- 7 months ago
"Luda kuća" serija je o naoko običnim ljudima iz susjedstva - onima s malo novca i mnogo velikih želja, problema i još više peha. Miljenko Majer svojevrsni je glumački Don Quijote, mali glumac s velikim ambicijama. Više od svojih snova o slavi i bogatstvu voli tek Matildu i njihova sina, gimnazijalca Filipa sklonog nogometu - u kojem, naravno, vidi ispunjenje svojih ambicija. Majerovi su ljudi čija je kuća uvijek puna nepozvanih gostiju, oni su vrsta ljudi koji nikom ne znaju reći NE, pa makar koliko ih to stajalo. Upravo zato s njima živi i umirovljeni policajac Đuro Pletikosa, nema dana kad k njima ne svrati usidjelica Božena, a pospremačica Brankica radi često i ispod cijene, jer život Majerovih doživljava kao besplatnu zabavu. Za trgovanje i financijske kombinacije zadužen je Laci, vlasnik kafića u kojem Miljenko provodi najveći dio svog radnog vremena, uglavnom ispunjenog pauzama i dugim čekanjima na mali nastup. Kako biti sretan, umjereno bogat i uspješan, moto je priče o stanovnicima "Lude kuće".
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FunTranscript
00:00Oh
00:30I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I can't believe it, I
01:00Miljenko, wake up the job.
01:04What job?
01:06You have to be on the parking lot, Miljenko.
01:09Ah, that job?
01:12That job, I don't know, you don't have any other job.
01:15But I don't want that job.
01:17The whole night I've been thinking
01:19and I've been on the parking lot.
01:22I mean, I don't want to go to that nivou Matildice.
01:26I can't stop you, you know why?
01:28Because you've been on the floor.
01:30And you know what?
01:32If you don't find a job,
01:34don't appear in front of my eyes.
01:36And go away from my kitchen.
01:38Ok, ok, ok.
01:42Jure, I told you to call me Bepo yesterday
01:46and help me with the job.
01:50I wanted to ask you to tell me
01:53that you see the situation on the floor.
01:56And Bepo says that the investment is paid for the first year.
02:02And plus that is the profit.
02:05But what do you think?
02:08What profit?
02:10Well, these are salt and salt.
02:13Green, gold.
02:16We have to make uje.
02:18We have to sell pizzerias.
02:21We have to make sapun.
02:23And I know that it's a tough job,
02:26but we have to be a young person.
02:29And you know how to say it?
02:31The young people leave the world,
02:34and the old people leave the job.
02:36Why are you talking about it?
02:38Jure is running out of agriculture.
02:40He?
02:41He says that she is the last one
02:42who is hiding in the mainstream capitalism today.
02:45So?
02:46Well, she started to buy some salt.
02:48Today, she went to the farm,
02:50and tried to check the ground.
02:52I can hear you.
02:53I can hear you.
02:55Come on, Jure,
02:57see what you want,
02:58because I don't have to do that.
03:01Come on.
03:02Come on.
03:03Come on.
03:04I'm going to get the salt.
03:06I'm going to get the salt.
03:07And here,
03:08there's a salt.
03:09This is not a chance to be released.
03:12And if you're a famous,
03:14you would get married,
03:15and you would have been married.
03:16You know,
03:17instead of getting a balloon
03:18with the salt.
03:19You know how many salt
03:21is gone every year,
03:22because there's no one who is brother.
03:24He could take Miljenko,
03:26because he lost his job
03:27at the city parking lot.
03:29Miljenko,
03:30he just didn't get out.
03:31and he was not getting out.
03:33If you insist on it,
03:34I'm going to get out.
03:35It's going to seem to be a little
03:36to cut him the tongue.
03:38But but before that,
03:42I must go ahead and take the situation.
03:44I call out Brankic to go home.
03:47How you are so upset?
03:48How can you get out of this?
03:50Just for three days.
03:52Brankic wants clean air,
03:55and nature.
03:57He wants great work
03:59on the floor.
04:00I'm going to do it.
04:02You'll pay me if I'm going to do it.
04:06Brankit!
04:08Brankit, Brankit.
04:12Horoscope again.
04:14What do you mean?
04:16I'm going to write that I'm going to be jealous of the problems
04:19and that I'm going to find new jobs,
04:22that I'm going to avoid the friendship and intense situations
04:25and that I'm going to have the opportunity
04:27to the court, to the court, to the court, to the court, to the court, to the court, to the court.
04:33That's right.
04:35What do you mean?
04:36What do you mean?
04:37What do you mean?
