Blu Notte |12.10| La strage di Piazza Fontana, un processo senza fine | Lucarelliracconta 2.10| Re-ed 2012 - Video Dailymotion

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Con la strage di piazza Fontana a Milano – dove il 12 dicembre 1969 nella sede della Banca Nazionale dell’Agricoltura 17 persone persero la vita e più di 80 rimasero ferite a causa dell’esplosione di una bomba – si apre uno dei periodi più oscuri della nostra storia. La nostra Repubblica con quei morti e feriti perde la sua innocenza: è l’inizio della strategia della tensione che con il sangue e la violenza tenta la via del colpo di stato autoritario. La strage condizionerà profondamente la vita del nostro Paese. Carlo Lucarelli ricostruisce questo “romanzo nero della Storia d’Italia” guidandoci in un percorso disseminato di bugie, capri espiatori, coperture e depistaggi.   2012.08.24 - Lucarelliracconta - La strage di Piazza Fontana_ un processo senza fine   #Strage #PiazzaFontana #BluNotte #Lucarelliracconta  #CarloLucarelli #ColdCase #Crime #TrueCrime #Giallo #CronacaNera #CronacaItaliana #Lucarelliracconta #BluNotte #CarloLucarelli #ColdCase #Crime #TrueCrime #Giallo #CronacaNera #CronacaItaliana #BluNotte #CarloLucarelli #MisteriItaliani #Lucarelliracconta #Blu #Notte #Carlo #Lucarelli #Racconto #Racconti #Giallo #Gialli #Noir #Thriller #Crime #TrueCrime #ColdCase #Cronaca #CronacaNera #Nera #CronacaItaliana #Crimini #Criminali #CasiIrrisolti #Misteri #Mistero #Documentari #DocITA #CrimeDoc #Indagine #Giallo #Omicidio #Delitto #Delitti #Assassino #Killer #SerialKiller #Noir #Racconto #Cattura #CSI #CriminalMinds #SubENG #Delitto #Delitti #Crimine #Criminale #DivinumCrime #Blu #Notte #Carlo #Lucarelli #Misteri #Italiani #Documentario #Docu #Doc #DocuITA #Netflix #Streaming #SerieTV #Serie #TV #Stagione #Completa #StagioneCompleta #Tutte #Puntate #Puntata #Episodi #Episodio #Mafia #CosaNostra #MafiaItaliana #Corleone #Corleonesi #Cupola #Boss #CriminalitàOrganizzata #Camorra #Gomorra #Casalesi #CasalDiPrincipe #Clan #Boss #Ndrangheta #SacraCoronaUnita #Antimafia #Falcone #Borsellino

Transcript

00:00:00Music

00:00:58Music

00:01:26Music

00:01:39There is a man flying, his arms outstretched, his face turned forward, his legs stretched out behind him, it really seems like

00:01:45that he is flying and instead he falls, he crashes.

00:01:49It's falling down the stairwell of a condominium in Padua, three floors, the cleaning bucket up there on the

00:01:55landing,

00:01:55because that man works in that building at number 15 Piazza Insurrezione, the cleaning bucket up there, a shoe

00:02:02which jumped off on the first floor

00:02:03and he falls, he doesn't fly, he falls faster and faster, towards the floor of the hall and meanwhile he screams in that

00:02:09quiet condominium in the early morning.

00:02:1115 meters, three floors, one after the other and then the thud on the floor and the other shoe flying

00:02:16away, far away.

00:02:20His wife will find him a few hours later, dead in the elevator hallway.

00:02:28Let's change scene, let's change city, let's go to Milan.

00:02:31It's December, it's almost Christmas, it's December 12, 1969.

00:02:36There is a bank called Banca Nazionale dell'Agricoltura and it is located in a three-story building, solid

00:02:42and square,

00:02:43which overlooks Piazza Fontana, right in front of the Archbishop's Palace.

00:02:46It's a big bank, it has almost 300 employees and it's full of people, because even though it's already 4pm

00:02:52.30, that's a special day.

00:02:54It's Friday, it's almost Christmas and there's the market that brings together breeders, farmers and feed traders from all over the world.

00:03:01the province of Milan.

00:03:02Besides, it's very cold outside and it's raining too, so to talk it's better to stay inside, in the bank,

00:03:08than outside, in Piazza Fontana.

00:03:09That morning there was a particular atmosphere in the bank, it was a gloomy day, very dark, but all around there was light.

00:03:22It was a festive, Christmassy atmosphere

00:03:24and then that day, like every Friday, there was the farmers market and our bank, the only one

00:03:31bank in the center of Milan,

00:03:34he would not have closed the counter at 4.30 pm, but would have continued until the end of trading, so to speak, of the

00:03:45farmers.

00:03:46In the centre of a large circular room, closed by two domed glass windows, the rotunda, as the employees call it and

00:03:53the customers,

00:03:54there is a large, heavy, octagonal mahogany table, covered with a sheet of glass.

00:03:59Around a hundred customers are moving around, talking among themselves, filling out forms and cheques,

00:04:04they come and go from the counters, behind which there are 70 employees.

00:04:13There is also Mr. Zinni, behind counter number 15, the one for trading,

00:04:17because that bank is a kind of stock exchange for farmers and ranchers.

00:04:24There is a gentleman called Giovanni Arnoldi who has a cinema in Magherno, a small town in the province of

00:04:29Pavia,

00:04:30but he is also a land broker and that is why he is there, in the bank,

00:04:33because his friend from Milan is negotiating a purchase

00:04:36and his presence is needed to close the deal, even just with a handshake.

00:04:43There is a gentleman named Pietro Dendena who is 45 years old.

00:04:47Mr. Pietro is from Lodi, where he has some land, and he left his family there,

00:04:51because the next day is Santa Lucia, and Santa Lucia in Lodi is like Christmas.

00:04:55He rushed to Milan for a business deal and quickly parked his car in front of the courthouse.

00:05:00and he slipped into the bank.

00:05:05There is a gentleman who is very worried, his name is Carlo Gagliani, he is 57 years old,

00:05:10and he is there to sell the cows from his farm, which is located right on the city's expansion line.

00:05:15And Mr. Gagliani is afraid that after the cows he will have to sell the farm too.

00:05:19There are a lot of people in the bank rotunda, around the octagonal table.

00:05:23There is also a boy named Enrico, Enrico Pizzamiglio, and he is 10 years old.

00:05:28He is at the bank with his sister Patrizia, who is 16, and he is in a great hurry because he wants to go out

00:05:33window shopping for Christmas presents.

00:05:37The parents sent Patrizia ahead to pay a bill,

00:05:40and then they made an appointment with her and Enrico at 4.30pm,

00:05:44and if they arrive late they will have to wait for them there, in Piazza Fontana.

00:05:47Enrico can't wait to go out and see the shops.

00:05:51And then there's a man.

00:05:52He is a man like many others, who goes unnoticed and doesn't get noticed.

00:05:59He goes to sit at the octagonal table.

00:06:13Around the table, one on each side, there is a chair.

00:06:16People come and go, sit down, write, fill out forms, then get up and leave.

00:06:21As soon as there is a free seat, the man takes it.

00:06:32In her hand she has a black bag, a leather bag with metal fiber,

00:06:36a Mosbach and Gruber, a nice bag.

00:06:50He puts it under the table, waits a few minutes, then gets up and leaves,

00:06:55without being noticed, without attracting attention.

00:07:07But he leaves the bag there.

00:07:10It is at that moment that Mr. Pietro, who just entered the bank,

00:07:14after leaving the car in front of the courthouse,

00:07:16finds a free seat and sits down.

00:07:18But there's something strange.

00:07:20He also tells a friend who is standing nearby.

00:07:22It's a strange smell.

00:07:24It smells like burning.

00:07:32Let's change scene.

00:07:33We stay in Milan, always in the center, always near the bank,

00:07:36always at that time, but later,

00:07:38between Corso Vittorio Emanuele, San Babila and Piazza Duomo.

00:07:42It's almost evening, it's freezing cold and even more so,

00:07:44but the streets are full of people.

00:07:46There are 13 days left until Christmas

00:07:48and the colored lights of the illuminations hanging above the streets

00:07:51and those of the shop windows

00:07:52they are reflected in the rain that wets the car windows

00:07:55and light up the center as if it were day.

00:07:58There are the bagpipers

00:07:59and under the arcades, at the corners of the streets,

00:08:01there are chestnut sellers.

00:08:08The bars are full for a coffee

00:08:10or for the first aperitif of the evening.

00:08:12At the cinema there is a streetwalker,

00:08:14with Dustin Hoffman,

00:08:15and in the year of our Lord with Nino Manfredi.

00:08:17At La Scala, at the theatre,

00:08:19that evening there is the barber of Seville, by Rossini.

00:08:22There are 13 days left until Christmas,

00:08:23whatever happened before,

00:08:25that's a festive season.

00:08:27As journalist Daniele Biachessi writes,

00:08:29all of us Italians,

00:08:30we felt happy,

00:08:32immortals,

00:08:33cheerful and innocent.

00:08:38But over there,

00:08:39at the end of Corso Vittorio Emanuele,

00:08:40there is a man running.

00:08:47Screams of prayer and blasphemy

00:08:49and his clothes are burned.

00:08:55It's covered in blood,

00:08:56he has blood on his head,

00:08:58that comes out of a deep cut,

00:08:59and also the hands,

00:09:00which he raises towards the sky as if he were surrendering,

00:09:02they are bloody.

00:09:09The people who stop him,

00:09:10he can't calm him down,

00:09:12but he understands that something has happened,

00:09:13because it indicates a point at the end of Piazza Beccaria.

00:09:16There is something there,

00:09:17there is Piazza Fontana.

00:09:18What happened in Piazza Fontana?

00:09:21I was at my workplace,

00:09:24on the other side of the counter,

00:09:26at the famous counter 15,

00:09:28when I received a phone call,

00:09:30they were waiting for me on the mezzanine floor,

00:09:34which was a place,

00:09:36which gave directly onto the street with its glass windows,

00:09:39directly onto the living room.

00:09:41It's just after 4:30 pm.

00:09:44Mr. Zinni leaves counter number 15

00:09:46and comes out from behind the counter.

00:09:49He has trouble crossing the roundabout,

00:09:51because there are a lot of people,

00:09:52almost everyone knows it,

00:09:53and everyone stops him to ask him something.

00:10:01There is Mr. Paolo,

00:10:02which comes from San Donato Milanese,

00:10:04and who stops him to talk to him.

00:10:05And there is Mr. Gerolamo,

00:10:07who is 78 years old,

00:10:08and he has a farmhouse near Rò,

00:10:09and stops him to ask for advice

00:10:11on a transaction.

00:10:15There is Mr. Giovanni,

00:10:16of Magherno,

00:10:17who just entered the bank

00:10:18to mediate a purchase.

00:10:20And there is Mr. Carlo,

00:10:21who is selling his berries.

00:10:24There are Patrizia and Enrico,

00:10:25who can't wait to dive in

00:10:27in the illuminated streets

00:10:28to look at the windows.

00:10:32There is Mr. Peter,

00:10:33which is from the octagonal table,

00:10:35and frowns

00:10:36why does he smell that strange smell,

00:10:38burning smell.

00:10:50Meanwhile, Mr. Zinni

00:10:51he arrived upstairs.

00:10:53As soon as I arrived on the mezzanine floor,

00:10:57I headed towards the glass window

00:10:59and I leaned on my shoulders

00:11:01on the glass window.

00:11:03It was the exact moment

00:11:05where a loud bang was heard.

00:11:08I found myself stretched out

00:11:104-5 meters further on,

00:11:12the door of the small room is perverse

00:11:15where I was,

00:11:17and it got very dark.

00:11:20The explosion has started

00:11:21right from the center of the roundabout,

00:11:23right from under the octagonal table.

00:11:32The blaze went down,

00:11:33digging a hole in the floor,

00:11:35but above all it went up,

00:11:37pulverizing the octagonal table

00:11:38and all those who were sitting around us,

00:11:40like Mr. Peter.

00:11:41The force of the explosion,

00:11:43the movement of hot air

00:11:44which caused,

00:11:45blows out the windows of the atrium,

00:11:47those of the counters

00:11:48and those of the dome.

00:11:49Raises shards of glass,

00:11:51pieces of wall,

00:11:51typewriters,

00:11:52chairs and counters

00:11:53and throws them all around

00:11:54as if they were bullets

00:11:55that massacre and devastate

00:11:57everything they encounter,

00:11:59all those people in the roundabout.

00:12:01They kill Mr. Paolo and Mr. Carlo,

00:12:03Mr. Giovanni and Mr. Gironamo,

00:12:04they hurt Patrizia

00:12:05and they come out onto Piazza Fontana,

00:12:08sweeping the sidewalk

00:12:09with thousands of glass shards

00:12:10which reach the L'Angelo restaurant.

00:12:12There are also two people

00:12:14flying out of the bank,

00:12:15like in the movies,

00:12:15and end up in the middle of the street.

