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00:08Sous-titrage Société Radio-Canada
00:30Sous-titrage Société Radio-Canada
01:00...with him for over 20 years in Miami Metro Homicide.
01:03I thought with everything going on here today, we should meet in my vault, Dexter Morgan.
01:09Stay cool. Stay very cool.
01:12I know exactly who you are.
01:14Mmm! I love it!
01:17I have extensive files on Serial Slayers across the globe.
01:22And what's the plan for Angel?
01:23That is the price of your admission.
01:27Oh, God.
01:28So much for cooperation.
01:41Dexter Morgan.
01:43Fuck you.
01:50Oh, that was unbelievable.
01:56I think you're being stupid.
01:57Pretty fucking stupid.
01:59I killed him.
02:01You killed a cop.
02:03I've put up with these psychopaths for years.
02:05I don't even mind getting rid of them for you.
02:07But what happened in there, that I did not sign up for.
02:11Yeah, I know.
02:12Things got really out of hand.
02:14Are you not listening?
02:15You killed a cop.
02:17Right as every police officer in the city is coming here for your gala.
02:21I'll take care of the gala.
02:23Just like everything in there will take care of itself.
02:27Are you just going to leave him in there?
02:29What do you want me to do?
02:30Okay.
02:31Point taken.
02:33Yeah.
02:35Remember the rule of threes.
02:38Three minutes without oxygen, three days without water, three weeks without food.
02:44He's good on oxygen.
02:47So three days, then.
02:50We can live with that, right?
02:52Even if he can't.
02:59I need you downstairs.
03:02You stay here.
03:03No one gets near that vault.
03:05There's a first aid kit in the credenza.
03:07Tend to that wound.
03:07I need you at your best.
03:13Shit.
03:19That gun-killed angel can't get my prince on it.
03:26There has to be another way out.
03:37This was not on my list of ways to die.
03:44But that wasn't on Batista's either.
04:02Rest in peace, angel.
04:05You're a good cop.
04:09And an even better man.
04:16Oops.
04:17You did it again.
04:21That's what happens when you try to be someone you're not.
04:24I told Angel to go home.
04:26Batista couldn't go home.
04:28He spent 20 years thinking you were his best friend.
04:32And then another 10 mourning your death.
04:33Only to find out you're a murderous psychopath.
04:36And you never actually felt anything for him.
04:41Why does his death hurt so much?
04:44Because you're so-called friend.
04:46Whose dying words were, by the way.
04:49Fuck you.
04:55I'm glad I killed you when I had the chance.
05:20Three days, huh?
05:28Good luck.
05:29If I had the Bay Harbor butcher locked in a room full of weapons,
05:32I wouldn't open that door for a month.
05:36So, unless you want to start carving up some Batista sashimi,
05:41you're gonna die in here.
05:44And your shriveled, emaciated corpse
05:46will be Praetor's greatest trophy yet.
05:49I am not dying in here!
06:08Shit.
06:09Only one way to unlock this phone.
06:12I'm so sorry, brother.
06:21Hey, Angel.
06:22Um, I got a call from some detective up in New York.
06:25What the fuck are you doing up there?
06:27Come home.
06:28I'm worried about you.
06:29And, look, the real reason why I'm calling,
06:31I can't handle another day with Masuka.
06:33He's driving me fucking nuts.
06:35I miss them.
06:37But there's only one person I can call.
06:42You said you were coming here to protect your son.
06:45Now you want to bring him into the lion's den?
06:47I promise to keep Harrison safe.
06:49I can't do that if I die in here.
06:52So this is all about being a good father.
06:54Not because you're afraid to die?
06:56Anyway, both things can be true.
07:03Mmm.
07:04Mmm.
07:07Oh, wait.
07:08Check that.
07:15Who the hell is Batista?
07:18Some fucking guy that won't leave me alone.
07:20As you can see.
07:24Hey, asshole.
07:25Harrison can't talk right now.
07:27His mouth is full.
07:28Of me.
07:33Oh, okay.
07:37Your dad wants to talk to you.
07:49Hey, Dad.
07:50What's up?
07:51I hate to do this, but I need your help.
07:53Why are you calling from Batista's phone?
07:55Prater knows who I am.
07:57Dad, stop.
07:59Why are you calling from Batista's phone?
08:02The last time you called me from a cop's phone?
