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00:00You don't have any rest?
00:02No.
00:03You're excellent, without four.
00:05Without one, Mr. Professor.
00:08You don't see you in the city, in the cafes?
00:11No, Mr. Professor, I know only the way to school, home.
00:18Velimir, that's not a shame.
00:20I don't understand, Mr. Professor.
00:23You remember the school's mistakes?
00:26I don't understand.
00:28I've given you all the rights.
00:30I've removed everything from you.
00:32I'm so sorry for that, Mr. Professor.
00:35I'm so sorry for that.
00:37I'm sorry for that I didn't tell you,
00:40when there was still an opportunity to change this.
00:46Ladies and gentlemen,
00:48the young people from the first male gymnasium
00:52will be founded in the first martial arts community.
00:56I hope he won't be able to change this.
00:59No, no.
01:00No, no.
01:01No, no, no.
01:02No, no, no.
01:19I don't want to change it.
01:20But it's very nice, I promise you.
01:23There's no police.
01:25Police.
01:27On the other side there should be a pole, and on the other side there should be a pole.
01:32Then I hold the fish and the fish.
01:36Then I hold the fish and the fish and the fish.
01:42And here, on the back, there should be a hole in the shape of the heart.
01:48And then, when I sit like this, I like to poke through this hole.
01:54Ljudska i uživa.
01:56Life is not an idealistic romance.
01:59Do you agree, Milorad?
02:02With which?
02:04Life is not an idealistic romance.
02:08You have the right.
02:10Life can be a song.
02:33Go on, Milorad!
02:37I love you.
02:45Come on, Milorad!
02:48Hey!
03:00Hello, Professor Vujic!
03:12Three, four.
03:13The story of this is no matter,
03:17and when it comes to the end,
03:22there was no professor
03:26as well as Vujic Kosta.
03:31With all of this,
03:35it was wonderful to remember
03:40this love for him,
03:44the first young maturants.
03:49He knew for good,
03:52and there is no matter,
03:56the first young maturals.
03:59Germany has been told
04:02the story of history.
04:06Germany has been told
04:10the story of history.
04:18Germany has been told
04:31the story of history.
04:31I've read you the book.
04:34You have a gift.
04:38What is paining you?
04:41What is paining you?
04:44What is paining you?
04:45What is paining you?
04:46What is paining you?
04:48What is paining you?
04:53What is paining you?
04:54That's not a doctor's treatment.
04:57What is paining you?
04:57I've come to a song for the recipe.
05:00Let me write a song
05:01for the jury.
05:03What reason?
05:06You see,
05:07we,
05:08maturals of the first male gymnasium,
05:10are ready to praise
05:11for the sake of the jury's family.
05:15We want to praise the jury.
05:19I don't know how much I am
05:20for this.
05:21I don't know how much I am.
05:23There are others.
05:25When you are in Beograd,
05:27there are no others.
05:32Good morning,
05:33Mr. Director.
05:34Good morning.
05:38Good morning, Mr. Director.
05:41Good morning, Mr. Director.
05:44Good morning, Mr. Director.
05:44Good morning.
05:45Good morning, Mr. Director.
05:45How are you, Mladic?
05:46The question is,
05:47Mr. Director,
05:48I'm already in school.
05:49May...
05:50Today is Monday,
05:51tomorrow,
05:52tomorrow over again.
05:58after Wednesday,
06:00their director
06:01will greet their friends.
06:05And you see you luego.
06:07무슨 day.
06:09How good, Mr. Director.
06:10I will never go.
06:11Go to the end of the line.
06:14When you reach the line, I'll speak.
06:17Go on.
06:19Good evening, sir.
06:21Good evening, sir.
06:22Good evening, sir.
06:23Good evening.
06:25Good evening, sir.
06:26Good evening, sir.
06:28Stay.
06:31Unless you're still in line.
06:33I'll go with the last one, sir.
06:35advance the penguins and yourinden.
06:38Much better than, myón, mayor.
06:45Good morning.
06:46Good morning.
06:50I do not know.
06:56Grandma.
06:59Grandma.
07:02My bör usuaries and foreigners to a Belgian
07:05at amap.
