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00:00Musique
00:30Musique
01:10Happy birthday my little Hazel
01:14I come bearing a donut
01:16I thought we were doing cake tonight
01:21What? You can't have two wishes?
01:25Fine
01:30Yay
01:38These are all for Hazel
01:41Stop drooling on them Max
01:43Can I warm them?
01:45Just one the rest are for tonight
02:01How does she get so many?
02:02Fifteen for fifteen, that's how we do it
02:05She has six to that dark blue one right there
02:08That one's for you
02:12Thanks, how'd you know?
02:13Because mom is the best
02:15Give me a hug, birthday girl
02:16Come here
02:17Oh, sweetie, that's rain
02:19It's not sweat
02:20You stink
02:21Go shower
02:21Go shower, dad
02:22I don't like this tea
02:23Hey, what are you doing, Max?
02:24Getting breakfast
02:25No, that's not breakfast
02:26That's sugar
02:27I said it was all right
02:28If he doesn't get sugar here
02:29He'll just get it on the streets
02:30The streets?
02:30What do you know about the streets?
02:32You're fifteen
02:32I know about the streets
02:35You don't like my makeup?
02:36Oh my god, just do it
02:37You always want to choose what's best for your skin tone
02:41And warmer colors look amazing on you
02:44All right, I'm going to shower
02:45Dad
02:48Oh, you look beautiful, birthday girl
02:52What's Chilliwack?
02:53What?
02:56Chilliwack?
02:56What is it?
02:58Where's this coming from?
02:59It's a birthday card
03:01I got it in the mail
03:04Ask your mom
03:05It was a special place for the whole family
03:09What's wrong?
03:10Oh, uh, it's nothing
03:11Who is it?
03:12I don't know
03:20Whoa
03:22Creepy
03:22Um, get your stuff together
03:24We gotta go to school
03:27Mom, they say they're family
03:30I've got a great uncle who lives down in Oregon
03:32He lives in a nursing home
03:34If he writes to you again, you tell me
03:36What's his name?
03:36Just get your shoes on
03:37We gotta go
03:38Go, go, go
03:39Fine
03:58Do we need candles?
04:00Uh, yeah
04:00I'll pick some up
04:02I'll make my home for more
04:02Thanks
04:03You okay?
04:07Yeah
04:07Yeah
04:07I'm fine
04:08Okay
04:36Morning, Melissa
04:37Morning
04:38C'est parti !
05:08...money or nerves.
05:10Okay. Look, I'm putting her through hair and makeup, and then she can decide.
05:14Okay.
05:17Hi, Ivy.
05:19Hi, Melissa.
05:21Her name is Kathy Weaver. See if you can calm her down, okay?
05:25Okay.
05:26Thank you.
05:30You're on, Mel.
05:32Ugh.
05:34You already look great, so we're just gonna do some finishing touches and give you that Gwyneth Paltrow glow.
05:44Sure.
05:44Mm.
05:45But honestly, I'm not sure I'm going through with this.
05:52I'm, uh...
05:53...supposed to talk you into it.
05:56But between you and me, I don't have any skin in the game.
06:03You know my daughter was killed?
06:07Yes.
06:08I am so sorry.
06:09It's been a year.
06:10The police have nothing.
06:12I just can't think of any other way to get people to care about her other than going on this
06:17show.
06:18So, what's the downside?
06:20My husband says it makes us look desperate.
06:23What mother wouldn't be desperate to find out what happened to her child?
06:26That's what I said.
06:28Yeah.
06:28So, I had this guy in my chair a couple months ago.
06:30He's an expert on violent crime.
06:34And he said five out of six Americans will be victim to a violent crime in their life.
06:40And you know what that means.
06:43Kathy, you're not alone.
06:50I read once that every violent act is a rock dropped in water.
06:56If you stay silent, the ripples of trauma just keep going, pulling everyone they touch underneath.
07:07I'm so sorry.
07:09No. Go ahead.
07:11Could be your kids.
07:28Someone murdered your daughter. Kathy, that person doesn't get to go on living without consequences.
07:32That person has to pay for what they did.
07:34And you need to make sure that he does.
07:41Melissa.
07:47What the hell was that?
07:48Nothing. I...
