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01:00Heather's DNA is on the rent
01:01Callaway's calling a press conference
01:03The state of Texas now believes that Elijah Carter and Keith Jesperson
01:08acted together as co-conspirators in the rape and murder of Heather Richman
01:26Hey, guys, my dad's on the phone. I'm gonna put you on speaker, okay? Tell them what you told me.
01:32There's not much to tell. I never met Elijah a day in my life.
01:37Callaway is a liar. He's just trying to save his own ass.
01:41Would you say that on camera?
01:43I'll say it.
01:45That man's done looking after my daughter. I'm done looking after him.
01:49Is that your daddy on the phone?
01:57Mr. Jesperson, this is Denise Richmond.
02:01You killed my daughter?
02:03Yes, ma'am.
02:05And where are you right now?
02:08I'm in the Oregon State Penitentiary. I'm working in the kitchen. But I have a lookout so we can talk.
02:18So you got a job then? Friends?
02:21Yes, ma'am. It's not paradise, but I'm comfortable enough.
02:28Well, we will rectify that.
02:36Thanks for calling. I know you didn't want to.
02:43Thank you for doing that.
02:46Did you get, uh, the present that I sent you?
02:49The picture of Brandon.
02:52I didn't ask you to do that.
02:55Nobody and no one hurts my little girl.
02:59I'm going to hang up.
03:20Hey, killer.
03:22You scared me.
03:23Yeah, that's kind of the point.
03:25It's a nice little hiding spot, though.
03:27I didn't even know it was down here.
03:29Thanks.
03:30Want to see what he sent?
03:31Yeah.
03:35Yeah, we can probably get, like, $2.50 for that.
03:38She's one of his victims.
03:40For real?
03:41Oh, well, then let's double it.
03:44See your earrings?
03:45Mm-hmm.
03:46He said he kept them in a vent at this motel called Pioneer Falls.
03:50He said he kept something from all his victims because he wanted to return them to their families.
03:56Do you know where the motel is?
03:58Do you know where the motel is?
03:59He said near a town called Hermiston, Pioneer Falls.
04:06Um...
04:06Yeah, Pioneer Falls Motel.
04:08It's in Hermiston, Oregon.
04:11It's, like, four hours away.
04:15Yeah.
04:26Uh, well, you know, we should go.
04:28Let's go after lunch tomorrow.
04:30After lunch?
04:31What about school?
04:32What the fuck's school?
04:39Come on.
04:42You look great, Denise.
04:46I shine up fine when I need to.
04:49All the time.
04:50All right.
04:52Okay, we're good.
04:54You guys all set?
04:55Yeah, good to go.
04:57Okay.
04:58I'm actually gonna have you look at Ivy for this.
05:00Actually, let's have you look at Melissa.
05:03Even if I ask a question, just keep your eyes on her, okay?
05:13Denise, can you tell us who you are and why you're talking to us?
05:21My name is Denise Richmond.
05:23Mm-hmm.
05:24My daughter, Heather.
05:26was murdered in 1995.
05:30Up until a few days ago,
05:33I trusted District Attorney Craig Calloway,
05:35believed that he had convicted the right man.
05:38But now that Heather's blood has been found on Keith Jesperson's rent,
05:44I guess that's a game-changer for me.
05:49Right now,
05:51I believe Keith Jesperson likely killed my daughter.
05:56alone.
05:58So either Calloway knows something that I don't,
06:02or he's just another man who can't admit when he's wrong.
06:25Hey.
06:30You didn't bring any clothes?
06:32C'est pas grave, Eva.
06:46C'est quand elle a commencé à singler.
06:53Elle Ă©tait de la voix magique, mĂȘme quand mĂȘme.
06:56Qui est-ce que ça, firecrackÚre?
06:58C'est ma mĂšre.
07:00Eh.
07:01C'est m'amppiné.
07:02M'amppiné.
07:05Elle igualitait elle.
07:06Elle est organisée.
07:06Elle a Ă©tĂ© des musiques de l'intĂ©rĂȘt de la musique, aussi.
07:07C'est-ce qui m'amppiné, hein ?
07:12Il y a de la continuité.
