- hace 3 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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CortometrajesTranscripción
00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
01:32¡Gracias!
01:36¡Gracias!
01:38¡Gracias!
01:40¡Gracias!
01:42¡Gracias!
01:44¡Gracias!
01:46¡Gracias!
01:48¡No!
01:50¡Eyde!
01:51¡What's your patrotism?
01:54¡Four cup coffee, sugar!
01:56¡Bas sake entire time!
01:57Oh, no, no, no...
01:58Mi nombre es 7-1-1-9. ¿Qué es yours?
02:03Oh, es tú también.
02:04No, nadie más.
02:06Este es Delaney's little boy, Eddie.
02:08En una de tus sueños.
02:10Billy, él está bien hoy en día.
02:14¿Por qué, señor? No sé qué decirte.
02:16¿Has realmente la voz con un beso?
02:18Más de eso, tú tienes la voz con un beso.
02:20Un muy bonito speech, señor.
02:23Mira, yo voy a tocar un disco para ti.
02:25Ok, lo que sea.
02:26Check it out. Anything at all.
02:28As long as it's Irish.
02:49Hey, you there.
02:51I'm looking for a fugitive.
02:53Huh?
02:53I'll give you a description.
02:54He's a young fellow about six foot tall
02:56wearing a brown suit and a stolen necktie.
02:58He has a fast line of foolish talk
03:00and a thirst for strong drink.
03:02Grinch, copper.
03:07There, now.
03:08Is your dad still the better man, or isn't he, huh?
03:11Purely accidental, Pop.
03:13My foot's lit.
03:14Sit down, son.
03:15Jabba, George, and keep your thumb on it.
03:18Well, tell me.
03:19What are you doing in this part of town here?
03:21You don't mean to say that you've finally got a case.
03:24Have I got a case?
03:25Oh.
03:27Well, come on, come on.
03:28What's on your mind?
03:29Are you going to tell me now,
03:30or do I have to take you over me knee, huh?
03:32Well, get ready for a surprise.
03:34Nothing you could do would surprise me.
03:36A little more respect, if you please.
03:38You happen to be looking at a lieutenant.
03:39What?
03:41Did they really let you in?
03:43Meet First Lieutenant Edward Delaney, United States Army.
03:46I got the official letter this morning,
03:47giving me three days to pack up my duds
03:49and kiss the girls goodbye.
03:50Well, well.
03:52Is it the proud father I am today?
03:55You know, I hope the Army will lack some sense
03:58in that head of yours.
03:59Though I can't see what possible use
04:01they'd have for a third-rate private detective.
04:04Is that so?
04:05Well, they want me to take charge
04:07of something called G2.
04:09That happens to be Army Intelligence,
04:10in case you don't know.
04:11G2?
04:12They'll have you doing KP inside of a week.
04:17Oh, say, Dad, have you got a nickel?
04:21Yeah, sure I have.
04:22Because I don't waste mine in jukeboxes.
04:27You know, if you've got such a case
04:28on that young girl's voice,
04:31why don't you get up gumption enough to meet her, huh?
04:33Ah, too much risk.
04:34I fell in love with a long-distance operator once.
04:37She turned out to be a retired lady wrestler.
04:41That's good.
04:42Well, I've got to be getting back to work.
04:44See that you get home early now.
04:46So long, Dad.
04:52Nice going, boys.
05:07Have any trouble?
05:07Nah, I was a sense.
05:08Like taking candy with my baby.
05:10You never knew any babies, huh?
05:11They sometimes can put up quite a squawk.
05:13So did these guys when we hijacked them.
05:14But a little technique, nothing too rough.
05:16Well, just like the old days, Marty.
05:18Come on.
05:28It's a copper.
05:30I thought that was taken care of.
05:31It was, Marty.
05:32Honest.
05:32He's down on the other end of the beat.
05:33This must be his serge.
05:38Let me do the talking.
05:48What's going on here?
05:54Oh, just a little business transaction, officer.
05:56I'm thinking of buying this old warehouse.
05:59Any objection?
06:02I thought you'd retired from business, Mr. Marty Clark.
06:08You know, I think I'll take a look at it.
06:12Any objections?
06:13Any objections?
06:13I don't know what could be keeping them.
06:34Those trucks should have been here an hour ago.
06:36Maybe the boys stop for a cup of coffee.
06:37For a quick one, Mr. Underwood.
06:39Ah, those drivers aren't that stupid.
06:41They wouldn't stop anywhere.
06:42Not with the kind of a load they're hauling.
06:43You want me to call the other warehouse again?
06:45You better ask.
06:55What happened?
06:56I don't know, Mr.
06:57I picked up these guys, sneaked out of a drugstore.
06:59They said you'd pay the fare to $1.65.
07:03There you are.
07:06Thanks.
07:12Well?
07:13One minute, we was driving along.
07:15Yeah, come on, come on.
07:18I can't remember.
07:19These men better get to a hospital.
07:21Take care of them, Joe.
07:23Well, I'm telling you, that's what happened.
07:25Yes, trucks and all.
07:27A fine partner you are.
07:29I took you in so we'd have some protection,
07:31and now the robber's gone.
07:32Listen, you must have ways of finding out.
