- hace 2 días
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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CortometrajesTranscripción
00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:05:50No, gracias.
00:05:51Si, vamos a contactar.
00:05:52Vamos, Frank.
00:06:20¿Có lo que le dice que tiene?
00:06:23No, no, para el guión.
00:06:24See that color there, lúdy?
00:06:25Just tell them you want a red riding.
00:06:27Thanks.
00:06:31I'm looking for Mr. Runney.
00:06:33Oh, Ross is getting ready to eat, ma'am.
00:06:35That's important.
00:06:36Nothing's more important to the fat man than eating.
00:06:39There isn't much time, please.
00:06:41Hey, you, you.
00:06:45The name is Louie, not hey you,
00:06:49For 43 years already, it's Louie.
00:06:52All right, Louie.
00:06:54Tell Mr. Runyon he has company.
00:06:57He's in surgery.
00:06:58¿No get any?
00:07:00Prongs.
00:07:05Knife.
00:07:10Slicer.
00:07:19Voila, gentlemen.
00:07:22The operation was a success.
00:07:23Bonne chance.
00:07:25Oh, no, no, no, no, no.
00:07:44Yours was the real artistry.
00:07:46I bow to you, fellow gourmets.
00:08:04First five to the right, then five to the left.
00:08:08Oh, hello, boss.
00:08:09Uh, Miss Adams, the boss.
00:08:11How do you do?
00:08:11How do you do?
00:08:12¿Qué es lo que se necesita para el private detective?
00:08:17A private talk.
00:08:20¿Bil, cómo tantas veces he choked?
00:08:24A spendthrift para el oil, a miser con el vinegar.
00:08:28¡More oil, boy! ¡More oil!
00:08:29¡Well, I've got some right here, boss!
00:08:31¡Eat it!
00:08:32¡But el salado no está terminado yet!
00:08:33¡Tengo que con tu y y ¡eat it!
00:08:35¡With mi digestión!
00:08:36¡Es un pozo, puro pozo, que es todo!
00:08:39A little soft-cooked oatmeal with milk is all I can have today.
00:08:46Okay, sweetheart, how can I be of service?
00:08:49Mr. Runyon, the name's Dr. Bromley.
00:08:52Does it mean anything to you?
00:08:54Bromley?
00:08:55Bromley?
00:08:57Yes, sir.
00:08:58Ah, splendid, Louie, splendid.
00:09:02Give my compliments to the chef.
00:09:03Thank you, sir.
00:09:04As I was saying, Mr. Runyon.
00:09:05Will you join me, Ms. Adams?
00:09:07Well, I'll begin to see why they call you the fat man.
00:09:10That's the title I intend to live up to, sweetheart.
00:09:13Dr. Bromley is dead.
00:09:16What's that got to do with me?
00:09:17He had an appointment to see him tonight.
00:09:20I found the memo in his appointment book when I was getting his things together.
00:09:23That was before he told her he's dead.
00:09:27Then you know about it?
00:09:29I read the papers, sweetheart.
00:09:32And you don't think there was anything wrong about the accident?
00:09:36Should I?
00:09:36No.
00:09:39No.
00:09:42What I mean is, why should he want to see a detective?
00:09:46I don't know.
00:09:47He didn't tell me over the phone.
00:09:50He just asked for an appointment.
00:09:56You work pretty closely with the doc.
00:09:59Any worries?
00:10:01Anybody annoy him?
00:10:02Well, he never told me.
00:10:03Well, that doesn't help me very much, doesn't it, sweetheart?
00:10:08I'm frightened, Mr. Runyon.
00:10:11I have a feeling I'm being watched.
00:10:13Follow.
00:10:14Now relax.
00:10:16You're just on the edge.
00:10:17I'm taking the three o'clock plane back to California today.
00:10:20I want to make sure I get on that plane.
00:10:22Very simple.
00:10:23All you have to do is hail a cab.
00:10:25You get there.
00:10:26I'd feel much safer if you saw me on it.
00:10:30Okay, sweetheart.
00:10:31I think it'll make you feel any better.
00:10:33Uh, Bill.
00:10:34Bill, you're taking this Adam to the airport.
00:10:44Well, I haven't had my oatmeal yet.
00:10:46Have it later, and see that she gets on the plane safely.
00:10:50Well, I'd like to see anyone stop us.
00:10:52Goodbye, Mr. Runyon, and thank you.
00:10:54No, not at all.
00:10:55That was a great job you gave me.
00:11:23What happened?
00:11:25What happened, he asked.
00:11:27The last thing I remember was taking Miss Adams back to her hotel to send a telegram.
00:11:33I haven't had my oatmeal yet.
00:11:34Never mind your oatmeal.
00:11:36What happened?
00:11:36I was sapped, that's what.
00:11:38He asked me that, Dame Scruly.
00:11:39Where did you leave her?
00:11:40Where did I leave her?
00:11:42Look, when I came to, I was propped up in the linen closet.
00:11:45Come on.
00:11:46But I haven't had anything to eat yet, boss.
00:11:48Later.
00:11:49Well, I'll have a little milk or something to go on, you know.
00:11:52Hey, taxi.
00:11:53Why the airport is up on us?
00:12:04Attention, please.
00:12:06Announcing departure of the eastern flight number 76.
00:12:10Now loading at gate 24.
00:12:12Hello, Autumn.
00:12:14Hello, Sir Runyon.
00:12:15There she is, boss.
00:12:16If you want, I can get your oatmeal.
00:12:20Attention, please.
00:12:21Oh, I'll be sure you're secure.
00:12:22Announcing departure of the eastern flight number 76.
00:12:25We're now loading at gate 24.
00:12:27Mind if I sit down?
00:12:28All aboard.
00:12:28I see you made it all right.
00:12:34I thought I...
00:12:35You thought what, Ms. Adams?
00:12:37That man who had been following me.
00:12:39The one who sapped Bill?
00:12:41He's all right, isn't he?
00:12:42It's too bad you didn't wait around to find out.
00:12:44I was scared.
00:12:46I got panicky and ran.
00:12:47Same thing as the lady, Al.
00:12:50Now, suppose you give it to me straight, sweetheart.
00:12:53I am giving it to you straight.
00:12:54If it sounds crazy, I can't help it.
00:12:57This whole trip's been a nightmare.
00:12:59First the doctor.
00:13:01Now me.