07:15C'est-ce qui m'amppiné, c'est-ce qui, m'amppiné ?
07:17C'est-ce qui m'amppiné?
07:20C'est-ce que la femme.
07:20C'est-ce qui m'amppinĂ© pour sa tĂȘte ?
07:21C'est-ce qui m'amppiné ?
07:24Elle a sa candidature sur le mĂȘmeuste.
07:26Elle a sa tĂȘte sur le tĂȘte de l'Ă©cart.
07:32Oh, je vois ça.
07:34J'ai l'air d'ĂȘtre un petit peu.
07:35Oh, elle est trĂšs heureuse.
07:40Oui.
07:48Je pense que vous ĂȘtes en train de faire.
07:50Non, je suis pas.
07:52C'est juste que c'est son birthday cette semaine.
07:56C'est bon.
07:59Vous savez quoi ?
08:00Pourquoi nous, pourquoi nous, nous avons assez.
08:03Vous avez été un peu de gentil, Denise.
08:06Denise, je suis donc sorry si nous upsetons vous.
08:09Non, c'est fine.
08:10C'est juste, vous savez, ça me fait un peu.
08:12Oui.
08:13Vous mindre si nous avons un peu de photos ?
08:16Alors nous allons vous laisser vous be.
08:17Oui, bien, bien.
08:18Bien, bien, bien, c'est un petit peu.
08:19Oh, oui.
08:21Oui.
08:21Oui.
08:23C'est un bon.
08:24C'est un bon.
08:25Oui.
08:27Bien.
08:29Bien.
08:29Je t'ăis.
08:30J'aime quand elle, time !
08:33Oui.
08:35C'est ça.
08:36Nous demanglais ici.
08:38J'aime bien.
08:40Oui, c'est un...
08:42C'est un bar de musique en Dallas.
08:44Ils ont des open mic nights,
08:46ce genre de choses.
08:51Tyler et je nous allons aller
08:52Ă la maison de Ziggy's basement.
08:54Je vais aller aller Ă un b-roll.
08:56Je vais venir avec.
08:57Gabriela est en train.
09:01Hey, Gabriela, nous sommes allés ici.
09:03Ce n'est pas ?
09:03Le CCA a permis d'Elisha un hearing.
09:06Oh, mon Dieu.
09:08Finalement !
09:09Le DNA match on the wrench
09:11definitely made the difference.
09:12What about the stay of execution ?
09:14No stay, but they fast-tracked the hearing.
09:16It's in two days.
09:17I'll present everything we have,
09:18but this hearing is a huge win.
09:21It means we actually have a shot
09:22at a new trial, thanks to you two.
09:24Listen, I gotta run.
09:26We'll talk soon.
09:27Okay, all right.
09:28Thanks, bye.
09:30Come on.
09:31Thank God.
09:32Good job.
09:32Oh, me too.
09:36I'll high-five, yeah.
09:43Mr. Jesperson.
09:46I'm District Attorney Craig Calloway.
09:49Warden Valeri was kind enough
09:50to let us use his office.
09:52You can sit him there
09:53and take the cuffs off
09:54so he can eat.
10:12You think a sandwich
10:14can make me forget
10:15that you told the whole world
10:16I was a liar?
10:23No glass.
10:24Warden okayed this himself.
10:26Why don't you have a seat outside, sir?
10:28Just take a well-deserved break.
10:42He knows that
10:44if I could just smash that bottle
10:46it'd slit your throat
10:47before he could get back in here.
10:50but
10:53I don't want to ruin
10:54my TV program
10:55just
10:57because you're a man
10:58who sees things practically.
11:05So which was it?
11:06Elijah killed her
11:08and you dumped the body
11:09or the other way around?
11:10You know, usually
11:11I'm a sour cream and onion guy.
11:14But just
11:15good.
11:16Well, we understand something.
11:20You let Mr. Carter
11:21waste away
11:22for almost 30 years
11:23and then
11:24you wake up one morning
11:25and
11:25what?
11:27You have a sudden
11:28attack of conscience?
11:30Hmm.
11:31Old age.
11:33It does funny things
11:35to a man.
11:41I need you to write
11:44an amended confession.
11:46You write what I need.
