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Carlo Lucarelli ricostruisce la storia di Lucia Annibali, la giovane donna che nell’aprile del 2013 è stata sfigurata con l’acido da due uomini su ordine del suo ex compagno. L’avvocatessa di Pesaro, proprio per il coraggio e la forza con cui ha reagito alle terribili conseguenze fisiche e psicologiche dell’aggressione, è diventata il simbolo di tutte quelle donne che si ribellano alla violenza maschile. L’8 marzo di quest’anno, infatti, ha ricevuto dal Presidente della Repubblica, Giorgio Napolitano, l’onorificenza di Cavaliere. Attraverso la testimonianza in prima persona di questa donna coraggiosa il racconto della possibilità di una seconda vita. Lucia è riuscita a trasformare un avvenimento terribile, che l’ha cambiata profondamente, in una scelta di riscatto e di amore per se stessa e per gli altri.

2015.06.27 | La tredicesima ora / le scelte che hanno cambiato la vita |01| Lucia Annibali - Sabato 27 giugno 2015 |

#CarloLucarelli #Cronaca #Cronacanera #Crime #TrueCrime

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00:004
00:07There are stories that are truly scary, because they make us understand that there is still something resolved, something primitive
00:13and bestial,
00:14a prehistoric monster, but not out there, in the forest, here with us, inside us.
00:19He is capable of the most ferocious violence, but above all the most absurd, stupid, and incomprehensible.
00:24And that's exactly why we fail to notice it, like a dull noise that you end up getting used to,
00:30until it's too late.
00:31This is a story like that, a scary story, but fortunately it's not just that,
00:36it is also a story of redemption and strength, the strength of a young woman named Lucia.
00:41And in the end, not at the beginning, but in the end yes, it is also a love story, but only in the end,
00:47because at the beginning it's still a scary story.
00:50I felt a terrible fear, just the... not the sensation, the reality of actually being
00:59those scenes you see in movies, that don't seem real until they happen to you.
01:04And that's a terrible thing.
01:08And that's a terrible thing.
01:15And that's a terrible thing.
01:15And that's a terrible thing.
01:42And that's a terrible thing.
02:11It starts like in a movie, a woman in an elevator, going up to her apartment
02:17where she lives alone.
02:20He parked the car along the road, because a strange feeling of uneasiness
02:25He stopped her from going down to the garage, which now scares her in the dark and closed.
02:32And even now that he's checking his cell phone for calls, that bad feeling comes back again.
02:43like being spied on, even in the elevator, alone.
02:53On the landing he already has the keys in his hand ready to open the security door.
03:04One turn, two turns and the lock clicks.
03:07Something's wrong.
03:13She was sure she had locked the door four times that morning,
03:17when she went to work, as she always did.
03:19Now, however, there are only two.
03:23That feeling, that feeling of uneasiness, is getting stronger and stronger.
03:28as the door swings open by itself.
03:30And Lucia sees that the table in the room is not as she left it.
03:34It's been moved and there's a chair on top.
03:39Someone broke into the house.
03:41Someone is home.
03:43Lucia would like to close the door and run downstairs,
03:46call someone on your cell phone, but suddenly a sharp pull opens the door from inside.
03:53Here, it is now 9:30 PM on April 16, 2013.
03:57Our thirteenth hour.
04:00The hour when, for Lucia, everything changes.
04:03Let's go back and see why.
04:18There is a hole in the French window that leads to the small balcony.
04:21A hole just above the handle.
04:23A pretty big hole, because the glass didn't break on its own.
04:26They did it on purpose.
04:35Lucia noticed it a few days earlier.
04:37In the morning, when she went to work, he wasn't there.
04:40And in the evening, when she returned, there he was.
04:42You have to be careful, the glazier, who changed the window, told her.
04:45Because from there someone can stick a wire in and open the handle to enter the house.
04:59Who made that hole?
05:01Because if someone from outside had done it, they would have had to climb up the wall to the first floor.
05:06And his apartment is on Via Vincenzo Rossi, right in the center of Pesaro.
05:10Someone would have seen it.
05:24So he did it from inside, after entering his apartment.
05:28But why?
05:29And how did he get in?
05:31The security door is new, the lock was recently changed and the keys were never given to anyone.
05:43Who made that hole?
05:45Lucia has an idea.
05:47For her it was Luca.
05:48She doesn't know how he did it, but she's sure it was Luca, the man with whom she had a
05:53relationship until recently.
05:55A very difficult and very tormented story.
05:59I liked everything.
06:01I really liked everything.
06:02It was like a magnet.
06:08Maybe also because he was so elusive, so mysterious.
06:12I liked it very much.
06:13I have always felt very deep and sincere feelings towards him.
06:18And to think that at first she didn't even like that self-confident, almost arrogant guy.
06:24He seemed to her like someone who was convinced that women liked him.
06:26They had met a few times in court, in Macerata, because they are both lawyers.
06:31And then, in 2004, she was still a trainee working in her father's studio.
06:36She just graduated in law, like him, who is preparing for the state exam.
06:44She hadn't liked it, not even physically.
06:47And she didn't like it even a few years later, in 2009,
06:51when they spoke on the phone to settle the matter of compensation for damages from a road accident
06:56which saw their studies opposed.
06:59Arrogant, almost violent as he was then, he had also insulted her.
07:03We spoke, yes, a phone call that resulted in a somewhat aggressive tone on his part,
07:09because he thought we had behaved incorrectly.
07:13Then, following that call, he sent me a message apologizing.
07:17and that's where everything started.
07:36The man who shows up for the appointment at a café on the beach in Pesaro
07:40It's completely different from what Lucia remembered.
07:51His apology had struck her.
07:53and she was curious to see if that arrogant and haughty man
07:57it would have had the same off-putting effect on her as it had a few years earlier.
08:01But no, here it is.
08:03No jacket and tie, but a red T-shirt.
08:05A nice, spontaneous, original guy, with whom you can talk about everything.