00:12:17I looked out the counter again

00:12:19and I saw dead bodies everywhere.

00:12:22On the right there was a gentleman

00:12:25without legs

00:12:26who was asking for help,

00:12:27of unforgettable laments.

00:12:30Elderly people,

00:12:32people who asked for help at hand.

00:12:35He is a non-commissioned officer student

00:12:36public safety

00:12:37who passes by there,

00:12:38on a bus of line N.

00:12:40He sees the explosion,

00:12:41he feels it because the bus is shaking

00:12:43and then it comes out

00:12:44and rushes into the bank

00:12:45to do something,

00:12:46lend a hand,

00:12:47see what happened.

00:12:49When he enters the hall,

00:12:50the petty officer Prior

00:12:51meets a man without an arm

00:12:53who tries to talk to him

00:12:54but falls to the ground.

00:12:55There are two men on the floor

00:12:57massacred or spied on

00:12:58that crawl

00:12:58to move away from the roundabout.

00:13:00When he gets there

00:13:01where it was supposed to be

00:13:02the octagonal table,

00:13:03the petty officer Prior

00:13:04he only sees a big hole,

00:13:05rubble and remains of bodies,

00:13:07confused in the dust

00:13:08that blurs the view.

00:13:09There is also a hand

00:13:10that is agitated

00:13:11as if asking for help

00:13:12but when the shoe

00:13:13the non-commissioned officer

00:13:14it is found in the hand

00:13:15just one arm

00:13:16cut off sharply.

00:13:17A gigantic explosion

00:13:19which had liquefied

00:13:22some people.

00:13:24I saw people split in two,

00:13:27half body and half liquid.

00:13:29I saw arms and legs

00:13:32jump into the most unexpected places,

00:13:35one even on the second floor

00:13:37inside the bank.

00:13:40It's certain that I rushed

00:13:42on the radio and said

00:13:43send a hundred ambulances,

00:13:44send them immediately.

00:13:46I was initially taken

00:13:47for the usual young man

00:13:49who was losing his head

00:13:50in the face of an intervention

00:13:51of little importance.

00:13:53I was told from there

00:13:54stay calm,

00:13:56you have nothing,

00:13:56it's just an explosion,

00:13:58there are some injured,

00:13:59Don't worry,

00:14:00let's take care of it now.

00:14:01No, send a hundred ambulances

00:14:02because the matter is very serious.

00:14:04As long as he could

00:14:05to make me believe

00:14:07and in a few minutes

00:14:09Milan was paralyzed.

00:14:11Even if then

00:14:12he was just a young official

00:14:13just arrived in Milan,

00:14:15Prefect Serra

00:14:16he wasn't wrong.

00:14:17For a moment

00:14:18in Piazza Fontana,

00:14:19in the National Bank

00:14:20of Agriculture,

00:14:21December 12, 1969

00:14:23there was the war.

00:14:24Moreover,

00:14:25there was hell.

00:14:26moreover,

00:15:15at the start

00:15:17the people massacred

00:15:18and killed instantly

00:15:19from that explosion

00:15:19there are 12

00:15:20which become 13

00:15:21the next morning,

00:15:2314 in the afternoon

00:15:24and rise to 16

00:15:25in the following days

00:15:26there is another one

00:15:27a gentleman who dies

00:15:28more than a year later

00:15:29of pneumonia

00:15:30but aggravated

00:15:31from complications

00:15:32for the injuries suffered

00:15:3317

00:15:3417 deaths

00:15:48the wounded

00:15:49instead there are 86

00:15:50among customers

00:15:51of the bank

00:15:52the employees

00:15:52and those who were outside

00:15:54and they were found

00:15:55to pass by there

00:15:55by chance

00:15:5686 injured

00:16:22among them there is also

00:16:24Henry

00:16:24the 10-year-old boy

00:16:25who couldn't wait

00:16:26to go out

00:16:27to go and choose

00:16:27Christmas gifts

00:16:28they find it in the roundabout

00:16:30why is it there

00:16:31in front of a counter

00:16:32that the explosion

00:16:33he overwhelmed him

00:16:33and his sister Patrizia

00:16:35they rush him

00:16:36to the hospital

00:16:37and in the end

00:16:38after hours of healthy surgery

00:16:39they will be able to save him

00:16:40even if they have to amputate it

00:16:41a leg

00:16:47my brother

00:16:49Unfortunately

00:16:49he had seen

00:16:50almost physically

00:16:52load the dad

00:16:54and he had recognized him

00:16:56from the fact that

00:16:56he was wearing a dress

00:16:58of the Prince of Wales

00:16:59on the truck

00:17:00who carried it

00:17:01at the morgue

00:17:02Therefore

00:17:02a chase

00:17:03for the car

00:17:04a chase

00:17:05to find again

00:17:06personal effects

00:17:10a chase

00:17:11also for

00:17:13bring then

00:17:14dad at home

00:17:15in its destination

00:17:16final

00:17:18to recognize it

00:17:1917 deaths

00:17:21and 86 injured

00:17:22to send them to the hospital

00:17:24or to the morgue

00:17:24of Gorini Street

00:17:25it was a bomb

00:17:26at the start

00:17:27it is said

00:17:28which could be

00:17:28it was a boiler

00:17:29it could have exploded

00:17:31central heating

00:17:32of the bank

00:17:33but it's not true

00:17:33there's that hole

00:17:35in the floor

00:17:35there is dynamics

00:17:36of the explosion

00:17:37there are splinters

00:17:38of molten metal

00:17:38around the hole

00:17:39and there are remains

00:17:40of a bag

00:17:41the experts

00:17:42they will be able to say it

00:17:43with certainty

00:17:44to kill

00:17:45all those people

00:17:46to massacre them

00:17:47they were

00:17:487 kg

00:17:48of ignite gel

00:17:49compressed inside

00:17:50a box

00:17:51of metal

00:17:51along with a timer

00:17:52a detonator

00:17:53in time

00:17:53and threaded

00:17:54inside one

00:17:55mospak

00:17:55in gruber

00:17:56black

00:18:06because there is a confirmation

00:18:08to all this

00:18:08even if a confirmation

00:18:09indirect

00:18:10another bomb

00:18:11found intact

00:18:12in another bank

00:18:13always in Milan

00:18:13at 4.25pm

00:18:15of that Friday

00:18:16December 12th

00:18:1710 minutes before

00:18:18that you fuck the bomb

00:18:19in Piazza Fontana

00:18:20a clerk

00:18:21of the commercial bank

00:18:22of Piazza della Scala

00:18:23notice something strange

00:18:26in a corridor

00:18:27on the ground floor

00:18:28there is a bag

00:18:28a beautiful elegant bag

00:18:30a mospak

00:18:31and black gruber

00:18:31it's on the floor

00:18:33Neighbor

00:18:33to an elevator

00:18:34of service

00:18:36he will have forgotten it

00:18:37someone

00:18:38happens

00:18:38so the clerk

00:18:39he takes it

00:18:40and again

00:18:41notice something

00:18:41of strange

00:18:42it's heavy

00:18:47the clerk

00:18:48carry the bag

00:18:49to an official

00:18:50that opens it

00:18:50and inside

00:18:51finds us

00:18:52a small box

00:18:52of metal

00:18:53of those that are needed

00:18:54to guard

00:18:54the money

00:18:55locked

00:18:55naturally

00:18:56but there are also

00:18:57other things

00:18:58there is a sachet

00:18:59empty plastic

00:19:00and there is a disk

00:19:01graduated

00:19:01from 0 to 60

00:19:02what is it

00:19:03what is it for?

00:19:11Then

00:19:12in Piazza Fontana

00:19:13the bomb explodes

00:19:15to the commercial bank

00:19:17they get scared

00:19:17and they call the police

00:19:18which runs immediately

00:19:19the little box

00:19:20of metal

00:19:21is taken

00:19:21in custody

00:19:22from the bomb squad

00:19:23that they bury her

00:19:24in the courtyard

00:19:24of the bank

00:19:25where it shouldn't

00:19:26create no problems

00:19:27afterwards

00:19:28it could also

00:19:29to be useful

00:19:29to the investigations

00:19:30but someone

00:19:31makes the decision

00:19:32to make them explode

00:19:32equally

00:19:33a bomb

00:19:34to the commercial bank

00:19:35of Piazza della Scala

00:19:36and a bomb

00:19:37to the national bank

00:19:38of agriculture

00:19:39of Piazza Fontana

00:19:40they are not the only ones

00:19:41on that Friday

00:19:42December 12, 1969

00:19:45there are three more

00:19:46that explode

00:19:47but in Rome

00:19:53at 4.55pm

00:19:55a bomb explodes

00:19:56in the national bank

00:19:56of work

00:19:57of Via Veneto

00:19:59the explosion

00:20:00it makes it explode

00:20:01all the glasses

00:20:01and it gets to those

00:20:02of the bar in front

00:20:03and the palaces

00:20:03on the road

00:20:04no one dies

00:20:05but there are 14 injured

00:20:1120 minutes later

00:20:12at 5.22pm

00:20:13a bomb explodes

00:20:15placed under the flagpole

00:20:16of the flag

00:20:17of the altar of the fatherland

00:20:18near the shrine

00:20:19of the unknown soldier

00:20:26the explosion throws

00:20:27around the fragments

00:20:28of the base stone

00:20:29and it makes it collapse

00:20:30the cornice

00:20:31of a nearby building

00:20:32there are 4 injured

00:20:3310 minutes pass

00:20:35and another one breaks out

00:20:36always at the altar

00:20:36of the homeland

00:20:37but on the opposite side

00:20:38on the steps

00:20:39that carry

00:20:39at the museum

00:20:40of the Risorgimento

00:20:44the ceiling collapses

00:20:45of the araceli

00:20:46the doors

00:20:47of the gate

00:20:47of the museum

00:20:48they open wide

00:20:49and they are thrown

00:20:49meters away

00:20:50but luckily

00:20:51there are no injuries

00:20:565 bombs

00:20:57all on the same day

00:20:58all at the same time

00:21:00in Rome and Milan

00:21:01and that of Piazza Fontana

00:21:02what he did

00:21:03all that massacre

00:21:04with all those dead

00:21:05and all those wounded

00:21:06there's something behind it

00:21:08something big

00:21:09something bad

00:21:10something that scares

00:21:11there is a crescendo

00:21:13in terrorist planning

00:21:15that emanates

00:21:16from those acts

00:21:18from those gestures

00:21:19there is a crescendo

00:21:20they were wanted deaths

00:21:21who brought

00:21:23who brought

00:21:23that box

00:21:24in that bag

00:21:26those explosive orders

00:21:27inside the hall

00:21:28of the bank

00:21:29of agriculture

00:21:29in Piazza Fontana

00:21:32he scrutinized

00:21:33in the face

00:21:33his victims

00:21:34he saw them

00:21:35at the table

00:21:35that they filled out

00:21:36the modules

00:21:36he saw them

00:21:38their faces

00:21:39of fathers

00:21:39of the family

00:21:40he left the bomb

00:21:41under the table

00:21:42if he looked at them

00:21:43good in the face

00:21:44he went away

00:21:45knowing that after

00:21:46a few minutes

00:21:47these would be

00:21:49were killed

00:21:50from a political point of view

00:21:521969

00:21:53it's a very hot year

00:21:55there is an internal crisis

00:21:56to Christian democracy

00:21:57that the door

00:21:57to change secretary

00:21:58three times in one year

00:22:08there are the disturbances

00:22:10of the workers

00:22:10the internal processions

00:22:11to the factories

00:22:12the strikes

00:22:12wild cat

00:22:13I suddenly decided

00:22:14from a group of workers

00:22:15of a sector

00:22:16that in this way

00:22:17block the entire factory

00:22:18there are strikes

00:22:19autonomous trade unions

00:22:20and there are demonstrations

00:22:21of the square

00:22:26there are clashes

00:22:28sometimes even very hard

00:22:29among protesters

00:22:30and law enforcement

00:22:31among young students

00:22:32workers

00:22:32and the emergency departments

00:22:34of the carabinieri

00:22:34or the agents

00:22:35of the mobile departments

00:22:36those who then

00:22:37they were called

00:22:37swift

00:22:42but there's more to it than that

00:22:44there is not only

00:22:45the violence

00:22:46in that year

00:22:46there are not only

00:22:48the clashes

00:22:48among extremists

00:22:49right-wing

00:22:50and left

00:22:50or among these

00:22:51and the police

00:22:52with the departments

00:22:53police car

00:22:54and the Carabinieri

00:22:55there are also

00:22:56many other things

00:22:57in that 1969

00:22:59Italy

00:23:00of those years

00:23:01Italy is hit

00:23:03from the street

00:23:04of Piazza Fontana

00:23:04it's an Italy

00:23:05extremely vital

00:23:07it's an Italy

00:23:08young

00:23:09it's an Italy

00:23:10that bursts in

00:23:11the new spaces

00:23:12of democracy

00:23:13of fun

00:23:14of curiosity

00:23:15it's an Italy

00:23:15who loves to experiment

00:23:17loves to travel

00:23:18There are

00:23:21culturally

00:23:22from the point of view

00:23:23of free time

00:23:24a whole series

00:23:24of new challenges

00:23:25it's a country

00:23:26that is blooming

00:23:27to a real democracy

00:23:29this is Italy

00:23:30of 1968-69

00:23:33and this blossoming

00:23:36suddenly knows

00:23:39the frost

00:23:40of that massacre

00:24:05the funerals

00:24:06they are held three days later

00:24:08December 15th

00:24:09it's a Monday

00:24:10it's a day

00:24:11cold and foggy

00:24:12like the ones that were there

00:24:13once

00:24:13in Milan

00:24:22the 16 coffins

00:24:23all the same

00:24:24in walnut wood

00:24:25with the tag on it

00:24:26surname and name

00:24:27Arnoldi Giovanni

00:24:28China Julius

00:24:29Corsini Eugenio

00:24:30they come out in alphabetical order

00:24:32from the morgue on Via Gorini

00:24:33and cross Milan

00:24:34up to the Duomo

00:24:35they also pass in front

00:24:36in Piazza Fontana

00:24:44to follow them

00:24:45there is a huge crowd

00:24:46there are hundreds

00:24:47of thousands of people

00:24:48that block traffic

00:24:49with the people

00:24:50that stops

00:24:51at the crossroads

00:24:51and gets out of the car

00:24:53to say hello

00:24:53taking off his hat

00:24:54there is the whole city

00:24:56there is all of Milan

00:24:58a massacre

00:24:59Why

00:24:59why this massacre

00:25:01Why

00:25:02why this massacre

00:25:23I am convinced

00:25:25that there was

00:25:26Milan

00:25:27that kept us going

00:25:31the city

00:25:32they were all there

00:25:34that day

00:25:34and no one

00:25:35he had called them

00:25:36they had come alone

00:25:37who was it?

