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PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:30¡Gracias!
00:02:32¡Gracias!
00:02:35¡Gracias!
00:02:39¡Gracias!
00:02:44¡Gracias!
00:02:46¡Gracias!
00:02:48¡Gracias!
00:02:50¡Vincent Lubeck, age 16, possession of firearms!
00:02:54Remanded to Juveno Hall.
00:02:56¡Vincent Lubeck, age 17!
00:02:58Breaking and entering, Whitmore Reformatory, 6 months.
00:03:03Vincent Lubeck, age 19, petty theft.
00:03:07Sentenced to city jail, 9 months.
00:03:10Vincent Lubeck, age 20, grand theft, auto.
00:03:14Sentenced to county jail, 1 year.
00:03:16Vincent Lubeck, age 22, armed robbery.
00:03:21Sentenced 5 to 10 years, state penitentiary.
00:03:24Gentlemen, Vincent Lubeck is a hoodlum.
00:03:28An habitual criminal.
00:03:29It is my opinion that he be denied parole.
00:03:32But, Warden, Vincent Lubeck has served his sentence.
00:03:34His record here has been exemplary.
00:03:36And I feel this man should...
00:03:36Modernarily, Warden, your objection would be sufficient for denial of parole.
00:03:40But in this case, there seems to be extenuating circumstances.
00:03:44The only extenuating circumstance in Vincent Lubeck's case is that he has not killed anybody.
00:03:49Yet.
00:03:50I am in contact with this type of criminal every day.
00:03:53I live with him.
00:03:55The Vincent Lubecks never changed.
00:03:56But, Warden, this is an institution for correction, not punishment.
00:04:00If we permitted ourselves to act in so prejudiced a manner, we'd be subject to attack from society.
00:04:06Apparently, you do not realize we are not dealing with the old-style gangster anymore.
00:04:10The Vincent Lubecks are committing the most vicious crime there is.
00:04:13Crime against people.
00:04:15Street attacks, armed robbery, assaults upon women, murder.
00:04:21The hoodlum is our public enemy, number one.
00:04:23Gentlemen, I would like to have you meet Mrs. Lubeck, Vincent's mother.
00:04:27It would make no difference.
00:04:28I'm dealing with brutal facts, not sentiment.
00:04:30I see no reason why we should not see Mrs. Lubeck.
00:04:38Would you please come in, Mrs. Lubeck?
00:04:40No, no.
00:04:52Mrs. Lubeck?
00:04:53This is warden Stephens.
00:04:55These gentlemen are members of the parole board.
00:04:59Mrs. Lubeck.
00:05:00There seems to be some inadvisability about granting parole to your son.
00:05:04¿Por qué no te va a dejarme?
00:05:07No, no, no.
00:05:09¿Por qué no te va a dejarme?
00:05:11¿Por qué no te va a dejarme?
00:05:13¿Por qué no te va a dejarme?
00:05:15No, no te va a dejarme.
00:05:18Es solo mi opinión que no es tan bien para tomar su lugar en sociedad.
00:05:22¿No es cinco años suficiente para tomarme de un hijo?
00:05:27¿Cuándo te va a estar pronto?
00:05:29¿Ten años? ¿20 años?
00:05:32¿Cuándo me llamó a buscarme?
00:05:34¿Por qué no tengo gente para trabajar?
00:05:37¿Para qué?
00:05:38Me preguntó, ¿el me dice?
00:05:40¿Vincent finalmente hubiera un dinero?
00:05:42¿Por qué?
00:05:43¿Por qué no te va a darme una pizza?
00:05:44¿Por qué no te voy a comprarme?
00:05:46Es una tienda.
00:05:48¿Por qué?
00:05:49¿Por qué no me da cuenta?
00:05:51No, no, no me da cuenta de nada.
00:05:54¿Por qué no me da cuenta?
00:05:56No, no me da cuenta de nada.
00:05:58No detrás de eso no me viven%.
00:05:59¿Por qué?
00:06:00Ever since he was a little boy, he fights the whole world
00:06:04because he wants to be big.
00:06:07I tell him to be big.
00:06:09He must be big inside.
00:06:12Vincent is a plain boy.
00:06:14He don't have the strength to make his dream come true.
00:06:18To dream is not enough.
00:06:23For five years, he's in jail.
00:06:30Now he understands that in this world, there is a place for everything.
00:06:36Everything can be sick.
00:06:39There must be cotton.
00:06:42Please.
00:06:44Please.
00:06:48Let him come home with me.
00:07:00It's the decision of this board that Vincent Lubeck be granted parole.
00:07:10It is my duty as warden to apprise you of the conditions of your parole.
00:07:15You will report monthly to your parole officer.
00:07:18You shall...
00:07:18Yeah, I know.
00:07:19Notify him of any change of address and get a job within 60 days.
00:07:22Yes, you would be familiar with parole procedure.
00:07:25Forgot for the moment, I was speaking to Vincent Lubeck.
00:07:29Will that be all?
00:07:31Lubeck, I want you to know that I objected to your parole.
00:07:34If it hadn't been for your mother, you'd serve your full sentence.
00:07:37Come with me.
00:07:38Lubeck, I've seen a lot of hoodlums walk out of here.
00:08:08Then come back and leave again through this door.
00:08:13Open it.
00:08:32Keep thinking about this, Lubeck.