00:13:03I'm beginning to think maybe your hunch was right.
00:13:05Maybe the same little fella with a happy blackjack
00:13:07was the one the doc wanted to talk to me about.
00:13:10I'm going to stick on this case.
00:13:12But I haven't any money, Mr. Runyon.
00:13:14I couldn't pay you anything.
00:13:15Forget it, sweetheart.
00:13:17This one's on the house.
00:13:18All you have to do is answer questions.
00:13:20Now, what did the doc mean to you?
00:13:26He was good to me.
00:13:28He helped me over a lot of rough spots.
00:13:31He was good to everybody.
00:13:34Why would anyone want to kill a nice person like the doctor?
00:13:36We don't know that anyone did.
00:13:40What about the doc?
00:13:41Did he have anything worth stealing?
00:13:43No.
00:13:44He never wore any jewelry, and his money hadn't been touched.
00:13:47Well, that eliminates robbery, isn't it?
00:13:48Now that you mention robbery, there was something missing.
00:13:51Oh.
00:13:52An x-ray plate.
00:13:53It was one of six that he brought along as an exhibit
00:13:55to prove a new theory on dental bridge work.
00:13:58Who was the patient?
00:13:59A man named Roy Clark.
00:14:01Was there anything special about Roy?
00:14:03He was a new patient.
00:14:07Wait a minute.
00:14:08I guess maybe there was something special about him.
00:14:13We first saw him one night about a month ago.
00:14:16We had just closed the office when I heard the bell ring.
00:14:21There's a pocket around you.
00:14:23Oh, this toothache's killing me.
00:14:24Oh, come in.
00:14:25You've let this condition go far too long.
00:14:36I'll have to extract several teeth.
00:14:38Anything you say, Doc.
00:14:42Come back in a week.
00:14:43We'll make an impression for the bridge.
00:14:45Thanks, Doc.
00:14:46It was driving me bad, sir.
00:14:47But will it be all right if I only give you ten bucks now?
00:14:49I'm kind of short.
00:14:50Well, certainly.
00:14:51Jane, I got this gentleman's name and address.
00:14:54Roy Clark.
00:14:564228 West Olympic Boulevard.
00:14:59That's Wilson's Motel.
00:15:01Thanks again, Doc.
00:15:02Expect you a week from today.
00:15:04About four o'clock.
00:15:05Good enough.
00:15:07The next time we saw Roy Clark was over a week later.
00:15:10Only you wouldn't know it was the same man.
00:15:13Hello.
00:15:14Why, Mr. Clark.
00:15:16The doctor's free.
00:15:17He can see you right away.
00:15:18Thank you.
00:15:18I'll call you in about ten days.
00:15:22Mr. Clark will have the bridge all ready for you.
00:15:24That's what?
00:15:24You're still at Wilson's Motel?
00:15:26Oh, no.
00:15:27I've moved.
00:15:28You can get me at Sunset 3, 329-8.
00:15:32Oh, and Doc.
00:15:33Here's something a little extra for carrying me
00:15:35when you didn't know if you'd collect.
00:15:37That was necessary.
00:15:38I was my pleasure, Doc.
00:15:39Sunset 3, 329-8.
00:16:03I'm...
00:16:03Sunset 3, 329-8.
00:16:05¡Suscríbete al canal!
00:16:35¡Suscríbete al canal!
00:17:05¡Suscríbete al canal!
00:17:35¡Suscríbete al canal!
00:17:39¡Suscríbete al canal!
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00:19:27¡Suscríbete al canal!
00:19:57¡Suscríbete al canal!
00:19:59No, thanks.
00:20:00¡Suscríbete al canal!
00:20:02No.
00:20:04¡Suscríbete al canal!
00:20:06No.
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00:20:49¡Suscríbete al canal!
00:21:19¡Suscríbete al canal!
00:21:49¡Suscríbete al canal!
00:21:51¡Suscríbete al canal!
00:21:53¡Suscríbete al canal!
00:21:55¡Suscríbete al canal!
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00:22:01¡Suscríbete al canal!
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00:22:07¡Suscríbete al canal!
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00:22:13¡Suscríbete al canal!
00:22:15¡Suscríbete al canal!
00:22:17¡Suscríbete al canal!
00:22:19¡Suscríbete al canal!
00:22:23¡Suscríbete al canal!
00:22:25¡Suscríbete al canal!
00:22:27¡Suscríbete al canal!
00:22:29¡Suscríbete al canal!
00:22:31¡Suscríbete al canal!
00:22:41¡Suscríbete al canal!
00:22:43No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:22:53The trick boss isn't just dumping the things into the shaker.
00:22:56It's the order you use and brown sugar.
00:23:07Well, it ain't the fat man I have been.
00:23:13Bueno, bueno, Shifty, ¿y tú?
00:23:16No, no, no, no, no, no, no, no.
00:23:43I haven't been around the Bowery.
00:23:45I beg your pardon.
00:23:48Here, Buster.
00:23:51Thank you.
00:23:52What's up, Bradford?
00:23:54I'm looking for some advice.
00:23:56Like what?
00:23:57Like where I can find a character named Clark.
00:24:01Roy Clark.
00:24:02Roy Clark?
00:24:03I never heard him.
00:24:05What about Gordon?
00:24:10Nice coat.
00:24:11All right.
00:24:14Give me a slice of advice.
00:24:18You wouldn't be mean in Gene, Gordon.
00:24:21That's my boy.
00:24:23Forget him.
00:24:24I can't.
00:24:31Did I ever steal you along, Bradford?
00:24:33No, you haven't.
00:24:34And I'm depending on you to help me out this time, too.
00:24:37All right, I'll help you.
00:24:38Take my tip, forget him.
00:24:42What about that chauffeur that works for him?
00:24:44Anthony?
00:24:45Yeah, that's the one.
00:24:46Even too good, Tony.
00:24:47I got to get something on him.
00:24:50Something I can hold over him and make him talk.
00:24:53You're getting it up to your neck.
00:24:54Well, it's my neck.
00:24:55Come on, spill it.
00:24:57Okay.
00:24:57Tony and Gordon's wife have been two-timing him.
00:25:00I figured as much.
00:25:01You'll wind up with a ship in the throat of Gordon, find out about it.
00:25:04You're a good boy, Shifty.
00:25:06Thanks.
00:25:08Here.
00:25:09No, Bradford.
00:25:10No, no.
