00:04:40No, no, no, no.
00:04:44He believes that the eternal light will open for him for the gates of paradise?
00:04:48Even so, he will take the best out of his fortune for it.
00:04:52And very soon he will know whether or not he was right.
00:04:55What do you mean?
00:04:58Professor Marlant is dying.
00:05:03Then you think it will be buried with him?
00:05:06I'm sure of it.
00:05:07We have only got to wait until he is dead.
00:05:21I'm near this.
00:05:27Open out of the way.
00:05:30Open out of the way.
00:05:30Open out of the way.
00:06:03¿Qué es eso?
00:06:12Bueno, ¿qué es?
00:06:14Good evening.
00:06:15I happen to be staying in the neighborhood.
00:06:17And hearing of your master's illness, I took the miscrito to call you.
00:06:21¿Cómo es he tonight?
00:06:22He will never see him or any.
00:06:24He hasn't asked anyone of my talk.
00:06:26Nor will he.
00:06:27He's set in his ways, and there are the ways of the season.
00:06:30I know he won't see the Richter, but though I'm a competitive stranger,
00:06:33I don't like to leave a man to die like that.
00:06:36He'll die in his own passion.
00:06:38I see how he lives.
00:06:39He'll sometimes at the end.
00:06:40Not for him.
00:06:42He's stubborn and unbending, and will be so at the throne itself.
00:06:47I suppose I can be of no use then.
00:06:49No manner of use.
00:06:55Night.
00:07:09I'll see him for you.
00:07:13Where can I find Mr. Brubb?
00:07:29¡Suscríbete al canal!
00:08:20¡Suscríbete al canal!
00:08:55¡Suscríbete al canal!
00:09:02¡Suscríbete al canal!
00:09:33¡Suscríbete al canal!
00:09:45¡Suscríbete al canal!
00:09:52¡Suscríbete al canal!
00:09:56¡Suscríbete al canal!
00:10:13¡Suscríbete al canal!
00:10:19¡Suscríbete al canal!
00:10:30¡Suscríbete al canal!
00:10:34¡Suscríbete al canal!
00:10:37¡Suscríbete al canal!
00:10:42¡Suscríbete al canal!
00:10:44¡Suscríbete al canal!
00:10:51¡Suscríbete al canal!
00:10:53¡Suscríbete al canal!
00:11:04¡Suscríbete al canal!
00:11:08¡Suscríbete al canal!
00:11:09¡Suscríbete al canal!
00:11:15¡Suscríbete al canal!
00:11:17¡Suscríbete al canal!
00:11:23¡Suscríbete al canal!
00:11:25¡Suscríbete al canal!
00:11:33¡Suscríbete al canal!
00:11:39¡Suscríbete al canal!
00:11:46And he will open to me
00:11:48The gates of immortality
00:11:50The hand of a seizing image
00:11:54Will no come to life
00:11:55Ah, the bandage
00:11:59Bandage
00:12:39Look
00:12:45This
00:12:46Is the eternal life
00:12:52It is worth
00:12:53In my hand
00:12:56The man will no find peace
00:12:58Who rubs his ears
00:13:01And each of my hands
00:13:03The eternal life
00:13:06Must cry with me
00:13:08In the tomb
00:13:10You're afraid of me
00:13:13I'm afraid for you
00:13:16If this will be to me
00:13:20Then you have reason
00:13:22To fear
00:13:23Because
00:13:25For when the full moon
00:13:28Strikes the jaw of my tomb
00:13:32I will come back
00:13:35You're here
00:13:37I will come back
00:13:39You're there
00:13:42I need you
00:13:45My hand
00:13:47Yes
00:13:54To fear
00:13:54You're there
00:13:56I will come back
00:14:04I will
00:14:04You're there
00:14:04You're there
00:14:04I will be
00:14:05I will come back
00:14:13You're there
00:14:15People in the monde
00:14:27¡Suscríbete al canal!
00:14:52¡Suscríbete al canal!
00:15:27¡Suscríbete al canal!
00:15:30¡Suscríbete al canal!
00:15:40¡Suscríbete al canal!
00:15:50¡No!
00:16:50¡Suscríbete al canal!
00:17:18¡Suscríbete al canal!
00:17:48¡Suscríbete al canal!
00:17:55¡Suscríbete al canal!
00:17:58¡Suscríbete al canal!
00:17:59¡Suscríbete al canal!
00:18:12¡Suscríbete al canal!