08:16They spend the whole morning talking together
08:18and finally Lucia invites him to a party organized by the Bar Association for that evening.
08:29Do you want to go with her to that party?
08:32Luca says yes.
08:33And then, before leaving, he hugs her
08:36and at that moment Lucia is fully aware that she has fallen in love with him.
09:10At the beginning it is an exciting and tender story,
09:13as always happens when you fall in love.
09:15When she kisses him for the first time, for example,
09:18and he's as embarrassed as a child.
09:19And then, the next morning, he wakes her up with a text message.
09:23How beautiful our first kiss was.
09:25Lucia is in love with that man
09:27which seems to contain within itself everything he seeks.
09:29He's charming, nice, sweet, always original.
09:33She can't wait to meet him, to be with him.
09:35She's happy, Lucia.
09:37The happiness of lovers.
09:39But something doesn't add up.
09:46I've always had a sixth sense.
09:50In short, a little voice inside me that told me
09:52that something wasn't right,
09:55because it was a relationship that never developed,
09:57that never grew up.
09:59Luca is elusive, he always has something to do,
10:01he's always in a hurry.
10:02He lets her into his apartment
10:04when they make love for the first time and it's beautiful.
10:06But then they meet mostly in his studio on weekends.
10:11And then he's in a hurry to run away somewhere else.
10:14She asks him what he does on the weekend and he responds via text message.
10:18Nothing, have a good day.
10:20And that's it.
10:29He's elusive, Luca.
10:31It comes and goes.
10:32He tells her that he is not the right person for her,
10:34who cannot commit to a serious relationship,
10:36who has to think about his sick mother,
10:38that they have to leave each other.
10:39But then it always comes back.
10:47She would like something more.
10:49That teenage sweetheart story isn't enough for her.
10:51who meet every now and then,
10:53as clandestine lovers.
10:55But he still endures it.
11:04He endures because he dreams,
11:06like all people in love.
11:08Wait until things get better.
11:09He bought that apartment on Via Vincenzo Rossi,
11:12right in front of his office,
11:14also because she thinks that after work he will come up to her.
11:17They will fall asleep together on the sofa,
11:20they will have dinner together,
11:21they will spend the night together,
11:22like a real couple.
11:23But it never happens.
11:25Very quietly,
11:26anyway, I put together a few pieces
11:29and then I found out what the truth was.
11:32But even discovering the truth,
11:34I didn't succeed at first,
11:36for a long time, to detach me.
11:38Of pieces to put together,
11:40of clues about things that don't add up in their story,
11:44there are many.
11:45Usually, in hindsight, everyone can see things.
11:47But when you're in love, no,
11:49one is always blind.
11:50And Lucia is a woman in love.
11:52One day he rings at Luca's apartment
11:55and a woman answers her.
11:57She is the babysitter of her sister's children,
11:59he tells her,
12:00he left her the apartment.
12:01And Lucia believes it.
12:07Then she finds out that Luca and his ex,
12:09or at least he says his ex,
12:12they got closer again,
12:13that he goes to her instead of going to his sick mother.
12:16He also goes on holiday with her,
12:18instead of taking a trip alone,
12:19as he had told her.
12:23But Lucia is too much in love,
12:25accept his explanations
12:27and think they're just good friends
12:29him and his ex and nothing else.
12:31And even after,
12:32when he meets this ex
12:34and discovers that ex is not at all,
12:36On the contrary,
12:37Lucia tolerates,
12:38because he thinks that sooner or later
12:39things will change.
12:57If you think about that hole
12:58in the glass door window
13:00of the terrace of his apartment
13:02in Vincenzo Rossi Street,
13:03Lucia can't help it
13:05to think also
13:06that he did it himself,
13:07Luca,
13:08the man with whom she had
13:09a love story
13:10and at the beginning for her
13:11it really was.
13:13It was in the past.
13:14Because at some point
13:15the state of temporary blindness
13:17typical of falling in love
13:19it's finished
13:19and Lucia was able to say enough
13:21to that relationship
13:23which only hurts her.
13:24But even before,
13:26that is, even when you live
13:27these relationships
13:29one realizes
13:30at a certain point
13:31which is not love,
13:35that is, it still hurts you
13:39and it doesn't do you any good
13:40stay in that relationship.
13:43But unfortunately if you end up there
13:45because obviously
13:46there's something inside you
13:47that is missing
13:48and that pushes you
13:49to tie yourself to these characters
13:52and then it is needed
13:53a path of awareness.
13:56of awareness
13:57of what happens
13:58and weaknesses
14:00that you still have inside you.
14:02When you can
14:04to regain a little
14:06self-mastery
14:07then you really understand
14:09that that is not love.
14:12Then you have to give up
14:13the love investment
14:15what do you do about this person
14:16to continue.
14:18They are all concepts
14:19which may seem trivial
14:22to most
14:24but I'm not
14:25for those who unfortunately live
14:27these relationships
14:28truly devastating.
14:29He had already tried it
14:30in 2011 to leave it
14:32and many times
14:33but always
14:34one way or another
14:35he had finished
14:36to take it back.
14:37And even then
14:37it had happened
14:38a strange thing
14:39one of those
14:40in hindsight.
14:45after he had it
14:47thrown out of the house
14:48for yet another lie
14:49he had found it
14:50in front of the door
14:51to ring the bell
14:52and when she
14:53he hadn't opened the door for him
14:54Luca had started
14:55to rain down punches
14:56the door.
14:57He had seen it
14:58from the peephole
14:59and she was scared
15:00so much
15:01who had intervened
15:02the neighbors
15:03to send him away.
15:05And then
15:05there had been phone calls
15:07at all hours of the day
15:08and of the night
15:09text message
15:10email
15:10until somehow
15:11they hadn't gotten back together
15:13and it started again
15:14all over again
15:15same lies
15:16same explanations
15:17hindsight.
15:19It really stops
15:21inside me
15:22in the month of
15:24August
15:25of 2012
15:27it really stops
15:29that is, that's enough
15:30that matures
15:31really inside you
15:32and there it was
15:33the beginning of the end.