04:38You're saying that if you're going to be able to get the court,
04:41you can get the house out of the house
04:43and you'll find the trouble with the parents' lives
04:45and you'll find the house.
04:47I'm going to go and check it out.
04:49I'm going to clean it, Felipe.
04:51Do you see?
04:52Do you see, Matilda.
04:57What do you mean?
04:59What are you?
05:01You're good at home?
05:03What is your best?
05:05No.
05:06Whatever.
05:07Nothing.
05:08What's your best?
05:10Oh.
05:11Worked.
05:13What did you get?
05:15How did the first working day on the parking?
05:17No, it wasn't.
05:19I was in a relief.
05:21That was the absolute end of my comedy career.
05:26Yes, that would be a shame.
05:29Yes.
05:30What are you doing now?
05:31What are you doing now?
05:32I bought a speaker and I feel like today is my day.
05:38Let me buy a beer. No, no, no.
05:42You don't need a comedy for the Queen of Lear.
05:46No, no, no, no.
05:47No, no, no.
05:48No, no, no.
05:49No, no, no.
05:50No, no.
05:51No, no.
05:52No, no.
05:53No, no.
05:54No, no, no.
05:55Why don't you go to the hot water and pay for parking?
05:59I was allergic to the hot water.
06:04Yes.
06:05Yes.
06:06I'm just wondering that you'll find something about my relationship with my friends.
06:13I'm looking for myself.
06:15What do you want for yourself?
06:17Women?
06:18No.
06:19Frayers.
06:20Aha.
06:21Frayers.
06:22Let me look.
06:23I have more than four banks.
06:25I've had a hair for a few years.
06:27I haven't been out of the wood.
06:29And we, barmen and boys, we need a good word.
06:33Okay.
06:34Okay.
06:35Okay.
06:36I don't need to talk about details.
06:37Wait.
06:38I have another one.
06:39No doubt.
06:42No doubt.
06:43Yes.
06:44I don't want to talk about it.
06:46Here, wait, wait, here's one.
06:48A woman in the middle of the 30th,
06:50without children,
06:51situated in its own state,
06:53a property of a
07:00family member,
07:02a family member.
07:03Wait, wait, what do you think?
07:05What would this family member be able to pay?
07:07I think that, my dear,
07:08...
07:09Wait, wait, wait.
07:11Hello?
07:13Good day,
07:14Is that a real handsome?
07:16A monster on the telephone?
07:19No, don't give a fuck.
07:21Wait, wait, I'm on your voice.
07:24You've already found someone.
07:27Ah?
07:28Ah, okay, okay.
07:30Why do you think this is not a only possibility?
07:34That's the voice.
07:35Yeah.
07:36Why do you think that's not the traditional method?
07:39One-on-one?
07:41My gosh, I tried it, but it doesn't.
07:43I don't know. I mean, my professional skills look like they were scared somewhere after the third time.
07:49It was a traumatic shock.
07:51You're crying. Look how many people have. You have to risk it.
07:55I risked it, old man. I risked it. And I lost a couple of good men.
08:01If I need to be scared, I don't have to be a jerk.
08:05But wait, let's go back to your problems.
08:09Okay.
08:10Look at this.
08:11Keveliš na raznosača pica.
08:15Mama nek ti raznosi pica.
08:20Ma tetka, nemoj me gnjanit.
08:22Velim ti da ne mogu ići s tobom ni džurom brat Masline. Ne mogu.
08:26Ma šta? Iman kolokvi.
08:29Kak' ište ga?
08:31Iz alternativne veterine.
08:33E.
08:35Kako?
08:36Ma ne mogu ti ja to sapri ko telefona obješnjavat, molim te.
08:39Ma je, malo je komplicirano.
08:41E.
08:42Ajde.
08:44I čuvaj se.
08:45Pazi da ne paneš s masline.
08:47Ajde, Bog.
08:49S masline.
08:51Ega, gdje smo mi stali?
08:53Na akupunturi za ptice.
08:55Ja, čita sam o nekoj mačke u Londonu koja je imala svog lajstog psihijatra.
08:58E.
08:59To je sigurno super unosan biznis.
09:01To ti je unosan biznis.
09:02Samo tako.
09:03Ove, viš ti, kad bi ti upisao veterinu, ti ja bi zajedno mogli otvoriti ambulantu alternativne veterine.
09:10Svala bi se Pilip Slavko.
09:13Kijano Pilip Moris.
09:15Šta kadaš?
09:16Super.
09:17A koji bi ti bili pacijenti?
09:18Pacijenti?
09:19Pa, male životnice.
09:20Mali zečevi, mali zamorci, kunići, žabice, guštarice, mali slonovi, male žirafe.