00:18:28¡Suscríbete al canal!
00:18:36¡Suscríbete al canal!
00:19:06¡Suscríbete al canal!
00:19:16¡Suscríbete al canal!
00:19:38¡Suscríbete al canal!
00:19:39¡Suscríbete al canal!
00:20:00¡Suscríbete al canal!
00:20:07¡Suscríbete al canal!
00:20:09¡Suscríbete al canal!
00:20:23¡Suscríbete al canal!
00:20:35¡Suscríbete al canal!
00:20:43¡Suscríbete al canal!
00:21:02¡Suscríbete al canal!
00:21:09¡Suscríbete al canal!
00:21:14¡Suscríbete al canal!
00:21:22¡Suscríbete al canal!
00:21:25¡Suscríbete al canal!
00:21:27¡Suscríbete al canal!
00:21:28¡Suscríbete al canal!
00:22:03Gracias por ver el video.
00:22:14Gracias por ver el video.
00:23:03Gracias por ver el video.
00:23:33Gracias por ver el video.
00:23:46Gracias por ver el video.
00:25:35Gracias.
00:26:38No doubt you will succeed in making a painful interview intolerable.
00:26:43Good afternoon.
00:26:45Your manner must help your practice a great deal.
00:26:53Now, David.
00:27:05Can you correct me to Blanford Street, please?
00:27:08Follow the tram lines, close on a mile, and then turn right at the church.
00:27:12I'm obliged to you.
00:27:41Oh, hello, Katie.
00:27:56Oh, it's good to get out of that fog.
00:27:57Oh, dear.
00:27:58My dear, a most exciting thing has happened.
00:28:00Oh, I don't think it'll happen again.
00:28:03No, not that.
00:28:04That's a trip, nothing.
00:28:06It's just...
00:28:07It looks like a service letter.
00:28:10It's just been delivered by hand.
00:28:11Oh, dear.
00:28:13Oh, dear.
00:28:13Oh, dear.
00:28:13What haven't we paid?
00:28:14I wonder if I'm going to get a shock or not.
00:28:17Oh.
00:28:17Oh, Katie, that is a silly thing.
00:28:21After all we've said about Uncle Henry, what do you think he's done?
00:28:25Is he nice at last?
00:28:26Oh, he's dead.
00:28:28Oh, dear.
00:28:29I'm sorry.
00:28:30And he'll see this as you'll want to see me.
00:28:32My dear, I'm glad.
00:28:34He'll be a few minutes, hasn't he?
00:28:37He may have left you a fortune.
00:28:39If he has, I'll buy you a private cinema.
00:28:42I say, when did he ever come?
00:28:44A few minutes ago, what?
00:28:47He asked me to telephone him if I could see him here at 6.
00:28:51Well, if I wasn't, it's the chance of a fortune for the sake of heaven.
00:28:54Look, if you run out and do it now.
00:28:56You're a rat.
00:28:56You're a rat.
00:29:01You're a rat.
00:29:33¡Gracias por ver el video!
00:30:02¡Gracias por ver el video!
00:30:22¡Gracias por ver el video!
00:30:44¡Gracias por ver el video!
00:31:22¡Gracias por ver el video!
00:31:35¡Gracias por ver el video!
00:31:36¡Gracias por ver el video!
00:31:39¡Gracias por ver el video!
00:31:41¡Gracias por ver el video!
00:31:43¡Gracias por ver el video!
00:32:20¡Gracias por ver el video!
00:32:22¡Gracias por ver el video!
00:32:25¡Gracias por ver el video!
00:32:56¡Gracias por ver el video!
00:33:00¡Gracias por ver el video!
00:33:22¡Gracias por ver el video!
00:33:53¡Gracias por ver el video!
00:34:00¡Gracias por ver el video!
00:34:49¡Gracias por ver el video!
00:34:57¡Gracias por ver el video!
00:35:06¡Gracias por ver el video!
00:35:08¡Gracias por ver el video!
00:35:23¡Gracias por ver el video!
00:35:51¡Gracias por ver el video!
00:35:56¡Gracias por ver el video!
00:36:20¡Gracias por ver el video!
00:36:50¡Gracias por ver el video!
00:36:53¡Gracias por ver el video!
00:36:55¡Gracias por ver el video!
00:37:01¡Gracias por ver el video!
00:37:02¡Gracias por ver el video!
00:37:03¡Gracias por ver el video!
00:37:04¡Gracias por ver el video!
