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Watch 9 1 1 Nashville Season 1 Episode 13 (2026) full episode online in HD quality. Stream the latest episode of 9 1 1 Nashville on Dailymotion now.
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00:00Sous-titrage Société Radio-Canada
00:30Sous-titrage Société Radio-Canada
01:19Sous-titrage Société Radio-Canada
01:19Sous-titrage Société Radio-Canada
01:24Sous-titrage Société Radio-Canada
01:34No?
01:34Sous-titrage Société Radio-Canada
02:10Sous-titrage Société Radio-Canada
02:12Sous-titrage Société Radio-Canada
02:219-1-1, what's your emergency?
02:22This is secure car.
02:24The owner of this vehicle has been in an accident and is not responding.
02:27Secure car, give me the car's location.
02:29The emergency location is approximately 36 degrees north and 87 degrees west.
02:34113, please respond to an MVA on Macquarie Lane, somewhere west of Charlotte.
02:40Copy you.
02:41113 en route.
02:44Secure car, activate the vehicle's console intercom system.
02:47Intercom active.
02:48Hello, can anyone hear me?
02:50Hello?
02:51Hello?
02:52Yeah.
02:52Who's that?
02:53This is Cammie Raleigh with Nashville 911.
02:56How did you call me?
02:58My phone was just starting to crash.
02:59Your car service contacted me.
03:01I'm speaking to you through their app.
03:02Oh, God.
03:03I totally forgot we had that.
03:04Oh, thank God.
03:05Are you near Macquarie and Charlotte?
03:07Yes, I had a blowout and I lost control.
03:11We spun off the road.
03:12Now my leg's stuck under the wheel.
03:14Daddy, are we going to be okay?
03:16Sir, who else is in the car with you?
03:19It's my daughter Marigold.
03:21She's seven.
03:21Are either of you hurt?
03:23No.
03:24Not yet.
03:25What do you mean, not yet?
03:37113 on scene.
03:38What can you tell me?
03:39Driver's name is David Stone.
03:40I've got him on the line.
03:41He says he had a blowout and went off the road.
03:43Looks for tire marks and debris.
03:46Uh, any injuries?
03:47He says they're both okay,
03:48but the car is teetering on a hillside
03:50and his leg is trapped under a wheel.
03:51His seven-year-old daughter is in the back
03:53in a booster seat.
03:54I got shredded tire over here!
03:57All right, fan out.
03:58It's got to be somewhere nearby.
04:00Cam, do you still have the driver on the phone?
04:02Ask him if he can honk his horn.
04:04Okay.
04:04They're close,
04:05but I need you to honk your horn
04:06so they can find you.
04:07We're here!
04:08We're here!
04:10My daddy!
04:12That's it!
04:18Cammy, tell them we see them
04:19and not to move.
04:22That thing's hanging by twigs and spiderwebs.
04:24Then how do you want to play it?
04:26All right, you two are going to be in harnesses.
04:27You're going to grab the girl,
04:28you're going to grab the driver.
04:29Rocks, Blue, I want you on belay.
04:30On it, Cap.
04:31Let's hustle.
04:33You're all set.
04:34All right, they're headed down.
04:35Let's do it.
04:37All right, Taylor,
04:37let's get that girl out first
04:38in case she goes.
04:40All right, very careful.
04:46Okay.
04:47There you go.
04:51You can lower me.
04:54All right, easy, guys, easy.
04:56Easy.
05:02Mr. Stone.
05:04Mr. Stone.
05:04Hey, I'm Ryan.
05:06This is Taylor.
05:07We're going to get you up,
05:08but first you've got to roll these windows down, okay?
05:13Here you go.
05:15Hi, sweetie.
05:16Good, good, good.
05:17You must be Miracle.
05:19Hi.
05:19Hi.
05:20We're going to get you out of here.
05:21Don't you worry.
05:22Can you do me a huge favor?
05:24Unbuckle your seatbelt
05:25and slide towards me
05:26so I can get this safety strap on you?
05:29I can't.
05:31Your dad's getting one.
05:32Just listen to them, Goldie.
05:34What if I move?
05:36I could go.
05:37You have to go.
05:39Listen to me.
05:40I'm not going to let you fall, okay?
05:43Just need you to unbuckle your seatbelt.
05:48Hey.
05:49Yeah.
05:49We got to go.
05:54Hey.
05:55Do you like Toy Story?
05:57Yes.
05:58Me too.
05:59Who's your favorite character?
06:02Cassie.
06:03My girl.
06:05Put this around and I'll get you out.
06:06You know what I think makes them all so brave?
06:09They know no matter what,
06:11they've always got each other's backs, right?
06:14Yeah.
06:14So, here's what we're going to do.
06:17You're going to close your eyes,
06:19unbuckle your seatbelt,
06:20and follow the sound of my voice, okay?
06:25Please go, Goldie.
06:27All right, close your eyes.
06:28You got it.
