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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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00:08:20Hola.
00:08:22No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:08:30Oh.
00:08:34Hola.
00:08:35This is my chauffeur.
00:08:37Easy.
00:08:38John, what happened, what happened?
00:08:42What?
00:08:57Good morning, Mr. Dayton.
00:09:00Good morning.
00:09:01Mr. Warren will be here at 10 o'clock. I'm not seeing anyone else, understand?
00:09:05Well, I'm Mr. Lively and Mr. Walker in your office waiting for you.
00:09:10Oh, thank you.
00:09:18Good morning.
00:09:19Good morning. Anything wrong, Dayton? Nothing wrong with me. What's on your mind?
00:09:25Simon, we overlooked a little matter in our partnership agreement. It's quite important.
00:09:32Yes? What is it?
00:09:33There's nothing that covers the situation which will arise if one of us dies.
00:09:39Mysel thinks of everything.
00:09:41In order to simplify things, I've drawn up an additional clause to our agreement. I'll read it to you.
00:09:49In the event of the demise of any of the three principles to this agreement, it is understood and agreed
00:09:54that his interest shall revert in its entirety to the surviving principles and... or principles.
00:10:01We both signed.
00:10:02The way I figure, it's wise to always be prepared in a case like this.
00:10:16I wish we'd never gone into this now.
00:10:19Not trying to pack out again, Dayton?
00:10:21No.
00:10:22Well, don't.
00:10:23You're in this too deep for that.
00:10:25That ship is going to sail.
00:10:47Mr. Wong should be here by now.
00:10:48Why, he's not here for 20 minutes, Mr. Dayton.
00:10:51Oh.
00:11:18Well, let's go.
00:11:24Good morning, Mr. Ross.
00:11:26Good morning, Carl.
00:11:27Can I see Mr. Dayton?
00:11:29Oh, I'm sorry, Carl. It's impossible.
00:11:33You've been telling me that for a week.
00:11:35Carl, you'll see him tomorrow. I'll get him to.
00:11:38He'll see me today.
00:11:41Oh, Carl!
00:11:42Here, you, Carl!
00:11:43Let me go!
00:11:44Let me go!
00:11:46Let me go!
00:11:47What do you want?
00:11:48I want my formula.
00:11:49Throw him out!
00:11:50Ryan, Russell, throw him out of here!
00:11:51Throw him out!
00:11:52You promised to pay me for my formula.
00:11:54You promised to make me a partner.
00:11:56You've got a ship load of it going out tomorrow.
00:11:58You're trying to freeze me out of this deal.
00:12:01Let me go!
00:12:02Get him!
00:12:02Throw him out!
00:12:03Carl, Carl, I'm real!
00:12:05I'm real!
00:12:06No!
00:12:07I won't!
00:12:08Don't get me silly.
00:12:20Hello, operator.
00:12:21Get me the police department.
00:12:27Street speaking.
00:12:29This is Simon Dayton, Dayton Chemical Works.
00:12:31Yes.
00:12:32There's a man up in my office threatening me with a gun.
00:12:34With a gun, eh?
00:12:37Evelyn!
00:12:37Yeah!
00:12:40There's a guy with a gun at the Dayton Chemical Works.
00:12:49You better stay with, Myra.
00:12:50He's dangerous.
00:12:51We're Carl and I are old friends, aren't we?
00:13:00Yes?
00:13:00Hello, Myra.
00:13:01Is there a guy up there with a gun?
00:13:03Your boss just phoned.
00:13:05Why, yes, there is, Sam, but I don't think you need to...
00:13:07I'll be right up.
00:13:12Look, Carl, why don't you go home now?
00:13:14No, I'm going to wait here.
00:13:15I gave him my formula.
00:13:17He said he only wanted to look at it.
00:13:19Now I won't give it back.
00:13:20Well, I'm sure Mr. Dayton just misplaced.
00:13:21He's been very busy lately.
00:13:23But he says I didn't give it to him.
00:13:24Oh, he probably just forgot.
00:13:26He's been awfully worried.
00:13:28Look, Carl, why don't you go now?
00:13:30If he's...
00:13:31I want my formula.
00:13:43There he is.
00:13:47Hello, Sam.
00:13:48What's up, Myra?
00:13:49Now, where's this gunman?
00:13:55Gunman?
00:13:56Up on your feet.
00:14:04Where's your boss?
00:14:06I'll let him know you're here.
00:14:11He doesn't answer.
00:14:13Well, I was standing at the window when we drove up.
00:14:17Mr. Dayton?
00:14:20Mr. Dayton?
00:14:23It's locked, Sam.
00:14:25What's all this about?
00:14:34Ow!
00:14:49Hello, this is Streak speaking.
00:14:52I'm down at the Dayton Chemical Company.
00:14:54Looks like a homicide.
00:14:56Yeah, everything.
00:14:57Right away.
00:15:07Why'd you kill Dayton?
00:15:08I didn't.
00:15:10I didn't.
00:15:16Look, Myra.
00:15:17I want you to pull yourself together
00:15:18and tell me exactly what happened.
00:15:26Hello, Warren.
00:15:27Hello, this is Streak.
00:15:28I hope I'm not too late.
00:15:31My appointment is for 10 o'clock.
00:15:33What appointment?
00:15:34I have an appointment with Mr. Dayton.
00:15:52This man wasn't shot.
00:15:54He's not a Marvin.
00:15:55Looks like cockpader.
00:15:57What about this gun?
00:15:58Even with my rather limited experience,
00:16:02I would say the doctor was correct in his assumptions.
00:16:05Simon Dayton was not shot.
00:16:07How do you know?
00:16:08Did you examine the body?
00:16:09No.
00:16:11But I examined the gun.
00:16:13I'm afraid it hasn't been fired.
00:16:25What'd you find?
00:16:26A piece of glass.
00:16:29Now, look, Walt.
00:16:30The doc tells me he died a heart failure.
00:16:32Now, you're going to tell me
00:16:33somebody hit him over the head with a bottle.
00:16:35Hardly.
00:16:36I'm not suggesting this is part of a bottle.
00:16:39It's as thin as a piece of eggshell.
00:16:43Chief, you want to see this?
00:16:45I found it in his inside pocket.
00:16:50Those are Mr. Dayton's paper.