00:25:11It's a pleasure.
00:25:12And give my best to the boy.
00:25:14I'll do that.
00:25:16Hey, Buster.
00:25:17Yeah?
00:25:19You forgot this one.
00:25:20Hello, Tony.
00:25:39Oh.
00:25:41What are you doing here?
00:25:42Just resting.
00:25:44How's it going, Tony?
00:25:46No complaints.
00:25:47You're lucky.
00:25:48I got lots of complaints.
00:25:51You're not so lucky, huh?
00:25:55Got an air in the room for Mrs. Gordon.
00:25:58Very attractive woman, Mrs. Gordon.
00:26:07What's the pitch, mister?
00:26:08I want to know where Roy Clark is.
00:26:10You talk and I keep my mouth shut about you and Gordon's wife.
00:26:14You don't.
00:26:15I talk.
00:26:16Why, you're crazy.
00:26:18How would I know where he is?
00:26:19You chauffeur him around, buddy, in this fancy car, didn't you?
00:26:22So what?
00:26:23I take lots of people around.
00:26:25Okay, Tony.
00:26:27You better start running because Gordon's going to get a phone call.
00:26:31Open the door.
00:26:32No, wait a minute.
00:26:34Look, I'm giving it to you straight.
00:26:36I don't know where he is.
00:26:38They tell me Gordon's a real tough boy.
00:26:42Maybe Pat knows.
00:26:44Who's Pat?
00:26:45Maybe he was sweetheart at the Anchor Club in Hollywood.
00:26:48I dropped him off every night almost.
00:26:51What does she look like, this Pat?
00:26:54Blonde.
00:26:56Where's the charm bracer Troy got her?
00:26:57You know, the guy with the animals and coins and things hanging off of it.
00:27:05Would you join me for a drink?
00:27:09Come on, Matt.
00:27:10I'm Brad Runyon.
00:27:12I'm Brad Boyd.
00:27:13What would you like?
00:27:14The usual.
00:27:16You're the first thing I've seen in California that lives up to the advertising.
00:27:24Waiter.
00:27:25Yes, sir.
00:27:26Same thing again.
00:27:28You get used to working in a place like this, Brad.
00:27:31I wonder why you feel at home.
00:27:35Dance?
00:27:36Well, I guess so.
00:28:06I put all my cards on the table, Pat.
00:28:32You can help me, if you will.
00:28:34How?
00:28:35Tell me about Roy, his habits.
00:28:38What does he think about?
00:28:39Tell me all about him.
00:28:42Why should I?
00:28:44Because I think you're just as anxious to find him as I am.
00:28:47What makes you think so?
00:28:48There are lots of fish in the sea.
00:28:50Maybe he doesn't want to be found.
00:28:53I think he got it all wrong, sweetheart.
00:28:56And I also think he got it bad.
00:28:59Ever think he might be in trouble and need help?
00:29:02Well?
00:29:03Why don't we help him with that?
00:29:10All right.
00:29:12What do you want to know?
00:29:14Everything.
00:29:15Right from the beginning.
00:29:16You couldn't really call at the beginning.
00:29:21The first time I met Roy, it was more like the finish for me.
00:29:26I was pretty much convinced everybody had an ankle.
00:29:28I didn't know who to trust.
00:29:30How about it, baby?
00:29:31Beat it, chiseler.
00:29:32You didn't always talk this rough.
00:29:34Let go.
00:29:35Let me go.
00:29:36The lady says goodbye.
00:29:37What's it to you?
00:29:39Beat it.
00:29:41All right, all right.
00:29:50Knight in armor.
00:29:51Sure, help yourself.
00:29:53What's your angle?
00:29:55You owe me nothing.
00:29:56Not even thanks.
00:30:05Thank you.
00:30:09I'm sorry.
00:30:12Buy me a drink?
00:30:13No.
00:30:15Mind if I bring mine over here?
00:30:17That's a big boy.
00:30:33Friends.
00:30:34Why not?
00:30:36I'd only known Roy a short time.
00:30:39But it was a lifetime for me.
00:30:41That's how I took him for granted.
00:30:44I guess maybe it's because we were both lonely
00:30:46and needed someone to trust.
00:30:49Go on, home, ma'am.
00:30:51I'm waiting for Roy.
00:30:54Look, if he was coming, he'd be here by now.
00:30:57I'll lock up.
00:30:58Suit yourself.
00:31:01Knight.
00:31:05Good night, Roy.
00:31:06See you, Bill.
00:31:07You're late.
00:31:18I got tied up.
00:31:19Until 3 o'clock, you could have called.
00:31:22Maybe I could have.
00:31:23But I didn't.
00:31:25Look, baby.
00:31:27There's no strings on me.
00:31:29I do what I like.
00:31:30And the same thing goes for you.
00:31:32I do what I like.
00:31:37I didn't mean it that way, Roy.
00:31:41I thought maybe you were hurt or something.
00:31:46I can take care of myself, Pat.
00:31:48Well, I wouldn't even know where to call you.
00:31:52You can always call this number.
00:31:54A message will get to me.
00:31:58Okay.
00:32:01Okay.
00:32:02Now let's get out of here.
00:32:04I thought we had a date.
00:32:07That was last night.
00:32:09Well, it's time anyway.
00:32:11You're here.
00:32:15We got music.
00:32:16We got music.
00:32:34I saw Roy almost every day after that, but he never talked about himself until that Sunday we went to the zoo.
00:33:02Back east, when I was a kid.
00:33:07Some fellas I knew raised pigeons up in a rooftop.
00:33:11I used to wonder about those birds.
00:33:14What, Roy?
00:33:15What did you wonder?
00:33:17Words like to have wings.
00:33:19Did you ever find out?
00:33:22No.
00:33:24I can tell you, Roy.
00:33:26Anybody can get off the dirty streets if they want to.
00:33:29You got to have a reason.
00:33:32Roy.
00:33:35You up there with those birds.
00:33:41I was just thinking they're all dressed up.
00:33:43Can't go anywhere.
00:33:46Where would they go, Roy?
00:33:47That home's here.
00:33:49I knew a pigeon once.
00:33:52He used to beg crumbs in the park.
00:33:54He wouldn't swap places with these fellas.
00:33:59He didn't like being caged up.
00:34:02Come on, let's get out of here.
00:34:03You're a funny one.
00:34:09You have more moves than anyone I ever knew.