15:35It makes me say that enough is enough
15:36physical violence
15:38then a slap
15:41which becomes
15:42Truly
15:43intolerable
15:43I had endured
15:45of everything
15:45but that slap
15:47No.
15:47Awareness
15:48comes after a slap
15:49Lucia
15:50he met
15:51another man
15:52nothing important
15:53just a friend
15:54with which
15:55he exchanged
15:56some messages
15:56two people
15:57who like each other
15:58nothing more
15:59but Luca
16:00he took her phone
16:01he read the messages
16:02and he did it to her
16:02a scene of jealousy
16:03and when she
16:04he tried
16:05to recover
16:05the cell phone
16:06he threw them
16:06a slap
16:07in the face
16:08and some time later
16:09he did it again
16:10he tried
16:11to get closer again
16:12she rejected him
16:13and then he
16:14he slapped her twice
16:16it's too much
16:17even for a woman
16:18in love like Lucia
16:19that now
16:20so in love
16:21it's just starting
16:22to no longer be so
16:23and so he leaves it
16:24definitely
16:25September 2012
16:27it is then
16:28that the nightmare begins
16:38that hole
16:39in the glass
16:39of the French window
16:40it's just
16:41the last one
16:42of a series of things
16:43that happened
16:44that last year
16:48Lucia
16:49he's starting to find it again
16:50behind everywhere
16:51Luca the pawn
16:52he chases her in the car
16:53throughout the city
16:54he jumps into her car
16:55and he doesn't want to come down
16:56if he finds it nearby
16:58to observe her
16:59one evening she went out
17:00with friends
17:00stay out late
17:02on purpose
17:02because he's afraid
17:03that he follows her
17:04but when he comes home
17:05around half past three
17:06in the morning
17:07and lower the shutter
17:08of the garage
17:09he is there
17:10behind him
17:16he follows her up the stairs
17:18and on the landing
17:19and when she
17:20try to close the door
17:21he blocks her
17:22and she has to scream
17:23until you wake up
17:24the whole palace
17:24for him to go away
17:25and then
17:26email
17:27text message
17:28and phone calls
17:29all with the same request
17:30he wants to see her
17:31he wants to talk to her
17:32he wants to clarify
17:33he wants to get back together with her
17:35as soon as I tried
17:36to escape from me
17:37to this relationship
17:38it began
17:39a pressure
17:40they were starting
17:40then the chases
17:42it was starting, in short
17:42a kind of persecution
17:44there it became
17:46more and more
17:47fierce
17:48why exactly
17:50it is awareness
17:52on his part
17:53of no longer having
17:53control over me
17:54of not being able to anymore
17:56recover
17:56so this frustration
17:58of the no
17:58not all text messages
18:00and not all phone calls
18:01they ask to see her
18:03to talk
18:04there are some
18:05that say other things
18:06you can't treat me like this
18:08you can't ignore me
18:09I'll make you pay for it
18:11and then
18:12wait and see
18:13you'll see
18:14Lucia
18:15Lucia
18:15he's starting to get scared
18:30if that hole
18:31in the glass
18:31of the French window
18:32it was done
18:33from the inside
18:34then it means
18:34that someone
18:35Luca
18:36think Lucia
18:37he has the keys
18:38of his armored door
18:39and can enter
18:40in his apartment
18:46it's been a while
18:47who doesn't feel safe
18:48not even there
18:49and when there is nothing left
18:50to sleep at his house
18:51in Urbino
18:52he puts a chair
18:53against the door
18:54framing her
18:55under the handle
18:56because they happened
18:57of strange things
18:59it happened
18:59that once
19:00Luca
19:00he had called them
19:01in the studio
19:02because he had forgotten
19:03one thing
19:04in his apartment
19:05and he wanted his keys
19:06to leave
19:07to resume
19:08she
19:08he had given them to her
19:09but then he had it changed
19:11the door lock
19:12and as soon as the blacksmith
19:13he was gone
19:14there it is
19:15Luca
19:15on the door
19:16to watch
19:17it happened
19:18that one day
19:19who was in the swimming pool
19:20her cell phone disappeared
19:21strange
19:22because she was sure
19:23to have left it
19:24inside the pocket
19:25of the jacket
19:25in the closet
19:26and instead
19:27he finds it outside
19:28near the car
19:29she doesn't know it yet
19:30but in that same pool
19:31he signed up
19:32Luca too
19:33under a false name
19:34a person
19:35who works there
19:35he saw it
19:36with in hand
19:37Lucia's cell phone
19:38he recognized it
19:39from the pink case
19:40a little bit of white
19:45it happened
19:47that once
19:47she came back home
19:48and in the garage
19:49right on the wall
19:50in front of his parking space
19:51found an L
19:53initial of his name
19:54or that of Luca
19:55drawn inside a square
19:57with a spray paint
19:58black
20:03and then
20:04that thing happened
20:06of the gas leak
20:07in January 2013
20:09one evening
20:10Lucia returns home
20:11from work
20:11and sees Luca
20:12in the car
20:13in a side street
20:14then he runs upstairs
20:16in his apartment
20:17but as soon as he enters
20:18he feels a very strong
20:19smell of gas
20:20open the windows wide
20:21and when it does
20:22to close the door
20:23Luca is on the landing
20:24trying to get in
20:26he manages to send him away
20:27but he's going to sleep
20:28for a few nights
20:29at his parents' house
20:30in Urbino
20:31because I was too scared
20:32then he goes back to his house
20:34in Pesaro
20:34and one day
20:35who tries to cook something for himself
20:37they catch fire
20:38the gas knobs
20:39call the technician
20:41what he tells her
20:41who took a big risk
20:43the gas pipe
20:44he was crazy
20:44and the gaskets were missing
20:46it could have blown up
20:47but who did the implant?
