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01:30See that? That's bronze.
01:32Now, how many people are in this disco dancing contest?
01:35A few, sir.
01:36A few.
01:36How few is a few?
01:38Three, sir.
01:39Three.
01:39So you can have heard, then.
01:41You get lost, don't you?
01:42Sir.
01:43Shall I show you what I think of bronze?
01:45Shall I?
01:50I'll give you three weeks off to win this contest, and you come back with bronze.
01:53Well, you don't win bronze.
01:55You lose gold and silver.
01:56Now, f*** off.
01:58Moonrise brings his second career his looking up.
02:00EMI Records, biggest record company in the world, and Tony Wadsworth.
02:05Tony Wadsworth?
02:06Tony Wadsworth.
02:07Top man.
02:07No coffee boys.
02:09No, no, no, no.
02:09Tony Wadsworth, I've done business with him many times, many times.
02:12An old friend of mine.
02:13An old friend of mine, I got you in there.
02:15I said I would get you in there, didn't I?
02:17Laddie, I knew you'd come through.
02:18Anywhere I won't look at him, I'd get you in on that.
02:21Love is a four, little one.
02:28Sometimes he has three.
02:32L-U-B.
02:35Sometimes he has five.
02:40Then you pronounce it love.
02:43Love is a four, little one.
02:56Well, I thought about changing one of the lyrics, actually.
02:58Which one?
02:59Well, you know it says, give me an E.
03:02Yeah.
03:02I thought, a drug reference, you see, and I can't really be associated with that.
03:06Why not?
03:07But I'm still a policeman at the moment.
03:09What my advice?
03:10Stick to being a policeman, because it's really not very good.
03:15Because it's got TV coverage of police career, you see, and pop stars.
03:18No, no, no, no, the point is, the point is, it's crap.
03:23I've got a file that I keep this sort of stuff in.
03:28Oh, so you keep the tape, that's good.
03:31Yeah, I'll keep the tape, yeah, I'll keep the tape, future reference.
03:34Right, so you will, of course.
03:36Oh, yeah, you've got my telephone numbers.
03:39You've got my telephone numbers, Tony.
03:41Really, very, very pleased to meet you, but I can't believe how about that one.
03:44We'll see you again.
03:45Yes, absolutely right.
03:46Very, very sort of orchestras.
03:48Okay, great, well, so we'll hear from you, then.
03:51You, you've heard from me.
03:52Right, okay.
03:55See you again.
03:55Brilliant.
03:56Thanks.
03:57Thanks, Tony.
03:58Well, here we are at last, I can tell you, we are on the eve of Operation Zorro, which
04:04is probably the biggest operation mounted by a police force in conjunction or in tandem
04:10with the Spanish police for the last 20 years, and I'm happy that you're going to be there
04:16to witness this.
04:18Naturally, the burden of responsibility falls on my shoulders, but as you probably know me
04:23by now, I relish such challenges, and I hope it makes a good telly.
04:30Well, this is it.
04:31After weeks of blood, sweat and tears and vigorous training, we're all ready for Operation Zorro,
04:37which will be out in Spain, alongside the Spanish police.
04:42So, well, if you want to join us, we're all packing, getting ready to go, and here's to
04:47it.
04:48Muchas gracias.
04:50But there's a problem already with Beach's trunk.
04:53Look, there are liquids in there.
04:54I packed that material.
04:56You've got any break-up.
05:00Is that heavy, Sarge?
05:01Oh, wait, it's a ton.
05:03There's no room for your...
05:04Out.
05:05All the baggage, there's no room for you or your baggage in there.
05:08It's just for my trunk.
05:09Just put it in.
05:10Okay?
05:11Get it out.
05:12I've only got a little one, sir.
05:13Come on, we're late.
05:14Put those in the back.
05:16Okay, thanks, sir.
05:16Come on, everything out.
05:17No, like, I've weighed them three times with 75 keys over.
05:2175 keys?