07:37Unless, unless you already know what happened.
07:41This couldn't be the double cross, could it?
07:43Or could it?
07:46All right.
07:49How can I report the trucks missing?
07:52I'd have federal men checking on me in an hour.
07:54Remember, it's a federal offense to move tires,
07:56even your own tires, after they're frozen.
07:58Okay, see what you can do about it.
08:17Two truck drivers get slugged and then disappear?
08:20Call me back, then.
08:21Okay.
08:22Well, Bill?
08:23Now, take it easy, Eddie.
08:24I know everything you're going to say before you start.
08:26We don't like cop killers.
08:28And nobody's going to get away with that stuff in this town.
08:30Well, have you got a lead, anything at all?
08:32It's a little early yet.
08:33Just as a matter of routine,
08:34we rounded up about a half a dozen of the bad boys last night
08:36and gave them a going over.
08:38No, so far, no dice.
08:39Nothing else?
08:40Yes, there's one other thing.
08:42I received a report last night,
08:43the two truck drivers were slugged.
08:45I don't know how it all fits in,
08:47but after getting first aid at a drugstore,
08:49they beat her before the ambulance arrived.
08:50That sounds like the old days, 18th Amendment.
08:52These gang wars are tough.
08:53You see, Eddie, nobody had a grudge against your old man.
08:55He must have walked into something.
08:56Yeah, and when I get hold of the guy you walked into...
08:59Now, don't get hot-headed
08:59and start taking things into your own hands.
09:01Okay, okay, but I'm not going to sit still.
09:03Naturally.
09:04But maybe a private dick like you
09:06could uncover a lot of things that we wouldn't get.
09:08Now, let's work together on it, huh?
09:09Okay.
09:11Oh, wait a minute.
09:15These are the things from your dad's locker.
09:16I thought maybe you'd like to have them.
09:20Thanks, Bill.
09:20Come in, Lieutenant, or is it Captain by now?
09:40Sit down.
09:41Thanks.
09:42Business pretty quiet, huh, Marty?
09:45Oh, it's been nice and quiet until now.
09:47You ever read the papers?
09:48Oh, just the funnies.
09:49I'm crazy about Superman.
09:50Did you see him last week?
09:51There was a killing down on Front Street last night.
09:54What's that got to do with me?
09:56When they repealed the 18th Amendment,
09:57I went legit, you know that.
09:59Sure, I know it.
10:00You can't help it if some of the bad boys
10:02still hang out in your cafe, can you?
10:04Go on, what's the beef?
10:05Another thing happened.
10:07Two guys were beaten up and didn't wait for the ambulance
10:09or the police follow up.
10:10Now, they wouldn't be friends of yours, would they?
10:11Of course not.
10:13You don't know where they might be hiding out.
10:15Uh-huh.
10:16Who's supposed to be a safe doc in town now?
10:18I wouldn't know.
10:20Look, I'm running a nice, respectful business here,
10:22and I don't expect to be pushed around.
10:24What was pushing?
10:26All I want to do is have a nice little talk
10:28with the two guys who were beaten up, that's all.
10:30We'll pick him up someday.
10:32But in the meantime, Marty, if you're here, I...
10:33Oh, sure, sure, being legit,
10:35I don't mind giving the law and order a tip
10:36when I know anything.
10:38Only I, uh, I don't right now.
10:40I don't mind giving the law.
10:41Okay.
10:55Come inside, boys.
11:05Mr. Delaney, you keep strange office hours.
11:08Well, the, uh, joint's about closed up.
11:11So I see, so I see.
11:13My name is Underwood of John J. Underwood Distributors.
11:15Well, it's nice meeting you.
11:17Now, if you'll excuse me, I've got...
11:18Mr. Delaney, I've come to you on a very important matter.
11:21Important to you or to me?
11:22Well, to me mostly, but possibly also to you.
11:26Your name has been suggested to me as a private detective
11:28who, uh, knows his way around.
11:31I could probably find out who shot Lincoln.
11:35Now, look, Mr. Underwood, I've only got two days
11:37before I'm due to put on a uniform, and I...
11:39Well, two days might be time enough.
11:40The job I have in mind will pay, well, say, a thousand dollars.
11:45Why that kind of money?
11:47I have my reasons.
11:49This particular job is extremely confidential.
11:52So what?
11:54That's for the police.
11:55Oh, yes, perhaps.
11:57But I would like to put a private investigator on it,
11:59you understand?
12:00You see, last night, somebody slugged two of my drivers
12:03and stole the trucks.
12:08What was in the load?
12:10Load?
12:10Oh, the trucks were empty.
12:13All I want you to do is to find out who was behind the job.
12:16It's possible that I'm facing some sort of a trade war.
12:18You see, my competitors...
12:19Now, if this were 1930, and you were in the Alkey racket...
12:22I'm in the warehouse and trucking business.
12:23Sometimes I buy and sell job lots of furniture,
12:26automobile supplies, and so forth.
12:28Will you take the case?
12:33I might.
12:35Because there's just a chance that this case
12:37might have something to do with another one I'm working on.
12:40Save it, Mr. Underwood.
12:42All I want is a chance to talk to those two drivers.
12:45Where are they?
12:46They're in a little private hospital on Marlin Street.