00:08:36Remember.
00:08:38There are no paroles once you pass this door.
00:09:03Vincent.
00:09:03Hello.
00:09:05Let me say hello to my brother.
00:09:14What's the matter, Johnny?
00:09:14No hello?
00:09:15Look, Vince.
00:09:16Let's get this straight.
00:09:18I didn't come for you.
00:09:19I drove Mama here.
00:09:22Johnny.
00:09:23You mean, Johnny owns this?
00:09:38Three years now.
00:09:40Lubeck's service.
00:09:42Where do you get the door to buy it?
00:09:45Papa's insurance.
00:09:46If he was here, Vincent, he would be a very happy man.
00:09:50How much was there?
00:09:53It was only a small policy.
00:09:57Johnny used his share for a down payment on the station.
00:10:00What about the rest?
00:10:02Lawyer?
00:10:04Johnny bought all this.
00:10:05Take a breath, Vincent.
00:10:19Go ahead.
00:10:20Smell.
00:10:21You can smell fresh air here.
00:10:24Not like where we used to live by the city dump.
00:10:26Every time the wind changed, my, the smell.
00:10:30And Papa running around all day yelling, keep the windows closed.
00:10:34Keep the windows.
00:10:34Stop it, Ma.
00:10:37Keep the windows closed.
00:10:38What was the use?
00:10:40The stink came through them anyhow.
00:10:42Into all the corners, into your lungs, your skin.
00:10:45Even if you took a bath every day, the stink would stink.
00:10:48Our playground, where we picked up a few pieces of junk to get spending money.
00:10:53A rotten stink.
00:10:57Even now, we're not too far away from it.
00:11:02Yeah, but you wait.
00:11:03I got ideas.
00:11:05I'll get plenty of money.
00:11:07Yeah, dough.
00:11:08That's the only thing that'll ever cover up the stink of the city dump.
00:11:11Vincent, you mustn't talk like that.
00:11:15You've got a whole new life to look ahead to.
00:11:17Look at Johnny.
00:11:18Yeah, grease monkey.
00:11:20Had to wait till Papa died till we get enough money to make a down payment on a gas station.
00:11:24Vincent.
00:11:27Ma, the Bible gives you 70 years to live.
00:11:30The insurance companies tell you it's 65.
00:11:32The big companies tell you after 40, you can't make a buck.
00:11:36Well, I haven't got far to go.
00:11:38When you die, you're a long time dead.
00:11:41And when you are in jail, are you alive?
00:11:47I'm alive.
00:11:48I'm alive.
00:11:49Rosa.
00:11:50Hello, Mama.
00:11:52Vincent, you remember Rosa, Johnny's girl.
00:11:58Welcome home, Vincent.
00:11:59Hello, Rosa.
00:11:59Johnny, you promised me.
00:12:07Then suppose you forget what I said.
00:12:08Yeah, sure.
00:12:11This is how it should be.
00:12:13Brothers should always stick together.
00:12:16Well, what are we waiting for?
00:12:19Come, Rosa.
00:12:19You'll help with supper.
00:12:20All right.
00:12:22Johnny, tell Vincent about the station.
00:12:28It's Mom's idea, Vince.
00:12:29You mean I'm supposed to work in the gas station?
00:12:35She had to tell the parole board you had a job.
00:12:38Yeah, that's right.
00:12:39I forgot.
00:12:40That is not a bad idea.
00:12:42With you and the station, we could stay open longer.
00:12:44Pump more gas.
00:12:45And there are a few things I like to do.
00:12:47Put in a wash rack.
00:12:50Mom was in such a hurry this morning,
00:12:51I didn't get a chance to clean the dirt from under my fingernails.
00:12:54Then I like to...
00:12:55Your nails do get dirty, don't they, Johnny?
00:12:57Yeah, Vince, they do.
00:13:00But this kind of dirt you can wash off.
00:13:16Like it?
00:13:18Crazy about it.
00:13:19It's good work, Vince.
00:13:20Out in the open all day, meeting different people.
00:13:23And best of all, you're your own boss.
00:13:25Nobody gives any orders around here.
00:13:27Who would you give them to?
00:13:28The gas pump?
00:13:30I ain't taking any.
00:13:38Hey, Vince, the boss's losing counterclockwise in that wheel.
00:13:44Why don't you give the jerk a warrant to the buck
00:13:45and let him do it himself?
00:13:46If I had the time,
00:13:48I could probably do a better job than you.
00:13:53Tell me, what keeps you so busy?
00:13:54My job.
00:13:56What about getting back to yours?
00:13:57I need my car.
00:14:00Yours?
00:14:02Heaven really must be helping the working girl these days.
00:14:05Not heaven.
00:14:06The bank.
00:14:07The bank?
00:14:07And the manager's secretary.
00:14:11On a secretary's salary?
00:14:13I take home samples.
00:14:15That's an interesting hobby.
00:14:17Got any others?
00:14:17Yes.
00:14:19I read books.
00:14:27Hey, Vince.
00:14:28Want to eat first?
00:14:29Tony's down the street is pretty good.
00:14:31No, I'll get something later.
00:14:32Okay, then I'll go grab a sandwich.
00:14:33Come on, Bluebeck.
00:14:52Now, come on, Bluebeck.
00:14:56I mean your eyes.
00:14:58You seem to have fallen out of your head.