07:49Okay, if I lose her, then we lose the emotional component to the crime.
07:53And then we are like every other show.
07:54When I ask you to come...
07:57I think I'm ready to do this.
08:02Dr. Gray can't wait to meet you.
08:04Thank you.
08:05Of course.
08:06You look great.
08:07Mm-hmm.
08:09Yeah, let's go.
08:10Okay.
08:11You're gonna do great.
08:12Thank you.
08:13Okay.
08:17I'm just gonna stop by and drop it off.
08:40Hi, um, do you have any birthday candles?
08:42Uh, yeah.
08:43End of the aisle.
08:43Thank you.
09:21Can I have one of those, please?
09:24Yep.
09:25Absolutely.
09:27Thank you.
09:29Thank you.
09:38Happy birthday to you.
09:43Happy birthday to you.
09:48Happy birthday dear people.
09:55Happy birthday to you.
10:07Good.
10:07That was fun.
10:09Yeah.
10:10She seemed happy, right?
10:11Mm, she did.
10:13Yeah.
10:16I'll clean her.
10:17You can go run.
10:18You sure?
10:19Yeah.
10:20You've got a marathon I make.
10:21Go.
10:24You're a good mom.
10:25Love you.
10:26Love you back.
10:41Sous-titrage Société Radio-Canada
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13:57Mm-hmm, mm-hmm.
13:58Hey, you wanted...
14:00Oh, I'm sorry. Did you want me to just...
14:02No, no, no, no, no, no. Come on in, Ivy.
14:04I'm just, um, finding out a little more about Melissa here.
14:08Um, Dr. Gregg, if this is about yesterday and what I said to Kathy...
14:13Oh, sorry, I...
14:14Ivy, what do you know about the Happy Face killer?
14:18The trucker serial killer from around here?
14:20Mm-hmm.
14:21Uh, he killed in the 90s, serial, but under 10.
14:24Uh, he used to sign letters to newspapers with Happy Face.
14:28Right. Yeah.
14:29Anything to add, Melissa?
14:32Why would she...what's going on?
14:35This is true crime. She's makeup.
14:36And yet earlier today, the Happy Face killer called his show
14:40and said he had information about a murder.
14:42What?
14:44Apparently, Mr. Happy Face made it clear
14:46there were only two people here that he would talk to.
14:50Myself and Melissa here.
14:56So, I think you know my next question, Melissa.
15:00Why?
15:07Um, I have absolutely no idea.
15:10Really?
15:11He says he's been writing to you for years.
15:13Oh, God.
15:14Are you one of those women who falls in love with serial killers?
15:17And now we have to cover her because there's...
15:19Oh, no.
15:20No, no, no, no.
15:21No, no, no.
15:23He's, uh, calling again in a minute.
15:26Either you tell me or he won't.
15:32Dr. Gregg?
15:33I have that call?
15:41He's my father.
15:51So happy, happy, happy, oh, so happy.
16:04He's happy, happy, oh, so happy, so happy.
16:42Okay, Melissa, if, uh, if you think your father is lying, offer anything you think will be helpful, okay?
16:51Uh, okay.
16:52Good.
16:53Good.
16:56Uh, ready, Tabitha?
17:02Hello, this is, uh, Dr. Gregg.
17:04I'm here with, uh, Ivey Campbell, my true crime producer, John Howler from Legal, and, uh, Melissa Reed.
17:11To whom am I speaking?
17:16Me.
17:18Is that Keith Jesperson, the happy-faced killer?
17:21I don't hear Melissa.
17:23Where is she?
17:26Uh, before we get into that, let me make one thing clear.
17:30I don't like being used, so if you're only calling to out Melissa as your daughter, she'd beat you to
17:37it.
17:38Oh, this isn't about Melissa.
17:40This is about trying to get the truth out to the media.
17:46All right, um, uh-huh.
17:49What truth would that be, sir?
17:51I need to hear Melissa first.
17:59What do you want?
18:02Hi, Missy.
18:03Don't call me that.
18:05You're right.
18:06You're at work.
18:08I-I just wanted to talk to you.
18:10I, uh...
18:11I already talked.
18:12I told you to fuck off.