00:16:52Have you a right to read them?
00:16:53I've already read them.
00:16:55What's up to you, anyway?
00:16:56Who are you?
00:16:57One of the partners?
00:16:58No, sir.
00:16:58Well, who are you?
00:16:59Mr. Dayton's office manager.
00:17:01Sit down.
00:17:01Yes, sir.
00:17:05If I might, please.
00:17:08Thank you.
00:17:20When I got your message, Mr. Wong,
00:17:21we prepared everything.
00:17:22So nice of you to take so much trouble.
00:17:24Oh, we're always interested
00:17:25when you decide to work out
00:17:26one of your experiments with us.
00:17:28Mr. Simpkins is anxious to meet you.
00:17:30Oh, yes.
00:17:30I told him that we were at Oxfrey again.
00:17:32Oh, really?
00:17:33He's the scientist, you said you want.
00:17:42Mr. Simpkins?
00:17:44Mr. Wong.
00:17:45Delighted, Mr. Wong.
00:17:46How do you do, Mrs. Simpkins?
00:17:47We didn't have any glassblowers on the faculty,
00:17:49but Mr. Simpkins assures me
00:17:51he's one of the best in San Francisco.
00:17:53I'm sure of it.
00:17:55Now, do you think you could determine
00:17:57from these small pieces of glass
00:18:00size and shape of the original?
00:18:05Well, I don't see why not.
00:18:07Then shall we go to work?
00:18:32Calcium, 0.063.
00:18:36Silicate of potash, 0.653.
00:18:41Manganese, 0.217.
00:18:44That much manganese?
00:18:46Yes.
00:18:46Why?
00:18:47Awfully brittle glass.
00:18:49Must have been made by a Bavarian.
00:18:50Why do you say that?
00:18:52They're the only glassblowers I know
00:18:54who use that much manganese.
00:18:56From the curvature,
00:18:57it must have been almost a perfect sphere.
00:19:0065 millimetres in diameter.
00:19:02About two and a half inches.
00:19:05Mm-hmm.
00:19:11Try to reproduce the size
00:19:14and the thickness as closely as possible.
00:19:46Which shoe did you tie first?
00:19:48Left or right?
00:19:48Left.
00:19:49Where is the capital of Minnesota?
00:19:50St. Paul.
00:19:51Scratch your neck.
00:19:52Say R.
00:19:53R.
00:19:54Counting 12 to 25.
00:19:5512, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25.
00:20:01What do you associate with the word hiccup?
00:20:03The spasm of the diaphragm.
00:20:20Well, I haven't found the car yet.
00:20:22When you do get it,
00:20:23what do you expect to find?
00:20:25I'm afraid I don't quite know yet.
00:20:28But I'll tell you just as soon as I do.
00:20:30Ah, you're wasting your time, Warren.
00:20:32It's as plain as the nose on your face.
00:20:34Romer figured Dayton stole that two-bit invention of his
00:20:36and goes up there and waves a gun around.
00:20:38Dayton's got a weak heart and a jumps
00:20:40and he keels over dead.
00:20:41So they'll find out the little guy's crazy
00:20:43and that'll be the end of it.
00:20:47Here's the, uh, Romer sanity report.
00:20:50I told you they'd find out the little guy was insane.
00:20:52Insane?
00:20:53He's just as sane as you are.
00:20:57Yeah, you have to be crazy to dope one of those things out.
00:21:00Here's a coroner's report.
00:21:01The guy died of poison gas.
00:21:03Gas?
00:21:04That's impossible.
00:21:06How could the guy have been gas?
00:21:08What's that?
00:21:10That is a replica of the murder instrument.
00:21:13Now look, Warren.
00:21:14You're not going to tell him
00:21:15you took those little pieces of glass
00:21:17and put them together and made that?
00:21:19You flatter me.
00:21:20Some friends of mine made this.
00:21:23Sort of a gas grenade, huh?
00:21:25Breaks one thrown?
00:21:26Undoubtedly.
00:21:28I got it.
00:21:30That gun was a ruse.
00:21:31A magician's trick.
00:21:33While Dayton was watching that gun,
00:21:35Romer threw that glass globe
00:21:36and it broke and killed Dayton.
00:21:38And everybody else in the room.
00:21:40Sure.
00:21:42Yeah, that's right it would have.
00:21:45But he could have planted it.
00:21:46That's it.
00:21:48He planted it.
00:21:49And when Dayton came back to his desk,
00:21:51he stepped on it and killed him.
00:21:53Sure.
00:21:54Well, that could be easy to find out.
00:21:56Mr. Russell and Miss Ross
00:21:58will bit rope out of the room
00:21:59the whole time.
00:22:00That's right.
00:22:01Bring them in.
00:22:05Say, how much longer?
00:22:06Take it easy.
00:22:07Is it for me?
00:22:08No, lady.
00:22:09Miss Ross.
00:22:10Russell.
00:22:11Inside.
00:22:20Hello, Mr. Wong.
00:22:22Sit down.
00:22:23Please.
00:22:26I want you to dismiss everything else
00:22:28from your mind
00:22:28and concentrate on what happened
00:22:29this morning.
00:22:30Who do you think you're talking to?
00:22:32I'm sorry, Mara.
00:22:33This is business.
00:22:34Please.
00:22:36When Romer broke in Dayton's office
00:22:38this morning,
00:22:38did he have anything else
00:22:39in his hand beside that gun?
00:22:41Not that I know of.
00:22:42But you're not sure.
00:22:43You mean in the hand with the gun?
00:22:44No, the other hand.
00:22:45The left hand.
00:22:46Naturally, if the gun was in the right hand,
00:22:48the other hand would be the left hand.
00:22:49Naturally.
00:22:50No!
00:22:52Did you see him drop anything
00:22:53on the floor?
00:22:54No.
00:22:55I'm quite sure it wasn't dropped.
00:22:57How do you know it wasn't dropped?
00:22:58You picked it up in little pieces,
00:22:59didn't you?
00:22:59It had to break.
00:23:00But not by dropping.
00:23:04Did you see Romer stoop over
00:23:05and roll a little glass globe like this?
00:23:10What's that?
00:23:11Isn't that curious?
00:23:11Yes.