20:49he tells her
20:49a criminal
20:50Yes
20:51a lot of things happened
20:53in those days
20:54scary things
20:55it's very ugly
20:57living with fear
20:58it's really bad
21:00Unfortunately
21:01at least that's what happened to me
21:02you get used to it somehow
21:04to live in fear
21:06even the fact of returning home
21:08and run
21:09the landing
21:10it almost becomes a habit
21:12or rather
21:13return home in the evening
21:14find him again
21:15behind
21:16it's like somehow
21:18you felt stronger
21:21why do you say
21:22yes I can handle this now
21:23I can handle it
21:25but it's not good
21:26it's absolutely not healthy
21:29it's okay to live like this
21:30wrong
21:43that hole in the French window
21:45it's scary
21:46and not only to Lucia
21:47she also tells her father
21:49at the end of the working day
21:51in his study
21:51and him too
21:52he gets scared
21:53he tells her that he can't go on like this
21:55he tells her it's dangerous
21:57he tells her that she has to report it
21:59report Luca
22:00go to the police
22:01and tell
22:02everything that's happening to her
22:08it's called stalking
22:10Article 612 bis
22:11of the penal code
22:12summary with the terms
22:14stalking
22:15punishes
22:16with a penalty
22:17which has been going on for six months
22:18at four years old
22:19all those who harass
22:20or threaten someone
22:21enough to cause them
22:23a state of anxiety
22:24of such grave fear
22:25to make him change
22:26daily habits
22:27it's a recent crime
22:29that if it had been there before
22:30perhaps he would have avoided
22:31so many tragedies
22:32and that since it exists
22:34since 2009
22:34has already caused
22:36almost 40,000 complaints
22:379,000 in one year
22:39the vast majority
22:4077%
22:41by women
22:43it's a crime
22:44often underestimated
22:45sometimes by the same forces
22:47of the order
22:47which in some cases
22:48they found themselves unprepared
22:50to recognize it
22:50but also by the victims
22:52who have to report
22:53why stalking
22:54it's a crime
22:55for which we proceed
22:56only after a complaint
23:09obsessive phone calls
23:10text messages at all hours
23:12a physical presence
23:14suffocating
23:14and then threats
23:16and intimidating acts
23:17to those looking from the outside
23:19it seems like all the moments
23:20of a film already seen
23:21a bad thriller
23:22that you already know
23:23how does it end?
23:24and instead from the inside
23:25No
23:31it's that association
23:32to fear
23:33that Lucia is talking about
23:34hope
23:34that things get better
23:35many things
23:36and instead no
23:37we must stop it immediately
23:39at the first symptom
23:40that situation
23:41report it immediately
23:42before it ends badly
23:43but it's a thought
23:45than to report it
23:46it was a thought
23:47that I had already had for months
23:49actually
23:50several times
23:51I had thought
23:52to report it
23:53but
23:53both for work
23:55what I was doing
23:57both because in any case
23:59I wanted
23:59simply
24:00make my life
24:01so don't be
24:03tied up
24:04Still
24:05to this person
24:05why report
24:06he wanted to say
24:07probably open
24:08a criminal proceeding
24:10with all the consequences
24:11that I know very well
24:13and this has always fascinated me
24:15a little stopped
24:15it's also the idea
24:17that to report
24:18Anyway
24:18Do
24:19from my point of view
24:21of evil
24:21of another person
24:22expose it
24:23In short
24:24something negative
24:26and also for fear
24:27actually
24:28that could
24:29this complaint
24:30to unleash
24:31a rage
24:32but that's enough now
24:33Tomorrow
24:34go to the police
24:35and reports it
24:35Lucia
24:37he doesn't know
24:37that are missing
24:38only two hours
24:39at that moment
24:40Tuesday
24:41April 16th
24:422013
24:429.30pm
24:44our
24:45thirteenth hour
24:46the time
24:46where everything changes
24:58when it came out
24:59from work
24:59at the studio
25:00Lucia
25:01it's passed
25:02from home
25:02to change
25:03to go to the swimming pool
25:04to a course
25:04of hydrobike
25:05who is attending
25:06Here you are
25:07there's one more thing
25:08that Lucia doesn't know
25:09he doesn't know
25:10that the carabinieri
25:11about Luca
25:12they are already investigating
25:13they had
25:14a tip-off
25:15a month before
25:15an informant
25:17he told him
25:18that there is a lawyer
25:19that he would have taken
25:20contact
25:20with two criminals
25:22Albanians
25:22to do harm
25:23to a woman
25:24from Pesaro
25:24the lawyer
25:26he would have asked him
25:27to enter
25:27in the apartment
25:28her
25:28and simulate a theft
25:30and then disfigure it
25:31throwing it in your face
25:32of the acid
25:32not only
25:33to divert
25:34suspicions by themselves
25:35the lawyer
25:36he would like to have it disfigured
25:37other women
25:38random choices
25:39as if around
25:40there was
25:40a serial maniac
25:42it's a plan
25:43chilling
25:44and it's crazy
25:44and to thwart it
25:46the carabinieri
25:46they put themselves on immediately
25:47to work
25:48they have some clues
25:49they can count on
25:51the informant
25:52he said
25:53that the two criminals
25:54Albanians
25:54they are called
25:55Rubin Talaban
25:56and Altassin Precettai
25:58and in fact
25:59jump out
26:00that some time before
26:01during a check-up
26:02a flying squad
26:03of the police
26:04had stopped
26:04Rubin himself
26:05with a bottle
26:06of muriatic acid
26:07to carry around
26:08a bottle of acid
26:09it's not a crime
26:10but since Rubin
26:12he has many criminal records
26:13the prefect
26:14he gives him a decree
26:15of expulsion
26:16but Rubin
26:17run away