05:22I've talked to the airline.
05:24I've told them we were police on operation, but they didn't get...
05:26Well, what's 75...
05:28What's that in old money?
05:29It's 75 big bags of sugar.
05:31That's too much, isn't it?
05:32Well, something's got to go here.
05:34Gentlemen, if I have your attention, please.
05:36Bones, really, open this bag, please.
05:37Let's see what you've got inside there.
05:40No, close it.
05:41Close it, please.
05:42Oh, it always smells like that.
05:44I'll get all your bags.
05:45Mr. Nassar, please open the bag.
05:48Hello.
05:49If you don't mind, let's see what you've got in there.
05:50I'd rather not...
05:51Just open it up.
05:52Why not?
05:53Oh, I'll open it if you don't want to.
05:54Go in front of the cameras.
05:58Hold on a minute, guys.
06:00No, that's for surveillance.
06:02Hold on, hold on.
06:03Hold on, hold on.
06:04Now, that's disgusting.
06:05Hold on, sit with your bags up.
06:07Wait.
06:07Oh, wait, I'll put it in the car next to me.
06:09Are we really using these things on surveillance?
06:12You signed the chip for them, sir.
06:14I signed the chip?
06:14Yeah, but he bought four of them.
06:16I mean, is it morally correct?
06:18Well, he bought two males, two females, sir.
06:20Absolutely.
06:21This is a joke, isn't it?
06:23Golf clubs.
06:24It's not a holiday.
06:25It's a police operation.
06:26Get rid of them.
06:27No, I can't explain to those.
06:28My uncle, he wants me to deliver them in Spain to his villa.
06:31So they're the commissioner's clubs?
06:32Yeah.
06:34I'm rather smart, aren't I, Taylor?
06:35Might take a lesson myself when I'm out.
06:38Bill, well done.
06:39Nice and compact.
06:40What's this?
06:42It's a guitar.
06:43I know it's a guitar.
06:44Get rid of it.
06:46He can take his clubs.
06:48I can't take my guitar.
06:50Don't you start arguing.
06:51No, it's not fair.
06:52It is fair.
06:53No, it is.
06:54All right.
06:54If you take his clubs, will you listen to me?
06:57If you can't kick your guitar, open that.
07:00Let's see what's in there.
07:01You've got the biggest case out of everybody.
07:04I just left my face behind it.
07:06I might make it eager to lie.
07:09Right.
07:09A pair of pants, please, right?
07:11In terms of sugar, what would it be?
07:14Two lumps?
07:15Four lumps.
07:16Four lumps.
07:16Okay.
07:18Four, thank you.
07:18Leopard skin pants.
07:19Not the leopard skins.
07:21The leopard skin pants.
07:22What about the same?
07:23Two, three, four.
07:23No, these are about two lumps.
07:25Two lumps.
07:25Okay.
07:26T-shirt.
07:27Right.
07:28One pair of pants, two lumps.
07:32One pair of leopard skin pants.
07:34Two lumps.
07:36Passports to left hand tickets, right.
07:37Hold them up now, please.
07:39Everybody got one?
07:40Good.
07:41Have a look at that.
07:43Do you want to see this?
07:44Yeah, go on, sir.
07:44Let's have a look.
07:47Let's have a look.
07:47There he is.
07:48Oh, what?
07:50That's a lot of junkie.
07:51It's like we've got a real problem.
07:52What's that?
07:53This looks nothing like you.
07:55Nobody gets a nine-year-old passport.
07:57It's a hell of the valiest resemblance, Ray.
08:00Well, it is me.
08:01You're going to embarrass me.
08:02You're not going to get in the country with this.
08:03I can't run that risk.
08:05You've got to do something about it now.
08:07What's that?
08:08Okay, good, guys.
08:09Come on.
08:09We're off.
08:10We've got a slight hiccup.
08:12I know what's those trifling things too heavy.
08:15He's not too heavy, Ray.