00:25:39who put it

00:25:40that bomb

00:25:40in the National Bank

00:25:41of Agriculture

00:25:42of Piazza Fontana

00:25:43and he killed

00:25:44in that way

00:25:4417 people

00:25:45and he wounded 86 of them

00:25:51the police

00:25:52he knows

00:25:52or at least

00:25:53he thinks he knows

00:25:54and right away

00:25:56until late afternoon

00:25:57of that Friday

00:25:58a few hours later

00:25:59that the bomb exploded

00:25:59it was the anarchists

00:26:01Usually

00:26:02it's them

00:26:02those who plant the bombs

00:26:03and then there are

00:26:04those goals

00:26:05the banks

00:26:05the altar of the fatherland

00:26:06for the police

00:26:07it was the anarchists

00:26:13in a few hours

00:26:14from the massacre

00:26:15the prefect of Milan

00:26:16free of another

00:26:16telegraph

00:26:17to the Prime Minister

00:26:19Mariano Rumor

00:26:19reliable hypothesis

00:26:21which must be formulated

00:26:22directs investigations

00:26:23towards anarchist groups

00:26:25out anyway

00:26:25extremist fringes

00:26:26within 24 hours

00:26:28following the massacre

00:26:29the police

00:26:30stopped for investigations

00:26:31more than 150 people

00:26:33all belonging

00:26:34to anarchist groups

00:26:35or far left

00:26:36and carries out

00:26:36hundreds of searches

00:26:53to coordinate the investigations

00:26:55he is the police commissioner of Milan

00:26:56Marcello Guida

00:26:57the police

00:26:58he has even more precise ideas

00:26:59the investigations

00:27:00they orient themselves

00:27:01on anarchists

00:27:02but on some

00:27:03in particular

00:27:03which are part

00:27:04of a very specific group

00:27:05that of the Ghisolfa bridge

00:27:14it's there

00:27:14that around 6pm

00:27:16of that December 12th

00:27:17a car arrives

00:27:18of the police

00:27:18an unmarked car

00:27:20in force

00:27:20at the political team

00:27:21of the Milan police headquarters

00:27:22directed by Dr.

00:27:23Antonino Allegra

00:27:24inside the car

00:27:25there are two policemen

00:27:27and the deputy manager

00:27:28of the political team

00:27:29a young commissioner

00:27:30what is called

00:27:31Luigi Calabresi

00:27:32I'm there to stop

00:27:33some anarchists

00:27:34and in the meantime

00:27:34another one is coming

00:27:35on a scooter

00:27:36he is a railway worker

00:27:38a railway worker

00:27:39working

00:27:39at the station

00:27:40of Porta Vittoria

00:27:41and that of the circle

00:27:42of the Ghisolfa bridge

00:27:43he is one of the main animators

00:27:45is called

00:27:46Joseph Pinelli

00:27:50Commissioner Calabresi

00:27:51he stops too

00:27:52or rather

00:27:52invites them to follow them

00:27:53and Pinelli does it

00:27:54it crosses the whole city

00:27:56with his scooter

00:27:56behind the car

00:27:57of politics

00:27:58and finds himself on the street

00:27:59Do well brothers

00:28:00where is the police station

00:28:01and where are they

00:28:02already a hundred

00:28:03of others arrested

00:28:03which progressively

00:28:04they are sent

00:28:05at San Vittore prison

00:28:06him not

00:28:07Joseph Pinelli

00:28:08he is held at the police station

00:28:14in the night

00:28:15between the 15th

00:28:15and December 16th

00:28:16Joseph Pinelli

00:28:18he is being questioned

00:28:24it's closed

00:28:25in a room

00:28:25almost 4 meters high

00:28:26for 4 and a half

00:28:27on the fourth floor of the street

00:28:28Do well brothers

00:28:29together with Commissioner Calabresi

00:28:31to the brigadiers

00:28:32Panessa

00:28:32Mainardi

00:28:33Mucilli

00:28:34and Caracuta

00:28:34and to an officer

00:28:35of the carabinieri

00:28:36the lieutenant

00:28:37Sabino Lograno

00:28:43at a certain point

00:28:44according to the testimonies

00:28:46Commissioner Calabresi

00:28:47he leaves the room

00:28:48to bring

00:28:49the minutes

00:28:49of the interrogation

00:28:50by Pinelli

00:28:51to his boss

00:28:52Dr. Allegra

00:29:03a moment later

00:29:04Joseph Pinelli

00:29:05fly out the window

00:29:06and falls

00:29:074 floors below

00:29:08on a flowerbed

00:29:09that fails

00:29:10to soften the blow

00:29:10is brought

00:29:12to the hospital

00:29:12from an ambulance

00:29:13of the White Cross

00:29:14but there's nothing to be done

00:29:15Pino Pinelli

00:29:16he dies without having recovered

00:29:17knowledge

00:29:18in a room

00:29:19guarded by the police

00:29:20that doesn't let in

00:29:21Nobody

00:29:21not even family members

00:29:22Joseph Pinelli

00:29:23he was interrogated last night

00:29:24in a room

00:29:25on the fourth floor

00:29:26of the police headquarters

00:29:26during a short stop

00:29:28of the interrogation

00:29:28he threw himself into the void

00:29:29from a window

00:29:30remained ajar

00:29:31despite the attempt

00:29:32to hold him back

00:29:33by the staff

00:29:34of the police

00:29:35present at that moment

00:29:36an officer

00:29:37of the carabinieri

00:29:38and 4 petty officers

00:29:39public safety

00:29:40Pinelli has fallen

00:29:42in the void

00:29:42he fell

00:29:43on this flowerbed

00:29:44they transported him

00:29:46to the hospital

00:29:47but the treatments

00:29:47of the sanitary ware

00:29:48they were in vain

00:29:50he leaves his wife

00:29:51and two daughters

00:29:51what happened

00:29:53in that room

00:29:54on the fourth floor

00:29:54of the police headquarters

00:29:55how he died

00:29:56Joseph Pinelli

00:30:01according to the police commissioner

00:30:03he committed suicide

00:30:03he was strongly suspected

00:30:05his alibi

00:30:06it had dissolved

00:30:07and he

00:30:07he felt lost

00:30:09his death

00:30:10it would almost be

00:30:10a self-accusation

00:30:15but it's not true

00:30:16nor suicide

00:30:17nor the dissolved alibi

00:30:19nor the dive

00:30:19or the feline snap

00:30:20the judge's investigation

00:30:22instructor

00:30:22Gerardo D'Ambrosio

00:30:23reconstructs the facts

00:30:24in a different way

00:30:25they happened

00:30:27in this investigation

00:30:31why an attorney general

00:30:34who was one of the greats

00:30:38attorneys general

00:30:39of Milan

00:30:39Bianchi and Spinosa

00:30:42decided to reopen

00:30:43the investigation

00:30:44on Pinelli's death

00:30:46the first trial

00:30:47it was archived

00:30:48and on a complaint

00:30:51presented

00:30:52from the widow Pinelli

00:30:54it was reopened

00:30:54this

00:30:55investigation

00:31:02the commissioner too

00:31:03Calabrians

00:31:04he dies

00:31:04he is killed

00:31:05May 17th

00:31:061972

00:31:12for that murder

00:31:13they will be considered

00:31:14responsible

00:31:15Adriano Soffri

00:31:16Ovidio Bonpressi

00:31:17George Peter Stefani

00:31:18and Leonardo Marino

00:31:19all of continuous struggle

00:31:20but this one

00:31:21it's another story

00:31:22the police

00:31:22he already has in mind

00:31:23what he thinks

00:31:24the material author

00:31:25of the massacre

00:31:25he is an anarchist

00:31:27naturally

00:31:27who attended

00:31:29the circle

00:31:29of Ponte della Ghisolfa

00:31:30and now

00:31:31he frequents the club

00:31:32March 22

00:31:33in Rome

00:31:33he is 37 years old

00:31:35and he's a dancer

00:31:36by profession

00:31:36is called

00:31:37Peter Valpreda

00:31:41Peter Valpreda

00:31:42he is arrested

00:31:43in the morning

00:31:43Monday, December 15th

00:31:45just as

00:31:46the funeral procession

00:31:47of the dead

00:31:47of Piazza Fontana

00:31:48is crossing Milan

00:31:49he arrived in Rome

00:31:50summoned to the palace

00:31:52of justice

00:31:52by a magistrate

00:31:53who has to question him

00:31:54on some attacks

00:31:55happened around

00:31:55to April 25th

00:31:56on trains

00:31:57and attributed

00:31:58these too

00:31:59to the anarchists

00:31:59it's quiet

00:32:01Peter Valpreda

00:32:02evidently

00:32:02he doesn't think he's in trouble

00:32:03why at the appointment

00:32:04with the magistrate

00:32:05he didn't show up

00:32:06with his lawyer

00:32:07but with his grandmother

00:32:08the lady

00:32:08Rachele Torri

00:32:09from which he sleeps

00:32:10every now and again

00:32:11when he is in Milan

00:32:11and instead

00:32:12is about to come out

00:32:13from the courthouse

00:32:15when two policemen

00:32:16they join him

00:32:17they take him by the arms

00:32:18they lift it up

00:32:19and they bring it

00:32:19in a secluded room

00:32:20while the grandmother

00:32:21he runs after him

00:32:22shouting

00:32:23but Peter

00:32:23but where are they taking you?