00:37:06¡Gracias por ver el video!
00:37:08¡Gracias por ver el video!
00:37:08¡Gracias por ver el video!
00:37:10¡Gracias por ver el video!
00:37:11¡Gracias por ver el video!
00:37:13¡Gracias por ver el video!
00:37:14¡Gracias por ver el video!
00:37:16¡Gracias por ver el video!
00:37:21¡Gracias por ver el video!
00:37:22Altsvale House.
00:37:24Hello, Lizzie, Liz.
00:37:26A little thing I'm calling there myself.
00:37:28Do you know my uncle?
00:37:30Professor Morland.
00:37:31Oh, slightly.
00:37:32And so I want to introduce myself.
00:37:33My name's Hartley, Nigel Hartley.
00:37:35I'm down at Ravely, Lizzie.
00:37:37I'm Dr. Zill.
00:37:38How do you do?
00:37:39I'm Ralph Morland.
00:37:41This is Miss Harlan.
00:37:43We're the heirs of the old...
00:37:44Have you had the rest of the introduction indoors?
00:37:47Yes, yes, of course.
00:37:48You must be killed.
00:37:51All right, sit down, Miss Drive.
00:37:52Now, if you go along, I'll follow.
00:37:53All right.
00:38:21There we are.
00:38:29The car will be all right, dear.
00:38:32I'll show you the way.
00:38:35I'll show you the way.
00:38:38Bye.
00:38:58Gracias.
00:39:24It's a horrible house.
00:39:27I'm going to find this back home in bed.
00:39:31I can hear someone coming.
00:39:45Well, don't stand about.
00:39:47Come inside.
00:39:47Come inside.
00:40:21We'll go to the library.
00:40:22Come inside.
00:40:22Come inside.
00:40:37Come inside.
00:40:39Come inside.
00:40:41Come inside.
00:40:54I may be old-fashioned, but I feel awkward when I'm not introduced to people.
00:40:58I'm sorry.
00:40:59I forgot you didn't know your clients by sight.
00:41:03This is Miss Holland.
00:41:05How do you do?
00:41:06I was expecting a telephone message from you.
00:41:08Oh, I've got my way to call you up.
00:41:11Then it must extraordinarily happen.
00:41:16And this is Miss Chaney.
00:41:19How do you do?
00:41:26Not a surprise, Barton.
00:41:29I have a great deal of business to clear up down here.
00:41:32This house has needed a woman for about 25 years.
00:41:37You know, I'm blinded myself.
00:41:40You haven't wasted much time in getting here, Mr. Maud?
00:41:43No.
00:41:44A little too much, perhaps?
00:41:46Whatever do you mean.
00:41:47You really are the rudest man of life.
00:41:50I'm pretty, Pussy.
00:41:53How horrible.
00:41:54It's stuck.
00:41:55I dare say you know your own business best.
00:41:58But why do you want to bring a parcel?
00:42:00A pillar accident.
00:42:01We met at the gate.
00:42:02The letter you brought him in.
00:42:03Barton, I can stand a certain amount.
00:42:05No more.
00:42:05Oh, come, come.
00:42:06Don't listen to me.
00:42:17You stay here in the car.
00:42:19No.
00:42:20I shall be among the trees.
00:42:22Watching.
00:42:36You may say I have no right to express this opinion, but to my mind it's a scandalous and disgraceful
00:42:41burial, which may have disastrous consequences.
00:42:44They have been fed in the grass since they came back.
00:42:46They are quite ill at the hottest point.
00:42:49Yes, you make things quickly, don't you?
00:42:50The enemy's quicker.
00:42:51Need we have these tiny squabbles?
00:42:54You all know the dead men don't come back.
00:43:00Oh, come on.
00:43:01Oh, come on.
00:43:01Oh, come on.
00:43:01Oh, come on.
00:43:02Oh, come on.
00:43:02Oh, come on.
00:43:03Oh, come on.
00:43:03Haven't somebody been around for that?
00:43:05Certainly.
00:43:06It's your house.
00:43:07Very well.
00:43:16I'm sorry to disturb you.
00:43:18But I was an intimate friend of Professor Mullen.
00:43:22Oh, you'd better come in.
00:43:23We seem to be giving a party.
00:43:25Oh.
00:43:26Thank you.
00:43:28Thank you.
00:43:40My name is Aga Ben Dragore.
00:43:43What an Egyptian.
00:43:44An Arab.