12:50I thought it best to keep them undercover.
12:52Okay.
12:55I'll take a run up there.
12:58Tip them off, I'm coming.
13:00Just mention my name.
13:01¡Vamos!
13:31¡Vamos!
13:51¡Vamos!
13:52¡Suscríbete al canal!
13:56¡Es after our...¿What do you want?
13:58You got a couple of patients here Mr. Underwood sent me.
14:00Los dos autos no permiten a visitar.
14:02Esto es importante.
14:24Ahora tenemos Bessie.
14:26Este es para ti.
14:30Este es un saludo.
14:33¿Qué nos vio?
14:34¿Puedo escuchar?
14:35Sí.
14:37Este es para ti.
14:38¿Puedo escuchar?
14:39¿En qué?
14:40¿No quieres?
14:41¿Por qué está en el fútbol?
14:42No.
14:43No.
14:44Oye, por qué sí?
14:45Tan.
14:47¿Y de чер Andreas?
14:48No, no.
14:49No, no, no.
14:50No, no, que es un saludo.
14:51¿Adi?
14:52No, no, no.
14:53Cal.
14:54No, también.
14:55¿Cómo vas a ir a la buena modelo?
14:56No, pues escuchamos a la休zca.
14:57¿No está asistiendo?
14:58¿Cómo tecría?
14:59Estábamos en el barco.
15:00Te vamos a ir por hora de salir de la calle.
15:02Sí.
15:08Hola, Bill.
15:11No sé por qué me han dejado en los que se aceleró a estos dos.
15:15Pero aquí está.
15:16Los dos trucos se han cortado por un tiempo después de una hora de hacerle preguntarse a Marty Clark.
15:21¿Es que es el que está en el barco de la mojera hace años?
15:25Muy bien.
15:26Cuando la prohibición se entró, se estaba en el barco.
15:29Es que era un gancho que quedó su dinero pagado.
15:31Bien, ¿qué tiene que ver conmigo?
15:33Me ha parecido que todo lo que se ha hecho en este caso,
15:36el shooting de tu hombre, y todo eso,
15:37es de las páginas de 10 años atrás.
15:40Lo que es el tipo que Martí era muy bueno.
15:43Sí, pero...
15:44No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
15:58No, no, no, no, no, no, no, no, no, no, no, no.
16:01¿Qué otra vez lo ves?
16:02Aoriginal parte de Marty Clark.
16:03Dehería que me
16:26¿Qué pasa?
16:28No.
16:30¿Qué pasa?
16:32¿Puedo decirlo?
16:34¿Puedo decirlo?
16:50Just out of curiosity, ¿puedo decirle a Monty Clark?
16:54No es aquí, pero ahí está el mesa en el interior.
16:57La que está donde la Miss Muffet estaba.
17:07¿Cuál es tu teléfono?
17:10¿Dónde está el teléfono?
17:12En el lado.
17:15Gracias.
17:24No, no, no, no, no.
17:54It's the same guy that engineered what happened to your drivers this afternoon.
17:58Yes, yes.
17:59The name is Clark.
18:01Marty Clark.
18:02Operates the One Spot Cafe on West River Street.
18:05Marty Clark?
18:06That's right.
18:07And that cleans us up, Mr. Underwood.
18:09I'd like a check in the mail tomorrow.
18:17Marty Clark.
18:24Ain't you made a mistake?
18:27Now, don't get any ideas.
18:29You take what I hand over, see?
18:30If you don't like this payoff, maybe I'll have to get myself a couple of other boys.
18:34Hold it.
18:36Maybe we could work for somebody else.
18:38Maybe we had an offer recently.
18:39Yeah, maybe Mr. Marty Clark has forgot we was witness to the shooting of a cop the other night.
18:44Witness?
18:45Fewer accessories before, during, and after the fact.
18:48You can't talk, you can't quit, you can't get out of this until I say so.
18:52And I'm not going to say so.
18:54Now, take the dough.
18:55That's all you get.
18:56Okay, Marty.
18:57That's the way you want it to be?
18:59Mm-hmm.
19:00Yeah, that's the way I want it to be.
19:02What'll it be, boys?
19:17Same as usual?
19:18Yeah, make it double.
19:19Okay, Dizzy.
19:21Until I get an orchestra lined up, you just hang around here and mix with the customers.
19:34But remember, you're my girl.
19:36How does that sound?
19:38Sounds wonderful.
19:41Here you are, mister.
19:43Is that Marty Clark over there?
19:46Yes, sir.
19:46That's Marty Clark in person.
19:48In person, huh?
19:52Come on, let's dance.
19:53I want to show you off.
19:54Look, Mr. Underwood, I didn't say anything about coming down here.
20:04I think you said on the phone that our association was ended.
20:06I told you you'd have your check in the mail tomorrow.
20:06Your check's no good to me unless you're alive to sign it.
20:08Marty Clark's bad medicine.
20:09Oh, customers.
20:10I'll be right back.
20:10I'll be right back.
20:11Table of two, I'm alone.
20:32Thank you.
20:42Are you Marty Clark?
20:45I am.
20:46But I have a few minutes of your time.
20:47Well, this is a busy night.
20:48My card.
