a receipt for this.
00:33:11Braddock.
00:33:13Slim Braddock.
00:33:16I've heard a lot of talk about reincarnation, but it hasn't happened yet.
00:33:20I'm Tim, rather. Slim son.
00:33:24Now if you reach for a pen instead of that gun, you'll hunger.
00:33:29Find money.
00:33:35Where did you get this?
00:33:37Don't you know?
00:33:40This is outrageous. You'll find there's a law on this country.
00:33:44Just now I happen to be that law on what I say goes.
00:33:47You stole this money.
00:33:50Of course I stole it. You're not going to say anything about it.
00:33:53This is one of the most crooked deals there was ever attempted.
00:33:56Certainly it's a crooked deal. Because you made it a crooked business.
00:34:00Brennan doesn't know how to keep step with you. But I do.
00:34:03You think you can take the law in your own hands?
00:34:06That's what your father thought. But I fought him and I licked him.
00:34:09And I'll do the same to you.
00:34:10Well, as we settle our personal differences, another day and another place.
00:34:14Just now. Come on. Give me that to see you.
00:34:37I'll fight you till one of us go under if it takes my last cent.
00:35:05I wonder what he's doing in the back.
00:35:07What are you talking about?
00:35:08That fellow that just came out of the bank. See him down there?
00:35:14Who is he?
00:35:15He's the bird that got Brennan's money.
00:35:17Are you sure?
00:35:20Come on.
00:35:29Who was the man that just left here?
00:35:31I don't know, Mr. Jepson. He was talking to Mr. Williams.
00:35:34Williams in his office?
00:35:35Yes.
00:35:43Oh, Jepson.
00:35:44All right, Williams.
00:35:45Clayton tells me the man that held him up just left here.
00:35:48Yeah, his name is Braddock. He paid Brennan's note.
00:35:51Hmm. That's bad.
00:35:53Why?
00:35:54We finished the fellow's working on quite a lot of land.
00:35:57You're under your southern boundary, haven't you?
00:35:59Yes, but I wasn't figuring on including that in the same...
00:36:02Why not, Dad?
00:36:03Well, I kind of thought I'd like to keep it to have something to fall back on.
00:36:07Dad, sell it all, please.
00:36:19Oh, sorry, Pete. I didn't know you were busy.
00:36:21Don't go, Tim. Come on in.
00:36:26Meet Jack Stanley and Carl Jepson.
00:36:28Tim Pratton.
00:36:29How do you do, Jim?
00:36:29How are you, sir?
00:36:31You ready to get back into Harlan?
00:36:33Dad's work again.
00:36:34You're going to sell him on.
00:36:42I didn't know you thought of selling.
00:36:44Why did you show him the mine?
00:36:46I didn't.
00:36:49Flying sight unseen?
00:36:51Well, I, uh...
00:36:52He's already examined it.
00:36:54When?
00:36:54Williams took him through the mine a week ago.
00:36:56Williams?
00:36:57Yes.
00:36:59Do you mind if I speak to Pete privately a minute?
00:37:02Not at all.
00:37:13Who's Stanley?
00:37:14Today's the first time I ever saw him.
00:37:16Was anyone watching Williams while he was going through the mine?
00:37:19What are you driving at?
00:37:20Suppose he's discovered something you don't know anything about and sent Stanley out here to buy it.
00:37:23I don't think that's any concern of yours.
00:37:25Have you forgotten what you were told about thinking?
00:37:28Do you really want to sell?
00:37:29Certainly he does.
00:37:30Now, little girls are to be seen and not heard.
00:37:32Don't listen to him, Daddy.
00:37:33Let me get you with the trouble.
00:37:34I wonder if Williams is behind this offer.
00:37:37Either Williams or somebody pretty close to him.
00:37:47Sorry, Stanley.
00:37:48Sale is off.
00:37:50The price isn't right.
00:37:51Maybe I can raise it a little.