00:43:45I don't remember having heard your name.
00:43:48I did not flatter myself that you would.
00:43:50But I knew Professor Mullen some years ago.
00:43:53in Egypt.
00:44:03I heard of his death.
00:44:05And of his burial in my own safe.
00:44:08And I hoped, as I am leaving England tomorrow,
00:44:11that I might be allowed to visit his tomb.
00:44:14I must protest against anything of the sort.
00:44:17Why shouldn't the poor man look at his friend's tomb?
00:44:20I don't mind him going.
00:44:22I can't believe the dude willingly encouraged paganism.
00:44:26The Egyptians were not pagan, sir.
00:44:29As no doubt you know, Miss, uh...
00:44:32Caley.
00:44:34I think you're all being very unkind for Mr. Dragore.
00:44:38I don't think you people realize quite how far Mullen's queer ideas took him.
00:44:43He even believed that after his death of a certain hour,
00:44:45the image of a new beast would come to life in his tomb and receive his soul.
00:44:49It's horrible.
00:44:51Well, I can't see that it matters.
00:44:53After all, if that sort of mumbo-jumbo...
00:44:56He gave him any comfort about it.
00:44:57It matters a great deal.
00:44:58If my projection is likely to hurt anyone, please...
00:45:03Please, I'll get it.
00:45:04Oh, I think that's very sweet of you, Mr. Dragore.
00:45:07Oh, your sympathy is more than charm.
00:45:12Well, what about a cup of coffee after your cold dry?
00:45:17I dare say we should find some for the kitchen.
00:45:20May I offer my services as pantry man?
00:45:24Quite sweet of you.
00:45:29Come, Mr. Dragore.
00:45:33For sheer speed.
00:45:35Shall I let him out of our sight for a moment now?
00:45:37Perhaps that's just as well.
00:45:41Come on, Mary.
00:45:42How about making a fire in the library?
00:45:44Yes.
00:45:46I'm sorry, Bishop.
00:45:47This sort of actress here.
00:45:48After all, we're only ships that pass in the night.
00:45:51Hmm.
00:45:52You want a drink or will you pass now?
00:45:53I...
00:45:54I will drink a bit of much.
00:46:04There you are.
00:46:17Well, if you build it that way, there won't be any cost.
00:46:20Well, if we're the only place in the south of a risen one, then.
00:46:24Well, don't you think you carry this factory towards the trifle too far?
00:46:27And since we met, I can't remember you saying a kind word to anyone.
00:46:32That's all right.
00:46:33I'm sorry.
00:46:44Six cups.
00:46:46That's just...
00:46:48Just four too many.
00:46:50Eh?
00:46:53Tell me about Egypt.
00:46:55Have you ever seen a sheet?
00:46:59I am one.
00:47:01Yes.
00:47:08Oh, thank you.
00:47:12And how should I drink you?
00:47:15Oh, I'm cupping sandwiches for a sheet.
00:47:19I don't feel quite well.
00:47:22Oh, don't be alarmed.
00:47:23We're not quite as uncivilized as people think.
00:47:27Oh, don't say that.
00:47:29Hmm?
00:47:30Do you ride a white stallion?
00:47:32Sometimes.
00:47:34Oh, down the path of the moon.
00:47:37The noble animal plunging and thrusting at the nostrils.
00:47:41And it's found as at your feet, faithful unto death.
00:47:45No, not very often.
00:47:46You see, it's rather too expensive.
00:47:50Mine is not your fault.
00:47:51We have a chance to hate one another, but...
00:47:53Good Lord, you don't think I hate you, do you?
00:47:55Well, I can't somehow feel I'm your dearest friend.
00:47:58You never did have a great deal of sense, did you?
00:48:00Well, that's nice.
00:48:05Rafe, I have a woman's intuition that you and I are up against things.
00:48:09I'm pretty sure we are.
00:48:10Well then, let's cut the crawling.
00:48:13Shoulder to shoulder, eh?
00:48:14All right.
00:48:16Partners.
00:48:17Partners.
00:48:18Ah.
00:48:33Well, what a wonderful night.
00:48:35That's the full moon.
00:48:53Scared of a dead man in his tomb?
00:48:57Shame on yourself.
00:49:01Are you a child that your knees should rattle at the bulk of a madman?
00:49:09Look your enemy in the face.
00:49:12It's the fear the big door has got you, and will hold you fast till you stare it down.
00:49:18Oh no.