00:15:00Don't get too ambitious.
00:15:03That gal's out of your class.
00:15:05That's what I like about you cops.
00:15:07Always taking the pleasures out of life.
00:15:09How long have you been staked out here?
00:15:10Long enough to see you do the first bit of honest work in your life.
00:15:14Didn't lose any time checking up on me, did you, Sergeant?
00:15:17Lieutenant.
00:15:19Hailing you for that stick-up five years ago got me a promotion.
00:15:22Well, hanging around here is not going to make you catch.
00:15:24I'd rather make it some other way.
00:15:25Cut out the double talk, Bertie.
00:15:27You're a pinch-crazy.
00:15:28There's too many guys doing time because I forgot you're a cop.
00:15:31Not me.
00:15:32I was born yesterday.
00:15:34I'm not forgetting you owe me five years of my life.
00:15:36You cheap hood.
00:15:38Always looking for a fall guy and never realizing you're it.
00:15:42Lieutenant.
00:15:43A beef at Elm and 25th.
00:15:46I don't owe you a thing, Bluebeck.
00:15:49But if you think I do, try to collect.
00:15:51I'd like to pay you off once and for all.
00:16:10What do you want?
00:16:11Take a dollar's worth of that gas.
00:16:21Better watch what you're doing.
00:16:27I only asked for a dollar's worth and I won't pay one cent more.
00:16:30Now look what you've done.
00:16:33You ruined the paint.
00:16:34Get a rack and wipe it off.
00:16:35Quickly.
00:16:36Well, what are you waiting for?
00:16:39You ruined that paint and I won't pay you for the gas.
00:16:43Try and collect.
00:16:46Hey, hey, stop that.
00:16:47Cut it out.
00:16:48Did you hear me?
00:16:49Stop it.
00:16:49Competition is too tough and I don't find customers in the street.
00:16:54That old man will never come back again.
00:16:56I'm trying to run a business.
00:16:57This isn't kid stuff anymore.
00:17:05Oh, it's no use, Rosie.
00:17:06You can't even talk to him.
00:17:08Try to help him and he blows his top.
00:17:09It will work out.
00:17:10Lower your voice, Johnny.
00:17:12You don't want to upset Mama.
00:17:16You must be patient.
00:17:17After all, it's his first day and he's been away five years.
00:17:21Well, I'm meeting him more than halfway.
00:17:23But it's not only that.
00:17:25Tony, the restaurant man, told me the police came into the station today.
00:17:28What did they want?
00:17:30I don't know.
00:17:31I wasn't there.
00:17:32But it's no good in a neighborhood like that.
00:17:34Johnny, he's your brother.
00:17:35If you won't give him a chance, who will?
00:17:37All right, the cops coming into the station can't be helped.
00:17:40But that stuff he pulled today.
00:17:42Maybe if I spoke to him.
00:17:44That's no use.
00:17:44He won't listen.
00:17:45Even Mama can't straighten him out.
00:17:47I think I understand what's troubling him, Johnny.
00:17:51A woman's touch?
00:17:53Okay, go ahead.
00:17:54See if you can put some sense into his head.
00:17:56But watch out.
00:17:56He doesn't bite yours off.
00:17:58Johnny.
00:17:59Where did he go?
00:18:00Probably up to the roof.
00:18:03When we were kids, he always ran up to the roof.
00:18:06So he liked to look down at the people.
00:18:08They looked so small.
00:18:10Made them feel good.
00:18:14Johnny.
00:18:22Caged.
00:18:30Vincent, I want to talk to you.
00:18:37Look, Rosa, one lecture's enough for tonight.
00:18:49I only want to help.
00:18:51And so does Johnny.
00:18:54I don't need his help.
00:18:55What does Johnny think he's got?
00:18:57Grease a car, pump some gas.
00:18:59Your nose filled with the stink of automobiles.
00:19:01And on top of that, give them service.
00:19:03Not for me.
00:19:05Is it so difficult to adjust yourself, Vincent?
00:19:09I came out just like I went in, only smarter.
00:19:12I learned a few things.
00:19:14It's better to forget those things.
00:19:16Start with new plans.
00:19:18Forget what?
00:19:19I was behind bars thinking about the day when I'd get out.
00:19:22When life wouldn't be planned for me.
00:19:23And I could walk around just like anybody else.
00:19:25When you get out, they won't let you forget.
00:19:26They're still pointing a finger at you.
00:19:27You're something different.
00:19:28Why don't you stop yelling?
00:19:31I'm an ex-con.
00:19:32What are you going to do about it?
00:19:34The only finger pointing at you is your own.
00:19:37Don't hand me that.
00:19:38Make a mistake once and you're dead.
00:19:40The cops are always after you.
00:19:41People don't want you around.
00:19:42Everybody wants to play warden.
00:19:44Keep them locked up.
00:19:45Keep them pendent.
00:19:46Don't let them free.
00:19:47Humans, animals.
00:19:49Birds.
00:19:51Cage!
00:19:51What was the use of that, Vincent?
00:20:14What did it accomplish?
00:20:16If only you'd stop to think, to plan your life.
00:20:22You know all the answers, don't you?
00:20:25Got everything planned.
00:20:26Not just what you want and where you're going.
00:20:28Well, what if it explodes in your face?
00:20:30I know just what I want.
00:20:31That could never happen.
00:20:34Sure, you planned it.