09:25Sve šta hoda, gniže, puzi.
09:27Bez diskriminacije.
09:28Mhm.
09:29To bi se Tamar jako sviđalo.
09:30Da šta?
09:31Znaš šta, nega...
09:33Nega ovaj...
09:36E ti mi malo propitaj.
09:37A?
09:38Da mi vidimo na čemu smo.
09:39Dobro.
09:40Dakle, akupunktura za ptice pri problemima s disanjem.
09:48Ako ptica ima problema s disanjem, primite za krila.
09:51Naglo položite na leđa.
09:52Pticu nemam, ali posluče medo.
09:54S dva prsa pronaši točku 36 i izvrši pricak na donji dio abdomena.
09:58Lako.
09:59Tako.
10:00To ću.
10:01Mhm.
10:07Matilda, hm?
10:09Koja boja tvoje aure?
10:11Ha, kad sam zadnji put provjeravala bila je Ljubičesta, ali mislim da je u zadnje vrijeme siva.
10:16Ljubičesta, čekaj...
10:18Ljubičesta je ove tu.
10:20A čuju, onda ti se ove godine brome loša piše.
10:24Znam da mi se loše piše i to nema nikakve veze sa bojom moje aure.
10:28To ima veze s tim što mi je muž propalica, što mi je sin nesuđeni student, ja radim u prosvijeti i još sto takvih stvari.
10:36Mislim, u svakom slučaju znam da mi se loše piše.
10:41Čuju, a da probaš s kristalima i sa ovom magnetskom posteljinom?
10:46No to je jako skupo Božena i...
10:49Snam, ali s Denko i ja smo se preporodili.
10:53Čekaj, čekaj, sad sam se svetila.
10:56Imam ja tu jedan trista viške.
11:00To ti lijepo donosi sreću, a i unutarnju ravnotežu.
11:06I to ti je znanstveno dokazano, znaš?
11:09I ti u to vjeruješ?
11:11Pa odveš ću te kod gospodine Agate na pešćenicu i ona ti pomoću aure odmah kaže što će ti se dogoditi u budućnosti i onda ti još kaže kombinaciju kristala i magneta koju da uzmeš.
11:26A zašto mi prije o tome nisi pričalo?
11:28A čuli, idem tako jedan dana.
11:31I to nakon što je Senko opet počeo muvat s tim slovencima.
11:35A i znaš kako se kaže, o taknim stvarima se ne razgovara.
11:38A jesi saznala nešto interesantno, mislim, od te gospodine Agate?
11:42Pa naravno da jesam.
11:44Daću tebi telefon ako hoćeš.
11:47Joj Matila, ne znam, nisam stavila onaj popis za ovo orijentacijsko trčanje.
11:52E znaš šta Božena?
11:53A?
11:54Pa znaš kako mi nekako bridi?
11:56Pa kažem ti.
11:57Stvarno usjećam.
11:58Pa naravno.
11:59Idem, imam ovu grupu obožavatelja četvora kuta.
12:03Ajde, ajde ti, ja moram trašiti.
12:04E nevjerojatno.
12:05Da, pa...
12:06Ajde, vidim se.
12:07Ajde, Bog.
12:08Ti se nastavila, traje popisati, a ja isto muvam.
12:11Neću prodale saugere po kuđama i točka.
12:13Daj, daj Miljac, suj.
12:15Daj, razmisli malo kužiš.
12:16Nemaš baš nekakvih prevelikih izboja, eh?
12:19Čeka, čeka, čeka, vidiš.
12:21Ovo je moj fah.
12:23Tražuje voditelja na lokalnoj TV postaje.
12:25Je, ali tam traže mlade, neiskusne i privlačne tipove.
12:31Ništa od navedenog.
12:33Ni mlade, ni neiskusne, ni privlačne,
12:37nego traže žensku.
12:39Ja ti.
12:40Da vidim.
12:41Lokalna TV postaja, Astro TV,
12:45traži žensku voditeljicu s iskustvom u astro...
12:49Pa ti vidiš kako ja imam nesreču.
12:52Pa ja sam totalni prehisto.
12:54Čovječe, žene danas vladaju svijetom.
12:57A za malog običnog akademijski obrazovanog čovjeka
13:00nema posla.
13:01E, čuvaj, štari, da si kod Dustin Hoffman,
13:04to kaj traže žensku, ti ne bi bil problem.
13:07Kadaj, kakav sad Dustin Hoffman?
13:09Pa sećiš se onom filmu, kak se ona zove, tam,
13:12tam gde je on ciromašan, pa se preruši u žensku
13:15da dobije ulogu u onoj seriji, pa se zaljubi u onu malu.