06:33You've got a friend in me.
06:39You've got a friend in me.
06:54That's it.
06:59You've got a friend in me.
07:05Yeah, you've got a friend in me.
07:09That's it.
07:10Nice and slow.
07:13All right.
07:14Okay, reach out again.
07:15Give me a big hug.
07:17All right, I got you.
07:20All right.
07:21Got it.
07:22I'll be right behind you, Goldie.
07:23I love you so much.
07:26Today's coming up with the girl.
07:27All right, get her up.
07:28Get her up.
07:28We're going to free his legs from the wheel.
07:30There you go.
07:31Pull it up.
07:37Okay, Cap, we're clear.
07:40Roy, you got to go, go, buddy.
07:42I'm moving.
07:43You just got to give me a sec, all right?
07:44You're going to take this.
07:45Okay.
07:46You're going to put it between the floorboard and the steering wheel.
07:49Yes, sir.
07:49All right, when you're ready, push this button.
07:53It's going to hammer it up.
07:54All right.
07:55Get it down there.
07:56Good.
07:57Good, good, good, good, good.
07:59You're going to feel a little bit of pressure.
08:02All right.
08:03Go.
08:05Okay.
08:06Go, go, go, go, go.
08:12It's going.
08:13Roy, it's going.
08:14You got my shoulder.
08:15Let's go.
08:15Let's go.
08:25You okay?
08:28Oh, thank God she can sing.
08:30Yes, she can.
08:32Yes, she can.
08:37Not bad.
08:38No pressure, old man, but you need three bulls to win.
08:42Yeah, Cap's got this.
08:43Thank you for the confidence rocks.
08:48Bang.
08:50Oh, and that's two.
08:51You've got to be kidding me.
08:52Still the king of the...
08:54We did it!
08:56We're HR official.
08:58Victory!
08:59That's a win.
09:00What happened?
09:01We notified the union and the department that we're seeing each other.
09:04Did everything go all right?
09:05Yeah, it was almost all positive.
09:07Almost.
09:07Well, because he's still a probie, there's a bit of a power imbalance,
09:10so they're going to run it by the lawyers, but they don't see a problem.
09:12Either way, I'm glad you did the right thing.
09:14Yeah, I do.
09:15No.
09:16No, just no.
09:17What did I say about funny business?
09:19Making it weird.
09:19Sorry.
09:20We're just excited.
09:21All right, first and final warning.
09:23Yes.
09:24That game, by the way, gets an asterisk.
09:25You need to take the L.
09:26Excuse me?
09:27Hey, you guys.
09:28I hope it's okay.
09:29I let myself in.
09:31Yeah.
09:32Hey.
09:33You're the dad from the dangling car.
09:35Good to see you up and about.
09:36I wanted to thank you all for saving my daughter and me.
09:39I was just doing our job, sir.
09:41Taylor.
09:43Marigold wanted me to give you this.
09:47Oh, that's amazing.
09:49That's really cute.
09:50Tell her I will treasure this forever.
09:52I will.
09:52But that is not the only thing I came to offer you today.
09:55I work for Victoria Vamp.
09:58Oh, Victoria Vamp?
09:59She's one of the biggest writer-producers in town.
10:01Mama used to sing with her back in the day.
10:03After you saved my daughter with your incredible voice,
10:05I looked you up.
10:06I found your videos from open mics.
10:08I sent them to Victoria,
10:11and she wants to meet you for a secret new song she's working on.
10:15Oh, my God.
10:16You're going to be famous.
10:18There's only one condition.
10:20What?
10:20It has to be tomorrow at 335 sharp.
10:23335?
10:24Am I so specific?
10:25You'll learn Victoria is a very particular person.
10:28That's true.
10:29Mama told me once she didn't let anyone in the studio
10:31that was wearing the color orange.
10:32You know, she's eccentric, but she is a genius.
10:35And she wants to make you a star.
10:40I'm sorry.
10:41The only problem is I have a shift tomorrow,
10:43and when I'm on duty, that comes first.
10:45Not tomorrow it won't.
10:47I'm giving you leave.
10:49Are you sure?
10:50It's your dream, of course.
10:51Just come back when you're done.
10:52Oh, my God.
10:53Oh, my God.
10:54Oh, my God.
10:54Oh, my God.
10:55Thank you, Cam.
10:56You're the best.
10:57Oh, you're the best.
10:58I'll let Victoria know you're confirmed then.
11:00Yes.
11:00Yes.
11:01Um, I have one condition, too.
11:04I want to bring my friend, Cammie.
11:06You got it?
11:07Okay.
11:08Okay.
11:09Congrats.
11:139-1-1-1.
11:14What's your emergency?
11:15I don't feel so good.
11:16Uh, what's going on, sweetie?
11:17My stomach hurts so bad.
11:19I can barely move.
11:20Can you describe the pain for me?
11:22Ugh.
11:22I'm stabbing and dragging.