00:20:35Everything just so.
00:20:36One-on-one making two.
00:20:38What if something comes along you never figured on?
00:20:41One-on-one don't add up any longer.
00:20:44For instance, something like this.
00:20:50Stop.
00:20:51Please.
00:21:08Oh, hello, Eileen.
00:21:11Say, you keep looking like that, I bet the bank's going to start charging admission.
00:21:14Oh, they do.
00:21:15Only the depositors don't know about it.
00:21:17Give me five.
00:21:18I've just 30 minutes to make it to our head office.
00:21:36Put your money away.
00:21:37It's on me.
00:21:39Looks like they're sending the main asset down to the downtown branch.
00:21:42Only for the afternoon.
00:21:44There's a bank manager's meeting.
00:21:46Say, how about a passenger?
00:21:48I'm going down to the city hall on some business.
00:21:49It's only a couple of blocks from where you're going.
00:21:51All right, hop in.
00:22:01Cigarette?
00:22:01No, thanks.
00:22:02I don't smoke.
00:22:07What do you do for entertainment?
00:22:12Looking at money all day must get boring.
00:22:14Can you think of a better pastime?
00:22:16Yeah, spending it.
00:22:18These guys that sorted away in the bank haven't got the right idea.
00:22:21Me, I can think of better things to do with dough.
00:22:23For instance?
00:22:25Trade it for real living.
00:22:26These old guys sitting in exclusive clubs have got it and want to keep it.
00:22:31But I never heard of anybody coming back from down there saying he was having a good time.
00:22:36There's wine I've never tasted.
00:22:37Music I've never heard.
00:22:39And, uh, women?
00:22:40And women.
00:22:42Only there I'm even more particular.
00:22:44It's like a kid working at a candy factory.
00:22:47First he tastes everything that comes along.
00:22:49After a while the only thing he touches is the silver wrapped stuff.
00:22:53Then he's sick of that and he looks for something real special.
00:22:57Like you.
00:22:59And when he does find it?
00:23:02Oh, he's extra careful.
00:23:04Babies it so it'll last.
00:23:06How about some night this week?
00:23:08Thursday?
00:23:08It's my day off.
00:23:10Any day but that.
00:23:11We're usually busy preparing our Federal Reserve deposits for ship.
00:23:14And the pickup service doesn't like to be kept waiting.
00:23:18Why?
00:23:18What's the hurry?
00:23:19They carry a lot of money.
00:23:20And they're cautious about staying in one place too long.
00:23:23Sounds like a junior edition of the Mint.
00:23:25Guess if I had that kind of money I wouldn't stay in one place too long either.
00:23:28Well, well, the big man.
00:23:42I see they made you a member of the club.
00:23:45When did you fall out?
00:23:46Last month.
00:23:48This was my first visit.
00:23:49Hey, you're looking prosperous.
00:23:50What are you doing?
00:23:51Legitimately selling used cars.
00:23:55You?
00:23:55Pumping gas at my brother's station.
00:23:57Fourth and Boston.
00:23:58I mean, what do you got going for you?
00:24:00Keep it shady.
00:24:02We're not fixed to go.
00:24:04I'll see you next month.
00:24:05Wait a minute, Marty.
00:24:07I got something that'll be...
00:24:08No, I'm not interested.
00:24:10All right.
00:24:12But if you happen to know somebody who is interested in half a million, let me know.
00:24:17I've been listening to your line for five years.
00:24:23Another couple of hours won't make any difference.
00:24:26I'll meet you tonight at the gas station.
00:24:38I'm telling you, I can have the whole thing figured out in no time.
00:24:41An armored car?
00:24:42You're nuts.
00:24:44There's only one guy who was big enough to figure a deal like this.
00:24:47Razzle.
00:24:49And he's doing 20.
00:24:50Right.
00:24:51But you forget, I was his cellmate.
00:24:53And I did a lot of listening in five years.
00:25:00My brother Johnny.
00:25:01Marty Connell, a friend of mine.
00:25:03Hey, Vince, the pot's house just closed.
00:25:04And I may have to chase all over town and get what we need.
00:25:07You check with Rosa at Acme Wrecking?
00:25:09Yeah.
00:25:09I caught her just before she left.
00:25:11No luck.
00:25:13Take care of everything when I'm gone, will you?
00:25:14Yeah.
00:25:17Your brother doesn't seem to like your friends.
00:25:21He doesn't like me.
00:25:24How about it, Marty?
00:25:28If there's a half a million, it speaks for itself.
00:25:33Now you're talking.
00:25:35Johnny?
00:25:36Johnny.
00:25:39Hello, Rosa.
00:25:40Where's Johnny?
00:25:42Went to get some parts.
00:25:44Didn't you know?
00:25:45He said he checked with you.
00:25:46He did.
00:25:48I came down to tell him where he could get them.
00:25:51Why didn't you phone?
00:25:54Well, I...
00:25:55I thought I might catch him before he left.
00:25:58Yeah, too bad you didn't.
00:26:01You look upset.
00:26:04What's the matter?
00:26:04Wouldn't your little plans go wrong?
00:26:07You knew Johnny wasn't going to be here.
00:26:17Why did you have to kiss me?
00:26:18I thought you knew all the answers.
00:26:22One-on-one doesn't make two, does it, Rosa?
00:26:24Well, you've had eight weeks to play with this thing.