13:18Znaš, ono, kak se zove film...
13:19Čije, tuci!
13:20Pa to, to...
13:21To se zaboravim, pa taj film ne išeš gledat,
13:23bar ne z menom u glavnoj ulozi.
13:25A ne, ne, ne.
13:26Miljinko, s oproštenjem, ali svi smo se mi pomirili s tim
13:30da tebe ne budemo gledali u glavnoj ulozi.
13:32Pa ti znaš kaj?
13:33Znam, znam kaj.
13:35Da se na tvojom mjestu, s mjesta bi se tam prijavio.
13:38Kuž, pa gledaj, pa to ti je za onaj emisije tam gde gledaju
13:41čarobnu kuglu i ta rod karte.
13:45Kaj to znači?
13:46Kaj to znači?
13:47Znači da sediš u nekom obskurnom studiju,
13:50gledaš tu kuglu, odgovaraš na pitanje,
13:53proričeš budućnost malim ljudima koji pritom troše
13:56šest kuna, sto dvesti tri lipe po minuti, plus pet devet.
13:59Doj, u redu, Laci.
14:01Evo, čak da ja i pristanem da se presučem u žensku.
14:04Da?
14:05Kuž, ali ti si smetno suma jednu stvar.
14:08Ja, Laci, ne znam gatati, ja nisam gatara.
14:10Ja, ma kakva gatara, miljac, daj nemoj biti toliko naivan.
14:14Pa to ti je sve jedna velika prevara.
14:16Kuž, znam to jer povremeno gledam te emisije.
14:20Sediš tam u onom studiju, dolazi ti pitanje od ljudi,
14:23a ti drobiš neke u stilu
14:25Pratite svjetlost svog karmičkog ciklusa, kuž,
14:30Aura vam je prezelena, gospodin.
14:33Kuž, tak neko sralj, ne?
14:34Evo, fakat si tak jednostavno.
14:37Pa da, da ne mre biti jednostavnije, čovječi.
14:40Ha?
14:41Keveliš, glej, pa to je večeras, ha?
14:43Ma, zaboravi, ma nema šanse.
14:45Ej, stari, čekaj, glej.
14:46Tolko love, za sat vremena, sjedenja i trkeja,
14:50ne mreš zaradi da dve godine prodaješ lokomotive po kućama.
14:55Kuž.
14:56Osim toga, desu kamere, ti si doma.
14:59Ke, fakat tak misliš ono.
15:01Pa da, stari, gledaj, da nemam kafić, da imam malo više glumačkog iskustva,
15:05pa odmah bi se prijavili.
15:07Kej, ono, perika, malo šminke, neka haljina, ono volani.
15:11Voila, prilika života.
15:14E, to bih volio vidjeti, ti bih kao pravio idiota od sebe
15:18pred milijonskim TV-gledatelstvom, me daj.
15:21Možete kladiti?
15:22U što?
15:23Da će otići na audiciju.
15:25Otićiš na audiciju?
15:27Ko ćeš otići?
15:28Pa kao, kaj znam, kao, madame Elvira, moj alter ego.
15:34Da.
15:36A u koliko se kladimo?
15:38U koliko se kladimo?
15:40Kaj znam, 200 eura.
15:42Ha?
15:43Ali, s tim da moraš iti sam.
15:45Ha?
15:46Moramo da ću ići, pa ja to ne bih propustio ni za živu glavu.
15:49E, če, če, če, če, pod jednim uvjetom.
15:51Moraš iti sa mnom, ali kao moja prijateljica.
15:54Ma ne.
15:55Madame Mirjana.
15:56Ne, ne, ne, inzistiram.
15:57Madame Mirjana, ne želim biti jedina ružna ženska tamo.
16:01Ha?
16:04Dobro.
16:05Može?
16:06200 eura, deal ova.
16:08Aj, daj.
16:09O.
16:10A, jel, može to slovom, mislim, postoju oklade ovaj.
16:14Ne, nisam momentalno, znaš.
16:15Dobro, dobro.
16:16Ok, kako hoćeš, možda, možda i poslije.
16:19A sad daj ovaj, pričuje mi kafić dok se ne vratimo.
16:22A kam ti zapravo ideš?
16:24Pa idem na sastanak s oglasom 527, kad se ne sećaš, ne?
16:28Od satom.
16:29Ajde, znaš koliko dugo nisam, moram se požurati.
16:31Ajde.
16:32Ajde, čuvaj, bo.
16:33O.
16:34O.
16:35O.
16:36Kao sad.
16:37O.
16:38Hugla neke gledanje.
16:44Tamara.