07:11Cviću, would you like to welcome your director?
07:14Yes, of course. Good day, Mr. Director Kozarac.
07:26Don't be afraid, Cviću.
07:30Who doesn't have a conclusion from the national history?
07:43Ranislav Rajić.
07:51Come on, come on.
08:09Do you think this is a respect for the national history of the national history?
08:13Or perhaps for me?
08:22We know how knowledge of that was.
08:24We will only think that the Robinson Crusader is signing for its own history.
08:35know
08:36this was a time for mutimirov
08:38troimir and gojnik
08:40a
08:40a
08:40a
08:42a
08:42a
08:42a
08:42a
08:42a
08:43a
08:43a
08:43a
08:43a
08:43a
08:43a
08:43a
08:45Mir, mir, mir, mir, mir.
08:48When after Mutimiro's death
08:50he returned to Serbia
08:52to Petar Gojniković?
08:55Tell me a year.
09:03You don't know.
09:05What year do you think
09:06when he comes to his friends
09:08from Preslava to Raška
09:10to restore his family?
09:12Give me a year.
09:13What year do you think?
09:22I hope you'll know the years
09:24when the president of the brother Miroslav
09:27wrote the book of our trilogy.
09:31Give me a year.
09:43Mir, mir, mir, mir, mir, tišina.
09:45Ja hoćete da odem kod direktora Kozarca?
09:49I don't know.
09:51I don't know.
09:52I don't know.
10:12I don't know.
10:15I don't know.
10:28I don't know.
10:41I don't know.
10:43I don't know.
10:58I don't know.
11:00I don't know.
11:01I don't know.
11:05I don't know.
11:06I don't know.
11:06I don't know.
11:07I don't know.
11:11I don't know.
11:14I don't know.
11:15I don't know.
11:17I don't know.
11:28I don't know.
11:31I don't know.
11:53I don't know.
11:55I don't know.
11:56What's the matter?
11:57Thank you, Kodarec.
11:58Mr. Pruzor Bujić.
12:00We will see that again.
12:02I will come to the council.
12:03I'll go to my council.
12:05What have I said?
12:09Excuse me.
12:11What's that?
12:11The request for maturanship in the name of Jure Jakšeć.
12:15Jure Jakšeća.
12:17Good one.
12:24What kind of demonstrations? There is no problem.
12:27Yes, yes, yes, yes. They have a great honor in the National Museum.
12:31It is not a great honor. It is a great honor,
12:35in honor of our great Jure Jakšić,
12:38and for the help of his family.
12:43What do I do with this?
12:45You? You must be happy that we have a good and compassionate child.
12:51Dear Vujic, do you know that we are falling down
12:56in an injustice?
13:00That must be said.
13:02Everything!
13:03Who is looking for?
13:04Well, I'm looking for it.
13:06I'm going to be a crime.
13:08Do you know that Jure Jakšić was accused
13:11on Drinsk front because of the song
13:13and I'm looking for it.
13:14Do you know that?
13:15Yes.
13:17I'm happy.
13:18He came to God for the truth,
13:21but he did not serve this crime
13:22for our sins and sins.
13:26Ten years of his death has been passed.
13:28Now we can celebrate him.
13:35Give me a hundred.
13:36And I'm not a father.
13:37thank you very very much for becoming
13:37to me.
13:38Good, here I am.
13:40Thank you very much.
13:40Thank you very much for being here,
13:40Here I am of the purpose of Slavlja,
13:43and the support of Jure Jakšić.
13:45And that is all right.
13:47I am the only one of my opinion.
13:50Your opinion is most of the most important.
13:52And if necessary,
13:54we can excuse Slavlja.
13:54We can excuse him.
13:56We can excuse him.
13:57Da.
13:58I don't recognize that it will be a problem.
14:00I want to use that everything to do well.
14:03Yes, obviously.
14:05I am rich responsable of the Great Geneva babe who was freed the most Wantedip Л repro program Reneville Donna?
14:14Who knowledge thecję of the Denest to the Brenov scratch?
14:16Yes, that was...
14:18Sp procpopular...