18:14Or did you not get my message?
18:15Is that how I raced you to speak in front of your boss?
18:18Uh, you let me, uh, worry about that, sir.
18:20Um, so, what truth are we talking about?
18:25It was nine.
18:28Did you say nine?
18:30What-what was nine?
18:31When I confessed in 95, I held one back.
18:37Why would you hold one victim back?
18:39Didn't you know serial killers, uh, do that sometimes?
18:43And why confess now?
18:44I'm getting old.
18:46I need to make things right while I still can.
18:50Bullshit.
18:50You are such a liar.
18:53I'm trying to make things right, Missy.
18:55You have never tried to make anything right.
18:58I told you before.
18:59There were nine.
19:00You never told me.
19:01Well, maybe you should read my letters.
19:08What's this victim's name?
19:10Jane.
19:13Jane what?
19:15Doe.
19:17Do you not know her name?
19:19Or is this just a lie to manipulate your daughter?
19:22Oh, I know everything.
19:23It just can't be that easy.
19:25Thought you were trying to make things right.
19:27I am.
19:30But prison's boring.
19:33And they record these calls.
19:36I'll only tell it to Melissa.
19:40In person.
19:48Hey, Melissa.
19:50Melissa, wait.
19:51The prison is a four-hour drive.
19:53Can you go tomorrow morning?
19:55I have to go back to work, Ivy.
19:57He just...
19:59He said he killed another woman.
20:01You can't just go back to work.
20:03He's lying.
20:04He's trying to manipulate me again.
20:06Then face...
20:07Face him down.
20:08Don't run away.
20:10Please don't produce me.
20:13Okay.
20:15Okay.
20:18You're right.
20:18I'm sorry.
20:23Then help me understand.
20:26Have you ever visited him?
20:33Twice.
20:35When I was 15, after he first got arrested.
20:37And, um...
20:39When I was pregnant with my daughter,
20:41neither time helped.
20:44Does your family know?
20:47My husband, Ben, does.
20:50But...
20:50We told the kids that he's dead.
20:54I'm really sorry.
20:56Oh.
20:58This is so fucked.
21:03You know what's even more fucked?
21:05If he's not lying,
21:07there's a family out there
21:08still wondering what happened to their daughter.
21:11We could get them an answer.
21:15That, I meant.
21:16I swear.
21:22I have to think about it.
21:29No.
21:40I'm not.
21:41I'm not.
21:41I'm not.
21:41I'm not.
21:42No.
21:48No.
22:15Sous-titrage MFP.
22:18Sous-titrage MFP.
23:15Sous-titrage MFP.
23:18Sous-titrage MFP.
23:43At 9.45 Friday night, Stephen Randall's Dye flagged down a San Diego police squad car and turned himself in.
23:50Dye was wanted for a 19...
23:52I told you she's too young to watch his key.
23:54Now we're in trouble.
24:10He's lying to you.
24:11He is trying to get you back in his life.
24:13Or there is a family who lost a daughter who will never get answers.
24:17Is that what your work said to you?
24:19Do you know how manipulative that is?
24:21The shit that...
24:21What your father did is not your responsibility.
24:24The shit that he said and the shit that I saw.
24:27I knew.
24:28I knew something was wrong.
24:30I never did anything about it.
24:31You were a child.
24:32But I am an adult now.
24:33Do you not remember what happened last time you went?
24:35Because I do.
24:36You weren't okay for months, Melissa.
24:38You were a ghost.
24:39Okay.
24:39I just...
24:42I...
24:46I know that if I don't go there and deal with him, then he won't stop doing this.
24:53He will never leave us alone.
24:57I'm not sure that you want him to leave you alone.
25:00What does that mean?
25:01Because even after everything that he has done, you still love him.
25:05He wasn't always a monster.
25:06He became one.
25:07And before that, he was just...
25:11My dad.
25:16You never saw that, but I did.
25:21Okay.
25:26So what do we tell the kid?
25:56Hey.
25:57You okay?
25:58Yeah, thanks.
26:05You guys have an hour.
26:07Good?
26:14It's so good to see you, Missy.
26:16Don't call me that.
26:28Mr. Jeskerson, I'm Ivy Campbell.