00:49:24Do dead men walk?
00:49:27I'm not thinking a dead man will cross my path tonight.
00:49:48Further.
00:49:48But if.
00:49:48The death?
00:50:14The died...
00:50:17Well you can't see, we're in theira again.
00:50:46¡Gracias!
00:51:02¡Gracias!
00:51:30¡Gracias!
00:51:55¡Gracias!
00:52:18¡Gracias!
00:52:27¡Gracias!
00:52:29¡Gracias!
00:52:29Now I will show you
00:52:30how we make coffee in the desert
00:52:32underneath the star
00:52:35You don't make it yourself
00:52:37No, of course not
00:52:40A Circassian slave
00:52:42lovely as sin
00:52:44country for us
00:52:45kneeling
00:52:46And if it is not to our liking
00:52:48I know
00:52:50She's the pillar waste
00:52:52And last
00:52:54The Nile across the Sahara
00:52:57Where she is finally eaten
00:52:59By locusts
00:53:00And rightly
00:53:02Now
00:53:03Take this can of sir and do exactly as I tell you
00:53:09And if I fail
00:53:11The Yorkshire moors are just behind us
00:53:16Now
00:53:16Six spoonfuls
00:53:19One
00:53:24Two
00:53:29Three
00:53:32Four
00:53:34Five
00:53:36Three
00:53:38Three
00:53:46Two
00:53:48Seven
00:53:48Five
00:53:49I'm the
00:53:49Reflam
00:53:52What's the matter with you
00:53:54Are you
00:53:54Man
00:54:02What was the last one with him?
00:54:05Was it sick?
00:54:06No.
00:54:07Tell her.
00:54:08Start.
00:54:10Tell her.
00:54:10Then I caught it.
00:54:13You stay here.
00:54:14I look after him.
00:54:17If you must look after somebody, why look further?
00:54:21Well, come on a minute.
00:54:30Please.
00:54:31That means I've heard you anywhere.
00:54:48What's the matter?
00:54:55Here, you come up with it.
00:54:56Gather up your things and get out of here.
00:54:58The master.
00:54:59I've seen them.
00:55:01You.
00:55:10Don't see.
00:55:12I think.
00:55:13That's the last time I ever tried to make coffee in a strange house.
00:55:17That man with a lady.
00:55:18Who was he?
00:55:19Lange.
00:55:21Your uncle's servant.
00:55:23Well, he seemed mad for me.
00:55:34Yes.
00:55:36And probably dangerous.
00:55:39You others have better go into the library.
00:55:40I'll have a word with you.
00:55:41Yes, come along.
00:55:43Mr. Barton understands, sir.
00:55:59You do no harm to warn my man to stand by.
00:56:02Warn man?
00:56:03Is he a freak, too?
00:56:05No.
00:56:05No, he's his chauffeur.
00:56:07He's outside now with my car.
00:56:12Oh, you're not leaving us, are you?
00:56:17My dear lady.
00:56:28Not a very courageous person, our foreign saint.
00:56:32What?
00:56:32Do you hear you run away?
00:56:34Absurd.
00:56:36I'd like to see you riding your bicycle with a circassian slave,
00:56:39lovely as sin, across the hang of bars.
00:56:42What on earth are you talking about?
00:56:43Now, listen, good people.
00:56:45Good people?
00:56:46Don't you think that's where a lion has seemed to get on our nerves?
00:56:49Don't you think that's if we took a grip on our self-control?
00:56:52Now, listen, good partner.
00:56:54This is our show, and our nerves are probably just as good as the next man's.
00:56:58Now, keep that sort of thought to your throat.
00:57:00Great.
00:57:00Oh, and of course, I have no wish to interfere where I'm not wanted.
00:57:03Then don't.
00:57:04This is not a Sunday school.
00:57:11After that, I think I can say goodnight.
00:57:14As you please.
00:57:20Well, I'm sorry I was offensive.
00:57:22Good night.
00:57:23Oh, well, the tongue is an unruly limba, is it not?
00:57:26Yes.
00:57:27Yes.
00:57:36I was tempted.
00:57:40I was tempted, but I did not fall.
00:57:53I did not fall.
00:57:56I think, see, I swear it.
00:58:04When you told me you'd come back from the grave, how could I believe you?
00:58:09I never knew such things could be.
00:58:12I was tempted.
00:58:19I was tempted.
00:58:22I was tempted.
00:58:28I was tempted.
00:58:30You said I was tempted to come back from the grave.