14:19who was the glory of the king of the king of the king.
14:23The king of the king of the king of the king of the king of the king.
14:28You know, his name is the praise.
14:31Other than, the stiches were not standing in the last ten years
14:34on the slovoloku from which we all passed away.
14:36We were the king of the king of the king of the king of the king.
14:41I know, I know.
14:43Let's go, praise.
14:45I'm good. I'm going to be the first director of the men's men.
14:49You don't need to be afraid of dead singers,
14:51but these, living them, should be held around.
14:56And I want to be the first good man in the name of whom you are going to lead me
14:59personally.
15:00I'll be the beginning of this, Vaša Veličanstva.
15:02And finally, to play the King of Kolo, and not the King of Kraljice Natalije.
15:07And now I'm buying all my friends.
15:10Okay, that's not important for you.
15:13But see this picture, what do you say?
15:16What do you think of, Vaša Veličanstva?
15:19That's the picture of Djura Jakšić.
15:23Yes.
15:56What do you do, Djaci, in the cafe?
15:58We're going.
15:59You're going to go in the cafe?
16:01We don't have anywhere else.
16:03We're not from Bograda.
16:05What do you eat from one hour, and you from special drinks?
16:10What do we eat from one hour, we pay cheaper.
16:12This costs one hundred.
16:14Okay.
16:15And you, from my family, you eat from special drinks.
16:19How much do you pay?
16:20Sixty.
16:21A few drinks.
16:23Sit.
16:28Who was looking for a half a liter of silver?
16:31After all, boys, I'm the one who recommended this wine.
16:42I'll give you this one.
16:43Let me give you this one.
16:46I'll give you this one.
16:46I'll give you this one.
16:47I'll give you this one.
16:50I'll give you this one.
16:51I'll give you this one.
16:52Good day, colleague, and you are here.
16:54It's nice?
16:55It's nice.
17:00Do you, colleague, drink black and white wine?
17:02No, no, no.
17:04I promised black wine for you.
17:06As I saw you, you know what you would drink.
17:08I know, colleague, that you promised.
17:11Come on, listen.
17:13Good, good, good. Let me believe you.
17:15But it's a shame to see you in the middle of white wine.
17:18That's right.
17:19I'll ask you to form Jack's kitchen.
17:22Menza.
17:22What have I done?
17:23I'm kindly writing it.
17:25What have I done?
17:26I didn't have it.
17:26I didn't have it.
17:27No, no, no.
17:28I'm kindly writing it.
17:30What is the circus?
17:31Mr. Director, Jack doesn't pay his food immediately,
17:35but he's in his hands.
17:37He's writing a tefter.
17:38And he's paying for the end of the month.
17:41Here you see, Vasić.
17:43We didn't have a drink today.
17:49No, no.
17:59Here we go.
18:00Here's the girl Jovo Jovanović.
18:01Here's Milorad Šapčanin and Dragomir Brzak.
18:05Here's Milovan Glišić and Janka Veselinović.
18:08Here's Vojslav and Dragutina Ilić.
18:10Here's Pere Todorović.
18:12Here's the singer, the doctor, the former chief officer and minister,
18:16Peter Vlatan Djurđević.
18:51Peter Vlatan Djurđević.
19:18Peter Vlatan Djurđević.
19:46Maturanti prve muške gimnazije odvažili su se da na današnji dan, godišnicu smrti velikog srpskog pesnika i slikara Djure Jakšića,
19:54prirede za vas ovo svečano veče.
19:56Prvo će vam se obratiti prijatelj pokojnog Djure, veliki srpski pesnik i lekar, gospodin Zmaj Jovan Jovanović.
20:12Kad se slavi pesnik, slavi se njegova besmrtnost u pesmama.
20:23Djura Jakšić je dvostruki besmrtnik, jer je i slikar bio.
20:31Početkom 50-ih bio sam džak u Beču i nas četiri druga imali smo dve sobe za stan.
20:42U manjoj smo bili, džura Jakšić i ja, ali smo sobe smatrali kao zajedničke, pa je džura u veću je
20:50slikao.
20:52I tu sam ga ja naveo na trnovitu stazu pesništva, da na njoj bude naš šiler.