00:26:46And it's been cost and dough.
00:26:48Can you answer a few questions now?
00:26:50Shoot.
00:26:50Well, the mastermind is going to talk.
00:26:55Okay?
00:26:57Where does it happen?
00:26:59We'll take it in front of the bank.
00:27:00Why there?
00:27:01It's a busy street.
00:27:02Too many people.
00:27:03The only place it makes a regular scheduled stop.
00:27:05I still think we ought to take it off between stops.
00:27:08We'd have more time for a getaway.
00:27:10Less interference.
00:27:11Marty, those armored cars are like tanks when they're closed up.
00:27:14With that bulletproof glass and steel plates,
00:27:16the crew can hold off an army.
00:27:17How many men do you think we'll need?
00:27:19About six.
00:27:20Now for the jackpot question.
00:27:22When?
00:27:25Yeah, I'll let you know that when I figured out one more little to tell.
00:27:27What do you mean?
00:27:28After all this, you still won't know when we're going?
00:27:31Marty, ten minutes after we take that armored car,
00:27:33the police left the entire area bottled up.
00:27:36Getting through that blockade is a little to tell.
00:27:38I'll be a good little boy.
00:27:39Let me have the keys to the car.
00:27:42Taking that bank dame out again?
00:27:45Marty, this is business.
00:27:46I'll be a good이에 of all the players.
00:27:47¡Suscríbete al canal!
00:28:17¡Suscríbete al canal!
00:28:47¡Suscríbete al canal!
00:29:17¡Suscríbete al canal!
00:29:47¡Suscríbete al canal!
00:29:49¡Suscríbete al canal!
00:29:51¡Suscríbete al canal!
00:29:53¡Suscríbete al canal!
00:29:55¡Suscríbete al canal!
00:29:57¡Suscríbete al canal!
00:29:59¡Suscríbete al canal!
00:30:01¡Suscríbete al canal!
00:30:03¡Suscríbete al canal!
00:30:05¡Suscríbete al canal!
00:30:07¡Suscríbete al canal!
00:30:09¡Suscríbete al canal!
00:30:11¡Suscríbete al canal!
00:30:13¡Suscríbete al canal!
00:30:15¡Suscríbete al canal!
00:30:17¡Suscríbete al canal!
00:30:19¡Suscríbete al canal!
00:30:21¡Suscríbete al canal!
00:30:25¡Suscríbete al canal!
00:30:27¡Suscríbete al canal!
00:30:29¡Suscríbete al canal!
00:30:31¡Suscríbete al canal!
00:30:33¡Suscríbete al canal!
00:30:35Just tell Johnny you took time out on a little plan that didn't work out.
00:31:01Please, come in.
00:31:03No, no, no, no, no, no, no, no.
00:31:33Well, Mrs. Lupeck, when somebody dies, as Rosa did, the police have to make an examination.
00:31:40When you called me, I thought I'd take a look through the report.
00:31:44Since Rosa has no next of kin, I've secured permission for you to hold her funeral.
00:31:48I thank you very much, Mr. Burdick.
00:31:52Rosa was Johnny's girl, wasn't she?
00:31:55Yes.
00:31:56They were going to get married.
00:31:59It's too bad they didn't.
00:32:01Maybe this wouldn't have happened.
00:32:03What do you mean?
00:32:13Autopsy report, Rosa Cherma.
00:32:17This is what I mean, Mrs. Lupeck.
00:32:18Autopsy, findings, reveal, deceased, was two months pregnant.
00:32:33Not Johnny.
00:32:37She loved Rosa too much.
00:32:39Why don't you eat, Johnny?
00:33:04I can't understand it.
00:33:11Why did she do it?
00:33:12You really don't know it, Johnny.
00:33:14I hadn't spoken to her for weeks.
00:33:17She wouldn't even talk to me on the telephone.
00:33:20I only know why she did it.
00:33:22Because she was nuts.
00:33:24Any damn who'd jump off a roof must be nuts.
00:33:26Johnny, Johnny.
00:33:35Nothing but trouble since you came home.
00:33:38I suppose I'm to blame for Rosa.
00:33:40Nobody said that, Vincent.
00:33:42Thanks for taking care of everything, Mr. Breckenridge.
00:34:00Not at all.
00:34:01It's too bad.
00:34:02Rosa was a beautiful girl.
00:34:04How is Johnny?
00:34:05I see he's not around today.
00:34:07Yeah, he's taking it pretty hard.
00:34:09He'll get over it.
00:34:09Time is a great healer.
00:34:13By the way, how far is it out to the cemetery?
00:34:16My mother wants me to drive her there next week.
00:34:18Exactly 11 miles from here.
00:34:20That far?
00:34:21Didn't take us long to get out there.
00:34:23We never drive fast.
00:34:24But we do have the courtesy of the road.
00:34:26The police wave us right through.
00:34:29Charge, it's in my account.
00:34:30Fine.
00:34:31Good night.
00:34:32Good night.
00:34:37Police discovered the body of an unidentified soldier.
00:34:39That man about 65, near 5th and Broadway, late last night.
00:34:43The body now in the city morgue will be buried in Pottersfield unless claimed within 48 hours.
00:34:47Well, Uncle John is dead.
00:34:49Let's get moving.
00:34:53Christy, you will become Miss Vanguard.