00:34:11I talk too much.
00:34:13And I still don't know anything about you.
00:34:16How about a picture?
00:34:17Oh, I never looked right in those things.
00:34:21You do.
00:34:24I was about a great big smile.
00:34:27Come on, you can do better than that.
00:34:30That's it.
00:34:31Turned out that little pin type we took at the zoo was our wedding picture.
00:34:34Because Roy asked me to marry him.
00:34:40Afraid?
00:34:41You?
00:34:42No.
00:34:46What are we waiting for?
00:34:47There's something I've got to tell you.
00:34:51You don't have to.
00:34:54Everything begins now.
00:34:55Right now.
00:34:56I did time in state prison for six years.
00:35:00I've only been out a short time.
00:35:03I love you, Roy.
00:35:10Well, are you going to do it or not?
00:35:15That was on Sunday.
00:35:18The following Thursday, he was gone.
00:35:21I found that number he'd given me.
00:35:23Sunset 3-3298?
00:35:25Yes.
00:35:26He said he'd gone out of town suddenly.
00:35:28You never got a message, a letter, or anything?
00:35:32No.
00:35:33I guess that was just his way of calling it quits.
00:35:38Ten times I got ready to leave.
00:35:40Get out of here, go home to Kansas, anything.
00:35:43Then I got to thinking.
00:35:45Suppose he'd come back.
00:35:46He wouldn't find me.
00:35:48So, I just sit here, waiting.
00:35:52That picture you had taken at the zoo, have you got it?
00:35:55That's all I have left, Brad.
00:36:07I'll see you get it back.
00:36:09It might just give me a lead.
00:36:11I'll see you get it back.
00:36:12I'll see you get it back.
00:36:13I'll see you get it back.
00:36:14Yeah, you're up.
00:36:19Well, that's your friend Roy Clark, all right.
00:36:21All he knew him was Ray Shevlin.
00:36:23You got his record?
00:36:25Thanks, Bob.
00:36:26Ray Shevlin, alias Larger, Considine.
00:36:30Sex, lunch, reformatory, 1935, a disturbing peace.
00:36:34Stolen car, 1938, suspended sentence.
00:36:37Brookfield, racetrack robbery, 1944, 5 to 10, in states prison.
00:36:41Well, that Brookfield job was quite a thing.
00:36:43Do you remember that?
00:36:44Yeah, vaguely.
00:36:44We were never sure how many were in the caper, but part of the mob made a nice, clean getaway
00:36:49with more than half a million in untraceable bills.
00:36:51Half a million?
00:36:52One of them was killed.
00:36:54I forget his name.
00:36:55He was the inside man.
00:36:56And Roy Clark was wounded and caught.
00:36:59When did he get out?
00:37:00Uh, April 3.
00:37:02Uh, four days later, he shows up in Beverly Hills with a toothache and broke.
00:37:06Doesn't add up, does it?
00:37:09What do you suppose happened to his share of the half a million they got away with?
00:37:13We find him, we'll ask him.
00:37:15I can almost give you the answer right now.
00:37:19Gordon.
00:37:19That's why Clark beat it to him first thing.
00:37:22That's why Gordon gave him a car and a stake.
00:37:25You think Gordon was part of the caper?
00:37:27That's up, doesn't it?
00:37:29Except why some innocent little doctor was tossed out of an 18-story window.
00:37:33Yeah.
00:37:34That's where the arithmetic doesn't total up.
00:37:37I only knew a little more about Clark, his habits, his friends.
00:37:42We might get a pattern to follow.
00:37:45Well, under behavior, it says here he cooperated.
00:37:48He got along well with his cellmate.
00:37:50His cellmate?
00:37:51Uh, what was his name?
00:37:53Dietz.
00:37:53Ed Dietz.
00:37:54Actor of some kind.
00:37:56Maybe the probation officer can tell you where he is.
00:37:58Well, if he can't, the Actors Guild can.
00:38:01He's got along well with his cellmate.
00:38:02He's got along well with his cellmate.
00:38:03He's got along well with his cellmate.
00:38:04He's got along well with his cellmate.
00:38:05He's got along well with his cellmate.
00:38:06He's got along well with his cellmate.
00:38:07He's got along well with his cellmate.
00:38:08He's got along well with his cellmate.
00:38:09He's got along well with his cellmate.
00:38:10He's got along well with his cellmate.
00:38:11He's got along well with his cellmate.
00:38:12He's got along well with his cellmate.
00:38:13He's got along well with his cellmate.
00:38:14He's got along well with his cellmate.
00:38:15He's got along well with his cellmate.
00:38:16He's got along well with his cellmate.
00:38:17He's got along well with his cellmate.
00:38:18He's got along well with his cellmate.
00:38:19¡No, no, no!
00:38:49¡No, no, no!
00:39:19¡No, no, no!
00:39:49¡No, no!
00:40:21¡No, no!
00:40:23¡No, no!
00:40:25¡No, no!
00:40:27¡No, no!
00:40:29¡No, no!
00:40:31¡No, no!
00:40:33¡No, no!
00:40:35¡No, no!
00:40:37¡No, no!
00:40:39¡No, no!
00:40:41¡No, no!
00:40:43¡No, no!
00:40:45¡No, no!
00:40:47¡No, no!
00:40:49¡No!
00:40:51¡No!
00:40:53¡No!
00:40:55¡No!
00:40:57¡No!
00:40:59¡No!
00:41:01¡No!
00:41:03¡No!
00:41:05¡No!
00:41:07¡No!
00:41:09¡No!
00:41:11¡No!
00:41:13¡No!
00:41:15¡No!
00:41:17¡No!
00:41:19¡No!
00:41:21¡No!
00:41:23¡No!
00:41:25¡No!
00:41:27¡No!
00:41:29¡No!
00:41:31¡No!
00:41:33¡No!
00:41:35¡No!
00:41:37¡No!
00:41:38¡No!
00:41:39¡No!
00:41:40¡No!
00:41:41¡No!
00:41:42¡No!
00:41:43¡No!
00:41:44¡No!
00:41:45¡No!
00:41:46¡No!
00:41:47¡No!
00:41:48¡No!
00:41:49¡No!
00:41:50¡No!
00:41:51¡No!
00:41:52¡No!
00:41:53¡No!
00:41:54¡No!
00:41:55¡No!
00:41:56¡No!
00:41:57¡No!