00:32:24in Milanese

00:32:30Peter Valpreda

00:32:31he is a culprit

00:32:33one of the responsible

00:32:34of the massacre

00:32:35of the massacres in Rome

00:32:36and the Milan massacre

00:32:38and the attacks in Rome

00:32:39the news

00:32:40the confirmation

00:32:40she arrived a moment ago

00:32:41here at the Rome police headquarters

00:32:42what does the police have

00:32:43about Pietro Valpreda

00:32:44because she is convinced

00:32:46that the person in charge

00:32:46of the massacre

00:32:47of Piazza Fontana

00:32:48it's really him

00:32:53there are some testimonies

00:32:55who speak

00:32:56of suspicious activity

00:32:57by the Club

00:32:58March 22nd

00:32:59and by Pietro Valpreda

00:33:00the March 22nd Circle

00:33:02of Rome

00:33:02it's a group

00:33:04anarchist

00:33:05we must recognize

00:33:07a little special

00:33:08Why

00:33:10in them

00:33:11and in this

00:33:12they are in the military

00:33:14Merlin

00:33:15who is a former Nazi

00:33:17but that

00:33:18continue to maintain

00:33:20reports

00:33:20with Stefano Delle Chiaie

00:33:22the head of National Vanguard

00:33:25with

00:33:26a

00:33:27company

00:33:28which is called

00:33:29companion Andrea

00:33:30which in reality

00:33:31he is a policeman

00:33:32Hippolytes

00:33:34infiltrator

00:33:35then from the police

00:33:36in the group

00:33:38and another

00:33:39it's Serpieri

00:33:39who is an informant

00:33:41of the SID

00:33:41this

00:33:43triad

00:33:45creates doubts

00:33:47creates doubts

00:33:47and above all

00:33:48Like this

00:33:49it gives you something to think about

00:33:51it gives you something to think about

00:33:51especially on the fact

00:33:53that for example

00:33:54Valpreda

00:33:55for a few months

00:33:56it's a

00:33:57controlled

00:33:59special

00:33:59from the police

00:34:01then there is the alibi

00:34:02by Pietro Valpreda

00:34:03which according to the police

00:34:04it wouldn't hold up

00:34:05she's his grandmother

00:34:06the lady

00:34:07Rachele Torri

00:34:08the alibi

00:34:08of Valpreda

00:34:09he says that Peter

00:34:10he passed

00:34:11all that Friday

00:34:12afternoon

00:34:12of December 12th

00:34:13at his house

00:34:14in Orsini Street

00:34:15nailed

00:34:16to bed

00:34:16from Chinese

00:34:17influenza epidemic

00:34:18that in that period

00:34:19he hit

00:34:19half of Italy

00:34:20but the police

00:34:21he doesn't believe her

00:34:21but above all

00:34:23to nail

00:34:24Peter Valpreda

00:34:25to make him

00:34:26the person in charge

00:34:27of the massacre

00:34:27of Piazza Fontana

00:34:28it is the testimony

00:34:29of a taxi driver

00:34:30he is a taxi driver

00:34:31a taxi driver

00:34:31Milanese

00:34:32is called

00:34:32Cornelius Rolandi

00:34:33and he came forward

00:34:35yesterday morning

00:34:36Before

00:34:37It is worth underlining this

00:34:38that there was news

00:34:39of the sum of 50 million

00:34:40making available

00:34:41because he had provided

00:34:42capable news

00:34:43to bring

00:34:44to identification

00:34:45of the attackers

00:34:46the taxi driver

00:34:47is called

00:34:47Cornelius Rolandi

00:34:48in the morning

00:34:50of December 15th

00:34:51around 11.25am

00:34:52just as

00:34:53the funeral procession

00:34:54is crossing Milan

00:34:55he introduces himself

00:34:56at the station

00:34:57of the carabinieri

00:34:57of the Cathedral Square

00:34:58he says he has something

00:35:00of important

00:35:00to be communicated

00:35:01the Friday before

00:35:02he loaded

00:35:03in his taxi

00:35:04the person

00:35:04which blew up

00:35:05in the air

00:35:06the bank

00:35:06of Piazza Fontana

00:35:17that December 12th

00:35:19at 4.12pm

00:35:20Rolandi

00:35:21it's stopped

00:35:21with his

00:35:21600 multiple

00:35:22in Beccaria Square

00:35:23when it arrives

00:35:24a man

00:35:25who asks him

00:35:25to bring it

00:35:26to the bank

00:35:26of agriculture

00:35:31Mr. Rolandi

00:35:33he is surprised

00:35:33from the parking lot

00:35:34to the bank

00:35:35there is little more

00:35:36of a hundred

00:35:36of meters

00:35:37135 to be precise

00:35:39and the man

00:35:39it's much sooner

00:35:40to go there on foot

00:35:41but the man insists

00:35:42he wants to go there by taxi

00:35:43On the contrary

00:35:44wants Mr. Rolandi

00:35:45you wait for it

00:35:46to then take it

00:35:46somewhere else

00:35:48arrived nearby

00:35:49of the bank

00:35:49the man

00:35:49he stops the taxi

00:35:50on the corner

00:35:51with Via Santa Tecla

00:35:52and he moves away

00:35:53then he comes back

00:35:54and he gets carried away

00:35:54in Albricci Street

00:35:55500 meters further away

00:35:59when he got out of the taxi

00:36:00says Mr. Rolandi

00:36:01the man

00:36:02he had a bag

00:36:03when he returned

00:36:04he didn't have it anymore

00:36:11a few minutes later

00:36:12the bank

00:36:13of agriculture

00:36:14blows up

00:36:15the carabinieri

00:36:16they get it given to them

00:36:17from Mr. Rolandi

00:36:17a description

00:36:18of man

00:36:18and they do

00:36:19an identikit

00:36:20Mr. Rolandi

00:36:21he recognizes it

00:36:22at 80%

00:36:27then the carabinieri

00:36:28they bring Mr. Rolandi

00:36:29from the police chief guide

00:36:30that makes you put

00:36:31next to the identikit

00:36:32a photo

00:36:33by Pietro Valpreda

00:36:34Mr. Rolandi

00:36:35he says it could be him

00:36:36but with a more gaunt face

00:36:41the next day

00:36:42Mr. Rolandi

00:36:43he is brought to Rome

00:36:44in court

00:36:44where it should be placed

00:36:46in comparison with Pietro Valpreda

00:36:47to see if he recognizes him in person

00:36:49it's not very correct

00:36:51as a procedure

00:36:51because they've already shown it to him

00:36:53in photography

00:36:54and this could influence it

00:36:55but it doesn't matter

00:36:56Mr. Rolandi

00:36:57enter the office

00:36:58of the judge who occurred

00:36:59and finds us

00:37:00five people

00:37:01in line

00:37:01one next to the other

00:37:02you have to look at them

00:37:04and indicate whether between them

00:37:05there is the man

00:37:06who had himself carried

00:37:07near Piazza Fontana

00:37:08of these five

00:37:09one is Pietro Valpreda

00:37:11disheveled

00:37:12but shaved

00:37:13and with disheveled clothes

00:37:15from a night of interrogation

00:37:16the other four

00:37:17they are police officers

00:37:18well dressed

00:37:19combed

00:37:20and freshly shaved

00:37:24Mr. Rolandi

00:37:25he looks at them

00:37:26and then he points to Valpreda

00:37:27the elu

00:37:28he says

00:37:28it's him

00:37:29the Milanese

00:37:30this taxi driver came in

00:37:31he decided

00:37:32do it like this

00:37:33ago

00:37:33it's him

00:37:34I'm going to look

00:37:35and he never looked at me well

00:37:38and he stayed there for a while

00:37:40ago

00:37:40well if it's not him

00:37:42who who not

00:37:42and then

00:37:43Lawyer Calvi

00:37:45he intervened

00:37:45let's put it on record

00:37:46what he says

00:37:48the test

00:37:49if it's not him

00:37:49there is none here

00:37:50there is none here

00:37:51immediately

00:37:52since the day of his arrest

00:37:54Peter Valpreda

00:37:55become the man

00:37:55which has materially

00:37:56brought the bomb

00:37:57in the bank in Piazza Fontana

00:37:58become the courier of death

00:38:00the monster

00:38:01and as such

00:38:02gets splashed across the front page

00:38:04without the possibility of appeal

00:38:05from newspapers and TV news

00:38:09the fury of the human beast

00:38:11a spring

00:38:12he suddenly has it

00:38:13transformed into a monster

00:38:14dancer

00:38:15misfit

00:38:16with a criminal record

00:38:17protester

00:38:18rebel

00:38:19immersed in vicious circles

00:38:20frankly unpleasant

00:38:21association

00:38:24defended by the lawyer

00:38:25Guido Calvi

00:38:26Peter Valpreda

00:38:27denies

00:38:27he's not the monster

00:38:28he is not the beast

00:38:29him with the Piazza Fontana bomb

00:38:31it has nothing to do with it

00:38:32Peter Valpreda

00:38:34reported for complicity

00:38:35in massacre

00:38:36during the investigations

00:38:37on the attacks

00:38:38of Milan and Rome

00:38:39he continues to deny

00:38:44for the police

00:38:46for the police chief guide

00:38:47for the Roman magistrates

00:38:49for journalists

00:38:50the monster is him

00:38:51Peter Valpreda

00:38:58only it's not true

00:38:59with the massacre

00:39:00of Piazza Fontana

00:39:01Peter Valpreda

00:39:02it has nothing to do with it

00:39:02and he will say it

00:39:03after almost two years

00:39:05in prison

00:39:05and 14 years old

00:39:06of processes

00:39:07the assize court

00:39:08of Bari appeal

00:39:09which absolves him

00:39:10definitely

00:39:11in 1985

00:39:17for the court

00:39:18his alibi

00:39:19governs

00:39:20Grandma Rachele

00:39:20he told the truth

00:39:21the recognition

00:39:23made by the taxi driver

00:39:24even if in good faith

00:39:25it's not credible

00:39:26the persecution

00:39:27against Pietro Valpreda

00:39:28and the anarchists

00:39:29for the bomb

00:39:30of Piazza Fontana

00:39:31it's a mistake

00:39:31at best

00:39:32at worst

00:39:34a frame

00:39:34artfully made

00:39:36to dish out

00:39:36to public opinion

00:39:37and to justice

00:39:38the ideal culprit

00:39:43and then

00:39:44who was it?