00:58:38Oh, well, I'm tempted.
00:58:44¡Oh, Dios mío!
00:59:11¡Oh, Dios mío!
00:59:41I'm going to make myself a drink.
00:59:51Ready?
00:59:53Just a minute.
00:59:56Well?
00:59:58I have an idea that's going to scare us out of this house.
01:00:00Let's do it.
01:00:05Let's do it.
01:00:13I can't imagine.
01:00:44¡Suscríbete al canal!
01:00:46¡Suscríbete al canal!
01:01:16¡Suscríbete al canal!
01:02:10¡Suscríbete al canal!
01:02:35¡Suscríbete al canal!
01:02:38¡Suscríbete al canal!
01:03:09¡Suscríbete al canal!
01:03:12¡Suscríbete al canal!
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01:06:54¡Suscríbete al canal!
01:07:02¡Suscríbete al canal!
01:07:13¡Suscríbete al canal!
01:07:22¡Suscríbete al canal!
01:07:24¡Suscríbete al canal!
01:07:25¡Suscríbete al canal!
01:07:25¡Suscríbete al canal!
01:07:30¡Suscríbete al canal!
01:07:31¡Suscríbete al canal!
01:07:31¡Suscríbete al canal!
01:07:33¡Suscríbete al canal!
01:07:33¡Suscríbete al canal!
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01:08:09¡Suscríbete al canal!
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01:09:26¡Suscríbete al canal!
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01:10:00¡Suscríbete al canal!
01:10:02¡Suscríbete al canal!
01:10:04¡Suscríbete al canal!
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01:11:22¡Suscríbete al canal!
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01:11:31¡Suscríbete al canal!
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01:11:45¡Suscríbete al canal!
01:12:14Gracias por ver el video.
01:12:47Gracias por ver el video.
01:13:04Gracias por ver el video.
01:13:26Gracias por ver el video.
01:13:35Gracias por ver el video.
01:14:25Gracias por ver el video.
01:14:47Gracias por ver el video.
01:14:50Gracias por ver el video.
01:15:44Gracias por ver el video.
01:15:46¿Qué?
01:15:47No.
01:15:49¿Qué?
01:15:51¿Qué?
01:15:51¿Qué?
01:15:53¿Qué?
01:15:53¿Qué?
01:15:56¿Qué?
01:16:07¿Qué?
01:16:21¿Qué?
01:16:31¿Qué?
01:16:33¿Qué?
01:16:40¿Qué?
01:16:41¿Qué?
01:16:41¿Qué?
01:16:42¿Qué?
01:16:43¿Qué?
01:16:43¿Qué?
01:16:44¿Qué?
01:16:45¿Qué?
01:17:16¿Qué?
01:17:18¿Qué?
01:17:18¿Qué?
01:17:21¿Qué?
01:17:30¿Qué?
01:18:00¿Qué?
01:18:01¿Qué?
01:18:04¿Qué?
01:18:09¿Qué?
01:18:10¿Qué?
01:18:12¿Qué?
01:18:18¿Qué?
01:18:22¿Qué?
01:18:23¿Qué?
01:18:25¿Qué?
01:18:26¿Qué?
01:18:28¿Qué?
01:18:30¿Qué?
01:18:44¿Qué?
01:18:46¿Qué?
01:18:46¿Qué?
01:18:46¿Qué?
01:18:47¿Qué?
01:18:47¿Qué?
01:18:47Ah, sí, sí.
01:18:49¿Qué?
01:18:50Ah, sí
01:18:50¿Qué?
01:18:53The door, the door
01:18:56Shut
01:18:58The flames
01:18:59They mustn't reach the door
01:19:02No good, you can't breathe in there
01:19:21I can't breathe
01:19:25Here
01:19:26Hold me lay
01:19:30Hold me lay
01:19:35I've had enough of it, Janey
01:19:37Roger, I'm ready to scoop and take the risk
01:19:39You'll be taking a bigger risk than you think
01:19:43I'll take that time, thank you
01:19:45Now look here
01:19:45Now look here, now do you
01:19:46Now, what's the problem?
01:19:48This
01:19:48They're after it
01:19:50All of them
01:19:52It belongs
01:19:56I'll carry her to the house
01:20:08Get back
01:20:09Bend the corner
01:20:11All of them
01:20:41Dragon
01:20:41and
01:21:09Gracias por ver el video.
01:21:36Gracias por ver el video.
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