26:18making himself untraceable
26:21and there's a clue
26:22also on the lawyer
26:23that he would like
26:24commission the attack
26:25the informant
26:26he says he has a Porsche
26:28and so
26:28the carabinieri
26:29they do a check
26:30on lawyers
26:31of the area
26:31with a Porsche
26:32and identify them
26:33a
26:33as closer
26:34to the indications
26:35of the informant
26:36when they observe it
26:37they see
26:38which also has
26:38a wound
26:39one-handed
26:39which seems compatible
26:41with a host
26:41from acid
26:42was born
26:43to San Benedetto
26:44of the Tronto
26:44and resides in Pesaro
26:45where he has his studio
26:47is called
26:48Luca Varani
26:49Luca
26:50the investigation
26:51of the carabinieri
26:52it's a step
26:53from the conclusion
26:54but it's April 16th
26:55not even them
26:56they know
26:56that is missing
26:57very little
26:58to ours
26:58thirteenth hour
27:07finished the course
27:08of hydrobike
27:09Lucia
27:09he takes a shower
27:10and goes out into the parking lot
27:11to go back home
27:12and there
27:13the first strange thing
27:14when I go out
27:15the swimming pool
27:16I see these two boys
27:17two men
27:18two boys
27:19in the parking lot
27:20inside of the pool
27:22and it really is
27:22a very strange thing
27:24Why
27:25the swimming pool
27:26that I used to frequent
27:27it's a swimming pool
27:27very small
27:29so it wasn't frequented
27:31there were no more courses
27:32at the same time
27:33there was the course
27:34that I frequented
27:35at that time
27:36composed of women
27:37so he didn't have
27:38no sense
27:39that there were
27:40two boys
27:41there at that moment
27:43that hour
27:43it didn't make any sense
27:45strange
27:45but it's the same
27:46but
27:47there's that feeling
27:48of anxiety
27:49which continues to grow
27:50a shiver
27:51that is annoying
27:52and it's scary
28:10in the elevator
28:11towards his apartment
28:12alone
28:13it's always
28:14that bad feeling
28:15as if being spied on
28:17in there too
28:17even alone
28:18Lucia
28:19think that maybe
28:20would have done
28:21better to accept
28:22his advice
28:23and go to sleep
28:24from them
28:24in Urbino
28:25but maybe not
28:26maybe it is just
28:27a feeling
28:28one of those many fears
28:30to which by now
28:30she got used to it
28:45and then
28:46It's Tuesday
28:46and Luca
28:47he plays football
28:48Tuesday evening
28:49it's not certain
28:50in those parts
28:50meanwhile
28:51they were made
28:529.30pm
28:53our
28:54thirteenth hour
29:00I get out of the elevator
29:02I'm going towards
29:02the front door
29:04with the duffel bag
29:06with another bag
29:07because that evening
29:08I don't know why
29:09I had
29:09a lot of things in hand
29:12a piadina
29:13that I was
29:14procured
29:14for dinner
29:16I go
29:16slave
29:17the door
29:18and I see that
29:20after two terms
29:21the door opens
29:22at the moment
29:24it seemed strange to me
29:25because I used to
29:26close with four turns
29:27but I said
29:28okay maybe
29:29it's more of my idea
29:31Then
29:31I don't know
29:32maybe I was distracted
29:33or closed only
29:34with two turns
29:34then the door
29:35it opens by itself
29:37I turn on the light
29:38and I see
29:39fortunately
29:40I say
29:41I see the table
29:42of the kitchen
29:44of the living room
29:45moved
29:46respect
29:47to the position
29:48in which
29:48I kept it
29:49Usually
29:50with a chair
29:51above
29:52it's a scene
29:54Truly
29:54unsettling
29:55those scenes
29:56a bit
29:57from the movie
29:58with ghosts
29:59etc.
30:00Therefore
30:00Truly
30:01I got scared
30:02very, very much
30:03I thought
30:04which probably
30:05there could have been someone
30:06inside the house
30:07and then
30:08I thought about it
30:09a moment
30:09within a few seconds
30:11I said
30:11what do I do
30:12what I don't do
30:13Lucia would like to close the door
30:15run downstairs
30:16call someone
30:17with the cell phone
30:17but he doesn't have time
30:18they are moments
30:20fractions of a second
30:21someone
30:22from inside
30:23open the door wide
30:24with a tug
30:26Lucia
30:27he sees a dark shadow
30:28a man
30:29all dressed in black
30:30the face
30:30covered by a balaclava
30:32he has in his hand
30:33two bottles
30:33cut in half
30:34and makes a strange gesture
30:35from below
30:36upward
30:36from the left
30:37to the right
30:38fractions of a second
30:42the man dressed in black
30:43he threw them
30:44a jet of acid
30:45corrosive
30:46in the face
30:46I don't know
30:47I can't imagine
30:49and it scares me
30:50even just
30:50to think about it
30:51what it feels like
30:52what does it mean
30:53such a moment
30:54on that broken foot
30:56I tried it
30:56a great despair
30:58at the start
30:59that is when I am
31:00surrender
31:01then immediately
31:02what was happening to me
31:03happening
31:04so what was it about
31:05of acid
31:06that my face
31:07I don't know
31:08he was
31:09it's me too
31:10as
31:11was getting smaller
31:13Therefore
31:13I realized
31:15that if no one
31:15had helped me
31:16I could have died
31:17and then
31:19I started
31:20immediately start screaming
31:21with all my breath
31:22that I had in my throat
31:23then I didn't see anything
31:24so I didn't know
31:25not even where I was
31:26I was banging my fists
31:27on the door
31:28of these neighbors
31:30I really screamed
31:31with all my breath
31:32in the throat
31:33then luckily
31:35these neighbors
31:36they have me
31:36I heard these rumors
31:38of neighbors
31:38who came to meet me
31:40and that from my point of view
31:42they really saved me
31:43life
31:44and anyway
31:44a great despair
31:46Surely
31:46the idea