00:39:48there is another track

00:39:49in addition to that

00:39:50of the anarchists

00:39:50and there is a witness

00:39:52there is a man

00:39:55what is called

00:39:55Guido Lorenzon

00:39:56he is a teacher

00:39:58by Maserada

00:39:58on the Piave

00:39:59in the province

00:40:00from Treviso

00:40:00he is the secretary

00:40:01of the local

00:40:02democracy section

00:40:03Christian

00:40:04and he is a man

00:40:04very religious

00:40:05very religious

00:40:06December 15th

00:40:08Mr. Lorenzon

00:40:09he goes to his lawyer

00:40:10because it has a weight

00:40:11on the conscience

00:40:11it's something

00:40:12which concerns

00:40:13a friend of his

00:40:14a person

00:40:14who knows

00:40:15for a long time

00:40:16since the times

00:40:17of the college

00:40:17is called

00:40:18John Ventura

00:40:24John Ventura

00:40:25it's a small publisher

00:40:26from Treviso

00:40:27he is an extremist

00:40:28right-wing

00:40:28and publishes books

00:40:29of inspiration

00:40:30neo-Nazi

00:40:31and also a magazine

00:40:32what is called

00:40:32precisely

00:40:33Reaction

00:40:33with his friend

00:40:34Lorenzon

00:40:35John Ventura

00:40:36he talks a lot

00:40:36talks about politics

00:40:37talks about the need

00:40:39to use violence

00:40:40to carry out demonstrative acts

00:40:42even to plant bombs

00:40:43for Lorenzon

00:40:45these are just words

00:40:46abstract theorizations

00:40:47and nothing more

00:40:52then on December 15th

00:40:54he sees on television

00:40:55the funerals

00:40:56for the victims

00:40:56of Piazza Fontana

00:40:57those 16 coffins

00:40:58one after the other

00:40:59and all those people

00:41:00all of Milan

00:41:01in front of the Cathedral

00:41:02and then

00:41:02one thing you remember

00:41:04and think

00:41:04who can't keep it to himself

00:41:06he can't keep quiet

00:41:07having received this news

00:41:09so then

00:41:10I'm setting up a meeting

00:41:11with Lorenzon

00:41:12which had

00:41:13declared

00:41:14willing

00:41:14to speak

00:41:15of these things

00:41:16with the judiciary

00:41:18Lorenzon

00:41:19he appeared to me

00:41:19a person

00:41:20serious

00:41:22balanced

00:41:23he reported things

00:41:25demonstrating

00:41:26a memory

00:41:28iron

00:41:28brought by his

00:41:29lawyer

00:41:30in front of the substitute

00:41:31Treviso prosecutor

00:41:32Peter Calogero

00:41:33Professor Lorenzon

00:41:34speaks

00:41:35tells

00:41:36than when his friend

00:41:37Ventura

00:41:37he told him

00:41:38of having brought

00:41:39a bomb in Milan

00:41:39in May

00:41:40in a public building

00:41:41a bomb

00:41:42but that

00:41:42it hadn't exploded

00:41:43as if it were

00:41:45procured some others

00:41:46100,000 lire each

00:41:47had cost him

00:41:48which then

00:41:48they had exploded in August

00:41:50on trains

00:41:50of how he had

00:41:52timers

00:41:53and timer

00:41:53in a house in Treviso

00:41:55and he had them for her

00:41:56also show yourself

00:42:02but above all

00:42:03Professor Lorenzon

00:42:04tell the substitute

00:42:06Attorney Calogero

00:42:07than when his friend

00:42:08Ventura

00:42:09he spoke to him

00:42:09of the massacre

00:42:10of Piazza Fontana

00:42:11of when he spoke to him

00:42:12of the bomb

00:42:13of how it was made

00:42:14of the timer

00:42:15which should have

00:42:16trigger it

00:42:16of the fact that he didn't understand

00:42:18so that it didn't explode

00:42:19the one at the commercial bank

00:42:20why they weren't there

00:42:21there were riots

00:42:22to the right and to the left

00:42:23and that therefore

00:42:24they should have

00:42:25do something else

00:42:26than when he told him

00:42:28which was part

00:42:28of an organization

00:42:29pyramid scheme

00:42:31who can plant bombs

00:42:33create terror

00:42:34to provoke

00:42:35an authoritarian turn

00:42:36and prepare

00:42:36a coup d'état

00:42:39the deputy prosecutor

00:42:40Peter Calogero

00:42:41and the investigating judge

00:42:42Giancarlo Stiz

00:42:43they listen to the story

00:42:45by Professor Lorenzon

00:42:46they decide that it is reliable

00:42:48and open an investigation

00:42:49about Giovanni Ventura

00:42:50and on his group

00:42:53of this group

00:42:54It is also part of

00:42:55another person

00:42:56he is a lawyer from Padua

00:42:57a solicitor

00:42:59him too

00:42:59a right-wing extremist

00:43:01with inspirational ideas

00:43:02neo-Nazi

00:43:03his name is Franco Freda

00:43:07Franco Freda

00:43:08he owns a bookstore

00:43:09in Padua

00:43:10the Ezzelino bookshop

00:43:11in which they gather

00:43:12other militants

00:43:13far right

00:43:14Franco Freda

00:43:16and Giovanni Ventura

00:43:16they are known

00:43:17from the police

00:43:18the team leader

00:43:20Padua mobile

00:43:20Pasquale Iuliano

00:43:21he's keeping an eye on them

00:43:24he's a good cop

00:43:26Commissioner Iuliano

00:43:27someone who doesn't give up

00:43:28and he understood that the group

00:43:29by Freda and Ventura

00:43:30it's strange

00:43:31very strange

00:43:31we are still in summer

00:43:33of 1969

00:43:34six months ago

00:43:36let the bomb explode

00:43:36in Piazza Fontana

00:43:38Commissioner Iuliano

00:43:40put under control

00:43:41Freda's phone

00:43:42squeezes the informants

00:43:43who have the underworld

00:43:44close to the far right

00:43:45and has the houses searched

00:43:47of some people

00:43:47close to the group

00:43:48including

00:43:49Massimiliano Facchini

00:43:50city councilor

00:43:51of the Italian Social Movement

00:43:52of Padua

00:43:55Commissioner Iuliano

00:43:56he's good

00:43:57he's someone who knows how to do it

00:43:58his job

00:43:59and so he has it monitored

00:44:00the house

00:44:01by Massimiliano Facchini

00:44:02which is on the third floor

00:44:04of a palace

00:44:04of Insurrection Square

00:44:05a very elegant building

00:44:07with a goalkeeper

00:44:12one evening in June

00:44:13from the building

00:44:14of Insurrection Square

00:44:15a boy comes out

00:44:16a young man known

00:44:17like an extremist

00:44:18neo-fascist

00:44:22the men

00:44:23of Commissioner Iuliano

00:44:24they stop him

00:44:25they search him

00:44:26and they find them

00:44:27a package

00:44:27with a bomb inside

00:44:28and a gun

00:44:29Beretta 9mm caliber

00:44:31and at this point

00:44:32something strange happens

00:44:33the boy

00:44:35with the bomb

00:44:35and the gun

00:44:36he says that to give him

00:44:36the package

00:44:37it was another

00:44:38right-wing extremist

00:44:39but that

00:44:39he's also an informant

00:44:40for Commissioner Iuliano

00:44:42someone says

00:44:43that it's all a set-up

00:44:44who was the commissioner

00:44:45to provoke the meeting

00:44:47and the surrender of weapons

00:44:48to fit in

00:44:48Freda's group

00:44:49Porters and Ventura

00:44:51who made it all up

00:44:52a campaign starts

00:44:53media

00:44:54of a certain consistency

00:44:55which makes use of

00:44:56also of the publication

00:44:57of a book

00:44:58Justice is like the rudder

00:44:59wherever you turn it goes

00:45:00printed in thousands of copies

00:45:02overwhelmed by controversy

00:45:04Commissioner Iuliano

00:45:05he is suspended from service

00:45:09for others instead

00:45:11to have fallen into a trap

00:45:12it's Commissioner Iuliano himself

00:45:14after all

00:45:15of his investigations

00:45:16on Freda's group

00:45:17Porters and Ventura

00:45:17he was aware of it

00:45:18even Freda himself

00:45:20who also says it

00:45:21in a wiretap

00:45:22if there is some idiot

00:45:24listening

00:45:24that you listen too

00:45:28To inform him

00:45:30he will say later

00:45:30Ventura

00:45:31it was just

00:45:32a policeman

00:45:33of the political office

00:45:34of the Padua police headquarters

00:45:35but

00:45:36a witness

00:45:37which can exonerate

00:45:38Commissioner Iuliano

00:45:39from the prosecution

00:45:39to have assembled everything

00:45:40to fit in

00:45:41of the neo-fascists

00:45:42there is

00:45:42it's the doorman himself

00:45:44of the stable one

00:45:45at number 15

00:45:45of Insurrection Square

00:45:46his name is Alberto Muraro

00:45:48he is a former carabiniere

00:45:50and tells the judges

00:45:51that that evening

00:45:52the boy found

00:45:53with the bomb and the gun

00:45:54did not meet

00:45:55with no one at all

00:45:56and even less

00:45:57with an informant

00:45:58of Commissioner Iuliano

00:46:03he says that the boy

00:46:04with the gun and the explosive

00:46:05he came from an apartment

00:46:06of the building

00:46:07an apartment

00:46:08on the third floor

00:46:09the inhabited one

00:46:10by Massimiliano Facchini

00:46:14then suddenly

00:46:16Mr. Muraro

00:46:16change your mind

00:46:17and retracts everything

00:46:18It is true

00:46:19he had seen the young man

00:46:20with the gun and the explosive

00:46:21meet up with another young person

00:46:23and he hadn't seen anyone

00:46:25leave any apartment

00:46:26the judge doesn't believe him

00:46:28and summons Mr. Muraro

00:46:30in court

00:46:30for September 15, 1969

00:46:38September 13, 1969

00:46:40two days before

00:46:42there is a man who flies

00:46:43arms outstretched

00:46:45the face leaning forward

00:46:46legs stretched out behind

00:46:47it looks like it's flying

00:46:49and instead it falls

00:46:50falls

00:46:53Mr. Muraro

00:46:54doorman at number 15

00:46:56of Insurrection Square

00:46:57fly down the stairwell

00:46:59and crashes onto the hall floor

00:47:01three floors below

00:47:02the judicial investigation

00:47:04will establish that it is treated

00:47:06of an accident

00:47:07the landing balustrade

00:47:08it was too low

00:47:15Commissioner Giuliano

00:47:16he is reinstated in service

00:47:18but he is sent away from Padua

00:47:19they send him first to Ruvo di Puglia

00:47:21in the province of Bari

00:47:22and then to Matera

00:47:23and his investigation

00:47:24on the Freda and Ventura group

00:47:26and Porters

00:47:26it ends there

00:47:29the rotating group

00:47:31around the Zelino bookshop

00:47:32he's not the only one

00:47:33to move within the scope

00:47:35of right-wing extremism

00:47:36in those years

00:47:37especially in Veneto

00:47:42both National Vanguard

00:47:44what a New Order

00:47:44that other organizations

00:47:46far right

00:47:47like the Sea by Carlo Fumagalli

00:47:48the national front

00:47:49by Junio Valerio Borghese

00:47:51and many others

00:47:51they have a model

00:47:52and a project

00:47:57the model

00:47:58it's the Greece of the colonels

00:47:59the one that in April 1967

00:48:02after a quick coup d'état

00:48:04it ended up in the hands

00:48:05of a military junta

00:48:06led by the colonel

00:48:07George Papadopoulos

00:48:11the colonels

00:48:12they have the party leaders arrested

00:48:14they suspend political rights

00:48:15the parliamentary regime

00:48:17and freedom of the press

00:48:24order reigns in Greece

00:48:26Colonel Papadopoulos declares

00:48:33the project

00:48:34it's to do as in Greece

00:48:35or at least something similar

00:48:37block the advance

00:48:38of the left

00:48:39neutralize disputes

00:48:41and disagreements

00:48:41stabilize the position

00:48:43of Italy

00:48:44within

00:48:44of the Atlantic Alliance

00:48:45move in an authoritarian direction

00:48:47the axis of politics

00:48:48maybe with a coup d'état

00:48:50Lisbon

00:48:51Athens

00:48:51now Rome comes

00:48:52the militants chant

00:48:54of national avant-garde

00:48:55in the demonstrations

00:48:56there is also a conference

00:48:57which clearly establishes it

00:48:59in 1965

00:49:01the Luigi Pollio Institute

00:49:03for strategic affairs

00:49:04created by the General Staff

00:49:06of Defense

00:49:06and financed by SIFAR

00:49:07the military intelligence service

00:49:09holds a conference

00:49:10at the Parco dei Principi hotel

00:49:12in Rome

00:49:13there are senior officers

00:49:15of the armed forces

00:49:16high magistrates

00:49:17political leaders

00:49:18journalists like Guido

00:49:20Giannettini

00:49:20and militants

00:49:21of the far right

00:49:22like Stefano

00:49:23of the Chiaie

00:49:23and Pino Rauti

00:49:24there is also a character

00:49:26that we have already seen

00:49:26he is an anarchist

00:49:28whose name is Mario Merlino

00:49:29and it's part

00:49:30of the March 22nd club

00:49:31it's him

00:49:32the one who accuses

00:49:33Peter Valpreda

00:49:34after the massacre

00:49:35of Piazza Fontana

00:49:35the congress

00:49:37it was a study conference

00:49:38let's clarify

00:49:39it was a study conference

00:49:40on the

00:49:42versatility

00:49:43of the war

00:49:43subversive

00:49:44or revolutionary war

00:49:45whatever you want to say

00:49:46carried forward

00:49:47from communism

00:49:47throughout the world

00:49:48the theme of the conference

00:49:50it is the revolutionary terror

00:49:51that the communist party

00:49:52would be implementing in Italy

00:49:54how to prevent

00:49:55the slippage

00:49:56of the country

00:49:57to the left

00:49:58even if obtained

00:49:59with democratic methods

00:50:00like elections

00:50:01and how to defend

00:50:02the institutions

00:50:03from infiltrations

00:50:04of the communists

00:50:04by all means

00:50:06forming formations

00:50:07paramilitaries

00:50:08clandestine

00:50:09engaging

00:50:10in pressure actions

00:50:11in a counter-terror

00:50:12that can break

00:50:13the points of precarious balance

00:50:15in such a way

00:50:15to be determined

00:50:16a different constellation

00:50:18of the forces in power

00:50:19it's an obscure language

00:50:20deliberately obscure

00:50:21that historians and magistrates

00:50:23they will summarize

00:50:24with three words

00:50:24very clear

00:50:25strategy

00:50:26of attention

00:50:27attention strategy

00:50:29in Italy

00:50:29it meant then

00:50:30to collapse

00:50:31try to collapse

00:50:33Italian democracy

00:50:34and then

00:50:35precisely

00:50:35how come it happens

00:50:36reshape

00:50:37a democracy

00:50:38it reshapes itself

00:50:39creating a new landscape

00:50:41a new panorama

00:50:42through terror

00:50:43hitting innocents

00:50:44involved in the project

00:50:46to move

00:50:46in an authoritarian sense

00:50:47the axis of Italian politics

00:50:48there are also

00:50:49the secret services

00:50:50our

00:50:51first of all

00:50:52the SID

00:50:52the information service

00:50:54of the defense

00:50:54directed by the admiral

00:50:55Eugenio Enche

00:50:56and the confidential affairs office

00:50:58a kind of service

00:50:59civil secrecy

00:51:00directed by Federico

00:51:01Umberto D'Amato

00:51:02there are also

00:51:03the secret services

00:51:04Americans

00:51:04the CIA

00:51:05and the navy services

00:51:06and the army

00:51:11this is the context

00:51:13where it happened

00:51:13the Piazza Fontana massacre

00:51:15and what do they have to do with it?

