12:47Je ne pense pas.
12:48Une voiture de voiture ?
12:51Oh, oui, oui, j'ai dit.
12:55Certains enfants étaient robbing les coins, les petits.
12:58Qu'est-ce qu'il y a un mot ?
13:05Qu'est-ce qu'il y a des enfants ?
13:06Qu'est-ce qu'il y a des enfants ?
13:07Ou six ?
13:10Une des enfants a un barbeau.
13:13Et pourquoi ne vous apportez pas ?
13:14Je suis venu, mais j'ai entendu des sirens.
13:17Je ne pensais pas que vous apportez ce que vous apportez ce que vous apportez ?
13:21Ils ont dit qu'ils ont dit que j'ai exposé moi-même.
13:27Pourquoi vous avez exposé moi-même ?
13:29Non, je n'ai pas, mais c'est ce qu'ils ont dit qu'ils ont dit.
13:32Je ne veux pas être accusé de ce que vous apportez.
13:34Donc, ce n'est-ce qu'il y a pas ?
13:40«Constable... Sergeant... »
13:41Hmm ?
13:42« Voilà ! »
13:49«
13:49T'as vu la quelle elles ont ?
13:50« Neù gens-tu que lesожно qui pouvait ''
13:53C'est pas possible.
13:54Ils étaient des enfants, ils étaient des enfants.
13:57Oh, il y avait des jambes à la face.
14:00Qu'est-ce que?
14:01Des jambes?
14:02Oui.
14:05Des apricots.
14:06C'est juste un guess.
14:13Qu'est-ce que vous faites ?
14:22Michael.
14:23Do you mind telling me what the hell's going on?
14:25I saw some kids robbing a van on the way to work.
14:27That's it, Gordon.
14:28I can't hear police officers marching in here questioning my staff.
14:31How do you think that looks?
14:33Hello, Hilary.
14:36Yes, I'll be right there.
14:37No.
14:39Yes, I'm on my way.
14:41Okay.
14:41I've got to go.
14:43My dad's had a fall at the home.
14:47I didn't have a fall.
14:50I tripped over the effing cat.
14:51Is that not having a fall?
14:53No, it's entirely different.
14:55A fall is what old people do when they can't be asked to concentrate on standing up properly.
14:59Number one, I'm not old enough to have a fall.
15:02You're pushing 90, Dad.
15:04Number two, I tripped over an effing cat.
15:10Well, we'll get the doctor to check you over.
15:12Make sure you haven't fractured anything.
15:14Can you leave us alone, please?
15:15I need to talk to my son.
15:17Hey, Dad, don't be rude to Hilary.
15:19I said pleased, didn't I?
15:20In a rude way, yes.
15:22It's all right.
15:23Do you want a good pair?
15:24I'm all right.
15:25Thanks, Hilary.
15:30So, how's it going?
15:32Are they growing?
15:33Are you sure you're all right, Dad?
15:35Yes, the prophets.
15:37You said you've seen them.
15:38Are they moving?
15:39Are they eating?
15:42I can see three.
15:44The other jars are empty, as far as I can tell.
15:46Which three?
15:47Well, I think one of them is the king.
15:49He's got a crown.
15:50Yeah, good.
15:50The serif, yeah.
15:52You've got to keep on top of the water changes and the feeding
15:55and continue to chant.
15:57It makes them strong.
15:59Dad, what are they?
16:00They look like people trapped in jars.
16:03What am I doing?
16:04Should I even be doing this?
16:05No, no, you mustn't anthropomorphise them.
16:08They're not people.
16:09They're not even physical half the time.
16:11They're supernatural.
16:13They don't abide by the laws of nature.
16:15They have a different set of rules
16:16which you're not even close to understanding.
16:18Then how do I know how to look after them?
16:21I mean, they look as though they're in pain.
16:23They look like they're suffering.
16:24But there you go again.
16:26Anthropomorphising.
16:27They exist in a different realm.
16:29They want to tell the truth.
16:30They need to tell the truth.
16:32So you keep them fulfilled by asking the questions you need to know.
16:36It says in the book they have to be buried in horse manure
16:40until they reach the state of divination.
16:43Oh, yeah.
16:44Yeah, venta equinus.
16:46Bowls of the horse, yes.
16:47But I think any farm you have manure would probably do the trick.
16:49Right.