00:34:57Eddie, you're her attorney.
00:35:01You play chauffeur.
00:35:02Right.
00:35:03Yeah, and lay off the booze.
00:35:04We want this to look good.
00:35:04Yes, it's Uncle John.
00:35:15I'll arrange for the removal of the body with the Breckenridge Mortuary.
00:35:20Come, my dear.
00:35:21You mustn't be so distraught.
00:35:23Miss Vanguard was very fond of her Uncle John.
00:35:28Of course, her position would preclude any publicity.
00:35:31Of course.
00:35:31Uncle John's eccentricities, his death in the street like a common derelict.
00:35:36You understand?
00:35:37Discretion is synonymous with the Breckenridge Mortuary.
00:35:41Funeral will be small, just a family.
00:35:43But we shall want the very best.
00:35:44And, of course, Uncle John's wish.
00:35:48That he be interred at the precise moment of his birth.
00:35:52The Breckenridge Mortuary parides itself on fulfilling the slightest wish.
00:35:57Of our...
00:35:58Peace.
00:36:01Thank you.
00:36:01Thank you.
00:36:31Thank you.
00:37:01Just like clockwork.
00:37:05Timed right on the nose.
00:37:06If we'd been ready, we could have taken it right then.
00:37:09Yeah, they'd have taken us right with it.
00:37:11One little hole is big enough for all of us to get buried in.
00:37:14Well, where is it, Vince?
00:37:15The bank door.
00:37:17Somebody will have to be there just in case the bank guard gets ambitious.
00:37:20Yeah.
00:37:21You're right.
00:37:23Who are we going to put there?
00:37:25You.
00:37:27Nice.
00:37:28Right in the coffin corner.
00:37:30Where are you going to be?
00:37:34As I've always said, keep one man you can positively depend on and reserve, just in case anything goes wrong.
00:37:41I'm the only man I can depend on.
00:37:44I'll be right here in front of the gas station.
00:37:46And on this day, we are gathered in sorrow to pay a final tribute to one whose presence on this earth brought happiness to many hearts.
00:37:56To those who knew him best, John, uh, John C. Vanguard, was a man of many facets.
00:38:05To his niece, he was the essence of kindness and love.
00:38:10A never-failing tower of strength.
00:38:13To his associates and employees, he was a fair-minded, open-handed man.
00:38:21His many good deeds had endured him to all as Uncle John.
00:38:25None were ever turned away by him.
00:38:29His charities were legion.
00:38:32To those in need, he was truly a friend.
00:38:34For John C. Vanguard asked only of life to be of aid to his fellow men.
00:38:39And so we say farewell to this beloved man whose memory will remain evergreen in our hearts.
00:38:45What did you come back for?
00:39:13I told you I could take care of everything.
00:39:14I could come back to get some money.
00:39:16So what are you so jumpy about?
00:39:18Maybe you need a day off worse than I do.
00:39:31Maybe we've both been working too hard.
00:39:33The way we jump at each other.
00:39:36Yeah, forget it.
00:39:36Don't pick up Mom.
00:39:37She'll be waiting for you.
00:39:38Right.
00:39:44Hey, Vince, isn't that Marty Connell across the street?
00:40:04Yes.
00:40:05So what?
00:40:06Vince, there's something phony going on.
00:40:08I just saw Marty nod to those two guys.
00:40:10Something tells me he's no depositor.
00:40:12I'm going to call the police.
00:40:19Get away with that phone.
00:40:21Drop it.
00:40:25That arm a truck.
00:40:27Vince, you're out of your mind.
00:40:28Put down that phone on that kitten, Johnny.
00:40:32Vince, don't.
00:40:33Get back, Johnny.
00:40:34Get back.
00:40:34You can't do it, Vince.
00:40:36It'll kill Mama.
00:40:38Vince, how can I make you see it's all wrong?
00:40:40You can't.
00:40:41I've got a date now.
00:41:04Get away from that door.
00:41:31Get away from that door.
00:41:31Get away from that door.
00:41:33Get away from that door.
00:41:33Get away from that door.
00:41:34Get away from that door.
00:41:43Get away from that door.
00:41:56All right.
00:41:56Come on.
00:41:57¡Gracias!
00:42:27Where's your coat?
00:42:29I left it at the station.
00:42:30There was no time to get it.
00:42:53No, keep those reporters outside.
00:42:54We'll have a statement for them as soon as we know something.
00:42:56I want this blockade airtight.
00:42:58Attention all cars.
00:43:00Two men jumped into getaway cab.
00:43:02Both are described as being of average height.
00:43:04They are armed and dangerous.
00:43:05Take no chances.
00:43:06Shoot to kill.
00:43:23Yes, sir. He's right here.
00:43:25The commissioner.
00:43:30Yes, commissioner.
00:43:31Every available man is on the job.
00:43:33Plan B went into full effect just two minutes after I got the report.
00:43:37The getaway car is somewhere inside the blockade.
00:43:39Patralka.
00:43:40Remember here, Miss Van.
00:43:41Guard.
00:43:45The trouble officer.
00:43:46Sorry, we have orders to stop all traffic.
00:43:51But this is a funeral.
00:43:52Surely you don't intend to delay us.
00:43:53Sorry, those are our orders. Nothing goes through.
00:43:57But certainly your orders don't apply to the dead.
00:43:58Well, I guess I could call in and find out.