11:48You get to live out
11:49your days here
11:50where you got your TV
11:52and your job
11:53and fresh air
11:54and guards
11:55to get you phones.
11:57If not,
11:59I'm happy to extradite
12:01you to Texas.
12:02Formally charge you
12:03with capital murder.
12:07Guys on death row,
12:09they're in a box
12:1023 hours a day.
12:12No fresh air,
12:13no job,
12:14no goddamn phones.
12:17You know,
12:18most guys lose
12:18their mind.
12:21You'll, uh,
12:22you'll spend
12:23the next 30 years
12:24listening to them
12:24scream.
12:25Look,
12:27I'm not gonna be there
12:28for 30 years
12:29because I have a
12:31needle
12:32in my arm
12:33coming.
12:33What is this,
12:34a death wish?
12:36My executions
12:37take a long time
12:37to get on the calendar
12:38and I happen
12:39to be tight
12:39with a guy
12:40who does a schedule.
12:42Yours will take
12:43decades to come around.
12:49But if I change
12:50my story,
12:52my little missy
12:53won't like that.
12:57You think she's
12:58gonna come down
12:59to Texas
13:00to see you
13:02once this is done?
13:07It's a one-time
13:08offer,
13:09Mr. Chesperson.
13:21I just...
13:29Oh,
13:30I am so rude.
13:33I completely
13:34forgot to ask
13:35about your daughter,
13:37Madison.
13:38I think she's
13:40a sophomore
13:40at UT Austin,
13:42right?
13:45It's best
13:46to leave my family
13:47out of this.
13:49You think
13:51that you got me
13:52all figured out?
13:54No.
13:55I know you.
13:58Your secret.
14:00You put the wrong
14:01man away
14:02and you know it.
14:07And I am out
14:09of the secret-keeping
14:10business.
14:12I am out of the secret-keeping business.
14:13I am out of the secret-keeping business.
14:30I am out of the secret-keeping business.
14:40I am out of the secret-keeping business.
14:50I am out of the secret-keeping business.
14:50Oh, oh, oh, oh, oh, I'm so happy, so happy.
15:16The place was, like, a literal crime scene.
15:19J'ai pensé que c'était ouvert.
15:21C'est probablement qu'il n'a pas vérifié.
15:24Il dit que c'Ă©tait room 17.
15:56C'est bon ?
16:00C'est bon ?
16:01C'est un peu triste.
16:03Peut-ĂȘtre que je suis.
16:05Et me ?
16:09Pour quoi ?
16:13Qu'est-ce qui ?
16:15C'est rien.
16:16Nous devons juste aller.
16:17Hazel !
16:23We found something !
16:41This place is so disgusting.
16:44No, it's cool.
16:45Totally has murder vibes.
16:5317 isn't here.
16:54Oh, good.
16:55I'm so glad we drove four hours for no fucking reason.
16:58I'm starving.
16:59Can we go eat ?
17:00Yeah, I'm hungry too.
17:02Wait, look.
17:14See ?
17:15Total murder vibes.
17:17He's just stayed here.
17:19He didn't kill here.
17:20That you know of.
17:23Do you think it's a smelly ?
17:28I can get stuck.
17:30I can get stuck.
17:30You guys need help ?
17:31No.
17:33Where'd you get the Twinkie ?
17:34Mm-hmm.
17:35Oh, the office.
17:36You know those are ancient, right ?
17:38Twinkies ?
17:38No, no, no.
17:39Dude, Twinkies can survive an apocalypse.
17:40They're like cockroaches.
17:42But they're food.
17:48There's nothing in here.
17:50Maybe someone else found it first.
17:53Or maybe it's in a different room.
17:55It was 30 years ago.
17:56He might have mixed up the number.
18:06Hey, you got a minute ?
18:08Sure, yeah.
18:09We need to talk.
18:12Yeah, what's going on ?
18:18I'm sorry, Ben.
18:19But I'm pulling my recommendation.
18:21And corporate agrees.
18:23You're not the right fit for regional manager.
18:25Not the right fit.
18:28Based on what ?
18:29You've been distracted.
18:31You ran out in the middle of a staff meeting.
18:33You've taken multiple days off, Ben.
18:35William, I've had a lot going on at home.