20:54John Jay Underwood, huh?
20:55Have you a place we can talk a little more privately?
20:58I said I was busy.
20:59This is a matter of business, very important business in regard to some auto tires.
21:04Well, I'll try and come back later, but I don't think you and I have any business to talk over, Mr. Underwood.
21:09Have a drink on the house.
21:20Hello there.
21:21We ought to know each other if you're going to be around.
21:23I'm Bonnie.
21:24Oh, yes.
21:25You're the, uh, checkroom girl.
21:27That's right.
21:28And you, you're Marty's new dish.
21:30I don't know what business that is of yours.
21:32Later on, after Marty gets an orchestra, you're going to play the accordion or sing or do card tricks.
21:38Meanwhile, you'll mix with the customers.
21:40That's Marty's routine.
21:41His work so often, he never has to change it.
21:43Hey, uh, honey, I was getting lonesome for you.
21:52Oh, why all the chill?
21:54Then I saw it just because I left you alone for a few minutes, are you?
21:58Come on, what you need is another dance.
21:59Number, please, office.
22:14Yes, we have a direct wire to about 37 night spots in town.
22:18Oh, yes, certainly, right away.
22:21Billy, it's a blackout.
22:22Something's going wrong with the air raid sirens, and they want us to notify everybody.
22:26A blackout?
22:27Oh.
22:30Blackout, everybody, turn off the lights.
22:33There's a blackout.
22:34Yes, they asked us to notify you.
22:35There's a blackout.
22:36Attention, please turn your lights out.
22:38What?
22:38What do you mean?
22:39The chief warden just called me.
22:40It's a blackout, everybody.
22:42It's a blackout.
22:42Blackout?
22:43Don't get excited.
22:44Hang it easy, folks.
22:46There's nothing to get excited about.
22:48You're safer here than you are out in the street.
22:50Now, just take your seats and stay calm.
22:52Oh, Louie, get those lights off.
22:53Okay, Marty.
22:54Hello, sister, you listening?
23:00Yes.
23:00Keep this thing grinding.
23:01Okay, here they come.
23:07Come on, baby, let's start them dancing.
23:24What is this?
23:28What's the matter with you?
23:29I guess it's just that I'm allergic to wolves.
23:34He's been shot.
23:35Whatever you want.
23:36He's been murdered.
23:37Let me get out of the car, Doc.
23:38Call the police.
23:39Who did it?
23:40Can't we have some lights?
23:43Stand back, everybody.
23:44Don't touch him.
23:45Help!
23:46Come on.
23:46Come on.
23:47Come on.
23:47Come on.
23:48Come on.
23:48Come on.
23:49Come on.
23:49Come on.
23:50Come on.
23:50Come on.
23:51Come on.
23:51Hey, Herman.
23:52Herman.
23:52Herman.
23:53There's no blackout.
23:54Turn down those lights.
23:55You took your time about getting here.
23:57What's going on down at the station?
23:58A pinochle game?
23:59Sorry, Lieutenant.
24:00We were held up.
24:01Somebody turned in a phony air raid alarm.
24:02Help!
24:03Police!
24:04Come on.
24:05Somebody shot the boss.
24:09All right, folks.
24:11Bring it up.
24:12Bring it up.
24:13Come on.
24:14Come on.
24:15Stand back, everybody.
24:16All go back to your tables.
24:17Riley, you watch the door.
24:24Three holes through his chest.
24:25You did a pretty good job, Delaney.
24:27Cut it out.
24:28That isn't funny.
24:29All right.
24:30I'm waiting.
24:31What happened?
24:32Well, somebody said there was a blackout.
24:33Yeah, it was a girl on the jukebox.
24:35You know, the voice with the smile.
24:36All the lights were turned out.
24:38Marty told everybody to take it easy,
24:39then started dancing with that girl over there.
24:42They had some kind of an argument and stopped dancing.
24:44She walked off the floor and left them.
24:46Somebody let them have it.
24:48Hey, wait a minute.
24:49Are you talking about me?
24:51We didn't have any argument.
24:53I'm just tired of dancing, that's all.
24:55And I'm tired of hanging around here.
24:57All right.
24:58If you're not tired, sister, sit down.
25:00Check on that jukebox angle later.
25:02See if the girl was in on it.
25:04But Linda wasn't.
25:05She couldn't.
25:06Linda wasn't.
25:07She couldn't.
25:08So that's her name, is it?
25:09Now look, Eddie.
25:10I'm not saying I blame you for this,
25:11but in the eyes of the Lord, it's still murder.
25:13I warned you before you came in here
25:14not to take the law in your own hands.
25:15I'm telling you again, I didn't rub him out.
25:17I was just an innocent bystander.
25:19Hey, Lieutenant.
25:20Look at what I found.
25:21Now we're getting somewhere.
25:23Check on this at headquarters.
25:25It's an S&W 6-34-3000.
25:28You don't have to check on it, Bill.
25:30That's my old man's gun.
25:31I'd like to thank the guy that shot Marty Clark with it.
25:34That's the way it should be.
25:35Don't give me that stuff.
25:36You're the only one who'd have your old man's gun.
25:38Why me?
25:39Because it was turned over to you along with the rest of that stuff,
25:41and you know it.