11:26Is it more on one side or all over?
11:29Like, right below my...
11:31Ugh.
11:32Okay, I'm going to take care of you.
11:33What's your name?
11:34Celeste.
11:35Hi, Celeste.
11:36I'm Cammie.
11:36It looks like you're at 87 Fisher Drive.
11:38Is that correct?
11:39Yes.
11:40Okay, I'm sending help to you now.
11:41No.
11:42You can't send anyone.
11:44Ugh.
11:45Why not?
11:47It's too embarrassing.
11:49What do you mean it's too embarrassing?
11:52Ugh.
11:55Because...
11:57The reason it hurts is...
12:01Because I put something up there.
12:04I don't know how it stuck.
12:07Oh.
12:09Uh, what did you put up there?
12:13I don't want to say.
12:14Can you just tell me how to get it out over the phone?
12:16Honey, if you're experiencing pain that severe,
12:19you need treatment right away.
12:21It's too humiliating.
12:23Everyone's going to laugh at me.
12:25Listen, I know some wonderful paramedics.
12:28They're going to take great care of you
12:29with no judgment.
12:30I promise.
12:30Ugh.
12:31Okay.
12:32The door's unlocked.
12:33All right.
12:34National Fire Department!
12:38Hey.
12:39It must be Celeste.
12:40I'm Roxy.
12:41This is Taylor.
12:42I heard you're in quite a bit of pain.
12:45From a scale of 1 to 10?
12:4711.
12:48Okay.
12:48Let's get her up on the bed.
12:50Okay.
12:51We're going to get her.
12:51We'll sit up.
12:55Okay.
12:57Hey.
12:57Let's get her on the light pack.
12:59Mm-hmm.
13:01Let's play her on the bed, okay?
13:03I'm so humiliated.
13:04No, honey, don't be.
13:06You know how many calls we get
13:07where people have objects stuck
13:08where they're not supposed to be?
13:10All right.
13:10Look at you.
13:12All right.
13:12I'm going to take a look, all right?
13:19Celeste?
13:21Are these mines?
13:25Maybe.
13:27What did you put up there?
13:31A potato.
13:32I saw on my feet
13:33that it's a natural form of birth control.
13:35When did you put it up there?
13:37I don't know.
13:38Maybe a month ago.
13:41All right.
13:42Heart rate's 115.
13:43BP is 135 over 79.
13:45We need to get you to the hospital for removal.
13:47No.
13:48No hospitals.
13:49I can't go to the hospital.
13:50Honey, the pain you're feeling
13:51could be adhesion.
13:52It's when a foreign object
13:53attaches to soft tissue.
13:54and it could cause a bleed.
13:57It could kill you.
13:58Not as fast as my parents will
14:00if they find out.
14:02Hey, how old are you?
14:03God.
14:04Why?
14:05Because if you're under 18,
14:06I need permission from your parents.
14:09God.
14:09Please, just get it out.
14:13BP is off the chart stock.
14:15What do you want to do?
14:18Let me take another look.
14:21It's so bad.
14:22It's so bad.
14:23It's pretty swollen.
14:25Good news is the adhesion isn't bad.
14:27Please, just take it out.
14:29I'm begging you.
14:32Please.
14:38All right.
14:39Let's do it.
14:46It's going to be a little uncomfortable.
14:50Take a deep breath.
14:52Three.
14:54Two.
14:55Breathe out.
14:59One.
15:02This is why we don't take medical advice
15:04from social media.
15:05Thank you.
15:06Celeste?
15:09What is going on in here?
15:11Hi, ma'am.
15:11I'm Roxy.
15:12This is Taylor.
15:13Your daughter had a medical emergency.
15:16What emergency?
15:19I got something stuck.
15:24Up there.
15:26I'm sorry, Mom.
15:28What is wrong with you?
15:30What the hell were you thinking?
15:31There's no reason to pile on the shame, okay?
15:33Kids make mistakes all the time.
15:35Don't tell me how to parent my child.
15:37I'd like you to go.
15:38Okay.
15:39All right.
15:41Just a minute.
15:42Make sure you take her to the hospital.
15:44I said get out of my house!
15:53Oh, Cammie.
15:55Thank you so much for being here.
15:57You have been a guide on this journey ever since my first open mic.
16:01I know talent when I see it.
16:03And so does Victoria.
16:05Listen, there's a few things you should know about her.
16:08She can be volatile and blunt.
16:10And she says the word album like al-bam.
16:14So whatever you do, don't laugh.
16:17Are you missing with me?
16:18I'm not.
16:18I didn't know all this, Jeff.
16:20Long story.
16:21Damn.
16:23Victoria's ready for you.
16:24Hi, David.
16:25This is my friend Kimmy.
16:29Hi.
16:29Hi.
16:30Oh, thank God.
16:31No one's wearing fuchsia.
16:32I thought she hated the color orange.
16:33Today she also hates the color fuchsia.