00:23:12That's a replica of the glass globe
00:23:14that might have contained the gas
00:23:15that killed Dayton.
00:23:17Now, there's no gas in there.
00:23:19And you?
00:23:21Maybe you can answer my questions intelligently.
00:23:23What hand did you have a hold of?
00:23:27Left hand.
00:23:28Did he have anything in the left hand?
00:23:29No.
00:23:30You're sure he didn't have anything
00:23:31in the left hand?
00:23:32No.
00:23:32Yes.
00:23:32Yes, I'm sure.
00:23:34I beg your pardon, Miss Ross.
00:23:36I would like to ask you a question,
00:23:38if I might.
00:23:39Yes, Mr. Wong?
00:23:40Did Mr. Dayton have any set habits?
00:23:43I mean, for instance,
00:23:45did he always open the top drawer of his desk,
00:23:48then take out his bank book
00:23:50and examine the balance
00:23:51at 9.30 sharp every morning?
00:23:54What's that got to do with it?
00:23:55Please, Sam,
00:23:56Mr. Wong is trying to ask me a question.
00:23:59Mr. Dayton didn't keep his bank book
00:24:01in his desk at the office.
00:24:02I know, Miss Ross,
00:24:03but did he take bicarbonate of soda
00:24:07or change his coat
00:24:08or anything at all
00:24:09when any set didn't die?
00:24:11What are you driving at?
00:24:12If the murderer knew
00:24:14the habits of the victim,
00:24:15he could have placed the bulb
00:24:16where the victim himself
00:24:18could explode it.
00:24:19That's right.
00:24:26Was Romer ever in Dayton's office
00:24:27before he came in with that gun?
00:24:28You mean this morning?
00:24:30This morning,
00:24:30yesterday morning,
00:24:31the morning before.
00:24:32What morning do you mean?
00:24:33Any morning!
00:24:34No!
00:24:35Mr. Wong,
00:24:36I think I know
00:24:37what you're trying to get at.
00:24:39Mr. Romer hasn't been
00:24:40in Mr. Dayton's office
00:24:41for a month.
00:24:43Oh.
00:24:46I don't think
00:24:47it could have been planted
00:24:48as far ahead as that.
00:24:50Obviously,
00:24:51the murder was time to occur,
00:24:53but Mr. Dayton
00:24:53was alone in his office.
00:24:57That's all.
00:25:03Mr. Wong,
00:25:05it's been such a pleasure
00:25:06meeting a detective
00:25:06with such charming manners.
00:25:08Thank you.
00:25:18Delightful girl.
00:25:20I'm sure you two
00:25:21will be very happy.
00:25:23You know Mr. Fang,
00:25:24do you?
00:25:26Delightful.
00:25:27Yeah?
00:25:28Bring in Meisel and Wilkes.
00:25:30Is it for me?
00:25:31No, lady.
00:25:32You two.
00:25:39Sit down.
00:25:40Thank you.
00:25:42Mr. Meisel?
00:25:43Yes.
00:25:44Wilkes?
00:25:46Wilk.
00:25:47You were Dayton's partners,
00:25:49weren't you?
00:25:49Yes.
00:25:50Yes, we were.
00:25:51What were you doing
00:25:52in his office this morning
00:25:53at 9.30?
00:25:54Well, purely a business
00:25:56meeting between the three of us.
00:25:57What kind of business?
00:25:59Well, we had the writer
00:26:01to an agreement
00:26:01which needed the signatures
00:26:02of all three.
00:26:05Is this it?
00:26:07Yes.
00:26:08That's Dayton's copy.
00:26:10In other words,
00:26:11if Dayton died,
00:26:12you two fellows
00:26:12would inherit his interest.
00:26:13Is that right?
00:26:14That's right.
00:26:15If I've ever seen
00:26:16a motive for murder,
00:26:17this piece of paper is in.
00:26:19Did you take anything
00:26:20else into his office?
00:26:22No, absolutely nothing.
00:26:24Did you ever see
00:26:25one of these?
00:26:28No, I can't say
00:26:29that I have.
00:26:31Some type of light bulb,
00:26:32I should say.
00:26:33Pardon me.
00:26:34Isn't Meisel
00:26:35the Bavarian name?
00:26:37It was Arisney,
00:26:38I believe.
00:26:40Why?
00:26:44Are we to consider ourselves
00:26:46under arrest, Captain?
00:26:47No, you can go.
00:26:49Thank you.
00:26:56A lot of information
00:26:57we got out of them.
00:27:00Devlin!
00:27:01Yeah, Chief?
00:27:02Any more of them out there?
00:27:03Yeah, a woman.
00:27:05Who is she?
00:27:07I'd be trapped in the Dayton
00:27:08Chemical Works.
00:27:09Yeah?
00:27:10Bring her in.
00:27:12This way, lady.
00:27:15What's your name?
00:27:17Margaret Dolan.
00:27:18Sit down.
00:27:21Where were you at
00:27:219.30 this morning?
00:27:23At 9.30 this morning,
00:27:24I was in the Dayton
00:27:25Chemical Building
00:27:26on the fourth floor.
00:27:27What were you doing there?
00:27:29What I'm always doing.
00:27:30What's that?
00:27:31Scrubbing floors.
00:27:33That'll be all.
00:27:34Thank you, lady.
00:27:35This way, lady.
00:27:38Devlin.
00:27:39Yeah?
00:27:39Nice going.
00:27:41Thanks, Chief.
00:27:41Get out of here.
00:27:45Well, that's all of them.
00:27:46Oh, no.
00:27:48You're forgetting
00:27:49Mr. Petroff
00:27:50to wonder
00:27:50the letter of introduction
00:27:51but to say nothing
00:27:52of the party or parties
00:27:53who rival Dayton's office.
00:27:55And the guy
00:27:56that stole Dayton's car.
00:27:58And the man
00:27:58who stole Dayton's car.
00:28:01Look,
00:28:02Romer's got a motive.
00:28:03At least he thinks he has.
00:28:05The formula.
00:28:06Meisel and Wilkes
00:28:07have a motive.
00:28:08But the Russian gal
00:28:10and the guy
00:28:10that stole Dayton's car.
00:28:12See if you can
00:28:13dope that out for me.
00:28:18You blunder.
00:28:19Both of you.
