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Tv, Allo Allo S1 E01 - The Fallen Madonna
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00:00We need more cement.
00:27Where is Yvette?
00:28She's in the kitchen with your wife mixing it.
00:31Mix?
00:32Not for me, I hope.
00:33She said she would bring it down when it was ready.
00:38Yvette, why have you been so long?
00:40Well, how could I walk through the café carrying a bucket of cement?
00:43It is full of German officers.
00:45But this is my wife's best mixing bowl.
00:48Which is why I was able to pretend it was full of pastry.
00:51Was nobody suspicious?
00:53One of the officers put his finger in and tested it.
00:56My God!
00:57What happened?
00:58He said your wife's cooking was getting better.
01:00What are you doing?
01:02I am hiding the painting of the fallen Madonna with the big boobies by Van Clough.
01:08Also the priceless cuckoo clock.
01:10If the Gestapo find out about them, I will be shot.
01:13If your wife finds out about you and me, you'll be shot.
01:16We live in dangerous times.
01:19Maria, go upstairs and stand by the door.
01:23If anyone approaches, stamp your foot.
01:26I need ten minutes.
01:27Just to put one little break in?
01:30The patron knows his limitations.
01:32He's not acquainted with the art of laying bricks.
01:35He's certainly acquainted with the art of laying everything else.
01:38Go to your post!
01:40You are the most exciting man I have ever known!
01:50Let me hold you tight!
01:51No, no my cabbage, no.
01:53It is getting hard and I must get it in.
01:57and I must get it in.
02:03Renny!
02:04Renny!
02:04It is my wife.
02:08Renny!
02:09There are two black hand marks
02:10on the back of the blouse of Yvette.
02:12You came all the way down to the cellar
02:14to tell me that.
02:15The marks are the same size as your hand mark.
02:18Yes, of course they are.
02:20Well, when I hear you approach,
02:22I think it is the Gestapo
02:23and so I wipe my hands on the blouse of Yvette
02:25so they will not see I am building a wall.
02:26Oh, you think of everything.
02:29Yes, I hope so.
02:31I have a message for you.
02:33Michelle is upstairs.
02:34Michelle!
02:35From the resistance.
02:37I will come at once.
02:38Lay this brick.
02:39But I have no experience of laying bricks.
02:42Just pretend it is a German officer.
02:46You don't think she suspects us, do you?
02:48No, never.
02:50I let her think I am not interested
02:52in that kind of thing anymore.
02:53Does she believe you?
02:55She has too.
02:56I make her sleep in the wardrobe.
03:08Michelle is in the back room.
03:10Should I sing a song
03:12to distract everyone?
03:13No.
03:14We don't want to lose
03:15any more customers.
03:16You'd rather come with me.
03:19Psst!
03:19I want you in the back room.
03:27A little note would have been more discreet.
03:30Not you, Maria!
03:31Oh, I was wondering why I wasn't getting anywhere.
03:42Where is Michelle?
03:43I am here.
03:45Put that away.
03:46If it goes off, it could make a noise.
03:48Not to mention an hole.
03:51Who is in the cafe?
03:52Seven German officers
03:53and two sergeants
03:55from the 3rd Panzer Grenadiers.
03:57Ah, that is all right.
03:58Where are the two British airmen?
03:59They are hiding in the room of my mother.
04:01And the four-year?
04:02He is disguised as a piano player.
04:05He plays for me
04:06when I sing for the customers.
04:08He is a very bad pianist.
04:10But when my wife sings,
04:11nobody notices.
04:13The customers
04:14stuff cheese in their ears.
04:15Gather round.
04:20Now listen very carefully.
04:22I shall say these only words.
04:24Well, in that case,
04:24could you please speak slowly?
04:27There is no time.
04:29I have information
04:29that you are to be interrogated
04:31by the Germans.
04:32What?
04:32It is from a reliable source.
04:34It is good information.
04:35Well, for me,
04:36it is the very worst information
04:37I have ever heard.
04:39Have they blown our cover?
04:41We have no cover,
04:43you silly old bat.
04:45I am a restaurant owner,
04:47you are my wife.
04:49Please do not use
04:50sophisticated expressions
04:51you do not understand.
04:54They don't suspect
04:54that we're trying to hide
04:55the British airmen, do they?
04:57We don't know.
04:58But they are ruthless men.
05:00They may even take your wife
05:01and torture her in front of you.