00:37:53Nope.
00:37:53Not interested.
00:37:54Well, I'll be in town for a few days in case you change your mind.
00:38:01I got some bad news, Pete.
00:38:03They're in the new tunnel.
00:38:04Much damage done.
00:38:05I didn't stop to investigate.
00:38:06Thought you didn't want to look at it.
00:38:08Dale, you want to ride out with us?
00:38:09No, I don't think I'd better.
00:38:11I've got an important engagement in town.
00:38:13Come on, then.
00:38:35I'm going to ride out with you.
00:39:03This wasn't any accident.
00:39:04These uprights have all been cut.
00:39:11The gun nearly caught me.
00:39:13I fired a couple of shots.
00:39:14I told him I saw somebody running away.
00:39:17You're sure he didn't suspect anything?
00:39:19Not a chance.
00:39:20Now, the first thing to do is reinforce this shoring.
00:39:23Get this mess cleared out here, and then we'll see what's happening.
00:39:26All right, Tim.
00:39:26I'll get the boys on it right away.
00:39:46There'll be a fellow named Bailey out here to see you tomorrow.
00:39:49He's a queer duck, but he knows his business.
00:39:52Let him look the place over.
00:39:54How will I know him?
00:39:55He'll ask for you.
00:39:59Guard!
00:40:01Hey, guard!
00:40:08Guard!
00:40:11Hey, guard!
00:40:30Looking for someone?
00:40:31It's about time this show.
00:40:33No wonder they want this dump blowed up.
00:40:35I don't think you know it to...
00:40:37with fellas like you, you don't think.
00:40:38You're satisfied to be dumb guards and make four bucks a day.
00:40:42Why don't you use your head for something else besides pop in your ears?
00:40:45Now, take me.
00:40:46I use my noodle.
00:40:47Oh, you do, do you?
00:40:48You've said it.
00:40:49I got my stock from old man.
00:40:51He was a powder monkey, but he didn't use his noodle.
00:40:54And he didn't last long.
00:40:56One day he's working with powder all around him.
00:40:59And what do you think he does?
00:41:01What?
00:41:01Life is pipe.
00:41:03That part was okay.
00:41:04But then he throws the burning match into a pile of giant black.
00:41:08And...
00:41:09He disappeared.
00:41:10In a puff of smoke.
00:41:12But that gives me an idea.
00:41:14Oh, it does?
00:41:15Sure.
00:41:15Even then I'm using the noodle.
00:41:17I figured if powder can do that to a man,
00:41:19it can do it to buildings, ships, mines,
00:41:22anything at all you wanted to get rid of.
00:41:25Well, that's worth using your noodle.
00:41:27You're telling me, brother?
00:41:29But I gotta be careful.
00:41:30I got a reputation.
00:41:32Me workers know.
00:41:34What do you think would happen
00:41:35if I was seen around here
00:41:36just before this joint went through him?
00:41:38I haven't any idea.
00:41:40The picture put two and two together.
00:41:41And the answer wouldn't be four.
00:41:44It'd be Bailey.
00:41:46And Bailey...
00:41:47It's me.
00:41:52You know what time it is?
00:41:54About ten o'clock.
00:41:55Ten to ten.
00:41:57And you were supposed to meet me here at eight.
00:41:59I figured this job would go up at twelve.
00:42:01But we'll never make it now.
00:42:03Hold that.
00:42:07I'll set it for three.
00:42:08That'll be about right.
00:42:11I'm sorry, Bailey, but...
00:42:13Well, let's get in the mine and get it over with.
00:42:14Wait a minute.
00:42:15Don't rush me.
00:42:16Because when I'm rushed,
00:42:17my work becomes faulty.
00:42:21Wait.
00:42:22The box.
00:42:26Wait a minute.
00:42:28I suppose you think blowing up a mine
00:42:30is like lighting a match.
00:42:31Don't you notice a technique in this business?
00:42:33It's something you've got to devote your whole life to.