31:47of the face
31:48That
31:49he was leaving
31:50Lucia is in a very serious condition
31:52the acid
31:53that they threw at her
31:54in the face
31:54burned her face
31:55corroding them
31:56the skin
31:57and the muscles
31:58and burned them
31:58even the eyes
31:59making her blind
32:00when he arrives at the hospital
32:02they immediately realize
32:03that you have to bring it
32:04urgently
32:04very great urgency
32:05to the department
32:06great obstinates
32:07of Parma
32:08meanwhile
32:09Lucia
32:09she remained lucid
32:10and wake up
32:11and he understands everything
32:12what's happening to her
32:13and this one too
32:14it's a feeling
32:15that I struggle
32:16even just imagining
32:17but
32:18Lucia
32:19she's awake
32:19and with little strength
32:20what remains for her
32:21and how can it
32:22with acid
32:23that corroded her mouth
32:24and the lips
32:25speaks
32:25and tells everyone
32:26who thinks
32:27did all this to her
32:28to everyone
32:29even to herself
32:30and then
32:31I said
32:32Yes
32:32it was him
32:33and I was saying
32:34he did it
32:35he finally did it
32:36it was him
32:37he did this
32:37he did this
32:38then realize
32:39that really
32:39he had hurt me
32:42that yes
32:43I made it
32:44at that moment
32:45it was a moment
32:46of liberation
32:47Why
32:48Anyway
32:49even if I had
32:51achieved this
32:52detachment
32:53Anyway
32:55awareness
32:56that this relationship
32:57it was absolutely
32:58wrong
32:59but it continued
33:00to live in fear
33:01in memory of him
33:02not to live
33:04actually
33:05because that
33:05it was not living
33:06in the moment
33:07where it happened
33:09the attack happened
33:10finally
33:11as if this chapter
33:12it had closed
33:14so very good
33:15you did this
33:16ok now we can start again
33:18move on
33:19you are no longer here
33:20because from today onwards
33:21I'm here
33:22that I stand up again
33:23that I face my life
33:26as a free person
33:28to start again
33:29for Lucia
33:30it means months
33:32no, on the contrary
33:32means seconds
33:34that become minutes
33:35that become hours
33:36that become days
33:37which become months
33:37why is that so
33:38that one experiences pain
33:39moment by moment
33:41it means months
33:42of burning dressings
33:43of grafts that hurt
33:45of operations
33:46of a forced immobility
33:47which becomes unbearable
33:49of darkness
33:50and fear
33:50fear of no longer having a face
33:52of not seeing each other anymore
33:53he can't even cry
33:55Lucia
34:14I had returned
34:16from the eye exam
34:18where it seemed
34:20that there was no hope
34:21to recover one's sight
34:23so I was pretty frustrated
34:25I was really very down
34:27and I was a little bit in the mood
34:29to cry
34:29it seemed pretty normal to me
34:31then I remember
34:32which are races
34:33the nurses
34:34to tell me
34:34no Lucia
34:35ninth
34:35don't cry
34:36better not
34:36Why
34:37actually
34:38I was crying anyway
34:40in the sense that
34:41Anyway
34:42they were coming down
34:43of tears
34:44automatically
34:45small lenses
34:46under the bandages
34:47Lucia
34:48he's in good hands
34:49the department
34:50severe burns
34:51of the hospital
34:52Major of Parma
34:53directed by Professor
34:54Edward Caleffi
34:55it's one of the best
34:56of Italy
34:57cutting-edge
34:58in that genre
34:58of operations
34:59but it takes strength
35:00so much strength
35:02to deal with
35:03the very long ones
35:03endless
35:05and very painful
35:06phases
35:06that run
35:07to give her back
35:08a face
35:09and a view
35:09at least
35:10what I felt
35:11And
35:13the endurance
35:14of pain
35:15but also
35:15listening
35:17of pain
35:18acceptance
35:20of pain
35:21Why
35:22if you are prepared
35:23in this way
35:24with these
35:26feelings
35:27Truly
35:27in pain
35:28you find
35:28many opportunities
35:31of growth
35:32of humanity
35:35an experience
35:36I do not know
35:37which enriched me
35:38really a lot
35:39as a person
35:40very much
35:41Lucia
35:41he has a trick
35:42an expedient
35:43after a while
35:44painkillers
35:45morphine-based
35:46that they give her
35:47they make it
35:47intolerant
35:48and can no longer
35:49take them
35:49Like this
35:50can only
35:51wait
35:51that the pain
35:52steps
35:52and then
35:53once
35:54it begins
35:55to imagine
35:55lying on a lawn
35:57among the daisies
35:57to watch
35:58the blue sky
35:59works
36:00for that
36:01that can work
36:02but it works
36:03the burn
36:03it really is
36:04a huge drama
36:06that changes you
36:06life
36:07within a second
36:08and you are not at all
36:10prepared
36:11to that
36:11what awaits you
36:14paradoxically
36:16I don't know
36:16if I were
36:18I suffered
36:19of the stab wounds
36:19it's different
36:21I don't know
36:21the burned person
36:23must really
36:23learn to live again
36:25and for
36:26learn to live again
36:26must suffer
36:27very much
36:28and then
36:29he has this
36:30great pain
36:31to have to
36:32support
36:34physicist
36:35but also
36:35psychological
36:36why the burn
36:36inevitably
36:37it transforms you
36:38transform your body
36:39whether it's the face
36:40that it is the hand
36:42compromise
36:42with those functions of yours
36:44and you make yourself
36:45a person
36:45what he has to do
36:46of sacrifices
36:47and that must
36:48to fight
36:49everyday
36:49but
36:49to find again
36:51a normality
36:52which is not
36:52normality
36:53of the others
36:54your
36:54normality
36:56disappointed
36:57it takes a lot of strength
36:58to keep going like this
36:59and of strength
37:00Lucia has some
37:01and when he doesn't have it
37:02go look for her
37:03where can you find it?