25:42I never opened that bundle you gave me.
25:44I don't see how.
25:45You better make it good.
25:46That bundle of my father's stuff is still in my office.
25:49Nobody could have got hold of it.
25:53Excuse me, Lieutenant.
25:54How much longer are you going to keep us here?
25:55Can't you just make the arrest and get it over with?
25:57I think you're right about that, mister.
25:59You can all go now, but leave your name and address at the door.
26:06All right, folks, come on.
26:07Let's go.
26:08Let's go.
26:09Come on.
26:11You're under arrest, Eddie.
26:13Are you out of your head?
26:14Anybody here could have done it.
26:16Come on, Eddie.
26:17I hate to do this trick.
26:20Now, don't try anything funny.
26:30Use some sense, Eddie.
26:31This won't get you anywhere.
26:47Let's go.
26:53Hello?
26:54Radio room?
26:55This is Lieutenant Decker, Detective Division.
26:57I want you to send out a general broadcast.
27:00Wanted for homicide.
27:02Edward Delaney.
27:03Height, six feet.
27:04Weighs about 160 pounds.
27:06How could I have been in on it?
27:07I haven't even met this Delaney.
27:09Have I, Billy?
27:10Sure.
27:11I mean, no.
27:14But he knows you.
27:15Only over the wire.
27:16On this kind of a job, you get to know people just by their voices.
27:19Sometimes we amuse ourselves by trying to figure out what kind of a person goes with a voice.
27:23Then you're willing to swear it wasn't Delaney that calls and ordered that phony blackout?
27:27Of course.
27:28It was an entirely different kind of voice.
27:30Well, you'd know it if you heard it again.
27:31I most certainly would.
27:33Okay.
27:34You can go back to your work.
27:35But remember, you're a material witness to this thing.
27:38You seem to be in the clear.
27:40We're keeping our eye on you, so don't try and leave town.
27:48Those cops can make you feel guilty just by looking at you.
27:57You'll end a ward?
28:15Why, I don't know.
28:17Uh, no.
28:18Out caught.
28:19Cut it out.
28:20This is official.
28:21All right, sister.
28:22What was that routine about a blackout?
28:24Do you want to talk or do you want to come down to headquarters with me?
28:28Come on, come on.
28:29What about it?
28:30Well, gee, mister, I...
28:33Wow!
28:35You sure gave him a bop in the gook.
28:38But he's wanted for murder, isn't he?
28:40Oh.
28:41All right, Mr. Delaney, stand up and no tricks.
28:44Linda, shall I call the cops?
28:47Linda?
28:49So you're Linda.
28:53A voice with a kiss.
28:56Say, you know, you got the face to go with it, too.
29:00Hey, did you bop me with this?
29:03I'm holding you for the police.
29:04Billy?
29:05Oh, come on, come on.
29:07I had nothing to do with that murder.
29:10But if I don't find out who did, I'm cooked.
29:12The policeman says they have a perfect case against you,
29:14and they seem to think we were accomplices.
29:16Oh, now, if you just...
29:17I guess this will prove we're not if we turn you over to them.
29:19Maybe there's a reward.
29:21Okay.
29:22Okay.
29:23Here's your lunch.
29:28Cut it out, will you, darling?
29:31Now, look.
29:32You're in this just as much as I am.
29:34Somebody used you to set that blackout, and they're trying to use me for a patsy.
29:36Gosh, I don't want to get mixed up in anything like this.
29:38Which are mixed up in it.
29:39Cops will probably come here again.
29:40Don't say anything about recognizing that voice.
29:41But I've already told the police.
29:42Oh.
29:43Well, don't say any more about it.
29:44If that killer finds out you'd recognize his voice, you'll really be on the spot.
29:45Oh, Eddie, what am I going to do?
29:46There, there, dream girl.
29:47I'm not going to do anything.
29:48I'm not going to do anything.
29:49I'm not going to do anything.
29:50I'm not going to do anything.
29:51I'm not going to do anything.
29:52I'm not going to do anything.
29:53I'm not going to do anything.
29:54Well, don't say any more about it.
29:56If that killer finds out you'd recognize his voice, you'll really be on the spot.
30:01Oh, Eddie, what am I going to do?
30:03There, there, dream girl.
30:09Just sit tight and trust Eddie.
30:11Where's the phone?
30:12It's in there, Mr. Delaney.
30:22Yes, yes.
30:23Mr. Underwood, this is Eddie Delaney.
30:25Delaney, where are you?
30:27How soon can you get out here?
30:2820 minutes, why?
30:29Listen, Delaney, I'd like to hire you to protect me as a, as a sort of a bodyguard.
30:33Bodyguard, eh?
30:35Well, I'm a little hot to appear in public just now, but I'd like to hear what you have to say.
30:39Be there in 20 minutes.
30:43Here goes for solving the quickest case of my career.
30:46See you later.
30:51See you later.
30:55I'll say this for him.
30:56He's different.
30:58And how he's different.
30:59Mr. Underwood?
31:17Hey, Mr. Underwood.
31:18John Underwood speaking.
31:19Oh, Mr. Underwood, you don't know me, but this is Bonnie, the hatchet girl at the spot.
31:23Yes?