16:45Pa dobro, zašto mi se ne jadeš?
16:46Oćemo ući u to kino ili ne?
16:48Dobro, uzmi Jurica sa sobom.
16:51Daj mi ga na teb, daj mi ga.
16:54O.
16:55O.
16:56O.
16:57O.
16:58O.
16:59O.
17:00O.
17:01O.
17:02O.
17:03Kupio sam mu novu loptu.
17:06Posla bi ja njega svoja materija utupi kutu.
17:08Dovala bi ga urad za jedan dan.
17:10Posla bi ja njega.
17:12Ajde pustite u knjigu idemo van.
17:14Pilipa, ne mogu ić van.
17:16Moram pološiti ispit.
17:18Ubit će me teta ako ne položem.
17:20A znaš kakav je.
17:21Znam.
17:23Dobro super, ja ću onda gledat filmić.
17:26Do you want me to take a look at the test?
17:29Yes, I'll just wait for the film to finish.
17:41What are you looking at?
17:43The woman jumps across the street,
17:46kills her,
17:47she's crying for her,
17:48she wears a bag,
17:49she wears a bag,
17:50she's trying to get a knife,
17:51she's trying to get a knife,
17:52and it's the end.
17:53I was looking at the film three times.
17:55But I'm not.
17:56Let's go,
17:57let's go back to my experience.
17:59Let's go.
18:00For the beginning,
18:02you're going to tell me a disease.
18:04A disease?
18:05A disease?
18:06A disease?
18:07A disease,
18:08who is suffering from depression,
18:09doesn't eat and drink,
18:11and the owners have a problem with them.
18:12Let's go.
18:13Let's go.
18:14Let's go.
18:15Let's go.
18:16Let's go.
18:17What do I have to do?
18:19Nothing.
18:20Just let's go.
18:21Let's go.
18:22Let's go.
18:23I'll give you a message.
18:24You don't have to worry about anything.
18:27Slavka,
18:28what are you doing?
18:30Look,
18:31we have a...
18:32Let's go.
18:33We have a lot of connection.
18:34We don't want to be able to...
18:35It won't be anything.
18:36Let's go.
18:37Let's go.
18:38Let's go.
18:39Let's go.
18:40Let's go.
18:41Let's go.
18:42Let's go.
18:43Let's go.
18:44Let's go.
18:45Let's go.
18:46We have a couple people.
18:47Let's go.
18:48Let's go.
18:49Let's go.
18:50If you feel me, you'll feel it.
18:55Good, Džuro. I'd like to give you that phone already.
18:59I'm going to give you a little bit of information.
19:02I'm going to hear how it will be.
19:04Do you again call those small numbers?
19:07Don't worry, I'll pay all of that.
19:10For a good announcement, I'll pay for the cash.
19:13I really have to call it Laci, so we'll talk about the evening.
19:16Where are you going?
19:18Let's go to one of his friends who may have a special guest for us.
19:24Maybe it's the key.
19:27Matilda, when I'm going to talk about that, I have an informative question.
19:32Where are you holding your hands?
19:36Do you think you're holding your hands up?
19:40You're holding your hands up.
19:42You're holding your hands up.
19:44What's that?
19:46I'm going to call them.
19:48She's a wife, so you're a little bit of a...
19:50That's it!
19:51That's it!
19:52That's it!
19:53That's it!
19:54That's it!
19:55That's it!
19:56That's it!
19:57That's it!
19:58That's it!
19:59That's it!
20:00That's it!
20:01That's it!
20:02That's it!
20:03That's it!
20:04You're a memory!
20:05You're a good friend!
20:06You're a good friend!
20:07You're a good friend!
20:08You're a good friend!
20:09I'm sure I'm going to go to the job!
20:10When I'm going to the job!
20:11When I'm going to the job!
20:12I'm going to the job 11th.
20:13But I have to go to the bank to get the checkers.
20:16Maybe a person sold the job!
20:18That's it!
20:19You are a good friend!
20:20That's it!
20:21You are a good friend!
20:22You're a bad friend!
20:23But that's it!
20:25That's it!
20:26Let's go.
20:56I don't want to be careful, but first of all, I'll find Matildine, Haljine, and stuff like that.
21:01I think you won't go there.
21:02I'm going to break my knees. Why wouldn't I come here?
21:06I don't know, because of your representation with the number 527.
21:10How was it?
21:12It was not about that.
21:14It was so bad.
21:16It was terrible.
21:18I'm asking a woman to use a mask.
21:23I'm soon removed.
21:24Who do you use the mask?
21:28Matilda, okay.
21:30I think that doesn't mean anything.
