- 54 minutes ago
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TVTranscript
00:00Tomorrow you'll see a portrait of Durkho,
00:02and look like a migrant in the middle of the year.
00:04He's a victim.
00:06We don't know.
00:06They're like being on the stairs and falling.
00:08You didn't hear anything, you didn't see anything.
00:10He's on the bus.
00:13I'm not feeling like that.
00:15Okay.
00:25You've got all the money.
00:27And a bag.
00:29A chip for a job.
00:30What kind of chip?
00:31A bottle that we can work.
00:34Who is it?
00:35He has that smiley.
00:37You don't have anything to do with him.
00:38Smiley?
00:39With Rose, I'm looking at the museum.
00:41Leša, građa, droga.
00:43I'm the manager of the director,
00:44and I'm coming from the museum.
00:45How much is it that you want to give him
00:47to the concession?
00:49Dio.
00:50You know what I'm interested in?
00:53How much is your part in the center?
00:55I'm Krpašić, colleague Zvica.
00:58You should be around and fix it with Duško Samovuk.
01:09Stop it.
01:12I want you to go.
01:21There are no migrants.
01:23How do there are no migrants?
01:26They are dead dead.
01:53There are no migrants.
01:56This is the film.
02:07It's the evening.
02:10I don't know what the hell is.
02:12I don't know what the hell is.
02:13It's really bright.
02:15There's no registration.
02:17It's a low resolution, there's no registration.
02:19You see, it's a blue one.
02:20But it's really bright.
02:23What's the point of the camera if you don't see anything?
02:26It's a flash.
02:27It's a flash.
02:29The inspector calls you quickly.
02:34I don't know how to hit it.
02:37What are you doing?
02:43It's crazy.
02:45Hey, great.
02:46It's a flash.
02:48It's funny, right?
02:51There are people who want to do something here.
02:54We don't have a flash.
02:57It's really a flash.
03:00Hey.
03:01Good day.
03:02Good day.
03:03Good day.
03:04Good day.
03:30I have a dream.
03:31Is that the room again?
03:33I haven't even been out of the room.
03:35She came to the jail.
03:36She wasn't at the workshop. It's very早.
03:38I'll wait. What's that?
03:40I have to finish the interview today, as I know and I know.
03:43Do you want coffee?
03:45I have a grill in the kancelaria.
03:47We'll drink coffee until she comes.
03:51Let's go.
03:58Oh, you're here.
04:02Inspektore Pašiću.
04:03Congratulations.
04:09I know why.
04:11Why?
04:12The case of murder is done at a record time.
04:16We need to talk about such stories.
04:17What? What are you doing here?
04:21We have a recognition of Duška Samouka.
04:24What a recognition? I haven't asked him yet.
04:26I am.
04:28Junkie killed Dillera or Diller killed Junkie,
04:30you'll see it.
04:32I'll raise my hand.
04:33There's no basis for this story.
04:38You'll find a way to protect him.
04:40You'll find a way to protect him.
04:40You'll find a way to protect him.
04:41You'll find a way to protect him.
04:41Duška Samouka already has a hard work,
04:44aggressive behavior and attacks.
04:46A NN, he's just killed himself.
04:49He's killed himself.
04:51He's killed him.
04:52He killed him.
04:53He killed him.
04:54He's killed him.
04:54He's not a professional.
04:57He's not a professional.
05:15He's killed him.
05:16I'm here to thank you,
05:17and you are like this.
05:19The incident is solved.
05:21And it will be the case.
05:23The case is done.
05:24The intent is to make minimum resources
05:25for maximum action.
05:27A brilliant prosecutor.
05:30Bye-bye.
05:31Bye-bye.
05:33Bye-bye.
05:33More inspectors.
05:40I don't know what happened to you.
05:43You didn't know what happened to me.
05:45I didn't know what happened to you.
05:47I didn't know how you were able to do it until more than anything.
06:07What is this?
06:09Ismar. We studied together at Malesi.
06:13Do you know him?
06:17Sorry.
06:19He's a brand director.
06:23Sit here and show me something.
06:29Selma is always a heroine.
06:31It's not that simple.
06:34She managed to pay a contract to the workers.