31:24Listen, Mr. Underwood, I know who killed Marty Clark.
31:25I gotta get out of town and need a couple of hundred dollars.
31:27My dear young lady, you'll have to be more definite than that.
31:33Listen to me, you don't know what a spot you're in.
31:34Where are you?
31:39Why can I call you back?
31:40Well, can't I come to your place and talk to you?
31:41I don't know.
31:42I don't know.
31:43Well, I don't know what a spot you're in.
31:45I don't know.
31:46What a spot you're in!
31:48Where are you?
31:49Where can I call you back?
31:50Well, can I come to your place and talk to you?
31:51Huh, I don't know.
31:52You're over here.
31:53Where is it?
31:54Some people have a lot to help?
31:55¿Puedo venir a tu lugar y hablar con ti?
31:56Está un poco más raro ahora.
31:59No me ha gustado nada.
32:00No me ha gustado nada.
32:01No importa ahora.
32:03Ven a buscar la casa, chicos.
32:04Raleigh, te vayas conmigo.
32:11Ahí está.
32:19¿Hola? ¿Quién es esto?
32:21¿Sabes quién es, señor Underwood? ¿Estás me distraído?
32:25This is the police.
32:29She was talking to somebody.
32:31Somebody in here.
32:32I'll call the coroner.
32:33You look around the garden.
32:45Well, good night, honey.
32:47¿Sure you'll be all right?
32:49Yes, I guess so.
32:50Sure.
32:51I wish I could stay with you.
32:52But, you know, Ma, she'd be sure I was up to something.
32:55Never mind.
32:56Thanks, Billy.
32:57Good night.
32:58Good night.
32:58Good night.
33:26No te preocupes.
33:29No te preocupes.
33:31No te preocupes si eres inteligente.
33:33Pero tienes que prepararte y salir de la ciudad.
33:36No es una cosa que digo.
33:38No te preocupes.
33:39Sal a la ciudad y salir de la ciudad.
33:41Tu voz.
33:42Tu eres quien...
33:43Oh, tienes que recordar mi voz, ¿eh?
33:46Eso es algo más.
33:56Linda, ¿estás a casa?
34:02Linda, wake up!
34:06Linda!
34:09Linda!
34:11Linda!
34:12Linda!
34:14Linda!
34:16Linda!
34:18Linda!
34:20Linda!
34:22Oh, Eddie.
34:24Oh, Eddie.
34:25Out of the window.
34:40It wasn't a nightmare, was it?
34:41There was a man.
34:42There was no nightmare.
34:44There are marks where he jimmied the window.
34:46And I thought you were the killer.
34:48Well, never mind what you thought.
34:50We're both in the same boat now.
34:52You and I are the two people the killer's got to worry about.
34:55That means we've got to get him before he gets us.
34:57Look at you.
34:59What happened?
35:01Oh, I walked into a little trouble at Underwoods.
35:04He's dead.
35:06But I got a tip that may help.
35:07Oh, Eddie, I'm scared.
35:09Don't be scared, honey.
35:11I'll practice my guard duty for you tonight.
35:13Hey, uh...
35:16Have you got a cup of coffee on you?
35:18Oh, sure.
35:19I'll get it right away.
35:34You take cream and sugar.
35:36I mean.
35:53Oh, dear.
35:55Okay, go ahead.
35:57¡Suscríbete al canal!
36:27¡Suscríbete al canal!
36:57¡Suscríbete al canal!
37:29¡Suscríbete al canal!
37:31¿Can I make a phone call first?
37:32¡Sure!
37:33¡Suscríbete al canal!
37:35¡Suscríbete al canal!
37:37¡Suscríbete al canal!
37:39¡Suscríbete al canal!
37:41¡Suscríbete al canal!
37:45¡Suscríbete al canal!
37:47¡Suscríbete al canal!
37:49¡Suscríbete al canal!
37:51¡Suscríbete al canal!
37:53¡Suscríbete al canal!
37:55¡Suscríbete al canal!
37:57¡Suscríbete al canal!
37:59¡Suscríbete al canal!
38:01¡Suscríbete al canal!
38:03¡Suscríbete al canal!
38:05¡Suscríbete al canal!
38:07¡Suscríbete al canal!
38:11¡Suscríbete al canal!
38:12¡Suscríbete al canal!
38:13¡Suscríbete al canal!
38:14¡Suscríbete al canal!
38:15¡Suscríbete al canal!
38:16¡Suscríbete al canal!
38:17¡Suscríbete al canal!
38:18¡Suscríbete al canal!
38:19¡Suscríbete al canal!
38:20¡Suscríbete al canal!
38:21¡Suscríbete al canal!
38:22¡Suscríbete al canal!
38:23¡Suscríbete al canal!
38:24¡Suscríbete al canal!
38:25¡Suscríbete al canal!
38:26¡Suscríbete al canal!
38:27¡Suscríbete al canal!
38:28¡Suscríbete al canal!
38:29¡Suscríbete al canal!
38:30¡Suscríbete al canal!
38:31Y ahora para la bonita bonita.
38:37Voy a ir con usted.
38:39Espera un minuto.
38:40Alguien va a estar mirando en su casa.
38:42Puede que le llamara a la persona.
38:47Sí?