16:37She's right in here.
16:39Okay.
16:40Look.
16:41I'm living in the way to wait
16:43With every possibility
16:47No, I can't shake the dream
16:50No, I can't shake the dream
16:53Hello?
16:54Hello?
16:54And it feels so far away
16:56I love your song.
17:00I'm smitten.
17:01I'm inspired.
17:04I am Victoria.
17:09Hi.
17:09Taylor.
17:10Thompson.
17:12You look familiar.
17:13Who are you?
17:14You're the lawyer, aren't you?
17:15No.
17:16Well, you better not be an agent
17:18Because I don't like sales energy
17:19In my office.
17:20This is my friend, Tammy.
17:22I was your assistant
17:23For two years in the 90s.
17:26Oh, yes!
17:28Oh, my God!
17:30Callie, how are you?
17:31Oh, you were such a talented producer.
17:35I remember that.
17:36Gosh, who are you working with these days?
17:38The city of Nashville.
17:40I switched careers.
17:41I'm a 911 operator now.
17:42Well, way to cut back on the stress.
17:44LOL, right?
17:46Not.
17:47So, Tay-Tay, may I call you Tay-Tay?
17:49So, Tay-Tay, I brought you here
17:50Because I think that you have
17:52World-class potential.
17:54Thank you, Miss Ma'am.
17:56I'm interested in cutting an alabam with you.
18:00Oh, yeah, I would love that.
18:03Yes, yes, soon, down the road.
18:05But today I want to share something
18:06That's even more special.
18:08A song that I'm producing
18:12And I wrote.
18:13And I want you to be the voice of it.
18:17This is so exciting.
18:20Before I give it to you
18:21I want you to promise me just one thing.
18:23Sure.
18:24You need to give me your word
18:26That you are going to love it.
18:30Before I read it.
18:32Yeah, sounds good.
18:38You want me to sing this?
18:40Oh, absolutely.
18:41Absolutely.
18:42What do you think?
18:45I hate it.
18:47I mean, it's not that bad.
18:48It's catchy.
18:50All right, come on.
18:51Let's hear it.
18:52Yeah.
18:59Yeah.
19:00Cherry splash, bubblegum blast
19:02A yummy way to help you fast
19:06Hide your skulls
19:10Woo!
19:11Yeah.
19:15It's a jingle for a diet drink
19:17Aimed at teenagers.
19:19Yeah.
19:19Let me see one of those.
19:22Well, it says on the can here
19:23Not recommended for those under 18, so...
19:26Yeah, but the jingle and advertisements
19:28Say otherwise.
19:29Listen to the names.
19:30I mean...
19:32Unicorn juice.
19:35Coca-Cola.
19:36I mean, the advertising
19:37Is basically aimed at children.
19:39We already know that they have body image issues.
19:42God knows what's in it.
19:44It's gross.
19:45Okay, son.
19:46Don't do it, then.
19:47I don't have a choice.
19:48Why?
19:49I mean, if you hate it so much.
19:50Victoria Vamp can make or break a career.
19:53If I thumb my nose at her, I could ruin my future.
19:55Why would this Victoria woman even do this
19:57if she's such a big deal?
19:57Because she likes money
19:59even more than she likes Grammys.
20:02I get it.
20:03And I support you 100%.
20:06Thank you.
20:07And jingle or not,
20:08if you're singing it,
20:09I'm sure it'll be a hit.
20:10Yeah.
20:10That's what I'm worried about.
20:12Oh.
20:14All right, can we help you, ma'am?
20:16I'm Pamela Mertz
20:17from the city attorney's office.
20:18Oh, my God.
20:19Is this that HR thing?
20:21I swear we only kissed on company property once.
20:23Maybe twice.
20:24No, it's not about that.
20:27I need to talk to Roxanna Alba.
20:29I'm Roxy.
20:34Somebody want to tell me what's going on here?
20:36Your lead paramedic is accused
20:37of performing a medical intervention
20:39on a minor without permission.
20:41This is about the girl.
20:43Yes.
20:46Potato kid I told you about.
20:47Yeah, you told me she used a potato
20:51as a contraceptive.
20:52You didn't tell me there wasn't an adult present.
20:54Well, there was, right after the extraction.
20:56But she was okay,
20:57so I didn't even think about it again.
20:58Well, her parents are not okay.
21:00They're suing the city.
21:01Their attorney filed for a temporary restraining order.
21:05They're arguing that you continuing to work
21:07could cause irreparable harm to the public.
21:09Hold on, they want her suspended?
21:10There's going to be a hearing in the next 48 hours.
21:13I'm here to help evaluate whether or not
21:15we're going to stand behind you
21:16and mount a defense or settle the case.
21:19And throw her to the wolves.
21:20My job is to defend the city's interests.
21:22If it is determined that your conduct was unbecoming,
21:26the city has the right to sue you to recoup any potential losses.
21:29The city could sue me.