00:28:21You must have,
00:28:22although Dayton
00:28:23wouldn't have gone to Wong.
00:28:25And you.
00:28:31I told you to be careful.
00:28:33But Dayton's out of the way.
00:28:35Yes, but that Chinaman
00:28:36saw your face.
00:28:37I'll take care of him.
00:28:38We're not taking
00:28:38any chances like that.
00:28:44We've got to stop that boat
00:28:45and get their formula.
00:28:47Won't take them long
00:28:47to get that boat loaded.
00:28:49Then we've got to work fast.
00:28:51It's the formula
00:28:51that worries me
00:28:52if we could only reach Romer.
00:28:54It's impossible.
00:28:55He's in jail.
00:28:56Then it's got to be Wilk.
00:28:57I'm Isle.
00:28:59It'll be Wilk.
00:29:04I'm having cocktails
00:29:05with him tomorrow.
00:29:07Well...
00:29:08Olga,
00:29:10you can be very clever
00:29:11when you're not careless.
00:29:15And you,
00:29:17you watch the boat.
00:29:18And remember,
00:29:19be careful.
00:29:20Wong is a clever man.
00:29:22But if you watch
00:29:23your every movement
00:29:24as you've been trained
00:29:25and as I do,
00:29:26even Mr. Wong
00:29:27can be fooled.
00:29:28You won't find anything
00:29:30in there, Wong.
00:29:30We've checked it completely.
00:29:31The only fingerprints
00:29:32on the car
00:29:33are Dayton's
00:29:34in these shelters.
00:29:36What'd you find?
00:29:37Well, the man
00:29:38who stole Dayton's car
00:29:39obviously picked up
00:29:40a companion.
00:29:42I don't think Dayton
00:29:43smirked this type
00:29:44of cigarette.
00:29:45You mean there's
00:29:46something in the tobacco?
00:29:47The Kachina, Bob.
00:29:49It's mixed with tobacco
00:29:51in South America.
00:29:52Look, Wong.
00:29:53First you give me a Russian.
00:29:54Now we've got
00:29:55to hitchhike
00:29:56in South America.
00:29:57A nice menagerie
00:29:58you're getting.
00:29:59Where do we go
00:30:00from here?
00:30:02To Carl Roma's house.
00:30:04All right, Devlin.
00:30:05Back it up.
00:30:05Tommy, bring that car over.
00:30:07Go ahead.
00:30:12What about your
00:30:13international duet?
00:30:16You're still holding
00:30:17Carl Roma, aren't you?
00:30:19Yeah.
00:30:19Well, then we must
00:30:20eliminate him
00:30:21before we can proceed.
00:30:23What do you expect
00:30:23to find at Roma's?
00:30:26I don't know, Street.
00:30:27But it won't hurt
00:30:28to look.
00:30:43I don't like to
00:30:44disturb you, Miss Roma,
00:30:45but we'll have to look
00:30:46over your husband's
00:30:47workshop.
00:30:48Why don't you let
00:30:49Carl come home?
00:30:50He didn't kill
00:30:51Mr. Dayton.
00:30:52He was only angry
00:30:53because Mr. Dayton
00:30:54kept his formula.
00:30:55All he wanted
00:30:56was to frighten him.
00:30:57Yeah, well, if that's
00:30:58true, Miss Roma,
00:30:58you haven't anything
00:30:59to worry about.
00:31:00He'll be out
00:31:00in a couple of days.
00:31:01You know that's all
00:31:02Carl did.
00:31:03Why, the gun
00:31:03wasn't even loaded.
00:31:04All we are trying
00:31:05to do is to help
00:31:06your husband,
00:31:07Mrs. Roma.
00:31:08Now, if you'd allow
00:31:09us to have a look
00:31:10to put the room
00:31:11where he was.
00:31:12We haven't anything
00:31:13to hide.
00:31:14You can see
00:31:14everything.
00:31:15My husband
00:31:16is innocent.
00:31:17Come this way,
00:31:18please.
00:31:27This is where
00:31:28Carl works.
00:31:29Would you like
00:31:30to see Carl today?
00:31:32Oh, can I?
00:31:33Yes, you get
00:31:34your hat and coat
00:31:34and we'll take you down.
00:31:39What are you
00:31:39looking for?
00:31:41Sand.
00:31:43Sand?
00:31:44What are you
00:31:44going to do,
00:31:44build a beach now?
00:31:46White sand.
00:31:48What's the difference?
00:31:49It's used
00:31:50in the manufacture
00:31:51of glass.
00:31:57Oh, Miss Romer,
00:31:58I'd like to ask you
00:31:59a few questions
00:32:00about your husband.
00:32:01Was he ever mixed
00:32:01up with the officials
00:32:02that is the law?
00:32:03Oh, no, sir.
00:32:04By the way,
00:32:05Mrs. Roma,
00:32:06where was your
00:32:07husband born?
00:32:08He was born here
00:32:08in San Francisco.
00:32:10And he's lived here
00:32:10all his life?
00:32:11Yes, sir.
00:32:12Let's go.
00:32:13Are you going with us?
00:32:14No, I'm going home.
00:32:16But if you need me,
00:32:17I'll be there.
00:32:18Thanks,
00:32:19I'll remember that.
00:32:20Yes, sir.
00:32:52I'll be there.
00:32:56Gracias.
00:33:26Ah, ese me hacio un minito, ese me hacio un minito ó mi moño.
00:33:42Lo que es que no puedo crezar el hombre mice, me mogą takie temas.
00:33:43No voy a ir a escuchar cómo la gente está con el poquito,
00:33:44te vamos a escuchar mi a un poco thiudo.
00:33:44¿P~~ aqui no hay nada más kosma una mamurita,
00:33:55Mr. Wong, of course I want to help in every way possible
00:33:58But you've come to the wrong man
00:34:00Sometimes we witness things without being aware of their importance
00:34:04Are you implying that my eyesight is failing?
00:34:07You misinterpret my words as well as my motives
00:34:10I don't think I've misinterpreted your motives
00:34:12Just what is it you think I may have seen without being aware of it?