38:48Hola, este es Eddie Delaney.
38:50¿Puedo hablar?
38:51¿Puedo hablar?
38:52He estado tratando de encontrarme por horas.
38:53Mr. Delaney, ¿puedo ser worth $200 para usted
38:56saber quién mató Martí Clark?
38:58La respuesta es sí.
38:59No, no te vayas.
39:01Pero voy a tratar de salir.
39:03Me voy a ir en el de la biblioteca en 15 minutos.
39:0615 minutos.
39:09Bueno, es todo seguro si tuviera $200.
39:12Me preocupa, señor.
39:13No, no, no.
39:14Se va a tener una cuenta.
39:16Espera aquí y mantenga la puerta.
39:19Espera un minuto.
39:21No estoy esperando.
39:23Eddie Delaney, no puedes ir a la calle en la calle.
39:26Hay una alarma para ti.
39:28No, no.
39:29Bueno, tengo que tomar esa oportunidad.
39:30Tengo que tomar las oportunidades.
39:31Tengo una oportunidad.
39:32Tengo una idea.
39:34Hay una idea.
39:37Sí, de las personas.
39:38Si quieres ser una parada de la calle,
39:40hazlo en la calle.
39:42Seguirlo.
39:43Hay un hijo de la calle en este lado.
39:45¡Ahí está!
40:07Hola, Bonnie.
40:12¡Eddie!
40:16¡Gracias!
40:25¡Eddie!
40:26No, no, no, no, no, no, no.
40:27¿Qué vamos a hacer?
40:29La ley dice que la gente tiene que reportar a dead body a la policía.
40:32¡Dale va a encontrar pronto.
40:34¡Gracias!
40:35¡Muchas gracias!
40:36¡Muchas gracias!
40:37¡Muchas gracias!
40:38¡Muchas gracias!
40:39¡Muchas gracias!
40:40¡Muchas gracias!
40:41¡Muchas gracias!
40:42¡Muchas gracias!
40:43¡Muchas gracias!
40:44¡Muchas gracias!
40:45¡Muchas gracias!
40:46¡Muchas gracias!
40:47¡Muchas gracias!
40:48¡Muchas gracias!
40:49¡Muchas gracias!
40:50¡Muchas gracias!
40:51¡Muchas gracias!
40:52¡Muchas gracias!
40:54¡Muchas gracias!
41:03¡Muchas gracias!
41:04Esto es todo.
41:05¡Muchas gracias!
41:06¿Está bien conmigo conmigo?
41:08No, no puedo.
41:10Ok, entonces, a la policía.
41:12No te preocupa que no hay nadie.
41:14Tal vez.
41:16Pero no te olvides que tengo una comisión en el ejército.
41:18Uncle Sam no te va a tomarme si estoy en un muerto en un muerto.
41:21¿Murerto?
41:22Tres muertos.
41:23Entonces, tienes que romper el caso, en spite de todo.
41:25Y yo estoy contigo hasta que lo hagas.
41:27¿Qué es lo siguiente en el programa?
41:30Bueno...
41:32El único que me ha dejado, para nosotros, es trabajar con los chicos de Marty Clark.
41:38¡Eddie Delaney!
41:39A veces me preguntan quién es el detective.
41:41¿Puedes ir a la policía de la policía en el café?
41:44Sí, pero...
41:45Pero nada.
41:46Solo a ver.
41:54¿Qué es el nombre de Clark's henchman?
41:56¿Qué?
41:57El único que me conoce es Dizzy, un gran cabello con un cabello.
42:00Dizzy.
42:01Dizzy.
42:02Ok, Mr. Delaney, I'll show you how it's done.
42:23Your number, please.
42:24Billy, listen.
42:25I won't be able to get in tonight.
42:27Can you carry on?
42:28Why, sure, honey.
42:29What are you up to?
42:30Are you romancing?
42:31Yes, in reverse.
42:33Thanks a lot.
42:34Play a record.
42:38So long, Dizzy.
42:39I'll see you later.
42:44Could I trouble you for a match?
42:46Why, sure, sister.
42:50No trouble at all.
42:51Hey, you're new around here, ain't you?
42:53I just got in town.
42:54Is this place always this quiet?
42:56I, uh, made a little fracas in here last night.
42:59Some bad publicity.
43:00If you're wanting to do it at town, I know some gay spots.
43:03Oh, I don't usually go out with strange men, but...
43:06I'm a dependable type.
43:07Let's go.
43:08Well, there's a catch to it.
43:09We'll have to go in my car and I have a flat tire.
43:12Listen, well, I don't know about tire.
43:14I'll change it for you.
43:31Well, where's that flat tire, baby?
43:33Oh, it's right behind you.
43:34Hey!
43:35What are you doing?
43:36What...
43:37What are you giving me?
43:38What are you doing?
43:40Stop talking, Dizzy.
43:43Why should I talk?
43:45Why's he got sorry to you, Mr. Wiseguy?
43:47I got enough authority to take you down to the federal building.
43:49The government just commissioned me and a...
43:51Are you a fed?
43:52Wait a minute.
43:53Let me make a deal.
43:56I thought I seen you down at the spot.
43:59I told the boys you guys would come snooping around.