08:17It is within the legal range.
08:19I can't explain to this young lady that it is not too heavy.
08:21Sorry, sir, it's too heavy.
08:22I have been quite meticulous.
08:25I have obeyed to the letter the instructions of your airline.
08:29Too heavy.
08:30We have lost, as a group of people, we have lost 75 kilos to come on this trip.
08:35And that's my bagel.
08:36He has left his bag at home.
08:38I'm sorry, sir, this is too heavy.
08:41Unfortunately, Mark has left his bag unattended.
08:50I mean, I'm the first to admit, you know, I'm not the greatest policeman, you know, on the planet.
08:55But I think I could look anyone in the eye and say that I think I have got a talent
08:59for dancing.
09:01I mean, it's like it just gives me an energy.
09:03You know, like them porridge commercials where they add sort of energy.
09:06It's that it just completely envelops me.
09:09I mean, I know it's very important that we're going out there for Operation Zorro.
09:13But, I mean, I really wish it was the Europeans, you know, that I was going out for.
09:17Thank you very much.
09:28Because I'm quite fast, don't say.
09:30I mean, say, for instance, that speed like that, you know, it's quite dramatic.
09:34It wouldn't blur, would it, on that one?
09:36No, no.
09:43Do you think, sort of like that, or the Y-fronts?
09:46I mean, normally when I dance, I'm sort of oiled, you know, like, I don't know, it's just...
09:52Something like that, be there.
09:53What, ribbed?
10:08It's important that they're pink, because then they match.
10:11See?
10:12Everything.
10:14Being torn out.
10:18Bye-bye.
10:38I had an accident when I was a child, and that's my left testicle, it's been removed.
10:45Please clear the lobby for a storm explosion.
10:49Please clear the lobby.
10:54I think, black or white?
10:56Or both?
10:58Eh?
10:59That one.
11:01For Beach, there are more troubles afoot.
11:04It doesn't look like it's broken.
11:05It's a wheelchair or something.
11:07Can you wiggle your toes, sir?
11:08Wiggle your toes.
11:08A little.
11:08Sorry.
11:09That's it.
11:09Can you feel that?
11:11No, don't.
11:11Oh, my God.
11:12Is it broke?
11:13You don't.
11:14I'm very sorry.
11:15I dropped it on his foot.
11:16It's so heavy, the thing.
11:18I was trying to put it on the ground, start.
11:19Oh, sorry.
11:20It's light, and it dropped it on his foot.
11:21You will be bloody sorry.
11:23I am sorry.
11:24It's all around the instep area.
11:25He's got a swelling coming out there.
11:27I need pain.
11:27Quickly, please.
11:29I am in agony.
11:30Maybe we should get a doctor, right?
11:32Please get me something, will you?
11:33Go on.
11:41Have you ever noticed how horny you get in airports?
11:44Do you know why that is?
11:45It's because all the pheromones are released.
11:48From the body.
11:49Is it?
11:50Yeah, it's because of the excitement.
11:51Well, ever since of my loss, I've had a priapism anyway.
11:55A what?
11:56Constant erection.
11:58These are special forces, painkillers.
12:00They're for gunshot wounds.
12:02You know, like really, really heavy stuff.
12:04Do you know what I mean?
12:05There's some side effects there.
12:06Yeah, they're called contraindications.
12:08Nausea.
12:08What are you talking about?
12:09Tremors.
12:10Blurred vision.
12:11Constipation.
12:12Loss of coordination.
12:14Blurred vision.
12:15And hallucination.
12:16Blurred vision twice.
12:17Oh, charming.
12:18You know what they are, don't you?
12:20Pheromones.
12:21No.
12:22It's something you give off a smell.
12:24And pigs have exactly the same thing.
12:25Oh, yeah, yeah, yeah.
12:26I know what you're talking about.
12:27Yeah.
12:28So, what, if you sort of rubbed a pork chop all over your body, then it would be attractive?