00:42:36Well, I didn't realize there was so much
00:42:37for blowing up anything.
00:42:38You wouldn't.
00:42:39I suppose if you were going to do the job,
00:42:41you'd hop right down into the mine,
00:42:43spread the stuff anyplace at all,
00:42:45and start running.
00:42:45Well, that's the only thing to do, isn't it?
00:42:48Listen.
00:42:49An expert looks the surface over first.
00:42:52Then he's got to find out
00:42:54which way the wind is blowing.
00:42:56For instance.
00:43:01See?
00:43:02It's coming in from over there.
00:43:04You've got to follow the direction of the wind.
00:43:07Come on.
00:43:20The draft turns at this corner.
00:43:22That's the first place you've got to block up
00:43:23if you want to get a double of jolt out of your stuff.
00:43:26Everything has got to be set on time.
00:43:28Just right.
00:43:31Look at the kind of equipment they give me.
00:43:34A kitchen clock.
00:43:35Then I ask for a perfect timepiece.
00:43:38That means I've got to set this thing.
00:43:40Hold the box.
00:43:45Four hours ahead ought to get it.
00:43:47They make these cheap things to get us into thinking
00:43:49we're getting more shy in the mornings.
00:43:51But they don't realize how tough they're making
00:43:52it for fellas like me.
00:43:54It's all right now, isn't it?
00:43:56Sure.
00:43:57You've just got to use the old noodle.
00:43:59Come on.
00:44:00Let's look the rest of this joint over
00:44:01so I can figure out where to put the stuff
00:44:03so to do the most good.
00:44:04The box.
00:44:06No use wasting anything.
00:44:07Nothing like being an iconoculant.
00:44:09Nothing like being up to me.
00:44:11Science advances.
00:44:12And you've got to advance right along with it.
00:44:14That's why they're always sending for me, Bailey.
00:44:17I'm right up in a minute.
00:44:18You certainly are.
00:44:20Come on.
00:44:25Well, work.
00:44:31Wait a minute.
00:44:32Let's take a look at that room.
00:44:34That might be it.
00:44:36That's an idea.
00:44:39Come on.
00:44:47What's in there?
00:44:48You are.
00:44:53Timon's all wrong, Bailey.
00:44:57What are you frisking me for?
00:44:59I'm not a gunman.
00:45:00Powder's my specialty.
00:45:02Who hired you to blow this place up?
00:45:04Where would I be
00:45:05if I was to give away the secrets of the trade?
00:45:07I know where you'll be if you don't.
00:45:09It's against my ethics to talk.
00:45:11Maybe you'll change your ethics
00:45:13after you've been left in here for a couple of days.
00:45:15Sit down over there.
00:45:17What are you going to do?
00:45:19Now, don't rush me.
00:45:20Because when you rush me,
00:45:22me work becomes foggy.
00:45:51Hey!
00:45:53You ain't going to leave me here in the dark.
00:45:56Why, are you afraid of the dark?
00:45:59Yes.
00:46:02Well, in case I'll leave you late.
00:46:14So you're a dynamiter, eh?
00:46:46Well, it's about time you showed up.
00:46:48Who are you?
00:46:49Who am I?
00:46:50You mean to say you don't know me?
00:46:52I never saw you before.
00:46:54Well, I'm known from one end of this country to the other.
00:46:56And you don't know me.
00:46:58I got a reputation I have,
00:46:59and you keep me waiting two hours.
00:47:02Say, no wonder they want this joint blown up.
00:47:04You know what time it is?
00:47:06No.
00:47:07It's ten o'clock,
00:47:08and you're supposed to meet me at 8.
00:47:11What do you think would happen
00:47:12if people saw me around here
00:47:13before this joint went gluey?
00:47:14I don't know.
00:47:15The Dixas put two and two together,
00:47:17and the answer wouldn't be for
00:47:18it'd be Bailey,
00:47:20and Bailey is me.