00:51:16with all this

00:51:17Franco Freda

00:51:17John Ventura

00:51:18and their group

00:51:26they are the ones responsible

00:51:27of death

00:51:28of those 17 people

00:51:29that they were

00:51:30in the roundabout

00:51:31of the National Bank

00:51:32of Agriculture

00:51:32and what they thought

00:51:33to anything

00:51:34to the land to buy

00:51:35to the cows to sell

00:51:37to Christmas presents

00:51:42that they thought

00:51:43to anything

00:51:44except to be

00:51:45massacred by a bomb

00:51:46it's them

00:51:47which have caused

00:51:48the wounding

00:51:49of 86 people

00:51:50that they made lose

00:51:51a leg for Enrico

00:51:52who was 10 years old

00:51:53and he couldn't wait

00:51:54to go out

00:51:54to go and see

00:51:55the shop windows

00:52:02what do they have

00:52:03the magistrates of Treviso

00:52:04Peter Calogero

00:52:05and Giancarlo Stiz

00:52:06on Freda and Ventura

00:52:07aside

00:52:08the testimonies

00:52:09by Professor Lorenzon

00:52:10and the first investigations

00:52:12of Commissioner Iudiano

00:52:13some elements

00:52:14for example

00:52:15the collapse of a wall

00:52:16in Castelfranco Veneto

00:52:18there is a house

00:52:19that the owner

00:52:20he intends

00:52:20to renovate

00:52:24Like this

00:52:25in early November

00:52:26of 1971

00:52:27call the bricklayers

00:52:29that working

00:52:30they break through by mistake

00:52:31the partition

00:52:31of a partition

00:52:32of the attic

00:52:33and they discover

00:52:34an arsenal

00:52:375 miters

00:52:387 automatic

00:52:409mm caliber cap

00:52:41submachine gun magazines

00:52:42and gun

00:52:43silencers

00:52:43and a thousand

00:52:44of cartridges

00:52:45of that arsenal

00:52:46the owner

00:52:47of the house

00:52:47he didn't know anything about it

00:52:48he kept them in custody

00:52:50a tenant

00:52:50that questioned

00:52:52says who they belonged to

00:52:53to Giovanni Ventura

00:52:57the magistrates

00:52:58they rebuild

00:52:59the path

00:53:00of weapons

00:53:00and they arrive

00:53:01to some people

00:53:02including

00:53:03the custodian

00:53:04of an institution

00:53:05for the blind of Padua

00:53:06a friend of Freda

00:53:07what is called

00:53:07Marco Pozzani

00:53:11Marco Pozzani

00:53:12He's talking about a series

00:53:13of meetings

00:53:14held in the institution

00:53:15in which

00:53:16they would have been decided

00:53:17the attacks

00:53:18of 1969

00:53:20those of April

00:53:21in Milan

00:53:21at the trade fair

00:53:22and at the central station

00:53:24those of August

00:53:25on trains

00:53:25those of October

00:53:27including one in Trieste

00:53:28to a school

00:53:29Slovenian-speaking

00:53:29and those of December

00:53:31in Milan

00:53:31and in Rome

00:53:32including

00:53:32the massacre

00:53:33of Piazza Fontana

00:53:34Marco Pozzani

00:53:35speaks in particular

00:53:37of a meeting

00:53:37the one held

00:53:38April 18, 1969

00:53:40at that meeting

00:53:42they would have been present

00:53:43two people

00:53:44coming from Rome

00:53:56according to Marco Pozzani

00:53:57those two people

00:53:58they would be Pino Rauti

00:54:00and a journalist

00:54:01whose name he doesn't know

00:54:02but what is part of it

00:54:03of the secret services

00:54:04in March 1972

00:54:06the magistrates of Treviso

00:54:08they have him arrested

00:54:09Franco Freda

00:54:09John Ventura

00:54:10and Pino Rauti

00:54:11who will be released from prison

00:54:12the month after

00:54:13because the director of the Time

00:54:14the newspaper he works for

00:54:15and some journalists

00:54:16they say that April 18th

00:54:18Rauti was in Rome

00:54:19in the editorial office

00:54:20to work

00:54:21in the meantime

00:54:22the magistrates of Treviso

00:54:23they take all the paperwork

00:54:25and they transfer him to Milan

00:54:26where it is being held

00:54:27the investigation

00:54:28for the biggest attack

00:54:29the one in Piazza Fontana

00:54:31the Milanese magistrates

00:54:32who deal with

00:54:32of the investigation

00:54:33I am the investigating judge

00:54:34Gerardo D'Ambrosio

00:54:35and the deputy prosecutors

00:54:37Luigi Rocco Fiasconaro

00:54:38and Emilio Alessandrini

00:54:39they collect quickly

00:54:41other interesting elements

00:54:42for example

00:54:43they discover that

00:54:44in September 1969

00:54:46three months ago

00:54:47of the December bombs

00:54:48a customer

00:54:49he called

00:54:50to a shop in Bologna

00:54:51that sells

00:54:52electronic equipment

00:54:53the customer was very angry

00:54:55because he had ordered

00:54:5650 timer

00:54:5750 switches

00:54:5860-minute time limit

00:55:00and they hadn't arrived yet

00:55:01the outburst

00:55:02had taken effect

00:55:03why the timers

00:55:04they had arrived

00:55:05the customer

00:55:06it's Franco Freda

00:55:10another element

00:55:11the man

00:55:12who sat down

00:55:13at the octagonal table

00:55:14in the roundabout

00:55:15of the bank in Piazza Fontana

00:55:16that December 12, 1969

00:55:18he had a bag

00:55:20that he put under the table

00:55:23it was a black bag

00:55:25Mosbach and Gruber brands

00:55:26made in Germany

00:55:28in Offenbach

00:55:31the same type of bag

00:55:33it had been found intact

00:55:35in the corridors

00:55:35of the commercial bank

00:55:36of Piazza della Scala

00:55:43the experts

00:55:44they claim that the bombs

00:55:45of that December 12, 1969

00:55:48have been contained

00:55:49inside 5 bags

00:55:51Mosbach and Gruber

00:55:525 bags

00:55:534 black

00:55:53and a brown one

00:55:54to the magistrates of Milan

00:55:56an idea comes

00:55:57they track down

00:55:58the representative

00:55:59in Italy

00:55:59of Mosbach and Gruber

00:56:00and they ask him

00:56:01how many shops

00:56:02they keep their bag model

00:56:03there are 32

00:56:05of these shops

00:56:06the magistrates

00:56:07they verify

00:56:08how many hold

00:56:09at the same time

00:56:10both the black model

00:56:10that brown one

00:56:11which is rarer

00:56:12there are 6

00:56:13there is only one

00:56:14of these 6 stores

00:56:15that he sold

00:56:16at the same time

00:56:17on the same day

00:56:18and even at the same time

00:56:19black models

00:56:20and brown

00:56:21it's a shop in Padua

00:56:22right from Padua

00:56:29and here too

00:56:30something strange happens

00:56:31on order

00:56:32of the magistrates of Milan

00:56:33the marshal

00:56:34of the carabinieri

00:56:35Alvise Munari

00:56:36go to that shop

00:56:37the luggage

00:56:37at the Cathedral

00:56:38of Padua

00:56:39to speak

00:56:39with the owner

00:56:40that as soon as he sees it

00:56:41he says something very strange

00:56:43he finally says

00:56:44finally what?

00:56:46they finally arrived

00:56:47him

00:56:48the report

00:56:49on the bags

00:56:49he had done it

00:56:50a long time ago

00:56:513 years ago

00:56:53shortly after the massacre

00:56:55the news

00:56:55he had shown

00:56:56on television

00:56:57the bag found intact

00:56:58to the commercial bank

00:57:00of Piazza della Scala

00:57:02it was identical

00:57:03to those that a gentleman

00:57:04he had bought

00:57:05two days before

00:57:06of the massacre

00:57:06Like this

00:57:07the owner

00:57:08of luggage

00:57:09he had called

00:57:10the Padua police headquarters

00:57:11and he had told it

00:57:12to the two officials

00:57:13of the political office

00:57:14that they had gone

00:57:15to talk to him

00:57:16in the shop

00:57:31a young gentleman

00:57:33good-looking

00:57:34who had insisted

00:57:35because he wanted

00:57:36big bags

00:57:36without the internal compartment

00:57:38after a few days

00:57:39had arrived

00:57:40another official

00:57:41an agent

00:57:42of the business office

00:57:42reserved for Rome

00:57:43which he had collected

00:57:44the testimony

00:57:45Then

00:57:46nothing more

00:57:47that information

00:57:48so important

00:57:50it had never arrived

00:57:51to the magistrates

00:57:52that they were coordinating

00:57:53the investigations

00:57:54and until then

00:57:55had remained

00:57:55inside a folder

00:57:56in a drawer

00:57:57of the business office

00:57:58reserved

00:58:03the magistrates of Milan

00:58:05they are starting to have

00:58:05a strange impression

00:58:06that there are some

00:58:08state apparatus

00:58:09that they are not

00:58:09working in favor

00:58:10of the investigations

00:58:11but against

00:58:12it's an impression

00:58:13which is confirmed

00:58:14shortly after

00:58:14when the investigations

00:58:15they take another step forward

00:58:17John Ventura

00:58:18Indeed

00:58:19he started talking

00:58:21John Ventura

00:58:22he confessed

00:58:24of having done

00:58:26part

00:58:26of the group

00:58:29neo-fascist

00:58:31who had

00:58:33placed

00:58:34all these devices

00:58:36in a box

00:58:37of safety

00:58:38of the People's Bank

00:58:39from Montebelluna

00:58:40registered in the mother's name

00:58:41and to Ventura's aunt

00:58:42the magistrates

00:58:43they found

00:58:44some cards

00:58:44very particular

00:58:57there are 54 sheets

00:58:59given the written data

00:59:00among which are found

00:59:01the list

00:59:02of the agents

00:59:02of the secret services

00:59:03Americans

00:59:04in Italy

00:59:04in 1969

00:59:05and relationships

00:59:06of a strategic nature

00:59:07and politics

00:59:08and stuff

00:59:09from the secret services

00:59:11interrogated

00:59:11in prison

00:59:12from Monza

00:59:12where he is being held

00:59:13John Ventura

00:59:14admits to having done

00:59:15part

00:59:15of a cell

00:59:16subversive

00:59:16far right

00:59:17who has accomplished

00:59:18the attacks

00:59:19of spring

00:59:19summer

00:59:20of 1969

00:59:22but he also says

00:59:23something else

00:59:24he says he did

00:59:25part

00:59:25of the cell

00:59:26subversive

00:59:26on behalf

00:59:27of the secret services

00:59:28to infiltrate it

00:59:29it would have been

00:59:30a secret agent

00:59:31Agent Z

00:59:32which then would be

00:59:33that Roman journalist

00:59:34which he had spoken of

00:59:35also Marco Pozzan

00:59:36about him Ventura

00:59:37he only knows

00:59:38the first name

00:59:39Guido

00:59:40the magistrates

00:59:41they try to understand

00:59:42who is this Guido?

00:59:43they find one

00:59:44in Ventura's agent

00:59:45Giannettini

00:59:46Guido Giannettini

00:59:50Guido Giannettini

00:59:52he is a Roman journalist

00:59:53military expert

00:59:55he wrote a pamphlet

00:59:57on penetration

00:59:58of the communists

00:59:58in the army

00:59:59the red hands

01:00:00on the armed forces

01:00:01it's titled

01:00:03he wrote it

01:00:04together with Pino Rauti

01:00:05and it was him too

01:00:06at the conference

01:00:07of the Polio Institute

01:00:08at the Parco Hotel

01:00:08of the Princes

01:00:09it's him

01:00:10Agent Z

01:00:11the magistrates

01:00:12they ask for it directly

01:00:13to the secret services

01:00:14Guido Giannettini

01:00:16is he one of yours?

01:00:18we asked

01:00:19to our secret services

01:00:22if this Giannettini

01:00:24he was their agent

01:00:28after which

01:00:29they objected

01:00:30political and military secrecy

01:00:32immediately after

01:00:32we went to question him

01:00:34she said

01:00:34but they made a mistake

01:00:36don't tell you right away

01:00:37who was our agent

01:00:40go there immediately

01:00:42from ours

01:00:44head of the secret services

01:00:46who was Miceli at the time

01:00:48will be at your disposal

01:00:50for the investigations

01:00:51for the truth

01:00:51it's not that

01:00:52they put us there

01:00:53a lot available

01:00:55Guido Giannettini

01:00:56he is part of the secret services

01:00:58she worked

01:00:59for office R

01:01:00he rolled

01:01:02in office R

01:01:03initially

01:01:04if I'm not mistaken

01:01:04initially

01:01:05the R office

01:01:07it's the same office

01:01:08of the services

01:01:08who ran Gladio

01:01:11Exactly?