21:03Jer odtad traje naše pobratimstvo, koje se nadam se nije završilo,
21:12ni kad smo ga 16. novembra 878.
21:18Nas četiri pesnika, Milan Kujundžić-Aberdar, Milorad Šapčanin, Jovan Dragašević i ja,
21:27u Skadarlijsku ulicu poneli u večnost.
21:34Jer čak i da ne postoji onaj svet, naše će pobratimstvo ostati u poeziji.
21:48Ja sam za ovo slavljanje džure ispevao pesmu Svetnih grobovi iz koje ćete čuti sada jedan deo.
22:03Beja ste li, braćo moja mlada, da li beja ste vi na groblju kada?
22:13Aj na groblju, na golemu, ta uvek smo mi na njemu.
22:21Groblje i zemlja kom se odi, groblje i voda kom se brodi, groblje vrti i gradine, groblje brda i doline,
22:41svaka iz stopa grob do groba.
22:46Ko se osvrne da pogledi, bistrim okom i pogledom, na grobove ove svetle, povesnice dugim redom, mora čuti kako je
22:57živo,
22:58Kroz vekove, kroz maglinu, tedu nuku, otac sinu, borac borcu, dovikivo.
23:07Gde ja, stadoh, ti ćeš poći. Što ne mogah, ti ćeš moći. Kud ja nisam, ti ćeš doći.
23:19Gde ja, stadoh, ti produži. Još smo dužni, ti oduži.
23:26I ti, pade, brate dragi, nisam, deco, vas dok traje. Jel ti borba bila teška? Pokušajte, milinaj.
23:36A ko behu oni divi koji su te napred zvali, koji su te ojačali, koji su ti krila dali, to
23:46bejahu ideali.
23:50Daruj Bože blagoslova da vas združi bratska sloga, zavetnike koji se kupe oko groba Đurinoga.
24:16Maro re salviňo, Maro re salviňo.
24:40maro re salviňo.
25:03The event of the St. Andrejske Skupštine on 12.12.1858. was closed as a teacher in the private women's
25:11school.
25:11In these events he called his rodoljubivažica. I know the only love I know.
25:18Srbina, the freedom, the svetinja.
25:23His family became much bigger, and all the toughness.
25:29He was not a state of Serbia.
25:32On 30.03.1870, he became a natural Serbian servant.
25:38With the Serbian servant.
25:40With the old age.
25:43With the old age.
25:45With the old Beograd family.
25:48With the brothers Bogdana, Dmitra, Stefana.
25:52With the old Beograd family.
25:55With the old Beograd family.
26:18We all want to know who we had.
26:20You are coming.
26:22We must ask.
26:24How many are our kids when your family lives in Oskudici?
26:29Is there your brothers?
26:32Is there.
26:44I'm going to start with the song, Vojslav Ilić.
26:54There is one song that starts this way.
26:58There is one song that starts this way.
27:28I ja, Vojslav Ilić, ovde javno priznajem da je bolji od nas.
27:36U ime porodice Đure Jakšića sa kojom sam se orodio,
27:42ja se zahvaljujem svim darodavcima podjednako bez obzira na visinu uloga.
27:47I mena najvećih darodavaca neću otkrivati, a među njima je i onaj koji ga je pomagao ponajviše za života.
28:25Aplauz
28:27Aplauz
28:28Aplauz
28:39Aplauz
28:54Aplauz
28:55Aplauz
28:56Aplauz
28:59Aplauz
29:00Aplauz
29:02Aplauz
29:04Aplauz
29:06Aplauz
29:08Aplauz
29:16Aplauz
29:20Aplauz
29:21Aplauz
29:43Aplauz
29:44It's Svetomir. When they look at Buda, they say that it's Vakumović.
29:50They look at Lisicu, they say that it's Ristić.
29:52And when they look at Prostijaka, all the police say that it's a Serbian people.
29:58I'm not a politician, but I see that it's the first minister of the government.
30:03Which one is the title?
30:06Which one is the title?
30:09Pavla Popovic. What did you write?
30:12It's a little before you left.