21:31It's in your contract.
21:34Dr. Alba,
21:36did you know Celeste was a minor when you treated her?
21:38Yes.
21:39I figured as much.
21:41Hold on.
21:42You figured?
21:43Well, I didn't check for her ID.
21:45Did you ask her age before you initiated the treatment?
21:47Yes.
21:48And how did she respond?
21:50She couldn't.
21:51She was in too much pain.
21:53Her heart rate was fine.
21:54Her BP shot up.
21:56She was in crisis.
21:57So you made a good-faith attempt to find out,
22:00but the circumstances forced you to intervene.
22:02Yeah, technically, that's true.
22:04Okay, well, in life-or-death situations,
22:07a paramedic is obligated to act regardless of parental consent.
22:10Yeah, well, the parents are arguing that it was elective
22:12and not life-saving,
22:13so consent would be required.
22:17They've hired Wilson and Travers' counsel.
22:20No one has successfully sued the city for more money in over ten years.
22:23How is that her problem?
22:24It's her problem because they'll look under every rock
22:26for every misstep, blunder, or scandal that you've done on the job.
22:30Let them.
22:30Because this here's the best damn paramedic I ever worked with.
22:34So I'll ask you point-blank, Dr. Alba.
22:38Is there anything that you're afraid might come to light?
22:45No, ma'am.
22:48Then I'll need you to come downtown
22:50to start preparing for the hearing immediately.
22:53Because you're in for the fight of your life.
23:05Chuck, what are these?
23:07We spent all morning painting with bronze gold.
23:09So?
23:10These are bronze beige.
23:13I mean, the shades aren't gonna match.
23:14Don't worry, Pablo.
23:15Ain't nobody care about the shades.
23:16Okay.
23:17Not to mention, these are toxic and highly flammable.
23:20This is not how you make art.
23:23It's Peck Nation, not the Sistine Chapel.
23:27You're here to paint by numbers, not consult on the craft.
23:32And don't think I didn't see what you did on H8 while I was gone.
23:35I did that on my lunch break.
23:36I was gonna cover it up anyway.
23:38You're damn right you are.
23:39Get it done.
23:40Okay, shouldn't we wait for the rain to stop?
23:42It's gonna leave streets.
23:43I don't care.
23:45You got a lot of pecs to fill in my sundown.
23:47Come on, man.
23:50Some people go low
23:52To the cities I'm sure
23:55But not me
23:56I look to the sky
24:00So I'm climbing
24:02These views
24:07Oh, my God.
24:14Sorry, Bertie.
24:17What are you doing with your life, Pablo?
24:19You gotta get out of here.
24:27911, what's your emergency?
24:29It all just came tumbling down.
24:32You gotta hustle, folks.
24:34Let's go.
24:34Let's go.
24:38Pablo's still in there.
24:39I don't know how this happened.
24:40I tried to get it, but it's too heavy.
24:41It's okay.
24:42Hey, boys.
24:43Start clearing this out.
24:44Pablo's in there.
24:44Be careful.
24:47Okay.
24:48Brock's out prepping for a hearing.
24:49You're my lead paramedic now.
24:53Hey, hold tight.
24:54Hurry.
24:55Hey, Cap.
24:57Check this out.
25:01Sir?
25:02Your wood's rotten.
25:04You had him painting out in the rain.
25:05That's how this happened.
25:07Expect a call from OSHA.
25:10Hey, Pablo.
25:13I'm Taylor.
25:14We're here to help.
25:15How's your pain?
25:15Yeah, it's bad.
25:16It's my leg.
25:17Okay.
25:20Oh, okay.
25:21There you go.
25:23There you go.
25:23Right, let's work on a leg splint.
25:25On it.
25:25Blue, can you start the life pack for me?
25:27Yep.
25:28All right, we're gonna get you some morphine for your pain.
25:30Can you move your other foot for me?
25:32That's good.
25:33Can you wiggle your fingers?
25:34Mm-hmm.
25:35Good.
25:36Oh, thanks.
25:37I feel so much better already.
25:39Feel better?
25:40Haven't done anything yet.
25:42You haven't?
25:43Did your foot still hurt?
25:44It's fine.
25:45You haven't done anything?
25:46No.
25:51Pablo, can you feel this?
25:52Uh, no.
25:54What about here?
25:55Uh, nothing.
25:57Here?
25:58Oh, yeah.
25:58That one, yes.
25:59Okay.
25:59What does that mean?
26:00It means we need to check your back.
26:02Rye, blue.
26:04Let's get him on the backboard with the head block.
26:11Backboard's in place.
26:12All right, let's turn him on his side, okay?
26:15Gentle, gentle, gentle.
26:18Okay, Pablo, I need to cut open your jacket, okay?
26:26Okay.
26:27We're gonna roll him onto the board slowly, okay?
26:30Three, two, one.
26:34Okay.
26:35Am I paralyzed?