44:02What are you going to hold me for?
44:04For the murder of Marty Clark, maybe.
44:05I had nothing to do with that.
44:07I was Marty's friend.
44:10Wait a minute.
44:11You ain't fooling me.
44:12You guys ain't interested in a little two-bit murder case.
44:15How about making that deal?
44:16I'll sing.
44:17I'll sing plenty.
44:19All I ask is a chance to get out of town.
44:21Go ahead and sing.
44:22Dead rubber.
44:23Those frozen tires at John J. Underwood's.
44:25It's all down in that old brewery on Front Street
44:27where that cop got dumped.
44:29How do you know?
44:30How do I know?
44:31What was there?
44:42No matter what you say, I'm not going to let you go to that place alone.
44:45Do we have to go through that again?
44:47There's no danger and you can't help me.
44:49You'll only be in the way.
44:50Look, honey.
44:51If I see one thing out of line, I'll call the cops quick.
44:54Will you promise to do that?
44:55Sure.
44:56No.
44:57Pull up by that drug store and let me take the car.
45:07Look, honey.
45:08Stay right here until I come for you.
45:09Have a soda or something.
45:11Whatever you do, stay under the bright lights.
45:13I'm sorry.
45:31Police headquarters, please.
45:32Detective Division.
45:33Lieutenant Decker speaking.
45:34Yeah?
45:35What?
45:36And he's gone down to that place on Front Street alone.
45:37I'm frightened, Lieutenant.
45:38Well, you have every right to be.
45:39Delaney's crazy if you think he can crack this thing alone.
45:40That voice.
45:41Oh, Eddie.
45:42Oh, Eddie!
45:43Hexing!
45:44I don't know.
45:45I'm not sure if you're dead, but...
45:48Oh, Eddie!
45:49Hexing!
45:50Oh, Eddie!
45:51Don't you?
45:52Hexing!
45:53I'm afraid.
45:54You're afraid, Lieutenant.
45:55I'm afraid.
45:56I'm afraid.
45:57You're afraid, Lieutenant.
45:58Well, you have every right to be.
45:59Delaney's crazy if he thinks he can crack this thing alone.
46:02That voice.
46:03Oh, Eddie!
46:04Eddie!
46:05Pantsy!
46:06Pantsy!
46:07Pantsy!
46:09Pantsy!
46:10That voice!
46:11¡Gracias!
46:41¡Gracias!
46:43¡Gracias!
47:13¡Suscríbete al canal!
47:43¡Suscríbete al canal!
48:13¡Suscríbete al canal!
48:15¡Suscríbete al canal!
48:17¡Suscríbete al canal!
48:19¡Suscríbete al canal!
48:21¡Suscríbete al canal!
48:23¡Suscríbete al canal!
48:25¡Suscríbete al canal!
48:27¡Suscríbete al canal!
48:29¡Suscríbete al canal!
48:31¡Suscríbete al canal!
48:33¡Suscríbete al canal!
48:35¡Suscríbete al canal!
48:37¡Suscríbete al canal!
48:39¡Suscríbete al canal!
48:41¡Suscríbete al canal!
48:43¡Suscríbete al canal!
48:45¡Gracias!
48:47¡Suscríbete al canal!
48:53¡Suscríbete al canal!
48:55¡Suscríbete al canal!
49:25¡Suscríbete al canal!
49:55¡Suscríbete al canal!
50:25¡Suscríbete al canal!
50:55¡Suscríbete al canal!
51:25¡Suscríbete al canal!
51:27¡Suscríbete al canal!
51:29¡Suscríbete al canal!
51:43Flash your light up there.
51:48All right, take them away.
51:56Seven arrested.
51:57Credit for the breaking of the case was given by police and federal agents to E.J. Delaney,
52:02local private detective, now a commissioned officer in the United States Army,
52:06who at the same time avenged the gangland murder of his father, Timothy Delaney,
52:11veteran police officer, killed Thursday.
52:16Number, please.
52:19Play no one else but you.
52:20Thank you.
52:22What?
52:25Wow!
52:26Get a load of the man.
52:28If you're going to see me off, we'd better get going.
52:29My train leaves in 20 minutes, and I've got to pick up my uniform.
52:32What?
52:33Ain't she going?
52:34I mean, you're going to let him get away?
52:36Well, we talked the whole thing over and decided to wait.
52:39Eddie thought it would tie me down to have a husband in the service.
52:42Hey, it was you.
52:44Linda thought it would be too much responsibility for me to face a new job with a wife waiting back home.
52:49Well, of all the dopes, you thought, she thought.
52:53This is no time to put a romance like yours in cold storage.
52:57Go on, go with them.
52:59There must be a preacher in Washington.
53:02What do you say, Linda?
53:03It's a military secret, but I'll tell you on the train.
53:06Well, come on, then.
53:08Bye, Billy.
53:09Goodbye, honey.
53:10Goodbye.
53:14Your number, please.
53:16Listen, sister, I dropped in a nickel, and I want to hear down Mexico way.
53:19Oh, yeah?
53:20Well, never mind what you want.
53:21You're going to hear the wedding march.
53:23Shh.
53:23You're going to hear the wedding march.
53:39¡Gracias!
54:09¡Gracias!
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