30:14You'll do something important.
30:17I'll hit Danelino. I'll sign up.
30:23Now, hear the freedom that you have.
30:25Here you go.
30:28You work with what you want.
30:32But until I answer your freedom, I won't see it.
30:38Come on.
30:40Hello, Mitrovic.
30:43I won't see you in two puppies.
30:47Come on.
30:59Come on.
31:00Come on, please.
31:03You're just asking for a second-minute call.
31:05Here you go.
31:05Come on, please.
31:05It's amazing you guys.
31:05What's that name?
31:06That's Belaška'sürü of history history.
31:09What's this name?
31:10So, he's waiting for us to know all the dates, is that right?
31:13Yes, and you're giving us a bit.
31:15Is that right?
31:16That's right.
31:17Let's do it today without your documents.
31:19That's right.
31:21Prepare your dates, it's history.
31:39Sit down.
31:44We've been talking about the last time of the national history of Kalja, Stefan Radoslav.
32:00Yes.
32:25Yes.
32:27Yes.
33:02Yes.
33:05Where is the king?
33:06Stefan Vladislav.
33:08Radoslav.
33:08Yes, Radoslav.
33:09Excuse me, you said Radoslav.
33:11Oh, I said Radoslav, yes.
33:13Of course, he wasn't the first.
33:14Radoslav.
33:16Radoslav.
33:16He was a bad king.
33:17He was unable to do it.
33:20He was the king for a long time, from 1234 to 1231.
33:27He was more interested in the liturgical questions,
33:30but he didn't turn to the Patriarch of the Patriarch,
33:32but to the Archiepiskop.
33:36And the Patriarch of the Patriarch was in the Nikkei, is that right?
33:39He was in the Nikkei.
33:40He was in the Nikkei.
33:41I'm not going to hurt you now.
33:44I'm not going to hurt you with Radoslav.
33:46After the death of his wife, Srpkinje, who was called,
33:49he was married to Asinov.
33:51I'm not going to hurt you.
33:53I'm not going to hurt you, Sveti Sava, in the tent,
33:57and he sent his Archiepiskop's office to the Archiepiskop's office to Arsenio.
34:02How was his year?
34:04I'm sorry.
34:05What year?
34:06The date of his office?
34:07The days of his office to the Archiepiskop's office to Arsenio.
34:12Where did he go?
34:14It was the date.
34:15He was once before Palestine and Egypt.
34:18But who date?
34:20Where?
34:21Where?
34:22Where?
34:23Where?
34:24Where?
34:26The most important thing is now to know how to show Radoslav.
34:31Where was it?
34:33That is the most important thing.
34:34This is very important.
34:36It is interesting to know how to show the day and day,
34:41and the year and the year he got.
34:44Which date?
34:46Which date?
34:48On 4th January.
34:56It is the most important to know that date.
34:59He got to go with his wife to Dubrovnik.
35:05And his young brother, Vladislav, was more happy.
35:10When he did not have any time, Vladislav was taken to Milaševu.
35:15He played since 241.
35:18No, he played since 241.
35:20He played since 242.
35:21But we know, we have to go with someone else.
35:42We have to go with one of his friends.
35:48We are all in the same time.
35:53Please.
35:55Please.
35:57Please.
35:57Please.
35:58Please.
36:02Please.
36:04You have to know what happens.
36:05If you don't understand anything, I'll go back to the director Kozarca.
36:09Mr. Zečević, why would they take you to take your precious bills?
36:13Why?
36:14I don't want to make any problems.
36:16I want to go back to my bills.
36:17I don't want to do this again.
36:20I'm not a bad boy, but if I don't do anything, I'll have to.
36:24I don't have a word.
36:26Now it's enough.
36:29Now it's going to be what it's going to be.
36:40Mr. Zečević, I don't have a word.
36:42Sit down.
36:44Mr. Profesor, we are free to read.
36:46How?
36:47Petrović will be luped in the car and I'll never hear anything.
36:50But Mr. Profesor...
36:51The car and I'll never hear anything.
36:52What do you say?
36:53I've never heard anything!
36:55I just wanted to tell you how I understand.
36:57You talk further.