26:37Because you were able to feel your foot a moment ago,
26:39I'm hoping that the numbness is just some swelling of the spine.
26:42Let's get some cold fluid so we can help with the swelling.
26:45We're gonna get you out of here, okay?
26:48How's he doing?
26:50He's got vertebrae floating around.
26:52Okay, so we're not using the stairs.
26:54Absolutely not.
26:54Too many sharp turns will sever the spinal cord completely,
26:57but we need to move quickly.
26:58The swelling's moving up his body and around his lungs,
27:00so he won't be able to breathe.
27:01It's 113.
27:02It's gonna be a high-angle rescue.
27:03Let's prep the ladder and the Stokes basket.
27:06Hey, you ready for this?
27:13Okay, let's try to pack it as close to his neck as possible.
27:16Sorry, Pablo, this is gonna be cold.
27:20I can't feel anything.
27:21And it's getting harder to breathe.
27:23All right, we got you.
27:24We're gonna get you down soon.
27:28All right, Cap, we're ready.
27:29Copy that.
27:30Firefighter, you.
27:31Be in position.
27:32Here they come.
27:33We're in position.
27:34All right, guys.
27:34On my call.
27:35Ready?
27:36Three, two, one, lift.
27:48There you go.
27:49Good job.
27:50Just like that.
27:51You got it, Tay.
27:54Keep it going.
27:55Keep it going.
27:55Keep it going.
27:55Just keep looking at me, Pablo.
27:57Keep looking at me.
27:58This is what I get for being a sellout.
27:59This is not on you.
28:01It's on your boss.
28:02No, this is on me.
28:04I knew this job was gross, but I did it anyway.
28:08All I ever wanted to do was bank art.
28:11Now I may never get to again.
28:15Pablo?
28:17Hey, hey, Pablo.
28:20Cap, you're gonna need to bring us down faster.
28:22He's not breathing.
28:22Okay, we got to double time.
28:23We got to double time.
28:27Stick with me, Pablo.
28:28Be ready, you.
28:29I'm gonna have to intubate him as soon as we land.
28:33All right, here she comes.
28:36Here we go.
28:39You got it.
28:41Lorenzo, let's go.
28:42We're good.
28:49Benito, too.
28:50I know.
28:52Taylor, what's wrong?
28:53I can't get it.
28:54It's too tight.
28:56I can't move his neck, and I don't want to perforate the esophagus.
28:59God, I wish Rox was here.
29:01You got to stay.
29:04You can do it.
29:09Thanks, Cap.
29:12I'm in.
29:13You're okay.
29:15Two?
29:15Good work.
29:20All right, he's in.
29:21Let's bag him.
29:24Come on, Pablo.
29:26Wake up.
29:28Wake up.
29:34Okay, he's back.
29:35Set for trouble.
29:35You got it.
29:36Yeah, Pablo, I told you we got to.
29:42Let's begin the hearing.
29:43First witness, please.
29:45Dr. Alba, can you paint a picture for me of what you saw when you entered the premises on the
29:52call?
29:53Celeste was home alone, in obvious distress, complaining of severe abdominal pain.
29:59Did she tell you what happened?
30:02Yes.
30:03Can you share it with the court?
30:07She had inserted a potato into her vagina as a prophylactic.
30:12She begged me to remove it instead of take her to the hospital.
30:16She said her parents would kill her.
30:18And did you ask her if she was 18?
30:21Yes.
30:22And what did she say?
30:24She never answered the question because she was in too much pain.
30:27You never answered on purpose.
30:29Isn't that correct, Celeste?
30:30No.
30:32I just wanted it out.
30:34It hurt so bad.
30:35Because you knew that your parents would be mad.
30:37Because they'd find out that you were sexually active.
30:39Isn't that right?
30:41Can we take a break?
30:43I don't feel very good.
30:44You know who doesn't feel very good?
30:47The woman whose life could be ruined, trying to save yours.
30:50She's just a kid.
30:52Does she really have to grill her like that?
30:53Don't worry.
30:54You're going to get your turn soon enough.
30:57You have a God complex, don't you?
30:59I don't think so, no.
31:01Well, safe to say you have a habit of going beyond the scope of a normal paramedic, isn't it?
31:05You'll have to be more specific.
31:06Okay.
31:07Okay.
31:07Is it true you recently went up 130 feet in the air in a rescue basket during a lightning storm?
31:11That was on my orders.
31:12True.
31:13But did you order her to tear out the mayor's pacemaker?
31:16Or perform open-heart surgery in the back of a moving ambulance?
31:19Well, technically the ambulance wasn't moving.
31:21We pulled over.
31:23Right.
31:24Your honor should know she didn't lose any of these patients.
31:27Her record is flawless.
31:28Actually, that's not true.
31:30Do you know who this woman is?
31:39Yes.
31:41Angelica Rojas.
31:43Yeah, well, I assumed you'd remember her since she died on your watch, didn't she?