00:34:17The murderer planting the instrument of death
00:34:20We know it was planted in Nathan's office shortly before his death
00:34:24It couldn't have been placed there in my presence
00:34:27There is always that possibility
00:34:28You were there that morning
00:34:30So was my son
00:34:31That is true
00:34:33I admit that the death of my partner was very profitable to me
00:34:36But outside of that, I can't help you
00:34:39The Countess Dubois
00:34:40I'm sorry we have to cut our visit so short
00:34:43I quite understand
00:34:48I'm glad you called, Mr. Wong
00:34:54Countess, I'm honored
00:34:55Mr. Wilk, Baron von Kronz
00:34:58How do you do?
00:34:58How do you do?
00:34:59I'm glad you came with the Countess
00:35:03My dear Countess
00:35:05What an unexpected pleasure
00:35:07And may I add, looking even more charming than when I saw you last
00:35:12I regret not recalling the occasion
00:35:14I regret having made so faint an impression
00:35:18Surely you remember
00:35:19The Argentine Ball at the Embassy
00:35:21In London
00:35:22Oh, of course, how stupid of me
00:35:25But there were so many other celebrities there
00:35:28Mr. Wong
00:35:29Baron von Kronz
00:35:30How do you do?
00:35:32How do you do?
00:35:33It's still, Mr. Wong
00:35:35Well, as yet I've had no occasion to change my name
00:35:38Are you in a hurry or will you join us in a cocktail?
00:35:41Well, since you insist
00:35:44Allow me, Countess
00:35:49And are you going to be in San Francisco long, Countess?
00:35:53Just a fortnight
00:35:54Really?
00:35:57Oh, allow me
00:35:58If you mind
00:35:59Sarah, may I have one of your cigarettes, please?
00:36:05Thank you
00:36:06If I may
00:36:12No brand
00:36:13I have them especially made for me
00:36:16Hmm
00:36:19Very pleasing, individual flavor
00:36:23A trace of Katrina
00:36:31I brought the papers Mr. Wong wanted from the office
00:36:33Mr. Wong is engaged at present
00:36:36I'll just leave him in the library
00:36:38I think that'll be all right, sir
00:36:43Pardon me
00:36:44Yes
00:36:44I have the papers
00:36:45All right
00:36:46Thanks
00:37:00Your help, Countess
00:37:01Thank you
00:37:03Oh, I seem to be just in time
00:37:08Mr. Wong
00:37:10Hello
00:37:11Countess Dubois
00:37:12My partner, Mr. Meisel
00:37:14How do you do?
00:37:15Mr. Meisel
00:37:32To our better acquaintance, Countess
00:37:34Special delivery letter for you, sir
00:37:37Excuse me
00:37:38Oh, Baron
00:37:44Mr. Meisel
00:37:45Oh, Baron von Kran
00:37:58Pardon me
00:38:13Oh, I think I have everything arranged as you suggested
00:38:16It's all right, Russell
00:38:17You can go now
00:38:31Do you think I have things
00:38:35Okay Aww
00:38:36I am all right
00:38:38of my
00:38:38Oh, I didn't say
00:38:39I'll be hungry
00:38:39I am all right
00:38:41What
00:38:41What
00:38:42You select
00:38:44What
00:38:45Welcome
00:38:45I'm all right
00:38:46You can go
00:38:47using A
00:39:04¿Está bien?
00:39:17No, no, no, no, no, no, no.
00:39:52¿Está bien?
00:40:21No, no, no, no, no.
00:40:46No, no, no, no, no, no, no.
00:41:28No, no, no, no, no, no, no.
00:41:41No, no, no, no, no, no.
00:42:15No, no, no, no, no, no, no.
00:42:37No, no, no, no, no, no, no, no.
00:42:50No, no, no, no, no.
00:43:08No, no, no, no, no.
00:43:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:44:05You can't deny writing that letter.
00:44:07It's your own handwriting.
00:44:09No, I don't deny that.
00:44:11It is my handwriting.
00:44:13Why'd you write it?
00:44:14I can't tell you.
00:44:16How'd you get the letter out of the jail?
00:44:19Can't tell you that.
00:44:23If you take my advice, Carl, you'll tell the captain everything you know.
00:44:29I can't.
00:44:30You're going to talk, Roman.
00:44:31If it's a little persuasion you want, you'll get it.
00:44:37Hello.
00:44:38Had the VA's office sent over a couple of men.
00:44:42You'll talk, Roman, if it takes all night.
00:44:45If you'll excuse me, Captain, there are just a few things I'd like to look into.
00:44:49As soon as I can find out why you wrote this, I'll know everything.
00:44:51I know.
00:44:52I'm very sorry, but I can't wait.
00:44:59Carl, I know you're innocent.
00:45:00I'm only trying to help you.
00:45:03If there's something bothering you and it's protection you want,
00:45:05I'll promise you and your family every protection in the world.
00:45:09You've protected Wilk.
00:45:21I love you.
00:45:31¡Suscríbete al canal!
00:45:56No, Captain, I got it out of her.
00:45:58She mailed that letter.
00:45:59Romer gave it to her once he visited him yesterday.
00:46:02She mailed it this morning.
00:46:06Maybe you'll talk now, Romer.
00:46:07Unless you want your wife to go to the gallows with you.
00:46:11Carl, tell them what they want to know.
00:46:13You know you're innocent.
00:46:17Let her sit down.
00:46:24I don't refuse to be held here any longer.
00:46:26As attorney for the deceased, I demand you let me phone the district attorney.
00:46:29I'll have to call the headquarters.
00:46:54I thought I told you not to put any calls through.
00:46:57Oh, all right.
00:46:59Put him on.
00:46:59Listen, Sam.
00:47:00I can't hold this guy, Meisel, much longer.
00:47:02He wants to call the D.A.
00:47:05Insist as attorney for the two murdered men, you can't hold them.
00:47:08Wait a minute.
00:47:10Meisel's hollering for the D.A.
00:47:12Can't I hold him as a material witness?
00:47:13Yes, you can.
00:47:15But if you do, you won't have your job in the morning.
00:47:20Look, Devlin.
00:47:21Release all of them.
00:47:22Yeah, let them go.
00:47:23But make them go straight home.
00:47:25Yeah, where I can get a hold of them if I want them.
00:47:28I don't care what he says.
00:47:30He's the suspect and the material witness.
00:47:33You can go.
00:47:39You can all go.