00:41:58¡No!
00:41:59¡No!
00:42:00¡No!
00:42:01¡No!
00:42:02¡No!
00:42:03¡No!
00:42:04¡Gracias!
00:42:34We're smart operators.
00:42:36Yeah, smart enough to let you take the rap.
00:42:38It was worth it.
00:42:40Six years off your life.
00:42:42It wasn't their fault things were wrong with the caper.
00:42:46We had it figured down at the last detail.
00:42:49Even where our driver was going to develop engine trouble.
00:42:53All right, we're rolling to fix that carburetor.
00:43:07Joe, yeah, hand me the door again.
00:43:11What's the matter?
00:43:13Carburetor trouble.
00:43:15Oscar, give me a cigarette, will you?
00:43:19I don't know.
00:43:21I have to put the alimentarian for this to me.
00:43:23I've got a cigarette.
00:43:25I'm gonna help you.
00:43:28I'm gonna plug my cigarette in here.
00:43:30I love you too.
00:43:32I'm too high.
00:43:33I love you too.
00:43:34Be careful.
00:43:36If you take a cigarette, I'm too low.
00:43:38You can also get the cigarette, too.
00:43:41You can stop.
00:43:42I love you too.
00:43:44I love you too.
00:43:46You'll get to play with me too.
00:43:48¡Gracias!
00:44:18¡Gracias!
00:44:48¡Gracias!
00:44:58¡Gracias!
00:45:04¡Gracias!
00:45:18¡Suscríbete al canal!
00:45:48¡Suscríbete al canal!
00:46:18¡Suscríbete al canal!
00:46:22¡Suscríbete al canal!
00:46:25¡Suscríbete al canal!
00:46:27¡Suscríbete al canal!
00:46:29¡Suscríbete al canal!
00:46:31¡Suscríbete al canal!
00:46:35¡Suscríbete al canal!
00:46:37¡Suscríbete al canal!
00:46:39¡Suscríbete al canal!
00:46:41¡Suscríbete al canal!
00:46:43¡Suscríbete al canal!
00:46:45¡Suscríbete al canal!
00:46:47¡Suscríbete al canal!
00:46:49¡Suscríbete al canal!
00:46:53¡Suscríbete al canal!
00:46:55Gracias por ver el video.
00:47:25Gracias por ver el video.
00:47:55Gracias por ver el video.
00:48:25He got away with over a half million dollars, but Ray didn't get very far, not with a slug
00:48:30in his leg.
00:48:30Did he ever mention their names?
00:48:32That much he didn't trust me.
00:48:34I got out before Ray did.
00:48:37Haven't seen him since.
00:48:38How about it?
00:48:39You coming or not?
00:48:40Coming, Max.
00:48:41Well, gotta go make some people laugh.
00:48:46Do you think something could have happened to Ray?
00:48:51I can think of a half a million reasons why something could have happened to Ray.
00:48:55If you asked me, you took it out of the oven too soon.
00:49:01No one's asking you.
00:49:02This time, I'm the chef.
00:49:03Well, I was only trying to help.
00:49:05Well?
00:49:11Too much crust.
00:49:13That's the way we do it back home.
00:49:15Hi, boss.
00:49:20Hi, Bill.
00:49:25Okay.
00:49:28Specialty of the house.
00:49:29I thought I'd show you the way we do it out here.
00:49:31It looks swell.
00:49:33Tastes even better.
00:49:35I suppose you wash up if you're going to...
00:49:37Can you find out something?
00:49:39Amateur night, boss.
00:49:40I figured we ought to give some new talent a break.
00:49:43Yeah.
00:49:44Excuse me.
00:49:47What did you find out?
00:49:50Time it up right there.
00:49:53Now, Brad.
00:49:59It's about Roy, isn't it?
00:50:02It's not good news, sweetheart.
00:50:08Give it to me straight.
00:50:10You promised.
00:50:12All right.
00:50:14I think his pals got rid of him.
00:50:19Now.
00:50:20Everything points to it.
00:50:23But why?
00:50:25Why?
00:50:26What difference would it make to know why?
00:50:31They had reasons.
00:50:39Go on back home to your people, Pat.
00:50:42I can't.
00:50:44Sure you can.
00:50:45I'll keep at it until I know without a doubt.
00:50:48It's the best thing, Pat.
00:50:50If Roy's alive, he'll come to you.
00:50:52Yeah.
00:50:53Yeah.
00:50:56All right, Brad.
00:50:58If you say so.
00:51:05I guess I just don't rate being happy.
00:51:07Sure you do.
00:51:08Get it.
00:51:09Just wasn't eating cars.
00:51:13Your food's getting cold.
00:51:14Let me know.
00:51:23Let me find out who did it.
00:51:27So long, Pat.
00:51:28Why'd you wait all this time?
00:51:38You could have called me down from Las Vegas before this.
00:51:40Two reasons.
00:51:41One, I didn't know how far running would get.
00:51:44And two, phones can be tapped.
00:51:46We've come a long way, Gene.
00:51:47We're legit.
00:51:49Why should anyone want to tap our phones?
00:51:51Okay, still, I don't be getting happy.
00:51:53I don't need that $200 suit.
00:51:55All muscle and no brain.
00:51:56Okay, so I'm a hooligan.
00:51:58But that fat bozo's getting in our hair.
00:52:00It calls for a little muscle.
00:52:03Only if we have to.
00:52:04How long are we going to wait?
00:52:06That depends on Jane Addams and what she has to say.
00:52:09Okay.
00:52:10Okay.
00:52:39Thank you.
00:53:09Thank you.
00:53:39Mr. Runyon, sweet, please.
00:53:56Mr. Runyon, I've got to see you right away.
00:54:00I know who killed Dr. Bromley.
00:54:04Come up.
00:54:05Come up.
00:54:05Come up.
00:54:09Come up.
00:54:39Oh, Mr. Runyon.
00:54:43Hey, yes, Jane.
00:54:44Bill wanted me to tell you he's out hunting up some new places to eat.
00:54:48It's a big deal.
00:54:49It's death due to strangulation.
00:54:59But why did he want to kill her?
00:55:00The same reason the doc was killed.
00:55:03Do you want to see her?
00:55:04No, thanks.
00:55:05The body I want to see is Roy Clark's.
00:55:06Well, you forget we're not looking for Clark out here.
00:55:09You are now.