37:04in parents
37:05who are next to her
37:06in the brother
37:07in the sister-in-law
37:08in friends
37:09he remembers
37:10of a teacher
37:10of gymnastics
37:11that he had in high school
37:12Anna Rita
37:13which has been disfigured
37:14the boyfriend
37:15he shot her
37:16a rifle shot
37:17in the face
37:17he calls her
37:18and talk to her
37:19it helps her a lot
37:20All
37:21everything you need
37:22to move forward
37:23in the right way
37:24I remember they were
37:25the first days
37:26where I was hospitalized
37:27in the hospital
37:28I was with my brother
37:29that kept me company
37:31we listened to music
37:33there was a song
37:34which I like very much
37:35by Alicia Keys
37:37and this song
37:38talk about the fact
37:39that yes
37:40people can be rich
37:41have money
37:43have castles
37:44but in reality
37:46this is not comparable
37:48to love
37:48for yourself
37:49the affection
37:50of loved ones
37:51of people
37:51that you have around you
37:52then I told myself
37:53see Lights
37:53Yes
37:54they certainly can
37:55took your face off
37:56the face
37:57anything you want
37:59but
37:59the love that you have
38:00for yourself
38:01of people
38:01who love you
38:02he can't do this to you
38:03to remove anyone
38:04and I remember that I was very moved
38:06this gave me a great
38:07serenity
38:08a great force
38:09and so
38:10second after second
38:11minute after minute
38:13and so on
38:13month after month
38:14through an infinite series
38:15of operations
38:16Lucia slowly regains her strength
38:18the view
38:19and also a face
38:20which is not the same as before
38:21and that changes every time
38:23but every time
38:24it's better than the previous one
38:30in the hospital
38:31I found myself
38:32with myself
38:34in fact now
38:35every time I enter
38:36in a hospital spot
38:38that is, those sliding doors
38:39they open
38:40I say
38:41finally
38:41that is, as if I were returning
38:43to me
38:46in a place
38:47in which I suffered
38:48very much
38:48but really
38:50he allowed me
38:51to get in touch
38:54with me
38:55and I'm there
38:57always with his strength
38:58and with his love
38:59for herself
39:00and for others
39:01that makes them face it
39:02the thing even
39:03with irony
39:04like when
39:05he must look at himself in the mirror
39:06after a series of operations
39:07and see his face
39:09so changed
39:10still so disfigured
39:11it's definitely a trauma
39:12but she
39:13you take strength
39:14and he says yes
39:15Perhaps
39:15looks better with bangs
39:17face the looks
39:18at the start
39:19it wasn't easy
39:19but
39:21and clearly
39:22it takes a little while
39:24to receive them
39:27these looks
39:28so that they don't hurt you
39:30and I think that
39:31if someone looks at you
39:33in a strange way
39:34sometimes he doesn't look at you at all
39:36which is almost worse
39:37it's because it's not certain
39:38a problem of yours
39:39it's not even my fault
39:41that I am like this
39:42it's more of a problem
39:43of the others
39:44because they don't know how to relate
39:46with the pain of others
39:47I learned
39:49to live together
39:50with my scars
39:51to understand them
39:52to know how
39:53how they evolve
39:55and then
39:57I am fine
39:58Not
39:59that's fine
40:00and so
40:01very quietly
40:02and without wanting to
40:03Lucia Annibali
40:04becomes a symbol
40:05at the start
40:06he doesn't want to talk
40:07with the press
40:08almost as if he were ashamed
40:09but then
40:10gain awareness
40:11and decides
40:12to tell her about it
40:13his story
40:13I don't even think so
40:14that it is necessary
40:15expose the pain
40:17physical wounds
40:19I don't think it's useful
40:21so when I matured
40:22a certain serenity
40:24then yes
40:25he is being interviewed
40:26from the journalist
40:27from the Corriere della Sera
40:28Joseph Asano
40:29with which
40:29he will also write a book
40:30and September 18, 2013
40:33on the occasion
40:33of his birthday
40:34public
40:35for the first time
40:36photos of his face
40:37and he does it with pride
40:45it's a symbol
40:46Lucia
40:46a symbol
40:47of many things
40:48also because in the meantime
40:50the process has begun
40:51when my friend
40:52a friend of mine
40:53he told me
40:54who had been arrested
40:57I was happy
40:59Why
40:59Anyway
41:00it was a positive thing
41:01but at the same time
41:04it's a sad thing
41:05know that
41:06this person
41:07in jail
41:07why did he make you
41:08so much bad
41:09for the rest
41:10I never thought about it
41:11Very
41:12to him
41:14why think about him
41:15or the people
41:17that together with him
41:18they did this to me
41:19era
41:22mature
41:22Anyway
41:23cultivate
41:23negative thoughts
41:25I had absolutely no
41:27need
41:27of negativity
41:28I needed
41:29only of
41:29optimism
41:30of positivity
41:31so no
41:32I never thought
41:34more than that
41:35I concentrated
41:37actually
41:38about him
41:38I concentrated
41:39about me
41:39on what needed to be done
41:41what I had to do
41:42about people
41:42who loved me
41:47Luca
41:48Rubin
41:48and Altassin
41:49they were arrested
41:50almost immediately
41:51after the attack on Lucia
41:52against them
41:53and against Luca above all
41:55there are investigations
41:56of the carabinieri
41:57Lucia's complaints
41:58the story
41:59of their history
42:00and other elements
42:01like Luca's car
42:02that he sought
42:03to scrap
42:04and which presents
42:05acid burns
42:06on the door
42:07and on the dashboard
42:10and then
42:11the statements
42:12by Rubin
42:12and Altassin
42:13but also those
42:14of the companions
42:15of Luca's cell
42:16to whom he would have
42:17progressively told
42:19how would he have done it
42:20to get
42:20Lucia's keys
42:21and the acid
42:22and also
42:23how would he have done it
42:24tamper
42:24the gas pipe
42:25the judicial documents
42:27I decide to face them
42:30Yes
42:31When
42:31in October
42:32reading those cards
42:34and then
42:34even enough
42:35complicated