06:37It's true.
06:39But of course, no one is interested in how she works.
06:43There's always a contract about credit
06:45that she didn't even know herself.
06:48The Department of Justice doesn't know anything about it.
06:50When it comes to pay, and there's no funds,
06:52God knows what's going on with us.
06:54Maybe we'll open it again.
06:56Then there's money that was paid for the museum.
07:01She was paid for the last summer,
07:03and she was paid for the workers.
07:05When something was discovered,
07:07she would lose her confidence.
07:10Don't tell her what's going on
07:11when something bad would not be from the museum.
07:13Bruke is alive.
07:15I want to announce this when I'm here at Bruke.
07:18That's why I'll give you.
07:21The museum has to look like a capital.
07:24You have to bring it to the first century.
07:26It doesn't go anymore.
07:28You're right.
07:29You're right.
07:30You're right.
07:30I have a good idea.
07:32I'm ready for a modern approach to the museum.
07:35I'm not mistaken.
07:36But it seems like the museum is a museum.
07:38We'll have to charge the museum.
07:40And take for some clothes.
07:45Louvre has a cafe.
07:47It has a cathedral.
07:48It's all the museums the world have already.
07:51The Vatican is made by a souvenir.
07:54Okay, but...
07:56Louvre has a Mona Lisa.
07:58The Vatican has Michelangelo.
07:59Michelangelo, what do we have?
08:01Here we have, Hagan.
08:03Let's start.
08:05Aha.
08:07You and I understand.
08:09We are a generation.
08:12Selma is...
08:13old.
08:20Where is the light?
08:22The light is the light.
08:25The light is the light.
08:27I ask you, I ask you, the light is the light.
08:39Do you know what you have signed?
08:41I ask you, I ask you, the light is the light.
08:43I ask you, do you know what you have signed?
08:45I'm not the whole night.
08:46Do you know what will happen if you take care of me?
08:50If you take care of me.
09:09Do you know what you have signed?
09:11Do you know what you have signed up to be a man?
09:13Yes.
09:18I know who you have signed up.
09:20I know who you have signed up.
09:25Does anyone care?
09:26Does anyone care?
09:26Do you support anyone?
09:27Help me, trust me.
09:31Then I'll go to my dad.
09:36If I have no more than that, it's clear to you.
09:40That's why you tell me everything you know.
09:42I'm the one for you, Nade.
10:01I'm the one for you, Nade.
10:03I'm the one for you, Nade.
10:04Let's go, Farah. I'm like someone's going to the museum.
10:07It's not the museum, but it's a scandal.
10:09You know what my mother says.
10:10You're only going to talk about your story than someone else.
10:13She knows.
10:18Let's call her.
10:20Stay here, it'll be easier.
10:29He's going to get to the museum.
10:32He's going to get to the museum.
10:33I'm going to get to the museum.
10:35I'll let him take care of the museum.
10:37I'm going to get to the museum.
10:42Come on!
10:42Go, and go.
10:55Let's go!
10:55I don't know what you're missing.
10:57You're going to get here.
10:58Now you're going to the tree,
10:59you'll be looking for something with all warm water.
11:01Let's go.
11:05I'll run it up.
11:43This is for everyone to know. There are no more people. This is the main job. We work every day.
11:53In a week.
11:54Why do you believe that?
12:12This is the main job.
12:13This is the main job.
12:14This is the main job.
12:15You are the main job.
12:18You are the main job.
12:21You are the main job.
12:32You are the main job.
12:38Thanks, sir.
12:42You are the main job.
12:43We are the main job because of the same thing.
12:46I am the main job yesterday.
12:49I don't know what to do.
12:52You are the main job.
12:53You are the main job.
12:57You are the main job owner.
12:59You are the main job.
13:00You are the main job.
13:00It is the main job.
13:03So, what are you talking about?
13:04Let me know.
13:08Let me know you.
13:10Let me love you.
13:11Let me see you quickly.
13:13Do you want to go back and think about it again?
13:16I didn't think about it.
13:22Look, I've checked everything.
13:24No one didn't sign up for the colds,
13:26but in the company there isn't this cold water.
13:28You know how many of us have these small vehicles.