00:55:10If he was picked up unidentified, missing persons would handle it.
00:55:14No record on Roy Clark or Sheldon?
00:55:20Do you ever figure he may not be dead?
00:55:22I figure everything until I know for sure.
00:55:25Let's see.
00:55:26Roy disappeared on April 20th on a Thursday.
00:55:30How many bodies were brought in between the 20th and 23rd?
00:55:33April 23rd.
00:55:39Five.
00:55:40How many were identified?
00:55:42Three.
00:55:43Give me a rundown on the other two.
00:55:45One female suicide, one male.
00:55:48Truck smash-up, burned beyond recognition.
00:55:50Any medical report?
00:55:52Well, the man was over six feet tall, had dark hair.
00:55:55Say, Clark had dark hair, and he was about that size, too.
00:55:58So am I?
00:55:59My hair's dark.
00:56:01Now, here's an interesting note.
00:56:02The truck was stolen from U.S. Trucking Company.
00:56:04Oh, that's great.
00:56:05Now Clark steals himself a truck and sets himself on fire.
00:56:09Look, I've got a desk full of work.
00:56:11Let me know when you hit on the better idea.
00:56:13I'll do just that, sweetheart.
00:56:19This looks like a nice one.
00:56:22Just peachy.
00:56:24Don't you feel well?
00:56:25Never felt better.
00:56:26Yes, sir.
00:56:27I'll take this one.
00:56:28Now, this is the favorite with little boys.
00:56:31I'm a big boy, madam.
00:56:33I'll take this one.
00:56:34Very well.
00:56:35But the other one has real headlights.
00:56:40Well, so you got yourself a truck.
00:56:42Now, what are you going to do with your toy?
00:56:45Play.
00:56:48Exhibits A, B, C, D, and E.
00:56:54One wooden toy truck, several sheets of paper, a toothpick, a latch, and a highly combustible
00:56:59lighter fluid.
00:57:00Everything is here.
00:57:01Everything with a man in a white coat and a straitjacket.
00:57:04But there's a method to my madness.
00:57:08Observe.
00:57:08Here we have a truck.
00:57:10The sort of a truck in which Mr. Roy Clark met his dad.
00:57:13And here...
00:57:14Cargo that the trucks carry.
00:57:19And here...
00:57:24Oh.
00:57:26May I?
00:57:31One Elk's tooth.
00:57:41Hey!
00:57:42And that, gentlemen, is how Roy Clark perished.
00:57:52And this...
00:57:54This is the reason why Dr. Bromley and the nurse were killed.
00:58:02Roy Clark's teeth.
00:58:04The one thing fire can't destroy.
00:58:06Oh, it's been a tough day, Brad.
00:58:08See if you can take it slowly.
00:58:10All right, then.
00:58:12From the beginning.
00:58:14The minute Clark was sprung, he made a beeline for his pals to mend his share of the loop.
00:58:19They figured it was cheaper to kill him and eliminate the one person who could finger
00:58:22them for the job.
00:58:23Reasonable?
00:58:25Sounds reasonable.
00:58:26Thank you.
00:58:28But a phone call from a Dr. Bromley threw them for a loop.
00:58:31It seems he had taken x-rays of Roy's teeth, and such x-rays could identify Clark, as you
00:58:37know.
00:58:37Yes, well, go on.
00:58:38So they broke into the doctor's office, cleaned house, and then followed him to New York, where
00:58:43they got the other x-ray and knocked off the doc, thus eliminating the last connection
00:58:48with Roy's murder.
00:58:49Well, why kill the doctor?
00:58:50They had already destroyed the x-rays.
00:58:52Because the doctor could identify his own work on Clark.
00:58:55And as for Jane, she must have seen the killer back east, and then recognized him out here.
00:59:01Now, do you find any holes in that chain of events?
00:59:04Holes?
00:59:05No.
00:59:06But there's no evidence in it.
00:59:07That's right.
00:59:08No evidence yet.
00:59:10Later, Lieutenant.
00:59:11Later.
00:59:12Come on, Bill.
00:59:13We're going over to U.S. trucking.
00:59:14Night, boss.
00:59:17Sure, I remember the trucking question.
00:59:19Two-ton job, eight years old.
00:59:21Who's going to steal a jalopy like that?
00:59:23It was a honey.
00:59:25Just had it repainted.
00:59:27The driver around?
00:59:29Sure, he's always around.
00:59:31I'm stuck with him like taxis.
00:59:34Pinky?
00:59:36Pinky?
00:59:36Yeah, all right.
00:59:37What do you want?
00:59:45My brethren, though.
00:59:48How do you do?
00:59:50Hi.
00:59:50Mr. Rennion here is investigating the case he wants to run down on that stolen truck.
00:59:55Yeah, how did it happen, Pinky?
00:59:57Right outside the job.
01:00:00How do you like that, the nerd?
01:00:02I'm just finishing off a load.
01:00:04Working hard, you understand?
01:00:06Yeah, well...
01:00:07I love this trunk out of the house.
01:00:09Heavy it was, too.
01:00:10And you give me a straight.
01:00:12I get it up on the truck.
01:00:14And cover it over, neat-like.
01:00:17And then I go back into the house for the next load.
01:00:22That's all, brother.
01:00:23That's all, brother, you stupid.
01:00:27Two-ton job.
01:00:28Just repaid it.
01:00:29And me standing there with egg on my face.
01:00:32Only to my brother-in-law these things happen.
01:00:35What's the matter?
01:00:36I got immunity or something?
01:00:39Where the truck picked up?
01:00:42North Hollywood, two hours later.
01:00:45When I think of what the guy looked like behind the wheel.
01:00:48It burned.
01:00:49Burned like a marshmallow.
01:00:52You can imagine how my sister felt till she knew it wasn't Pinky.
01:00:55I'm not sure she wasn't disappointed.
01:00:57You got no right to talk like that about freedom.
01:00:59I got no right.
01:01:00It's my wife, so I got a right.
01:01:04What was in the truck?
01:01:06Nothing.
01:01:08Nothing?
01:01:09That's just it.
01:01:10Nothing worth stealing.
01:01:11If you ask me, that crook was nutty like a fruitcake.
01:01:15Theatrical costumes.
01:01:17Three trunks full.
01:01:18Belonging to a fella named, uh...
01:01:20Dietz.
01:01:22Dietz?
01:01:23Yeah.
01:01:23Ed Dietz?