12:32I don't know.
12:33You could try it, I suppose.
12:34But it's like, they've got this new, then they're actually trying to bottle it.
12:37And if they can get it, mate, you will be like Casanova.
12:41They could probably call it pig or something.
12:44Excuse me, mate.
12:47Can you, um, explain to me why my bag's just been blown up?
12:53I'm not being funny.
12:53I just left it over there and that's it.
12:55What am I going to do?
12:55That's my uncle's clubs.
12:56That's £1,500 worth of clubs.
12:58You've just blown them up.
13:01No, it's like, you know, what?
13:02What are you going to do about it?
13:04Don't you think it's a bit of a liberty?
13:07Eh?
13:08Maybe you could do something with your testicle.
13:12Yeah, but then I wouldn't have it, would I?
13:14They could take a little, what do they call it?
13:16You know, a biopsy.
13:19Well, they did anyway, a big biopsy.
13:21Not the whole thing.
13:22That's why it's in the jar.
13:23No, out of the jar, though.
13:23Yeah.
13:24They took a bit of that and you'd find, isolate your pheromones.
13:27Then you'd have women all over you.
13:30Better than rubbing pig on you, isn't it?
13:33All right, gather round, please.
13:34Mark, come on, come in here.
13:36Quickly, Mark, I don't have much time left.
13:41Well, what happened to your bag?
13:43Got blown up, sir.
13:45It's not funny.
13:46Ray, it's started.
13:47What?
13:47It's happening already.
13:48I'm seeing things.
13:49All right, listen, please.
13:51Seriously.
13:53For the next 24 hours, you are not to obey any command I give to you here.
13:58You must ignore every command I give for the next 24 hours.
14:01Is that perfectly clear?
14:02Sir, is that including that one?
14:06I'm relinquishing responsibility, relinquishing my command to Sergeant Ash here.
14:12Sergeant Ash will share command with Big White Rabbit and the lederhose.
14:19The flight has not been without incident.
14:22Yeah, you know, I wrestled him away from the pilot and he was fine.
14:25And we landed and the chute went out and we all got down there safely.
14:28And if he had his high heels on, it would have punctured it.
14:31And thank God he took them off.
14:33It's fine.
14:35Ray, I'd like to keep burning it.
14:38I just won over to a girl.
14:40Tell the truth, the governor, he let us down a bit on the plane.
14:46I mean, I've taken a few of them special forces, painkillers, meself before.
14:51All they did was kill the pain.
14:53They wouldn't let me out.
14:54I'm really sorry.
14:55Go away.
14:56It's just completely running amok in the galley.
14:59So obviously everyone sort of looked up.
15:02He just went to go for the, you know, like the exit, the emergency exit.
15:05And then the steward rushed over, grabbed him.
15:07Leave me alone!
15:08Get the camera away, will you?
15:10I was in the toilet and, you know, I heard all the ruckus going on.
15:15I came out, I thought it was a mid-air hijack.
15:17They come flying out of the toilet and grabbed the governor, didn't they?
15:20And then we, you know, we found that he was a hijacker.
15:23It could have been disastrous.
15:25But it's luck that we landed in Gibraltar.
15:26Because if they had landed in Spain, they would have shot us.
15:28They would have shot us bang, not like a dick.
15:31Look, let me out!
15:33I'm sorry!
15:34The governor thought the aircraft was Thunderbird 2.
15:37But he was Virgil Tracer.
15:40And the hood had planted a bomb on the plane.
15:42Me!
15:43Help!
15:44So remember you can't put the result of this.
15:45I know!
15:46As if I don't know!
15:47I want you to disappoint me!
15:49But you're not you!
15:50I'm perfectly calm!
15:54As an undercover police unit, the first task is to make contact with the local MI6 operative.
16:02Is this the meeting point?
16:05Even if it is the meeting point, mate, MI6 ain't going to come with the camera.
16:08Of course, though.
