- hace 11 horas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
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SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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CortometrajesTranscripción
00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
02:00¡Gracias!
02:30¡Gracias!
02:32¡Gracias!
02:34¿Dónde se encuentran el templo de Josephine?
02:47En el T.
02:53¿Dónde está el templo?
02:55¿No se puede hacer algo así?
02:57¿Por qué no se puede hacer un tránsito?
02:59¿Puedo dar un colector un look a la matrimonía?
03:01Por supuesto, por lo que tú eres tan curioso.
03:06¿A ti es Miss Campbell?
03:08Sí.
03:09Estamos sentados aquí a un hotel de escorchidio.
03:11¿Por? ¿Por Dr. King?
03:12A su solicitud.
03:14¿Por qué? ¿Por qué se te apoya a por?
03:17¿Alguien va a pagar mucho dinero para esto?
03:21Real dinero, espero.
03:23No, Gloria.
03:24Seguimos a pagar todo el mismo tiempo, en la income taxa.
03:28I'm from Rowan and Company.
03:29Si te apoya a por, si nos permiten a pagar todo el mismo tiempo, en la income taxa.
03:33No, no.
03:34I've made arrangements to sell it to Dr. Kirk.
03:36Don't accept this offer.
03:37It's not enough.
03:38For the fold that are at Temple, I assure you, it's a fortune.
03:41But we could get you much more.
03:43Well, keep your card.
03:44If the sale should fall, do our loan signing.
03:46Thank you.
03:47I hope we're here for 100 the record.
03:48How about a picture?
03:49Can we have a picture, Miss Campbell?
03:50Well, it's very flattering, so I'm not important enough to...
03:53Thanks, Miss Campbell.
03:57Oh, pardon me.
04:00Is that Mary Townsend?
04:01No, sir, that's Miss Temple.
04:03Miss Townsend left the ship to Panama.
04:07Well, that's where it leaves me.
04:08Oh, the bag.
04:09Well, I mean the bouquet.
04:11Hey, Porter.
04:13Want these for your girl?
04:14So sorry.
04:25My name isn't so good as it used to be.
04:26Quite all right.
04:27Maybe with a little practice.
04:29Hey, you.
04:29What are you trying to pull?
04:30Hello, Mr. Queen.
04:31Hello.
04:32Did your father get you on the reception committee?
04:34Somebody should take the blame.
04:35Sit right there, Mr. Queen.
04:37Do you mind?
04:38I've never been photographed officially.
04:39What?
04:39They usually want a tall, dark door.
04:45Here.
04:48Thank you a lot, Mr. Queen.
04:50Thank you.
04:51Have I ever wanted to go to the detective story?
04:53Yes.
04:54Have you read them?
04:55I read one.
04:56How interesting.
04:57Not very.
04:58Yes.
04:58Yes.
04:59Thank you, boys.
05:10I'll carry on.
05:12You always do.
05:14Would you rather have me opposite or next to you at dinner?
05:16I won't need for dinner, Jim.
05:17I couldn't eat up for breakfast if I had a little encouragement.
05:29That's a lot to ask, Mr. May.
05:32Then it's a date.
05:33Oh, Miss Temple.
05:34Dr. Kirk made a reservation for you.
05:36Oh, thanks.
05:38Well, I shall help Miss Temple to call me ever.
05:40Goodbye, and thank you.
05:42Thank you.
05:42Thank you.
05:47I'll take it, Mason.
06:16Very good, Miss Irene.
06:20Yes?
06:23All right.
06:24I'll tell him.
06:31Somebody must have talked.
06:33All this publicity may spoil the deal.
06:35I hope it does.
06:36You shouldn't.
06:37This will mean a lot to you and Irene.
06:39Yes, a lot of grief.
06:40The Chinese Mandarin is worth twice what I'm paying for.
06:44Well, Miss Temple's here.
06:46You better tell her that.
06:48Maybe she'll take more.
06:49Mason.
06:51Yes, sir?
06:52Go to Miss Temple's suite.
06:53Ask her to come in.
06:54Yes, sir.
06:55Ask her to leave us enough money to buy a meal in our old age.
06:59Why can't I convince you that this is a better investment than stocks and bonds?
07:04Someday you'll find me.
07:05We'll thank you right now if you'll give us a decent allowance.
07:07I'm protecting you from your old extravagance.
07:12And from fortune numbers.
07:13Could he possibly mean me?
07:14Oh, don't mind him, darling.
07:16We're glad to see him.
07:17Oh, you count himself an insurance man?
07:19I'll get rid of him either.
07:20Certainly not when I'm working on my best prospect.
07:23You haven't got anything better to do at the moment.
07:25Let's get married, huh?
07:26Donald.
07:27You want to take a chance?
07:28Do I?
07:29Planning to live on Irene's money, I presume?
07:31Wrong again.
07:32I'm about to close a deal that will net me $10,000.
07:35Donald, where did you get that much money?
07:37He hasn't got $10,000 yet.
07:38I'll get it.
07:39All I have to do is say the word.
07:41I suppose you'll try to prevent Irene marrying him now.
07:44I will prevent him.
07:45As long as I'm a guardian, she'll do as I say.
07:47Then I'll run away.
07:48You won't have to.
07:50I'm going to court and demand that Uncle Alex's guardianship be set aside.
07:53That's ridiculous.
07:54As long as I can prove that I'm investing your estate legitimately, and I can, the courts
08:00will not interfere with my trusteeship.
08:02We'll see about that.
08:04I'll find a way.
08:13I've tried, Mason.
08:15They don't want to understand me.
08:18Take that stuff away!
08:20Miss Temple's compliment, sir.
08:21She has a bit of tidying up and we'll be with you presently.
08:24What does she want to mess up for?
08:27Oh, well, I...
08:28Get me that album from the safe.
08:31Very good, sir.
08:31I'll see you then.