00:44:03Is that necessary?
00:44:04I have no authority to let you through.
00:44:05If you'll just be patient, I'll try and get you a clearance.
00:44:09If you'll just be patient, I'll try and get you a clearance.
00:44:11Stop coming.
00:44:12Stop coming.
00:44:14Yes.
00:44:15Yes, sir.
00:44:16What was the order of my opinion?
00:44:19No, I can't see.
00:44:20Hey, sir.
00:44:21Mr. K.
00:44:22�,urn.
00:44:23Have a good day, Miss Van.
00:44:24We're going to come.
00:44:25Mr. K,urn?
00:44:26I'm not.
00:44:27Yes.
00:44:28frozen.
00:44:29Mr. K.
00:44:34Mr. K,urn?
00:44:35Well, Mr. K.
00:44:38Mr. K,urn?
00:44:39Capcomi.
00:45:09Right.
00:45:11Okay.
00:45:12Sorry to have caused you this delay.
00:45:13You folks can go ahead now.
00:45:14Thank you very much, officer.
00:45:39No time.
00:45:47Check on that blockade, Smith.
00:45:48I don't care if traffic is tied up for the rest of the day.
00:45:50Nothing goes through.
00:45:51Okay, Lieutenant.
00:45:54Hey, Smith speaking for Lieutenant Burdick.
00:46:00Catch anything in that net?
00:46:01Yeah, well, I have a note right here.
00:46:03Funeral from Breckenridge Mortuary.
00:46:05Hearse in two limousines.
00:46:06Just went through a few minutes ago en route to White Cedar Summit.
00:46:08a las que se trata de la ciudad de White Cedar Cemetery.
00:46:10Ok.
00:46:14I'll have all of you fellows go down and take a look through the mug racks.
00:46:17You might be able to identify that cab driver.
00:46:20They're holding you down, Lieutenant.
00:46:21The only thing they went through is a hearse and two limousines
00:46:23from the Breckenridge mortuary.
00:46:25Ok, Smith.
00:46:27Breckenridge.
00:46:28No, no, no, no.
00:46:58No, no, no, no.
00:46:59They're not on that street.
00:47:00That funeral procession must have passed a moment before they were killed.
00:47:03Come on, quit hedging.
00:47:04I want the details.
00:47:06Very well.
00:47:07There was the unusual request of the deceased
00:47:09that he be interred at the precise moment of his birth.
00:47:131101.
00:47:14There was...
00:47:15How many people were there?
00:47:16Only the family were present.
00:47:18Three.
00:47:19For two cars?
00:47:21Oh, no.
00:47:23They used only one.
00:47:24Their own.
00:47:28No, no, no, no, no, no.
00:47:58I stuck my neck out as far as anyone.
00:48:00I'm entitled to an even cut.
00:48:02Marty?
00:48:03She's right, Vince.
00:48:04If anything had gone wrong, she'd take the rap the same as any of us.
00:48:07If anybody gets more, it should be me.
00:48:08It was my job.
00:48:09But look, there were eight of us when we started.
00:48:12There's only six now.
00:48:14She gets the same as any of us.
00:48:17That's like giving you a double share, Marty.
00:48:19I think your arithmetic's a little off.
00:48:22How about it, fellas?
00:48:23You want to kick in 25 grand a piece just to make little Christy happy?
00:48:25Well, what's a few thousand, more or less?
00:48:31Sure, it should act with me.
00:48:32And it's okay with Mickey, too.
00:48:34How about you, Vince?
00:48:36Not me.
00:48:36I planned this thing and got you through okay.
00:48:39Now you're on your own.
00:48:40All right, Vince.
00:48:42Keep it.
00:48:43But I've got news for you.
00:48:44I'm not going to be happy.
00:48:45The streets are crawling with patrol cars.
00:48:53Did you get rid of the car?
00:48:54Yeah, yeah.
00:48:55Let me see that sheet.
00:48:56There's your end on the table.
00:49:03I got a bigger headline here, Vince.
00:49:05Let's get out of here.
00:49:17Eddie, let's put the money in a suitcase.
00:49:18Right, Marty.
00:49:19Mickey, you get Marty's car.
00:49:20Okay, Christy.
00:49:21Let's go.
00:49:51I didn't expect you, Vincent.
00:50:06Why did you come here?
00:50:08You invited me for a nightcap, baby.
00:50:11Remember?
00:50:12You're being presumptuous.
00:50:14That doesn't give you any priorities on my present or future.
00:50:17I think you'd better leave.
00:50:19What's the matter?
00:50:21You getting tired of my company?
00:50:23I intend to stay here for a few days.
00:50:26Harboring a fugitive isn't my idea of companionship.
00:50:29Get out of my bedroom.
00:50:34If you don't leave, I'll call the police.
00:50:36Don't forget to tell them I got the information about the money in the armored car.
00:50:39You handle the truth carelessly, don't you, Vincent?
00:50:45That's what I like about you, class.
00:50:48Never come right out and call a man a liar.
00:50:53Relax.
00:50:54I'm only going to be here for a couple of days.
00:50:59You got any cigarettes?
00:51:00I left mine at the gas station in my jacket.
00:51:02I know.
00:51:02You were in a hurry.
00:51:10There are no cigarettes here.
00:51:13Vincent, you forgot.
00:51:15I don't smoke.