21:33Let's go.
21:34I don't mean anything.
21:35Look, Mrs. Razačovas.
21:37If it's possible, we're going to show you this.
21:40The competition is really big.
21:42Hello.
21:43Mrs. Elvira Lacko.
21:46That's me.
21:47Here you go.
21:49Yes.
21:50Why do we do this?
21:53Because of the equipment and for 200 euros.
21:56That's why I hope you get better than everyone here.
22:00Here you go.
22:10That's it.
22:14And how do you feel?
22:16What?
22:17I don't know.
22:18I've never given anyone.
22:20Did you get into depression?
22:22I haven't been in depression.
22:24Wait a minute.
22:26Is it easier now?
22:28A little bit.
22:30Okay.
22:31It means that it's possible.
22:32Now, the second stage.
22:34The number of two.
22:36You have a blood sugar
22:38that has a blood sugar
22:40and is allergic to the skin.
22:42It doesn't mean it.
22:43While they go, they take care of their eyes.
22:45Yes.
22:46How can we help you?
22:47What do you think?
22:48I don't know.
22:49I don't know.
22:50Here.
22:53Acupuncture.
22:56Give me.
22:57Are you sure?
22:58You don't have trouble.
22:59You don't have trouble.
23:02Excuse me.
23:03My lady, the results will be every time.
23:07I don't know.
23:08I don't know.
23:09I don't know.
23:10Wait.
23:11The shots will be over the door.
23:12I'll do it.
23:13Wait.
23:14Wait.
23:15Wait.
23:16Wait.
23:17Wait.
23:18Wait.
23:19Wait.
23:20Wait.
23:21Wait.
23:22Wait.
23:23What happened?
23:24Well, no.
23:25Nothing special.
23:26I think this guy is a little strange woman.
23:28How did you say that?
23:30Because he was upset for me.
23:32Yes.
23:33Yes.
23:34Yes.
23:35My ladies, we have the results of the audition.
23:38So.
23:39Our new director of Tarot Show, Doza Prognoza, is...
23:43Mrs. Elvira.
23:46Hello.
23:47You got the job.
23:49You can sign up.
23:50You can sign up.
23:51I'm sorry.
23:52Yes.
23:53And I talked with the producer.
23:54You could make the first episode of the evening.
23:56Yes.
23:57Yes.
23:58Yes.
23:59Yes.
24:00Yes.
24:01Yes.
24:02Yes.
24:03And we used to challenge at the meeting.
24:04Yes.
24:05Yes.
24:06Do you remember that you wanted to be Meinin?
24:07Yes.
24:08Yes.
24:09Ah!
24:10Yes, yes!
24:11Thisčita!
24:12Yes, yes.
24:18Stop!
24:19Doize DMko is going to work.
24:21The meeting is known on Zagor.
24:24I just thought...
24:25How could I change the game here?
24:27Tom, who willing can let you be?
24:28Oh, love that this is big.
24:30I am just at home. Do you want to have a coffee?
24:32Yes, you can.
24:35Wait, what are you doing? Astro TV?
24:39You didn't say anything. When did you get it?
24:44Here, Mrs. Elvira, this is a horrible bug.
24:47You can get your own.
24:49For five minutes we go live with a donation.
24:51You will receive five or ten requests.
24:53You know everything.
24:54Mr. Lovro, when is the payment of the donor?
24:57Yes, you are. You are doing the future, not me.
25:02Yes, you are.
25:03My crystal ball tells me that it is paid immediately after the show.
25:08Great, you are done.
25:10So, I agree that it is paid in order.
25:15You see, it is.
25:18But in your case, it is possible in nature.
25:21The cash will be enough. Thank you. I am happy for you.
25:26Please.
25:27Two minutes. We have two minutes.
25:29Focus on and I have to admit that I really love natural women.
25:35And that's it. I forgot to depilate today.
25:42I don't have a chance.
25:43You won't bite me with the needle.
25:44Look at what you did from the milk.
25:46Let me put the milk.
25:47What am I, Voodoo Lutkica?
25:49I don't understand.
25:50You don't believe in the ancient kinesis medicine.
25:52I don't believe in the ancient kinesis medicine, but you are going to take a medical medicine.
25:56When will I finish it if I don't help you?
25:58I will help you so that I'm looking at the milk that is allergic.
26:00I don't have a chance.
26:01I don't have a chance.
26:02You don't have a chance?
26:04You know what?
26:05I want to admit that I never come to your problem anymore.
26:07I will get you?
26:08I will all say it.
26:09What are you going to do?
26:13Let's go.
26:14What is it?
26:15One bar will be the limit for my station for the limit.