08:36I'll see you then.
08:38I'll see you then.
08:39¡Gracias!
09:09capital
09:15¿ G-es?
09:16mary
09:17Jesus, Mr. mark
09:18I said this is the manager
09:20Our guests are complaining they can't see you clearly
09:22Will you please run up of your shades
09:24Your voice is very familiar
09:27But I can't face your manners
09:29Are you that, young man?
09:31uh huh
09:32How about that dinner
09:33Are you trying to break our breakfast day?
09:34No, just hurrying it up
09:37Why don't you say yes
09:38Este va a ser el siguiente número.
09:39Hey, hay un hombre en tu habitación.
09:41He told me the radio.
09:42Voy a turnar el radio.
09:53Hola.
09:54Oh, estaba listo para despedirme.
09:57Entonces voy a dejarlo así que se puede hacer con esto.
09:59Oh, en segundo lugar, no puedo.
10:00Yo soy el único hijo de father.
10:02¿Cómo se siente sobre eso?
10:04Voy a hablar para él mismo.
10:06Speak to the governor.
10:07Ms. Temple, Inspector Queen.
10:12Pleased to meet you, Ms. Temple.
10:13How do you do, Inspector?
10:14I've heard a lot about you.
10:16Lies, my dear lady, all lies.
10:19Just a nice voice.
10:20Say, what am I getting, an audition?
10:23No, don't get nervous.
10:25This is only an invitation to breakfast.
10:26I can't go.
10:27I've lost my gloves.
10:30I'll find them for you.
10:31That should keep you busy until morning.
10:33Goodbye.
10:34Oh, paddle-oom.
10:37I'll find you.
10:38I'm coming.
10:41I'll find you.
10:55You can't go.
10:55I'll find you.
10:56I'll find you.
10:56I'll find you.
10:56I'm coming.
10:57Gracias.
10:58Gracias.
10:59Gracias.
11:00Thank you.
11:01You're welcome.
11:02Thank you.
11:03You're welcome.
11:04Thank you.
11:05You're welcome.
11:30Thank you.
12:00I want the manager.
12:01Hurry, please.
12:02Telephone, Mr. Mellish.
12:03Yes?
12:04Yes, this is the manager.
12:05Impossible.
12:06Nobody commits robbery in my hotel.
12:07They do?
12:08I'll be right up.
12:09Get the police.
12:10Tell them not to tell them then.
12:11I told you I wouldn't be there.
12:12No.
12:13No.
12:14No.
12:15No.
12:16No.
12:17No.
12:18No.
12:19No.
12:20No.
12:21No.
12:22No.
12:23No.
12:24No.
12:25No.
12:26No.
12:27No.
12:28Then you must be able to tell them then.
12:29I told you I wouldn't be gone.
12:30It's been worth waiting for us.
12:31Can I get?
12:32Mmhmm.
12:33Hi, Miss Campbell.
12:34What will I find Dr. Kirk?
12:35In his staff room.
12:36You may go through the library.
12:37Thank you.
12:38Oh, this is terrible, Miss Kirk.
12:39Now, who'd steal that opinion?
12:40What's that?
12:41A Miss Mandgle in a Chinese temple.
12:42The Chinese Mandgle?
12:43Oh, and in my hotel revolving so particular, never a breath of scandal.
12:47Oh, this is terrible, Ms. Kirk.
12:49Now, who'd steal that stand?
12:50What stand?
12:51The Miss Mandela in a Chinese temple.
12:53The Chinese Mandela?
12:54Oh, and in my hotel revolver's been so particular.
12:56Never a breath of stand.
12:57I'm going to tell Dr. Kirk.
13:00So that's why the young lady was all in a dinner.
13:11I beg your pardon.
13:13I'm Inspector Queen.
13:14Where's Dr. Kirk?
13:15In his sample, I think.
13:16I'd rather you didn't leave just yet.
13:18Oh, and Martha Kirk.
13:19That's just fine, but everyone stays here until I'm through.
13:22Oh, really?
13:31What's happened?
13:32Oh, more trouble about that silly stand.
13:34It's been stolen.
13:37I hope they can find us.
13:39Where are you going?
13:40Well, I've got to find Fifi.
13:41I must be going.
13:42Just a minute.
13:43Who are you?
13:43Well, I'm not a...
13:44I didn't ask you who you're not.
13:46Who are you?
13:47I'm a suspect.
13:48No, no, no.
13:49I'm not a suspect.
13:50I'm the manager of the hotel, Mr. Mellish.
13:54Oh, dear.
13:59Donald, are you absolutely sure of getting that $10,000?
14:03It's a cinch unless the chap drops dead.
14:05We're waiting for you.
14:12Yeah, you too.
14:13Oh.
14:15Come on, come on.
14:17It's always about the Chinese Mandarin being stored.
14:19Yes, yes.
14:20We must find it.
14:21It's the most valuable stamp in the world.
14:23Look, such things don't happen in my hotel.
14:25I make rules.
14:26Think what it means to poor Miss Temple.
14:28Well, she was counting on my $50,000.
14:31$50,000?
14:32Not a cent.
14:33Not if she shews me for $100,000.
14:36Perhaps she will.
14:37Maybe she changed her mind about letting my Uncle Herbert at such a bargain.
14:41Where is she?
14:41Where is Miss Temple?
14:42I thought she was with you.
14:43I told her to go through the library.
14:46I haven't seen her.
14:47Pull out this door.
14:59It's locked from the other side.
15:09Open the door.
15:10She can't hear you.
15:11This room is soundproof.
15:12Is there another door?
15:13Yes, in the hall.
15:14Open it, Irene.
15:15Bring the girl in.
15:15Let's get to the bottom of this.
15:17Yes, let's.
15:29Inspector Queen, come at once.
15:42What's the matter?
15:43What's he doing?
15:44You say he's posing for a picture.