00:51:20Don't get any ideas.
00:51:22Get out.
00:51:29Just a moment.
00:51:30Forget this address.
00:51:36I never intend to remember it.
00:52:00I don't go.
00:52:01Let's go.
00:52:06Let's go.
00:52:13Let's go.
00:52:20Let's go.
00:52:21¿ כ¡Más!
00:52:31¿Ajá una?
00:52:37Tengo nada.
00:52:40No, no, estoy equivocado.
00:52:44Están los lights en la cámara,
00:52:46en el agua de estas punta con las ruas de la puerta.
00:52:48Estoy trabajando por una ciudad de la ciudad
00:52:50¿Cómo se está haciendo esto?
00:52:52¿Cómo está, Lieutenant? ¿Cómo se está cheque?
00:52:54Mi esposa le va a decir que es mi esposa.
00:52:57Ok, vamos a ver.
00:53:07Lubeck, we know you're inside.
00:53:09¡Cámonos, Lubeck, con tus manos!
00:53:20¡Suscríbete al canal!
00:53:50¡Suscríbete al canal!
00:54:20¡Suscríbete al canal!
00:54:50No, no, no, no, no, no.
00:55:20What can Mama do?
00:55:23Go to the electric chair for you?
00:55:27Don't say that, Ma.
00:55:30Should I tell lies for you again?
00:55:33Say that you are a good boy, that you didn't mean it?
00:55:38Who should I tell?
00:55:41The man laying dead by the bank?
00:55:45Rosa, who you made ashamed?
00:55:47Papa, whose heart you broke?
00:55:52Can they hear me?
00:55:56It's too late, Vincent.
00:55:59It's too late.
00:56:01Shut up, Ma. Shut up.
00:56:03I should have shut up a long time ago.
00:56:06But, no, I thought my heart was big enough for both of us.
00:56:14I was blind.
00:56:18I always stuck up for you.
00:56:20No one could tell me you was no good.
00:56:23No matter what they told me, I didn't believe.
00:56:26Every time you got in trouble, I worked, I borrowed, I go to the lawyers, the war-tealers, begging, crying, to get you out of jail.
00:56:42What did you want me to do?
00:56:44I never had a chance.
00:56:46I had to look for some way out.
00:56:47I wasn't going to let them kick me around.
00:56:50So you got the gun.
00:56:53But that wasn't the only way you killed it.
00:56:57You took your papa's name and burned a number in his heart.
00:57:04One, nine, nine, four, three, six.
00:57:08Every time I wrote a letter, Vincent Lubeck, one, nine, nine, four, three, six.
00:57:24I should let you rot in jail.
00:57:32At least Rosa wouldn't have thrown herself off the roof.
00:57:38What did you want from her?
00:57:45She meant nothing to you?
00:57:48But because she belonged to your brother, you had to take her.
00:57:54And she died with your baby, unborn.
00:58:01Ma, I didn't know.
00:58:02And if you had, would you have cared?
00:58:07Who'd love?
00:58:10All the time you was yelling about the smells from the city dump.
00:58:15You are the smell.
00:58:18You are the stink.
00:58:22Ma.
00:58:22And so, now you cry, my son, when it is too late for tears.
00:58:35And so, now you cry, my son, when it is too late for tears.
00:58:49You should have cried a long time ago and washed that poison out of your heart.
00:59:04And you cry, my son, when it was too late for tears.
00:59:06I have cried a lot, she has cried a little, but, you know, when it is too late for tears.
00:59:08It was too late for tears.
00:59:09I will cry, my son, when it is too late.
00:59:20Have a tea with tears.
00:59:24You left the tears.
00:59:25You're going to cry, my son.
00:59:27Oh, I'm hungry, my son.
00:59:28Yes, I'm hungry, my son.
00:59:30And that's what you're listening to me.
00:59:31¡Gracias!
01:00:01David lately killed popped rooms.
01:00:08But Momma is dead.
01:00:10Yes, she is dead.
01:00:12Nothing could stop her from loving you, but death.
01:00:16Well now she is dead, and you killed her,
01:00:18Just like you killed Poppa and Rosa.
01:00:21Johnny, I never had nothing to do with Rosa.
01:00:22Liar.
01:00:23You never had anything of your own.
01:00:25Everything you got you had to steal,
01:00:28And all you stole you could never keep.
01:00:30¿Dónde estamos?
01:00:31¿Dónde estamos?
01:00:32El ciudadano.
01:00:33¿Dónde estamos?
01:00:34¿Dónde estamos?
01:00:35¿Dónde estamos?
01:00:36No, Johnny.
01:00:37No hay nada que...
01:00:38No hay nada que...
01:00:39No hay nada que hacer, Vincent.
01:00:40Cuando mamá me dejó de la caída,
01:00:42te preguntaron sobre tu gran fixación.
01:00:44No hay que hacer aquí.
01:00:46Mamá no puede hablar para ti.
01:00:50No importa los policías.
01:00:51Voy a terminar esto donde todo empezamos.
01:01:00No hay nada que hacer.
01:01:30No hay nada que hacer con Dios.
01:01:32No hay nada que hacer, vается.
01:01:34No hay nada.
01:01:35No hacer lo que Diosиниó.
01:01:37av
01:02:00¡Lubeck! ¡Lubeck!
01:02:30¡Lubeck!
01:03:00¡Lubeck!
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