00:47:21I've got to be careful.
00:47:23Have you finished the job yet?
00:47:24Have I finished the job?
00:47:26I haven't even...
00:47:27There you go again.
00:47:29There's a technique to this business,
00:47:30and if you rush me,
00:47:32my work becomes false.
00:47:33That's what happened to me old man.
00:47:35You know, he was a powder monkey,
00:47:36and one day he's working on a job
00:47:38with a lot of high explosives.
00:47:39Now, what do you think he does?
00:47:40Why?
00:47:42He lights his pipe,
00:47:43but that's all right
00:47:44if he hadn't thrown the match
00:47:46into a keg of giant black.
00:47:47And quicker than that,
00:47:49he's gone.
00:47:52That's what gives me an idea.
00:47:53I said to myself,
00:47:54if powder can do that to a man,
00:47:56why can't it do the same thing
00:47:57to buildings, ships, mines,
00:47:59anything else you want to get rid of?
00:48:01So I settled down to an intensive study
00:48:03of the explosive technique,
00:48:04and that's what makes me a specialist.
00:48:06Come on, let's go outside
00:48:07and see if the coast is clear.
00:48:16Let me know before you set it off,
00:48:18so I won't be around, will you?
00:48:19Sure.
00:48:20Leave it to me.
00:48:31Ready to get here all right?
00:48:33Yeah, about a half an hour ago.
00:48:35Funny little fellow, isn't he?
00:48:36He's funny all right,
00:48:37but I wouldn't say he was very little.
00:48:39He's got big, broad shoulders,
00:48:41a deep chest,
00:48:41and all in all,
00:48:43he's a pretty husky boy.
00:48:44Who are you talking about?
00:48:46Why, Bailey, of course.
00:48:48That isn't Bailey you described.
00:48:50He's a little thin fellow.
00:48:51That's the Bailey I was talking to.
00:48:53Did you mention any names?
00:48:55No, I didn't have a chance to.
00:48:56He did all the talking.
00:48:57You better disappear
00:48:58till I look into things.
00:48:59There's something wrong.
00:49:14Well, why the problem, little lady?
00:49:16It's not at all becoming.
00:49:17I'm worried.
00:49:18About what?
00:49:19About the way Tim Braddock is acting,
00:49:21and the way my father lives.
00:49:22He knew anything he wants.
00:49:23What's he done?
00:49:24He says he caught a man
00:49:25trying to dynamite the line.
00:49:26He put him in the old powder magazine.
00:49:28He shouldn't have done that.
00:49:29You sure have someone
00:49:30to handle a thing like that,
00:49:31don't you think so?
00:49:32Do you want me to talk to Pete?
00:49:34I wish you would.
00:49:35Try and convince him
00:49:36it will all get any trouble
00:49:37if Tim continues to take the law
00:49:38in his own hands.
00:49:39There's one thing I must do first.
00:49:41Then I'll hunt up your dad
00:49:41and see what I can do with him.
00:49:43I know he'll listen to you.
00:50:13I know he'll listen to you.
00:50:44I know he'll listen to you.
00:51:24You think you are that you can treat me this way?
00:51:26Shut up.
00:51:27You want the whole world to hear you?
00:51:29Why, I care.
00:51:29You think that I'm...
00:51:31You gonna be quiet?
00:51:35How'd you get them this fixed?
00:51:36By playing nursemaid
00:51:37in that mug you had me meet.
00:51:39Out of the goodness of my heart,
00:51:40I was showing him
00:51:41some of the tricks in my trade.
00:51:43And this is the way he taxed me.
00:51:47Hey, what's the chances
00:51:48for one of them pills?
00:51:55You didn't let any names slip
00:51:56while you were talking, did you?
00:51:58Names are something
00:51:59never mentioned in this racket.
00:52:00Why?
00:52:01What's worrying you?
00:52:03You didn't meet the right man.
00:52:05You bungled the job.