36:58Here, I'll go back to the table.
37:00I won't even talk anymore.
37:01I won't be able to make my decision.
37:03I'll be able to speak after your decision, so I won't be able to tell you.
37:08Let's do your best.
37:10Let's do it.
37:11I'll be able to hear you.
37:12I'll be able to hear you.
37:13Maybe I'm all.
37:14But I'm not so much.
37:16I'll be able to hear you.
37:17I'll be able to hear you.
37:17I'll be able to hear you.
37:18I'll be able to hear you, Mr. Profesor.
37:18Marge, I'll be able to hear you!
37:28What happened with Profesor Zečević?
37:33What did you say?
37:34Who took his decision?
37:37Who took his decision?
37:38Who did you make his decision?
37:40What did you make?
37:42What did you make?
37:42Again, you!
37:43I'll just explain what did you make.
37:46What did you make, Mr. Prof. Zečević?
37:47If you want, I'll be able to hear you.
37:50You!
37:51What did you make, Mr. Stanislavski?
37:51Your suggestions and thesis and mathematics
37:53will show them out at the high school.
37:57I have proven them.
37:59Who did you?
38:02You, I'm sure you have proven,
38:05Mr. Profesor, I According to you.
38:05Popović in the chair.
38:09He juiced, Mr. Profesor Vujić.
38:12Pradanović, in the chair.
38:15He proved to be proven.
38:17Mitrović, in the chair!
38:19You're welcome. You're welcome. Where are you going?
38:23Mr. Vujicic, Mr. Vujicic.
38:26Mihajlo Petrović proved that Professor Zečević
38:29doesn't know any data that is so important to us.
38:32He sent a whole time, but no data
38:34didn't get caught up with him from his claims.
38:36If he didn't, he wouldn't know
38:39when Bastila fell.
38:49Petroviću,
38:52I ordered you to buy a book from history for the bibliothèque.
38:56I've already sent a book about democracy in Tokvila.
39:00You know everything.
39:03How to return to Professor Zečević
39:07and how to forgive him.
39:12I think Mr. Professor Zečević
39:15I'll call you tomorrow tomorrow.
39:17I'll send you to Beliški and Zemuna.
39:20And Zemuna?
39:21As you know, Zemun is foreign.
39:24And he'll know Professor Zečević
39:27and he'll think that his interest is
39:28for his Beliški service.
39:31That's how he doesn't say.
39:33He's one of them.
39:35We're working on the view of Professor Zečević.
39:39He can be elected to the university for academic.
39:43Listen, Petrović.
39:44I'll tell you,
39:45let me know that you've been an academic one day.
39:50You'll have to measure your words before you speak them.
39:56I'll be an academic.
39:58I'll be an academic.
39:59I'll be an academic.
40:00I'll be an academic.
40:01It's possible.
40:04It's possible.
40:05It's possible.
40:09I'll be an academic.
40:12It's possible.
40:13No, people.
40:33You'll have to make something more good.
40:35that you gave them and gave them to you.
40:59Are you there, colleague Vojic?
41:01For what?
41:02For my knowledge, and I'm in Czech Republic.
41:05So, you didn't have my children?
41:07So, you heard it.
41:09That's it.
41:10Beograd loves you.
41:11Did you see that I was right?
41:13Did you see it?
41:13I'm telling you that I was like.
41:15And I'm very uncomfortable, I believe.
41:17And you have every chance.
41:18I'm waiting for you now to be able to join the community.
41:22Do you think?
41:23That's right.
41:26We have to do it every day.
41:27I do it every day, I believe.
41:30I want to give you a hand.
41:32Where are your children?
41:34I would like to list them.
41:35In the police, they make a letter.
41:37My children will now be a government document.
41:40I hear that there are interesting things
41:41about the Bečke Bune
41:43and the Mađarska Rulci.
41:45I've clearly made my children
41:47and seen the events.
41:50I don't know.
41:53I don't know.
41:53I don't know.
41:54I don't know.
41:55You think?
41:55Yes.
41:56You think?
41:57And what do I do?
42:01You don't have anything to do.
42:03Now, your Bečke is working for you.