01:01:12I believe

01:01:13it would be interesting

01:01:14question him

01:01:15ask him what he knows

01:01:16of this whole story

01:01:17but it can't be done

01:01:18Guido Giannettini

01:01:19he is no longer in Italy

01:01:20it's in France

01:01:21in Paris

01:01:21in April 1973

01:01:23when it was understood

01:01:25that the Milanese judges

01:01:26they were getting closer

01:01:26too much for him

01:01:27Guido Giannettini

01:01:28he went to an office

01:01:29at number 235

01:01:31of Via Sicilia

01:01:32in Rome

01:01:37at Via Sicilia 235

01:01:40on the first floor

01:01:41of a palace

01:01:41anonymous and discreet

01:01:42without a goalkeeper

01:01:43there is the headquarters

01:01:44of a house

01:01:44of film production

01:01:46the Turris

01:01:47cinematic

01:01:48directed by a producer

01:01:49Dr. Tonino

01:01:56only that Dr. Tonino

01:01:57it's not called that

01:01:58but Antonio Labruna

01:01:59and in real life

01:02:00he is not a producer

01:02:01but the captain

01:02:02directs the NOD

01:02:03Direct Operations Unit

01:02:05a special office

01:02:06of the SID

01:02:06and the cinematic Turris

01:02:08he doesn't deal with cinema

01:02:09but of travels

01:02:10nature trips

01:02:11very particular

01:02:14in the Turris offices

01:02:16Guido Giannettini

01:02:17is provided

01:02:18of false documents

01:02:19a plane ticket

01:02:20and 200,000 lire in cash

01:02:26then he is accompanied

01:02:27at the airport

01:02:28and shipped to Paris

01:02:29he's not the only one

01:02:30to the magistrates

01:02:32I would like to do

01:02:32two more chats

01:02:33with another witness

01:02:34important

01:02:35Marco Pozzan

01:02:36the custodian

01:02:37of the institute for the blind

01:02:38which had begun

01:02:39to speak

01:02:40of the cell

01:02:41by Frede Ventura

01:02:44in the world

01:02:45of the secret services

01:02:46this type of operation

01:02:47it has a slang name

01:02:48a strange word

01:02:50that cannot be found

01:02:50on the vocabulary

01:02:52exfiltration

01:02:54the curious thing

01:02:55is that

01:02:55the passport

01:02:57it was given to Pozzan

01:02:58that did not belong

01:03:00to the services

01:03:00it was not given to me

01:03:01Instead

01:03:02these are always

01:03:03those things

01:03:05a little strange

01:03:06what's happening

01:03:08exfiltrations

01:03:08covers

01:03:09silences

01:03:10for the Milanese magistrates

01:03:11that coordinate

01:03:12the investigations

01:03:13on the massacre

01:03:13of Piazza Fontana

01:03:14there really is something

01:03:15that doesn't come back

01:03:16and it's a feeling

01:03:17that accompanies

01:03:18all stages

01:03:18of the procedural activity

01:03:19as long as this

01:03:20at a certain point

01:03:21it doesn't get stuck

01:03:22because in a certain sense

01:03:24disappears

01:03:24and filters

01:03:25the process too

01:03:31October 13, 1972

01:03:33the Court of Cassation

01:03:35establishes

01:03:36that for reasons

01:03:36of public order

01:03:37and legitimate suspicion

01:03:38the process

01:03:39for the massacre

01:03:40of Piazza Fontana

01:03:41no longer have to

01:03:41held in Milan

01:03:42but in another place

01:03:43distant

01:03:44very far away

01:03:45on the other side

01:03:46of Italy

01:03:49the process

01:03:50ends in Catanzaro

01:03:51it's a long journey

01:03:52long

01:03:53for the cards

01:03:53of the process

01:03:54that reach the judges

01:03:55that they never had

01:03:56seen before

01:03:56and that they have to start again

01:03:58all over again

01:03:58it's long

01:03:59for family members

01:04:00of the victims

01:04:00that they want

01:04:01follow the process

01:04:02know what's going on

01:04:04to put pressure on

01:04:05to obtain truth

01:04:06and justice

01:04:07and make sure

01:04:08that after false leads

01:04:09red herrings

01:04:10and infiltrations

01:04:11all this

01:04:11it finally happens

01:04:12we went

01:04:13Always

01:04:14beyond

01:04:15that no one

01:04:16he covered us

01:04:16no one paid for us

01:04:17from Rome

01:04:18up to Catanzaro

01:04:19every time

01:04:20that the judge

01:04:21he called us

01:04:22we went

01:04:23even if we knew

01:04:24that was a thing

01:04:26we wouldn't have perhaps

01:04:27I couldn't even speak

01:04:32in the dock

01:04:34there are 32 people

01:04:36including

01:04:36Franco Freda

01:04:37and Giovanni Ventura

01:04:38Marco Pozzan

01:04:39and Guido Giannettini

01:04:40and then

01:04:41the general

01:04:42Giannadelio Maletti

01:04:43director of the SID

01:04:44Captain Labruna

01:04:45and the marshal

01:04:46Gaetano Tanzilli

01:04:47they too from the SID

01:04:48accused of cover-ups

01:04:49and covers

01:04:52to testify as witnesses

01:04:54they are called

01:04:55even former presidents

01:04:56of the council

01:04:57and defense ministers

01:04:58like Giulio Andreotti

01:04:59Mariano Rumor

01:05:00and Mario Tanassi

01:05:01to try to understand something

01:05:03on the role of services

01:05:04throughout this whole story

01:05:06February 23rd

01:05:08of 1979

01:05:09there is the sentence

01:05:10in the name of the Italian people

01:05:12the Assize Court of Catanzaro

01:05:14seen the articles

01:05:15483

01:05:17488

01:05:18489

01:05:19Code of Criminal Procedure

01:05:21declares

01:05:22Freda Franco

01:05:23Ventura Giovanni

01:05:25and Guido Giannettini

01:05:26guilty of the crime

01:05:28of massacre

01:05:28continued

01:05:29the Assize Court of Catanzaro

01:05:31condemnation

01:05:32to life imprisonment

01:05:32for the massacre

01:05:33of Piazza Fontana

01:05:34Franco Freda

01:05:35John Ventura

01:05:36and Guido Giannettini

01:05:39sentenced to 4 and 2 years

01:05:40General Maletti

01:05:42and Captain Labruna

01:05:43for the infiltrations

01:05:44and a year later

01:05:45Marshal Tanzilli

01:05:46for false testimony

01:05:48refers to the court

01:05:49of the ministers

01:05:50Andreotti

01:05:51Rumor

01:05:51and Tanassi

01:05:52for state secrecy

01:05:53opposed to the Milanese magistrates

01:05:55on the Giannettini affair

01:05:56Peter Valpreda

01:05:58he is acquitted

01:05:59for the massacre

01:06:00of Piazza Fontana

01:06:01like Mario Merlino

01:06:02to hear the sentence

01:06:04but

01:06:04Franco Freda

01:06:05and Giovanni Ventura

01:06:06they are not here

01:06:07Good evening

01:06:08no trace

01:06:09by Giovanni Ventura

01:06:10the neo-fascist bookseller

01:06:12from Castelfranco Veneto

01:06:13defendant

01:06:14for the massacre

01:06:15of Piazza Fontana

01:06:16Ventura

01:06:17he disappeared

01:06:18this poverty

01:06:18from his home

01:06:19forced in Catanzaro

01:06:20escaping

01:06:21to surveillance

01:06:22of the police

01:06:23they escaped

01:06:24in South America

01:06:25Cold in Costa Rica

01:06:26and Ventura in Argentina

01:06:28they were under arrest

01:06:29house arrest

01:06:30but they disappeared

01:06:31Franco Freda

01:06:32also thanks to the help

01:06:33of the Calabrian 'ndrangheta

01:06:34they are found

01:06:35and brought back to Catanzaro

01:06:37to hear the sentence

01:06:38of appeal

01:06:39March 20, 1981

01:06:41that changes everything

01:06:45Acquittal due to insufficiency

01:06:47of evidence

01:06:47for Franco Freda

01:06:48John Ventura

01:06:49and Guido Giannettini

01:06:50reconfirmed

01:06:51the absolution

01:06:52by Marco Pozzani

01:06:53absolution

01:06:54for General Maletti

01:06:55Captain Labruna

01:06:56and Marshal Tanzilli

01:06:57acquitted

01:06:58also Valpreda

01:06:59and Merlin

01:07:03Freda and Ventura

01:07:04they are condemned

01:07:05at 15 years old

01:07:06by association

01:07:07continued subversive

01:07:08but for the other bombs

01:07:09those of April

01:07:10August 1969

01:07:11with regard to

01:07:13the ministers

01:07:13the commission of inquiry

01:07:15archive everything

01:07:15and they too

01:07:16they are definitely leaving

01:07:18from history

01:07:18of Piazza Fontana

01:07:19General Maletti too

01:07:21he is not in court

01:07:22to hear the sentences

01:07:23that concern him

01:07:24involved

01:07:25in other episodes

01:07:26of the strategy

01:07:26of tension

01:07:27he fled to South Africa

01:07:28and lives in Johannesburg

01:07:30in the residential neighborhood

01:07:31by Rosbank

01:07:32June 10, 1982

01:07:33there is the sentence

01:07:35of Cassation

01:07:35that changes

01:07:36all over again

01:07:37cancel

01:07:38the previous sentence

01:07:39and sends everyone back

01:07:40on trial

01:07:41except Guido Giannettini

01:07:42which is definitely coming out

01:07:43on stage

01:07:44from history

01:07:45of the processes

01:07:45for the massacre

01:07:46of Piazza Fontana

01:07:47the trial documents

01:07:48they change again

01:07:49destination

01:07:50and end up in Bari

01:07:51for the sentence

01:07:51of appeal

01:07:52which is pronounced

01:07:53August 1, 1985

01:07:56he confirms

01:07:57of the solution

01:07:58for Franco Freda

01:07:59and Giovanni Ventura

01:08:00final acquittal

01:08:01for Pietro Valpreda

01:08:02and Marshal Tanzilli

01:08:04confirmation of the sentence

01:08:05even if with reduced sentences

01:08:07for Captain Labruna

01:08:08and for General Maletti

01:08:10sentence confirmed

01:08:11from the Court of Cassation

01:08:12in 1987

01:08:24then something happens

01:08:29there is a judge

01:08:31in Milan

01:08:31what is called

01:08:32Guido Salvini

01:08:32in 1988

01:08:34is leading

01:08:35an investigation

01:08:36on new order

01:08:36and on some attacks

01:08:38accomplished by the organization

01:08:39one in particular

01:08:40failed

01:08:41in April

01:08:42of 1973

01:08:43the young Nico Azzi

01:08:44he's fixing it

01:08:45a bomb

01:08:46on the Turin-Rome train

01:08:47but the device

01:08:48it's defective

01:08:49and it explodes

01:08:50between the legs

01:08:50hurting him

01:09:01from that investigation

01:09:03some new things emerge

01:09:04which are added

01:09:05to the elements

01:09:05that already existed

01:09:06and slowly slowly

01:09:07the investigation

01:09:07on the massacre

01:09:08of Piazza Fontana

01:09:09start walking again

01:09:10file 721

01:09:12bar 88F

01:09:13with the help

01:09:14of the carabinieri

01:09:15of the captain

01:09:16Massimo Giraudo

01:09:17the judge

01:09:17instructor

01:09:18Salvini

01:09:19adds

01:09:19new elements

01:09:20and new testimonies

01:09:22there is someone

01:09:23Indeed

01:09:23who started again

01:09:24to speak

01:09:24who claims

01:09:25that the dead

01:09:26they were not

01:09:26forecast

01:09:31the dead

01:09:32they were the price

01:09:33that Italy

01:09:34he had to pay

01:09:34to arrive

01:09:35to the state

01:09:35emergency

01:09:37Vincenzo

01:09:37Win War

01:09:38he is a neo-fascist

01:09:39of new order

01:09:40convicted

01:09:40to life imprisonment

01:09:41for the massacre

01:09:42from Peteano

01:09:42a country

01:09:43near Gorizia

01:09:45in May

01:09:46of 1972

01:09:48a 500

01:09:49padded

01:09:49of explosives

01:09:50blows up

01:09:51provoking

01:09:52death

01:09:52of three carabinieri

01:09:55Vincenzo

01:09:56Win War

01:09:56he is guilty

01:09:57I confess

01:09:57it has never been

01:09:58repentant

01:09:59but he told

01:09:59to the magistrates

01:10:00many things

01:10:01interesting

01:10:01on strategy

01:10:02of attention

01:10:03in 91

01:10:04start again

01:10:05to speak

01:10:05and fills

01:10:06150 pages

01:10:07of minutes

01:10:10but there are also

01:10:12other neo-fascists

01:10:13who speak

01:10:16Martino Siciliano

01:10:17he is a militant

01:10:18of new order

01:10:19involved

01:10:19in some

01:10:20attacks

01:10:20dynamiteers

01:10:23since 1979

01:10:24it's hidden

01:10:25in Paris

01:10:26the men

01:10:27of the earthquakes

01:10:28the secret service

01:10:28military

01:10:29they find it

01:10:30and they bring it back

01:10:30in Italy

01:10:31and he

01:10:31start collaborating

01:10:32Then

01:10:33it's time

01:10:34by Carlo Di Giglio

01:10:35militant

01:10:35of new order

01:10:36manager

01:10:37of the polygon

01:10:38of shooting

01:10:38of master

01:10:38expert

01:10:39of weapons

01:10:39and explosives

01:10:40and informant

01:10:41of the services

01:10:41American secrets