26:31You spoke on the phone?
26:32Oh, yes.
26:33Uh, I enjoy your work.
26:37Thank you.
26:38Thank you.
26:39Uh, so, the prison has given us permission to record this conversation, but I need you to
26:44sign the release form.
26:52Oh, is this, uh, something I should have my attorney look at first?
26:58You wanted us here to talk about a murder, now we're here, so talk.
27:13You remember Chilliwack?
27:17Remember that day we went swimming, just you and me?
27:22And then after we, uh, sat on the bank and just looked at the water, and you said, look
27:29at the river, Daddy.
27:30It's so sparkly.
27:32I think Chilliwack is a girl.
27:35You remember that.
27:37Mr. Jeskerson, you promised you would tell us about the ninth victim, the Jane Doe.
27:44We're ready to record whatever you have to say, but you need to sign the release first.
27:48I've already told Ivy that this whole thing is just a lie to get me here, so...
27:51I wish.
27:53Then prove it.
27:54What's her name?
27:55Well, if I tell you that, then you're just gonna get up and you're gonna walk out of
27:58here, and I'm not gonna see you for another 15 years.
28:02Well, if you don't tell me that now, then I'm just gonna get up and I'm gonna walk out
28:05of here, and you won't see me for the rest of your life, so...
28:09Two choices, Jesperson.
28:12Sign the form.
28:14Go back to your cell.
28:39Oh, I think I'll keep this.
28:42See if I can make something useful out of it.
28:44Oh, Dad.
28:45Just give it to her.
28:50Did you hurt yourself?
28:52You called me Dad.
29:04So, I'm just gonna clip this to your shirt, all right?
29:06What?
29:07Oh, yeah.
29:08Okay.
29:09Missy, you're gonna come over here and do my makeup for me?
29:12Make me look pretty on camera?
29:16Is that why you're doing this?
29:17What?
29:18So you can get some attention and be on TV?
29:27I'm not the one that used to parade around the house pretending she was Dolly Parton.
29:33Here you come again, just when I began to get myself together.
29:42You waltz right in the door, just like you'd done before, and wrap my heart around your little finger.
29:57You're saying I'm the one who wants attention?
29:59No.
30:00What I'm saying is that you're still my little girl, digging in my pockets for treasure.
30:07That's why you're here.
30:09No, I'm not here for you.
30:13We're here for the truth, Keith.
30:15So, go ahead and tell us.
30:18I will, as soon as Missy here tells me why she's acting like she's God's gift,
30:25when she's the one that benefited from every killing that I did.
30:29Excuse me?
30:29Every time a woman took her last breath, you got presents.
30:38Time with Daddy.
30:41I needed to be around you after, because it kept me out of the darkness.
30:54So, I brought you little trinkets and big presents that I knew your mom couldn't afford.
31:03Lots of candy.
31:07And seeing you happy, it just erased all that I'd done.
31:15Because if you loved me that much, and I loved you that much, then I couldn't be all that bad.
31:35What does this all have to do with the ninth victim?
31:39Because after I killed her, I brought you a trampoline.
31:45Do you remember? It was the last gift that I gave you.
31:55I need to go to the bathroom. Can I use the bathroom, please? Thank you.
32:22So, Jesperson's your pops.
32:26I'd appreciate it if you kept that to yourself.
32:29I'd appreciate it if you made it worth my while.
32:39Relax. I just wanted to see if you were a sick fuck like your dad.
32:46Uh, that's my cue, Ivy.
32:49Whoa, wait, wait. Mr. Jesperson, please, because you haven't told us anything.
32:53Thanks, Missy.
32:54I gotta give Dr. Gregg something, or he won't let us come back.
32:59What was the name of the victim? Where did you dump her?
33:03Ask Missy.
33:05She knows.
33:24Hey.
33:28So, how many glasses are you in?
33:30Two.
33:32Then two glasses for me, too.
33:40I know today was a lot.
33:43It's gonna take a lot more than two to forget.
33:46Good. Good, because I'm gonna need you to remember.
33:51Remember what?
33:53Well, when you went to the bathroom, I tried to get him to tell us something.
33:57And he didn't give you anything, because he's lying.
34:01Actually, no.