15:46Oh, but then what is it?
15:47I call that murder.
15:48Impossible.
15:51Don't leave the apartment, any of them.
15:53Get the homicide squad.
15:54Yes, sir.
15:55That's wrong.
15:59Who is it?
16:00That's what I was about to ask you.
16:03How did he get in here?
16:05Don't you know?
16:06I haven't left the staff room since lunchtime.
16:09I haven't seen anyone except my nieces.
16:14And that young man.
16:15Friend of yours?
16:16Friend of yours?
16:20I never saw him before.
16:23Killer must have used the holder to get away.
16:25I suppose so.
16:26Why is this coat on backwards?
16:29That's what I want to find out.
16:31Wait a minute.
16:32The Mandarin on the stamp.
16:34His clothes were on backwards.
16:36That's why the issue was suppressed.
16:38The stamp's at the bottom of this.
16:40Where's that girl, anyway?
16:41Maybe she went back to her room.
16:43Sent for the boys and the policewoman.
16:45You better put him to bed.
16:46Not in my hotel.
16:48I have to ask you to leave, doctor.
16:50Lock the door and don't let anyone in here.
16:52The boys show up.
16:53Yes, sir.
16:55There's something mysterious going on here.
16:58That man is dead.
16:59Don't jump at conclusions.
17:03I can't keep catching you.
17:05I got work to do.
17:08It's about time you showed up.
17:11How did you get in here?
17:13I came in with the other essentials.
17:15What?
17:15The baggage.
17:16I never call a chonka-chonka.
17:17Once I called a grip a bag,
17:19but I never miss calling a date a date.
17:21How much would you take to go away?
17:23And forget you?
17:25I used to get a dime from my sister to go away,
17:27but I charge more for forgetting
17:28because it's harder to do.
17:33Here.
17:33What do I get for these?
17:35What do you want?
17:36I'll settle for a dinner.
17:41All right.
17:42If you'll take me to Roland Company first.
17:45It's a deal.
17:47That makes a swell background for an orchid.
17:56I, uh...
17:57I never wear them except for breakfast.
18:00I'll remember that.
18:01I'll be with you in a minute.
18:02Come in.
18:18Hi, Dad.
18:19You always chase every girl I like.
18:22What are you doing here?
18:23Waiting for Miss Temple.
18:24Where is she?
18:25Don't bear cutting in.
18:26I saw her first.
18:28I haven't got any time for your night since now.
18:30That goes next door.
18:36Father.
18:37Is that nice?
18:38What?
18:39Picking into a lady's bathroom.
18:40She's not in there.
18:54How do you know?
18:56You're not blushing.
18:57And I'm not kidding.
18:58Then what's all the shooting for?
19:00That's what I'm going to find out.
19:02There's been a murder.
19:03Ouch.
19:03I came over here to look for a stamp and find a 14-carat homicide.
19:09Don't ask me to help.
19:10I don't want to make history.
19:12I just want to make love.
19:13I'm not asking.
19:14This is a man-sized job.
19:16A policeman's.
19:17Ah, then you don't need brains.
19:19Ah, go take a bath.
19:21Ah, you've got something there.
19:25You can come out now.
19:27He's gone.
19:33What's he busy?
19:40Looking for a stolen stamp?
19:41A murder in you?
19:43Why is he looking for me?
19:44I have my stamp and I don't know anything about a murder.
19:48Stop me if I'm wrong, but weren't you just hiding from my father?
19:51I never met him.
19:52Well, he's just crazy to meet you.
19:54Stop trying to be funny.
19:56This is no joking matter to me.
19:59Is it that important?
20:00If you faced poverty all your life, and suddenly found you had a fortune in your head, you'd
20:06think it important, wouldn't you?
20:08My mother told me, quote, money isn't everything, unquote.
20:15To my mother and dad, it means coming back to the state.
20:18Home, peace, security for the rest of their lives.
20:21And it all depends on one little cent.
20:23Yes, and I'm going to sell.
20:25Is your invitation still home?
20:27Sure.
20:28Then get me out of here quickly.
20:29I must go to Rowan in company.
20:50I'll bet you could use a little help.
20:52Would you?
20:53Lady, you have big blue eyes and soft brown hair.
20:56In other words, you're my plot.
20:59That's my call to arms.
21:01I'll run up to Kirk, slip around, and bingo, solve the mystery.
21:04Easy is that?
21:06Easier.
21:06For you.
21:16Yes?
21:17Open in the name of the law.
21:18This is no time for games.
21:21It's in either case.
21:22Shh, Pop, I know.
21:24Somebody told me.
21:27Goodness, Pop, how did that happen?
21:29Don't call me Pop.
21:30And don't come barging in here getting under people's feet.
21:33This story's for the police record.
21:34It's not a publisher.
21:36All right, boys, take your body down.
21:38He's not as big a man as his father.
21:40But your son did inherit his brains, and I do make money.
21:43Grab it your way.
21:45How'd he get in here?
21:46You tell me.
21:47Nobody else will.
21:48The two spheres.
21:50They're to hold the dead body erect.
21:52Hard and idea.
21:52Yes, but what for?
21:54For...
21:54Well, we won't go into that.
21:56In other words, you don't know.
21:57In one word, yes.
21:58Oh, the coat on backwards.
22:02Say, he couldn't have done that himself.
22:04Did you ever try to put a coat on backwards and button it?
22:07That backwards business means something.
22:09Now it comes out.
22:12The killer was trying to give the impression of great strength.
22:15Joey handles a heavy body, easily undressing it, and dressing it backwards.
22:18A woman might have done that, thinking we wouldn't believe she had strength enough to do it.
22:22Oh, no, no.
22:23Oh, yes, yes.
22:24That's why I'm going to chat with you on this temple.
22:26Just wasting your time.
22:28Yeah, it's so simple, it is a waste of time.