13:31There's no one tomorrow.
13:33I'll see.
13:36Let's try to find something about the migrant.
13:39It's the closest to us.
13:48We're on the so-called market market.
13:53There's no constant financing.
13:55The biggest problem is the cold weather.
13:59Of course, we have to mention the drought,
14:01because it's January.
14:03Yes.
14:05We're on the same water as the parliament.
14:08It's the only thing that we don't care about.
14:10Yes.
14:10As far as I hear,
14:11you're talking a lot about your employees.
14:14But...
14:15What's the price?
14:17I don't understand what you want to say.
14:20For example, a tender that is written
14:21for the security measures for the museum.
14:24It's written for nearly two years.
14:27It's soon to be a year for the construction.
14:29What about this project?
14:31At the end.
14:33At the end.
14:34Click the post.
14:35It's the most expensive loan type.
14:38Like you?
14:50Where are you at the end.
14:52Where are you from?
14:54Where are you from?
14:54Where are you from?
14:56from my office, or hiding from my office.
14:59It's a serious part.
15:01And the problem is a serious part.
15:04Let's go again.
15:06You can always write what you've been able to write.
15:10Or what you've told me to write.
15:12Thank you for the interview.
15:27Well, that's great.
15:29I'm sorry.
15:31I'm just told my story.
15:54Stipo, do you have any photos?
15:55No, we don't.
15:57If you don't have a trip to the station, please.
15:59What?
16:00What?
16:01You don't have to go in the head right now.
16:03You have to understand a human approach.
16:06First contact.
16:07You have to know where you are.
16:09Where are you from?
16:09Where are you from?
16:11Where are you from?
16:12Why are you from here?
16:12I'm not working for people.
16:14No, I'm going to tell you.
16:17The cigar is a universal wallet.
16:19I believe the euro can't stop.
16:21But the cigar is over.
16:23Let's go.
16:26Let's go.
16:30Let's go.
16:32Let's go.
16:39Let's go.
16:40Hi.
16:40No, no.
16:41Wait.
16:42Wait.
16:43Would you please just look at this man?
16:45Wait.
16:45May I ask you something?
16:46No.
16:47Would you just look at this man?
16:48Wait.
16:52Wait.
16:52Oh my God.
16:54Here's the cigar.
16:55It's an universal wallet.
16:56Maybe people don't want wine.
16:58Maybe a little bit.
17:00Let's go.
17:06What are you doing now?
17:08No.
17:08Let's go.
17:17Oh no.
17:22Oh no.
17:23Let's go.
18:09Let's go.
18:19Let's go.
18:20Let's go.
18:49Let's go.
19:03Let's go.
19:16Let's go.
19:46Let's go.
20:05Let's go.
20:36Let's go.
20:36Let's go.
20:36Let's go.
20:41Let's go.
21:03Let's go.
21:05Let's go.
21:08Let's go.
21:08Let's go.
21:15Let's go.
21:34Let's go.
21:35Let's go.
21:35Let's go.
21:37Let's go.
21:46Let's go.
21:51Let's go.
21:51Let's go.
21:52Let's go.
22:02Let's go.
22:02Let's go.
22:10Let's go.
22:13Let's go.
22:13Let's go.
22:26Let's go.
22:30Let's go.
22:31Let's go.
22:33Let's go.
22:35Let's go.
22:35Let's go.
22:39Let's go.
22:41Let's go.
22:44Let's go.
22:46Let's go.
22:49Let's go.
22:51You know, we crossed the borders by foot and the van was on the other side of the borders.
22:57He was strange. Nobody knows him.
23:00He had new shoes and he was smelling strongly, like some perfume.
23:05When you cross the borders, you don't want to pay attention to yourself. No perfumes.
23:10Can you describe them?
23:15We mostly avoid looking at smugglers.
23:18And what about the van? Do you remember anything about it?
23:22Yeah, I have a picture of the van. I'll show you.
23:26I took it to avoid the others who are coming, to avoid him.
23:30What do you say?
23:32Again Frosty.
23:41We didn't know that we had these new shoes.
23:44We didn't know that.
23:47Let's see how we got in front of the van.
23:50What are you doing?