01:01:24That's the guy.
01:01:26He's in a show over at the Greek Theater on Los Feliz.
01:01:31Ed Dietz ain't been around for over a week now.
01:01:33Just didn't show up for a rehearsal one day.
01:01:36Did you check his home?
01:01:37Yep.
01:01:37The Alicot Hotel on Ventura Boulevard.
01:01:39Went there myself.
01:01:41He just moved out without saying where.
01:01:43Well, thanks, Pop.
01:01:51Well?
01:01:52You gone, disappeared.
01:01:53Vanished.
01:01:55What's your guess?
01:01:55I don't know.
01:01:56You figured Dietz just walked off or was taken off?
01:01:59That's the question.
01:02:06It was Gordon's car.
01:02:08Correct, William.
01:02:10Looks like he doesn't want us to find Dietz.
01:02:13Yeah, I can catch that monkey.
01:02:14Relax, relax.
01:02:15Relax, we know where he's going.
01:02:28I'm forgetting Stark down here now, boss.
01:02:30And spoil our little experiment?
01:02:32Uh-uh.
01:02:33Still better than having your face spoiled.
01:02:35Well, you worry too much, Bill.
01:02:37Well, why wouldn't I worry?
01:02:39You going in there to accuse Gordon and his partner of murder,
01:02:42he'll never let you out of there alive.
01:02:43In which event, we'll know we're on the right track?
01:02:46Sure, that makes it all worthwhile.
01:02:48Well, okay, if I'm not out in 30 minutes, you can call Stark.
01:03:06Hello, Tony.
01:03:07How are you, Mr. Onion?
01:03:09Lucky, I'd say.
01:03:10Lucky, you're such a bad shot.
01:03:15Are you talking in riddles again?
01:03:18I don't think so.
01:03:21Someone's been taking pot shots at me
01:03:23from a dark convertible like you drive.
01:03:26Now, what would I want to do that for?
01:03:28Lots of reasons.
01:03:29Maybe you want to shut me up.
01:03:31Or maybe you're just taking orders.
01:03:33You got nothing on me, fat man.
01:03:40Why, how about running?
01:03:41This is an unexpected pleasure.
01:03:43Unexpected for sure,
01:03:45but I doubt if it'll be any pleasure.
01:03:47Come on in.
01:03:52Have a drink?
01:03:54No.
01:03:55Why the chip on your shoulder?
01:03:57Skip it.
01:03:58All right.
01:03:59Should I have Roy yet?
01:04:00Frankly, Gordon, I don't think I'll ever find Roy yet.
01:04:03Why not?
01:04:04It's just a hunch.
01:04:07You don't know Roy like I do.
01:04:08There's been a lot of checking since I was here last.
01:04:13All roads lead to you.
01:04:15So what, I told you Roy came to me after he got out?
01:04:18You also told me that you gave him a stake
01:04:20and he disappeared on his own.
01:04:23I don't like playing cat and mouse or anything.
01:04:26Suppose I tell you what I think happened
01:04:27when Roy came back here.
01:04:35Even a cigarette teaspoon on the outside.
01:04:38Listen, that is the way it's going to be
01:04:43from now on, right, Abby?
01:04:44Right.
01:04:46You know, that's all I kept thinking about for six years.
01:04:49Getting out and getting my hands on my share of the dough.
01:04:51Not bad.
01:04:53It's time I lived like this.
01:04:54How much does it come to you, anyway?
01:04:59Almost 200 grand.
01:05:01That makes it worthwhile.
01:05:03Come on, pal, my job.
01:05:05You know him.
01:05:06He thinks we keep that kind of dough sitting around here.
01:05:10Here.
01:05:12On account.
01:05:16Buy yourself some clothes and have some fun.
01:05:19My chauffeur will take you around wherever you want to go.
01:05:21Thanks, Gene.
01:05:25We'll be seeing you.
01:05:26I'm all right.
01:05:34Take care of our friend.
01:05:35Of course, there may have been one or two little details that I overlooked.
01:05:47So you think we knocked off Clark, huh?
01:05:50Yeah.
01:05:51You're crazy.
01:05:52Am I?
01:05:52Clean through.
01:05:54Well, let's see what the cops think.
01:05:56Help yourself.
01:05:58While you're down there, I'll give my regards to Lieutenant Stark.
01:06:01I'll plant it big, huh?
01:06:03Okay, sweetheart.
01:06:15Ambitious guy.
01:06:16Yeah.
01:06:17He's too ambitious.
01:06:18And what happens if Runyon really finds out?
01:06:20Well, we're all right as long as our friend keeps his mouth shut.
01:06:23Suppose he don't.
01:06:24Suppose he talks.
01:06:25Of course, I'm only a hooligan.
01:06:29You're the brains.
01:06:32But I say we take care of them.
01:06:38Okay.
01:06:44Off you're quiet, boss.
01:06:46I don't get it.
01:06:48I just don't get it.
01:06:49I don't get what?
01:06:50A brat Tony denied shooting at us.
01:06:52Then I threaten Gordon.
01:06:54He lets me walk right out.
01:06:55It doesn't make sense.
01:06:56I suppose it would have made more sense if he'd tried to kill you, huh?
01:06:59Yes.
01:07:00That's what he should have done.
01:07:01Oh, that's just peachy.
01:07:08Something I missed.
01:07:09I thought I had all the pieces put together.
01:07:12There's one that's not there.
01:07:18The missing clown?
01:07:19Sure, deets.
01:07:21Said deets.
01:07:22You're right on the ball.
01:07:23Oh, it's nothing really, boss.
01:07:26Where do we find him?
01:07:31Hey, might just be his landlord has an idea.
01:07:35Turn right at the next corner.
01:07:42Stay for yourself.
01:07:43Nobody's trying to hold on you, mister.
01:07:45Now, Teddy, he's gone.
01:07:46But where?
01:07:47He'd leave a forwarding address, wouldn't he?
01:07:49You tell me.
01:07:50Well, what happened if he got the mail for him?
01:07:52It's Uncle Sam's worry.
01:07:54All I know, he called in the moving van when I was out.
01:07:57Moving van?
01:08:00Thanks.
01:08:06Last week, it was.
01:08:07He came in to give us a job again.
01:08:09See if he can find the order.
01:08:11I'm looking.
01:08:12I'm looking.
01:08:12I'm looking.
01:08:13I'm looking.