22:31The fellow trails the girl here, snatches the stamp, and she bumps him off to get it back again.
22:35Too easy, Dad.
22:36This is a hard one.
22:37Oh, you want to make a mystery of this.
22:42You can't eat that.
22:44Might be evidence.
22:45Might so?
22:46Hmm.
22:46Not a fingerprint.
22:47Smooth job.
22:48Must have worn gloves.
22:49This is the craziest case I ever saw.
22:51Anything more, Inspector?
22:52No, I'll let you know if anything turns up.
22:54All right.
22:56Got it solved?
23:02Oh, a couple of details missing, but take a look at that bowl.
23:06What about it?
23:07Has it been oiled recently?
23:11Oh, I'll take that.
23:13Oh, I thought my girl would like it.
23:15When I get her up here, we'll see.
23:17Boys are here.
23:18Bring them in.
23:19You always send them orchids, don't you, son?
23:27The first time you guess right, I'll have Winslow send an orchid to you for the best news item of the week.
23:33Say, did anybody hear the shot?
23:35Not a soul.
23:36You questioned them all.
23:37Yes, I drew a blank.
23:39Nobody knows nothing.
23:40Such glamour.
23:40Where was Dr. Kirk?
23:43Claims he was in the stamp room.
23:45And he didn't hear it?
23:46That's right.
23:47The room's soundproof.
23:48Sounds phony.
23:49Let's check it.
23:56Juffy.
23:57How are your lungs?
23:59All right.
23:59How are yours?
24:00No, we want you to yell.
24:02Oh, gee, Chief.
24:03I'm going to bash when one comes to show off.
24:04Well, you just pretend you're asking me for that promotion and you'll feel natural.
24:11Oh, I think you'll do.
24:12Over here.
24:17We're going in that room and when I close that door, I want you to yell your head off.
24:21Make all the noise you can.
24:34Hurry up, begin.
24:48Leave me alone.
24:54I'm working.
24:58I don't think he's even trying.
25:01When are you going to begin?
25:03Begin?
25:03¿Again?
25:04¡I yelled my head off!
25:05¿What, do you think, I am a siren?
25:07No, I hope you're satisfied Dr. Kirk couldn't have hurt the shot.
25:10Oh, have you boys met Cuffey?
25:13Uh...
25:14Any more bright suggestions?
25:20Would you like to know where Miss Temple is?
25:22Here.
25:23You tell me where she is, and I'll tell you where she's going.
25:26I'll bet you 50 Joe Temple had nothing to do with this murder.
25:29Take it.
25:29And 50 more, I spot whodunit.
25:31Who did it?
25:33I'll take that, too.
25:34Now, where is she?
25:38I see a bedroom.
25:41Her bedroom.
25:42She's sitting on the edge of a chair.
25:45I see her, too.
25:46She's talking to a handsome stranger.
25:48And he's telling her she's about to meet a dear old inspector.
25:52Cuffey!
25:53Get that game.
25:57Miss Temple, a man has been murdered.
26:01You were in this room.
26:02I wasn't.
26:04Is this yours?
26:06Why?
26:07I object.
26:08Overruled.
26:09When you came in here, you were wearing this flower.
26:11I didn't come in here.
26:13She did, too.
26:13I saw her.
26:14So did I.
26:15And she was wearing that flower.
26:17You better tell the truth.
26:19All right, I did come in here.
26:21And that man was here, was he?
26:22He was.
26:23All right, go on.
26:24He had my stamp.
26:25And you killed him to get it back.
26:26I didn't kill him.
26:27He was dead.
26:28He had the envelope in his hand.
26:30Then what did you do?
26:31I don't remember.
26:32I was so shocked.
26:32I just wanted to get away.
26:33But you weren't too shocked to take your stamp.
26:35You did get it, didn't you?
26:38Let me have it.
26:42May I see it for you?
26:44Just a minute.
26:44I've got my case, and you're hungry.
26:48That's my hand.
26:49I wouldn't be too sure about that, Inspector.
26:55No, Stampy.
26:56No, Casey.
26:57Let's go, let me.
27:03Mr. Tracker.
27:04You knew the murdered man.
27:06You owed him money.
27:08Who says so?
27:08This says so.
27:09All right.
27:16I did know him.
27:17His name is Craig.
27:18I lost a little money to him at a gambling house.
27:21He followed you here to get it.
27:22I don't know why he came here.
27:23I thought I might have the money in a day or two.
27:25You're stalling, Trent.
27:26You and Craig planned to steal the stamp and sell it.
27:29And you decided you could use all the money.
27:31I don't know what you're talking about.
27:32I do.
27:32You killed Craig.
27:33Oh, that's absurd.
27:35He was dead when I first saw him.
27:39Come in here.
27:45Take these men in the next room and search them.
27:49And you search these women thoroughly.
27:52I want that stamp and I want the killer's gun.
27:56You can keep the small change in the wristwatches.
28:00Oh, Doctor.
28:02Too bad about your accident.
28:04The room is isn't my boy.
28:06Well, that's better than a broken leg.
28:08I've been in torture for the last six weeks.
28:11Thank you.
28:19Congratulations.
28:20You have two suspects.
28:21Now all you need is one murderer.
28:23All in good time, my boy.
28:24Well, this is as good a time as any.
28:27There was nothing old, Inspector.
28:28I even went through the hair with a fine comb.
28:31Well, use the same thing on every room in this house.
28:33That's all for you.
28:34Go.
28:34Go.
28:35Go.
28:38Mason is bringing custody.
28:39Now we're getting somewhere.
28:41Yes, but where?
28:46Oh.
28:52Cheer up.
28:52Recovery is just around the corner.
28:54What corner?
28:55I don't know.
28:56I'll look.
28:56Aren't you having a cocktail, Miss Kirk?
29:11No, I've been too busy.