31:47Objection.
31:47And I've never seen an Angelica Rojas in any of the NFD records.
31:51That's because she's not from Nashville.
31:53She's from the Bronx, where Dr. Alba treated her at St. John Xavier Hospital.
31:57She was 33 years old.
31:58Two young kids came in complaining of a headache.
32:00You diagnosed it as a sinus infection and sent her home with antibiotics and ibuprofen.
32:05That's correct.
32:07She died of an aneurysm three hours later.
32:11One that could have been prevented had you been paying better attention.
32:15That's right.
32:16So what happened?
32:18I was so focused on the insurance forms I had to fill out for the hospital that I missed the
32:22signs.
32:23And then you moved to Nashville to become a paramedic shortly thereafter for a new beginning, I presume?
32:29And to start focusing on patients more than computer screens.
32:32Oh, I get it.
32:35Judging by the surprise look on your captain's face, I take it you never disclosed this information to anyone in
32:39the department?
32:41No.
32:44I can tell losing Angelica still haunts you.
32:47Is it fair to say you still feel regret?
32:50Every single day.
32:52And you'd do anything to avoid feeling that way ever again?
32:55Yes.
32:56You'd do anything to help someone?
32:58Yes.
32:59So you would have saved Celeste's life no matter what?
33:02Yes.
33:03Whether she was a minor or not.
33:04You're damn right I would have.
33:08I think we're done.
33:18Thank you.
33:24Rox?
33:25Rox?
33:26What the hell was that?
33:28She asked you if you had any skeletons in your past.
33:30And if I had told you?
33:31What good would I have done?
33:33We would have gotten ahead of it.
33:34We would have owned it.
33:35We would have told your story.
33:36God, that judge is going to come out of deliberations.
33:38He's going to throw the book at you.
33:39I warned you what would happen if you weren't truthful.
33:41You better have a damn good attorney.
33:43Rox, what are you...
33:45Celeste?
33:46Are you okay?
33:48I noticed you looked uncomfortable in there.
33:50Sweetie, if something hurts, you need to say so.
33:52It's my side.
33:54Which side?
33:55Are you kidding me right now?
33:56Get away from my daughter.
33:58I'm going to get an officer of the court.
33:59Rox, everything okay?
34:00Cap, it's serious.
34:01I'll get an ambulance.
34:02Which side?
34:04You need to tell me it's okay.
34:06Right there.
34:06Get your hands off of my daughter.
34:09We're going to sue you.
34:10Ma'am, you care about your daughter.
34:11You let her do her work.
34:14God.
34:15It hurts so bad.
34:17Celeste, what is wrong, baby?
34:19Okay, Celeste?
34:20This is important.
34:22You need to be honest, okay?
34:23Your life depends on it.
34:26When was your last period?
34:30Eight weeks.
34:33Eight weeks?
34:34She's pregnant.
34:36I think this is an ectopic pregnancy.
34:38What is that?
34:38It's when a fertilized egg implants outside the U.S.
34:41And I suspect she's bleeding internally.
34:43We need to get her to the hospital now.
34:44Ambulance is on the way.
34:45You've got to get her downstairs.
34:46Grab your daughter.
34:48It's okay.
34:49It's okay.
34:50You'll be all right.
34:59Hey, Sam.
35:01Thanks for coming out.
35:02Yeah, I got your text.
35:03What's going on?
35:04Have you heard anything about a girl
35:06that came in with an ectopic pregnancy?
35:08Um, have you ever heard of HIPAA laws?
35:10We can't discuss specific patients.
35:13I know we're a little out of bounds here.
35:14It's just that rocks went to the wall to save this kid.
35:17Yeah, I just burned my career down.
35:20So I'm hoping it wasn't in vain.
35:23Oh, I'm sorry to hear that.
35:25But nobody's even asked me about my day today.
35:30What?
35:31You should really ask me about my day.
35:35Sam, how's your day going?
35:37Much better now.
35:39My colleague just saved a young woman's life
35:41thanks to a quick-thinking good Samaritan.
35:45And if they would have come in any later,
35:47it would have been a different story.
35:52Thank you, Sam.
35:55I should get back to work.
35:56Thanks.
35:58You hear that?
36:01Wasn't in vain.
36:02Look, I'm sorry for never telling you
36:04about what happened in New York.
36:06Why didn't you?
36:08I don't want you to look at me the way I do.
36:10How is that?
36:12A mommy killer?
36:15I orphaned two little kids
36:16because I couldn't pay attention for five minutes.
36:21Still feel so much shame over it.
36:24You know, it's funny.
36:26A good friend of mine recently helped me
36:28with a pretty nasty case of shame.
36:33Is that right?
36:34Mm-hmm.
36:36One of the things she taught me
36:37was that shame is a dangerous emotion.
36:40It can lie to you.
36:42And if you keep it to yourself,
36:44you start to believe those lies.
36:45Except in my case,
36:47it's all true.