01:08:14Some brother-in-law I got.
01:08:15My own family makes me sit here all night.
01:08:18Here's the order.
01:08:20To be delivered to the Ed Deeds Circus in Tarzan.
01:08:24Let me see that.
01:08:25Who moves at night, Gypsies?
01:08:27Thanks.
01:08:34Now, you got everything straight?
01:08:35Oh, I think so, boss.
01:08:37While you take a look at the circus to see what gives, I find a phone booth, call Shifty,
01:08:42and tell him what you want.
01:08:43Yeah.
01:08:43Then I call Lieutenant Stark.
01:08:45Right.
01:08:45Uh, stop over there.
01:08:47I'll get that cab.
01:08:47Uh, stop over there.
01:08:50I'll get that cab.
01:08:50Did you get it?
01:09:05Strangling.
01:09:14What's it for?
01:09:15Hunting.
01:09:16You?
01:09:18Don't make me laugh.
01:09:19Well, I didn't get a marksman's medal in the army for nothing.
01:09:22You're right, no animals around here.
01:09:24That's where you're wrong, sweetheart.
01:09:25I'm on my way to the circus.
01:09:26You got everything straight?
01:09:32A cinch, boss.
01:09:33See if you can find the window.
01:09:35With my eyes closed.
01:09:37That's great.
01:09:39But keep them open and watch for my signal.
01:09:42When I stand in front of the window, you get ready.
01:09:45It's after I get out of the way.
01:09:47Shoot.
01:09:47You got that?
01:09:48After I get out of the way.
01:09:51After you get out of the way.
01:09:52Yeah.
01:09:56Oh, Mr. Runyon.
01:10:16Hello, Ed.
01:10:18You following me?
01:10:20Looks like it, doesn't it?
01:10:22Come on in.
01:10:26Nice little circus you got yourself here, Ed.
01:10:31Sure.
01:10:31I always wanted one.
01:10:35Just trying out some new makeup for the show.
01:10:39Sit down while I take off my face.
01:10:43How'd you find me?
01:10:45A lot, Ed.
01:10:46Pure luck.
01:10:48And a little figuring.
01:10:50Why, something important?
01:10:51No.
01:10:52No.
01:10:52Just wanted to keep you up to date on Roy.
01:10:57Sure.
01:10:57How is he?
01:11:04Dead.
01:11:05No.
01:11:06How'd it happen?
01:11:08Well, it seems Roy had a friend.
01:11:11This friend needed money.
01:11:14And he had an idea how to get some.
01:11:16You got Roy's share of the keeper.
01:11:19I want a cut of it or tip the cops.
01:11:22Don't try that.
01:11:23You don't think I'll just walk in here without any protection, do you?
01:11:27All right.
01:11:28Suppose we give it to you.
01:11:29What happens when Roy gets out?
01:11:31That little detail you just leave to me, all part of the deal.
01:11:34I still think he's bluffing, am I?
01:11:37If anything happens to me, the cops get a letter telling them everything.
01:11:41Smart boy.
01:11:42Right.
01:11:44Now, you've got about 200 grand new Roy.
01:11:47All I want is 50 of it.
01:11:49That still leaves you a nice little bonus.
01:11:54How about this friend?
01:11:55Did he get the money?
01:11:57Yeah.
01:11:58Yeah, he got it all right.
01:11:59And he also took care of Roy, just like he promised.
01:12:05How?
01:12:06Well, he probably asked Roy over to his house one afternoon.
01:12:09Knocked him out and got him into a trunk.
01:12:11Then, in order to get rid of the body, he called in a moving van to pick up the trunk.
01:12:18Diverted the driver, stole the truck, and burned it to cremate the body.
01:12:22You figured good.
01:12:28Did you also figure that nothing would stand in the way of me getting that money?
01:12:31There was a chance for me to have a circus of my own.
01:12:34All my life, that's what I've been after.
01:12:36So you're going killing.
01:12:38Nobody's that smart.
01:12:39Nobody.
01:12:41I planned every detail.
01:12:42Then someone like you comes along and throws everything out of gear.
01:12:45Now, take it easy.
01:12:46You're sick, Ed.
01:12:48But nobody's going to let up on you.
01:12:50Me, the cops, Gordon or Stephen.
01:12:53They wouldn't talk.
01:12:55Stop, Ed.
01:12:58You're the one they're afraid of.
01:13:00They're afraid you'll give them away.
01:13:07They're gunning for you right now.
01:13:09Don't take another step.
01:13:12I can help you, Ed, but you've got to help me.
01:13:15Get moving.
01:13:20Now, do you believe me, Dee?
01:13:23Hey, little pals are out there, and they're going to kill you.
01:13:30They are out there.
01:13:32If you play ball, Ed, I can help you.
01:13:34I'll cover them from this window.
01:13:36You go out through that door.
01:13:37You'll help me with the cops?
01:13:38I'll do what I can, Ed.
01:13:40You're sick.
01:13:41The cops will listen to me.
01:13:42Head for the other wagon and wait there.
01:13:43Take care of this one, Bill.
01:14:03It's a pleasure, boss.
01:14:05It's a pleasure, boss.
01:14:13Get out of me.
01:14:18Neats, you haven't got a chance.
01:14:20You should have let me know sooner.
01:14:41I wasn't sure it was going to pay off.
01:14:42There's one of them for you.
01:14:44See you till it.
01:14:47Hey, wait a minute.
01:14:48That guy's going crazy in there.
01:14:50We better move in from different sides.
01:14:52Okay?
01:14:52Okay.
01:14:52Okay.
01:15:21¡Suscríbete al canal!
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01:16:01¡Suscríbete al canal!
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01:16:13¡Suscríbete al canal!
01:16:15¡Suscríbete al canal!
01:16:17¡Gracias!
01:16:47You know, boss, these California cows don't seem to put their heart in their work.
01:17:03¿Sure you won't have some coffee?
01:17:05Thanks, I still have some cleaning up to do at headquarters.
01:17:09I should have been a fireman.
01:17:11More time to sleep.
01:17:15Hi, you.
01:17:17How's that hotel cooking, boss?
01:17:23It's murder.
01:17:25Just murder.
01:17:27It's murder.
01:17:27It's murder.
01:17:28It's murder.
01:17:29Gracias por ver el video.
01:17:59Gracias por ver el video.
01:18:29Gracias por ver el video.
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