05:03Oh, René.
05:04Oh, do not worry.
05:06I will tell them nothing.
05:11On the other hand,
05:13they may just work on you
05:14to drag out of you
05:15however soon you know.
05:16But I know very little
05:18except your name
05:19and the fact that
05:19we are riding
05:20a few British airmen.
05:21And then there's
05:22the radio under the bed
05:23and the code book
05:24and in the cellar
05:26the cuckoo clock
05:27and the painting
05:27of the fall of Madonna
05:28with the big boobies.
05:30You see,
05:31she remembers much more
05:32than I do.
05:34She's the one
05:34they should interrogate.
05:36Here,
05:37take this ring.
05:38Oh, that's very nice of you
05:39but I don't wear jewellery.
05:41It is hollow.
05:43So,
05:44inside is a pill.
05:45If they torture you
05:46and you cannot stand the pen,
05:48crush it between your teeth.
05:49Oh, I see.
05:50It is a painkiller.
05:53You will feel nothing.
05:55For how long?
05:56Forever.
05:56Oh, my God.
05:59All I want
06:00is a quiet life.
06:02Take that
06:02and you'll have one.
06:06Look,
06:07are you sure
06:07that they will send for me?
06:10Hello, hello?
06:12Café René?
06:14It is for you.
06:14Oh, I...
06:16Hello?
06:20It is kind of on strong.
06:22What shall I say?
06:23Act normally.
06:26Hello, Colonel.
06:33How nice to hear your voice again.
06:36You wish to order a table?
06:38No?
06:40Well,
06:40when are you going to come
06:42to see us again, Colonel?
06:44Hmm?
06:44Huh?
06:45You want me to come
06:47and see you?
06:48Oh, well,
06:49no, no,
06:49this is very difficult, Colonel.
06:50You see,
06:51I am a very busy man.
06:52I have the café
06:53and the kitchen
06:54and my wife
06:56and my bicycle
06:57has got a puncture.
07:00No.
07:01No,
07:02there will be no need
07:03to send an armoured car.
07:04No.
07:06Yes, bye.
07:09Quick,
07:09my walking boots
07:10and I'll have a sec
07:11and make some sandwiches.
07:12But the German headquarters
07:13is only two minutes from here.
07:15Yes,
07:16but I am heading
07:16for the coast.
07:18You fool,
07:19if you disappear,
07:20they will tear this place apart
07:21and we will all be shot.
07:23No,
07:23you must go to them
07:24and bluff it out.
07:26I am rapidly running
07:28out of bluff.
07:32Here,
07:32Colonel,
07:33here,
07:33look.
07:35All we need
07:36is a pair of pliers
07:37to turn the tap
07:38and a length of rubber hose
07:40to connect
07:40this old gas poker.
07:42Then we have
07:42a nice warm fire
07:44whenever we want.
07:45Well done, Hans.
07:46Order them right away.
07:50Herr Colonel,
07:50there is a man here
07:51to see you.
07:53Is he from the Gestapo?
07:55No,
07:55he's French
07:56and he's very nervous.
07:58Herr Colonel,
07:58it could be the Gestapo
07:59pretending to be French.
08:01All right, Hans.
08:02We must be very careful.
08:04What's his name?
08:05Monsieur René.
08:07It's René from the café.
08:08Show him in.
08:11The Colonel
08:11will see you now.
08:19Oh, Colonel,
08:20what an honour
08:21it is to be received
08:22in your wonderful
08:24commandeered office.
08:26I have taken the liberty
08:27of bringing a few
08:28simple,
08:29worthless gifts for you.
08:31A bottle of
08:32Chateau Lafitte 37,
08:34some rather good cigars
08:35which I was keeping
08:36until after the war
08:37was over
08:37but as you were
08:38doing so well
08:38I thought you might
08:39as well have them now.
08:41Some cheese,
08:43a little cognac,
08:44Napoleon,
08:45of course,
08:46and a small
08:47bottle of perfume
08:48for your assistant.
08:49Thank you very much
08:50but I don't wear it.
08:52Not you,
08:54this assistant,
08:55this beautiful
08:56young lady,
08:57this fine example
08:58of German womanhood.
08:59Oh, thank you.
09:02Now,
09:02what can I do
09:03for you, Colonel?
09:04We just want you
09:04to answer a few questions.
09:06Will there be anything
09:07else, Colonel?