26:18Yes.
26:20Yes.
26:22And for the rest, I have seven days left.
26:26You have a place in the evening.
26:28In the evening?
26:30So, three.
26:35The apple.
26:37It's a tradition of discovery of your future.
26:41It's a journey of your life.
26:44All this will be brought Mrs. Elvira.
26:47It's just a call from 060-66666666.
26:54It's something new.
26:56Where is your phone?
26:58You can't call anyone.
26:59Why?
27:00We have a mobile phone.
27:02Božena, you can't judge me.
27:04Hello?
27:05Božena, Matilda is at the phone.
27:09I would ask you for one advice.
27:13Yes.
27:14And when they can be in Ether.
27:16Thank you very much.
27:18You can.
27:20Here we have the first call.
27:22Mrs. Matilda from Zagreb.
27:24Who?
27:25Who wants to say?
27:26Who?
27:27And five, and four, and three, and two, and one.
27:32Good evening.
27:33I'm Elvira.
27:34Good evening.
27:35I'm Elvira.
27:36And evening.
27:37I'm going to lead you through extraordinary paths of your future.
27:41What I need is to be the crystal ball and a card for the bell, Mađarice.
27:47Hello.
27:48I'm Matilda.
27:49I was born on 9.9.1969.
27:53I work as a teacher.
27:55I live with a unappointed wife, a police officer, a son who doesn't stop.
28:01What do you think?
28:02What do you think?
28:03Matilda, you say.
28:04I'm looking at her crystal ball.
28:08Matilda, your husband is an artist?
28:13Really?
28:14Yes.
28:15Yes.
28:16In my crystal ball, I see that your husband is a little coyote.
28:21He's a little coyote.
28:23He likes to play and play.
28:25Yes.
28:26He's a very gentle soul.
28:29And...
28:33Matilda, your sexual life is in a deep crisis.
28:37And your son...
28:40Your son has returned to the army, or not?
28:43Yes.
28:44Matilda, what do you want from him?
28:47I see a woman...
28:51Yes.
28:52And...
28:53...and some family.
28:56And some kind of a miracle.
28:59That's certainly the Tamarini, Štakori...
29:02Gospodin Jervira, we have a call from the van.
29:04It's a very cheap thing.
29:05Let's go.
29:06Matilda, you have to move on to the future and move on to your husband.
29:13You would not have to leave him to visit the close-up cafe.
29:18And you will be able to pay the money from old friends.
29:21Because, in the same way, he will remain without them.
29:24Thank you for your invitation.
29:26I will ask you to see you.
29:29Pepe!
29:32We have two minutes of pause.
29:35You were fantastic.
29:41Do you know what?
29:43Do you want to keep people more on the line?
29:48Keep it.
29:56Keep it.
30:19What am I talking about?
30:21She is right.
30:22Božena, you really don't want to say anything, I'm going to look at it in my room, I'm going to look at it in my room.
30:31Božena, you have a long blue shirt, you are a big one, you are a sport, and the first word of your name starts with M.
30:51M.
30:53That's right, why do you know that?
30:58I know many other things, but I don't know if you want to know them.
31:04I would ask for my husband, it's very interesting, the future of our relationship, and where is he now?
31:16M.
31:17M.
31:18M.
31:19M.
31:20M.
31:21M.
31:22M.
31:23M.
31:24M.
31:25M.
31:26M.
31:27M.
31:28M.
31:29M.
31:30M.
31:31M.
31:32M.
31:33M.
31:34M.
31:35M.
31:36M.
31:37M.
31:38M.
31:39M.
31:40M.
31:41M.
31:42M.
31:44M.
31:45M.
31:46M.
31:47M.
31:48M.
31:49M.
31:50M.
31:51M.
31:52M.
31:53M.
31:54M.
31:55M.
31:56M.
31:57M.
31:58M.
31:59M.
32:00M.
32:01M.
32:02M.
32:03M.
32:04M.
32:05M.
32:09M.
32:10M.
32:11M.
32:12M.
32:13M.
32:14M.
32:17I'll give it to you.
32:19I'll give it to you.
32:21Give it to me, please.
32:23Those are really stupid.
32:25No, they're not.
32:27I said to me,
32:29that I'm going to have a problem at the moment.
32:31Do you want me to call the phone?
32:37Hello?
32:38Brankice, so we've been warned.
32:41Where are you?
32:43Really?
32:45Oh, my God.
32:47I'll tell you.
32:49Let's hear it, Brankice.
32:51When you get up.
32:53I'm very scared.
32:55Yes, yes.
32:57That's right.
32:59You really killed me.
33:01Where is Brankice?