00:52:06I'm gonna have to do it myself.
00:52:08Ah, so that's the way you work, is it?
00:52:10Get all the dope out of me
00:52:11and then cut you off
00:52:12the joint yourself.
00:52:14Well, all right.
00:52:16Me life's full of ups and downs.
00:52:18What are you squawking about?
00:52:19You'll get your money.
00:52:20Slip the binders off
00:52:21and I'll be on my way.
00:52:23You'll have to wait
00:52:24until tonight.
00:52:25Why?
00:52:26Too many people around.
00:52:27What time tonight?
00:52:29After dark, about eight.
00:52:30But be sure you don't do any talking.
00:52:32And you'll be sure
00:52:33and be here at eight.
00:52:35Because if you ain't,
00:52:36I'm gonna talk.
00:52:37And when I do,
00:52:37I'll talk plenty.
00:52:39I'll be back.
00:52:40You'll leave here, all right.
00:52:42I'll see to that.
00:52:44Hey, some timing.
00:52:46You're safer the way you are.
00:53:02Well, if he wants more money,
00:53:03we'll have to give it to him.
00:53:04Not a question of money.
00:53:05Braddock, grab him.
00:53:06He's got him in the old powder room
00:53:07in the mine.
00:53:07How do you know?
00:53:08I saw him there.
00:53:09Well, Braddock or no Braddock,
00:53:11I'm fine.
00:53:13If we can convince Brennan
00:53:15that he can't work it,
00:53:16he'll sell for a nickel on the dollar.
00:53:18We'll be all right
00:53:18if Bailey doesn't talk.
00:53:20But suppose he does talk.
00:53:21It won't take him long
00:53:22to connect you with me.
00:53:24Just now,
00:53:25I can't see any investigation.
00:53:28Got any dynamite out there?
00:53:29Yes.
00:53:31I'll handle this myself.
00:53:32Braddock stopped you three times,
00:53:34but he won't stop me.
00:53:36Come on.
00:53:49Who's been in here?
00:53:51Nobody.
00:53:52Where do these cigarettes come from?
00:53:55They ain't mine.
00:53:56Who's are they?
00:53:58Ain't got a mind reader.
00:54:02Well, whoever managed to get in here
00:54:04didn't use his noodle, Bailey.
00:54:06Says you.
00:54:08He probably told you
00:54:10to keep your mouth shut
00:54:10and eat these lights.
00:54:13You're doing the talking.
00:54:18Well, whoever it is,
00:54:19he'll be...
00:54:21But he's not going to find you.
00:54:24He's going to find me.
00:54:28I'm going to take your place.
00:54:31Come on over here, Bailey.
00:54:34Bailey.
00:54:39Everything is set, Jepson.
00:54:41I'll take care of Bailey
00:54:42and head back into town.
00:54:44Set it off at eight o'clock.
00:54:46Okay.
00:54:48Okay.
00:54:56Okay.
00:55:27Well shot, William.
00:55:33I was protecting bank property.
00:55:36I was justified.
00:55:38Bank property?
00:55:40I just learned this man
00:55:41was going to blow up these mines.
00:55:45It looks like you were in with him.
00:55:48I in with Bailey?
00:55:49You even know his name, don't you?
00:55:51You can't deny
00:55:52you were going to do the job together.
00:55:55Bailey could tell you different.
00:55:57Easy to say that now.
00:56:01Maybe that's why you shot him.
00:56:03That kind of talk
00:56:04won't do you any good, Braddock.
00:56:08Suppose we let Bailey settle.
00:56:24Get up and give the gentleman a seat.
00:56:26Get up and give the gentleman a seat.
00:56:34Sit down.
00:56:41Come here, Bailey.
00:56:44Come here, Bailey.
00:57:05You say you've never seen him before.
00:57:07You say you've never seen him before.
00:57:07Who did you see?
00:57:09Whoever he was,
00:57:10he sent Williams here to do the job.