42:36because I am
42:36really so many
42:37there are more than
42:384,000 pages
42:39investigations
42:41Yes
42:42light
42:42Truly
42:43all this
42:44he has me
42:44made to feel bad
42:46Why
42:46from this wickedness
42:47and this evil
42:48Truly
42:49I do not know
42:50almost unimaginable
42:52inconceivable
42:53for whom
42:53he doesn't have any pain inside
42:55Luca
42:56first denies
42:57then he admits in part
42:58but only in part
42:59what is attributed to him
43:00he says in fact
43:01who had asked
43:03to Rubin
43:03and Altassin
43:04to ruin
43:05with acid
43:05Lucia's new car
43:07don't throw it in his face
43:13the investigating judge
43:15Pesaro preliminaries
43:16he doesn't believe him
43:16and in March 2014
43:18first-degree conviction
43:20with abbreviated rite
43:21unconditioned
43:22Rubin
43:22and Altassin
43:23at 14 years old
43:24of imprisonment
43:25for having been
43:26the executors
43:27of the aggression
43:28and condemns Luke
43:29at 20 years old
43:30for attempted murder
43:32the gas pipe
43:33very serious injuries
43:34acid in Lucia's face
43:35and stalking
43:41Lucia is present
43:43at the hearings
43:43and bears his testimony
43:45at the start
43:46think about doing it behind
43:47a screen
43:48so as not to see Luca
43:49I thought about it
43:50if you want a screen
43:51Why
43:52I was a little scared
43:55from the idea
43:56of how I would have reacted
43:57to see it again
43:57because I didn't want to
43:58that they would reopen to me
43:59of the wounds
44:00then I talked about it
44:02with people
44:02who are close to me
44:04which I trust
44:05and I said
44:06alright
44:06No
44:07this thing
44:08we do it
44:09and let's see how it goes
44:11Lucia
44:12he didn't want to be
44:13a symbol
44:13but it becomes so
44:20March 8, 2014
44:22the President of the Republic
44:24George Napolitano
44:25gives it to her
44:26the honor
44:27of Knight of the Republic
44:28for courage
44:29the determination
44:30dignity
44:31with which he reacted
44:33to the serious physical consequences
44:34of the ignoble
44:35assault suffered
44:42my story
44:43which is a story
44:44which can be
44:44a little bit of everything
44:45of course it's an epilogue
44:46Truly
44:47extreme
44:48Truly
44:49In short
44:51uncommon
44:52but it's a story
44:53who live
44:54that is, a love
44:55so destructive
44:57they live it
44:58in many
44:59so probably
44:59they felt
45:02represented
45:03in this sense
45:04because it is a symbol
45:06a symbol
45:06of many important things
45:08a symbol
45:09of so many bad stories
45:10of non-love
45:11like herself
45:12defines
45:13his relationship
45:14with Luca
45:14in a beautiful book
45:15written by four hands
45:16with Giusy Fasano
45:17and which is titled
45:18I'm here
45:19my story
45:20of non-love
45:25many stories
45:26of violence
45:27on women
45:27that too often
45:28they end
45:29with that
45:29that recently
45:30we started
45:31to define
45:32femicide
45:32one thousand and six murders
45:34in the last six years
45:36out of a total
45:36of 3390
45:3821 out of 78
45:40since the beginning of the year
45:45that thing
45:46unresolved
45:47and primitive
45:48that monster
45:49prehistoric
45:49that is still there
45:50inside the man
45:51not intended as the human race
45:52but as a masculine gender
45:53but Lucia's story
45:55it is also
45:56a story
45:56of resilience
45:57how do you define it?
45:58the president
45:59of the room
46:00Laura Boldrini
46:01that in psychology
46:02indicates the capacity
46:04to deal with trauma
46:05even coming out of it
46:06reinforced
46:07what
46:08I feel strongly
46:10that I strongly desire
46:11And
46:13help
46:14the other people
46:17to be able to return
46:19in the center
46:19to make available
46:23my experience
46:23of burned
46:24this is
46:25really need it
46:26to help
46:28the others
46:28to support
46:29their pain
46:29this is one thing
46:30that really
46:31I care a lot about it
46:32to do
46:33Then
46:35Here you are
46:35I'll see
46:36in short also
46:36find a job
46:38that is, invent myself
46:39a new job
46:39that satisfies
46:42a bit
46:42who I am today
46:43It might be helpful
46:44In short
46:45explain
46:46my experience
46:47more than anything else
46:48tell people
46:50to women
46:51in this case
46:53what are the dynamics
46:55which then
46:56they are created
46:57in these relationships
46:59how to dismantle them
47:00maybe I think
47:01let this be it
47:02the contribution
47:04most important
47:05I would like to make a gift
47:06to Lucia
47:07I am a writer
47:08and the writers
47:09they give words
47:10even if they are not
47:11their
47:12these
47:13they are from a writer
47:14my friend
47:15what is called
47:15Barbara Garlaschelli
47:16and that at 16 years old
47:18took a dive
47:19into the sea from a rock
47:20he broke a vertebra
47:21and since then
47:22he is in a wheelchair
47:24Barbara
47:24he wrote a book
47:25very nice
47:26what is called
47:27Siren
47:27heavy vehicle in motion
47:29and that tells
47:30his story
47:31and it makes you understand
47:32she too
47:32like Lucia
47:33that things
47:34that happen to you
47:35and that change you
47:36may not be
47:37a limit
47:38but a transformation
47:39when he thinks
47:40to its existence
47:41Now
47:42Barbara
47:43defines it
47:44a very intense life
47:46a life
47:46which has a different taste
47:48like something
47:49that belongs to us
47:49after paying for it
47:51very expensive
47:51something
47:52which we cared a lot about
47:54that we risked
47:55to lose
47:55that we succeeded
47:56to re-grasp
47:57but that's different
47:58from before
47:59I don't know
48:00what it would have been like
48:01my existence
48:02if you hadn't been there
48:03collided
48:03with that stone
48:04I know what it is now
48:07and I like it
48:09my existence
48:11my existence
48:12my existence
48:12my existence
48:26my existence
48:27my existence
48:41my existence
48:41my existence
48:56my existence
48:56my existence
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