08:04Yeah, Logan.
08:05I know.
08:06Harrison, listen to me.
08:09Prater killed Batista.
08:11And I'm next.
08:13Fuck.
08:16Yo, Harrison.
08:17What's good?
08:18Yo, I was just wondering if that offer was still good to work the gala.
08:21Hey, my man wants some loot after all.
08:23Yeah, I was just picking up some supplies.
08:25I'll text you the address.
08:27Great.
08:35What's this?
08:41Prater's files on all his serial slayers.
08:45Maybe the code to the vault is in here somewhere.
09:01You think Prater left a post-it note labeled secret vault code?
09:06I can figure it out.
09:08It's an eight-digit number.
09:10You only get one chance.
09:12And if anyone were to put in the wrong code.
09:16Just once.
09:25Wait, Charlotte?
09:27Charlie Brown.
09:29No wonder she's always so pissed off.
09:34Prater likes to keep tabs on his employees.
09:44Prater likes to keep tabs on everyone.
09:47Can you imagine the irony of you going down as the dark passenger?
09:50Yes.
09:52Gonna have to destroy these.
09:54If you ever make it out of here.
09:55He had to have written something down somewhere.
09:59Cooper Morris.
10:04That's the guy Prater told you about.
10:06Killed his parents.
10:07And others.
10:11What if Prater didn't write the combination down
10:13because it's a number he'd never forget?
10:18Today's date.
10:19Prater hosts his gala on the anniversary of his parents' death.
10:23Tonight Cooper Morris killed Prater's parents
10:25was the defining moment for him.
10:27It's a pretty significant eight-digit number, don't you think?
10:30That alarm goes off.
10:31A hundred cops rush upstairs.
10:33Better be sure.
10:34Sure.
10:35I'm betting my life on it.
10:37What about Harrison's life?
10:42Hey, attention servers.
10:43Behind those curtains are the most powerful people in New York City.
10:47I want to see wine glasses full at all times.
10:49I want to see dishes cleared ASAP.
10:51I need you all available.
10:54You understand me?
10:54Yes.
10:55And use your eyes, ears, and mouth.
10:58I'm on it.
10:59Okay, I'm on it.
11:04I'm in.
11:05Great.
11:06Can you get me a better view?
11:08Okay, guys, let's go.
11:10What are we waiting on?
11:11Move it.
11:12Move it.
11:13Gotta get to work.
11:15Okay.
11:24All right, where am I going?
11:25The penthouse is above the east wing of the mansion.
11:29Got it.
11:43Now, Nick.
11:45Wow.
11:46You.
11:48It's a rather good color on you.
11:50Your sleeves are still uneven.
11:57Now, where am I headed?
11:59Uh, all I see is champagne.
12:02Oh, fuck.
12:08Okay, should I take those stairs?
12:10No, those don't lead to the penthouse.
12:13There.
12:14What's that door?
12:15Uh, the service kitchen?
12:17Head there.
12:18Keep an eye out for Crater and Charlie.
12:20They'll know something's up if they see you.
12:22Work with rich people all the time.
12:24They never notice the help.
12:26Excuse me.
12:26I have an idea, Mr. Mayor.
12:28I really do.
12:29Leon.
12:30I saw the silent auction has a charter on your yacht.
12:32We just brought her up from St. Bart's, Mr. Mayor.
12:35To Chelsea Pierce, right?
12:37How are you liking that?
12:38Oh, boy.
12:39I can tell you some stuff about that.
12:40We're thinking of a switch.
12:41Fuck.
12:42Well, you got that over with?
12:45Let's not get cocky.
12:59Pass that freezer on the left.
13:01Is that a staircase?
13:09Fuck.
13:10How could Harrison get out of there?
13:12Where do you think you were going?
13:15Actually, I was looking for you.
13:17One of our waiters is really stoned.
13:19I'm afraid he might be a liability out there on the floor.
13:22Point him out to me.
13:24He's right there.
13:28Thanks for the heads up.
13:31Well played, son.
13:32Yeah, remind me to make it up to Lance.
13:41What a turnout.
13:42Welcome.
13:43Welcome, everyone, to my favorite night of the year.
13:47The 10th annual gala for New York's finest.
13:52Yeah.
13:53The penthouse is five floors up.
13:55Do the stairs go up that high?