16:50It's to keep them warm.
16:52Can't I just whack the heating up?
16:53No, no, no.
16:54Trust the recipe, son.
16:55It's all there.
16:56It's as much to do with decomposition.
16:58The breaking down of living materials
17:00to transfer life and vitality to the prophets.
17:07I'll pop back later.
17:09I am sorry about him being snappy with you.
17:11Well, yeah, that's nothing, love.
17:12You should hear some of the names I get called.
17:14Is he okay?
17:15Yes, he's just a bit confused.
17:17I'll pop back later.
17:19Hey, did he tell you I had a visitor earlier?
17:21Dad did.
17:22Yeah, was it your brother-in-law?
17:24Roy?
17:25Clea's brother.
17:26He came here.
17:26Oh, that's all right, is it?
17:27Your dad seems to recognise him.
17:28Yes, it's fine.
17:30Do you know what he wanted?
17:31Said he was just passing, wanted to say hello.
17:34Fine.
17:35Cool.
17:36Thanks.
17:41Roy, it's Michael.
17:43I don't want you visiting my dad.
17:45I don't know what you want from him,
17:46but practical strangers turning up just confuses him.
17:50And, you know, he has his routines.
17:52Please, don't visit him without me there,
17:55or without telling me first.
17:56It confuses him.
17:59Bye.
18:07Hello, Michael.
18:10Hello.
18:12It's funny, er,
18:13I don't know if you remember you saying you,
18:15maybe you couldn't cut your hedge,
18:16cos there were birds nesting chapinches, I think you said.
18:19Oh, yes?
18:20Yeah, well, just, er,
18:22having a look at this bird book,
18:23and it's, er,
18:24I just noticed that it said that,
18:26that they nest in, er, springtime.
18:29Really?
18:30Yeah.
18:32Apparently all, all garden birds do, so.
18:35Yeah.
18:37That's when they,
18:40that's when they nest, so.
18:41Oh.
18:43Terrifying.
18:46What is?
18:48Climate change.
18:53Hello, Michael.
18:55Bev.
18:59Cheerio.
19:15Is it a kind of dream?
19:37Michael, it's Roy.
19:39Give us a ring back when you get this message.
19:40Listen, mate, it wasn't me that came to visit your dad at the home.
19:44I don't know who it was, but it wasn't me.
19:46So,
19:48you need to find out who's saying they're me,
19:50and,
19:51what it is that they want from your dad.
19:53Give us a ring back, yeah?
19:55Cheers, bye.
20:06Hello.
20:07It's Roy, isn't it?
20:09Yeah, hello.
20:10I'm Bea.
20:12I was a friend of your sister, Claire.
20:14I, I think we met once a long time ago.
20:16Oh.
20:17Okay.
20:17Yeah, I worked with Claire for a while.
20:19We did the antique stores together.
20:21I remember, second hand books, wasn't it?
20:23Did you hear from her?
20:24Uh, no, she, um,
20:26I mean, she, you know,
20:28she went missing.
20:29Yeah, of course, yeah.
20:31I was just wondering if anything had changed.
20:34What's your name again?
20:35Bea.
20:36Beatrice.
20:38Do you want to get a coffee or something?
20:41Yeah, okay.
20:46What's it been?
20:47Five years since she won?
20:49Nearly seven.
20:50Oh, wow, is it that long?
20:51Yeah.
20:52Yeah, I guess it is.
20:54You still doing the antiques place?
20:55Oh, no, that place closed down a long time ago now.
21:01God, do you know what?
21:02I just remembered that Claire used to rent a storage unit
21:05to keep some of the extra stock in.
21:09Oh, yeah?
21:10Yeah.
21:11I wonder what happened to it.
21:13I don't think there was much in it by the end, but...
21:15Yeah, I don't know.
21:16He had to ask her partner.
21:17He kept everything as it was.
21:19He still thinks she's gonna walk through the front door one of these days.
21:23Must have been so hard, but...
21:27Oh, God.
21:29I've forgotten his name.
21:32Hamish.
21:33Of course, Hamish.
21:36Poor Hamish.
21:37Do you have his number?
21:38Is he still at the same place?
21:40Why don't you give me your number?
21:41I'll get him to give you a ring.
21:52Good morning, Olive.
21:54Morning, Michael.
21:56You well?
21:57Uh, yes, yes.