09:08Will there be anything
09:08else, Hans?
09:09Yes, Colonel,
09:10we shall require
09:11a pair of pliers
09:11and some rubber hose.
09:13Oh, no,
09:14not the pliers
09:14and the rubber hose.
09:16No,
09:16I will tell you
09:17everything I know.
09:18It is so we can get
09:19the gas poker working.
09:21Not the gas poker.
09:23I will tell you
09:24everything I don't know.
09:25Sit down, René.
09:26We have a serious problem.
09:30Yes, well,
09:31I don't think
09:31it's as serious
09:32as my problem.
09:33We know you have
09:34been hiding
09:35British airmen
09:36and helping them
09:37to escape.
09:38Well, I know
09:38you know that,
09:39Colonel,
09:39but may I remind you
09:41that on your behalf
09:42I am also hiding
09:43a valuable old painting
09:44which you hope
09:45to sell
09:45after the war.
09:47One-O?
09:49Not to mention
09:50a priceless
09:51cuckoo clock.
09:52Two-One?
09:53No hands.
09:56No score.
09:57Because we're going
09:57to hand that painting
09:58to the Gestapo
09:59and then they will
10:01leave us in peace
10:02because we will
10:03hand you over
10:04as well.
10:05Oh, but, Colonel,
10:07that painting
10:08was to be your pension
10:09after the war.
10:10With it,
10:11you could have bought
10:11your own little
10:12Berchtes garden
10:13in the mountains.
10:15If you hand it over,
10:16you will have nothing.
10:17And if you hand me over,
10:19well,
10:20the cafe will not
10:21be the same
10:21without jolly
10:23jovial,
10:23generous, Rene.
10:25The life and soul
10:26of any party.
10:29It is very sad, Rene,
10:31that there is
10:31no other course
10:32open to us.
10:33But we've enjoyed
10:34your hospitality.
10:36Yes, I had noticed.
10:38We've always regarded
10:39you as a friend.
10:40Well, I look upon you
10:42in the same way, Colonel,
10:43and the captain,
10:45and the young lady
10:46out there with the big...
10:46We all think of her
10:47as a friend.
10:49The last thing
10:50in the world we want
10:51is for you to suffer
10:52at the hands
10:53of the Gestapo.
10:54Well, you are
10:54most considerate, Colonel.
10:56So, I am going
10:57to give you this ring.
10:59Inside is a pill.
11:02Flush it between your teeth.
11:04And in one and a half seconds,
11:06you shall be like
11:06a dead beetle.
11:07I don't think I shall
11:11ever forget
11:11your kindness, Colonel.
11:13Perhaps Rene would like
11:15to give his wife one.
11:16Even a Frenchman
11:17cannot think of that
11:18sort of thing
11:19at a time like this.
11:20Colonel, a little idea
11:26is running around
11:28in my brain.
11:29How would it be
11:30if we let the Gestapo
11:31find a copy
11:32of the painting?
11:33You have a copy
11:34of the painting?
11:35No, no,
11:35but perhaps one could be
11:37made by,
11:38well, let us say,
11:39a forger.
11:41You know a forger?
11:43Well, in my business,
11:44you meet all sorts.
11:45Mind you,
11:46he would want paying.
11:47How much?
11:48Well, money means
11:50so very little
11:50in these hard times,
11:52but perhaps a bottle
11:53of Chateau Lafitte 37
11:55and some cigars
11:57and a little cognac.
11:59What about the cheese?
12:01You may keep the cheese.
12:03We could use it
12:04to stuff in our ears
12:05when his wife
12:06sings in the cafe.
12:06Ladies and gentlemen,
12:14now it is cabaret time
12:15at the Cafe Renée
12:17and tonight
12:17to sing for you
12:18we have
12:19Madame Edith.
12:24Oh, my dear friends,
12:25thank you for your welcome.
12:28Are there any requests?
12:33In that case,
12:34I will sing for you
12:35an old favorite.
12:36under the bridges
12:38of Paris.
12:39Would you oblige me
12:40with the cheese board
12:41and hurry?
12:45My darling,
12:47why I sing
12:49this song
12:50is easy
12:52to explain.
12:57Oh, Yvette,
12:57it was a nightmare.
12:59But I thought
13:00I was never going
13:01to get out of there alive.
13:03Question after question
13:04after question.
13:05only I gave
13:06nothing away.