23:50Right, let's go.
23:54I'll go.
23:54Alright.
23:59We have to go.
24:05I just don't eat this.
24:06I don't eat this.
24:10It's very easy.
24:11There you go.
24:12What do you think?
24:13I'm going to eat this.
24:15I'm going to eat this.
24:17so
24:28so
24:29so
24:46Maria, good night.
25:06Are you sure that it's here?
25:09There's Vladimira Preloga, there's only one right there.
25:12Vladimira Preloga?
25:14How are we, Akčovic?
25:17We give the Nobelovs in the city in the city.
25:21Okay, so you can see where Davorim Popovic is finished.
25:25Where is the Nobelovs?
25:29I'm sure we will go here somewhere in the right direction.
25:32I'm sure we will go here somewhere in the right direction.
26:00Chef, I'm sorry.
26:12I'm sorry, sir.
26:19Come on.
26:31Let's go.
26:34No, no.
26:41Let's go.
26:43It's not the same.
26:45Registration is different.
27:11Let's go.
27:12Let's go.
27:32Good morning.
27:33Good morning.
27:35I'm Inspector Pašić.
27:36This is a colleague of Zec.
27:38We are interested in these guys.
27:41Are those guys parking the bus?
27:44It's about 4-5 years ago.
27:46Someone bought the bus.
27:47I don't know.
27:48You don't know who it is?
27:49I don't know.
27:51Can you describe them?
27:53I'll go in the night.
27:55I'll go in the night.
27:56I'll go in the night.
28:01What?
28:02I thought of something.
28:03What are you doing?
28:03His name is Sergeant Pašić.
28:05Thank you, Ima.
28:07Thank you, Ima.
28:08Thank you, Ima.
28:23Let's go.
28:54Let's go.
29:23Oprosti, hvala. Navik.
29:27Šta si ti neki francuz?
29:29Napola. Mala mi je bosanka.
29:36Tuu...
29:37Nemam optela.
29:41Nismo našli nikakav optel.
29:46Niste dobro tražili.
29:48Nemam optela, nima para.
29:53Vidj, oko.
29:55Nismo se tako dogovorili.
29:58Slušaj, mi smo svoje poštene od rada.
30:02Našte me optel.
30:04Nazovite me.
30:07Topišite pare.
30:21Smeće jedno francuzko-bazansko.
30:23Akurat je on francuz.
30:25Naglasa koda je iz bihača došao.
30:27Jebim ga ono mersi i njegovo.
30:30Što mu nisi jebo mater?
30:31Možda tebi jebe mater, jel?
30:33Aj, mrš obojica vanja.
30:34Aj, mrš!
30:37I nemoj senču da je košta rekao.
30:57Ďakujem.
30:58Ďakujem.
31:27Šajno.
31:31Jesi hladno.
31:38Komrovo.
31:40Ovdje je negdje bila linija, jel' da?
31:42Ja, tu gore odmah izadno ima jedno, Zaraban.
31:47Tu je nadavno napljen ovaj domoslov ulovac za grado Šerajava.
31:51Njima je restoran.
31:51Ču se.
31:52Jesi bio ikad?
31:54Mm.
31:55Odijem ja redom.
31:58Ves sveti mrtvi drugova uzmezu.
32:01I uz pogled na tebe je iće.
32:04Dobre, Bešak.
32:05Aj, prošle je 30 godine.
32:08Meni to nikad nije iš proće.
32:21Šef.
32:22Šef.
32:22Šef.
32:42Ďakujem.
32:42Ajde, te vlzi u kucu.
32:43Ha?
32:45Hvijte.
32:46Ulize u to.
32:47Slušaj, tebe dvezim, ja si vrķavám.
32:49Dobre.
32:49Hvijte.
33:00I'm sorry.
33:01Good, Nigo.
33:05Time will get me.
33:30Oh, here are the stars, here are the stars!
33:35And, what do you say?
33:38Did you have this in the European Union?
33:40That's a good idea.
33:41My brother!
33:44Dino!
33:45Luka is Mrža Ljubavi, I am Dino Musić, director of the museum.
33:48I am Dino Musić, director of the museum.
33:51You need a few seconds.