36:48You say you're a mommy killer.
36:51I've seen you save more moms
36:52than I can count.
36:53And dads and grandpas
36:54and wives and kittens.
36:59I know you came down here
37:00for redemption, Rox.
37:01Not that you needed it,
37:03but you made good.
37:08Well, I'm glad.
37:10Because I'm pretty sure
37:11my days of saving people are over.
37:17Hey.
37:20City attorney's office.
37:23It's Captain Hart.
37:26Is that so?
37:31Okay, I'll let her know.
37:35Chuck, you're throwing the book at me?
37:38He never finished deliberating.
37:40Celeste's family just informed the city
37:42that they're dropping their suit.
37:45So I'm in the clear?
37:46Looks like you've got a lot more lives
37:48to save.
37:58You're 9-13?
38:00Good morning, my lovely you.
38:02Hey, Victoria.
38:04Grab a can.
38:05I had David pick some up for inspo.
38:07They're delicious.
38:09So he tells me I'm off aspartame.
38:11Taylor, do you know what I'm looking at?
38:13I don't know.
38:13I am looking at a person
38:14whose life's about to change.
38:16Certainly feel like that.
38:18Well, don't be nervous,
38:18but I've decided that
38:20that is where your gold record is going.
38:23after we cut your debut album.
38:27I'm not going to be able to do it.
38:27Victoria...
38:28But first, we need to make the people
38:29at HydraSculpt very happy.
38:31They have decided that they want the ad
38:32to run at the Kids' Choice Awards,
38:34so we need to deliver ASAP.
38:36Victoria,
38:37I need to tell you something.
38:40Working with you is literally
38:43a dream come true.
38:45Yes, of course it is, darling.
38:51I can't record the jingle today.
38:52Oh, no, is it your voice?
38:54Oh, honey, don't worry about that.
38:55We'd have tea.
38:56No...
38:56David, can you bring us some teas
38:58and some steroids?
38:59Victoria, I...
39:04It's not that I can't sing it today.
39:06I...
39:07I can't sing it ever.
39:11I...
39:12I was on a call
39:13and I met an artist.
39:15He was putting up a mural.
39:18He was mad for a strip club.
39:21And then he got hurt.
39:23And...
39:24I'll never forget the look in his eyes
39:26when he thought that
39:28that
39:30was the last thing
39:31that you'd ever work on.
39:34Is this your way
39:35of calling me a sellout?
39:36No, of course not.
39:37It's just...
39:38It's just that
39:40I would be one
39:41if I did something
39:42I don't believe in.
39:45Okay, well,
39:46why did you come down here, then?
39:48Because I respect you.
39:50And I hope to God
39:52that you have me back one day
39:53to record that gold record.
39:54We both know she has the talent.
39:58I've got to commend you, Taylor.
40:01Kelly's right.
40:02You have world-class talent.
40:04And courage.
40:05Like I've never seen in my life.
40:08No wonder you're a firefighter.
40:09Thank you, Victoria.
40:10That means a lot.
40:11But most firefighters
40:12are smart enough
40:14not to burn down
40:15their own careers.
40:16Yes, you have talent,
40:18but it's Nashville.
40:20Everyone has talent.
40:21not everyone has me.
40:23And you come into my studio
40:25and you humiliate me?
40:27That was never my intention.
40:28And then you have the gall
40:29to ask me for a gold record?
40:31I want you to know
40:32that I will make it
40:33my mission
40:34to use my immense power
40:37to make sure
40:38that you never sing
40:39in this town again.
40:41Now get out of my studio.
40:48Thank you for your time.
40:52Hey, don't listen to her.
40:54Did I just make
40:55the worst mistake of my life?
40:56No, honey, you didn't.
41:00What if she makes it
41:01so I never sing again?
41:02Knowing Victoria,
41:03she's going to forget
41:04about it by lunch.
41:05And you are going to sing again
41:06in about an hour.
41:07What are you talking about?
41:09I figured something
41:10like this might happen,
41:11so I booked you a gig.
41:14It's at the perfect venue.
41:15They're going to love you.
41:16Well, I'm going to have
41:18to get a guitar.
41:19No, it's Nashville.
41:20They're going to have one there.
41:21Okay.
41:23Everybody's been there.
41:25Everybody's been stared down
41:26by the enemy.
41:28Falling for the fear
41:29and dancing, disappearing.
41:31Bow down to the mighty.
41:34But don't run.
41:36Stop holding your tongue.
41:39Maybe there's a way out
41:41of the cage where you live.
41:44Maybe once these days
41:46You can let the light in.
41:49Show me how baby, baby.
41:54Say what you want to say
41:56And let the words fall out
41:59Honestly, I want to see you be brave
42:04What you want to say
42:07What you want to say
42:07And let the words fall out
42:10Honestly, I want to see you be brave
42:16I want to see you be brave
42:33I want to see you be brave
42:45I want to see you be brave
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