33:03Halfway until Split.
33:05I have to wait for you.
33:11Do we have a new call?
33:13I'm called Compa.
33:15Tell me if I'm going home or not.
33:17The wife left me.
33:19Yes.
33:21Mr. Compa, when are you born?
33:23I think in spring.
33:25I think in spring.
33:27Yes.
33:29Well, you see.
33:31Your wife loves you.
33:33I'm going home.
33:35Don't drink so much beer.
33:41Dear viewers, it would be all for the evening.
33:43We'll see you tomorrow at the same time.
33:45Your Elvira.
33:47Very good.
33:49Very good.
33:50Elvira, very good.
33:51Oh, you know what?
33:53It was really frustrating.
33:55I didn't work on my own.
33:57Yes, yes.
33:58I know.
33:59If you need a ticket, I can take you.
34:01I can take you.
34:02Mr. Lovro!
34:03Don't forget to yourself.
34:05Otherwise, I'll use my own power against you.
34:08You know that I don't like evil children.
34:10You know what?
34:11Yes.
34:12But sorry.
34:13I didn't know that your acupuncture is so hard.
34:15And you could only do that to the bloodline?
34:17I didn't even do that to the stupid experiments.
34:19Please, come back to the non-alternative veterinarian.
34:21Otherwise, how do you want, I'm home.
34:22Not later.
34:23Sorry.
34:24One more time.
34:25I'm sorry.
34:26I'm sorry.
34:27I'm sorry.
34:28I'm sorry.
34:29You can just do that.
34:30I'm sorry.
34:31You're the only one.
34:32I'm sorry.
34:33I might be.
34:34You're the only one.
34:35You're the only one.
34:36You're the only one.
34:37I'm sorry.
34:38Sorry, one more time. I forgot everything. I don't know how to do it.
34:45You need to take a bite.
34:48You need it. It would be better for me.
34:51Look at this. I think I'm going to drug me.
34:54It's a nice night and thank you.
34:57It's a nice night.
34:59No, don't do it until you get infected.
35:04I don't understand.
35:08No, not in the head.
35:30Opa.
35:32Pa, mogao bi ja u nekoj se ponjeri glumit.
35:36Neku feš ženskicu ovako malo jaču.
35:39Ove naši glumice su sve nekakve anoreksične.
35:47Miljenko!
35:48Zašto si se za ključe otvori? Šta radiš ti?
35:52Pilna, pričekaj, samo malo.
35:57Ahoj.
35:58Samo malo.
36:00Samo malo.
36:02To?
36:03No, pa zavtje ne uđeš.
36:05Mislim ne kužim te.
36:08Šta ti radiš?
36:11Ključno je što ću raditi.
36:14Pa najvjerovatnije gotovo sigurno naparkirališ to.
36:17Ako možeš nazati onu tvoju vezu, nadam se da još nije kasno.
36:20A, di si cijeli dan?
36:22A, pomagao sam mlaći u lokalu nositi nekakve gajbe, ambalažu nekoj tako.
36:28Miljenko?
36:29Da?
36:31Možeš ti meni objasniti zašto ti nosiš moje naušnice i ovu odratnu košuljetinu tvoje mame?
36:38Č!
36:40Ej!
36:49Jutro je ko stvoreno za nas.
36:56A nakon jutra slijedi dobar dan.
37:00Stvarno velik naš je mali stan.
37:07Sreća je u malim stvarima.
37:15I zato govorim svima da sve, sve je u redu.
37:22U nekak predu ga u redu.
37:25Ali sve, sve je u redu.
37:30U malos podri je u redu.
37:32Ali sve je u petu.
37:37U ovom našem ti potu u redu.
37:41Sve je u redu.
37:44A, izato baš sve, sve u redu.
37:51U nekak predu ga u redu.
37:54Ali sve, sve je u redu.
37:58U malos podri je u redu.
38:01Ali sve je u petu.
38:06U ovom našem ti potu u redu.
38:10Sve je u redu.
38:13Sve, sve, sve.
38:16U možda objicijos.
38:18U serve od tramite.
38:21Taa, ja nesem zabil trabaj slijedi.
38:22U ovom našem ti potu u redu.
38:24U našem ti potor to u redu.
38:25Ensine je u redu.
38:26Jika u redu.
38:28Taa, ja nesem za našem.
38:30UScies ideje u redu.
38:32Sakão裸 z mistarico,
38:33a w garimu badaj Industrialное Odspere.
38:34A, w gado broj superior.
38:35UsCómo lean, klit u redu.
38:36ようuz je sakã.
38:38H orientek lepsen.
38:40Našem roku u velikijas.
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