13:58Yeah.
14:00This is five.
14:01That goes to the roof.
14:04I think I'm here.
14:13It's locked.
14:15Do you have anything to pick it with?
14:20Can you pick the lock like I showed you in Iron Lake?
14:27It's not, it's not quite catching.
14:35Harrison Morgan.
14:37You're going through a lot of trouble for a man you barely know.
14:55Have a seat.
15:00Dad, what do I do?
15:02Give the phone to Charlie.
15:09My dad wants to talk to you?
15:11Hmm.
15:13Charlie Brown, so good to see you.
15:15We need you to open the vault.
15:17As fun as that sounds, I think I'll leave the Bay Harbor butcher safely locked away.
15:23Yeah, I kind of figured you'd say that.
15:26What's this?
15:27Just a little something I found in your boss's secret file cabinet, time-stamped right before Mia's tragic suicide.
15:34There's a whole file on you.
15:36Paper trails, phone logs, surveillance photos.
15:41Looks like Prater's been documenting your dirty work for a very long time.
15:47That motherfucker.
15:52The thing is, Charlie, there's quite a few cops downstairs.
15:55You'd be surprised how many of them keep their airdrop wide open.
15:58It would only take me a second.
16:05And if you go to prison, who would take care of your mom?
16:12So here's the deal.
16:14I destroy everything, including the copies I took on Batista's phone.
16:19All you have to do is let Harrison go and open the vault.
16:23You'll never see or hear from us again.
16:25You let my mom live.
16:28So here's what's gonna happen.
16:30I let your son go.
16:32And then I walk away.
16:35You die in there.
16:38Release those files any sooner and, well, you know how good I am at finding people.
16:42A month from now, a year from now, two years from now, I kill your son.
16:49After I torture him.
16:52As long as you have it, take a look at my file.
16:54You'll see what I'm capable of.
16:57Now, if you'll excuse me,
17:00I have some unfinished business with my former employer.
17:09If you were smart,
17:12you'd walk away too.
17:16There's nothing good in there.
17:36Harrison, are you still there?
17:38Yeah, I'm here.
17:41I'm losing battery on this.
17:43Switch to just audio.
17:47I'm pretty sure I have the code to the vault.
17:49It's through the wine room.
17:51There's a keypad on the wall by the door.
17:55But we only get one shot.
17:57If I'm wrong, the alarm goes off.
17:58And if that happens, you need to get the hell out of here
18:01before a hundred cops rush up the stairs.
18:03No pressure.
18:06Harrison, you don't have to do this.
18:10You can leave right now, I would understand.
18:18Just give me the code, Dad.
18:23Zero.
18:25Three.
18:26Two.
18:28Six.
18:28One.
18:30Nine.
18:32Eight.
18:34Wait.
18:36Stop.
18:36What?
18:48That might not be the right code.
18:50Can you start over?
18:51Are you sure?
18:52Because you second-guessing yourself
18:53is not really inspiring confidence.
19:05Delete everything.
19:06Start over.
19:10You ready?
19:11Yeah.
19:13Eight.
19:13Two.
19:15Six.
19:15Six.
19:16One.
19:17Nine.
19:18Three.
19:19Four.
19:22Did you get all that?
19:27Okay.
19:28Shit.
19:31Dad?
19:35Dad.
19:36Dad.
19:41Dad!
19:42Dad!
19:43Do you want me to-
19:46to try?
20:06Dad.
20:06It hurts.
20:09This chair.
20:09Who Vivid?
20:10What?
20:13Was it leaving?
20:14la
20:14to be in no place.
20:21Il est bon.
20:24Qu'est-ce que c'est ce moment-là?
20:26Je vais juste ici
20:28Je vais faire quelques choses
20:29Ne Verne-t-dire que la porte il clôt
20:40Sous-titrage Société Radio-Canada
21:01Thanks for the bag, Sal.
21:06Let's go.
21:08Tell me we're getting out of here.
21:13What's wrong?
21:14Shit.
21:15Dad?
21:16I forgot something in the vault.
21:17What is it?
21:18A fake thumbprint.
21:20Adding that to the list of things, you're going to explain to me later.
21:24That thumbprint is my only way out, but you can go back down the way you came.
21:28Through the gala? Are you nuts?
21:29It's like you said, no one notices the help.
21:32No, I mean, I'm not leaving you.