13:08Oh, Yvette,
13:09you are so brave.
13:11Oh.
13:11While you were there,
13:13I lit candles.
13:15You were praying for me?
13:16We had a power cut.
13:19Oh, Yvette,
13:20I never thought
13:21I was going to hold you
13:21in my arms again.
13:23Oh, Yvette.
13:24Oh, Yvette.
13:25Oh, my Lord.
13:25Oh, Yvette.
13:26Under the bridges
13:27of Paris with you.
13:31I'll take your dreams
13:33come true.
13:34Is she finished?
13:43I mustn't use
13:44Gruyere again.
13:48It has too many holes.
13:53Good evening.
13:56It's Herflake.
13:57Of the Gestapo.
13:58Of the Gestapo.
13:59Would you like a table?
14:01Not in here.
14:03I have ordered
14:04a private room.
14:05Oh, Rennie has reserved
14:06it for you, Herflake.
14:08Would you come this way?
14:17Oh, you have just missed
14:19the cabaret.
14:20But never mind.
14:21Later,
14:22I will sing for you
14:23privately.
14:25That will not be necessary.
14:30This is our private room,
14:32Herflake.
14:33And these are
14:34the candlesticks
14:35of my mother.
14:37This is adequate.
14:45I shall require
14:46a bottle of your best
14:47wine at once.
14:48Oh, of course, Herflake.
14:52You?
14:53We'll sit there.
14:59You're so forceful
15:00and dominating.
15:02It's very exciting.
15:04Good.
15:07Be very careful.
15:09This is our
15:10life insurance.
15:13But maybe
15:13on the other hand
15:14it could be
15:15our death warrant.
15:19Monsieur Leclerc,
15:20take a look at this.
15:21Oh, it is
15:23the fall of Madonna
15:23with the big boobies.
15:26Can you do
15:27another one?
15:29Three big boobies.
15:33Can you forge
15:34another picture?
15:36Ah, ah.
15:38The signature,
15:39yes.
15:40The painting,
15:42no.
15:43It's your order.
15:44Yes, but not
15:45of painting.
15:47Monsieur René.
15:48What?
15:48Autoflake is in
15:49the back room.
15:50OK.
15:50Ah, and England
15:51will be calling you
15:52one minute on the radio
15:53in the bedroom
15:54of your mother-in-law.
15:56How close to disaster
15:58we live in this world
15:59of cloak and dagger.
16:00Shall I add it again?
16:02Yes, but don't
16:03brick it up.
16:03We may need it later.
16:05The resistance
16:05may have a proper
16:06forger.
16:13Hello, Mama.
16:16What is the matter?
16:17Why are you knocking
16:18with your stick?
16:19To make you hear me.
16:22All day I am alone.
16:24No one comes to see me.
16:27What kind of a life
16:29is this for your
16:30poor mother?
16:31Gazing at the ceiling
16:33and eating
16:35onion soup.
16:38Nothing but
16:40onion soup.
16:42Do not light the candle
16:43till I have opened
16:44the window.
16:48Oh, so.
16:50At last you come
16:51to see your poor
16:53old frail
16:54mother-in-law.
16:57Shut up.
16:59Here is the loud
17:00speaker.
17:04Sorry.
17:09Get the code book.
17:10Where is it?
17:11In the water.
17:16There we are.
17:19Stay where you are.
17:23Here it is.
17:24Hello, Nighthawk.
17:30Are you receiving me?
17:32Over.
17:33Hello, hello.
17:35This is Nighthawk
17:36receiving you
17:37loud and crackly.
17:39Pass your message,
17:41please.
17:42The baby
17:43will arrive
17:44a week early.
17:46Look it up in the code book.
17:48The baby
17:49will arrive
17:50a week early.
17:52Oh, my daughter.
17:54Heaven be praised.
17:58Grandchild at last.
18:00You old fool.
18:02I have not put her
18:02in the family way.
18:04Then who has?
18:06We are just looking
18:08it up in the book.
18:11So many strangers.
18:13I feel no shame.
18:17It means the British airmen
18:18are being picked up tonight.
18:20That's a week early.
18:21But I'll be glad
18:22to see the back of them.
18:23Hello, hello.
18:24Your message
18:25understood
18:26over and out
18:27and things.
18:28Benet.
18:33Listen very carefully.
18:35I shall say this
18:35only once.
18:37The airmen
18:37must leave immediately.