34:03He said, ask Missy. She knows.
34:07Ask me what? What would I know?
34:09That's why I'm asking you.
34:13I have no clue, Ivy. I swear.
34:15Okay.
34:18Okay.
34:19The trampoline.
34:20Did he mean it was the last gift he brought you before he got arrested?
34:24Yeah, I guess.
34:25So, I was...
34:27Ugh, I was 15.
34:31It was winter. I was wearing my puffy coat.
34:34I'd just gotten him for Christmas.
34:42I definitely had to have been after that.
34:44Okay.
34:46Christmas.
34:47Christmas.
34:49Christmas.
34:52What's that?
34:53A timeline of his murders.
34:55Oh, God.
34:56Excuse me? Hi. Can I have another?
34:58It's cheaper if I just leave the bottle.
35:01You know, that's a good idea. Thank you.
35:06So, this is your life?
35:08Ivy Campbell, just building timelines for serial killers?
35:12My life is whatever the latest crime story requires.
35:16Doesn't it get depressing, thinking about all the terrible things that happen to people all the time?
35:20You know terrible things don't just happen.
35:22Terrible things are done by people, and that interests me.
35:32What's death game?
35:36Just tell me.
35:40He liked to choke them.
35:42But not to kill them.
35:44He'd strangle them just enough to bring them in and out of consciousness.
35:48And sometimes for hours.
35:51So he could rape them again.
35:56I figured you knew.
35:59I've tried to avoid the details.
36:06I can have Adele contact the trucking company.
36:09I'm tired. I'm gonna go.
36:12Are you gonna be okay?
36:30What are we doing here?
36:33I know how to pull off the perfect murder.
36:36The duct tape comes in real handy.
36:40But you gotta take it with you.
36:43Because they can get a print off this now too.
36:46Just like that.
36:54I think you've been reading too many of your crime books, Dad.
37:01I think you've been reading too many of your crime books, Dad.
37:17I think I'm fine.
37:30I've got to leave.
37:30Do you have to leave?
37:31Do you have to leave?
37:31Do you have to leave?
37:34Do you have to leave?
37:36You can't leave.
37:39Do you have to leave?
37:41qu'est-ce qu'il y a une victime, Callie Davis,
37:45à cette maison, en Portland,
37:47où il vivait avec sa fille à l'époque.
37:54Qu'est-ce qu'il y a fait ?
37:58C'est bon, je vais vous montrer.
38:01...
38:02...
38:02...
38:02...
38:03...
38:05...
38:13...
38:16...
38:17She's nice. She let me move in.
38:21I can't believe you already have a new girlfriend.
38:32I've got to get bunk beds.
38:34But for now, you get to sleep on the couch.
38:48I can't believe you.
39:24Hey, Missy.
39:27Hey, darling.
39:29What are you doing?
39:31I had a nightmare.
39:33I dreamed of the lady who was touching my hair.
39:37Oh.
39:45That's spaghetti sauce.
39:49I don't know.
40:05Hey.
40:06Hey.
40:07Good morning.
40:08We need to talk to my mom, she lives in Svalcan.
40:11Okay.
40:12Yeah, let's go.
40:13Okay.
45:58C'est Texas.
45:59C'est là-dessus.
46:08Texas.
46:11Ce qui se passe?
46:12C'est que le trampolines sont vraiment difficile à prendre.
46:15Nous avons un label qui m'a rentré à l'autre à la sports store dans Texas.
46:19Ivy a tout de suite chercher un mur de murs.
46:22Je ne regrette pas de lui pour lui laisser sa première confession.
46:24C'est une question.
46:26Vous avez vécu le death penalty ici en Oregon,
46:28mais Texas?
46:29Ça aurait été tué en un cœur.
46:33Non vous deux en un bon mood.
46:35Je me souviens que ce processus
46:37va vraiment s'éteindre une fois qu'on l'aise en law enforcement.
46:40Mais, bien sûr,
46:41vous perdez votre histoire.
46:43Donc, si vous voulez aller en fronte,
46:45maintenant c'est le temps.
46:51J'ai délivré un tas de frames
46:55à Denton, Texas.
46:57Et le dispatcher
47:00me dit qu'il avait un tas pour moi
47:04en un jour ou deux.