42:04I'm just going to enjoy the Lovorikama.
42:07I think that's why these people...
42:08You can see them.
42:10Excuse me.
42:11I think they're waiting for you.
42:14They're waiting for you.
42:16You're waiting for the Lovorikama?
42:20telefon
42:21Speaker 6
42:26While we're glad,
42:28everyone is glad to sing.
42:30Everyone is glad.
42:31I'm glad you are tired of Lovorikama.
42:34I'm glad m Felipe very much.
42:39I curse you very much.
42:41Ever since East,
42:41you're the joy of silence.
42:42Thank you very much.
42:44Thank you very much.
42:46Thank you very much.
42:49Thank you very much.
42:49Thank you very much.
42:50Did you see that?
42:51I have to forgive my children.
42:53No need.
42:53They are very proud of you.
42:55Do you?
42:57And the best thing is to forgive them
42:59if you don't want to ask them from history.
43:01Do you think so?
43:02Yes.
43:03Let me ask you something.
43:04Why not?
43:05How does history end?
43:09Do you want to laugh?
43:15Yes.
43:16Kolega Zečević, please.
43:18Wait a minute.
43:22The case with your claims have been in the public.
43:26Neither my duty nor my duty.
43:29The people are in the matter.
43:32From the highest place,
43:33I have been told that the claims are not changed.
43:38They have been a state document.
43:40State document, but the secret.
43:42No.
43:43The colleague's report could be extremely
43:45to be affected by the relations between two countries.
43:48Austria-Ugaria, the great king,
43:50Serbia, the small,
43:51the new king.
43:55Do you understand?
43:56Yes.
43:59Go now.
44:24What are you saying?
44:25Here are you.
44:27Go now.
44:28Go now.
44:30We came to the pension.
44:33And that's for people.
44:36For health?
44:37For your health. And for the pension you live a long time.
44:41I'll try.
44:43But tell me, Professor,
44:45we said for your trip to the pension,
44:47I'm going to cook jare in Ilovač, is that right?
44:49That's right.
44:51That's right, Ilovač.
44:52What?
44:53Not everyone is going to cook jare in Ilovač.
44:55Professor, you won't eat Ilovač.
44:57I want to cook jare in Ilovač.
45:00I want to cook jare in Ilovač.
45:05That's right.
45:07That's right.
45:08That's right.
45:17What will this evening be?
45:42What are you in the church today?
45:50This town is me.
45:53And that's right, I am one for BMW driving us there.
45:56If we're scared, we're digamos we'll feed our Kitaňer žini.
45:57It's a beautiful girl. It's called Jelena.
46:00Beautiful Jelena?
46:01What's that?
46:03You should have to ask him to ask him.
46:29. . .
46:34. . .
46:34. . .
46:38. .
46:38. .
46:39. . .
46:39. . .
46:40. . .
46:40. . .
46:41. .
46:50. . .
46:51. . .
46:51. . .
46:52. . .
47:04. . .
47:04. . .
47:05. . .
47:07Oh, my God!
47:09What are you, Professor? You've seen everything in life.
47:13I've seen everything in life.
47:16Branko Radicevic and I sang a dance with the girls in front of the window.
47:22But this is a whole crowd.
47:24I'm afraid that I'm going to die with my brother.
47:27I'm going to be a girl.
47:29I'm going to be a girl.
47:39Professor, where do I find the Apatinska Ilovač?
47:46In Apatin.
47:49Professor, where do I find the Apatinska Ilovač?
47:53Where do I find the Apatinska Ilovač?
47:53Where do I find the girls?
47:55I'm going to pay for it.
47:58I'm going to pay for it.
48:00If these girls carry out a little bit of tapins at this time,
48:03perhaps and if they carry out a little bit of tapins,
48:07the other one would have ichi.
48:08Because you can keep it safe.
48:10I can sit here.
48:17The Apatinska speaking is English.
48:18Some people are not allowed to drink,
48:18but some people use the Apatinska Ilovač
48:19or want to drink a bowl of water.
48:22The Apatinska Ilovač
48:23The Apatinska Ilovač
48:30is a drink of water.