16:09You know, there's no way.
16:11I mean, the camera's not even disguised on nothing.
16:14Jones!
16:15Peter!
16:16Party Jones!
16:18MI6!
16:19Sir, where are we beating MI6?
16:23Look, I've done a while.
16:24He's gone.
16:25He's lost it.
16:26Hey, wean him out into the sun because of the sweat, he might sweat all the toxins out, mightn't he?
16:31MI6!
16:32Sir, I'll get you a nice little drink.
16:35Don't give him a drink, we won't even sweat as much as possible, get it all out.
16:39I won't give you a drink, I'll get you one later.
16:41Well, what?
16:42I'll get you one later.
16:44Look, look, you all know the password that the government's given you, look.
16:47You all know it, go and use it, go and find someone.
16:50Use it now?
16:51Use it now.
16:52Listen, take your hat off, get your bit of sun off, pick them on them.
16:56Get a nice bit of sun, later I'll get you candy floss.
17:01You like that?
17:02Granberry juice.
17:03I made this password up myself.
17:06I don't want to blow me on trumpet, I think it's very good.
17:09Anybody who is working undercover will tell you that the more obscure the password, the better it is.
17:17And I'm quite proud of this one.
17:20We're going where the sun shines brightly, we're going where the sea is blue.
17:24That's the sun.
17:25We've seen it in the movies.
17:27Now let's see if it's true.
17:28Right, okay.
17:30Are you the one?
17:33No.
17:34Oh.
17:34Everybody loves a summer holiday, doing things they always wanted to.
17:37Fun and laughter on a summer holiday will make our dreams come true for a week or two.
17:42No, that's not him.
17:43Ray, I'm feeling so much better, just let me outside.
17:45No, no, you nearly got me.
17:48You nearly got me.
17:49I nearly let you out.
17:49But remember, remember, you give me specific orders not to let you out, not to follow your orders.
17:56For God's sake, Ray, let me.
17:57You're not you.
17:58Of course I'm f***ing me.
17:58You're not you.
17:59For God's sake.
18:21We're going where the sun shines brightly, we're going where the sea is blue.
18:27At long last, contact is made with MI6.
18:30Hey, how are you?
18:31Roy, late.
18:32I see you've got the film crew again.
18:33All right, guys, Mark.
18:34What the hell are you doing here?
18:36I'm the MI6 guy.
18:37You're what?
18:38I'm working for MI6.
18:40Are you joking?
18:41No.
18:42Roy, just, Roy, unstrap me, will you?
18:44If you work for MI6, get these straps on me.
18:46Yeah, I can't really do anything until I get the password.
18:48What do you need the password?
18:49It's part of the process, MI6.
18:51I need the password.
18:51Summer holiday.
18:52No, I need the whole thing.
18:54I need the whole song.
18:54I don't know the whole bloody song, Roy.
18:56Well, that's the password.
18:57You're supposed to know the password.
19:00We're going where the sun shines brightly, we're going where the sea is blue.
19:02I've seen it on the movies.
19:04Let's see if it's true.
19:05Ooh.
19:05That's the second verse, I think the first verse is wrong.
19:07So, we're just here looking for undercover MI6 people.
19:11And that was the password.
19:14Oh, right.
19:15So we couldn't hide it.
19:16It seemed a bit mad.
19:16So you remind me of?
19:18What?
19:19You know that singer, Roy Orbison?
19:21Yeah.
19:22You really, really look like him.
19:24Really?
19:25Yeah.
19:25Have you got any Italian or Latin in you?
19:28Not that I can think of.
19:29Yeah.
19:30I don't know, it must just be there.
19:33Seen it on the movies.
19:35Happen movies.
19:36Happen movies.
19:36Happen movies.
19:36Happen movies.
19:37Seen it at the movies.
19:39Now let's see if it's true.
19:41Come on, Roy.
19:43Still not there yet?
19:44Fun.
19:45I've done that bit.