29:14I had to get these letters out for Dr. Kirk.
29:15I'm going again.
29:24I thought I had it.
29:25Had what?
29:29Hey, Dad.
29:34About something?
29:37Well, at least big eyes around in the Queen family.
29:40Someone's won't have that picture since I was here before.
29:42What's wrong, Miss Kirk?
29:45Nothing.
29:46Not a thing.
29:47You seem startled.
29:48Well, I'm not really.
29:51Something's been stuck on this banking.
29:53And recently, too.
29:55I wonder if someone parked this stamp there so it wouldn't be found while the rest would be in search.
29:59Miss Kirk.
30:02Miss Kirk, do you know anything about that picture?
30:05No.
30:06No, I don't.
30:07Did you know a stamp had been hidden behind it?
30:08No, I didn't.
30:09Well, why won't you believe me?
30:12I haven't stolen anything, and I haven't killed anyone.
30:16Please, let me know.
30:17I'm sorry, but I have to question everyone.
30:19This stamp is a counterfeit.
30:21How could it be possible?
30:23The first stamp in my collection has been expertized.
30:26I don't think these two are genuine, either.
30:29Are you an authority on stamps, Miss Duffin?
30:31Well, I am.
30:32I read a book once.
30:33Interesting.
30:34Very.
30:35It was all about the counterfeiting of rare stamps.
30:37How does it work?
30:38Like this.
30:38If you have a thousand dollar stamp, the real, you can only get a thousand for it.
30:43But, if you own ten counterfeits, you can make ten thousand dollars.
30:46A thousand for each one.
30:48If there are any counterfeits in my collection, a clever thief has been at work.
30:51Anything more is called, Chief.
30:52I switched him in here.
30:55Hello?
30:56Yes?
30:58Fine.
30:59Send two men to search his place.
31:01The line on Craig.
31:02He'd have time for poetry, and he's living in a place in West 47th.
31:06Oh, 42nd, huh?
31:07Forty-seven.
31:08Oh, 37th.
31:09Forty-seven.
31:10There's no such number as 37-47.
31:13I didn't say 37-47.
31:15I said 180 words.
31:16Forty-seven.
31:18Thanks.
31:19Why don't you stop wasting my time?
31:21Why don't you stick to books?
31:23Why do you annoy men at work?
31:25Yeah.
31:26Why don't you stop interfering with the law?
31:28Why don't you tend to your own business?
31:29And why don't you get out of here?
31:31I intend to.
31:34Now, listen to you.
31:35Young Trent's been working with Craig.
31:37Count it back.
31:39Do you still think you know who's done it?
31:42Get it.
31:43You...
31:43Yes.
31:44Oh, it's all right, Martha.
31:47You haven't anything to worry about.
31:48Oh, but you have.
31:49Why did you get mixed up with Craig?
31:51Now, there's nothing to that.
31:52Just murder.
31:53Oh, Martha, you don't know what you're saying.
31:56Pardon me.
31:56Does anybody here know how many tangerines there were in that bowl in the library?
32:01Tangerines?
32:02Why, uh, three.
32:04And I ate one.
32:05Thanks.
32:07Here's a picture of the Chinese Mandarin.
32:10I wish I'd never sent for it.
32:14Sir, this is what...
32:15If you finish censoring those, I'd appreciate having them mailed.
32:18They're quite important.
32:19Oh, Guffy.
32:20Yes, sir.
32:22Mail these, please.
32:23Yes, sir.
32:23Why are the Mandarin's clothes on backwards?
32:27It was an engraving mistake.
32:29The issue was called in, and this is the only one in existence.
32:32Oh.
32:45Guffy.
32:46Is that nice?
32:47Well, I...
32:48I'm not overlooking any bets, Mr. Queen.
32:50I'd give them my right eye to get my hands on that Chinese stamp.
32:53Couldn't we all?
32:54Say!
32:57You're not running out on me, are you?
32:59I have something very important to do.
33:00Of course you have.
33:01You're taking me to dinner.
33:02Now, you have to stay here.
33:03But I don't want to stay here with these people.
33:05Oh, but they're awfully good company.
33:07Now, take the inspector.
33:08If you don't mind, I'll take you.
33:10Is this a proposal?
33:11No, an alternative.
33:13Oh.
33:13Hey, Jones.
33:18Come up here.
33:19Cover me, sir.
33:24The inspector wants to speak to you.
33:25It's all right.
33:26I'll see that no one leaves.
33:27Right, Mr. Queen.
33:28Oh, uh...
33:29Let me have your flashlight, will you?
33:33Thank you.
33:34One day in New York, and you make headlines.
33:52Why make it hard for yourself?
34:05Shh.
34:06Don't make any noise.
34:07There might be someone in here.
34:10Shh.
34:11We mustn't make any noise.
34:16What are you doing?
34:17Trying to be quiet.
34:19Well, don't work so hard at it.
34:21Oh, cozy little hideout.
34:23Ah.
34:25Somebody's been in our little house.
34:27Somebody's interested in our Mr. Craig, too.
34:29Who?
34:30I'm the one who asked the questions.
34:44Oh, there's nothing in there.
34:45Oh, yes, there is.
34:47An icebox.
34:49I found something.
34:54A clue?
34:55A bottle of milk.
34:57Oh, don't ruin your dinner.
34:58I'm just whetting my appetite.
35:13Oh!
35:13Oh!
35:13Oh!
35:19Mother's here.
35:20I told you to pick up your feet.
35:21Oh, something fell on me.
35:23I'm numb.
35:24Drink this.
35:25I said numb, not dumb.
35:29What's that?
35:30I'll let you know when I find out.
35:34Oh, look.
35:34This is what the fellow who hit me was looking for.
35:42What fellow?
35:43I wish I knew.
35:47Want a couple of souvenirs?
35:49Those dirty things?
35:50What are they good for?