00:47:44But you got to go right straight home and stay there in case Street wants you.
00:47:47Yes, sir.
00:47:48Do you think Captain Street will call out the militia if I see that the Countess has supper?
00:47:53Street wants it your own home where it can be reached.
00:47:56Tell Captain Street that the Countess now will be having dinner for the next hour.
00:47:59But after that, you'll be at your own home, Mr. Meisel?
00:48:02Yes, but only because I intended to go there in the first place.
00:48:34Yes, sir.
00:48:35Yes, sir.
00:48:38Yes, sir.
00:48:48Yes, sir.
00:48:49Yes, sir.
00:48:50Yes, sir.
00:48:50Yes, sir.
00:48:50Yes, sir.
00:48:51Yes, sir.
00:48:51Yes, sir.
00:48:53Yes, sir.
00:48:59Yes, sir.
00:49:31Gracias.
00:49:41Gracias.
00:50:02Gracias.
00:50:24Take her under the matron.
00:50:25OK, Captain.
00:50:26Come on, lady.
00:50:29You're the toughest nut I've ever had in a crack.
00:50:32Gee.
00:50:32Yeah?
00:50:33Lady to see you.
00:50:34I don't want to see anyone.
00:50:35It's the lady.
00:50:36Oh.
00:50:37Keep working on them, boys.
00:50:43Hello, honey.
00:50:45Do you want to see me?
00:50:47I thought we had a date tonight.
00:50:50Oh, I'm sorry.
00:50:52I got...
00:50:58I got tied up inside.
00:51:00You know how it is.
00:51:00I thought I heard a woman's voice in there.
00:51:03Who is it?
00:51:03Mrs. Romer.
00:51:05Good heavens, not Mrs. Romer.
00:51:06Why?
00:51:07Oh, nothing.
00:51:08She just mailed a warning letter that Romer smuggled out of jail.
00:51:11I suppose that makes her a criminal.
00:51:13Yes, it does.
00:51:14Why, she's no more guilty than he is.
00:51:16Oh, look, let's don't go into that Myra.
00:51:19She's all right.
00:51:19She's with the matron.
00:51:21Sam, can I see her?
00:51:22Why don't you let me take her to her sister's?
00:51:24You could find her just as easily there.
00:51:25All right, all right.
00:51:26I'm tired.
00:51:27I don't care.
00:51:28Maybe I killed him.
00:51:29Maybe you did.
00:51:31Look, honey.
00:51:32Phone the matron and tell her I'm coming down to get Mrs. Romer.
00:51:37No date, huh?
00:51:37I'll be back.
00:51:39See you later.
00:51:44Hello?
00:51:46Captain Street?
00:51:46No.
00:51:48No, Captain Street isn't here.
00:51:50Mrs. Hawkins of the DA's office.
00:51:52This is Theodore Meisel speaking.
00:51:55Tell Captain Street that I have just finished dining with the Countess Du Bois and I'm on my way at
00:52:00home now.
00:52:02If Street wants to make anything of it, he can reach me there in about an hour.
00:52:15Anything going all right?
00:52:16Yeah.
00:52:17I'll have her loaded by morning.
00:52:19All right, fine.
00:52:19Let's put it away.
00:52:41Let's put it away.
00:52:51Where have you been?
00:52:52Well, the police held me.
00:52:54Held you for what?
00:52:55Now, don't tell me.
00:52:56You don't know Wilk was killed.
00:52:58Wilk killed?
00:52:59Oh, come on.
00:53:00How did you do it?
00:53:02I didn't.
00:53:07Oh, Anton, don't be so modest.
00:53:11You're crazy.
00:53:13Oh, come on.
00:53:21That leaves two of them.
00:53:24Two?
00:53:25Only Meisel.
00:53:26And Mr. Wong.
00:53:28Wong?
00:53:29Yes.
00:53:30Why do you think I left the place?
00:53:32He suspects us.
00:53:34He was here and searched the apartment.
00:53:37Here?
00:53:37How do you know?
00:53:38I saw him.
00:53:40And you let him get away?
00:53:41Yes.
00:53:43Why?
00:53:44He was here and searched the apartment.
00:53:45Because we're calling on him tonight.
00:54:40Good evening, Mr. Russell.
00:54:42You found what you were looking for?
00:54:44Yes, I did.
00:54:45Would it by any chance have anything to do with your employer's death?
00:54:48Oh, no.
00:54:49Of course not.
00:54:49It's my contract.
00:54:51You see, I had a personal contract with Mr. Dayton.
00:54:53I was afraid his successor may not live up to its terms.
00:54:56But why in the dark?
00:54:57I was afraid.
00:54:58I was afraid my life might be in danger.
00:54:59And tomorrow might be too late.
00:55:01You see, I understand the authorities are taking all Mr. Dayton's effects tomorrow.
00:55:06That's true.
00:55:09You were very close to your employer, weren't you?
00:55:11Oh, very close.
00:55:12He's more of an employer to me.
00:55:13He's my best friend.
00:55:15Would you really like to help him?
00:55:16I would, of course.
00:55:18Then go home and stay home.
00:55:20And I'll have one less person to bother about.
00:55:31Carl, can't you see this is getting you nowhere?
00:55:33That you'll have to tell us what you know eventually?
00:55:36Your turn, Captain.
00:55:38Listen, Romer.
00:55:39You know who killed Dayton and Wilk.
00:55:41But what's more important, I know you know it.
00:55:43Now, you may think you're saving that measly neck of yours by not talking, but you're not.
00:55:47Many a man has swung for knowing less than you do.
00:55:53My wife.
00:55:55She's safer than sisters.
00:55:57You're not lying to me.
00:55:58No, we're not lying.
00:55:59She's at your sister's.
00:56:01Do you want the name of the murderer?
00:56:02Yes, Carl.
00:56:03Yes.
00:56:04You must be very careful.
00:56:06Take no chances.
00:56:08He's a very cunning and desperate man.
00:56:10He'll stop at nothing.
00:56:12Who is it?
00:56:12We'll take every precaution.
00:56:14But who's the man?
00:56:14It means my life if you fail.
00:56:16We'll not fail.
00:56:17We'll get him before he can strike again.
00:56:19The man who murdered Simon Dayton and Christian Wilk is...
00:56:27Theodore Meisel.