00:57:11Don't you realize that?
00:57:13I ain't saying a thing.
00:57:16I guess that ought to satisfy you, Braddock.
00:57:18Well, it doesn't.
00:57:19Somebody was here visiting Bailey.
00:57:22Whoever he is,
00:57:23he'll be back.
00:57:24So we'll wait for him.
00:57:25That's a good idea.
00:57:26You and Bailey wait for him.
00:57:27I said we'll wait for him.
00:57:29Now, sit down.
00:57:40What's the matter with you?
00:57:42Nervous?
00:57:44That's where I'm nervous.
00:57:46Nobody can tell what's liable to happen
00:57:47when dynamite's around.
00:57:49They're liable to blow up this place.
00:57:51They wouldn't do that.
00:57:53Whoever hired Bailey knows he's here.
00:57:56Get him out first.
00:57:58Suppose you didn't want to get him out.
00:58:04You know a lot about this.
00:58:06You seem pretty sure this place
00:58:07is going to be blown up.
00:58:11Is that why you're looking at your what?
00:58:15I'm only trying to tell you
00:58:16what's liable to happen.
00:58:17Nothing is going to happen.
00:58:19How could it?
00:58:20Bailey's right here.
00:58:21He's not going to blow himself up.
00:58:23How are you, Bailey?
00:58:25Who, me?
00:58:25Don't be foolish.
00:58:38Will you ever enter mine
00:58:39explosion, Bailey?
00:58:41I'm here, ain't I?
00:58:43That's right.
00:58:45It must be horrible
00:58:46to be trapped underground.
00:58:48For instance,
00:58:50well, suppose someone
00:58:50who's a blow this line up.
00:58:52Yeah.
00:58:53There wouldn't be nothing
00:58:54left but the pieces.
00:58:57Well, that wouldn't be so bad.
00:58:59It'd be quick anyway.
00:59:01Eh?
00:59:02It must be awful
00:59:03to hear the sound of rocks
00:59:05and dirt falling all around you,
00:59:07knowing it's stealing you
00:59:08in the tomb.
00:59:10Men go mad in places like that.
00:59:14First, there's a hope of rescue.
00:59:17The lantern gets dimmer
00:59:19and dimmer
00:59:20as the air is exhausted.
00:59:22You listen for it.
00:59:24The sound of rescue.
00:59:25Suddenly, you hear the hammers
00:59:26and the drills up above.
00:59:27But you clutch your throat.
00:59:31There's gasping, choking,
00:59:33suffocation overtakes you.
00:59:35The air's going fast.
00:59:37Every breath a man takes
00:59:39shortens the lives of the others.
00:59:42Then the light goes out.
00:59:44There's nothing but darkness,
00:59:47horror,
00:59:48and death.
00:59:50Let me all get it!
00:59:51Take it easy, Williams.
00:59:53Don't let your imagination
00:59:54run away with it.
00:59:54This place'll have to be blown up
00:59:55any minute.
00:59:56What a minute.
00:59:56I don't know.
01:00:00What's worrying about?
01:00:01Unless you do know,
01:00:02and if you do,
01:00:02you're a fool to stay here
01:00:03and wait for the explosion.
01:00:04All right, all right.
01:00:05This place's going to grow up
01:00:06by eight o'clock.
01:00:07We've only got a minute
01:00:08to get out of here.
01:00:08Who's going to blow it up
01:00:09and why?
01:00:09Jackson, from the other line.
01:00:11We were going to close this off
01:00:12because we found a big vein
01:00:12of gold underneath.
01:00:13I say, this place's going up.
01:00:15Let me get out of here.
01:00:19Williams, come back here.
01:00:21You can't get out that way.
01:00:26We've got just 30 seconds
01:00:28to get out of here.
01:01:06What's happened, Tim?
01:01:08Hold this man.
01:01:09Come on, Pete.
01:01:36Come on, Pete.
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