19:47Everybody loves a Samurai today.
19:50Doing things they always wanted to.
19:53Fun and laughter on a summer holiday.
19:57Make your dreams come true.
20:01For a week or two.
20:04MI6?
20:06No.
20:07No.
20:08No.
20:09No.
20:13Have another go.
20:14Have another go.
20:16There's no need for the F word.
20:17Would you kiss your mother with that mouth?
20:18Come on.
20:18Oh, God help me.
20:21Do you want to meet up later on?
20:22Perhaps go for a drink or something like that?
20:24Yeah.
20:25Yeah, sounds good.
20:26What?
20:26You'd actually meet me for a drink?
20:29Oh, just a drink.
20:30Really?
20:33Well, 40 years of age and I've never been out of a girl before.
20:36I've asked them, but I've always refused.
20:39What you just witnessed, I asked that girl out for a drink and she said yes.
20:43Why this time, I don't know.
20:46I'm over the moon.
20:48Actually, over the moon.
20:50It's lovely to see you guys again.
20:52It's lovely.
20:52It's been a long year.
20:54Got a couple of hotels out here now.
20:55The good guys are staying at one of them, actually.
20:57I've known quite a few people and life's sweet, you know.
21:00Then MI5, MI6, sorry, asked me to help out.
21:04They thought, why not?
21:04Queen and country and all that.
21:06So, yeah, doing all right, you know.
21:08Well, where are our rooms?
21:09Well, they're staying in them.
21:11They're Belgian missionaries.
21:12They're staying extra a day.
21:13It's been a bit of a cock-up at reception.
21:15But this is your hotel, is it not?
21:17Yeah, but it's filled with a brim.
21:19You knew we were coming?
21:21Well, yeah, technically, but it seems they can't leave until the morning because they're getting the train.
21:24So what are we supposed to do, then?
21:26Well, I thought you could sleep on these.
21:28Look!
21:29No, it's one of them, you know when they brought the dye in the swimming pools?
21:32You know when you have a Jimmy Riddle?
21:33Look!
21:34Oh, it actually works!
21:35That's classic!
21:37You're like one of the red arrows, look!
21:39There's smoke fading out.
21:41Look, I'll do a loop, a loop.
21:50Painted with it.
21:51Oh, of my life.
21:56I've been searching for a love.
21:59I've been searching for a love like yours, to come knocking on my heart's open door.
22:09And so, I just feel that I need to come clean with you, that's all.
22:14About what?
22:16It was quite difficult for me to say.
22:19Don't tell me you're married.
22:21No, no, no, no, it's not that.
22:24It's just a...
22:27What?
22:27What is it?
22:35Will you still love me?
22:38Look, they're laughing.
22:39I've got to tell you to take it on.
22:40Was it one big joke on my part, or what?
22:41It wasn't a joke.
22:42It's because I wanted to take you swimming.
22:44I couldn't go in the swimming pool in case you fell off.
22:46What are you doing, taking the piss out of me or something like that?
22:46I'm not taking the piss out of you.
22:47I'm sorry.
22:48Now, Sue, please.
22:49Sue, I was just being honest with you.
22:53Sarge, if she really loved you, she would have loved you with your hair or not.
22:58Yeah, well, she never, did she?
22:59She obviously don't like bald people.
23:01Uncovered.
23:02Yeah, have your laugh, have your laugh.
23:04I just hope it don't happen to anyone of you.
23:05Someone pulled a rug on him.
23:10I'm going to have to change my lyrics now.
23:14It's a tragedy now.
23:28Right, now, will you just do me a favour of strings, yeah?
23:32Just shut it, will you?
23:33Don't you like it?
23:33Shut it.
23:35And you and all, go on, get away from me.
23:39Gives it a tragic twist, Sarge.
23:43And the BBC tends to agree.
23:46But I've got a perfect idea, and this is what I wanted to sort of give you a call about.
23:50No, it'd be great.