35:51They're dyes to counterfeit stamps.
35:53Why, it's the dye of one of those counterfeit stamps from Dr. Kirk's collection.
36:04A Rowan and Company stamp catalog.
36:06So what?
36:07What a grand setup for the sale of counterfeit stamps that outfit would be.
36:11You don't think a reputable firm like that would be mixed up and counterfeiting, do you?
36:15You never can tell.
36:17Rowan and Company.
36:20Howard Bronson, manager.
36:22Do you know this chap, Bronson?
36:23He came to the pier and wanted to buy this stamp.
36:26I wish to heaven I'd sold it to him.
36:30Had another brainstorm?
36:33Police head for it.
36:34My brain's been storming ever since I met you.
36:36Captain O'Donnell, please.
36:37Hello, Captain.
36:41This is Elroy Queen.
36:44Yeah, well, fine, thanks.
36:45I'm working with the inspector on the Craig case.
36:48Uh-huh.
36:49He wants to talk to Howard Bronson of Rowan and Company.
36:52Yeah, that's right.
36:54At the Kirk Penthouse.
36:56See that he gets over there right away, will you?
36:58Thanks.
36:59What's the idea?
37:00Shh.
37:00Don't make any noise or scare it away.
37:03We'll just take this along.
37:04My dad can use this, but, Stu...
37:06Let's pick him up.
37:08Oh, hello, boys.
37:09Glad to see you.
37:09Ain't that nice?
37:10Keep him up.
37:11Well, you know me.
37:12I'm Elroy Queen, Inspector Queen's little boy.
37:14Well, then we're bringing that home to Papa.
37:15Search him, Woods.
37:17Oh, this is silly.
37:18You took the words right out of my mouth.
37:20Is this the thanks I get for putting valuable evidence in your hands?
37:24And a rope around you, Nick.
37:25Come on, get going.
37:26But I'm a detective.
37:27Well, try and detect yourself out of this one.
37:29Look, you tell him I'm a detective.
37:31I should be arrested for perjury.
37:33Come on.
37:34Oh, this is a beautiful night.
37:40You've been such a help.
37:42And I can never thank you for all you've done for me.
37:44Oh, tut tut, lady.
37:46I'm not worthy of such praise.
37:48Your arrest is entirely due to this splendid fellow.
37:51Oh, shut up.
37:53Now, now.
37:53I don't want to have any trouble with you.
37:55What jail are we going to?
37:57Have you any particular jail in my life?
37:58What kind of a jail would you like?
38:00Well, what jail did you got?
38:02Well, we got something nice in the city, Bastille.
38:04And we're showing a very smart line of county hooscows.
38:07Now, let me see.
38:08This time of the year, I sort of lean towards the city presence.
38:12The county detention camp has its advantages.
38:14Ah, but for sheer beauty.
38:16Give me Sing Sing in the spring.
38:17Could you give him Sing Sing?
38:19I'll do my best.
38:21Isn't he not?
38:22Awfully.
38:22Awfully.
38:22You're the nicest girl I've ever been handcuffed to.
38:49And you're the nicest boy that's ever had in the year.
38:53Thank you.
38:54Thank you.
38:55Thank you.
38:56Thank you.
38:58It's been a real pleasure to arrest you.
39:10You braved you'd have $10,000, didn't you?
39:13I mentioned it, yes.
39:14It was a commission on an insurance policy.
39:16I've explained that.
39:16But you haven't explained where you were during the time when Craig was killed.
39:20Ah.
39:20He was with me.
39:21Well, where were you?
39:22Dressing.
39:23And he was with you?
39:25Oh, you had me so rattled, I don't know what I'm saying.
39:27You're not being fair.
39:29This temple caused all the trouble, and you let her go.
39:31Well, I didn't let her go.
39:33That idiot son of mine.
39:34Maybe we did.
39:37Hey, you.
39:38You.
39:40Where have you been?
39:41Some of your dumb detectives took me for a ride.
39:43And another thing.
39:45What right do you take people out of this house when I'm conducting an investigation?
39:48Sorry, Pop.
39:49Inspector.
39:50But I had asked that person a very important question.
39:53Alone.
39:54Frankly, I wouldn't be surprised if I could get an admission from her.
39:57Well, I would.
39:57All I could get from her is a denial.
39:59But, Pop, you don't ask the right question.
40:01That's why I get all the wrong answers.
40:03I was just over to Craig's place.
40:05Alone?
40:06That was dangerous.
40:07Did you get anything?
40:08Yeah, a sock on the head and a great idea.
40:10Good.
40:11What was the idea?
40:13Has the medical examiner made out a report on Craig?
40:16Yes, and there was no danger in any stomach.
40:19And the killer took it.
40:20What's that got to do with the murder?
40:22I don't know yet.
40:25Come in.
40:27Here's Mr. Bronson, Inspector.
40:29Bronson?
40:30How do you do, Mr. Bronson?
40:31What's the meaning of this?
40:32Getting me out of bed and dragging me over here at this time of night?
40:34Sorry to disturb your beauty sleep, but we need an expert opinion on some stamps.
40:38If you don't mind, this way.
40:39Okay.
40:41Good evening, Dr. Kirk.
40:45Hello, Bronson.
40:46Why are you here?
40:47I'm sure I don't know.
40:49I believe you two have met.
40:52My error.
40:53Mr. Bronson.
40:57Would you say that this is genuine, Mr. Bronson?
41:02Maybe you could use this.
41:04Why, this might be, it is a counterfeit.
41:14And so are these.
41:15Very well done.
41:16They might even deceive experts.
41:18You sold me those stamps, Bronson?
41:20I sold you the original.
41:21Rowan and company guarantee every stamp they handle, but not after they leave our hands.
41:24I'm beginning to understand.
41:28A clever thief who had access to this room.
41:32Someone who ordered money.
41:35And who discredit me with my wards.