18:39Well, they cannot leave
18:39by the main entrance.
18:40It is being watched
18:41and everyone
18:42is being questioned.
18:43Then they must leave
18:44by the back
18:44through the window
18:45of your office.
18:46They cannot go that way.
18:48Air Flick
18:48is having his dinner
18:49in there.
18:50Then they must leave
18:51by this window.
18:52What?
18:52We have no letter.
18:54We take the sheets
18:55from the bed
18:55and tie them together.
18:57Good idea.
18:57Oh, how can you
19:00treat them
19:01for mother
19:01in this manner?
19:03It's very easy.
19:07Now I want you
19:08to see some good
19:09tight nuts.
19:10Yes, of course you do.
19:12Now, Michelle,
19:12before I forget,
19:13we have to make
19:14a copy of the following
19:15Madonna with the big boobies.
19:16Well, let Monsieur Leclerc
19:17do it.
19:18He cannot paint.
19:19Neither can he
19:20play the piano.
19:22The customer's
19:23black failures.
19:25We are nobody,
19:26but perhaps
19:27we could send it
19:28to England
19:28to have it copied.
19:29We could send it
19:30with the two British airmen.
19:31Yeah, Yvette,
19:32go and get it.
19:34Now, we must
19:35get the bed
19:36to the window
19:36and tie the sheets
19:38to it.
19:40Come on, chaps,
19:41lend a hand.
19:41Bed to window.
19:42Do you want to inquire
19:45why?
19:45You're going out
19:46that way.
19:47And for heaven's sake,
19:48don't knock any slates
19:48off the roof
19:49because staff
19:49are downstairs.
19:50Roger!
19:54Hope you enjoy
19:55the food
19:55and everything.
19:58Do not disturb us
19:59again.
19:59No, her fleek.
20:00Hilga,
20:06I think you should
20:07know that I had
20:08an ulterior motive
20:09for bringing you here.
20:10This comes as no surprise
20:12to me, her fleek.
20:13We are not here
20:14just to eat
20:15and drink.
20:16It is very exciting
20:17to be with a man
20:18who knows what he wants.
20:19Of course.
20:20The way you ordered
20:21the chocolate mousse
20:22sent shivers down my spine.
20:25Why is it
20:26everybody is so frightened
20:27of me?
20:28Deep down,
20:29I'm quite a softy.
20:30Don't destroy
20:31my illusions,
20:33Herr Flick.
20:34I did not wish
20:35to be in the Gestapo,
20:36you know.
20:37My godfather,
20:38Heinrich Himmler,
20:39insisted.
20:44I'm not sure
20:45about this wine.
20:48I expect the proprietor
20:49has the better bottles
20:50hidden in the cellar.
20:53I think you're right
20:54about the wine,
20:55Herr Flick.
20:56It's made me feel
20:57very warm,
20:58all over.
21:03On the other hand,
21:05now that it has
21:07had a chance
21:07to breathe,
21:09it has a very
21:09mellow aftertaste.
21:16Has he reached
21:17the ground yet?
21:18No.
21:19He's climbing back.
21:21What for the idiot?
21:23Here,
21:24I have it,
21:25the picture.
21:26How much longer
21:27must we suffer
21:28the indignities
21:30of this wine?
21:32Shut up.
21:34And seats
21:35too short.
21:36Couldn't you jump?
21:3730 foot?
21:39I'm not in the
21:39parachute brigade.
21:41What's happening?
21:41The sheets are too short.
21:43They will have to go
21:44through the front door.
21:45But they will be
21:45questioned by the Germans.
21:48The Germans?
21:50Do not mention
21:51the Germans
21:52in front of my mother.
21:54It takes so long
21:55to clear up.
21:57There is only one answer.
21:59They will have to live
22:00disguised as Germans
22:01in German uniforms.
22:02German uniforms,
22:04she says.
22:04Where do we get
22:05German uniforms?
22:07Well,
22:07can your girls
22:08not help us?
22:11Well...
22:11Yvette,
22:13dear,
22:14sweet,
22:14innocent,
22:15little Yvette.
22:16Now,
22:17you know
22:17I would not ask
22:18this of you normally,
22:19but you will be
22:20doing it for France.
22:22I will be doing it
22:23for 1,000 francs.
22:26What about Maria?
22:28She'd do it
22:28for $7.50.
22:32You seem to be
22:33very much on edge
22:34here, Flick.