18:37Which is exactly why it's not a good time
18:39for you to add more responsibility to your plate.
18:42Okay ?
18:48So are you recommending someone else ?
18:50Yes.
18:52Judy.
18:54Judy ?
18:57I hired Judy, William.
18:59I taught Judy everything that she knows.
19:02That doesn't matter, Ben.
19:03It doesn't matter.
19:05It doesn't matter that you were screwing your assistant
19:08when you had my job.
19:08Because I thought that it did.
19:10I thought that it did.
19:11But I kept that secret for you for years.
19:12You're lucky you didn't have a job
19:14because the board wants you gone.
19:15Gone ?
19:16For what ?
19:17For your father-in-law.
19:28What the hell does he have to do with anything ?
19:30A lot.
19:32We thought the story would be gone by now.
19:34But it just keeps getting bigger.
19:36People keep talking about it.
19:37It's a problem.
19:39Do you know what our customers want from us, Ben ?
19:41They want safe, and they want boring.
19:44They don't want to invest their life savings
19:46with Ted Bundy's goddamn son-in-law.
19:49I'm sorry.
19:51I really am.
20:08Well, looks like the one in the picture.
20:11Good, because Adele already booked us an hour of Ziggy's time, so...
20:15Shoot some B-roll and get drunk.
20:19Oh, dang.
20:21That is wrecked, dude.
20:23Oh.
20:25Oh, God.
20:26No, give me another key.
20:29Yeah, I'm coming with you.
20:31There's no vent in this one.
20:36How could you be mad at this?
20:39Holy shit.
20:43Is that a bird?
20:44Yeah.
20:45No, that's my cue.
20:46I'm gonna go check the last room.
20:52This whole thing was pointless.
20:56Well, I mean, it doesn't have to be.
21:01What are you doing?
21:02Trying to kiss you.
21:05It smells in here.
21:06So what?
21:10I like you.
21:12I mean, is that, like, not obvious?
21:15No, if you like me, then why is your girlfriend here?
21:19I don't know.
21:19Come on.
21:20Summer's my ex, okay?
21:21She's not my girlfriend.
21:22Then why did you bring them?
21:24I mean, I don't know.
21:26They're your friends, like...
21:28No, they're your friends.
21:31Okay.
21:33You think that I came all the way out in the middle of nowhere on some murder scavenger hunt for
21:39summer.
21:46You can kiss me now.
21:52You can kiss me now.
22:04Well, I keep on thinking about you.
22:08Okay.
22:09Wow.
22:12That's what?
22:13Yeah.
22:15Where is that smell?
22:16There.
22:17Hello.
22:19Hi.
22:20Oh.
22:22Y'all must be from Dr. Grey.
22:24Yes, I'm Ivy.
22:25Nice to meet you.
22:26You must be Ziggy.
22:27The one and only.
22:29So, the girl on the phone said that you were covering an old murder.
22:33Yes, her name was Heather Richmond.
22:35She was an aspiring singer from Jefferson.
22:39And you think she sang here?
22:41We're not sure, but we thought we'd see if you recognized her.
22:46This is her picture.
22:48Yeah.
22:50You know, faces come and go.
22:52But hey, if I heard her voice, now that I would remember.
22:56Oh, Heather never recorded, sadly.
22:59Well, do you know when she was here?
23:01Uh, November, 1994.
23:04Oh.
23:05Well, in that case, let's have a look.
23:08Step into my office.
23:14Did he look?
23:15Nope.
23:16Checked everything.
23:17Oh, well.
23:19You guys want to go?
23:20Yeah.
23:20Can we please go eat?
23:21Yeah.
23:22Oh, uh, there was a bag of jewelry in the office in a locker.
23:27The earrings kind of looked like the one from the drawing.
23:29What?
23:29Why didn't you say anything?
23:31Uh, because I don't actually care.
23:33Are you being serious, Summer?
23:35Where are the lockers?
23:36I'll be right back.
23:41I'll be right back.
23:44What?
23:49C'est parti.
24:17Hey, wait, wait!
24:46Okay.
24:48Holy VHS.
24:49Yeah.
24:50I always had a problem moving into this century.