41:39Must we stay here all night listening to this nonsense?
41:42I'm getting bored, too.
41:43Come on, Dad.
41:49How's it going, Chief?
41:50How it dies.
41:51Well, somebody must have did it.
41:53I've done it.
41:55What were you angling for?
41:57I'm not angling yet.
41:58Just stocking the stream of fish.
42:00Bronson is the chap who beat me in Craig's room.
42:02How do you know?
42:02I don't know, but that magnifying glass gave me a darn good hunch.
42:06Bronson is tied into this counterfeit ring, and there's a third party.
42:12If you have a lead, come across.
42:14I'd like to look around Martha's room.
42:16She knows something about something.
42:17You can't go in there.
42:19Turn and respectable?
42:20You peeked into Miss Temple's bathroom.
42:25I can't see Martha in the picture.
42:28Everybody's in it.
42:29Oh, look.
42:30What is it?
42:31Just what I've been looking for.
42:33As an amateur, I always think there's lying down.
42:37Now, from here, I wonder where little Martha would hide a postage stand.
42:40Oh, quit stalling.
42:41You haven't any angle in here.
42:56Lie down, Martha.
42:58You're shaking like a leaf.
42:59I can't help it.
43:00Oh, why did this have to happen?
43:04I'll open the window.
43:06No, no, no.
43:07I'm sorry.
43:08There's nothing to be frightened about.
43:10The police are everywhere.
43:12Rain, you do love him, don't you?
43:15You want to help him?
43:16Donald?
43:17Why, of course.
43:19Wouldn't I say I was with him when I wasn't?
43:21That's right.
43:22We've got to help him.
43:24Listen.
43:26I stole three of Uncle Alec's stamps.
43:29They were supposed to be worth $2,000.
43:30You stole them?
43:32For you and Donald, to help you.
43:34Not for myself.
43:35Then I found they were worthless.
43:37Counterfeit.
43:38Someone else who had the same idea.
43:40Someone who needed money.
43:42Don't you see?
43:44Must have been Donald.
43:46No.
43:46It isn't true.
43:48Craig made those counterfeits.
43:50Then he and Donald called about money.
43:51And this afternoon...
43:52He didn't kill anybody.
43:53You don't know what you're saying.
43:55You're insane.
43:56Am I?
43:57Am I?
43:58That isn't all I know.
43:59I won't listen to another word.
44:00I won't.
44:13We'll take these if you don't mind.
44:14We heard everything, Miss Kirk.
44:16Stamp racket right under our noses.
44:17And Donald...
44:18Donald wasn't to blame.
44:19He was after the Chinese Mandarin.
44:21No.
44:21Why should he bother?
44:22It was the only one of its kind in the world.
44:24He couldn't sell it.
44:25But he could sell that counterfeits Craig was going to make for him.
44:27And he stood to clean up half a million with them.
44:29Well, then why should he kill him?
44:30He needed him.
44:31Yes, you're right.
44:33But Donald wanted money, sure.
44:35That's why Craig was more valuable to him alive than dead.
44:38Why should he kill him?
44:40He didn't.
44:41Now, if you will help us, maybe we can help you.
44:45I told you everything I know.
44:46All right.
44:47Then we'll take Donald downtown and make him talk.
44:49No.
44:50No, don't.
44:52I'll talk.
44:54The Chinese Mandarin.
44:56I saw it put behind the stamp frame in the stamp room.
44:59Who put it there?
45:00It was my...
45:02No, it sounded like a shop.
45:10What's happening now?
45:11Anything wrong, Chief?
45:12Well, they round up everybody and hold them here.
45:17She knew too much.
45:18Where'd that shop come from?
45:21I'll tell you in a minute.
45:28This door was open about two feet.
45:32It must have come from the library.
45:33Where'd you get this?
45:53I found it.
45:53Where, in your hand?
45:54No, I was out on the terrace.
45:55Someone threw it from in here.
45:57Look, I'm doing my best to protect you, but if you don't stop getting into trouble...
46:00I haven't done anything.
46:01You don't have to.
46:02Trouble just sneaks up and finds you.
46:04Now get in there and go around the living room and I'll act as if I didn't know anything.
46:07That'll be easy.
46:08Where's that girl?
46:14I haven't seen her all evening.
46:16This guy sneaked upon me at the foot of the stairs and tried to make a getaway.
46:19Get him in there and keep him there.
46:21The rest of you too, please.
46:24Where's Martha?
46:25I'll tell you in a minute.
46:29Is this going on all night?
46:33Whatever's happened, I bet this guy's at the bottom of it.
46:38Is anything wrong?
46:40Haven't I told you why I asked the questions?
46:45Well, now you have two murders and a half dozen suspects.
46:47What are you going to do?
46:48I'm going to run them all in as soon as I find the killer's gun.
46:53Where'd you find this?
46:54Found it in the library near the terrace window.
46:56What a detective.
46:57Spoiling the fingerprints.
46:59Martha Kirk's killer was too smart to leave fingerprints.
47:01Yeah.
47:05Police headquarters.
47:06Listen, Dad, you can't run in all that gang.
47:08Well, you'd have to build a new wing on the jail.
47:10I can't, huh?
47:11Well, at least I've got something and you've got exactly nothing.
47:14So I'll run things my way from now on.
47:16How?
47:17Go ahead.
47:17Put the skids under yourself.
47:19Break right into the comic strips.
47:21Inspector Queen arrests all the wrong people.
47:23Well, I've got to do something.
47:24Then stand by and watch me spring into action.
47:26Well, action's something I could use.
47:28I'll give you one more chance if you've got anything.
47:30I have a question.
47:32Did you see what Martha did?
47:33Yes, she got shot.
47:35No, no.
47:35I mean the way she fell.
47:36She fell dead.
47:37What the thunder are you driving at?
47:39But the way she fell, I feel something coming.