22:35Well,
22:36I have had a hard day.
22:38It is not easy
22:38being hated
22:39by so many people,
22:40you know.
22:42Not when you are
22:43as sensitive
22:43as I am.
22:44I think you're
22:45bearing up very well.
22:47Not as well
22:48as you.
22:52Does this
22:53relax you more?
22:54No.
22:56But I'm
22:57enjoying it.
23:01You're actually
23:02asking us
23:03to lend you
23:03our uniforms.
23:05Colonel,
23:05believe me,
23:06it is the only way
23:07to get the picture
23:08to England
23:08to have it copied.
23:09But, Colonel,
23:10if the Gestapo
23:11ever found out
23:11that we have been
23:12helping British Airmen
23:13to escape,
23:14do you not think
23:14that they would
23:15be cross?
23:17If they find out
23:20about the stolen
23:21painting,
23:22they will be cross.
23:23Look!
23:24Look.
23:24you will be
23:25upstairs with
23:26the girls
23:27and your uniforms
23:28will be quietly
23:29stolen.
23:30After a brief
23:31but very enjoyable
23:32interval,
23:33they will be
23:34returned to you.
23:35Now,
23:36what do you say,
23:36Colonel?
23:37Look,
23:37the girls
23:38are waiting.
23:38will there be
23:47time for the
23:47flying helmet
23:48and the wet
23:48celery?
23:51Just.
23:54I agree.
23:56What about you,
23:57Hans?
23:58Well,
23:58I am thinking
23:59about my little
24:00wife in Berlin.
24:01What about Maria
24:03and the egg whisk?
24:08I am thinking
24:09that Berlin
24:13is a very long
24:14way away.
24:16My wife is about
24:17the same size
24:18as Maria,
24:18height-wise.
24:24It is all fixed,
24:26but don't forget
24:26the boots.
24:27Boots?
24:28I shall
24:29fix it up
24:29for boots.
24:31their boots.
24:34Oh.
24:40Get out of your
24:40talks, chaps.
24:41Uniforms will be
24:41here any second.
24:42Oh, good show.
24:47What is happening?
24:49They are taking off
24:50their clothes,
24:50ready for their
24:51disguise.
24:52They must not
24:53remove their trousers
24:54in front of my
24:54mother.
24:59It is war.
25:01for I understand.
25:07I say,
25:08look at the
25:09crumpets.
25:11Get cracking,
25:12chaps.
25:12Do you think
25:13we've got time?
25:15Not then.
25:15The clothes.
25:16You French people,
25:26you have some
25:27very nice
25:28jewelry.
25:32I have a trinket
25:34that is much
25:35admired.
25:36Really?
25:39May I show it to you?
25:40If you must,
25:42yes.
25:46Ah,
25:47yes.
25:48It has a picture
25:49inside.
25:50Oh.
25:51Look.
25:52Ah,
25:53yes,
25:53what lovely
25:54long blonde hair.
25:56Yes,
25:57isn't it?
25:58Unfortunately,
25:59he had to have it
26:00cut off when he
26:00joined the army.
26:01Are they ready?
26:09Well,
26:10they are dressed,
26:10but they're not
26:11very realistic.
26:16Oh,
26:17my God.
26:20And they've
26:20forgotten the painting.
26:22The what?
26:23The fallen
26:23Madonna with the
26:24big boobies.
26:25I say,
26:27chaps,
26:27you've forgotten
26:28the picture.
26:29No,
26:29we haven't.
26:29We took it
26:30out of the frame.
26:31Where is it now?
26:36Oh,
26:37for heaven's sake,
26:38try to look
26:39more German.
26:40Right there.
26:47Good night,
26:47gentlemen.
26:48Come again soon.
26:49Give my love
26:50to the Fuhrer.
26:52Heil Hitler.
26:53Heil Hitler?
26:53Heil Hitler.
26:54Heil Hitler.
26:57Well,
26:58cheerio.
26:59Cheerio.
27:07Hans,
27:08there go
27:09our uniforms.
27:11They promised
27:11them back
27:12in 15 minutes.
27:13That was
27:1310 minutes ago.
27:15How quickly
27:15the war passes
27:16when you're
27:17enjoying yourself.
27:18a little bit
27:22a little bit
27:23of cockles.
27:27Oh.
27:28Hey!
27:30Hey!
27:31Woo!
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