24:54I've been recording open mics since 89.
24:57I just kept at it.
24:58I mean, you never know when the next Ollie's gonna come through, right?
25:01All right.
25:02So, uh, 94.
25:05Yeah.
25:05What'd you say her name was again?
25:07Heather Richmond?
25:09Mm-hmm.
25:16Sorry.
25:18No Heather Richmond.
25:21Well, it was worth a shot.
25:24Uh, Ziggy, uh, do you mind if-
25:28What about Lorelei?
25:30Okay.
25:32Okay.
25:48Well, what do you know?
25:50Lorelei.
25:51You're amazing.
25:53She was the second act of the night.
26:21Oh, there's no way that-
26:22That was so crazy.
26:23Those were up.
26:24Oh, no.
26:24Oh, no.
26:24Oh, no.
26:26Oh, it's Hazel.
26:27No, fuck her.
26:28Hang on.
26:58Start harder.
27:04I love Children.
27:15I love people.
27:18You watched yours tho.
43:071, 2, 3, 4, 5, 6, 7, 8, 9, 10, 9, 10, 10.
43:44Sous-titrage Société Radio-Canada
44:22Sous-titrage Société Radio-Canada
44:37of Criminal Appeals ex parte, Elijah David Carter.
44:43Are both sides ready to proceed?
44:45The applicant is ready, Your Honor.
44:47State is ready, Your Honor.
44:49Very well.
44:50Go ahead, Ms. Marino.
44:52Thank you, Your Honor.
44:54As you know, I have submitted several writs over the previous weeks with various pieces of evidence we will present
45:01to the court.
45:02But today, only two pieces of evidence matter.
45:08Here, you'll see Heather Richmond performing at Ziggy's Basement, a rock club in Dallas.
45:15You'll note the timestamp is 9.33 p.m., and the date is February 18, 1995, both of which have
45:26been authenticated by forensic experts.
45:28Ms. Richmond is on stage for about five minutes, then walks off camera and meets her untimely death sometime between
45:409.45 and 5 a.m. the following morning when her body was found at Chicory River.
45:48In this video, it's also 9.33 p.m. on February 18, 1995.
45:56And this person here is the applicant, Elijah Carter.
46:02While Ms. Richmond is in Dallas singing, Mr. Carter is more than two hours away in Jefferson, starting his 12
46:12-hour shift at the food distribution center.
46:16Mr. Carter, Mr. Carter's supervisor, the security guard on duty that evening, as well as two co-workers will all
46:24testify that he did not leave this building until 9 a.m. the following day after his shift.
46:31In fact, he stays in this frame for the next 12 hours cataloging inventory, except for two breaks to the
46:40restroom and his half-hour break.
46:43But guess what? The break room also has surveillance.
46:49Should I let the next 12 hours of this play so I can fully establish my client's alibi, Your Honor?
46:55I think we get the picture.
46:59I will also present DNA evidence and a confession that identify another suspect, Keith Jesperson, a convicted serial killer.
47:09But I believe these two videos alone show that my client is innocent, that his incarceration is a gross miscarriage
47:18of justice, and that he deserves a new trial.
47:23Does the state wish to rebut the defense's initial state?
47:27Yes, Your Honor.
47:44Your Honor, we support the defense's request for a new trial.
47:53Quiet.
47:55The DA may wish to support a new trial, but I don't.
48:01I'd like to vacate this conviction.
48:05I believe this evidence is proof of actual innocence.
48:09And if the DA agrees, I'd like to release Mr. Carter on signature bond.
48:15Mr. Calloway, do you oppose release?
48:23The state does not oppose, Your Honor.
48:28Mr. Carter, the higher courts will need to make this official, and I will make sure they do.
48:36This court owes you more than an apology.
48:39Least I can do is let you walk out of here a free man.
49:03I'm sorry.
49:05What'd I do?
49:06Just sign your name.
49:08So that's your bail.
49:09You sign right here.
49:10You're free to go.
49:16I see you.
49:17I see you.
49:21I see you.
49:23I see you.
49:23I see you.
49:25I see you.
49:26I see you.
49:26I see you.
49:27I see you.
49:29I see you.
49:36I see you.
49:37I see you.
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