33:53Let's go.
33:55I'll take a look later.
33:57Wait, where is the job now?
33:59You have to do it.
34:01Selma is ready.
34:02Selma?
34:03Yes.
34:05Ah, Selma?
34:06The director, yes.
34:08He's in the museum, he's in the Frankfurt Migrant.
34:11Yes, I still need to be aware of the text about the malverization that she's been doing.
34:15Okay.
34:15So, yes, I'll be just for a few days.
34:17That's great, great.
34:19Let's go, here's a new room.
34:22There's a new room in the hotel.
34:23Please watch who will you get to.
34:24You're welcome.
34:25You're welcome.
34:26Oh, here's what's more.
34:29Thanks!
34:40To me, come on.
34:41Uras, can you selfie?
34:43Može, you have to do the same?
34:44My wife has loved it.
34:45A second!
34:51Excuse me, my friend.
34:52Please, please, just a moment. I just don't like it.
34:56Who's going to show a woman?
35:02Hey, my friend, can I just finish this?
35:04Thank you. I'm ready.
35:26I'll help you first.
35:31I'll help you soon.
35:41I'll be very happy today.
35:44I'll be there.
35:44I'll help you.
35:44I'll help you.
35:45I'll help you tomorrow.
35:47I'll help you.
35:49It's tough.
35:50You'reójing you, I'm gold.
35:51To be honest, what you've ever done is me.
35:59I'll go to the station, I won't go to the house.
36:03You're welcome.
36:06If he wasn't a migrant, then it wasn't a museum.
36:15Good.
36:27You've got to ask yourself just one question.
36:30You are feel lucky.
36:31What do you do, punk?
36:41That's what you need.
36:43What are you doing?
36:58You can see, the papers that you gave Dino are authentic.
37:02I can't tell you, but I didn't tell you anything about your plans.
37:07The person wants to be the director, but I don't understand him.
37:11That doesn't mean that he's precious.
37:13What's going on with you?
37:15You certainly won't be able to read your life in the museum?
37:18I won't, but Selma is good for me.
37:21She has principles.
37:24And she's for the job?
37:29Selma isn't like her.
37:31She's coming to people.
37:36I don't understand her.
37:42She's very happy.
37:47She's very happy.
37:49She's very happy.
37:52She's very happy.
37:53She's very happy.
37:54She's very happy.
37:56She's very happy.
37:59She's very happy.
38:00Let's look at this moment.
38:02What is that?
38:04On the other side, the story.
38:12The plan of dinin is to give it a concession for the museum of an Arab company for 100 years.
38:18I mean, it won't stay here.
38:21It will give them a botanical bar for a halal restaurant.
38:25It has every museum.
38:27Do they have hotels?
38:29Do Luver have hotels?
38:31What hotel?
38:33Of course, I didn't tell you.
38:35But you'll see between the papers.
38:38The company Alfundak is working with hotels.
38:41They've already taken out of it.
38:42Not Selma, but her.
38:45Hotels for rich tourists from Zaljeva.
38:48It's the greatest time of our time.
38:50For what year the whole museum would be a hotel?
38:53They would be a hotel in a quiet place.
38:57With a colleague from the university library.
39:02To me, I'm going to get a hotel in a hotel.
39:06I'll get to see you.
39:09Let's go.
39:11Let's go.
39:12Let's go.
39:12Let's go.
39:13Let's go.
39:18Let's go.
39:21Let's go.
39:21Let's go, dear.
39:23You're so hurt.
39:24No.
39:29Let's go.
39:29I wasn't here for a while.
39:31I was so hurt.
39:36I was so hurt.
39:51I didn't realize that I took the bus.
39:52I'm a great deal.
39:53Let's go.
39:54Let's go.
39:54Let's go.
39:54Let's go.
39:54Let's go.
39:55Let's go.
39:55Let's go.
40:00I heard the legend of God.
40:04Do you want me?
40:11It's nice to me that you're coming.
40:15You'll be happy to give me money.
40:18Which money?
40:20Amar gave me my money.
40:22Who amar?
40:24Cheese, from Fresh.
40:26And that's your team.
40:34Cheese has given me a chip.
40:37That's my money.