21:34Right now, Charlie could be telling Prater you're up here.
21:37I'm not having you wait around to see what he'll do.
21:41I need to know you're safe.
21:43What about you?
21:44I'll be okay.
21:49Harrison?
21:52If something happens, I just want you to know I'm really glad you didn't kill me.
21:57Me too.
22:16I'll be great party.
22:24C'est bon.
22:26Qu'est-ce qui se passe ? Tu ne devrais pas être là-bas.
22:28Tu parles comme je travaille pour toi.
22:31Je n'ai pas fini.
22:32Je suis terminé de protéger toi.
22:44Tu n'as pas vouloir quelque chose.
22:46Pourquoi pas ?
22:46Parce que tu as un papier avec des photos de moi.
22:49Ce n'était pas assez pour toi de garder ma santé.
22:52Tu as besoin de me.
22:55C'est bon.
22:56C'est bon.
22:57C'est bon.
22:59C'est bon.
23:01C'est bon.
23:18Je vais disparaître.
23:19C'est bon.
23:31C'est bon.
23:32C'est bon.
23:34C'est bon.
23:41Bye, Leon.
23:51All right, let's take this party up and up.
23:58Is everybody having a good time?
24:05Okay.
24:06Uh-oh.
24:07Sounds like somebody needs to open a few more bottles over there.
24:14But let's remember, this gala is not about champagne and caviar.
24:19It is about raising money.
24:22Let's go.
24:30Let's go.
24:40Let's go.
24:48Let's go.
24:55To care for the brave officers who have been wounded in the line of duty.
24:59That is why tonight, I am going to match any and all contributions made by 9 p.m.
25:06Starting with my first contribution of $1 million.
25:11I guess that makes it $2 million.
25:14I guess that makes it $2 million.
25:16I guess that makes it $2 million.
25:29Ah!
25:30Yes!
25:30Welcome to my co-conspirator in this evening's shenanigans, NYPD commissioner, Franklin McNamara.
25:39Come on, man.
25:40Thanks.
25:44I need to sit down and be here.
25:46So.
25:47Yeah.
25:48Uh...
25:49Je ne pouvais pas être prouvé.
25:56L'arrivée à l'intérieur et à l'intérieur.
26:05Chut tous les caméras.
26:06Sir, tu es sûre que tu es...
26:08Doe ça.
26:11Give me your gun.
26:13Give me your gun.
26:34Hello, Harrison Morgan.
26:38Please, head back down the stairs now.
26:42Thank you.
27:00Prater has a lot of expensive toys.
27:03But I'll never be one of them.
27:09I'm almost out.
27:10Where are you?
27:11Why don't you come back upstairs?
27:14Trust me.
27:15You don't want to miss this after party.
27:17Where's my son?
27:21Alive?
27:22Where is my son?
27:29Tell your father where you are.
27:32We're in his wine room.
27:34Harrison.
27:35Bye, Dad.
27:52Things would be a lot easier if I didn't care.
27:58Is this the cost of loving someone?
28:00I'm tired too.
28:03I'm tired too.
28:04Get that fucker.
28:06I'm tired too.
28:10I'm tired too.
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33:21C'est ce que j'ai toujours voulu, un endroit pour les gens comme toi, où ils peuvent être.
33:27Nous tous voulons être.
33:29Oui, j'ai écouté Al, Lole, Mia et Gareth parler tellement libre,
33:36openly, et gleefully,
33:40sur leurs vêtements.
33:44C'était une révélation.
33:46Je savais que vous vouliez.
33:49Mais...
33:51Puis j'ai réalisé que toutes leurs vêtements étaient des gens innocents.
33:56Non si bien-minded, après tout.
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36:53Je n'ai jamais été tué.
36:54Je n'ai jamais été tué.
36:56Je n'ai pas eu de trophies pour me souvenir.
36:59Et je ne veux pas vous souvenir.
37:45Sous-titrage Société Radio-Canada
37:53C'est parti.
37:541,2,3,3,3...
38:07Non, c'est parti.
38:09Le temps est vivalre et je souhaite utiliser ch mieau à dormir
38:11Je veux le tourner.
38:13Non c'est besoin.
38:14Je peux qui ça moi-même.
38:15Merci.
38:21Qu'est-ce qui se passe ?
38:22Merci.
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