21:58I'm very good, thank you, Olive.
22:01What are you up to?
22:02That looks like hard work.
22:04Yep.
22:04I've decided it's time to go for the fake grass.
22:07Fake grass?
22:08Yep.
22:09The old astroturf.
22:11I swear I wouldn't, but...
22:12needs must.
22:14Are you sure that's not carpet, Olive?
22:17Carpet?
22:18No.
22:19Because it looks like it's got a pattern from here.
22:21Has it?
22:22Where'd you get it from?
22:24The fella came to the door.
22:26He had it in a van.
22:28Have a look.
22:29Hmm.
22:44Sorry, Olive.
22:45That is definitely deep pile carpet.
22:48Fucking hell.
22:50How much did you pay for it?
22:51I'm not telling you.
22:53It looks like it's acrylic, so you never know.
22:56It might look green.
22:57And I quite like the paisley.
23:10Hiya.
23:16Hello.
23:19What are you doing here?
23:21I'm good, thanks.
23:22How are you?
23:22Sorry.
23:23I wasn't expecting you.
23:25I've come to see your sea monkeys.
23:27It isn't really convenient.
23:29Come on, mate.
23:30You said.
23:32Alright.
23:32Quick.
23:33Come in.
23:43Mind the brambles and the nettles.
23:46And the barbed wire.
23:47And the barbed wire.
23:58Hang on.
24:00They don't like it too bright.
24:03Right.
24:04It's like an opium done in here.
24:07Or a brothel.
24:08Don't touch anything.
24:10I wasn't going to.
24:15Are you ready?
24:17Ready?
24:18I don't know.
24:19Shall we be scared or something?
24:20No.
24:20Definitely not.
24:21They can sense fear.
24:23It makes them freak out.
24:25Okay.
24:35What am I looking for?
24:37Tap on the glass, gently.
24:45Hey, that's cool.
24:46How do you get it to do that?
24:49Hey, that's cool.
25:02What the fuck?
25:03What the fuck is that?
25:03Sure.
25:04Don't shout.
25:05You're stressing him out.
25:07Please.
25:07Oh jeez ! Je m'en suis désolé !
25:11Casey !
25:12Eddine, si vous avez besoin d'aider ces brass keg, s'il vous plaît !
25:15Parce qu'ils ne veulent pas être pour une barrelle !
25:20C'est un homiculant !
25:24C'est un homiculant !
25:24C'est un homiculant !
25:24C'est un homiculant !
25:25C'est un homiculant !
25:25C'est un homiculant !
25:26C'est un homiculant !
25:27C'est un homiculant !
25:28C'est un homiculant !
25:38C'est un homiculant !
25:39Are the others…
25:40like that ?
25:42Yeah !
25:42They're all different,
25:43but yeah, similar !
25:48OK !
25:49OK !
25:50Now I know what to expect !
25:52Seriously, though !
25:53If you yell again like that !
25:54I won't !
25:55Shut up !
25:55I'm ready !
25:57Now I'm ready !
26:25Oh my God, I don't know what I'm looking at.
26:30Can they see me?
26:31I don't think so.
26:33I think they just sense that you're there.
26:36Are they all right?
26:38They look fucked.
26:42Are they, like, people?
26:45No.
26:46They're prophesying spirits.
26:49This is mental.
26:54And you can ask them questions about the future?
26:56About anything.
26:57Once they reach a certain size,
26:59and they will always answer with the truth.
27:03How does that work then?
27:04I don't know.
27:09What are you going to ask them?
27:12If Clea's ever going to come back.
27:18What if they say no?
27:23I'll ask if she loved me.
27:27Just need to know.
27:30If I can move on.
27:34Can I ask him something?
27:37If he'll ever be in neighbours?
27:39Yeah.
27:41What if they say no?
27:44Then I can stop hoping.
27:46I can't.
27:47I can't.
27:49I can't.
28:13I can't.
28:14I can't.
28:15Je ne sais pas qui elle est.
28:17Et avez-vous vu l'œil de l'œil de l'œil ?
28:19Et il est l'un qui déclaré à être concerné par la vie de l'œil.
28:22Il y a l'albatrosses à la fin de la fin de la fin de la fin de la semaine.
28:25Parce que vous savez bien que moi,
28:26qu'il ne s'arrête pas.
29:15pour vous.
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