40:39That's not my problem.
40:41You don't have a job without a chip.
40:43It's only a privilege for the past work,
40:48because you're a legend.
40:50You're going to play a game,
40:52and you're going to play a game.
40:54You're going to play a game.
41:00You're going to play a game.
41:04Yes, I'm going to play a game.
41:04But I'm not working for others.
41:07And I don't have to do anything.
41:12I have respect for the stereotype.
41:14the other thing.
41:16But I'm not going to make a game.
41:18But I'm not going to play a game but I'm not going to play a game.
41:22And I'm not going to play a game.
41:41You've already gone.
41:47He's a mess.
41:47Good job David, Rieman!
41:51That's sweet anyone, except for which I am like.
41:53Let me have a mess.
41:55And you make me convey a lot of meaning.
41:59Don't let me do that value it.
42:01Let me have some cake to sing Well, you will still live made with me.
42:05It's fine to think.
42:16We'll see you in seven days.
42:25We'll see you in seven days.
42:26This is your name.
42:32It's all my name.
42:37Ha, ha, ha, ha!
42:44Wow.
42:46It's hot.
42:48Ha, ha, ha, ha!
43:08What's going on?
43:10What's going on?
43:18What's going on?
43:22What's going on?
43:26This is the name of your mother, man.
43:39I don't know.
43:44Did you remember that something didn't happen?
43:47Everything didn't happen.
43:49I said it to you.
43:51Do you have any damage?
43:53I didn't think that something didn't happen before the night.
43:58It's hard to say that there were thousands of artifacts.
44:01It had to take an inventory.
44:02But something bigger and more expensive is easier.
44:05The most expensive things are placed here in the regular place.
44:09The skull noticed that something is missing.
44:20Even Hagadan is sure.
44:21It's good news.
44:23It's a replica.
44:25The original feels everything.
44:36It's like Linux is so popular today compared to twenty years ago.
44:44And the fact that you can get access to it for free and modify it as an improvement through all
44:50those same arguments.
44:51And so people collaborate to make it a better system for everybody to use.
44:55And that works with us.
45:01For me, because I'm not familiar how difficult this kind of transition would be.
45:08How much challenges the transition would be.
45:12Do you see...
45:15You!
45:17You!
45:18You!
45:20You!
45:22You!
45:23You're right!
45:26You!
45:27You!
45:32I'm sorry!
45:33You want you to kill me!
45:33I can't kill you!
45:34I can't kill you!
45:35You!
45:35You!
45:55Ruken avar!
46:06...
46:13...
46:13...
46:14Fuck.
46:27Show me that.
46:29Just a second.
46:36I'm going to get home tomorrow and I'm leaving myself.
46:39I love you.
46:43What do you want?
46:45I want to be the original.
46:47For Pesach, Boirum. I'm happy to show you.
46:50I'm doing a presentation right now.
46:54I don't want to say anything.
46:57NN isn't a migrant.
46:59Maybe it's Lopov.
47:02Maybe it's important to me.
47:04Agade is the most valuable.
47:06It's the most valuable thing.
47:08That's why there's a protocol.
47:12I'm going to give it to me.
47:13It's not so simple.
47:15I can't be myself.
47:17We're always in trouble.
47:21Okay.
47:22You're sure that she's here.
47:26You're nervous.
47:28Of course, I'm not sure that she's here.
47:31And that's because of you.
47:35I don't know.
47:36I think I'll have to explain it tomorrow.
47:43I don't know.
47:44I don't know.
47:44I'm going to buy it now.
47:46And he's with us.
47:49You're really crazy.
47:51Who's going to be a Hageddon?
48:11I don't know.
48:11I don't know.
48:12I don't know.
48:12I don't know.
48:13I don't know.
48:13I'm going to be a Hageddon.
48:16Yes, you dodged the door...
48:28No.
48:28Oh.
48:33Stay in the çevres until I close.
48:38I won't go from there.
48:39No.
48:39There's some pool there too.
49:28There's some pool there too.
49:59There's some pool there too.
50:30There's some pool there too.
50:46There's some pool there too.
50:51There's some pool there too.
50:53There's some pool there too.
50:54There's some pool there too.