01:10:42with the name

01:10:43in code

01:10:43by Herodotus

01:10:44he also speaks

01:10:45another

01:10:45neo-fascist

01:10:46Edgardo Bonazzi

01:10:47in prison

01:10:48for killing

01:10:49a militant

01:10:49of struggle

01:10:49continues

01:10:50in 72

01:10:51Giannettini

01:10:52when he talks to me

01:10:52of the massacre

01:10:53of Piazza Fontana

01:10:54of events

01:10:55who put

01:10:55the bomb

01:10:57who doesn't have

01:10:58planted the bomb

01:10:59who was there

01:11:00within

01:11:01of the organization

01:11:02and the supports

01:11:03that they could

01:11:04have been there

01:11:04in Milan

01:11:05in my presence

01:11:06In short

01:11:07we were there

01:11:08in the courtyard

01:11:08from Nuoro

01:11:09in 80

01:11:10and we talked

01:11:11of these things

01:11:12Therefore

01:11:12who puts

01:11:13the bomb

01:11:13It's Zorzi

01:11:14Delfo Zorzi

01:11:15he's a character

01:11:16very particular

01:11:20in 1969

01:11:21at the time

01:11:22of the massacre

01:11:23he is 22 years old

01:11:24study Japanese

01:11:25at university

01:11:25of Naples

01:11:26and he is a passionate

01:11:27of martial arts

01:11:28judo above all

01:11:29he also opened

01:11:29a gym

01:11:30in Mestre

01:11:31friends

01:11:31they call it

01:11:32the samurai

01:11:33Delfo Zorzi

01:11:34he is accused

01:11:35to be part of

01:11:36of the Venetian cell

01:11:37of new order

01:11:38moreover

01:11:38according to the neo-fascists

01:11:40who started

01:11:40to collaborate

01:11:41with the judge

01:11:42instructor Salvini

01:11:43he would be a big shot

01:11:44the boss

01:11:45of military operations

01:11:46he was a good activist

01:11:48very capable

01:11:50very skilled

01:11:51with your hands

01:11:52and also

01:11:53also equipped

01:11:54of a certain

01:11:55physical courage

01:11:55In short

01:11:56people who didn't pull

01:11:58backwards

01:11:59Delphi was

01:12:00an expert

01:12:01in sabotage

01:12:02according to the collaborators

01:12:03of justice

01:12:04Delfo Zorzi

01:12:05it would have been

01:12:05in possession

01:12:06of explosives

01:12:07and metal boxes

01:12:08like the ones used

01:12:09in the attacks

01:12:10of December 69

01:12:11Delfo Zorzi

01:12:13would have asked

01:12:13a consultancy

01:12:14to Carlo Di Giglio

01:12:15Indeed

01:12:16he has the trunk

01:12:17of the machine

01:12:17full of explosives

01:12:18and must do

01:12:18a long journey

01:12:19must go

01:12:20up to Milan

01:12:20he asks me to give pace

01:12:22with that people

01:12:23of load

01:12:24so dangerous

01:12:27he told me

01:12:28that was going

01:12:29very far away

01:12:30he was going to Milan

01:12:33I would like to know

01:12:34if the machine

01:12:37would have

01:12:38could

01:12:39with discussion

01:12:40to explode

01:12:41the explosion

01:12:45I told him

01:12:46that would have been

01:12:47on his part

01:12:48much more cautious

01:12:50find

01:12:50a machine

01:12:52that he had

01:12:53some good ones

01:12:54shock absorbers

01:12:55Delfo Zorzi

01:12:57he would have said

01:12:57to his comrades

01:12:58we did it

01:12:59and it would have been referred to

01:13:00to something

01:13:01very precisely

01:13:02the massacre

01:13:03of Piazza Fontana

01:13:04Delfo Zorzi

01:13:05In short

01:13:06it would be one

01:13:06of the authors

01:13:07of the massacre

01:13:08of Piazza Fontana

01:13:09but where is it

01:13:10Delfo Zorzi

01:13:13he's not there either

01:13:15since 1974

01:13:17it's in Japan

01:13:18where it became

01:13:19billionaire

01:13:20in the field

01:13:20of clothing

01:13:21and fashion

01:13:21since 1984

01:13:23has become

01:13:24also a citizen

01:13:24Japanese

01:13:25and changed

01:13:26his name

01:13:26in Hagen-Roi

01:13:27lives in Tokyo

01:13:28in a neighborhood

01:13:28residential

01:13:29and of them

01:13:30he knows this Italian

01:13:31who lives here?

01:13:31No

01:13:31an Italian lives

01:13:32here

01:13:32I knew it

01:13:33how long

01:13:34do you live here?

01:13:35for two months

01:13:35for two months?

01:13:36he's a guy who has gray hair

01:13:38very big physically?

01:13:40never seen

01:13:40the eighth trial

01:13:41for the massacre

01:13:42of Piazza Fontana

01:13:43it is held in Milan

01:13:44in February 2000

01:13:45accused on various counts

01:13:46to be responsible

01:13:48of the massacre

01:13:48There are

01:13:49Delfo Zorzi

01:13:50fugitive

01:13:51Carlo Maria Maggi

01:13:52responsible

01:13:53in 69

01:13:54of new order

01:13:54for the Tri-Veneto region

01:13:55and Giancarlo Rognoni

01:13:57belonging

01:13:58to an organization

01:13:59far right

01:14:00linked to the new order

01:14:01the defendants

01:14:02they deny

01:14:02Carlo Maria Maggi denies

01:14:04Giancarlo Rognoni denies

01:14:06Delfo Zorzi denies

01:14:07listen

01:14:07she is accused

01:14:08of having put

01:14:09then materially

01:14:10the bomb

01:14:11in Piazza Fontana

01:14:14I do them

01:14:15the question

01:14:15more banal

01:14:16meanwhile

01:14:16he has an alibi

01:14:17for that day?

01:14:19Excuse me

01:14:19the impertinence

01:14:20Dr. Vespa

01:14:21she has it

01:14:22the alibi

01:14:22for that day

01:14:23if they asked her

01:14:25where was it

01:14:2530 years ago

01:14:26a certain day

01:14:27would be able to answer

01:14:28January 1st

01:14:29of 2001

01:14:29the court

01:14:30of the Assizes of Milan

01:14:31condemnation

01:14:32to life imprisonment

01:14:32Delfo Zorzi

01:14:33Carlo Maria Maggi

01:14:34and Giancarlo Rognoni

01:14:35to reading

01:14:37of the sentence

01:14:37applause follows

01:14:39which lasts a few minutes

01:15:01in addition to responsibility

01:15:02of the defendants

01:15:03the sentence

01:15:04first degree

01:15:04try to establish

01:15:05some fixed points

01:15:07that the massacre

01:15:08of Piazza Fontana

01:15:09it must be inserted

01:15:10in that strategy

01:15:11of tension

01:15:11elaborated up to

01:15:12from the times

01:15:13of the conference

01:15:14of the Polio Institute

01:15:15at the Parco Hotel

01:15:15of the Princes

01:15:16in the distant past

01:15:171965

01:15:18that the massacre

01:15:19he enjoyed

01:15:20of the red herrings

01:15:21and protections

01:15:22biased

01:15:22of our secret services

01:15:24and also the American ones

01:15:25that through

01:15:26the infiltrations

01:15:27in new order

01:15:27they were aware

01:15:28at least

01:15:29of the truth about the massacre

01:15:30the defenders

01:15:31of the defendants

01:15:32they appeal

01:15:33March 12th

01:15:34of 2004

01:15:35the sentence arrives

01:15:36of the court

01:15:37of appeal

01:15:38acquits Maggi and Zorzi

01:15:40from the accusation

01:15:40then written

01:15:41for not having committed

01:15:42the fact

01:15:43according to the senses

01:15:43of Article 530

01:15:44second paragraph

01:15:45Code of Criminal Procedure

01:15:47and again

01:15:48for the ninth time

01:15:49everything changes

01:15:50acquitted

01:15:51Delfo Zorzi

01:15:52Carlo Maria Maggi

01:15:53and Giancarlo Rognoni

01:15:54for the Court of Appeal

01:15:56the matrix

01:15:57of the massacre

01:15:58he is far right

01:15:59and it should be attributed

01:15:59to a new order

01:16:00Franco Freda

01:16:01and Giovanni Ventura

01:16:02they are responsible

01:16:04of the massacre

01:16:04of Piazza Fontana

01:16:05but having been acquitted

01:16:07definitively

01:16:08they can no longer be processed

01:16:09because no one

01:16:10can be processed

01:16:11twice

01:16:12for the same crime

01:16:12from a judicial point of view

01:16:15the massacre

01:16:15of Piazza Fontana

01:16:16which was

01:16:19from another part of the square

01:16:20which was not

01:16:21which was not

01:16:21in a country

01:16:24democratic

01:16:24it can't be

01:16:25that one goes to the bank

01:16:27and come out of it

01:16:27slaughtered

01:16:28they massacred us

01:16:29the parents

01:16:30they massacred us

01:16:31the children

01:16:31they have to give us

01:16:32justice

01:16:33and concreteness

01:16:35May 3, 2005

01:16:37the Court of Cassation

01:16:38confirms the acquittal

01:16:39for Delfo Zorzi

01:16:41Carlo Maria Maggi

01:16:42and Giancarlo Rognoni

01:16:43and condemnation

01:16:44the payment

01:16:44of the legal costs

01:16:45the civil parties

01:16:46including also

01:16:47the relatives of the victims

01:16:48end

01:16:49the procedural history

01:16:50of the massacre

01:16:51of Piazza Fontana

01:16:52it ends here

01:16:52for those 17 deaths

01:16:54and for those 86 injured

01:16:56a guilty person

01:16:57with the name and surname

01:16:58there is no

01:17:23I know

01:17:24Pierpaolo Pasolini wrote

01:17:26in an article

01:17:27on the Corriere della Sera

01:17:28who was actually speaking

01:17:29of massacres

01:17:29I know the truth

01:17:31it is the truth

01:17:32of common sense

01:17:32the truth

01:17:33of history

01:17:34the one that belongs

01:17:35that way

01:17:35simple and logical

01:17:36to line up

01:17:37the facts

01:17:37precisely of reflection

01:17:39historical

01:17:39and which intervenes

01:17:41when the processes

01:17:42they can't do it anymore

01:17:43to establish

01:17:43a judicial truth

01:17:44nevertheless

01:17:45that truth

01:17:46somewhere there is

01:17:47is there anyone who knows

01:17:48who put it

01:17:49that bomb

01:17:50in the bank

01:17:51of Piazza Fontana

01:17:52that December 12th

01:17:53of 1969

01:17:54I believe that

01:17:56a dozen

01:17:57of people

01:17:58they know the truth

01:18:00on Piazza Fontana

01:18:01and that they are

01:18:02the executors

01:18:03who brought

01:18:05precisely

01:18:06the delivery boy

01:18:07it's said in slang

01:18:08who brought

01:18:09the bag

01:18:10under the table

01:18:11and he did it

01:18:12explode

01:18:14who prepared

01:18:16the orders

01:18:17who for example

01:18:18in Milan

01:18:19he hosted them

01:18:20while they were preparing

01:18:21the orders

01:18:22so the hinterland

01:18:23immediate logistics

01:18:24which is always

01:18:25along with the speech

01:18:27of the financing

01:18:28of the massacre

01:18:29and of the massacre

01:18:29the hinterland too

01:18:31immediate

01:18:31of that massacre

01:18:33it remained

01:18:33in the shadow

01:18:35and then

01:18:36who gave

01:18:37the signal

01:18:38probably

01:18:39a few hours before

01:18:40of the action

01:18:41move on

01:18:42go ahead and do it

01:18:43I believe

01:18:44a dozen

01:18:45of people

01:18:45probably

01:18:46someone is still there

01:18:47in life

01:18:48someone else

01:18:48away away

01:18:49over time

01:18:50he disappeared

01:18:51but it's a kind

01:18:52of account

01:18:53backwards

01:18:54of the truth

01:18:55and I don't know

01:18:56if someone

01:18:56will answer

01:18:57in time

01:18:58the story

01:18:59it's not done with the self

01:19:00but every now and then

01:19:01temptation comes

01:19:02to ask yourself

01:19:03what it would have been like

01:19:03this country

01:19:04if it wasn't there

01:19:05it was the massacre

01:19:06if Italy

01:19:07his innocence

01:19:08he hadn't lost it

01:19:09if he hadn't arrived

01:19:10this dramatic event

01:19:11to raise abruptly

01:19:12the level of the clash

01:19:14and conflict

01:19:15to affirm

01:19:16a certain way

01:19:17to do politics

01:19:18with the bombs

01:19:19and with weapons

01:19:19after Piazza Fontana

01:19:21there will be other massacres

01:19:23more deaths

01:19:24and other bombs

01:19:25Perhaps

01:19:26if it didn't happen

01:19:27nothing worse

01:19:28it was just

01:19:29thanks to those hundreds

01:19:30of thousands of people

01:19:31that they blocked

01:19:32all of Milan

01:19:33that day

01:19:33to follow

01:19:34those 16 coffins

01:19:35and that they have not

01:19:36never forgotten

01:19:37to make yourself heard

01:19:38to be seen

01:19:39nor then

01:19:40nor after

01:19:49to make yourself heard

01:19:52to make yourself heard

01:19:54to make yourself heard

01:19:57to make yourself heard

01:20:16to make yourself heard

01:20:34to make yourself heard

01:20:46to make yourself heard

Blu Notte |12.10| La strage di Piazza Fontana, un processo senza fine | Lucarelliracconta 2.10| Re-ed 2012

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