47:04Donc, j'ai décidé que je vais
47:06rentrer pour un moment.
47:08Et j'ai arrêté à un bar
47:11pour avoir un burger.
47:12Et j'ai été appelé à un petit petit petit
47:16bartender.
47:18Et elle avait juste
47:19l'air du jour de la journée.
47:22Et j'ai une petite journée
47:23et je suis revenu en sauvage.
47:26C'était pour un peu la chose.
47:28Mais, je suppose,
47:29ça a donc un petit petit petit
47:32qui a fait que moi.
47:32Parce que c'est ce petit petit
47:35bartender
47:36et elle est en trainée.
47:39Elle est tout pieds et elle.
47:43Et c'était la fête.
47:49Je suis venu et j'ai demandé de m'aide.
47:54Elle me connaît depuis la bar et dit que sa voiture de la batterie est mort.
48:01Qu'est-ce que c'était la bar?
48:02Je ne me souviens pas, Ivy.
48:04C'est pas ça.
48:04Elle a pris dans la voiture willingly?
48:06Elle était inquiétante, mais j'ai montré une photo de mes enfants que j'ai gardé sur le visor.
48:11Je veux dire, ils m'ont relaxé une fois qu'ils ont des daughters.
48:17Qu'est-ce qu'elle n'est pas?
48:20Qu'est-ce qu'elle n'est pas?
48:22Qu'est-ce qu'elle n'est pas à la petite fille qui m'a dit qu'elle n'est
48:24pas?
48:25Je me souviens que vous aviez été une star.
48:30Et puis, vous avez juste fait leur make-up.
48:36Vous êtes questionant mes choix de ma vie ?
48:38Alors, cette fille, le bartender, elle a vraiment voulu être une star.
48:45Et elle a une très bonne voix, aussi.
48:48Et elle a chanté avec cette guitare qu'elle avait avec elle.
48:51Nous sommes rouges autour de quelques heures.
48:57Et nous avons eu un mariage.
49:02Mais je n'ai pas marqué.
49:06Et je veux dire, je n'ai jamais marqué une femme dans ma vie.
49:11Je n'ai jamais payé pour sexe.
49:14Des des filles des filles, les filles, les filles, les filles, les filles, les filles, les filles.
49:19Mais je n'ai jamais, jamais, les filles.
49:23Ok, ce qu'est-ce qu'elle n'est pas?
49:25Elle a continué de dire que elle va être une star.
49:29Et que je n'ai pas pu dire que je n'ai jamais été une star.
49:32Et je n'ai pas rencontré que j'ai eu une fois.
49:34Et ça me fait le mal.
49:36J'ai eu l'impression que...
49:37C'est l'ego.
49:39Et je dis, je n'ai pas vu que vous allez être une star.
49:44si je t'aimais la première fois.
49:48Donc, laisse-moi vous raconter l'histoire de la femme.
49:54Ce n'est pas facile.
49:56J'ai appris que si j'ai utilisé mon bras
50:01et pressé dans le larynx,
50:05je peux juste prendre ça
50:06et laisser le temps
50:10et je me suis allé.
50:11Et quand j'ai l'air,
50:16je savais que j'étais allé.
50:18Mais elle était différent.
50:20J'étais chocée à elle
50:21et ce smell commençait à venir.
50:25Vous savez, comme quand un skonk
50:26se débrouille,
50:27quand ils sont tournés.
50:29Mais ce n'était pas peur et ce n'était pas pire.
50:32C'était...
50:34C'était un fruit.
50:36C'était un fruit ?
50:37C'était un fruit.
50:38C'était un fruit.
50:39C'était un fruit.
50:43C'était un fruit.
50:45C'était un fruit.
50:45C'était un fruit.
50:48Mais c'était elle.
50:51C'était...
50:52C'était un fruit.
50:54C'était un fruit.
50:56J'ai commencé à bouger,
50:58mais elle s'est éclatée.
51:00Je m'avais dit qu'elle était mort.
51:02Et elle a commencé à crier.
51:06J'avais pas éclatée.
51:09Je garde ce n'était pas n' staienie.
51:13Un grand malet d'avante.