47:43Closing that door.
47:46That's it?
47:47I've got it.
47:49Mend me Duffy.
47:49I want to experiment.
47:50You can't shoot Duffy.
47:51I don't intend to.
47:52Martha's murder told me all I need to know.
47:54Martha?
47:54Certainly.
47:55I'm going to show you how Craig's killer got out of that room.
47:57I don't like this.
47:58Oh, Dad, play ball with me and I'll win you a pennant.
48:00But if you're wrong, son.
48:01No.
48:02I'll eat this.
48:04Well, I'd hate to lose it that way.
48:10Where is Martha?
48:11Your sister's dead.
48:12Someone in this room fired the shot that killed her.
48:15Duffy.
48:16Yes, sir.
48:17Off with the coat.
48:24Now, put these down to your trouser legs.
48:27You're making me look silly.
48:29I'm the one who will look silly if it doesn't work.
48:31Worked on Craig.
48:32Why not on Duffy?
48:35Ladies and gentlemen.
48:37You're about to witness an interesting experiment.
48:39I'm going to show you how the killer of Craig and of Martha Kirk got out of this room.
48:43It's a good trick.
48:44We've got too many tricks already.
48:48I don't like this.
48:50Craig didn't either.
48:50I don't like this.
48:54Now, I'm the murderer.
48:59I just shot Craig and took the Chinese Mandarin from him.
49:02Behold the body.
49:04No body.
49:05I dress him backwards like the Mandarin in the stamp.
49:07Why?
49:08Because you're crazy.
49:09But the killer wasn't crazy.
49:11The dressing of the dead Craig like the Mandarin in the stamp would make headlines the world over.
49:15Spectacular advertising to acquaint the buyers with the fact that the stamp was stolen for one purpose.
49:20To sell it.
49:21But no one would want to buy a stolen stamp.
49:23You're wrong, Miss Temple.
49:24There are many unscrupulous collectors that would ask no questions to get their hands on the Chinese Mandarin.
49:29So by means of a fantastic murder, the stolen wares are advertised.
49:33Now the counterfeiters go to work.
49:35There are three in this ring.
49:37One was a clever engraver.
49:39One was a salesman.
49:40And the third, who knows?
49:48Craig became greedy.
49:50Here was the biggest haul of their careers, the famous Mandarin.
49:52He steals it and refuses to work with the others.
49:55They can't turn him in.
49:56He was right.
49:57But he was also very wrong.
50:00Craig, the engraver, is dead.
50:01Well, why the stiff pants, the spears?
50:04The murderer used the spears to make the limp body rigid.
50:06Why?
50:07So he'll stand up.
50:08Correct.
50:09Go to the head of the class.
50:11Now I stand the body against the door thusly.
50:16Oh.
50:16I notice I have blood on my hands.
50:19Blood from the body.
50:20Would you just as Lee refer to me as Exhibit A?
50:25I think fast.
50:26I must wash my hands, but there's no water here.
50:28And no water where I'm going.
50:38Tangerines contain water.
50:40I take one.
50:42Now I establish my carefully planned alibi.
50:46This boat, by the way, is well-oiled.
50:49Watch it closely.
51:00His feet!
51:12Safe behind that locked door, I, the killer, wash my hands with the juice of this tangerine.
51:16And I eat the peeling.
51:18How?
51:18But necessary.
51:20Then I hide the stamp behind the picture.
51:22Now the police have something to worry about.
51:24Get me out of this straitjacket.
51:27Very interesting, Mr. Queen.
51:30But how could the killer escape by that room?
51:34Forget.
51:34Forget.
51:35I was in there.
51:36That's right, you were.
51:37Who did I say the killer was?
51:39By Dr. Kirk.
51:40Right.
51:41Don't you get it, doctor?
51:42You killed Craig.
51:44Stop.
51:45Stop clowning.
51:46Now what are you going to do with a man like that?
51:49Here I work out a perfectly beautiful solution, and he won't admit he's guilty.
51:52I'd like to oblige you, but...
51:54Come on, Doc.
51:55Be a sport.
51:56He's worked so hard.
51:57You're joking.
51:59I'm a sick man.
52:00I...
52:00Now you're joking.
52:01You develop romanticism very conveniently.
52:03It would give you the appearance of being weak, should we say pale and interesting.
52:07All of this took place immediately on receipt of a letter from Miss Temple, saying she
52:11was bringing the Chinese Mandarin to you.
52:12Just doesn't make sense.
52:14That, my dear doctor, is exactly what you found out.
52:16You set a death trap for Miss Temple, and Craig walked into it.
52:20You've been investing your wards' money in rare stamps.
52:22Stamps have cost plenty, but the money went into your own pocket, and you gave Irene and
52:26Motha counterfeits made for you by Craig.
52:29And Bronson helped you to dispose of other counterfeits.
52:31But I didn't kill Craig.
52:32I didn't know anything about it.
52:34He did it.
52:34Well, look, you two have it.
52:38You know there.
52:41Now, one move for many of you, and the inspector gets it.
52:45Your theories are pretty good, Mr. Queen.
52:48But you haven't got me yet.
52:49Dr. Kirk, Dr. Kirk, oh, the most exciting thing you've happened.
52:52Look what the postman gave me.
52:55Oh!
52:56Oh!
52:59It's my staff.
53:00The Chinese Mandarin.
53:04Well, there's your case, Inspector.
53:09Where's my hundred?
53:10I'm going to use it to buy my way into the firm of Ellery, Queen, and Father.
53:14What do you say?
53:17A pair of queens is hard to beat.
53:19Three queens are better.
53:20What do you say?
53:21I?
53:22I can.
53:23Folks, you must stop wrestling in the halls.
53:35I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, Queen, and I'm going to use it to buy my way into the firm of Ellery, and I'm going
54:05Gracias por ver el video.
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