00:56:31How do you know?
00:56:33I was working at his house one day.
00:56:35And I heard him talking to someone and he said,
00:56:38Wilk fades out of the picture just 56 hours after Dayton.
00:56:45I didn't think anything of it at the time.
00:56:48But after Mr. Dayton was killed, I got thinking.
00:56:53And a cold chill went down my back.
00:56:57That's why I sent the warning letter to Mr. Wilk.
00:57:02Meisel.
00:57:04I knew it.
00:57:05Get the boys.
00:57:06Two cars.
00:57:07Tear gas.
00:57:07The whole works.
00:57:08Right.
00:57:08You two men stay here and protect Carl.
00:57:11Get him anything he wants from the kitchen.
00:57:13Send him and get the radio from the maintenance room.
00:57:15I knew I'd crack this case.
00:57:16Would you like to come along and see me pinch a murderer?
00:57:19I should be delighted.
00:57:21Follow me.
00:57:24Fire on.
00:57:25That was a tough one.
00:57:28All right, men.
00:57:30515 Martin Square and no slip ups.
00:57:50You've got two tables.
00:57:51All right, my father Gamala Ones.
00:57:53You've got two seats找 him out in the apartment,
00:58:05female村守's office.gments
00:58:05All right, Harry, take it back. Devlin, take that side.
00:58:17Cap! Somebody out cold in there.
00:58:19Right, Ken.
00:58:38Meisel.
00:58:44Well, he found out the house was surrounded and took the easy way out.
00:58:53All right, Devlin, call headquarters.
00:58:55One of you men stay here till the doctor gets here.
00:58:57The rest of you search the house.
00:59:00Seems kind of useless, though.
00:59:01This man's obviously taking his own life.
00:59:04Yes.
00:59:05With the same weapon.
00:59:07Why not? He knew it was fast and he knew it was sure.
00:59:09Yes, it's very fast and it's very sure.
00:59:12You know, I hated to work on poor little Roma the way I did.
00:59:15It was the only way I could crack the case.
00:59:18Now, just what happens to Roma now?
00:59:20Let him go.
00:59:22No good reason to hold him any longer.
00:59:25I wonder if you'd bring him to my house on the way.
00:59:28Why?
00:59:29Well, he'll talk more freely now.
00:59:32And I think we should know a little bit more about Meisel.
00:59:35Yeah, that's okay.
00:59:41Oh, say, Wong, I've got a date.
00:59:45You mind if I bring Myra along?
00:59:46She's down at the station waiting for me.
00:59:47Delighted.
00:59:48It's my servant's day out.
00:59:50I think we can have some tea.
00:59:51Yeah, tea.
00:59:52That's great.
00:59:55If you use our beans, we'd have figured this out a long time ago.
00:59:58You'll be right with you, Myra.
01:00:00Let him go and make out the report.
01:00:01Those DA men are going to phone their office and explain that to them.
01:00:04And get a hold of the newspapers.
01:00:05I don't want this story gummed up.
01:00:09Sorry, Myra, I was held up.
01:00:11Did it get your watching money?
01:00:12No, I mean I was delayed.
01:00:13You're telling me.
01:00:14Look, it may not seem of any importance to you, but I've just solved a murder case.
01:00:18Hooray!
01:00:19It was Meisel.
01:00:21Meisel?
01:00:21Yeah.
01:00:22I knew Roma was innocent all the time, only I had to get a few facts out of him.
01:00:25I can't tell you everything.
01:00:27You're wonderful.
01:00:28Are you going to release Roma now?
01:00:30Yeah.
01:00:30Oh, sweet.
01:00:31There's a...
01:00:32Well, there's a few questions we've got to ask him.
01:00:35Goodbye.
01:00:35No, Myra.
01:00:36Not me.
01:00:37Long's going to question you.
01:00:38We're going to Long?
01:00:39Yeah.
01:00:40Oh, darling.
01:00:41Mm-hmm.
01:00:52Mm-hmm.
01:01:27Mm-hmm.
01:01:54Well, this must be Mr. Lascari.
01:01:57I don't think we've met before.
01:01:59How do you do?
01:02:02And the Baron.
01:02:03I'm so sorry my servant wasn't here to let you in.
01:02:08Good evening, Countess.
01:02:10Really, your presence in my poor house gives me more honor than I can reasonably bear.
01:02:16Let the phone alone.
01:02:17My dear Baron, I was only going to turn on the light.
01:02:21Is there any reason why we should have no light?
01:02:28That's better.
01:02:30Do sit down.
01:02:31You sit down.
01:02:32With your permission, Countess.
01:02:40Well, this looks like quite an evening.
01:02:44Talk, Wong, and talk fast.
01:02:47Why have you been trailing us?
01:02:49Trailing you?
01:02:50Yes.
01:02:50You were in my apartment tonight.
01:02:53Your apartment?
01:02:54I saw you.
01:02:55What did you take off my desk?
01:02:57Mr. Anton Moll's blotter.
01:03:00You are Mr. Anton Moll, aren't you?
01:03:03What are we?
01:03:03What's your interest in us?
01:03:06I was called in on the Dayton case.
01:03:09What has that had to do with us?
01:03:11Well, it seems fairly simple.
01:03:14You tried to stop the shipment, some poison gas, to the enemies of your country.
01:03:19Well, the next move, of course, was to obtain possession of the formula from the four men who owned it.
01:03:25You tried to kidnap Mr. Dayton.
01:03:28I remember your face in spite of the fog, Muscari.
01:03:31That's what I'm having.
01:03:32Now, and the next morning, Mr. Dayton was found murdered.
01:03:39Am I right so far?
01:03:42I see by your faces that I am.
01:03:45Very gratifying.
01:03:47You know, in my country, a teller of tales asks no final reward.
01:03:52This isn't getting us anywhere.
01:03:54You then turn to the most dangerous of all deadly weapons.
01:03:58A beautiful woman.
01:03:59And I must say that Miss Petra played her part to perfection.
01:04:05Cut the compliment.
01:04:06But in spite of all your efforts, you still appear to be without the formula.
01:04:10Because you've got it.
01:04:12I'll give you exactly four minutes to hand it over.
01:04:15But if I assure you that I haven't the formula...