51:15Enf—
51:17LaAddionine payée au pain de l'loop.
51:19C'était une éleurée.
51:24On t'aimся.
51:32C'était quelque chose à l'entend.
51:36C'est quoi qu'elle n'a pas été?
51:41C'est quoi qu'elle n'a pas été?
51:42Vous pensez que vous êtes plus mieux que moi.
51:45Vous pensez que vous êtes tellement différent.
51:47Vous ne voyez pas ce que la voix est de vous.
51:51La secretive de nature.
51:53Vous êtes so bon à être quelqu'un que vous êtes pas.
51:57Acte tough.
52:00Mais, deep down, vous êtes juste filled avec l'insecuret.
52:04Vous êtes afraid que vous ne pouvez pas l'avoir.
52:08Vous êtes afraid que vous ne pouvez pas l'avoir.
52:12I've been married for 20 years.
52:13To Ben, le branch manager.
52:17And those kids.
52:20Max.
52:21Does he know that he's got my eyes?
52:24And Hazel in that little plaid uniform she got.
52:29I bet she goes...
52:30Don't you fucking talk about my kids.
52:38I'm sorry that you have to...
52:43Have a dad like me, Missy.
52:53You deserve better.
53:06Get us anything else?
53:09You're too old for a trampoline?
53:13Let me take my pockets.
53:16What treasures do I have here?
53:20Here.
53:21Just, what is it?
53:22Don't grab it.
53:23Don't, don't, don't, don't.
53:24Anything but that.
53:25That's what I'm missing.
53:45She had a guitar.
53:47Wait, what?
53:49What's going on?
53:50Hey, Ben.
53:50Hey.
53:51How'd it go?
53:52It's still going.
53:53Um, I need your help.
53:55Can you, can you go into my safe, please?
53:57What's up, Mom?
53:58Can I talk to her?
53:59Uh, I was, I was hoping you'd left by now.
54:02Uh, we're dealing with something here.
54:04Um, I need your help.
54:05Please go into my safe, please.
54:06Please stay down.
54:07Hey, I'll be right back, okay?
54:10Just one second.
54:11Okay, I'm here.
54:13The code is our anniversary.
54:1507-2-9-0-4.
54:19Got it.
54:20There should be a perfume box that says Elizabeth Poppy.
54:24Okay, now dump it out and there's a yellow guitar pick.
54:28This is for you.
54:31So you can be a star just like Dolly.
54:36What's it say?
54:39Whiskey River.
54:40A bar in Texas.
54:41Whiskey River.
54:44Hey, Melissa, what's going on here?
54:46We have a lead on the ninth victim.
54:49So he's telling the truth?
54:50I don't know, but if he killed somebody else, then I have to do something about it.
54:54Melissa, if you go down this road, it's going to come out that your dad is the happy face killer.
54:59You know that, right?
55:03Melissa?
55:04Found it.
55:07I have to call you back, okay?
55:08I love you, bye.
55:10Is that her?
55:11What's her name?
55:13Small Town remembers Heather Richmond, aspiring singer who was raped and murdered on February 18th, 1995.
55:20She was last seen leaving the bar where she worked in Jefferson, Texas.
55:25Whiskey River.
55:26Holy shit!
55:27We did it!
55:28We solved it!
55:29Wait, wait, wait.
55:29Hold on, hold on.
55:31It's...
55:32It's not unsolved.
55:33What?
55:34What does that mean?
55:35Heather's boyfriend at the time, Elijah Carter, was convicted of her murder.
55:38He's still on death row.
55:40He maintains his innocence.
55:43Death row?
55:45He has two months.
55:46Oh my God.
55:48Fuck.
55:48Okay, we need to go to Texas and figure out what's going on right now.
56:01Hey, put on a happy face. Then everything's okay. Put on a happy face.
56:23Hey, put on a happy face.
56:27Hey, put on a happy face.
56:36Then everything's okay.
56:43We need a little short.
56:45Let's do it.
56:51We need to go to Texas.
56:52Hey, we need a little short.
56:53Don't get up.
56:54Hey, put on a happy face.
56:57Hey, put on a happy face.
56:59I'm gonna make a big bump.
57:00Hey, put on a happy face.
57:34...
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