23:51It'd be absolutely great.
23:52I mean, I'm going to give it the full production number, and I think it's going to be a summer
23:54hit.
23:54Please, trust me.
23:56Really.
23:57It's a tragic song.
23:59You must think I was born listening.
24:01Very good news.
24:01The BBC want to make this into a video.
24:04A top-class video.
24:05There you go.
24:06Yeah, but it's just to take the piss out of me, isn't it?
24:07Basically.
24:09Excellent.
24:09I don't even think you should look at it like that.
24:10It wouldn't be a piss take, would it?
24:11Really?
24:12See, Sarge?
24:13It'll be like Robson and Jerome,
24:15because it's the B.
24:16I've got to do it to help you out.
24:18But, you know, I know what you're doing.
24:20Strings and Ash, Sarge.
24:21Robson and Jerome.
24:22Look, come on, guys.
24:23Give it a go.
24:24Let's do this video.
24:25We should all be in it.
24:26It'll be great.
24:27Here you go.
24:28Trust me.
24:29Definitely don't.
24:30I think so, as well.
24:31I mean, I know what's going to happen.
24:33We're going to look really puffy.
24:35No, no.
24:36You are the hunk element.
24:37You and Bill.
24:38To be honest, I'm not being funny, Strings.
24:39I mean, if you don't mind, I mean, I'll do the choreography.
24:43I mean, I'll make sure it's done properly.
24:44Your masculine choreography.
24:45We're a bunch of, you know,
24:47watching policemen, aren't we?
24:48It's got to be asymmetrical with energy.
24:51Do you get what I mean?
24:52So everything's sort of got sort of a dynamism,
24:54like, almost like this.
24:55So I'm looking at that.
24:56It's almost like,
24:58Like that, you know.
24:59Like, do you get what I mean?
25:01Maybe some spins.
25:03And I think, uh,
25:04I had this sort of image where we're sort of human dominoes.
25:07So we're all lying.
25:08We're all lined up along the beach,
25:09and it's like,
25:10top, top, top, top, top, top, top.
25:12You know.
25:12Do you get what I mean?
25:21I've never known
25:23A girl that I could call my own
25:30Give me strength and give me dignity
25:35Something I've never had before
25:45You'll never know how much you hurt me
25:51They say that all in love is fair
25:55In love is fair
25:59How could I know that you'll deserve me
26:03Because I have no hair
26:10Some say I'm bald
26:14I prefer to think I'm thinning
26:18On top
26:19He's bald
26:21When is this cruel ridicule gonna stop
26:26He's bald
26:27Calling me slap it
26:29Calling me spam-o
26:36Some of the greatest have been bald
26:42Take John
26:43Take John, Luke Picard, and our friend Buell
26:47Brenner, that is
26:49Take Captain Kirk and Elton John
26:54Even though they wear wigs
26:58Look like fools
27:02Shoo-be-do-wak
27:03Shoo-be-do-wak
27:05Shoo-be-do-wak
27:07Molly
27:14Stay on my bald head
27:17Like a phone you go
27:19Molly
27:21Shoo-be-do-wak
27:23Shoo-be-do-wak
27:24Shoo-be-do-wak
27:46The Baldy Song is now available at all good record shops.
27:58Alright, Mark. That video was puffy. I wish I'd done it now.
28:05Mark! Mark! Jason, come here.
28:11Mosquitoes are biting now. Let me out. They all think I'm evil, but I'm not.
28:17Go on, let me out. Please. Please, you bastards. Please.
28:25F*** you. You're gonna suffer.
28:29Sixteen hours later, Beach was finally released, in time for lunch.
28:34You bastards!
28:35I'm gonna get you.
28:39Ready or not, here I come.
28:43I'm gonna get you.
28:46Next week, the team face up to their biggest challenge yet. Operation Zorro.
28:51Get you. Get you. Get you. Get you. Get you.
28:57A!"
28:58A!"
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