01:04:18You've wasted a half a minute already.
01:04:26You drive a very hard bargain, Mr. Mole.
01:04:31I have no choice but to accept.
01:04:47This glass wall contains a concentration of the poison gas you're looking for.
01:04:55What a week here.
01:04:56Where's the formula?
01:04:57The formula is of no use to you unless you understand its operation.
01:05:00What's your fault?
01:05:02Destroyed us all.
01:05:03Don't move.
01:05:04Anybody.
01:05:06The slightest exertion will kill you instantly.
01:05:12This room is filled with poison gas.
01:05:16Invisible.
01:05:18Colorless.
01:05:20Swift.
01:05:20It's in your lungs.
01:05:23Seeping into your bloodstream.
01:05:27No.
01:05:27There's no escape.
01:05:29Soon you...
01:05:31You feel a sensation of choking.
01:05:34A tingling in your fingers.
01:05:36Paralysis of your limbs.
01:05:39No pain.
01:05:42And I see numbness flowing through your veins.
01:05:48Annoying at your brain.
01:05:50Just as the poison reaches the heart.
01:05:55And then...
01:05:56Then the sleep of everlasting death.
01:06:00Let's get out of here!
01:06:01Stay where you are.
01:06:04Now face the other way, please.
01:06:07Please.
01:06:08Please.
01:06:10Please.
01:06:15Come in.
01:06:18It's just in time, Street.
01:06:21But not for tea, I guess.
01:06:24Ah.
01:06:25The Countess.
01:06:26Allow me to present the Countess Du Bois.
01:06:29Miss Olga Petrov.
01:06:30Originally Miss Sophie Doane of Brooklyn.
01:06:34Captain Anton Molle, who has been cashiered from at least three armies.
01:06:38And our good friend, Lascari, who was born...
01:06:41Well, was born without a conscience.
01:06:46Are they mixed up in this?
01:06:47Only indirectly.
01:06:49In this particular case, they haven't killed anyone.
01:06:52But I assure you, they gave me a most uncomfortable...
01:06:55Four minutes.
01:06:57If you'll call your men, please.
01:06:59Ah, right over there.
01:07:05I congratulate you on your exoneration, Mr. Romer.
01:07:08Thank you.
01:07:09Devlin, pick up at Wong's and make it snappy.
01:07:12So nice to see you again, Miss Ross.
01:07:15Now, Mr. Romer, I know how anxious you must be to get home.
01:07:19But there's a small service that you can do me, if you will.
01:07:22With pleasure.
01:07:23Oh.
01:07:25I have the photographs of our three friends here, with a long list of the crimes for which
01:07:32they are wanted for the federal government.
01:07:35Now, Mr. Romer, there is one small point that I can't seem to get quite clear.
01:07:44Of course, it is obvious the suicide of Meisel clearly establishes the identity of the murderer.
01:07:52But we have yet to determine the method that he used.
01:07:59Now, you no doubt have experimented from time to time, as we all have, with vibrations of
01:08:04sound, and use those vibrations to shatter tubes or globes of glass.
01:08:10But Meisel went a step further.
01:08:13He filled the glass globe with the all-poisoned gaps, then made use of some form of sound that
01:08:20he could control from a safe distance.
01:08:23So all he had to do was to plant the globe in his victims' quarters and wait an opportunity
01:08:28to explode it.
01:08:29I think it is more than likely that he was preparing to take the life of one of us.
01:08:34Well, accidentally, he destroyed himself.
01:08:37I'm sorry to spoil your theory of suicide, Street.
01:08:42Now, I have to posit you that this globe is identical with the globes that were used in
01:08:51the murders.
01:08:52I've destroyed two or three myself in my own experiments, with various forms of sound.
01:08:58But not when it was filled with gas, as this one is.
01:09:04So tonight, if you will help me, I'm going to try a radio.
01:09:08I have a sending set.
01:09:09If it succeeds, all we have to do is to look for one in Meisel's home.
01:09:14Needless to say, we have operated from an adjoining room.
01:09:17But I assure you, there's enough poison in this.
01:09:21Oh, excuse me.
01:09:25Your carriage approaches.
01:09:28So sorry you can't stay.
01:09:30When you're at liberty, do call again.
01:09:37Watch that!
01:09:39Please don't be alarmed.
01:09:42That one, too, was empty.
01:09:45All right, devil, cup them and take them away.
01:09:48Don't forget, you have another passenger, Street.
01:09:50Yes.
01:09:51Roma, too.
01:09:53So you always arrange to have your victims call the police themselves.
01:09:57And the sound of the siren exploded the globe.
01:10:02Clever.
01:10:04Very clever, Roma.
01:10:05Well, let's start moving.
01:10:06That goes for you, too, sister.
01:10:09Moving right along, Charlie.
01:10:11Well, that's off the slate.
01:10:14I know it all the time.
01:10:17It was Roma.
01:10:18I hope you're convinced.
01:10:19Oh, I am, thanks to Mr. Wong.
01:10:21You're very clever, but I don't see how you figured out...
01:10:24Look, Myra, Mr. Wong is tired and I'm tired, and we have a date.
01:10:27Oh, have we?
01:10:28Yes, a supper and a show.
01:10:30Oh, so nice of you to remind me at midnight.
01:10:32We'll probably wind up in a lunch wagon.
01:10:34Well, you know what you were doing when you started running around with a detective.
01:10:36Oh, you admit it.
01:10:37What?
01:10:38That you're a detective.
01:10:39Good night, Mr. Wong.
01:10:40I do hope we meet again sometime.
01:10:42Good night, Miss Ross.
01:10:43Good night, Wong.
01:10:44That's a fine crack to make in front of Mr. Wong.
01:10:46Sam, no accent still.
01:10:50Lovebirds.
01:10:56All the time, too much music.
01:10:59Have a nice day.
01:11:00A very nice day.
01:11:02You like something to eat?
01:11:05Chicken noodle?
01:11:06No.
01:11:07Pork chop?
01:11:07No.
01:11:09No.
01:11:09What do you like?
01:11:11Just a cup of tea.
01:11:13Nipo chā?
01:11:14All the time, Nipo chā.
01:11:25¿Qué es lo que está pasando con nosotros?
01:12:13¡Gracias!
01:12:24¡Gracias!
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